Podcasts about lincoln center orchestra

Der italienische Bildhauer Medardo Rosso revolutionierte um 1900 die Skulptur und ist heute dennoch relativ unbekannt – eine Ausstellung im Kunstmuseum Basel würdigt sein Werk. Wynton Marsalis ist einer der berühmtesten Jazz-Trompeter und ein unermüdlicher Kämpfer gegen gesellschaftliche Missstände. Selbst Kunstinteressierten dürfte dieser Name nicht viel sagen: Medardo Rosso. Rosso war ein italienischer Bildhauer, der die Skulptur um 1900 revolutionierte, ein Zeitgenosse des heute sehr viel berühmteren Auguste Rodin. Inwiefern Rossos Kunst wegweisend war und wieso er heute trotzdem relativ unbekannt ist – das zeigt jetzt eine beeindruckende Ausstellung im Kunstmuseum Basel, die in Kooperation mit dem Mumok Wien entstanden ist. Dort war die Schau bereits im vergangenen Jahr zu sehen – und wurde vom Kunstmagazin «Art» zur besten Ausstellung 2024 im deutschsprachigen Raum gekürt. Wynton Marsalis war auf seinem Peak einer der grössten Trompeter, die je gelebt haben. Noch wichtiger aber ist sein unermüdlicher Kampf gegen gesellschaftliche Missstände in den USA – heute mehr denn je. Als Kind erlebte er den täglichen Kampf seines Vaters gegen Rassismus, als junger Musiker definierte er «Jazz» eng als afro-amerikanische Musik und kämpfte dafür, dass die Tradition als solche respektiert würde. Musikalisch bald in unerreichbaren Höhen unterwegs, blieb sein Leben doch immer ein Kampf – und das «Jazz at the Lincoln Center Orchestra» wurde zu seinem Instrument gegen gesellschaftliche Windmühlen. Warum er diesen Kampf noch immer führt und was ihn beglückt an der Musik, das erzählt er in Künste im Gespräch.

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark. Come watch the Los Angeles Brass Alliance (LAB-A) at 7PM on May 4th at Glendale First baptist Church for their second installation of Next Up! This free concert (generously sponsored by Bob Reeves Brass) spotlights LAB-A's annual collaboration between emerging LA-based composers and brass musicians.  Learn more at: www.labrassalliance.org. Join hosts Noah and John as they interview Michael Dease, commercial trombonist from Los Angeles. About Michael: Michael Dease is one of the world's eminent trombonists, lending his versatile sound and signature improvisations to over 200 recordings and groups as diverse as Grammy winning artists David Sanborn, Christian McBride, Michel Camilo, and Alicia Keys. Born in Augusta, GA, he played the saxophone and trumpet before choosing the trombone at age 17. In 2001, Dease moved to New York City to become part of the historic first class of jazz students at The Juilliard School, earning both Bachelors and Masters degrees, and quickly established a reputation as a brilliant soloist, sideperson, and bandleader.   Best Next Thing (Posi-Tone, 2022), Dease's newest release, his ninth on Posi-Tone, gathers together an assemblage of exceptional musicians to help him interactively explore the essence of the blues and reframe the abstract truths of jazz as the "Best Next Thing "for today's audience of listeners. Dease, the winner of the 69th Annual DownBeat Magazine Poll for Trombonist of the Year and multi-Grammy award winner, is also a sought-after lead, section and bass trombonist with today's leading jazz orchestras. His experiences include bands led by Christian McBride, Roy Hargrove, Nicholas Payton, Charles Tolliver, Rufus Reid, Jazz at Lincoln Center Orchestra and the Dizzy Gillespie All-Star Big Band. However, it is on the frontline of quintets and sextets led by master musicians like The Heath Brothers, Winard Harper, Renee Rosnes, Bill Charlap, Claudio Roditi, and Lewis Nash, where Dease has revitalized the trombone's image. Not content to simply improvise, Dease arranges and composes for many different bands, constantly adjusting his tone and timbre to add just the right flavor to the music. Dease's unique blend of curiosity, hard work and optimism has helped him earn worldwide recognition, including awards from ASCAP, The International Trombone Association, Yamaha, Eastern Trombone Workshop, New York Youth Symphony, Hot House Magazine, Michigan State University, among others. Dease was profiled in Cicily Janus' book, The New Face of Jazz: An Intimate Look at Today's Living Legends (Random House). His experience in the studio has led him to produce several recording sessions for emerging artists, often composing and writing liner notes for the releases. Dease's singular talent has made him an effective and prolific teacher, resulting in invitations, master classes and residencies at University of North Texas, Scranton University, University of Iowa, Florida State College, Broward College, and many institutions abroad. He serves as Professor of Jazz Trombone at the renowned Michigan State University jazz program and has also been on faculty at Queens College - CUNY, The New School and North-eastern University. Many of Dease's current and former students are enjoying successful careers in the music world. Always an informed, but forward-thinking musician, Dease learned the craft from trombone legends Wycliffe Gordon and Joseph Alessi. His associations have run the entire spectrum of musical experience: Alicia Keys, Paul Simon, Paul Schaffer and the CBS Orchestra, Elton John, Neal Diamond, Illinois Jacquet, Slide Hampton & The World of Trombones, Fred Wesley, Maceo Parker, WDR Big Band, George Gruntz, Billy Harper, and numerous others. Dease enjoys spending every possible minute with his extraordinary wife and Professor of Percussion at MSU, Gwendolyn Dease, and their daughters Brooklyn & Charley. Michael Dease is a Yamaha Performing Artist and uses Pickett Brass and Vandoren mouthpieces exclusively. View Michael's All Music Guide entry here for a partial listing of his sideperson credits and discography.

