Podcast appearances and mentions of jackie wang

Jackie Wang is a poet, scholar, multimedia artist, and Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is the author of the poetry collection The Sunflower Cast a Spell to Save Us from the Void (2021), which was a finalist for the National Book Award; the critical essay collection Carceral Capitalism (Semiotext(e), 2018); and the chapbooks The Twitter Hive Mind Is Dreaming (2018) and Tiny Spelunker of the Oneiro-Womb (2016). Her research is on racial capitalism, surveillance technology, and the political economy of prisons and police. Alien Daughters Walk into the Sun: An Almanac of Extreme Girlhood (Semiotext(e), 2023) features the early writings of Jackie Wang, drawn from her early zines, indie-lit crit, and prolific early 2000s blog. Compiled as a field guide, travelogue, essay collection, and weather report, Alien Daughters Walk into the Sun traces Jackie Wang's trajectory from hard femme to Harvard, from dumpster dives and highway bike rides to dropping out of an MFA program, becoming a National Book Award finalist, and writing her trenchant book Carceral Capitalism. Alien Daughters charts the dream-seeking misadventures of an “odd girl” from Florida who emerged from punk houses and early Tumblr to become the powerful writer she is today. Anarchic and beautifully personal, Alien Daughters is a strange intellectual autobiography that demonstrates Wang's singular self-education: an early life lived where every day and every written word began like the Tarot's Fool, with a leap of faith. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jackie Wang is a poet, scholar, multimedia artist, and Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is the author of the poetry collection The Sunflower Cast a Spell to Save Us from the Void (2021), which was a finalist for the National Book Award; the critical essay collection Carceral Capitalism (Semiotext(e), 2018); and the chapbooks The Twitter Hive Mind Is Dreaming (2018) and Tiny Spelunker of the Oneiro-Womb (2016). Her research is on racial capitalism, surveillance technology, and the political economy of prisons and police. Alien Daughters Walk into the Sun: An Almanac of Extreme Girlhood (Semiotext(e), 2023) features the early writings of Jackie Wang, drawn from her early zines, indie-lit crit, and prolific early 2000s blog. Compiled as a field guide, travelogue, essay collection, and weather report, Alien Daughters Walk into the Sun traces Jackie Wang's trajectory from hard femme to Harvard, from dumpster dives and highway bike rides to dropping out of an MFA program, becoming a National Book Award finalist, and writing her trenchant book Carceral Capitalism. Alien Daughters charts the dream-seeking misadventures of an “odd girl” from Florida who emerged from punk houses and early Tumblr to become the powerful writer she is today. Anarchic and beautifully personal, Alien Daughters is a strange intellectual autobiography that demonstrates Wang's singular self-education: an early life lived where every day and every written word began like the Tarot's Fool, with a leap of faith. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Jackie Wang is a poet, scholar, multimedia artist, and Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is the author of the poetry collection The Sunflower Cast a Spell to Save Us from the Void (2021), which was a finalist for the National Book Award; the critical essay collection Carceral Capitalism (Semiotext(e), 2018); and the chapbooks The Twitter Hive Mind Is Dreaming (2018) and Tiny Spelunker of the Oneiro-Womb (2016). Her research is on racial capitalism, surveillance technology, and the political economy of prisons and police. Alien Daughters Walk into the Sun: An Almanac of Extreme Girlhood (Semiotext(e), 2023) features the early writings of Jackie Wang, drawn from her early zines, indie-lit crit, and prolific early 2000s blog. Compiled as a field guide, travelogue, essay collection, and weather report, Alien Daughters Walk into the Sun traces Jackie Wang's trajectory from hard femme to Harvard, from dumpster dives and highway bike rides to dropping out of an MFA program, becoming a National Book Award finalist, and writing her trenchant book Carceral Capitalism. Alien Daughters charts the dream-seeking misadventures of an “odd girl” from Florida who emerged from punk houses and early Tumblr to become the powerful writer she is today. Anarchic and beautifully personal, Alien Daughters is a strange intellectual autobiography that demonstrates Wang's singular self-education: an early life lived where every day and every written word began like the Tarot's Fool, with a leap of faith. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Jackie Wang is a poet, scholar, multimedia artist, and Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is the author of the poetry collection The Sunflower Cast a Spell to Save Us from the Void (2021), which was a finalist for the National Book Award; the critical essay collection Carceral Capitalism (Semiotext(e), 2018); and the chapbooks The Twitter Hive Mind Is Dreaming (2018) and Tiny Spelunker of the Oneiro-Womb (2016). Her research is on racial capitalism, surveillance technology, and the political economy of prisons and police. Alien Daughters Walk into the Sun: An Almanac of Extreme Girlhood (Semiotext(e), 2023) features the early writings of Jackie Wang, drawn from her early zines, indie-lit crit, and prolific early 2000s blog. Compiled as a field guide, travelogue, essay collection, and weather report, Alien Daughters Walk into the Sun traces Jackie Wang's trajectory from hard femme to Harvard, from dumpster dives and highway bike rides to dropping out of an MFA program, becoming a National Book Award finalist, and writing her trenchant book Carceral Capitalism. Alien Daughters charts the dream-seeking misadventures of an “odd girl” from Florida who emerged from punk houses and early Tumblr to become the powerful writer she is today. Anarchic and beautifully personal, Alien Daughters is a strange intellectual autobiography that demonstrates Wang's singular self-education: an early life lived where every day and every written word began like the Tarot's Fool, with a leap of faith. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Jackie Wang is a poet, scholar, multimedia artist, and Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is the author of the poetry collection The Sunflower Cast a Spell to Save Us from the Void (2021), which was a finalist for the National Book Award; the critical essay collection Carceral Capitalism (Semiotext(e), 2018); and the chapbooks The Twitter Hive Mind Is Dreaming (2018) and Tiny Spelunker of the Oneiro-Womb (2016). Her research is on racial capitalism, surveillance technology, and the political economy of prisons and police. Alien Daughters Walk into the Sun: An Almanac of Extreme Girlhood (Semiotext(e), 2023) features the early writings of Jackie Wang, drawn from her early zines, indie-lit crit, and prolific early 2000s blog. Compiled as a field guide, travelogue, essay collection, and weather report, Alien Daughters Walk into the Sun traces Jackie Wang's trajectory from hard femme to Harvard, from dumpster dives and highway bike rides to dropping out of an MFA program, becoming a National Book Award finalist, and writing her trenchant book Carceral Capitalism. Alien Daughters charts the dream-seeking misadventures of an “odd girl” from Florida who emerged from punk houses and early Tumblr to become the powerful writer she is today. Anarchic and beautifully personal, Alien Daughters is a strange intellectual autobiography that demonstrates Wang's singular self-education: an early life lived where every day and every written word began like the Tarot's Fool, with a leap of faith. Learn more about your ad choices. Visit megaphone.fm/adchoices

