Podcasts about Blossom Dearie

Archive highlight, originally released in 2023: Renée Yoxon is a trans non-binary singer, songwriter, jazz musician, and trans voice teacher.Renee shares some beautiful and inspiring performances from their albums, as well as stories from life as a disabled person and how their disability and chronic pain has guided the direction of their career. We talk about their musical development, and their experiences both bad and good as they navigated their musical education (after finishing a degree in physics!). Renée explains the kind of work they do with trans vocal exploration and we dive into all kinds of topics in the usual tangential style of this series. The transcript and video are linked here on my website Buy me a coffee? Podcast merchRenée Yoxon websiteNewsletter sign-upphoto: Laurence Philomènepodcast theme music: Nick KoldTimestamps:(00:00:00) Intro(00:01:21) Renée's physics degree, start in school band, Jazz Works camp(00:04:19) free improv group, intergenerational friendships(00:06:38) intro to “Willow Weep for Me” by Ann Ronell(00:08:53) “Willow Weep for Me” with René Gely(00:13:57) piano, ukulele(00:15:26) “Beautiful Alchemy”, film with Teagan Lance and album(00:17:14) “Terrible Alchemy”(00:23:19) Blossom Dearie(00:23:52) worldless improv(00:24:37) studies in New York, living as a disabled person, vocal technique(00:29:33) singing in rock band “Gorgeous George”, care of the voice and endurance training(00:32:20) trans voice aleration, TikTok success, pitch lowering, taking risks and learning to be silly(00:40:14) gender presentation and gender identity(00:42:35) ways we can alter the voice(00:45:09) different languages in terms of vocal alteration, vocal fry and gendered cutural coding for vocal characteristics(00:47:52) TikTok(00:49:22) teaching Trans Voice Alteration to other teachers(00:51:45) the importance of teaching business skills to musicians, University of Limerick, Edel Meade(00:55:58) Banff, McGill, growing up in Ottawa, the importance of mentors, Mark Ferguson, René Gely(01:00:29) social anxiety, speaking in public with a different voice or new language(01:02:38) different people who take Renée's courses on voice alteration(01:03:18) songwriting, Aoife McAtamney Pink Breath(01:04:27) “Drinking Coffee”(01:08:58) songs “The Bad Years” about their chronic illness(01:10:27) Kazaa music sharing, learning jazz repertoire(01:12:53) Renée's perspective on the music industry as a disabled person, and experiences at McGill university with lack of accessibility(01:17:46) Mx non-binary honorific, the importance of pronouns(01:20:32) disability rights, more about their McGill experience(01:22:45) Montreal

#SessionLive avec deux poètes de la chanson française : Mathieu Boogaerts pour Grand piano et Albin de la Simone pour Toi là-bas.  Notre premier invité est Mathieu Boogaerts pour la sortie de Grand Piano.Note d'intention par Mathieu Boogaerts :Mathieu Boogaerts, « Grand piano » ? C'est le titre de mon neuvième album, et c'est un oxymore : « Figure de style qui vise à rapprocher deux termes que leurs sens devraient éloigner ».« Grand » car je l'ai voulu ainsi : franc, épais, puissant, plus de matière, de volume que ses prédécesseurs... Plus âgé ? Une batterie, une basse électrique, une basse synthétique, une guitare électrique, une guitare acoustique, un synthétiseur, un saxophone, une flûte, un accordéon, un chœur, des percussions, un piano électrique et un piano droit : la gamme de couleurs qu'il m'a fallu pour dépeindre en détails les sentiments que je déploie dans mes douze nouvelles chansons.Mais « Piano », car toujours sur le ton de la confidence, léger, fragile, doux, nuancé.Comment ?J'ai écrit et composé ce répertoire entre septembre 2020 et mars 2023 dans de nombreux lieux dont Londres, Paris, Istanbul, Amsterdam, Budapest, Plaisians, Risoul et les Landes. Le disque a été enregistré « de manière classique » entre 2023 et 2024 à La Frette Studios en région parisienne. Comme pour chacun de mes disques, Renaud Letang a ensuite élaboré le mixage, puis le duo de graphistes M/M (Paris) a conçu la pochette : ici une nature morte illustrant la facture, le geste, l'intention poétique de l'album.Avant ?Né en 1970 à Fontenay-sous-Bois. J'ai sorti mon premier « Ondulé » de clip-vidéo en 1995, suivi de l'album Super. Depuis : huit albums studio, trois albums live, plus de mille concerts à travers le monde, des chansons pour Camélia Jordana, Luce, Zaz, Vanessa Paradis... D'innombrables collaborations. En 2023, en pleine fabrication du disque, j'ai donné vingt concerts à Paris lors desquels je tirai au sort les chansons de ma discographie.Après ?Joie : l'écriture et la réalisation des clips-vidéo des morceaux. Les interpréter sur scène accompagné par mon tout nouveau groupe...Le Grand piano ! Mon meilleur disque ? Oui !Titres interprétés dans le grand studioMa Jeunesse Live RFI Faut toujours écouter son corps, extrait de l'albumDans une case Live RFI Line Up : Mathieu Boogaerts, guitare voixSon : Camille Roch, Jérémie Besset► Album Grand Piano (Tôt ou Tard 2025)Site internet - YouTube - FacebookÀ lire aussiMathieu Boogaerts: «Grand piano», entre intimité et ambition musicalePuis, nous recevons Albin de la Simone pour la sortie de Toi là-bas (disque) et Mes Battements (livre avec dessins chez Actes Sud)► Teaser MdMLe Livre Mes battementsRome, 30 septembre 2024. Il est 11h du matin, partie à 4h30 chez moi, j'arrive à la Villa Médicis qui me fait le beau cadeau de m'inviter en courte résidence pour finir le livre que vous tenez entre les mains. Donc, à l'heure où j'écris ces lignes, ce n'est encore qu'un tas de dessins et de textes plus ou moins ordonnés. J'ai du pain sur la planche. Car un premier livre de ce type, comme un premier disque, est un peu constitué d'une vie entière, et quand on a 50 ans passés, il y a du tri à faire. À partir du deuxième, si on a bien fait son boulot dans le premier, on part d'une page blanche ou, au pire, d'une page beige. Nous verrons.L'album Toi là-basParis, le 1er décembre 2024. Après quelques saisons très denses, j'ai ressenti à l'automne dernier le besoin imparable de me retrouver seul. Du moins face à moi-même. Je suis parti m'enfermer à la Villa Médicis où j'ai terminé d'écrire et de dessiner mon premier livre (Mes battements, paru en mars 2025 chez Actes Sud), un voyage intérieur qui depuis des mois me baladait loin dans le passé, mon village, mon enfance, mon adolescence. Je me suis amusé à reprendre quelques chansons de mes débuts comme Je te manque, Avril 4000 ou Non merci (2005), et j'ai remarqué que je leur donnais quelque chose que je ne voyais pas à l'époque. Je les habitais d'une nouvelle façon. J'ai tiré le fil, et d'autres chansons comme J'aime lire (2008) et enfin Pourquoi on pleure (2017) sont sorties naturellement de la pelote. Alors j'ai eu envie de les enregistrer à nouveau, comme de les photographier dans leur nouveau costume. Je me suis laissé aller sans faire de plans, sans pression, juste pour le jeu de la réinterprétation, pour le plaisir. Beaucoup de plaisir, musical autant que vocal. Les chansons en sont sorties plus sereines et plus sensuelles aussi, je crois. Boîtes à rythmes et basses profondes, synthétiseurs en halos suaves autour de mes instruments acoustiques chéris, comme mon piano Una Corda, et aussi cette incroyable Fender VI chère à The Cure ou Richard Hawley, une guitare électrique des années 60 accordée une octave plus grave, dont le son me retourne (écoutez le solo dans La valse des lilas). J'ai invité Alice on the Roof – avec qui je travaille pour son prochain album et que j'adore – à partager Pourquoi on pleure. Alice a accepté. La chanson en duo a pris un sens nouveau.Je pensais faire un petit EP à sortir à l'occasion de la parution du livre, mais comme je fouillais dans le rétroviseur depuis des mois, j'ai croisé quelques autres chansons importantes dans ma vie. La très souchonesque C'est bien moi que j'ai chantée l'an passé en hommage à Françoise Hardy avec Sage. La sublime Valse des lilas de Michel Legrand dont j'ai tant aimé la version américaine Once Upon a Summertime par Blossom Dearie ou Miles Davis. Et le temps s'arrêtait, d'Adamo, que nous avions arrangée avec Julien Chirol et Renaud Létang en 2003 pour le grand Salvatore lui-même. Et surtout, Ma gueule, lourdeur de Johnny qui me renvoyait au pire de la préadolescence brutale et masculiniste, jusqu'à ce que je découvre en la chantant qu'elle pouvait m'aller comme un gant et m'émouvoir même. Puisque mon livre et mon disque sortent en même temps, puisque leurs visuels et leurs thématiques sont cousins, j'ai quand même eu envie d'écrire une chanson nouvelle pour faire le pont entre les deux. En laissant errer mon regard dans les arbres de la Villa Médicis, j'ai revu Laurence, Natalia, Maud, Sidonie, Ouria… premières amoureuses qui ne m'ont pas connu. Que j'ai aimées, follement, mais de loin. Que j'ai regardées, sans relâche, dont j'ai étudié les gestes, les habitudes, les vêtements, ne détournant le regard que si je sentais le leur se tourner vers moi. J'avais trop peur. Peur de quoi. J'ai aussi entendu dans les arbres les échos de Charlotte Sometimes des Cure, sur laquelle je pleurais ces amours à distance. Trois jours plus tard, j'ai terminé la première maquette de Toi là-bas. Ça n'est donc pas un EP, mais bien un album. Mon huitième.Post-scriptum : Je ne résiste pas à repartir sur la route pour promener mes chansons et mon livre. Cette fois, je serai seul sur scène. Je chanterai et jouerai, je parlerai un peu, mais aussi je dessinerai. À moins d'un miracle anatomique, il est peu probable que je parvienne à faire tout cela en même temps.Titres interprétés dans le grand studioPourquoi on pleure Live RFI Toi là-bas, extrait de l'albumQuoi ma gueule Live RFI Line Up : Albin de la Simone, piano, voixSon : Benoît Letirant, Mathias Taylor, Camille Roch► Album Toi là-bas (Tôt ou Tard)Site internet - YouTube - FacebookRéalisation : Hadrien Touraud