This episode of The Other Side of the Bell, featuring trumpeter, band leader and iconic plunger mute designer Kenny Rampton, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Kenny Rampton trumpet interview"   About Kenny Rampton:   Trumpeter Kenny Rampton grew up in Las Vegas, and studied music at both the University of Nevada at Las Vegas and the Berklee College of Music. In 1989, he moved to New York, where he quickly established his reputation as a versatile musician, touring and performing with a veritable who's who in jazz.   Kenny's first road gig was a world tour with The Ray Charles Orchestra. He subsequently went on the road with legendary jazz drummer Panama Francis and The Savoy Sultans, and soon thereafter, with The Jimmy McGriff Quartet.   As a sideman, Kenny has also performed with jazz greats Jon Hendricks, Chico OFarrill's Afro-Cuban Jazz Big Band, Lionel Hampton, Charlie Persip and Supersound, Illinois Jacquet, Dr. John, Edy Martinez, Dr. Lonnie Smith, Reuben Wilson, Charles Earland, Tony Monaco, Clark Terry, Slide Hampton, Marcus Roberts, Christian McBride, Geoff Keezer, Richard Bona and a host of others.    Kenny Rampton joined the Jazz at Lincoln Center Orchestra with Wynton Marsalis as a full time member in 2010. He also leads his own groups in addition to performing with the Mingus Big Band, The Mingus Orchestra, The Mingus Dynasty, George Gruntz' Concert Jazz Band, and The Manhattan Jazz Orchestra.   Kenny is also well known as being the trumpet voice on the legendary Sesame Street. Some of his Broadway credits include "Anything Goes" (lead/solo trumpet), "Finian's Rainbow," "The Wiz," "Chicago: The Musical," "In The Heights," "Hair," "Young Frankenstein," and "The Producers," "The Drowsy Chaperone," "Spamalot," "Martin Short: Fame Becomes Me," "The Wedding Singer," "Hot Feet" and several other shows on Broadway.   Finally, in 2020 Kenny started collaborating with Hirschman Mutes to design the innovative KR Indigo plunger mute, which has been a hit ever since its release.   In our conversation today, Kenny shares how he got his start growing up in Las Vegas in a family of entertainers. Studying trumpet at the time largely meant classical trumpet, but Kenny soon developed a deep love for jazz. This took him across the country to Berklee, and the rest is history.   Kenny tells us what it was like getting a sudden call from Ray Charles to join his orchestra, being on-screen on Sesame Street, and working closely with Wynton Marsalis at the Lincoln Center.   And, we learn the story of how he developed the famous KR Indigo plunger mute, in the midst of the pandemic, as not just a useful tool for musicians but a way to stay engaged with the community during that tough time.   Kenny Rampton is brimming with inspiration and heart, and it was a pleasure to have him on the podcast today.   Podcast listeners! Enter code "podcast" at checkout for 15% off any of our guard bags! Visit trumpetmouthpiece.com for more info.   Episode Links: kennyrampton.com National Trumpet Competition YouTube channel International Women's Brass Conference, May 19-24, Hartford, Connecticut. Sign up sheet for valve alignments: bobreeves.com/iwbc International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. Sign up sheet for valve alignments: bobreeves.com/williamadam hirschmanmutes.com   Podcast Credits: “A Room with a View“ – composed and performed by Howie Shear Podcast Host – John Snell Audio Engineer – Ted Cragg

El músico panameño Rubén Blades en su faceta de 'crooner' o cantante de 'swing': con Roberto Delgado y orquesta en el disco 'Salswing!' ('Pennies form heaven', 'The way you look tonight', 'Watch what happens'', 'Do I hear from you?', 'Mambo Gil', 'Ya no me duele') y con Jazz at Lincoln Center Orchestra with Wynton Marsalis en el disco 'Una noche con Rubén Blades' ('Ban ban quere', 'Too close for comfort', 'I can´t give you anything but love', 'Apóyate en mi alma', 'Fever', 'They can´t take that away from me').Escuchar audio

El pianista estadounidense Fred Hersch con la WDR Big Band en el disco 'Begin again' ('Havana', 'Pastorale', The Orb), el pianista británico Bill Laurance también con la WDR Big band en 'Live at Philarmonie ('Golden hour', 'The good things', 'The rush'), el pianista cubano Omar Sosa con la NDR Big Band en 'es. sensual' ('Cha cha du Nord', 'My three notes') y Jazz at Lincoln Center Orchestra en 'The music of Wayne' ('Yes or no').Escuchar audio

durée : 00:59:12 - Couper les pensées - par : Nathalie Piolé -

DeWitt Fleming Jr. is a multi-talented and brilliant performer, renowned for his tap dancing, choreography and acting, and is also a singer and drummer. As he said to me in this interview “when I'm tap dancing I'm drumming”. You'll hear about his experience growing up in the Projects, the importance of attending an Arts high school, the usefulness of theatre training for musicians, and insights into memorization, mindset and performing. He shared his experiences working with Wynton Marsalis, meeting his wife the actor and singer Jennie Harney-Fleming, with whom he's presently performing A Wonderful World: The Louis Armstrong Musical,  his experiences with Cirque du Soleil and touring internationally with Riverdance, and most recently playing both drums and performing tap with the Hot Sardines in Tokyo.  Like all my episodes, you can also watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I've also linked the transcript to my website, everything linked here : https://www.leahroseman.com/episodes/dewitt-fleming-jr DeWitt Fleming Jr. Website: https://www.dewittflemingjr.com/bio Sign up for my Podcast Newsletter!⁠ ⁠Very Cool Merch⁠ Buy me a coffee? ⁠https://ko-fi.com/leahroseman⁠ Thanks! You may be also interested in my episodes with ⁠J. Walter Hawkes,⁠ ⁠Vahn Black⁠,⁠ Mike Essoudry⁠, ⁠Destiny Muhammad⁠, ⁠EmmoLei Sankofa⁠, ⁠Kellylee Evans⁠ and so many ⁠others. ⁠  “Doxy” highlighting DeWitt's tap dancing with saxophonist Erica von Kleist; Sax & Taps' this video which was recorded live at The Red Room in 2017: https://www.youtube.com/watch?v=M6-xm8DZY6c Sax & Taps' album Intersplosion! https://saxandtaps.bandcamp.com/album/intersplosion-live-at-dizzys-club clips of DeWitt dancing with  Wynton Marsalis and the Jazz at Lincoln Center Orchestra video: https://www.youtube.com/watch?v=DGl6svIDzNc  Timestamps:  (00:00) Intro (02:48) history of tap, African roots  (09:26) DeWitt's youth Projects of Washington DC, Hoofin' out of the Hood show (17:54) meeting his wife Jennie Harney-Fleming, parenting (22:16) A Wonderful World: The Louis Armstrong Musical (23:30) choreography, Broadway  (26:56) benefits of drama training (29:31) clip from Doxy, Sax & Taps with Erica von Kleist (32:28) other episodes you may like, and different ways to support this series! (33:15) drummer, Blue Note Tokyo with The Hot Sardines (36:47) Cirque du Soleil experience, Broadway Underground (43:06) meeting and working with Wynton Marsalis (50:24) tap dancing, mentoring and teaching youth, the importance of theater (56:10) connections with music, acting, dancing (59:38) touring internationally with Riverdance (01:02:35) Alicia Keys (01:04:57) balance between playing drums and dancing, being in the moment, tap is music

This episode continues from last week in bringing new music that I heard from Monterey Jazz Fest recently. Following that is more music from the Hartford jazz scene with Abena Koomson-Davis, Andrew Wilcox and Matt Dwonczyk. Playlist  Artist ~ Name ~ Album Marquis Hill ~ A Star Is Born ~ Composers Collective: Beyond The Jukebox Brandee Younger ~ Brand New Life ~ Brand New Life Robert Glasper ~ Prototype ~ Keys To The City Volume One Anat Cohen ~ Paco ~ Quartetinho: Bloom Abena Koomson-Davis ~ Just the Two of Us ~ Where Is Love Matt Dwonszyk ~ Groovin' on Wine ~ Donny Time Matt Dwonszyk ~ What a Difference a Day Makes ~ Donny Time Andrew Wilcox ~ Old Devil Moon ~ Dear Mr. Hill Jazz at Lincoln Center Orchestra & Wynton Marsalis ~ Freedom Day ~ The Music of Max Roach