Recorded by Jackie Wang for Poem-a-Day, a series produced by the Academy of American Poets. Published on September 27, 2024. www.poets.org

LE PRINTEMPS DES POÉTEXSSESRencontre avec Coline Fournout à l'occasion de la publication de sa traduction du livre de poésie Le Tournesol, de Jackie Wang, aux éditions du commun.« Le glas plaintif du départ prématuré est en moi Vous y trouverez : Le livre ouvert de notre naissance La connaissance de là où nous sommes sur cette terre Il n'y a rien d'autre à faire qu'emmener le livre avec nous partout où nous allons C'est un livre qui pèse En le lisant, tu sauras où tu te tiens et ce que tu trouveras. »Dans ce texte poétique, telle une aventurière ou une grande reporter, Jackie Wang explore la matière onirique en y rejouant poétiquement nombre de thématiques chères à son travail et son engagement militant. Aux moyens d'un imaginaire débridé, elle convoque la profondeur inquiétante ou farfelue des rêves, ouvrant l'horizon des interprétations. Co-édition des éditions de la rue Dorion (Québec) et des éditions du commun (France). Finaliste du National Book Award 2021 en poésie, « Le tournesol » est le premier recueil de Jackie Wang, déjà connue en France pour son travail de recherche sur le système carcéral et la publication d'un essai à ce sujet (« Capitalisme carcéral », ed. Divergences).Artiste, militante, Jackie Wang est aussi poétesse et chercheuse spécialisée de l'économie politique des prisons et de la police aux États-Unis. Coline Fournout est également chercheuse et poétesse, elle est l'autrice de deux recueils parus aux éditions Blast : "Conjurations" (2021), et "Les gisantes" (2023). Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Today we talk to friends of the show Jackie Wang and Andrew Trapp.  We discuss Andrew's decision to leave China after over a decade and Jackie's renewed perspective after leaving to live abroad and now returning to Shanghai on a visit.  We talk about the factors behind Andrew deciding to move back to America and reflect on his time living in China; what he learned  enjoyed, will miss, and won't miss.  We discuss how his family in the Midwest was increasingly worried about him being in China, especially during the pandemic.  We also talk about the small day-to-day experiences and also bigger things like personal growth and worldview.  We share what brought us to China in the first place and how we've changed by being here.  We also talk about preparing for reverse culture shock when going back to the US after living abroad for so long.  We talk about the idea of rebuilding your life with a fresh start by moving to another country.  We joke about more practical matters like getting a car and figuring out tipping etiquette.  Aric and Jackie give emotional goodbyes to their close friend who will be missed. _____________________ If you enjoy this show don't forget to leave a rating Follow Us On Instagram: https://www.instagram.com/thehonestdrink_/ Join Us On WeChat: THD_Official 小红书: THD The Honest Drink Find us on: Spotify, Apple, Google Podcasts, YouTube, 小红书, Ximalaya, 小宇宙, 网易云音乐, Bilibili or anywhere else you get your podcasts.  

Today we talk to friends of the show Jackie Wang and Andrew Trapp. We discuss Andrew's decision to leave China after over a decade and Jackie's renewed perspective after leaving to live abroad and now returning to Shanghai on a visit. We talk about the factors behind Andrew deciding to move back to America and reflect on his time living in China; what he learned enjoyed, will miss, and won't miss. We also talk about the small day-to-day experiences and also bigger things like personal growth and worldview. We share what brought us to China in the first place and how we've changed by being here. We also talk about preparing for reverse culture shock when going back to the US after living abroad for so long. We talk about the idea of rebuilding your life with a fresh start by moving to another country. We joke about more practical matters like getting a car and figuring out tipping etiquette. Aric and Jackie give emotional goodbyes to their close friend who will be missed.____________________下载节目文字版: Episode Transcripts____________________If you enjoy this show don't forget to leave a rating and subscribe!小红书: THD The Honest DrinkFollow Us On Instagram: @thehonestdrink_Join Us On WeChat: THD_OfficialEmail: thehonestdrink@gmail.comFind us on: Spotify, Apple, Google Podcasts, YouTube, 小宇宙, 喜马拉雅, 网易云音乐, 小红书, Bilibili or anywhere you get your podcasts.