#SessionLive avec deux poètes de la chanson française : Mathieu Boogaerts pour Grand piano et Albin de la Simone pour Toi là-bas.  Notre premier invité est Mathieu Boogaerts pour la sortie de Grand Piano.Note d'intention par Mathieu Boogaerts :Mathieu Boogaerts, « Grand piano » ? C'est le titre de mon neuvième album, et c'est un oxymore : « Figure de style qui vise à rapprocher deux termes que leurs sens devraient éloigner ».« Grand » car je l'ai voulu ainsi : franc, épais, puissant, plus de matière, de volume que ses prédécesseurs... Plus âgé ? Une batterie, une basse électrique, une basse synthétique, une guitare électrique, une guitare acoustique, un synthétiseur, un saxophone, une flûte, un accordéon, un chœur, des percussions, un piano électrique et un piano droit : la gamme de couleurs qu'il m'a fallu pour dépeindre en détails les sentiments que je déploie dans mes douze nouvelles chansons.Mais « Piano », car toujours sur le ton de la confidence, léger, fragile, doux, nuancé.Comment ?J'ai écrit et composé ce répertoire entre septembre 2020 et mars 2023 dans de nombreux lieux dont Londres, Paris, Istanbul, Amsterdam, Budapest, Plaisians, Risoul et les Landes. Le disque a été enregistré « de manière classique » entre 2023 et 2024 à La Frette Studios en région parisienne. Comme pour chacun de mes disques, Renaud Letang a ensuite élaboré le mixage, puis le duo de graphistes M/M (Paris) a conçu la pochette : ici une nature morte illustrant la facture, le geste, l'intention poétique de l'album.Avant ?Né en 1970 à Fontenay-sous-Bois. J'ai sorti mon premier « Ondulé » de clip-vidéo en 1995, suivi de l'album Super. Depuis : huit albums studio, trois albums live, plus de mille concerts à travers le monde, des chansons pour Camélia Jordana, Luce, Zaz, Vanessa Paradis... D'innombrables collaborations. En 2023, en pleine fabrication du disque, j'ai donné vingt concerts à Paris lors desquels je tirai au sort les chansons de ma discographie.Après ?Joie : l'écriture et la réalisation des clips-vidéo des morceaux. Les interpréter sur scène accompagné par mon tout nouveau groupe...Le Grand piano ! Mon meilleur disque ? Oui !Titres interprétés dans le grand studioMa Jeunesse Live RFI Faut toujours écouter son corps, extrait de l'albumDans une case Live RFI Line Up : Mathieu Boogaerts, guitare voixSon : Camille Roch, Jérémie Besset► Album Grand Piano (Tôt ou Tard 2025)Site internet - YouTube - FacebookÀ lire aussiMathieu Boogaerts: «Grand piano», entre intimité et ambition musicalePuis, nous recevons Albin de la Simone pour la sortie de Toi là-bas (disque) et Mes Battements (livre avec dessins chez Actes Sud)► Teaser MdMLe Livre Mes battementsRome, 30 septembre 2024. Il est 11h du matin, partie à 4h30 chez moi, j'arrive à la Villa Médicis qui me fait le beau cadeau de m'inviter en courte résidence pour finir le livre que vous tenez entre les mains. Donc, à l'heure où j'écris ces lignes, ce n'est encore qu'un tas de dessins et de textes plus ou moins ordonnés. J'ai du pain sur la planche. Car un premier livre de ce type, comme un premier disque, est un peu constitué d'une vie entière, et quand on a 50 ans passés, il y a du tri à faire. À partir du deuxième, si on a bien fait son boulot dans le premier, on part d'une page blanche ou, au pire, d'une page beige. Nous verrons.L'album Toi là-basParis, le 1er décembre 2024. Après quelques saisons très denses, j'ai ressenti à l'automne dernier le besoin imparable de me retrouver seul. Du moins face à moi-même. Je suis parti m'enfermer à la Villa Médicis où j'ai terminé d'écrire et de dessiner mon premier livre (Mes battements, paru en mars 2025 chez Actes Sud), un voyage intérieur qui depuis des mois me baladait loin dans le passé, mon village, mon enfance, mon adolescence. Je me suis amusé à reprendre quelques chansons de mes débuts comme Je te manque, Avril 4000 ou Non merci (2005), et j'ai remarqué que je leur donnais quelque chose que je ne voyais pas à l'époque. Je les habitais d'une nouvelle façon. J'ai tiré le fil, et d'autres chansons comme J'aime lire (2008) et enfin Pourquoi on pleure (2017) sont sorties naturellement de la pelote. Alors j'ai eu envie de les enregistrer à nouveau, comme de les photographier dans leur nouveau costume. Je me suis laissé aller sans faire de plans, sans pression, juste pour le jeu de la réinterprétation, pour le plaisir. Beaucoup de plaisir, musical autant que vocal. Les chansons en sont sorties plus sereines et plus sensuelles aussi, je crois. Boîtes à rythmes et basses profondes, synthétiseurs en halos suaves autour de mes instruments acoustiques chéris, comme mon piano Una Corda, et aussi cette incroyable Fender VI chère à The Cure ou Richard Hawley, une guitare électrique des années 60 accordée une octave plus grave, dont le son me retourne (écoutez le solo dans La valse des lilas). J'ai invité Alice on the Roof – avec qui je travaille pour son prochain album et que j'adore – à partager Pourquoi on pleure. Alice a accepté. La chanson en duo a pris un sens nouveau.Je pensais faire un petit EP à sortir à l'occasion de la parution du livre, mais comme je fouillais dans le rétroviseur depuis des mois, j'ai croisé quelques autres chansons importantes dans ma vie. La très souchonesque C'est bien moi que j'ai chantée l'an passé en hommage à Françoise Hardy avec Sage. La sublime Valse des lilas de Michel Legrand dont j'ai tant aimé la version américaine Once Upon a Summertime par Blossom Dearie ou Miles Davis. Et le temps s'arrêtait, d'Adamo, que nous avions arrangée avec Julien Chirol et Renaud Létang en 2003 pour le grand Salvatore lui-même. Et surtout, Ma gueule, lourdeur de Johnny qui me renvoyait au pire de la préadolescence brutale et masculiniste, jusqu'à ce que je découvre en la chantant qu'elle pouvait m'aller comme un gant et m'émouvoir même. Puisque mon livre et mon disque sortent en même temps, puisque leurs visuels et leurs thématiques sont cousins, j'ai quand même eu envie d'écrire une chanson nouvelle pour faire le pont entre les deux. En laissant errer mon regard dans les arbres de la Villa Médicis, j'ai revu Laurence, Natalia, Maud, Sidonie, Ouria… premières amoureuses qui ne m'ont pas connu. Que j'ai aimées, follement, mais de loin. Que j'ai regardées, sans relâche, dont j'ai étudié les gestes, les habitudes, les vêtements, ne détournant le regard que si je sentais le leur se tourner vers moi. J'avais trop peur. Peur de quoi. J'ai aussi entendu dans les arbres les échos de Charlotte Sometimes des Cure, sur laquelle je pleurais ces amours à distance. Trois jours plus tard, j'ai terminé la première maquette de Toi là-bas. Ça n'est donc pas un EP, mais bien un album. Mon huitième.Post-scriptum : Je ne résiste pas à repartir sur la route pour promener mes chansons et mon livre. Cette fois, je serai seul sur scène. Je chanterai et jouerai, je parlerai un peu, mais aussi je dessinerai. À moins d'un miracle anatomique, il est peu probable que je parvienne à faire tout cela en même temps.Titres interprétés dans le grand studioPourquoi on pleure Live RFI Toi là-bas, extrait de l'albumQuoi ma gueule Live RFI Line Up : Albin de la Simone, piano, voixSon : Benoît Letirant, Mathias Taylor, Camille Roch► Album Toi là-bas (Tôt ou Tard)Site internet - YouTube - FacebookRéalisation : Hadrien Touraud