Welkom bij de Concertzender, een grenzeloos muziekpodium voor avontuurlijke muziekliefhebbers. We starten de show met een ijzersterk trio van fusion klassiekers. De voorkeur van een president kandidate. Keith Jarrett Plays Miles Davis in een nieuwe aflevering. En weer eens een jazz cameo. Wynton Marsalis met het Jazz at Lincoln Center Orchestra in een gedragen ballade. […]

Candice Hoyes, Joel Ross, Lauren Henderson, Catherine Russell & Sean Mason, Mahogany L. Browne & Sean Mason, Joy Guidry, Jazz at Lincoln Center Orchestra, Stephanie Urquhart Jazz Orchestra, Christine Jensen, Winnipeg Jazz Orchestra, Jon Gordon, Walter Smith III, Bryn Roberts and Sahil ChughPlaylist: Candice Hoyes - In the Upper Room (for Mary Winnifred)Joel Ross - earlyLauren Henderson, featuring Joe Dyson, Joel Ross, Jonathan Michel & Sean Mason - TormentoCatherine Russell, Sean Mason - The Best Things Happen While You're DancingMahogany L. Browne, Sean Mason, featuring Ekep Nkwelle - Redbone DancesJoy Guidry - Members Don't Get WearyJazz at Lincoln Center Orchestra & Wynton Marsalis, featuring Shenel Johns - Freedom DayStephanie Urquhart Jazz Orchestra - Talk Over MeChristine Jensen Jazz Orchestra, featuring Ingrid Jensen - SurgeWinnipeg Jazz Orchestra, featuring Christine Jensen - Crossing LachineJon Gordon - Here, There and EverywhereWalter Smith III - CezanneBryn Roberts - Let's Agree (That You Agree With Me)Sahil Chugh - Clarity, Pt. 1Sahil Chugh - Clarity, Pt. 2

WTOP's Jason Fraley interviews jazz icon Wynton Marsalis, who brings The Jazz at Lincoln Center Orchestra to Wolf Trap in Vienna, Virginia tomorrow night. They discuss his journey from New Orleans to New York, from Grammys to Peabodys, receiving the National Medal of Arts from President George W. Bush and the National Humanities Medal from President Barack Obama. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

WTOP's Jason Fraley interviews jazz icon Wynton Marsalis, who brings The Jazz at Lincoln Center Orchestra to Wolf Trap in Vienna, Virginia tomorrow night. They discuss his journey from New Orleans to New York, from Grammys to Peabodys, receiving the National Medal of Arts from President George W. Bush and the National Humanities Medal from President Barack Obama. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:59:09 - Le jazz sur France Musique - par : Nathalie Piolé - Une heure, un lieu.

This week, Wynton Marsalis is playing his first residency at the famous Blue Note Jazz Club in over thirty years. The Pulitzer Prize-winning trumpeter will be playing with both the Jazz at Lincoln Center Orchestra and the Future of Jazz Septet through June 16. Marsalis discusses with us his residency, his favorite memories of playing at the Blue Note, and his continued education efforts in Jazz.This episode is guest-hosted by Kousha Navidar

Here is the playlist for the 05/26 episode of Crosswinds. Enjoy!Stan Kenton Orchestra- Intermission Riff (theme)Jazz at Lincoln Center Orchestra- Two Bass HitJazz at Lincoln Center Orchestra- Endangered SpeciesTed Nash Big Band- The Four FreedomsJazz at Lincoln Center Orchestra- Creole Love CallJazz at Lincoln Center Orchestra w/Bob Dylan- It Takes a Lot to Laugh. It Takes a Train to CryJazz at Lincoln Center Orchestra w/Willie Nelson- Milk Cow BluesJazz at Lincoln Center Orchestra w/Eric Clapton- LaylaGordon Goodwin's Big Phat Band- Ever Braver, Ever Stronger (an American Elegy)Pat Metheny Group- (Cross the) HeartlandJazz Crusaders- Freedom SongOscar Peterson Trio- Hymn to FreedomMiles Davis- The Struggle ContinuesSantana- Freedom im Your MindKinga Glyk- FreedomWeather Report- Corner Pocket (live)Tower of Power- Soul With a Capital 'S'Tower of Power- Squib CakesDynamo- Ashland CityBeat Funktion- The Rain DancerSting- Bring on the Night/When the World is Running Down (live)Manhattan Transfer- BirdlandJoni Mitchell- AmeliaEarth, Wind and Fire- That's the Way of the World (live)

Two mighty orchestras present a rousing, jazz-meets-classical event. Discover selections from Prokofiev's Romeo and Juliet, alternating between the original orchestral version performed by the Chicago Symphony Orchestra and imaginative new jazz arrangements presented by the Jazz at Lincoln Center Orchestra. Both ensembles join forces for a selection from Wynton Marsalis' Swing Symphony, which The Telegraph calls “a journey through jazz history and the sounds of America itself.” Learn more: cso.org/performances/23-24/cso-classical/cso-x-jazz-at-lincoln-center-orchestra

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Since 2021, Obed Calvaire has been in the drum chair for Wynton Marsalis and the Jazz At Lincoln Center Orchestra, with whom he recently curated and directed a series of concerts celebrating the centennial of the great Max Roach. His New York jazz career spans over two decades and includes jazz legends such as Dave Holland, Kurt Rosenwinkle, The Mingus Big Band, Joshua Redman and many others. His new album, “150 Million Gold Francs” will be released April 12th and draws heavily on his Haitian heritage.

Here is the playlist for the 03/03 episode of Crosswinds. Enjoy!Kim Richmond Concert Jazz Orchestra- Intermission Riff (theme)Lyle Lovett Large Band- The Blues WalkDave Stryker and WDR Big Band- Wichita LinemanColin James- Cadillac BabyCory Weeds Little Big Band- K.D.S. MotionThad Jones/Mel Lewis Orchestra- Big DipperCount Basie Orchestra- Sent for You YesterdayJazz at Lincoln Center Orchestra- 2 Degrees East 3 Degrees WestBuddy Rich Big Band- Groovin' HardBob Curnow Big Band- And Then I KnewJoe Satriani- Summer SongPat Metheny Group- Spring Ain't HereSteve Gadd Band- Spring SongDr. Um- Eleven ElevenStan Getz Quartet- Spring Can Really Hang You Up the MostAhmad Jamal- Spring is Here/Your StoryStevie Wonder- I WishThe Temptations- I Wish it Would RainWynton Marsalis Septet- I Wish I Knew How it Would Feel to be FreeVasil Hadzimanov Band- I Wish IThe Fearless Flyers- Introducing The Delta ForceSnarky Puppy- BinkyOz Noy w/Chris Potter- Tired But WiredRicky Lee Jones, Billy Childs and Chris Potter- Been on a TrainEthan Iverson- The Feeling is MutualBob James- CourtshipBruce Hornsby- Rainbow's CadillacSteely Dan- Glamour ProfessionDr. Um- Little Fun K