Conor Rose reads from Jackie Wang's Carceral Capitalism. This extract, taken from the opening of the book, offers insight into the Black Lives Matter movement as well as new forms of predatory policing, informed by the 2008 financial crash. In this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, "Against Innocence," as well as essays on RoboCop, techno-policing, and the aesthetic problem of making invisible forms of power legible. Wang shows that the new racial capitalism begins with parasitic governance and predatory lending that extends credit only to dispossess later. Predatory lending has a decidedly spatial character and exists in many forms, including subprime mortgage loans, student loans for sham for-profit colleges, car loans, rent-to-own scams, payday loans, and bail bond loans. Parasitic governance, Wang argues, operates through five primary techniques: financial states of exception, automation, extraction and looting, confinement, and gratuitous violence. While these techniques of governance often involve physical confinement and the state-sanctioned execution of black Americans, new carceral modes have blurred the distinction between the inside and outside of prison. As technologies of control are perfected, carcerality tends to bleed into society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Conor Rose reads from Jackie Wang's Carceral Capitalism. This extract, taken from the opening of the book, offers insight into the Black Lives Matter movement as well as new forms of predatory policing, informed by the 2008 financial crash. In this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, "Against Innocence," as well as essays on RoboCop, techno-policing, and the aesthetic problem of making invisible forms of power legible. Wang shows that the new racial capitalism begins with parasitic governance and predatory lending that extends credit only to dispossess later. Predatory lending has a decidedly spatial character and exists in many forms, including subprime mortgage loans, student loans for sham for-profit colleges, car loans, rent-to-own scams, payday loans, and bail bond loans. Parasitic governance, Wang argues, operates through five primary techniques: financial states of exception, automation, extraction and looting, confinement, and gratuitous violence. While these techniques of governance often involve physical confinement and the state-sanctioned execution of black Americans, new carceral modes have blurred the distinction between the inside and outside of prison. As technologies of control are perfected, carcerality tends to bleed into society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Conor Rose reads from Jackie Wang's Carceral Capitalism. This extract, taken from the opening of the book, offers insight into the Black Lives Matter movement as well as new forms of predatory policing, informed by the 2008 financial crash. In this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, "Against Innocence," as well as essays on RoboCop, techno-policing, and the aesthetic problem of making invisible forms of power legible. Wang shows that the new racial capitalism begins with parasitic governance and predatory lending that extends credit only to dispossess later. Predatory lending has a decidedly spatial character and exists in many forms, including subprime mortgage loans, student loans for sham for-profit colleges, car loans, rent-to-own scams, payday loans, and bail bond loans. Parasitic governance, Wang argues, operates through five primary techniques: financial states of exception, automation, extraction and looting, confinement, and gratuitous violence. While these techniques of governance often involve physical confinement and the state-sanctioned execution of black Americans, new carceral modes have blurred the distinction between the inside and outside of prison. As technologies of control are perfected, carcerality tends to bleed into society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Conor Rose reads from Jackie Wang's Carceral Capitalism. This extract, taken from the opening of the book, offers insight into the Black Lives Matter movement as well as new forms of predatory policing, informed by the 2008 financial crash. In this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, "Against Innocence," as well as essays on RoboCop, techno-policing, and the aesthetic problem of making invisible forms of power legible. Wang shows that the new racial capitalism begins with parasitic governance and predatory lending that extends credit only to dispossess later. Predatory lending has a decidedly spatial character and exists in many forms, including subprime mortgage loans, student loans for sham for-profit colleges, car loans, rent-to-own scams, payday loans, and bail bond loans. Parasitic governance, Wang argues, operates through five primary techniques: financial states of exception, automation, extraction and looting, confinement, and gratuitous violence. While these techniques of governance often involve physical confinement and the state-sanctioned execution of black Americans, new carceral modes have blurred the distinction between the inside and outside of prison. As technologies of control are perfected, carcerality tends to bleed into society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Conor Rose reads from Jackie Wang's Carceral Capitalism. This extract, taken from the opening of the book, offers insight into the Black Lives Matter movement as well as new forms of predatory policing, informed by the 2008 financial crash. In this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, "Against Innocence," as well as essays on RoboCop, techno-policing, and the aesthetic problem of making invisible forms of power legible. Wang shows that the new racial capitalism begins with parasitic governance and predatory lending that extends credit only to dispossess later. Predatory lending has a decidedly spatial character and exists in many forms, including subprime mortgage loans, student loans for sham for-profit colleges, car loans, rent-to-own scams, payday loans, and bail bond loans. Parasitic governance, Wang argues, operates through five primary techniques: financial states of exception, automation, extraction and looting, confinement, and gratuitous violence. While these techniques of governance often involve physical confinement and the state-sanctioned execution of black Americans, new carceral modes have blurred the distinction between the inside and outside of prison. As technologies of control are perfected, carcerality tends to bleed into society. Learn more about your ad choices. Visit megaphone.fm/adchoices

Conor Rose reads from Jackie Wang's Carceral Capitalism. This extract, taken from the opening of the book, offers insight into the Black Lives Matter movement as well as new forms of predatory policing, informed by the 2008 financial crash. In this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, "Against Innocence," as well as essays on RoboCop, techno-policing, and the aesthetic problem of making invisible forms of power legible. Wang shows that the new racial capitalism begins with parasitic governance and predatory lending that extends credit only to dispossess later. Predatory lending has a decidedly spatial character and exists in many forms, including subprime mortgage loans, student loans for sham for-profit colleges, car loans, rent-to-own scams, payday loans, and bail bond loans. Parasitic governance, Wang argues, operates through five primary techniques: financial states of exception, automation, extraction and looting, confinement, and gratuitous violence. While these techniques of governance often involve physical confinement and the state-sanctioned execution of black Americans, new carceral modes have blurred the distinction between the inside and outside of prison. As technologies of control are perfected, carcerality tends to bleed into society. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jackie Wang thought her real estate job would be a two-year gig at most, but it ultimately led her to discover a career that she could see herself doing every day. The Ashfield-based agent, who recently joined the ranks of Hudson McHugh, sits down with Grace Ormsby and Sadhana Smiles to talk about how her experience across several industries, including tax, accounting, marketing, and hospitality helped provide the right building blocks for her career in real estate. With communication being the foundation of any solid business relationship, she also explained how her multilingualism helped her to break language barriers and helped her service multicultural clients in order to deliver the best results before sharing how she plans to take her already stellar career to the next level.  In this episode, you will also hear: Why being ‘too honest' can be beneficial to involved parties in a real estate transaction The importance of recognising the boundaries of your capabilities How to build a strong rapport with clients Make sure you never miss an episode by subscribing to us now on Apple Podcasts. Did you like this episode? Show your support by rating us or leaving a review on Apple Podcasts (REB Podcast Network) and by liking and following Real Estate Business on social media: Facebook, Twitter and LinkedIn. If you have any questions about what you heard today, any topics of interest you have in mind, or if you'd like to lend a voice to the show, email editor@realestatebusiness.com.au for more insights.   