Y vamos de nuevos con otra sesión doble y, como es habitual en este formato, con dos tebeos muy diferentes. El primero de ellos es Madre, vuelve a casa , un relato de Paul Hornschemeier aparecido originalmente en la antología Forlorn Funnies en 2003, que en su día sería nominada al Eisner y que en España publicó Astiberri. Y para la segunda parte tenemos, La sombra de Howard Chaykin, publicada en su día por DC en el 86 y rebautizada después en posteriores reediciones como The Shadow: Blood and Justice. Se trata de un tebeo de culto en España, pese a que solo lo publicó Zinco en su día y nunca jamás se ha vuelto a reeditar. La noche es caliente como el infierno. Todo se te pega. Una asquerosa habitación de un asqueroso barrio de una asquerosa ciudad. El aparato de aire acondicionado es un pedazo de chatarra que no podría enfriar ni una bebida aunque la metieras dentro. Parece el sitio perfecto para escuchar el podcast 367 de ELHDLT Selección musical: 🎶 Love Will Tear Us Appart, de Joy Division 🎶 London Calling, de The Clash 🎶 Try Your Wings, de Blossom Dearie

Send us your thoughts! French and American singer Laura Anglade is a promising storyteller hailing from the idyllic town of Brousse-le-Château, France. She draws inspiration from Carmen McRae, Blossom Dearie, Sarah Vaughan, Ella Fitzgerald, Shirley Horn, Billie Holiday, Michel Legrand and Barbra Streisand, among others.Laura has made a mark in the music scenes of New York, Paris, London, Toronto and Montreal, collaborating with some of the world's finest musicians, including Peter Bernstein, Jonathan Kreisberg, Ben Paterson, Ira Coleman, Reg Schwager, and Neil Swainson, to name a few.In 2022, she joined singer Melody Gardot across the east and west coasts of the United States and Europe. Laura has performed in renowned venues such as Olympia (Paris), the Royal Festival Hall (London), Town Hall (New York City), the Ace Theatre Hotel (Los Angeles), and the main stage at the Festival International de Jazz de Montreal.Her debut album, ‘I've Got Just About Everything' (Justin Time Records, 2019) was met with praise by critics and fans alike. Her second JUNO-nominated album, ‘Venez Donc Chez Moi' (Justin Time Records, 2022) is a duo recording featuring Montreal guitarist Sam Kirmayer, with whom she was awarded the “Prix Opus" for Jazz Concert of the Year in 2023. With her latest release, “April in Paris,” Anglade introduces a cappella – the young protagonist isalone, looking forward with both excitement and trepidation to a new life ahead. She inhabits the character in her vocal, breathing life into an experience she can relate to even if she hasn't lived it exactly.“I've been reflecting recently on the parallels between acting and singing,” she explains. “Each art form is an extension of the other. Singing, like acting, is rooted in human expression, in the power of a good story. I never pursued musical theater growing up, but I've found that the deeper I getinto this music and grow as a person, the more each song feels like performing a role. I visualize each song as if it were a monologue in a film, and somehow shape-shift myself into the part. That led to this album having a distinct beginning, middle and end.”Support the show

Judy Carmichael interviews Blossom Dearie

Une Spéciale chanteurs ET chanteuses coupée en direct par de vilains machos. To be continued. Avec Zara McFarlane, Lambert Hendricks & Ross,  Blossom Dearie, Johnny Hartman, Cecile McLorin Salvant, Frank Sinatra, Tony Bennett & Lady Gaga, Alexis Cole & Bucky... Continue Reading →

durée : 00:30:02 - Jazz Collection - par : Alex Dutilh - Les voix buissonnières, ce sont des voix hors des sentiers battus, à l'écart des clichés attendus des chanteuses ou des chanteurs de jazz. Dans cet épisode, Blossom Dearie, Maxine Sullivan, Rose Murphy, Jimmy Scott, Chet Baker, Lisa Ekdahl, Kat Edmonson, Cyrille Aimée, Ken Nordine. - réalisé par : Pierre Willer