Presentamos músicas que conectan danzas polacas y ucranianas, guitarras de Andalucía y Estambul; cantos que llegan de Escocia, Cataluña o Galicia; tradiciones griegas en clave de dub; flamenco desde Francia o en combinaciones jazzísticas, y músicas de Finlandia que nos pueden llevar también por África o en desierto del Gobi. En nuestras #Mundofonews hablamos del Flamenco Festival de Nueva York, contando con las palabras de su director, Miguel Marín. También contamos con otras voces invitadas, las de Caamaño&Ameixeiras, quienes nos hablan de su último disco. We present music that connects Polish and Ukrainian dances; guitars from Andalusia and Istanbul; chants coming from Scotland, Catalonia or Galicia; Greek traditions in the key of dub; flamenco from France or in jazzy combinations, and music from Finland that can also take us to Africa or the Gobi desert. In our #Mundofonews we talk about the New York Flamenco Festival, with the words of its director, Miguel Marín. We also have other guest voices, those of Caamaño&Ameixeiras, who talk about their latest album. HrayBery - Kołomyjka od Łówczy - Karczma /Korchma Tunto - Gobi music - Huoleton Blend Mishkin & Panos Dimitrakopoulos - The hidden agent - The lost continent Paco el Lobo & Sangitananda - Perdí mi centro (soleá de la Serneta y Álcala) - Memoria de los cantes flamencos, vol.1 Jazz at Lincoln Center Orchestra with Wynton Marsalis featuring Paco De Lucía - Deep blue (From the foam) - Vitoria suite [frag.] Rycardo Moreno & Cenk Erdoğan - Nemrut - Connected disconnection Evie Waddell - Puirt - Cluich! Alba Careta & Henrio - Sant Josep, feu-lo dormir - Udolç Caamaño&Ameixeiras - Virar as tellas - Quitar o aire The Blassics - Block hipat - Sounding times: 10 years at Odd Funk #Mundofonews: Flamenco Festival NY Voces invitadas: Guest voices: Miguel Marín (Flamenco Festival NY) Sabela Caamaño, Antía Ameixeiras (Caamaño&Ameixeiras) 📸 Caamaño&Ameixeiras

WUCF's February artist for ‘In the Key of Latin Jazz' is Carlos Henriquez. This Bronx born bassist has graced over 25 albums of the Jazz at Lincoln Center Orchestra where he also serves as Artistic Director. As a leader he has garnered a Grammy nomination and his latest album - “A Nuyorican Tale” tells the tales of Puerto Rican and Nuyorican heritage both struggles and triumphs within New York's vibrant tapestry. 

Today on Long Island tea, Kristen and Sharon talk about the unpredictability of winter weather. And if snow days, event cancellations, and the cold are giving you seasonal depression, these ladies are here to help! As much as everyone loves a Long Island summer, Kristen and Sharon share why Long Island winters are cozy and magical. From the fantastic talent of local theater and all of the shows you can go see right now, to winter winery experiences in cozy fireside tasting rooms, to beautiful and boujee dining under the stars in a heated igloo. And speaking of igloo dining- we have an amazing *GIVEAWAY*: Get an igloo dining experience at the Baker House 1650 in East Hampton for up to 4 guests with a bottle of champagne, a $175 value. Follow @longislandteapodcast for details on how to win. Also Long Island Restaurant week starts this weekend, so make those dinner reservations now! Plus some CelebriTEA about Alec Baldwin and No Doubt. Taste of Long Island:Channing Daughters Winery, Bridgehampton: Open for tastings both by reservation and walk-ins. This crisp, focused white wine displays aromas and flavors of citrus and tree fruits that is coupled with a salty minerality that sings of the sea. channingdaughters.comLong Island Events This Week:Events This Weekend:Friday, January 26th* Chambers of Hell - Coven of Chaos - Winter Haunted House* Sannino Vineyard - Trivia Night* George D. Costello Roller Skate Rink - Friday Night All SkateSaturday, January 27th* Staller Center - Jazz at Lincoln Center Orchestra with Wynton Marsalis* 1/27-1/28: Port Jefferson Ice Festival* 1/27-3/03: John W. Engeman Theater at Northport - Frozen Jr.* Last night for Footloose at CM Performing Arts CenterSunday, January 28th* East Wind Long Island - East Wind Wedding Showcase* Robert Moses State Park - Winter Wildlife HikeLong Island Restaurant Week Jan 28 - Feb 4Visit our partners:Arlo Kitchen and Bar - NorthportCalissa Hamptons - Water MillChops Steakhouse - PatchogueCity Cellar - WestburyDirft 82 - PatchogueH2O Seafood & Sushi - SmithtownSalt & Barrel - Bay ShoreWinter Winery and Igloo /Dining* Lenz Winery - lenzwine.com* Gurneys Montauk- gurneysresorts.com/montauk* Macari Vineyards- macariwines.com* The Baker House 1650- bakerhouse1650.comASK US ANYTHING!DM us on Instagram or email us at spillthetea@discoverlongisland.com. Tell us what you want to hear! Whether it is Long Island related or not, the ladies are here to spill some tea with you!WATCH US:And SUBSCRIBE on YouTubehttps://www.youtube.com/DiscoverLongIslandNYFOLLOW US:Follow The Long Island Tea podcast on TikTok, Instagram, Facebook, and Twitter @LongIslandTeaPodcastWRITE TO US:Email spillthetea@discoverlongisland.com if you are interested in collaborating with us, need some "uncorked advice"or if you just want to say “How you doin?”RATE AND REVIEW US:Be sure to leave us a 5 star rating and review wherever you're listening, and screenshot your review for $5 off our Merch!WEAR US:Shop Long Island merch at shop.discoverlongisland.com Hosted on Acast. See acast.com/privacy for more information.

This episode coversWe Three Kings by Jazz at Lincoln Center Orchestra & Wynton MarsalisClarity by Youth FountainWebsite: https://redcircle.com/shows/two-tunes-podcastInstagram: https://instagram.com/twotunespodcast?igshid=13gpurxc3bf2qDiscord: https://discord.gg/eYMwBuJ6GeRSS Feed: https://feeds.redcircle.com/baeeceec-9527-475d-85b5-d9da2eea19d3E-mail: twotunespodcast@gmail.comSupport this podcast at — https://redcircle.com/two-tunes-podcast/exclusive-content

This week the "Friday LIVE Extra" has conversations with Jazz at Lincoln Center Orchestra saxophonist Sherman Irby and poet Carolina Hotchandani.