It's another Sunday Rewind looking at Australian property interviews in the last 7 days. We talk to Mike McCarthy CEO at  Barry Plant to talk about the state of the property market in Melbourne. Also talk to Economist Asti from PRD about how you can save when buying a property by cutting out a bedroom, changing from a 4 bedroom to a three bedroom. The numbers are big. Jackie Wang from Ashfield is here to talk about people down sizing from a mansion to buy there.Matt Hayson from CobdenHayson talks about the current rental returns and yields which are both strong and unrelenting at the moment and the softer property market continues to attract and draw in more investors. And we finish up by looking at Donal Trumps MAR-A-LAGO property and get some numbers to find it's true value and define what sort of an investment it's been. ► Subscribe here to never miss an episode: https://www.podbean.com/user-xyelbri7gupo ► INSTAGRAM: https://www.instagram.com/therealestatepodcast/?hl=en  ► Facebook: https://www.facebook.com/profile.php?id=100070592715418 ► Email:  myrealestatepodcast@gmail.com  IF YOU LIKE THIS PODCAST please head to iTunes and Subscribe, Rate & Review the Real Estate Podcast     #sydneyproperty #Melbourneproperty #brisbaneproperty #perthproperty

We are talk to Jackie Wang in Sydney about Ashfield and people down sizing from a mansion to buy there. Tim McKibbin, chief executive of the Real Estate Institute of NSW is back to talk about the latest technology in real estate including living next door to Snoop Dog in the Metaverse.  ► Subscribe here to never miss an episode: https://www.podbean.com/user-xyelbri7gupo ► INSTAGRAM: https://www.instagram.com/therealestatepodcast/?hl=en  ► Facebook: https://www.facebook.com/profile.php?id=100070592715418 ► Email:  myrealestatepodcast@gmail.com    IF YOU LIKE THIS PODCAST please head to iTunes and Subscribe, Rate & Review the Real Estate Podcast     #sydneyproperty #Melbourneproperty #brisbaneproperty #perthproperty 

Enter the poetic dreamscape of Piscean poets Sara Lupita Olivares and Alyssa Jewell. People born under the star sign of Pisces (Feb 19-March 20) are known for being old souls with a great affinity for both mystical and artistic realms. Pisces is a water sign ruled by Neptune, a planet of mystery and psychic energy. Pisceans are gifted with natural intuition and house creative gifts that truly captivate us. Dreams and poetry are a very natural intersection to find a creative Pisces.  In this episode of The Fairy Ring, we discuss dreams and how they connect to poetry in seen and unseen ways. Grab a cup of tea and join us for our watery, dreamy, and poetic conversation. Sara Lupita Olivares is the author of Migratory Sound (The University of Arkansas Press), which was selected as winner of the 2020 CantoMundo Poetry Prize, and the chapbook Field Things (dancing girl press). Her poems have appeared or are forthcoming in The New York Times, Hayden's Ferry Review, Black Warrior Review, Salt Hill Journal, Quarterly West, and elsewhere. She currently lives and teaches in the midwest. website: www.saralupitaolivares.com instagram: saralupitao Alyssa Jewell edits poetry for Waxwing as well as Third Coast and coordinates the Poets in Print reading series at the Kalamazoo Book Arts Center. Her work has appeared or is forthcoming in Best New Poets, Witness, Virginia Quarterly Review, Colorado Review, Hayden's Ferry Review,  Washington Square Review, and elsewhere. She lives in Grand Rapids where she teaches college ESL classes. She is a graduate student at Western Michigan University. website: alyssajewell.orgThe Poets in Print Event page is: https://kalbookarts.org/events/ Thank you for listening. Taking a moment to rate and share is a great source of support. Your energy is appreciated

We talk to Jackie Wang about an inner west suburb of Sydney that's fast becoming very trendy and popular and talk to Deon about possibly the smallest house in Melbourne that sold quickly. ► Subscribe here to never miss an episode: https://www.podbean.com/user-xyelbri7gupo ► INSTAGRAM: https://www.instagram.com/therealestatepodcast/?hl=en  ► Facebook: https://www.facebook.com/profile.php?id=100070592715418 ► Email:  myrealestatepodcast@gmail.com    IF YOU LIKE THIS PODCAST please head to iTunes and Subscribe, Rate & Review our podcast     #sydneyproperty #Melbourneproperty #brisbaneproperty #perthproperty 

Boletim - Casa Virada, informativo semanal sobre medidas socioeducativas a partir de um olhar anarquista e abolicionista penal Bruno Xavier fala sobre o lançamento em português do livro Capitalismo Carcerário, da escritora e abolicionista penal Jackie Wang. Link para somar no financiamento coletivo: https://benfeitoria.com/capitalismocarcerario?ref=benfeitoria-pesquisa-projetos

Today’s show is a repeat from June 25, 2019. In her book, Carceral Capitalism, poet and scholar Jackie Wang confronts mass incarceration in the US by delving into the processes that feed into and maintain the prison system: anti-black racism, predatory lending, algorithmic policing, privatized prisons, credit scams, data analytics and histories of exclusion. The …

Purchase Here: https://marktreckawsr.bandcamp.com/ Recorded using only voice, piano, and handmade cassette loops, Acknowledgment was conceived of and is presented as an intertextual document reflecting on 15 years of dialogue between the personal and political. “Acknowledgment” according to Trecka is presented here not as some kind of moral high ground, but rather an elusive action that runs “somehow deeper than recognition.” How do we acknowledge our deep interdependence upon one another when faced with the ever increasing atomization of modern life? It is through Acknowledgment's existence as an intertextual and intermedial piece of art that Trecka explores this fascia connecting us all, despite the designed invisibility of certain communities – stateless persons, incarcerated persons, houseless individuals. This record is about heavy things, but it is certainly not about the burden of interdependence or the void left by nature's dispassion. Rather, it is about the utter joy that may be found through the acknowledgement of these things. Compassion – a word that gets close to acknowledgement's aims – allows us to share in the pain and joy of our common existence. Although this album is sparse and some ways abstract, the intertextual elements provide excellent entry points into the work itself. Musically, Mark Trecka offers a few oblique references. Listen deeply to hear the clanging rhythm and idiosyncratic timing of John Cage's Sonatas and Interludes, the minimalist drama of Haley Fohr or Nico's The Marble Index the floating and commanding vocals of Mark Hollis, or Robert Wyatt's hopeful but utterly wild solo work. It should come as no surprise that Acknowledgment's closing track, “Hood in Wind” builds off of Public Enemy's “Revolutionary Generation '' while Trecka's impressionistic liner notes quote from prison abolitionist and poet Jackie Wang. The album's cover itself features a quote from Mexican author Yuri Herrera's “A Silent Fury” which is about a mining disaster and the criminal response of the mine's owners. This story echoes in Trecka's own exploration of a remote desert cemetery which provides the cornerstone for the album's inserted essay / reflection. Songs on Acknowledgement often drift between the political and the personal. On “Wave Games” an anxious piano line provides the backbone for Trecka's reflection on visiting the ocean with his child and, while watching him play in the waves, reflecting on the multivalence of bodies of water – as connectors, dividers of land masses and the struggles of those who cross them in search of better material conditions. Ships literally passing in the night as supertankers valet the refined natural goods of several countries reduced to a supply chain. “A Sea of Tents” reflects on statelessness and unreasonable responses to unreasonable situations over an impressionistic piano composition punctuated by brash bass notes and distressed tape loops that signal like a lighthouse fading from sight. The only instrumental track on the album, the album's title track opens up caverns between piano notes that are wide enough to cast our worried thoughts into and never hear them hit the bottom. There is a lift, however, towards a cacophonous conclusion that finds joy in making very, very loud sounds over and over. Signal. Repeat. Forever.

