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In this episode of The Urban Lives of Property, Markus Kip and Hanna Hilbrandt speak with Heather Dorries, about the intersections of settler colonialism and racial capitalism in urban property regimes. Drawing on Dorries' recent publications and her wider expertise on property, Indigeneity, and urbanism the episode centers the ways in which planning practices contribute to Indigenous dispossession while also serving as a site of resistance and assertions of sovereignty. We foreground three themes: First, the conversation addresses planning's complicity in processes of dispossession, examining how legal frameworks and land sales have historically undermined Indigenous political authority. This discussion delves into Dorries research on Brantford on how nuisance bylaws work as mechanisms that uphold white privilege. Second and more conceptually, we discuss tensions between and productive conversations emerging from combining the analytical lenses of settler colonialism and the lens of racial capitalism. Finally, Dorries reflects on Indigenous conceptions of property and alternative terminologies that better capture Indigenous relationships to land, emphasizing co-dependence and collective stewardship.
This week you'll hear our chat with the author of Countering Dispossession: Reclaiming Land: A Social Movement Ethnography, the political ecologist David E Gilbert (not to be confused with the former Weather Underground prisoner in the US). For this episode, David and I speak about the book, the small community in south Sumatra, Indonesia known as Casiavera, the legacy of colonial land grabs, the people who live there and the agro-ecology of the rainforest at the base of the Arin volcano. You can find more of David's work at https://DavidEGilbert.Com Links: The Black Snake: Standing Rock, the Dakota Access Pipeline, and Environmental Justice by Katherine Wiltenburg Todrys Via Campesina: https://viacampesina.org/ Landless Workers Movement (MST): https://mst.org.br/ Sarakhat Patani Indonesia (SPI): https://spi.or.id/ Mentions of Tan Malaka in the Southeast Asian Anarchist Library (https://sea.theanarchistlibrary.org/search?query=tan+malaka ) or writings on Marxists.Org (https://www.marxists.org/archive/malaka/ ) Feed'em Freedom Foundation (Detroit): https://feedemfreedom.org/ Our interviews on the ZAD: https://thefinalstrawradio.noblogs.org/?s=zad Grassroots Indonesian Eco-movement Wahli: https://www.walhi.or.id/ Announcement May Day Happy upcoming May Day, comrades known and unknown! I hope that wherever you are and whatever you do, you're surrounded by siblings in love and struggle, you can take pleasure in the beauty of the world around you, take strength from our predecessors who share our vision of a life unencumbered by state / capital & the other anchors foisted upon our shoulders, and with the energy to create a path towards our desires Ángel Espinosa Villegas We had an interview scheduled with Ángel Espinosa Villegas, a trans masc butch dyke, formerly a 2020 uprising prisoner who was transferred to ICE detention for deportation, however the screws seem to have decided to escalate the deportation to Chile rather than let hir continue to speak to the media. Keep an eye out for upcoming interviews with Ángel, and consider checking out hir GoFundMe. At the end of this post there are some statements from Angel... Supporting The Show Hey listeners… we've had a string of early releases with more on the way coming out through our patreon for supporters at $3 or more a month, alongside other thank-you gifts. If you can kick in and help, the funds go to our online hosting, and creation of promotional materials like shirts and stickers, but MOSTLY to funding our transcription efforts. We hate to ask for money, but if you have the capacity to kick us a few bucks a month, either through the patreon or via venmo, paypal or librepay or by buying some merch from us (we have a few 3x, 4x & 5x sized tshirts in kelly green coming soon), we'd very much appreciate the support. We're hoping to make a big sticker order in the near future. If you need another motivator, the 15th anniversary of The Final Straw Radio is coming up on May 9th, 2025 and we are not above accepting birthday presents. That's 15 years of weekly audio (albeit at the beginning it was more music than talk), including 8 of which 7 of which aren't in our podcast stream (you can find some early show examples in this link _by skipping to the last page of posts on our blog). Other ways to support us include rating and reviewing us on google, apple, amazon and the other podcasting platforms, printing out and mailing our interviews into prisoners, using our audio or text as the basis for a discussion of an ongoing movement, contacting your local radio station to get us on the airwaves, and talking about us to others in person or on social media. Alright, capping this shameless plug! Angel statements: These are press statements and direct quotes that Ángel Espinosa-Villegas has provided from inside Prairieland Detention Center in Alvarado, TX, where she was held from April 1 to April 25, 2025. Ángel is currently in transfer to an undisclosed location, but has not been able to contact loved ones yet. These messages were received by loved ones on the outside throughout the past 3 weeks and she has given explicit permission to publicize these statements. “We dance a lot, draw our hopes and homes on the walls of this place any way we can. We tell stories of home, hold each other past language barriers because we all know all too well what it's like to be torn away from our families, hold onto hope, only for it to be crushed cruelly by these