Wynton Marsalis, internationally acclaimed musician, composer, educator, and a leading advocate of American culture, discusses what he says to kids who want to be musicians, what makes the Jazz at Lincoln Center Orchestra unique, and what he is trying to tell the world through his music. Wynton and the Jazz at Lincoln Center Orchestra perform in Seattle at the Paramount Theatre on October 5th. Info at stgpresents.org, wyntonmarsalis.org, and jazz.org.

All music used with permission by Stephen Philip Harvey. Mechanical Men - Harvey Vigilante - Harvey Zephyr - Harvey Hero's Journey - Harvey Nefarious Plots - Harvey Smash! - Harvey Projectile Dysfunction - Harvey The Mystics - Harvey Song 9 - Harvey Love's Lullaby - Jones Party Song - Harvey Stephen Philip Harvey's works sit squarely at the intersection of popular culture and jazz – and nothing better illustrates this than his recent release smash. For this project – celebrating the release of his album - Harvey uses contemporary big band writing styles and genre-blending idioms to bring comic book inspired pieces to life. These compositions combine elements of big band jazz, fusion, funk, rock, and cinematic score to bring classic characters and scenes off the page. But wait! There's more. Sean Jones joins the group as a special guest on trumpet. With a six-year stint as lead trumpet in the Jazz at Lincoln Center Orchestra and time with the San Francisco Jazz Collective to his credit – Sean Jones graces the stage with his presence and his talent. From July 7th, 2022 it's the Stephen Philip Harvey Jazz Orchestra, featuring Sean Jones – Live at the Bop Stop. Live at the Bop Stop is made possible by the Music Settlement – serving Northeast Ohio by offering music instruction – music therapy and early childhood education since 1912. The Music Settlement's mission is to welcome all to our music and arts community to learn – create – inspire – and heal.   This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio and the studios of KUNV in Las Vegas, Nevada. Additional production at the Bop Stop is provided by Graham Rosen. Editing for WOBC,WNPA and the Public Radio Exchange is provided by Dr. Pete Naegele - and for our podcast and other radio affiliates by Shawn Gilbert at Gilazar Media.     The executive producer is Daniel Peck – with additional consulting production by Bryan Kennard and Gabe Pollack.   For extended versions of all of our shows –our Live at the Bop Stop podcast can be found on your favorite podcast app or visit our website at www.themusicsettlement.org and click the Bop Stop link.   Want to Support The Bop Stop?  Donate here!   Contact us here  

Rubén Blades -que cumple años el 16 de julio- está de gira por España acompañado por Roberto Delgado Big Band. Conciertos en Barcelona, Lanuza, Madrid, Jerez, Marbella, Cartagena, A Coruña y Tenerife. Le escuchamos con la orquesta panameña en 'Paula C', 'Mambo Gil', 'Ya no me duele', 'Watch what happens', 'The way you look tonight', 'Do I hear four?', 'Arayué', 'Apóyate en mi alma', 'Nadie sabe', 'La marea' y '¿Adónde?. Y con Jazz at the Lincoln Center Orchestra de Wynton Marsalis en 'Too close for comfort' y 'I can´t give you anything but love'.  Escuchar audio

This is an interview with Paul Nedzela (https://www.paulnedzela.com/). He plays baritone saxophone with the Jazz at Lincoln Center Orchestra and leads his own quartet. He shares his thoughts on the experience of improvisation, how to prepare for a performance, the relationship between musical development and the various states of mind occasioned by improvisation, as well as several other topics. The first musical segment is from the opening track of Introducing Paul Nedzela, entitled #251 (https://music.apple.com/us/album/251-feat-dan-nimmer-david-wong-aaron-kimmel/1688589768?i=1688589788). The second musical segment is from another track on Introducing Paul Nedzela, entitled A Call Beyond (https://music.apple.com/us/album/a-call-beyond-feat-dan-nimmer-david-wong-aaron-kimmel/1688589768?i=1688590091).

Musica Nuda, el dúo que forman la cantante Petra Magoni y el contrabajista Ferruccio Spinetti, celebra sus veinte años de vida con el disco '20': 'Il viaggio straordinario', 'I giapponesi', 'Un semaforo blu' y 'Guardami'. Del nuevo disco del pianista Stefano Bollani en solitario, 'Blooming', las piezas 'Vale a Cuba' y 'Un giro per Bahia'. El hijo de Chico O´Farrill, Arturo, firma 'Legacies' en trío de piano, contrabajo, batería ('Un poco loco', 'Obsession') y firmó el año pasado, al frente de su Afro-Latin Jazz Orchestra y el Colectivo de son jarocho Conga Patria, 'Fandango at the wall in New York ('BeboChicoChuchoTuro', 'Xalapa bang!'). Para despedir, 'El cantante', de Rubén Blades, con el panameño arropado por la Jazz at Lincoln Center Orchestra de Wynton Marsalis. Escuchar audio

La WDR Big Band de la ciudad de Colonia con el pianista británico Bill Laurance en el disco 'Live at the Philarmonie' ('The good things', 'Golden hour') y con la cantante brasileña Luciana Souza en el disco 'Storytellers' ('Chora coração'. 'Matita perê'). Una big band de 17 músicos de Nueva York con el pianista dominicano Michel Camilo en 'Essence' ('Piece of cake', 'Just like you') y la Jazz at Lincoln Center Orchestra del trompetista Wynton Marsalis, con el saxofonista Wayne Shorter como invitado, en 'Yes or no' de su disco 'The music of Wayne Shorter'.  Escuchar audio

Isaiah J. Thompson is a finalist for the 2023 American Pianists Association (APA) Jazz Competition. Isaiah is a jazz pianist, composer and bandleader from West Orange, New Jersey. He began studying at The Calderone School of Music at an early age, and soon after continued his studies with Jazz House Kids and NJPAC Jazz For Teens. He received both his bachelor's and master's from The Juilliard School, was awarded the 2018 Lincoln Center Emerging Artist Award and earned Second Place in the 2018 Thelonious Monk (now Herbie Hancock) Institute of Jazz International Piano Competition. Isaiah has since performed with major artists including Ron Carter, John Pizzarelli, Christian McBride, Steve Turre and Buster Williams. He was featured on the Golden Globe-nominated soundtrack for "Motherless Brooklyn" and was named a Steinway Artist. Isaiah made his recording debut on Jazz at Lincoln Center's Blue Engine Records' release, “Handful of Keys” with the Jazz at Lincoln Center Orchestra with Wynton Marsalis, and he released his debut album as a leader, "Isaiah J. Thompson Plays the Music of Buddy Montgomery" in 2020.