Kate and Medaya are joined by Rachel Kushner, author previously of Telex from Cuba and the Flamethrowers, both nominated for the National Book Award, and The Mars Room, which was shortlisted for the 2018 Man Booker Award. Rachel's new book is a collection of her essays from the past two decades, The Hard Crowd, which exhibits the inspiring breadth of her interests and influences, many of which she discusses - from motorcycle racing, to prison abolition, the Anarcho-Marxist Italian left, rock impresario Bill Graham, the writing of Marguerite Duras, and the people and places of her rough-edged youth in San Francisco. Also, Jackie Wang, author of The Sunflower Cast a Spell to Save Us from the Void, returns to recommend Nobody: A Hymn to the Sea by poet Alice Oswald

Kate and Medaya are joined by Rachel Kushner, author previously of Telex from Cuba and the Flamethrowers, both nominated for the National Book Award, and The Mars Room, which was shortlisted for the 2018 Man Booker Award. Rachel's new book is a collection of her essays from the past two decades, The Hard Crowd, which exhibits the inspiring breadth of her interests and influences, many of which she discusses - from motorcycle racing, to prison abolition, the Anarcho-Marxist Italian left, rock impresario Bill Graham, the writing of Marguerite Duras, and the people and places of her rough-edged youth in San Francisco. Also, Jackie Wang, author of The Sunflower Cast a Spell to Save Us from the Void, returns to recommend Nobody: A Hymn to the Sea by poet Alice Oswald

Kate and Medaya talk with poet, essayist, and critic Jackie Wang about her new collection of poetry The Sunflower Cast a Spell to Save Us From the Void.  As an Assistant Professor of Culture and Media Studies at The New School, Wang also works on race, surveillance technology, and the political economy of prisons and police.  In her poetry, she uses dreams to get to very concrete historical and social issues; along with the apocalypse, survival, intimacy, speech, silence and of course, sunflowers. Jackie discusses the relationship between her poetry and academic work; and her exploration of dreams, psychoanalysis, and the work of the imagination “the work of creating openings where there were previously none.” Also, Jo Ann Beard, author of Festival Days, returns to recommend both Daniel Orozco's collection of stories Orientation; and also Amy Hempel's collection Sing To It.

Kate and Medaya talk with poet, essayist, and critic Jackie Wang about her new collection of poetry The Sunflower Cast a Spell to Save Us From the Void.  As an Assistant Professor of Culture and Media Studies at The New School, Wang also works on race, surveillance technology, and the political economy of prisons and police.  In her poetry, she uses dreams to get to very concrete historical and social issues; along with the apocalypse, survival, intimacy, speech, silence and of course, sunflowers. Jackie discusses the relationship between her poetry and academic work; and her exploration of dreams, psychoanalysis, and the work of the imagination “the work of creating openings where there were previously none.” Also, Jo Ann Beard, author of Festival Days, returns to recommend both Daniel Orozco's collection of stories Orientation; and also Amy Hempel's collection Sing To It.

Do you remember your first time stepping into Chinatown? It's an otherworldly experience being surrounded by throngs of people and cornered in by restaurants and shops that beckon with mysterious foods and wares. Due to the global pandemic, these amazing neighborhoods are slowly dwindling. This week, we're joined by Jackie Wang and Harry Trinh, two volunteers with the organization, "Welcome to Chinatown." We talk with them about what their organization is doing to help NYC Chinatown businesses during this troubled time - from organizing grants to help them pay rent to getting them get set up on online delivery systems, and more. We also share our best tips for exploring Chinatown now - from the best places to eat to the shops with the most interesting items. Learn more about how you can help (donating, buying merch, volunteering) at welcometochinatown.com and follow them on Instagram at @welcome.to.chinatown

Read by Aja Monet and introduced by Jackie Wang. The teacher, poet, and revolutionary Assata Shakur was born in Flushing Queens. She became a socialist during her college years, and after a visit to the Oakland chapter of the Black Panthers, she joined the Party. Eventually Assata became head of the Harlem Panthers, and went on to join the Black Liberation Army—a loosely organized, underground offshoot of the Black Panthers, which advocated guerilla warfare against the US government. She became the target of federal surveillance for this work, and was arrested in 1973. She wrote “Women in Prison: How it is With Us” during this period, recounting the experiences of the women she was incarcerated with and the racism that led to their imprisonment—especially the criminalization of their survival and their willingness to defend themselves. “Women can never be free in a country that is not free. We can never be liberated in a country where the institutions that control our lives are oppressive. We can never be free while our men are oppressed. Or while the amerikan government and amerikan capitalism remain intact. But it is imperative to our struggle that we build a strong Black women's movement. It is imperative that we, as Black women, talk about the experiences that shaped us; that we assess our strengths and weaknesses and define our own history. It is imperative that we discuss positive ways to teach and socialize our children.” — Assata Shakur

The Sunflower Cast a Spell to Save Us From the Void by Jackie Wang by Poets & Writers

For Jackie Wang, dreams are modes of thinking that do not capitulate to reality and everyday scenes of unjustness. Interested in the desire for life and mental structures that cannot be contained, Wang has been exploring the creative, social, and political implications of oceanic feeling as well as the enmeshment of the psychoanalysis of mysticism and psychoanalytic debates about religion. Video talk with subtitles (EN, LV, RU): http://bit.ly/JackieWangtalk RIBOCA2 Public programmes Associate Curator - Sofia Lemos Podcast made in collaboration with tirkultura.net, original music by Jackie Wang.