Grabaciones de bossa nova publicadas en las últimas décadas por el sello Blue Note: el saxofonista Ike Quebec ('Blue samba', 'Favela'), el saxofonista Cannonball Adderley con The Bossa Rio Sextet ('O amor em paz', 'Batida diferente'), el guitarrista Grant Green ('Corcovado'), el saxofonista Joe Henderson ('Blue bossa'), los cantantes Bobby McFerrin, ('Blue bossa'), Peggy Lee ('A little boat'), Blossom Dearie ('Quiet nights of quiet stars') y Jackie Allen ('Dindi') y el flautista y saxofonista Charlie Rouse ('Samba de Orfeu').Escuchar audio

Elke zaterdag- en zondagochtend tussen 6 en 7 uur horen NPO Radio 1-luisteraars de mooiste cultuurtips in Een Uur Cultuur. In deze aflevering ontvangt Teddy Tops journalist en schrijver Eva (https://www.instagram.com/vaemanhof/) Hofman (https://www.groene.nl/auteur/eva-hofman)met haar kersverse debuut: Josephine (https://uitgeverijpluim.nl/josephine). Eva deelt haar cultuurtips met Teddy en de luisteraar. De tips van Eva: Boek: My year of rest and relaxation van Otessa Moshfegh (https://www.bol.com/nl/nl/p/my-year-of-rest-and-relaxation/9200000096614276/?Referrer=ADVNLGOO002008O-S--9200000096614276&gad_source=1&gclid=CjwKCAjw-JG5BhBZEiwAt7JR69tlVd0Z_oo2xRUXImM_y08ZHuAHytXt5Z1H76qUtAhngIRsRWUT7hoCcjsQAvD_BwE), Heartburn, Nora Ephron (https://www.bol.com/nl/nl/p/heartburn/1001004001251871/?Referrer=ADVNLGOO002008O-S--1001004001251871&gad_source=1&gclid=CjwKCAjw-JG5BhBZEiwAt7JR62_gcDA4YXj_RbjAehfpBemW69QzBOwQk4lvl1cloQSpfHtDco4eUhoCpdEQAvD_BwE) Bundel: Pose, Basje Boer (http://www.basjeboer.nl/?cat=pose) Docu: Adam Curtis: The century of the self (https://www.youtube.com/watch?v=eJ3RzGoQC4s), Can't get you out of my head (https://www.imdb.com/title/tt13973190/) Film: Anna Karenina (2012) (https://www.imdb.com/title/tt1781769/) Serie: Twin Peaks (https://www.imdb.com/title/tt0098936/) Muziek: Lizzy Grant (https://open.spotify.com/artist/00FQb4jTyendYWaN8pK0wa), Blossom Dearie (https://open.spotify.com/artist/5bWApG9Vdshhd1J50UnNf6) Theater: De Jaren - Eline Arbo (https://podcast.npo.nl/admin/feed/887/feeditem/De%20Jaren) Musical: Mamma Mia (de muscialfilm) (https://www.netflix.com/nl/title/70097579) Openbare Kunst: Fearless Girl op wallstreet (https://en.wikipedia.org/wiki/Fearless_Girl) Museum: de begraafplaats Montparnasse in Parijs (https://nl.wikipedia.org/wiki/Cimeti%C3%A8re_du_Montparnasse) Gebouw: Het Bungehuis (https://nl.wikipedia.org/wiki/Bungehuis) Anders: Sentimental in the City, de podcast  Red Scare  (https://redscarepodcast.libsyn.com/) Heb je cultuurtips die we niet mogen missen? Mail de redactie: eenuurcultuur@vpro.nl

La cantante anglo-canadiense Jill Barber ha grabado 'Encore!' un disco con canciones en francés que grabaron en su día Blossom Dearie, Charles Trenet, Georges Moustaki o Josephine Baker: 'Plus je t´embrasse', 'De temps en temps', 'La mer', 'Que reste-t-il de nos amours?', 'Ordinaire' y 'Les eaux de mars'. La cantante francesa Charlotte Planchou acaba de publicar 'Le carillon' con temas como 'Tin tin por tin tin', 'L´albatros' o 'You´ve got a friend'. De prosa e papo', de Dori Caymmi, 'Um carioca vive morrendo de amor', 'Canto sedutor' y 'A água do rio doce'. Despedida con Antonio Adolfo y 'Night and day' y 'So in love' de su disco 'Love Cole Porter'.Escuchar audio

Tell it to the birdies up in the trees, tell it to the fishies in the deep blue seas: SOUNDS LIKE RADIO IS BACK!!! Are you excited? Well, you should be. Your Humble Host is cause we are back with an all new Gildy and some fine samples of only the greatest music of all time. Today from May 28, 1952 on the Great Gildersleeve it seems Leroy wants a motor to install on his bike. But he wants Gildy to buy it for him. Ah, now that's a problem. But that Leroy doesn't give up without coming up with some tricks to get that motor. We'll find out if LeAnn Rimes, Bing Crosby, Jaye P. Morgan, Al Jolson, Blossom Dearie and Arlo Guthrie can come up with some ideas to get that motor. Your Humble Host will talk about his summertime and we'll try to impress LeAnn Rimes with my brand new purchase.

Tell it to the birdies up in the trees, tell it to the fishies in the deep blue seas: SOUNDS LIKE RADIO IS BACK!!! Are you excited? Well, you should be. Your Humble Host is cause we are back with an all new Gildy and some fine samples of only the greatest music of all time. Today from May 28, 1952 on the Great Gildersleeve it seems Leroy wants a motor to install on his bike. But he wants Gildy to buy it for him. Ah, now that's a problem. But that Leroy doesn't give up without coming up with some tricks to get that motor. We'll find out if LeAnn Rimes, Bing Crosby, Jaye P. Morgan, Al Jolson, Blossom Dearie and Arlo Guthrie can come up with some ideas to get that motor. Your Humble Host will talk about his summertime and we'll try to impress LeAnn Rimes with my brand new purchase.

This Episode also includes an E.W. Essay titled "Learjets" as well as an Uncle Cesare Essay titled "Bernie & Lil", and an excerpt from a piece by Wallace Stevens called "Extracts From Addresses To The Academy Of Fine Ideas." Our music this go round is provided by these wonderful artists: Thelonious Monk, Bob Dorough, Blossom Dearie, Andra Day, Thao & The Get Down Stay Down, Louis Armstrong, Branford Marsalis and Terence Blanchard. Photo of John by Trudy Gerlach. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

Canciones que hablan del verano con Caetano Veloso ('Samba de verão', 'Chuvas de verão', 'Tempo de estio'), Shirley Horn ('Summer' aka 'Estate'), João Gilberto ('Estate'), Lisa Ono ('E la chiamano estate'), Blossom Dearie ('Once upon a summertime'), Michael Franks ('Dragonfly summer', 'Now that the summer´s here', 'Summer in New York') y Stacey Kent ('The summer we crossed Europe in the rain').Escuchar audio