In this Episode your hosts Melanie and Yunie catch up with their long time friend, colleague and fellow musician, Raynel Frazier.  Raynel shares her experiences as an arts administrator, and musician, all while studying for her doctorate in Organizational Development and Change.  She's a Trill superwoman to say the least!! The ladies also get into some interesting conversations about the “trendy” corporate topic – Diversity, Equity and Inclusion (DEI) in relation to belonging. We learned A LOT but also had some laughs along the way, so get into this episode with us! About Raynel Frazier Raynel Frazier started her career in the arts as a trombonist studying Jazz Studies at the Hartt School of Music, Jackie McLean Institute of Jazz, and received her master's in arts administration from American University and resides in New York City where she has worked as manager of programming at Jazz at Lincoln Center (JALC) and was responsible for booking Dizzy's Club, Jazz at Lincoln Center's world-renowned Jazz Club. Raynel was also a tour manager for the Jazz at Lincoln Center Orchestra, traveling around the world to expand the global community of Jazz. Raynel is currently the Programs Producer at Chelsea Factory and a doctoral student at Bowling Green State University, pursuing a Doctorate in Organization Development and Change. She hopes to use her degree to help arts organizations thrive to produce art that inspires communities.   Raynel's Article: Aligning Diversity Values with Artistic Programming by Raynel Frazier Raynel's Recommended Book to find your purpose:  Live Your Calling: A Practical Guide to Finding and Fulfilling Your Mission in Life by Kevin Brennfleck and Kay Marie Brennfleck   Melanie Charles Live at Blue Note NYC: Monday, February 27 | 8pm | 10:30pm | Tickets Here Follow Raynel Frazier: @ray_fraz  Follow Melanie Charles: @melaniecharlesisdflower | melaniecharles.com   Follow Yunie Mojica: @Yuniemo  Questions / comments? Email us at makejazztrillagainpodcast@gmail.com   

Nick & Jay tell us about their journey to Chambersburg, PA to see Wynton Marsalis in our latest Tales From the Concert. A traditionalist, Mr. Marsalis and the Jazz at Lincoln Center Orchestra performed a night of Duke Ellington compositions at the historic Capitol Theater. Song: Wynton Marsalis and the Jazz at Lincoln Center Orchestra - “Portrait of Ella Fitzgerald” Greg reports on the Tweet storm that resulted when Steve Albini decided that he needed to vent his hatred of Steely Dan to the world. It responded and so are we. Songs: Michael Leonhart and the Abramavi 7 - “Seahorse and the Storyteller” Steely Dan - “Aja” Steely Dan - “Kid Charlemagne” Jay, through the power of YouTube, has a discovered a deep appreciation for J Dilla. His ability to find obscure samples and transform them into incredible songs is on full display this segment! Songs: Common - “The Light” Bobby Caldwell - “Open Your Eyes” Churikah Blue - “Dreamflower” Erykah Badu - “Didn't Cha Know?”

Learn more about Michael Wenderoth, Executive Coach: www.changwenderoth.comSHOW NOTES:Dr. John Schaffner is Director of the Ohio State Fisher Coaching Program. His research and work focus on coaching millennials and centennials. In a previous episode, John contrasted coaching to mentoring and therapy – and why we badly need a “GI Bill” to spread coaching. In this conversation, he shares how to better coach today's younger employees and emerging leaders. We cover “learning to help” (vs burrito listening); addressing the “ought self”; and how companies and what senior leaders and companies get wrong. This episode has been lightly edited and contains profanity.Key points from my previous conversation with Dr. John SchaffnerJohn's research: coaching millennialsThe importance of “learning to help”Listening at the burrito level vs. listening to comprehendMillennials and feedbackWhy we need to democratize coaching and provide more of it earlier in our career arcCoaching exercise to address the “ought” self: defining roles, expectations and boundary workWhat most companies get wrong about millennialsWhy we need to be more explicit about what excellence meansFinding the middle ground: Being nutritive vs being combativeOperationalizing excellenceWhat millennials most need to do as they enter their workforceVUCA: creating time and spaceTwo areas John plans to explore nextDeveloping directness and assertivenessBIO AND LINKS:Dr. John Schaffner is an executive coach, consultant, and practitioner-scholar. He directs the Coaching Program at the Fisher College of Business at Ohio State and serves as Core Facilitator at Columbia University's 3CP Coaching Certification Program. Prior to his work as academic director at Ohio State, John served 20 years in learning, development and talent management in industry, a journey that started by leading international tours for Wynton Marsalis and the J@zz at Lincoln Center Orchestra. He holds a MBA from Columbia Business School and Doctorate from Case Western Reserve.Previous episode with John: https://redcircle.com/shows/97-effective/episodes/4fae4e9f-bdbf-4cab-8aa5-298544b3651cJohn's Coaching website: https://www.jschaffner.comLinkedIn: https://www.linkedin.com/in/johnjschaffner/John's blog post, Using Star Wars to better understanding coaching vs mentoring: https://fisher.osu.edu/blogs/leadreadtoday/blog/coaching-vs-mentorshipOhio State's Fisher Coaching Program: https://fisher.osu.edu/people/schaffner.50Columbia 3CP Coaching Certification: https://www.tc.columbia.edu/coachingcertification/Michael's Book, Get Promoted: https://changwenderoth.com/#tve-jump-180481ecea3

With one week left to submit to the Public Song Project, David Berger, author and founding conductor of the Jazz at Lincoln Center Orchestra, joins us to discuss his book, The Public Domain Song Anthology. The book features 348 popular songs, all of which are available in the public domain to be recorded and adapted for free!  The anthology is one of our suggested resources for Public Song Project submissions, which are due February 13. Send us a recording and you could be selected for an interview on the show.

Learn more about Michael Wenderoth, Executive Coach: www.changwenderoth.comSHOW NOTES:Dr. John Schaffner is Director of the Ohio State Fisher Coaching Program. His research and work focuses on coaching millennials and centennials. John shares why organizations must provide more nutritive support for young employees and future leaders – and how the field of coaching is uniquely positioned to meet that need. This episode has been lightly edited and contains profanity.The greatest interview and promotion of all time, a story you won't find on the internet about how John got hired as Wynton Marsalis's assistant“Use the power afforded to you”: Wynton's ambition, “little step move” and precious lips.Lessons from the jazz world and A&F on developing young talent and operationalizing excellenceHow a google search reflects the important perspective we're missing about millennials and centennials – which spurs John's researchCritical distinctions between Coaching, Mentorship and Therapy – and where each is most appropriateJohn's plea for a “GI Bill” of coaching in organizationsBIO AND LINKS:Dr. John Schaffner is an executive coach, consultant, and practitioner-scholar. He directs the Coaching Program at the Fisher College of Business at Ohio State and serves as Core Facilitator at Columbia University's 3CP Coaching Certification Program. Prior to his work as academic director at Ohio State, John served 20 years in learning, development and talent management in industry, a journey that started by leading international tours for Wynton Marsalis and the J@zz at Lincoln Center Orchestra. He holds a MBA from Columbia Business School and Doctorate from Case Western Reserve.John's Coaching website: https://www.jschaffner.comLinkedIn: https://www.linkedin.com/in/johnjschaffner/Ohio State's Fisher Coaching Program: https://fisher.osu.edu/people/schaffner.50Columbia 3CP Coaching Certification: https://www.tc.columbia.edu/coachingcertification/John's blog post on Coaching vs mentorship: https://fisher.osu.edu/blogs/leadreadtoday/blog/coaching-vs-mentorshipMichael's Book, Get Promoted: https://changwenderoth.com/#tve-jump-180481ecea3

Jazz at Lincoln Center Orchestra with Wynton Marsalis nos trae mas NaviJazz a 2 de uno con Big Band Holidays II, excelente secuela al álbum del 2015 con música de temporada, éste con una selección de la música interpretada en los conciertos de los años 2015 al 18, una producción para Blue Engine Records en el 2019.