This episode builds on episode 2 and includes a cut from our last class (7.1.20). Here I dive into the work of both Taylor and Wang, looking at the genealogy of policing from the slave patrol through the War on Terror. We focus on the cyclical racialization of crime and criminalization of race; the spatiality of race and policing; the limits of diversification; and the growth of mass incarceration from Reagan to Trump.  

Predatory lending and parasitic governance are propelling our society into a condition of extreme instability. In the wake of the initial economic fallout from the coronavirus pandemic, we are already seeing local governments authorize austerity measures, like increased policing and incarceration to fill revenue gaps. Coupled with the dramatically heightened police presence in our communities at this moment, we find ourselves standing at the precipice of an even more militarized, surveilled, and technocratic world. To resist the conjuring of this hostile future, we need to engage in some serious social visioning. This week, we are joined by Jackie Wang to discuss the function of the carceral state amidst late-stage capitalism and the pervasiveness of the debt economy. Jackie calls us to disrupt what we’ve normalized, break state-sanctioned cycles of harm, and reallocate our collective resources in the name of taking care of our communities. Jackie Wang is a black studies scholar, poet, multimedia artist, and Assistant Professor of Culture and Media at the New School’s Eugene Lang College. She received her PhD in African and African American Studies at Harvard University and was recently a fellow at the Radcliffe Institute for Advanced Study. She is the author of Carceral Capitalism. Music by Jackie Wang. Visit our website at forthewild.world for the full episode description, references, and action points.

In each episode we talk about a variety of books, writing, and art. Below are a few mentioned in this one:Black Lives Matter petition to #DefundThePolice (link)Sister Outsider: Essays and Speeches by Audre Lorde“An Interview: Audre Lorde and Adrienne Rich” (First published in Signs, vol. 6, no. 4 in summer of 1981. Edited from three hours of audio tapes recorded on August 30, 1979 in Montague, Massachusetts. Commissioned by Marilyn Hacker, guest editor of Woman Poet: The East.)“The Master's Tools Will Never Dismantle the Master's House” (From comments at "The Personal and the Political Panel" at the Second Sex Conference on September 29, 1979 in New York.)"How Did #BlackOutTuesday Go So Wrong So Fast?" (Vulture) (link)“Ten Steps of Non-Optical Allyship” by Mireille Cassandra Harper (link)Ijeoma Oluo on NPR discussing how police have two purposes: to protect and serve white people, and to control black people (link)Carceral Capitalism by Jackie Wang (link)Uprooting Racism: How White People Can Work for Racial Justice by Paul Kivel (link)“I ❤️ NY” video by Una Osato (link)The Center for Artistic Activism (link)Jews for Racial and Economic Justice (JFREJ) (link)Never Again Action (link)List of Bail Funds Across the Country -- please contribute if you can! (link)Questions? Thoughts? Email us: alltalklisteners@gmail.com.About Us:Ellie Lobovits is a visual artist, educator, writer, and teacher of Jewish plant magic. ellielobovits.comLeora Fridman is a writer and educator, author of My Fault, Make an Effort, and other books of prose, poetry and translation. leorafridman.com

En écho aux révoltes des prisonniers et à leur situation critique face au coronavirus, aux violences policières et aux amendes racistes, une émission d’analyse critique anticapitaliste et anti-raciste du système pénal et carcéral à partir de Capitalisme carcéral (Divergences, 2020) de Jackie Wang et de La couleur de la justice. Incarcération de masse et nouvelle ségrégation raciale aux États-Unis (Syllepse, 2017) de Michelle Alexander - avec la postfacière de Capitalisme carcéral, Gwenola Ricordeau, également autrice sur ce sujet de Pour elles toutes. Femmes contre la prison (Lux, 2019). L’émission (1 heure) comporte : Une mise en exergue des différences d’approche de l’abolitionnisme pénal et carcéral en France et aux États-Unis ; Une description de l’argument d’une continuité entre esclavage, ségrégation et incarcération de masse des Afro-Américains, notamment en termes de privation de droits et de travail forcé ; Une analyse de l’explosion carcérale des dernières décennies aux États-Unis ; Une description du système d’extorsion policier, pénal et para-pénal des classes populaires majoritairement racisées aux États-Unis au profit des municipalités, des détenteurs d’obligations municipales, des prêteurs à intérêt, des compagnies de « service » aux prisonniers et à leurs proches, des tribunaux et des prisons aux États-Unis ; Une mise en exergue du caractère raciste et validiste des meurtres policiers aux États-Unis ; Une analyse critique du caractère pseudo-objectif de la « police prédictive » et de ses prophéties auto-réalisatrices racistes aux États-Unis ; Une critique de « l’innocentisme » comme stratégie réformiste de défense des seules « victimes innocentes » du système pénal et carcéral qui aboutit à une légitimation de ceux-ci et à un abandon des autres victimes de ces systèmes ; Une discussion des différences et des similitudes du système pénal et carcéral en France et aux États-Unis (également racistes et coloniales, mais différences en termes d’extorsion, de capitalisme carcéral et du nombre de personnes incarcérées).