This week's key tenet for the Overlap Podcast is “Addition by Subtraction,” and since the writing staff automatically abhors anything that seems even minimally mathematical in origin, the meaning of that phrase to us could be: The title of one of those cheesy paperback murder mysteries they sell at Hudson News stores at airports, usually written by that Patterson guy or the lady with the three names, Something Something Clark or Smith or Jones or Riley. A long-lost song from the original “Schoolhouse Rock” meant to teach children about negative integers or some such nonsense, hopefully sung by Blossom Dearie. The name of an early-90s grunge band that never made it to the heights of your Mudhoneys, Soundgardens, Sonic Youths or even your Pixies…es? A tenet of belief from some Eastern philosophy or religion where getting rid of possessions, emotions, et cetera … creates a net positive even though you are losing parts of yourself.   What does it actually mean? Hell if we know. But, our boys Sid and Keith probably know (confession: we haven't actually listened to the episode yet) and it is probably about being intentional in how you interact with and let others into your life. Keeping your circle small to avoid entangling alliances that may bring chaos, drama and doom along with them.   Totally just a guess on that, though. You really should probably listen to this week's Overlap Podcast and shoot us a line to let us know if we guessed right. The Highpoints: Keep your circle small You can't be everything to everybody Choose wisely  Know who and how you are being influenced Be intentional with:  1. Who you hang out with 2. What you listen to 3. What you read.  Cut out drama and chaos (These distract you from your goals and potential, you know who these people are)   This doesn't happen without our amazing sponsors- check them out The software that keeps our life and business together: Ninety.io    

Méconnue du grand public, Blossom Dearie était pourtant quelqu'un. Après tout, qui d'autre peut se targuer d'avoir inspiré Michel Legrand, Miles Davis et John Lennon, mais aussi les Fugees, qui l'ont samplé, et la pop star Kylie Minogue ? Oui, Blossom Dearie c'était une petite voix… Mais un drôle d'oiseau ! Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Grabaciones del clásico de Vernon Duke y Yip Harburg 'April in Paris' por Kurt Elling, Billie Holiday, Ella Fitzgerald y Louis Armstrong, Tierney Sutton, Blossom Dearie, Count Basie y Bud Powell. 'I´ll remember April' que grabaron Johnny Hartman, Julie London y Stéphane Grappelli y Michel Petrucciani. Y 'April child', de Moacir Santos, en grabaciones de la cantante Maúcha Adnet y del pianista Jovino Santos Neto. También el guitarrista Earl Klugh con 'The April fools'. Escuchar audio

Subscribe to The Jazz, Blues and R and B Podcast and Radio Show Period: Also, Subscribe to The Beatles Come To America (limited-run with Brooke Halpin, we review all the Beatles US Albums) To Subscribe go to: Youtube, Itunes, Anchor, Spotify, Amazon Podcasts, Google Podcast, Overcast, Breaker, Castbox, Radio Public, Podbay, Stitcher....and more! Contacts: Email: somethingcamefrombaltimore@gmail.com Twitter: something came from baltimore (@tom_gouker) / Twitter Instagram: Something Came From Baltimore (@something.came.from.baltimore) TheBocX.com - The Jazz, Blues & R&B Podcast and Radio Show Period THE SHOW INFO: Something came from Baltimore is a Podcast and a 30-minute radio show and can be heard weekly (Thursday's at 7pm EST) it's called, SOMETHING came from Baltimore THE SHOW. Check out the Station: Jazz Music Radio - The BocX Streaming Jazzy Music TIPS! (Thank You!) Tom Gouker's Cash App Account: $ThomasGouker Tom Gouker's Venmo Account: Thomas-Gouker --- Send in a voice message: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/message Support this podcast: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/support

durée : 00:59:49 - Banzzaï du mardi 20 février 2024 - par : Nathalie Piolé -

Sounds Like Radio Volume 156 is here and so is Gildy. Yep, he's back from his disappearance last time in Volume 155. He's fully recovered and that just may be his trouble, as no one seems to be paying attention to Gildy now and he misses the attention he was getting. What to do? What to do? Uh oh, Gildy has a plan and I don't like the sounds of it. Well, maybe if Gildy listens to the gang I've rounded up to help out he may learn something from Blossom Dearie, The Ink Spots, Berndette Peters (our exciting picture featured with this show), Frank Sinatra, Patsy Cline, Bing Crosby and Astrud Gilberto. Let's find out in this January 16, 1952 Great Gildersleeve show.

Wanna know how jazzy a show tune can get? Join AJ and Johnny as they answer that question while reviewing "Surrey With The Fringe On Top"! We'll discuss versions by Blossom Dearie, Mel Torme, Miles Davis, Sonny Rollins, and TWO new-to-us artists: Angela De Niro, and Joe Farnsworth.

durée : 00:59:58 - Centenaires 2024 (3/5) : Blossom Dearie, Lucky Thompson, Otis Spann - par : Alex Dutilh - Quand on observe la liste des jazzwomen des jazzmen et des bluesmen dont on pourra célébrer le centenaire de la naissance en 2024, ça ressemble à une jam session au sommet de l'Olympe.

durée : 00:59:58 - Centenaires 2024 (3/5) : Blossom Dearie, Lucky Thompson, Otis Spann - par : Alex Dutilh - Quand on observe la liste des jazzwomen des jazzmen et des bluesmen dont on pourra célébrer le centenaire de la naissance en 2024, ça ressemble à une jam session au sommet de l'Olympe.

Season 20 Episode 21 (The Finale!) Starman - Luna Cigarette Burns Forever - Cut Worms Friends of Mine - Vincent Delerm Dreidels of Fire - Ben Lee Give Them a Token - Adam Green Castles and Tassels - Adam Green Just to Make Me Feel Good - Adam Green & Binki Shapiro Discover Who I Am - Blossom Dearie 59th Street Bridge Song (Feelin' Groovy) - Blossom Dearie Instinct That I Wanna Know - Jade Imagine Back and Forth - Jade Imagine Always / Never - STRFKR Waffles - Cayucas Cold Front - Ruby Haunt Flood - Ruby Haunt Hurt So Bad - Girl Ray This episode features a clip from HBO's Real Time with Bill Maher where he talks about the grim history of human civilization and why there is endless war in Israel. My friend group is almost entirely liberals who've been hoodwinked by anti-Zionist Jews (think of them like “Jews for Jesus”) who hide behind a banner of “peace” while promoting right-wing Islamic extremist terrorists.

Blossom Dearie: what a great name! It was her real name, too. Well, Margrethe Blossom Dearie - she dropped the first part, and that was a good choice for Show Biz, I think. And, that voice: light, breathy, girlish, delightfully witty - I loved it from the first time I heard it.  And, not only was she a fantastic vocalist, but considered one of the great jazz pianists - Bill Evans was inspired by her chord work; that tells you something. Everything I've Got Belongs to You comes off of her first album for Verve, deriving from the Broadway show “By Jupiter” by Rodgers and Hart, which ran for 427 performances in 1942. The Amazonian lyrics juxtaposed with the little girl voice is kinky perfection. And, her articulation - hilarious and sexy, delivers a delightful confection. Though she was born in Upstate New York, she made her bones in Paris when she formed the vocal group The Blue Stars, which later became the famous “Swingle Singers”. Always entrepreneurial, she started her own label, Daffodil Records in '74. I immediately recognized her voice from the educational recordings School House Rock and Multiplication Rock (the latter winning her a Grammy in 1973). Blossom Dearie - an unforgettable name for an incomparable singer. 

Zongorázik és énekel.

Zongorázik és énekel.