Here is the playlist for the 10/23 episode of Crosswinds. Enjoy!Stan Kenton Orchestra- Intermission Riff (theme)Gordon Goodwin's Big Phat Band- That's How We RollBig Band of Brothers- In Memory of Elizabeth ReedDon Ellis Orchestra- Eli's Comin'Dave Stryker and the WDR Big Band- Wichita LinemanMaria Schneider Orchestra with David Bowie- Sue (or in a Season of Crime)Jazz at Lincoln Center Orchestra- 2 Degrees East 3 Degrees WestSWR Big Band- Notes After an EveningStanley Clarke- School DatsOscar Peterson Trio- C Jam BluesOscar Peterson and Keith Emerson- Honky Tonk Train BluesMiles Davis Quintet- SolarThelonious Monk and John Coltrane- Ruby, My DearSonny Rollins- Sonny, PleaseEthan Iverson Quartet- Out of NowhereHerbie Hancock and John Mayer- Stitched UpJohn Lee Hooker with Santana- The HealerTedeschi- Trucks Band- Signs, High TimesRodrigo Y Gabriela- TerracentricOregon- Guitarra PicanteLarry Coryell and Philip Catherine- Bags' GrooveBill Evans- Freddie FreeloaderAnimal Logic- Rose Coloured GlassesThe Police- Murder By NumbersAnimal Logic- Someone To Come Home ToSnarky Puppy- LingusBi;;y Cobham- Crosswinds (closing theme)

William Eddins, the accomplished pianist, conductor and the proprietor of Metronome Brewery was nice enough to take some time out of his schedule to talk about his gig this weekend. Mr. Eddins will be conducting both the Minnesota Orchestra and the Jazz at Lincoln Center Orchestra for their performances at Orchestra Hall. In this conversation you'll learn about how William approaches the preparation for the shows as well as sharing with us the pure majesty of standing in front of two great orchestras.

The wildfire that began Wednesday in San Diego's East County near the town of Potrero has charred about 4,400 acres, jumped state route 94 and burned south toward the Tecate area. It destroyed several structures including three homes and two people have been badly burned. In other news, the last days of California's two-year legislative session ended with a flurry of votes this week. One of the bills that did not make it would have ended the practice of transferring non-citizens to immigration custody when they're released from jail or prison. And finally in our weekend preview, the musical, “Ragtime,” "Fandango for Butterflies and Coyotes" at the La Jolla Playhouse, ballet at the Mingei from the Rosin Box Project and Wynton Marsalis and the Jazz at Lincoln Center Orchestra at the Shell.

The Freihofer's Saratoga Jazz Festival returns to the Saratoga Performing Arts Center with two full days of programming on two stages – this Saturday and Sunday, June 25 and 26, the festival is celebrating its 45th year at SPAC. Wynton Marsalis - managing and artistic director of Jazz at Lincoln Center and a world-renowned trumpeter and composer will be headlining Sunday's show with the Jazz at Lincoln Center Orchestra. Wynton Marsalis joins us.

About the guestAn artistic force in the broadest and most creative sense of the word, Darin Atwater's career has encompassed the roles of composer, conductor, pianist, record producer, artist, arranger, film composer, vocalist, entrepreneur, educator, and arts advocate. As a master inventor of musical hybrids, he has blended American pop, soul, Hip Hop, jazz, classical, and gospel music into many dazzling fusions, traversing virtually every medium, including records, live performance, radio, and television--literally reinventing the symphony orchestra in America.Born in Washington, D.C., Atwater made his orchestral debut as both composer and pianist in May 1995 with the National Symphony Orchestra performing his own Piano Concerto. The following year the National Symphony and the National Cathedral Choral Arts Society premiered his Proclamations. In 1997 he accompanied Kathleen Battle and the NSO for the re-opening of the Kennedy Center Concert Hall along with a performance that summer with Jennifer Holiday and the NSO for the PBS national broadcast of A Capitol Fourth. engagements with major orchestras, In Performance at The White House, European tour, and world premieres of his numerous compositions followed. As a guest conductor he has appeared with the Baltimore Symphony, the Dallas Symphony, M phis Brass, and the Columbus Symphony. Atwater appears regularly with the Jazz at Lincoln Center Orchestra with Wynton Marsalis as both guest conductor and composer. From 20042007 Atwater served as Composer-in-Residence with the Baltimore Symphony. This collaboration produced many evening length works that have become staples in the repertoire. Among th are Song in a Strange Land, Evolution of a People, Paint Factory, Southern Folk Sketches, God's Trombones, and a ballet, Ghetto Safari. As solo artist, Atwater presented annually for the Steinway Series presented by the Smithsonian Museum of American Art. He was vocalist, pianist, and arranger with the U.S. Air Force Band for America's Veterans; A Musical Salute on PBS. Most recently, Atwater performed a solo piano recital for the grand opening of the Smithsonian National Museum of African American History and Culture, the first artist to perform in the Oprah Winfrey Theatre.In 2000, Atwater founded Soulful Symphony, an 85 member orchestra with vocals made up of mostly African American and Latino musicians. After 10 wildly successful seasons of sell-outemperformances in a joint venture with the Baltimore Symphony, Soulful Symphony entered into a historic partnership with Broadway Across America. Soulful Symphony delivered another three seasons of sold outemperformances at the Hippodrome Theatre before a triumphant return to the Joseph Meyerhoff Symphony Hall to celebrate 15 yearstaking an entire culture and setting it to music. The 2009 my Award(r)winning Soulful Symphony with Darin Atwater is one of the longest running pledge specials, airing currently nationwide on PBS/APT.Atwater r ains a strong advocate for Arts, Culture, and Music Education. He served on the board of Maryland Citizens for the Arts, testifying before the House and Senate for state and national funding. Through his work with Soulful Symphony, Atwater has lectured and spoken to countless schools along with hosting open rehearsals that has accompanied every concert since the inception of the organization.The critics' praise has been unanimous: The New York Times described him as composer with a muscular imagination. The Baltimore Sun wrote, Atwater has an uncommon ear for instrumental coloring and the urban beat. The Philadelphia Inquirer writes, Atwater has created a musical antidote for the malaise gripping classical music and is a unifying vessel for a dozen or so genres of music in the commercial and art realms The Washington Post adds, From the first few chords, his music sets itself apart, otional and riveting. Among his many honors and recognitions, NBC named him in The Grio 100: History Makers in the Making. Ebony magazine dubbed him one of the 30 Leaders of the Future, and the Baltimore Business Journal placed him on their exclusive 40 under 40 list. Atwater received The Prestige Award by the State of Maryland foremindividuals who bring prominence to the region along with Legends and Pioneers Award by The Afro American Newspaper and The Vision Award from Maryland Public Television. He was profiled on an ABC special for Entertainment Studios We are the Dream following President Obama, Oprah Winfrey, and the late Ted Kennedy.Along withemexpanding the cultural footprint of Soulful Symphony, He is scoring two feature films along with recording his debut album with a label releaseemscheduled for the summer of 2017. 2016-2017 seasonThe Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture.Mentioned in this episodeDarin Atwater - Kennedy CenterTo find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory.Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode★ Support this podcast ★