#China Club – County Down Club#China Event – China team for Tokyo 2020 #China Q&A – KOLs in the Digital transformation program#China Story – Jackie Wang, Co-founder of 1003 PoloSign up for Webinar info sessions: Digital transformation program for equestrian brands English session, April 14th, at 9am CESThttps://my.demio.com/ref/585juxU6WDrXhELoFrench session, April 14th, at 2pm CESThttps://my.demio.com/ref/2SqD4FvYhh67iofpFor more information, please contact us:contact@wonder-horse.comwww.wonder-horse.com/podcastSupport the show (https://www.wonder-horse.com/podcast)

In this episode, Kiegan Irish and Alex Boos discuss an essay entitled “Racialized Accumulation by Dispossession in the Age of Finance Capitalism: Notes on the Debt Economy” from Jackie Wang's book Carceral Capitalism. Distilling Wang's critical reworkings of Rosa Luxemberg's concept of hybrid capitalism and her reflections on systems of expropriation and indebtedness specific to the age of finance capitalism, we consider how they can be reapplied to the context of Canadian settler colonialism, Coastal Gas Link and the RCMP raid into Wet'suwet'en traditional territory in the early hours of the morning on February 6th, 2020.  To donate:  http://unistoten.camp/support-us/donate/ tyendinagadonations@gmail.com https://www.yintahaccess.com/becomeadonor

In each episode we talk about a variety of books, writing, and art. Below are a few mentioned in this one:The book On Beauty and Being Just by Elaine ScarryThe website Man Repeller (link)Toward A Hot Jew: Graphic Essays by Miriam Libicki (link)The exhibition “Veiled Meanings: Fashioning Jewish Dress,” at the Contemporary Jewish Museum in San Francisco (link)The exhibition "Involuntary Archives. On the Theatre of Surveillance" by artist Miguel Fernández de Castro (link)Ellie’s film Birth on the Border (trailer link)The exhibition “Tyler Mitchell: I Can Make You Feel Good” at ICP (link)Aperture issue #223: Vision & Justice (link)The book The New Black Vanguard: Photography Between Art and Fashion by Antwaun Sargent (link)“Pendeja, You Ain’t Steinbeck: My Bronca with Fake-Ass Social Justice Literature” by Myriam Gurba (link)“There’s Nothing Thrilling About Trauma” by Ingrid Rojas Contreras (link) Tweet referenced by Ingrid Rojas Contreras (link)“Oceanic Feeling and Communist Affect” by Jackie Wang (link) Questions? Thoughts? Email us: alltalklisteners@gmail.com.About Us:Ellie Lobovits is a visual artist, educator, writer, and teacher of Jewish plant magic. ellielobovits.comLeora Fridman is a writer and educator, author of My Fault, Make an Effort, and other books of prose, poetry and translation. leorafridman.com

Brian Kuan Wood talks to Daniel van der Velden of Metahaven (Vinca Kruk and Daniel van der Velden) on the occasion of their exhibition at e-flux titled Turnarounds. Turnarounds consists of the film installation Hometown (2018), a new series of textile pieces, and an essay in e-flux journal. Hometown focuses its ultra-wide, hypnotic gaze on two cities—Beirut and Kyiv—that merge into a fictional home for the film’s protagonists, Ghina Abboud and Lera Luchenko. Fluorescent, lava-like animations alternate between images of industrial estates and overgrown gardens as Ghina and Lera lyrically describe the town. A caterpillar gets killed, but while mourning the loss, both evade responsibility for the crime. With their monologue in Russian and Arabic colorfully subtitled in English and Ukrainian, they eat ice cream. Their laughter solves puzzles, and there is a sunken city inhabited by adults who forgot what children taught them. The script of Hometown draws on a genre of Russian children poems called perevortyshi (“turnarounds,” or “twisters”). In perevortyshi, positive statements are provisionally joined with their opposites to the great joy of both narrator and listener. These poems are, in their playfulness, also fundamentally questioning our reliance on verbal statements in order to approach reality. In "Sleep walks the street," an essay for e-flux journal no. 102 that will go live when the exhibition opens, Metahaven interrogate our current tendency to aestheticize politics by relying on the cognitive guidance of metaphorical and allegorical construction. Examining figures of speech that normalize not just words but also entire semantic contexts and cognitive patterns, they reference the work of the German-Polish linguist Victor Klemperer (1881–1960) who studied the language of the Nazis. In searching for potential antidotes, Metahaven focus on the work of the Russian poets Alexander Vvedensky (1904–1941) and Daniil Kharms (1905–1942), as well as the contemporary poets Eugene Ostashevsky, Jackie Wang, and Galina Rymbu. In addition to the film installation and the essay, a new series of digitally created textile pieces is installed throughout the public and private spaces at e-flux. Bearing titles like Mise-en-Anthroposcene, Skyrofoam, and Now You Know You Now, Metahaven’s recent textile works draw on the thematic and affective tropes they have embraced since their documentary The Sprawl: Propaganda About Propaganda from 2015. The work of Metahaven consists of filmmaking, writing, and design. Hometown will be on view at e-flux through November 2, 2019.

In her new book, Carceral Capitalism, poet and scholar Jackie Wang confronts mass incarceration in the US by delving into the processes that feed into and maintain the prison system: anti-black racism, predatory lending, algorithmic policing, privatized prisons, credit scams, data analytics and histories of exclusion. The so-called ‘race-neutral’ technologies like credit scoring, data mining, …