De la caja de seis discos con las grabaciones londinenses de los años 1966 a 1970 de la cantante y pianista neoyorquina Blossom Dearie, 'Discover who I am', 'On Broadway', 'The shadow of your smile', 'Everything I´ve got belongs to you', 'Once upon a summertime', 'I´m hip', 'Mad about the boy', 'Alfie', 'Meditation', 'How insensitive', 'Dindi', 'The folks who lived on the hill', 'Both sides now', 'Yesterday when I was young', 'The 59th street bridge song' y 'My favourite things'. Escuchar audio

Singles Going Around- Love And A Lonesome RoadShocking Blue- "Love Buzz"The Moving Sidewalks- "Joe Blues"Allen Toussaint- "Whirlaway" The Staple Singers- "Let Me Ride"Led Zepplin- "Boogie With Stu"Esquerita- "Hey, Miss Lucy"Blossom Dearie- "'Deed I Do"Bob Dylan- "Visions  Of Johanna"13th Floor Elevators- "Before You Acuse Me"Simon & Garfunkel- "At The Zoo"Shocking Blue- "Venus"Captain Beefheart & His Magic Band- "Tarotplane"*All selections taken from the original lp's.

"They Say It's Spring", is a tune composed by Bob Haymes and Marty Clark, and recorded by the great vocalist/pianist Blossom Dearie. My friend Kristen introduced me to this tune, and we are preparing it to play on some upcoming performances. I really like this tune. It's a traditional standard type of tune, but has a good melody and interesting harmony, and the lyrics are great, too. This is a sample of me playing a solo piano version at my hotel gig here in Greenville. The sound quality isn't great, but I was pleased with the interpretation. Kind of old style, but groovy. Kristen will be performing this and several other great tunes, with my trio, now expanded to a quartet with the addition of Peter Dimery on sax, along with Ron Brendle on bass, and Justin Watt on drums. September 14, 2023. See the link below. The quartet will be performing my original compostions. It always great performing with the guys. And the museum is a wonderful, intimate space for live music, and for an interesting cultural experience. Come and see us! Keith Davis Quartet, with guest vocalist Kristen CollinsI am available for online or in person study. Reach out to me at: keith@keithdavismusic.com Keith Davis Music

Singles Going Around- Summer In The CityMC5- "Kick Out The James" (Preview Pressing)The 13th Floor Elevators- "Slip Inside This House"The Beach Boys- "Never Learn Not To Love"The Coasters- "Poison Ivy"The Rolling Stones- "Bitch"Sir Douglas Quintet- "Mendicino"Paul McCartney- "Do You"Nirvana- "Sliver"The Doors- "Twentieth Century Fox"Dr John- "Jump Sturdy"The Beatles- "If I Needed Someone"Billy Joel- "Don't Ask Me Why"The Drifters- "Some Kind of Wonderful"The Beach Boys- "Let Him Run Wild"The Band- "Look Out Cleveland"Blossom Dearie- "I Hear Music"The Beach Boys- "I Was Made To Love Her"The Association- "Along Comes Mary"Dr John- "I Walk On Guilded Splinters"

Today's guest is a singer-songwriter with a powerful, captivating voice - Remi Wolf. Her innovative sound bends the rules of any genre. Norah and Remi talk about the ups and downs of a busy tour schedule, and the desire to find other creative outlets. Join us for intimate versions of songs from Remi's catalogue, old and new, and Norah and Remi duet on a shared inspiration, Blossom Dearie. Recorded 4/26/23. Learn more about your ad choices. Visit megaphone.fm/adchoices

Free tickets to see Judith at the Jazz Cafe London on Monday 24th of July. www.judithowen.nethttps://www.instagram.com/judithowenmusichttps://twitter.com/judithowenJudith Owen, a performer whose stylistic range spans rock, pop, classical, jazz, blues, and musical theatre, Owen is also a comedic actress and master storyteller. Born into an overtly musical Welsh family, Judith Owen grew up in London surrounded by classical music, ballet, theatre, and the fine arts. Owen was also exposed to many jazz icons and Broadway musicals that her parents loved (the mixture would become her signature sound). Owen quickly began performing at a variety of different venues around London. Her unique hybrid of classical/ jazz-influenced styled sound soon affirmed a regular slot at Ronnie Scotts. The latest iteration of Owen began with the arrival of her 13th album, Come On & Get It. The project is rooted in her childhood fascination with the jazz music of some of the ballsiest women of the Jazz and Blues world, including unsung trailblazers - Nellie Lutcher and Julia Lee - whom she discovered hidden on the shelves of her father's record collection. Captivated and enchanted by these "unapologetic" chanteuses of the 40's/50's (along with Pearl Bailey, Dinah Washington, Blossom Dearie, Peggy Lee, Julie London), Owen made it her mission to dig deep and find out more from both a musical and historical perspective. The album was recorded at Esplanade Studios in New Orleans - the city Owen now calls home - with a stellar cast of musicians, including Jason Marsalis, Donald Harrison, Charlie Gabriel, Nicholas Payton, David Torkanowsky, Kevin Louis, Evan Christopher, Ricardo Pascal and many more. The result is the most joyful, uplifting, and empowering project. With the London Times calling it ‘one of the most joyous releases of the year', and having garnered support from flagship Jazz radio stations Jazz FM in the UK, TSF in France, and plays across NPR stations in the US, the album has already reached over a million streams on Spotify. Owen kicked off 2023 performing to thrilled audiences in Europe with sold out shows in both Paris and Milan. Accompanied by her All Star New Orleans band ‘the Gentlemen Callers', Owen's live shows are an ‘exercise in confidence' as she “lights up the room with her red hair and her charisma.” “In a snap of her fingers, she takes her .. audience with her, and dictates the tempo to her musicians with a naturalness that is almost divine.” [Toute la Culture] Owen will be on the road for much of 2023 starting with shows in New Orleans this May, before taking a 5 night residency at The McKittrick in New York. She returns to Europe this summer for a series of festival dates and a headline show promoted by Jazz FM at London's Jazz Cafe, before touring across the US in the fall. Judith Owen is co-creator and co-host of the annual “Christmas Without Tears” charity variety show, alongside husband Harry Shearer, that has featured guests including Steven Merchant, Tim Minchin, Catherine O'Hara, and many others.  Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Miles Davis ('Once upon a summertime'), Blossom Dearie ('Once upon a summertime'), Bebel Gilberto ('So nice, summer samba'), Caetano Veloso ('Samba de verão', 'Chuvas de verão'), Rosa Passos ('Verão'), Lisa Ono ('E la chiamano estate'), Shirley Horn ('Estate'), João Gilberto ('Estate'), Madeleine Peyroux ('The summer wind'), Stacey Kent ('The summer we crossed Europe in the rain') y Gino Paoli ('Sapore di sale') Escuchar audio

durée : 00:58:09 - "Sweet Georgie Fame" (Blossom Dearie) (1967) - par : Laurent Valero - "Standard écrit par une de mes chanteuses favorites, Blossom Dearie, une merveilleuse pianiste. Elle est américaine et c'est une artiste qu'il ait aisé de reconnaître dès que l'on entend son timbre flûté. C'est l'une de ses chansons les plus célèbres, composée à Londres, en 1966 ..." Laurent Valero - réalisé par : Antoine Courtin