Jazz at Lincoln Center Orchestra con Wynton Marsalis y Wayne Shorter ('Yes or no', 'Contemplation'), WDR Big Band con Bill Laurance ('Golden hour', 'Ready wednesday') y Fred Hersch ('Havana') y NDR Big Band con Omar Sosa ('Cha cha du nord'). Escuchar audio

Alexa Tarantino is an award-winning, vibrant, young jazz saxophonist, woodwind doubler, composer, and educator. She was recently named one of the “Top 5 Alto Saxophonists of 2019” by the JazzTimes Critics' Poll and nominated as a “Rising Star - Alto Saxophone” by Downbeat Magazine's 2020 and 2021 Critics' Poll. Alexa is currently on faculty for Jazz at Lincoln Center. Alexa holds a Master's degree in Jazz Studies from The Juilliard School and Bachelor's degrees in Jazz Saxophone Performance and Music Education from the Eastman School of Music. Alexa has performed regularly as a leader and sidewoman in a wide variety of ensembles and genres including the Wynton Marsalis Septet, Jazz at Lincoln Center Orchestra, Cecile McLorin Salvant Quintet and OGRESSE ensembles, Ulysses Owens Jr.'s Generation Y and Big Band, the Vanguard Jazz Orchestra, Arturo O'Farrill & The Afro-Latin Jazz Orchestra, and the DIVA Jazz Orchestra.  In this episode we speak with Alexa in depth about her background and her latest release "Firefly."

As we navigate life, it's easy to forget our dreams, or to give up on dreaming altogether. Today, Elena talks with Tynan Davis, who encourages us to dream bigger, remember who we are, and live with joy. Check out Elena's website to learn more about how she can support you in seeing and using the power that resides within you. What dreams have you forgotten about? As we navigate life, it's easy to forget our dreams or to give up on dreaming altogether. But dreams are important. Eleanor Roosevelt once said, “The future belongs to those who believe in the beauty of their dreams.” When you're creating your future or changing your direction in life, it's vital to resurrect those dreams you used to have as a wide-eyed, seemingly invincible young adult, and look at your life in light of them. What did you use to dream about? Where do you want to go from here? What new dreams do you want to have? In her Weekly Coaching Tip, Elena provides tips for how you can remember your dreams, create new ones, and live in light of possibility, rather than fear. In her interview segment, Elena speaks with Grammy-award winning opera vocalist and winsome leader, Tynan Davis. Tynan is a fabulous artist, having toured with Wynton Marsalis and the Jazz at Lincoln Center Orchestra and on the 25th anniversary North American tour of Phantom of the Opera (where she met her husband—talk about romantic!).  Through Tynan's story, you'll be encouraged that even if you've given up on your dreams—or if you've settled for small dreams—you can reclaim them and create a new future of joy, artistry, and possibilities. In this conversation, Elena and Tynan talk about balancing excellence and perfectionism, moving past your limiting beliefs, navigating motherhood, and owning your identity, instead of relying on your career or your success to define you. Let's Get Social! Want to hear more from Elena? Click here! Learn more about the fabulous Tynan Davis on Instagram. Check out Tynan's website! Contact Tynan! This podcast was produced by the following amazing team: John Biethan, President of Imagine Podcasting Sam De Santo, Creative Director Rye Taylor, Podcast Design Strategist & Producer Alan Meaney, Audio Engineer Meg McCarley, Brand Designer & Social Media Manager Raejan Noh, Content Writer Aaron Boykin, Musician & Artist (Get updates about Aaron's music via Instagram)

I'm a junkie, he's a junkie, she's a junkie, we're a junkie. Wouldn't you like to be a junkie, too? No, and neither do these guys, anymore. Two druggies try to get clean in this final film of Tupac Shakur. But does it still work?  Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 WHERE WE WERE ABLE TO WATCH THIS MOVIE: https://fsharetv.co/movie/gridlock%27d-episode-1-tt0119225 Jazz Pulitzer https://www.washingtonpost.com/archive/lifestyle/1997/04/08/pulitzer-prizes-hit-a-new-note/d3c767ff-baa3-4c47-9efc-3d9e74362de8/ Big Train - Jazz at Lincoln Center Orchestra with Wynton Marsalis at Alice Tully Hall https://wyntonmarsalis.org/videos/view/big-train-jazz-at-lincoln-center-orchestra-with-wynton-marsalis Interracial relationships https://www.ascd.org/el/articles/why-are-all-the-black-kids-sitting-together-a-conversation-with-beverly-daniel-tatum Are drug users actually happy? https://www.independent.co.uk/news/habits-most-drug-users-are-happy-successful-people-with-a-taste-for-the-good-life-1292155.html Carroll O'Connor's lawsuit https://www.tampabay.com/archive/1997/07/26/o-connor-cleared-in-lawsuit-brought-by-son-s-drug-supplier/

The guys share a special bonus chat with former DSO Erb Jazz Chair Wynton Marsalis before he and the Jazz at Lincoln Center Orchestra return to Orchestra Hall Friday, March 4-5 2022 during our Classical Roots Celebration

Drummer – Charles Goold – has played with Wynton Marsalis and the Jazz at Lincoln Center Orchestra, John Hendricks and Johnny O'Neal.  He's backed rappers Cam'ron, Talib Kweli, and Ghostface Killah.  His story starts where he began, as the son of Ned Goold – who was the saxophonist for Harry Connick Jr, Jack McDuff, and more.

The Ever Fonky Lowdown from Marsalis and the Jazz at Lincoln Center Orchestra addresses the timeless cycle and methods used by the elite to exploit their fellow citizens in order to acquire, expand and maintain power.In the words of Mr. Game himself, ”We are here tonight, but this is an international hustle. It has played out many times across time and space, and is not specific to any language or race. It takes on different flavors according to people's taste, but always ends up in the same old place.”Clips from The Ever Fonky Lowdown are used with permission from Blue Engine Records. Additional InformationThe Ever Fonky Lowdown - Jazz at Lincoln Center storeThe Ever Fonky Lowdown libretto, written by Wynton MarsalisThe Sound of Democracy - virtual event for Penn State's Center for the Performing ArtsRelated EpisodesHow music transcends political polarization