Sean Swain on Jpay and New Documentary About Band Negro Terror This week, we feature an interview with Sean Swain about the JPay system being incorporated into the North Carolina prison system based on his experiences in Ohio, increased tension leading to a riot in mid-April at Piedmont facility and the employment of former Ohio Prison Director Gary Mohr as a consultant to the NC system. Then, documentarian John Rash shares about his latest documentary about an all-black, anti-racist oi punk band from Memphis, TN. This band is called “Negro Terror” and the movie is touring the southeastern U.S. More on that in a moment. Sean Swain on JPay starts at 6:54 In the first portion of this episode, you'll be hearing from anarchist prisoner Sean Swain, but in a slightly different manner, where Bursts gets to ask a few clarifying question in the time we had available. First off, sorry about the call quality, we're still working out our recording ability for VA. When we first started talking to Sean all those years back (November 2013 if you want to hear it) it was because of his resistance to the Ohio Department of Rehabilitation and Correction's privatization of services through the company Jpay, about which this cantankerous jailhouse lawyer wrote an article about the f'd up relationship between private service providers and prison-crats. Now, North Carolina DPS is employing Gary C. Mohr, former ODRC head, as a consultant and since the move the NCDPS has instituted a more intense privatization and limitation of prisoners ability to receive money on their commissary via the 3rd party corporation Jpay. In response to the restrictions of materials people need in their day to day and the support they can receive from the outside (such as limitations to who can donate to a prisoner and what info they have to give up to Jpay to send material support) has created a powder keg of austerity and tension in the NC system leading to a riot at Piedmont Correctional in mid April. Sean sees reflection of the impacts that Mohr and JPay had in Ohio and what appears to be happening with the same techno-logic in NC. A recent protest took place in the neighborhood of NC Prison Director Kenneth Lassiter and keep an eye out for more, deepening protest and organizing around this issue in NC. Of note, the latest episode of Trouble from sub.Media, features Sean talking about mass incarceration and capitalism in the U.S., echoing some of what he says in this week's episode of our show. Jackie Wang, author of Carceral Capitalism (a really great Materialist approach to looking at racialized mass incarceration in the U.S.), along with Sean, “C” from Hamilton, Sylvie and El Jones talk about the prison industrial complexes in the so-called U.S. & Canada. Really worth a watch. Documentarian John Rash starts at 22:04 In the interests of a headsup, the next segment includes a couple of white folks using an out of date term that could be considered racist. The word is in the title of a documentary film about a band by the same name, and the name is said in the spirit of helping folks more easily access the material. The band has an all Black lineup and is called Negro Terror. John Rash is a documentarian with the Southern Documentary Project who for most of the hour shares about his recent film, entitled "Negro Terror". The film follows the punk oi band from Memphis by the same name and it's three members, Ricardo Fields, Omar Higgins and Ra'id as they play around Memphis, supporting various music scenes, speaking about their project and communities. Omar, the lead singer and bassist, came up as a SHARP (Skinhead Against Racial Prejudice) between Brooklyn, NY, and Memphis, TN, and brings the skinhead approach to the music. Omar Higgins died, tragically, at the age of 38 a few weeks ago and his funeral makes it into the film. John Rash, along with Ricardo (or Rico) and Ra'id, the remaining bandmates, are now touring with this innovative film and engaging audiences in q&a sessions. After this broadcast, you can still catch the presentation in Durham at North Star Church of the Arts on Sunday, May 12th and at Fleetwoods in Asheville on Monday, May 13th (which is tomorrow as of the first broadcast of this show) for two showings, 6:30 and 8:00pm followed by that aforementioned q&a with Rico, Ra'id and John. Proceeds from the merch sales on this short tour and from the entrance to showings is contributing to covering Omar's medical and funeral funds that currently are hanging over the family. Donations can be made at supportomar.com. While this tour is short running, John hopes to show it at various film festivals, so if you're putting on such a thing or have such influence, consider contacting John and Southern Documentary Project to make that happen. If you can't see it on this tour, at some point it'll be available in full for free at southdocs.org. Once they release their final album, Paranoia, there's a chance the film will be available for free on the CD alongside the audio, so keep an eye out. . ... . .. Music in order of appearance: Ras Michael & the Sons of Negus with Jazzboe Abubaka Vulgar & Bored with SETH Negro Terror with Voice of Memphis

Jackie Wang is s a student of the dream state, black studies scholar, prison abolitionist, poet, filmmaker, performer, trauma monster, and PhD candidate at Harvard University in African and African American Studies. She is the author of Carceral Capitalism (Semiotexte / MIT Press), a number of punk zines including On Being Hard Femme, and a collection of dream poems titled Tiny Spelunker of the Oneiro-Womb (Capricious). In her most recent work she has been researching the bail bonds industry and the history of risk assessment in criminal justice. Find her @LoneberryWang and loneberry.tumblr.com.

Jackie Wang's book Carceral Capitalism helps draw a direct line between the Recession of 2008, the following calls for austerity, and the visible uptick in anti-Black police violence. Indebted cities are trying to cut costs and raise funds, and they are doing it by having machines and algorithms make decisions that cops and judges would usually make. In places like Ferguson, MO, they're also charging exorbitant fees and fines for the most minor infractions, making poor Black residents' lives way harder than they need to be. Find out exactly how new, technologically advanced, supposedly race-neutral methods of policing continue to perpetuate racism, classism, and heterosexism in this episode. Photo by Sasha Pedro. Read the transcript at scribd.com/artactivistnia. Support the podcast at patreon.com/artactivistnia.

Queer mixed-race writer Jackie Wang and I lived parallel lives in different parts of the country. In this first half of the interview, we reminisce about our teen years, spent listening to punk, reading/writing zines, and volunteering at Food Not Bombs. We also discuss her trajectory from zinester to blogger to published author and from dropping out of a poetry MFA program in the desert to becoming a PhD candidate at Harvard. Read the interview at scribd.com/artactivistnia. Support the podcast at patreon.com/artactivistnia.

This week, we are returning to the topic of Carceral Capitalism. We interviewed the poet and author Jackie Wang in episodes 89 and 90 of Kite Line. You can access those on our website, kitelineradio.noblogs.org. There, Wang discusses the relationship between the growth of municipal debt and the emergence of fine farming and other ways …

This week, we start by finishing the discussion between Micol Seigel and Jackie Wang. You can hear more of their conversation on carceral capitalism in last week's episode. After that segment, we share a series of letters and updates from Operation PUSH, which is still ongoing in some parts of the Florida prison system, and …

For this week's episode we share the first part of a conversation between Micol Seigel and Jackie Wang. Wang is the author of the recent book, Carceral Capitalism. Today, she shares what led her to carceral studies, and the themes in her new book. She speaks about how having an incarcerated sibling shaped the trajectory …

This episode features Jackie Wang and her recently released collection of essays titled “Carceral Capitalism.” She provides a framework to understand how racial capitalism produces gratuitous violence against Black bodies as well as profit-generating technologies of extraction -- from Ferguson to Flint and beyond.

Friday Reading Series Chelsea Hodson, a 2012 PEN Center USA Emerging Voices Fellow, is currently writing a book of essays. She is the author of two chapbooks: Pity the Animal (Future Tense Books, 2014), and Beach Camp (Swill Children, 2010). Her essays have been published in Black Warrior Review, Vol. 1 Brooklyn, Sex Magazine, and elsewhere. She lives in Brooklyn, New York. Jackie Wang is a queer poet, essayist, filmmaker, performer, and prison abolitionist based out of Cambridge, MA. Her work has been published in LIES, Action Yes, Pank, Delirious Hem, DIAGRAM, The Brooklyn Rail, October, the Semiotext(e) Whitney Biennial Pamphlet Series, and other worthy outlets. She is currently working on a book or two. If you summon her, she will come: loneberry@gmail.com. Follow her on twitter @LoneberryWang.