For Video Edition, Please Click and Subscribe Here: https://www.youtube.com/watch?v=6mVPPLzo9wc&t=34s Are you curious to learn the secrets of cabaret success? In this episode, we will discuss how to create a successful cabaret show, from the planning stages all the way through to performance.  Amanda King: With the sound and soul of a classic chanteuse, it's no surprise that Amanda King showcases a catalog of music gems from the 1930s, 40s, and 50s embodying many of the figures who make up the vivid tapestry that is American Popular Music and Jazz. Possessing a smoothness of voice and surety of style, she has been hailed by New York Times critic Stephen Holden as one of the nightclub world's “exceptional rising talents.” Catch her LIVE as part of Capital Cabaret in Washington DC March 23 Karen Mason has starred on Broadway, Off-Broadway, television, and recording: and “has few peers when it comes to ripping the roof off with her amazing voice that knows no bounds!” (TheatreScene.net) Karen is a 13-time MAC Award winner, has won the MAC Award for Major Female Vocalist of the Year for six consecutive years, and recently was the recipient of the 2019 MAC Lifetime Achievement Award. Karen Mason brings back her critically acclaimed tribute to Kander & Ebb to Birdland Monday March 20th Daryl Sherman: One of the top swing singers to emerge during the past 30 years, Daryl Sherman has a light high voice that is influenced by Mildred Bailey and also by Ella Fitzgerald, Sylvia Syms, Billie Holiday, Blossom Dearie, and Barbara Carroll. Honored this year with a special Bistro award for Enduring Artistry! Perhaps her most renowned gig was a 14-year run at Manhattan's Waldorf-Astoria, where she played Cole Porter's Steinway.

Renée Yoxon is a trans non-binary singer, songwriter, jazz musician, and trans voice teacher. In this episode, Renee shares some beautiful and inspiring performances from their albums, as well as stories from life as a disabled person and how their disability and chronic pain has guided the direction of their career. We talk about their musical development, and their experiences both bad and good as they navigated their musical education (after finishing a degree in physics!). Renée explains the kind of work they do with trans vocal exploration and we dive into all kinds of topics in the usual tangential style of this series. The transcript and video are linked here: https://www.leahroseman.com/episodes/rene-yoxon Please consider supporting this series and get access to some cool and unique perks: https://ko-fi.com/leahroseman Renée Yoxon website: https://www.reneeyoxon.com/ photo: Laurence Philomène podcast theme music: Nick Kold Timestamps: (00:00:00) Intro (00:01:21) Renée's physics degree, start in school band, Jazz Works camp (00:04:19) free improv group, intergenerational friendships (00:06:38) intro to “Willow Weep for Me” by Ann Ronell (00:08:53) “Willow Weep for Me” with René Gely (00:13:57) piano, ukulele (00:15:26) “Beautiful Alchemy”, film with Teagan Lance and album (00:17:14) “Terrible Alchemy” (00:23:19) Blossom Dearie (00:23:52) worldless improv (00:24:37) studies in New York, living as a disabled person, vocal technique (00:29:33) singing in rock band “Gorgeous George”, care of the voice and endurance training (00:32:20) trans voice aleration, TikTok success, pitch lowering, taking risks and learning to be silly (00:40:14) gender presentation and gender identity (00:42:35) ways we can alter the voice (00:45:09) different languages in terms of vocal alteration, vocal fry and gendered cutural coding for vocal characteristics (00:47:52) TikTok (00:49:22) teaching Trans Voice Alteration to other teachers (00:51:45) the importance of teaching business skills to musicians, University of Limerick, Edel Meade (00:55:58) Banff, McGill, growing up in Ottawa, the importance of mentors, Mark Ferguson, René Gely (01:00:29) social anxiety, speaking in public with a different voice or new language (01:02:38) different people who take Renée's courses on voice alteration (01:03:18) songwriting, Aoife McAtamney Pink Breath (01:04:27) “Drinking Coffee” (01:08:58) songs “The Bad Years” about their chronic illness (01:10:27) Kazaa music sharing, learning jazz repertoire (01:12:53) Renée's perspective on the music industry as a disabled person, and experiences at McGill university with lack of accessibility (01:17:46) Mx non-binary honorific, the importance of pronouns (01:20:32) disability rights, more about their McGill experience (01:22:45) Montreal --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Malvaviscos (o nubes o esponjitas o marshmallows, como prefieran) para iniciar el periplo navideño con músicas para la ocasión. This little light of mine Thelonius Monk, Donald Shirley  Silent Night Boyz II Men  Los Pastores Estrella Morente  In My Life Johnny Cash  The Christmas Song (Merry Christmas To You) Nat King Cole  White Christmas José James  What are you doing New Year's Eve? Diana Krall,Clayton-Hamilton Jazz Orchestra  Someday at Christmas Stevie Wonder  Have Yourself a Merry Little Christmas José James  This Winter Jamie Cullum, Lady Blackbird, Kansas Smitty's  It's a Marshmallow World Jo Stafford  Noël, c'est l'amour Elyane Dorsay  Christmas Blues Ramsey Lewis Trio  Tout Doucement BLOSSOM DEARIE  Christmas Prayer Paloma Faith, Gregory Porter  Aires De Navidad Héctor Lavoe, Willie Colón, Yomo Toro  Escuchar audio

In which the piercing searchlight of conversational scrutiny points in the direction of … … Christine McVie's early adventures, our burning love for Chicken Shack's ‘40 Blue Fingers', her Sliding Doors moment in a Dickins & Jones window display, supporting the Shadows at the 2I's coffee bar in ‘59, writing Songbird, the forgotten years of Kiln House and two film clips that point up Fleetwood Mac's luckless mid-‘70s slog with the bank-breaking success to come. … records you never connected with that suddenly make sense 50 years later. … the deep-seated, underrated pleasure of ‘Electric Arguments' by the Fireman (aka Youth and McCartney). … what your InstaFest line-up reveals about your listening habits. … and a rare mention of ‘Deed I Do' by Blossom Dearie!Subscribe to Word In Your Ear on Patreon and receive every future Word Podcast before the rest of the world alongside a whole host of extra and exclusive content, benefits and rewards!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In which the piercing searchlight of conversational scrutiny points in the direction of … … Christine McVie's early adventures, our burning love for Chicken Shack's ‘40 Blue Fingers', her Sliding Doors moment in a Dickins & Jones window display, supporting the Shadows at the 2I's coffee bar in ‘59, writing Songbird, the forgotten years of Kiln House and two film clips that point up Fleetwood Mac's luckless mid-‘70s slog with the bank-breaking success to come. … records you never connected with that suddenly make sense 50 years later. … the deep-seated, underrated pleasure of ‘Electric Arguments' by the Fireman (aka Youth and McCartney). … what your InstaFest line-up reveals about your listening habits. … and a rare mention of ‘Deed I Do' by Blossom Dearie!Subscribe to Word In Your Ear on Patreon and receive every future Word Podcast before the rest of the world alongside a whole host of extra and exclusive content, benefits and rewards!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In which the piercing searchlight of conversational scrutiny points in the direction of … … Christine McVie's early adventures, our burning love for Chicken Shack's ‘40 Blue Fingers', her Sliding Doors moment in a Dickins & Jones window display, supporting the Shadows at the 2I's coffee bar in ‘59, writing Songbird, the forgotten years of Kiln House and two film clips that point up Fleetwood Mac's luckless mid-‘70s slog with the bank-breaking success to come. … records you never connected with that suddenly make sense 50 years later. … the deep-seated, underrated pleasure of ‘Electric Arguments' by the Fireman (aka Youth and McCartney). … what your InstaFest line-up reveals about your listening habits. … and a rare mention of ‘Deed I Do' by Blossom Dearie!Subscribe to Word In Your Ear on Patreon and receive every future Word Podcast before the rest of the world alongside a whole host of extra and exclusive content, benefits and rewards!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 24th November 2022 Artist - Track - Album - Year Michael Morreale    Witche's Soup    Vol. 4: August 17th    2022 Neil Swainson    Near North    Fire in the West    2022 Dave Young    Inside a Silent Tear    Mantra    2022 Roberta Donnay    Inside a Silent Tear    Blossom-ing!: Celebrating the Music of Blossom Dearie    2022 Judith Owen    Blossom's Blues    Come On & Get It    2022 The Ostara Project    Storms and Oceans    The Ostara Project    2022 Dennis Mitcheltree    Omicron    Golden Rule    2022 The Ostara Project    Lluviona    The Ostara Project    2022 Rodney Whitaker    Blues for Gregg    Oasis: The Music of Gregg Hill    2022 Houston Person    I'll Let You Know    Reminiscing at Rudy's    2022 Brian Baggett Trio    Door Man    Groovin' and Swingin' at Green Lady Lounge    2022 Tim Fitzgerald    Mr. Walker    Full House    2022 Shawn Purcell    Search and Destroy    180'    2022 Ethan Philion    Pithecanthropus Erectus    Meditations on Mingus    2022 Conrad Herwig    Goodbye Pork Pie Hat    The Latin Side of Mingus    2022 Noah Garabedian    Alice    Consider the Stars Beneath Us    2022 Robert Diack    Hollow    Small Bridges    2022 Robert Diack    Plex    Small Bridges    2022 Sarah Bernstein Veer Quartet    Hidden    Veer Quartet    2022 Tardif    Hiboux    Brûlez les Meubles    2022 Tardif    Dialogue Tardif    Brûlez les Meubles    2022 The post The Creative Source (#CreativeSource) – 24th November 2022 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Miles Davis ('Once upon a summertime'), Blossom Dearie ('Once upon a summertime'), Lisa Ono ('E la chiamano estate'), João Gilberto ('Estate'), Bebel Gilberto ('So nice. Summer samba'), Artie Shaw ('Summertime'), Erroll Garner ('Summertime'), Gino Paoli ('Sapore di sale'), Stacey Kent ('The summer we crossed Europe in the rain') y Michael Franks ('Now that the summer´s here', 'One day in St. Tropez'). Escuchar audio

HEY! What's your most-loved and least favorite Schoolhouse Rock song!? The gang takes a look at their five favorite tunes from the iconic 1970s educational television cartoons of their youth. Adam dreamed up the idea to do our first top five episode, focusing on Multiplication, Grammar and America from the series' Golden Era, 1973-1976. Our first-ever 1970s-era show is crammed with fun facts, interjections, bootlegs and contests you just might want to watch our social media for. SHR royalty Aralee Dorough (voice on "My Hero Zero" and daughter of creator Bob Dorough) even kindly weighs in with her favorite! Please tell us how YOU would rank tonight's tunes on Instagram, Facebook and Twitter @wewillrankyoupod ! FILE UNDER/SPOILERS: Schoolhouse Rock, Bob Dorough, education,Multiplication Rock, Saturday morning cartoons, Elbow Room, De La Soul, Conjunction Junction, Fireworks, The Great American Melting Pot, Blind Melon, Lolly, Lolly, Lolly, Get Your Adverbs Here, A Noun is a Person, Place, or Thing, Jeff Buckley, Grammar Rock, Rufus Xavier Sarsaparilla, I'm Just a Bill, Blossom Dearie, Unpack Your Adjectives, Mother Necessity, 1970s, Verb: That's What's Happening No More Kings, Preamble, The Shot Heard Round the World, Jack Sheldon, Sufferin' Till Suffrage, American Rock, Three is a Magic Number, Ready or Not, Here I Come, Figure Eight, Interjections! US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.YerDoinGreat.com (Adam's music page) https://open.spotify.com/playlist/4OFTIda46Di4HkS0CDvM7L (Dan's top 100 songs of 2020) THEM: https://www.schoolhouserock.tv https://houstonsymphony.org/about-us/musicians/aralee-dorough/

Blossom Dearie taught Saturday morning cartoon watchers about adjectives. She also taught jazz great Bill Evans a thing or two about piano and played with Miles Davis. Her version of the Lorenz and Hart standard often known as "I'll Take Manhattan" stands out because the singer with the girlish voice could swoon but was also always in on the joke. You can hear "Manhattan" and a playlist of other songs by Blossom Dearie: https://open.spotify.com/playlist/77tuoQOzIufZmKMsHPzc43?si=6f9e60bf97404114

Short episode of some recent acquisitions and classics. Note to listeners: I'm going to start removing some past episodes of PFTS in the coming weeks on Soundcloud and iTunes, so make sure to download anything you've missed before it's gone! Tracklist: Felipe Dulzaides, Lance Ferguson, Sapo, Stone Alliance, Blossom Dearie, Diasonics

For Video Edition, Please Click and Subscribe Here: https://youtu.be/r-t5C2KGEW8 Daryl Sherman has been a part of the New York City jazz/cabaret scene since the mid-70s and she is one of the rare singing pianists equally talented in both roles. Sherman is a unique stylist with charm, quick wit, chemistry with her audiences and ability to make herself at home in any musical setting. When Artie Shaw formed a new band after his retirement, Sherman was his chosen singer, calling her "a first rate singer –musician”. Her CDs continue in regular rotation on Cable TV's Music Choice, Pandora,WNYC, WBGO Radio, BBC, Spotify. She's guested on Marian McPartland's NPR Piano Jazz (also guest host!) In Manhattan she's played Birdland Jazz, Jazz at Kitano, Mezzrow , Dizzy's Coca Cola, Iridium jazz club and the Algonquin's Oak Room. She's been a favorite at Highlights in Jazz concert series, Mabel Mercer Foundation Cabaret Convention, and Bryant Park Jazz Piano series, Midtown Jazz at St Peter's and JVC Jazzfest in NYC plus in Newport. Daryl has performed and recorded with notables: Artie Shaw, Dave McKenna, Ruby Braff , Joe Temperley, Dick Hyman, Mike Renzi, Bucky & John Pizzarelli, Jay Leonhart, Boots Maleson, Harvie S, Warren Vache, Bob Dorough , Jon-Erik Kellso, Scott Robinson, Houston Person, Wycliffe Gordon, Harry Allen, Scott Hamilton, Ken Peplowski, Wycliffe Gordon, Howard Alden, James Chirillo, The Anderson Twins, AND her dad, trombonist, Sammy Sherman. “Delightful, swinging, signature jazz sound, a stylistic compendium of Billie Holiday, Mildred Bailey and Blossom Dearie.' - Stephen Holden, New York Times

Celebrating the return of live performance, with Pulitzer Prize-winning theater artists James Lapine—Sondheim-collaborator, director and screenwriter—and acclaimed playwright Doug Wright, whose Goodnight Oscar opens soon. PLUS: Mega-talented singer/songwriter Carol Lipnik shares music from her new album, Goddess of Imperfection. Contributing artists: Joseph Keckler, Blossom Dearie, David Cale.