heartless fascist traitors. To remain utterly powerless at the mercy of the abusers of gluttonous power. People are quite literally dragged out, hogtied, by these pirates that speak of protecting democracy yet dehumanize and humiliate us without so much as a look in our eyes before ripping us apart from our newfound friends, and, more distantly, our families we have here. They rob us of the little money we have and have no paths of recovery. They tell us clean water is a privilege and not a right. That speaking to our families is a privilege. That seeing the sun is a privilege. That if we get too loud of this constant mistreatment, then we should get ready to eat mace.” “Most people here don't have the means to speak out against these human rights' violations we face every day. But I will take any and every chance to fight, to expose the way they treat us that these human traitors have normalized.” “This was supposed to never happen again. But here it is again. We need everyone demanding our freedom, to expose all the vultures robbing these vulnerable people of everything from money to merely see our families and small children. We're not even allowed to say goodbye, to hug our children goodbye. What madness is this? How is this STILL happening to us, I ask myself when I wake up. Is this country for the free? For those yearning for a safe, happy life? If this country and its people care about freedom and safety, then people should refuse to let this government and administration work a second longer until they free us ALL.” “A lot of women here are fighting their cases because they've been following protocol to obtain legal papers or asylum or were just rounded up randomly from racial profiling. One woman here lost her purse with all her money on a train and went to church to seek help. The church called ICE on her because she couldn't speak English! Another woman here was late to her job and her boss called ICE on her. Few of us have criminal records. Most were just following advice from their lawyers and continuing their appointments with ICE and USCIS to get their visa or temporary protected status or whatever it was they were doing. But because of Trump's administration they're all rounded up by ICE and deported.” “I'm feeling alright, mostly numb since being locked up is so abusive and heart wrenching. Here... It's a rollercoaster. I witness, every single day, cries of agony and anger and despair. I see people hogtied and dragged out. People being yelled at to gather their things and go into the unknown, being threatened with PREA for hugging as we say our goodbyes and well wishes. This place is much worse than prison in many ways. I hear guttural wails and sobs so many times a day. It's like being at a perpetual funeral; laying to rest this person's life, that one's dreams, the other's hope. Knowing they'll be inevitably harmed, kidnapped, sometimes disappeared or even killed when they go and we can do absolutely nothing.” “We're just hostages. Being one for so long now... I'm so hollow on the inside. I haven't dropped any tears the last year and a half. I just can't. Not even when I was sentenced. I don't know how I'll even begin to heal, but I sure as fuck ain't ever gonna stop fighting. My hope and ambition to fight... I've just been refueling his entire time being down.” “Fighting brings me solace. Helping others brings me solace, some meaningfulness, a melting of stone in my petrified heart. I spend most of my time going around and helping people as much as I can; working the tablets, giving phone calls, cooking food, doing little chores and tasks for the older, sick, or disabled ladies.“ With love & solidarity, Free All Dykes . ... . .. Featured Track: Judas Goat by Filastine from Burn It (a benefit for Green Scare defendants)
Send us a textProfessor Andrew Kahrl, author of The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America, discusses his argument that local property taxes have contributed to the disenfranchisement of Black homeowners. Read Thorndike's book review in Tax Notes, "Is the ‘Predatory' Property Tax an Instrument of Oppression?"Listen to more Tax Notes Talk episodes from our critical tax theory series:Addressing Tax Policy Challenges for Workers With DisabilitiesRace-Based Poll Taxes and 20th-Century DiscriminationExamining Treasury's Review of Racial Bias in the U.S. Tax CodeFollow us on X:Joe Thorndike: @jthorndikeDavid Stewart: @TaxStewTax Notes: @TaxNotes**This episode is sponsored by the University of California Irvine School of Law Graduate Tax Program. For more information, visit law.uci.edu/gradtax.***CreditsHost: David D. StewartExecutive Producers: Jasper B. Smith, Paige JonesProducers: Jordan Parrish, Peyton RhodesAudio Engineers: Jordan Parrish, Peyton Rhodes
Noted attorney and social impact entrepreneur, George Fatheree III, who represented the family in the historic Bruce's Beach case, talks about the work of the Black Land Loss Narrative Archive Project and how Black families can protect themselves from land dispossession.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.
John Maytham speaks to Andre Maxwell, Chairperson of the Protea Village Community Property Association, about what this moment means for the claimants, the challenges they faced, and the way forward for the development.See omnystudio.com/listener for privacy information.
This week, authors Charisse Burden-Stelly and Andrew W. Kahrl discuss their recent work and writing Black history with journalist Arionne Nettles. This conversation originally took place May 19, 2024 and was recorded live at the American Writers Festival.Black Scare / Red Scare: Theorizing Capitalist Racism in the United States by Charisse Burden-Stelly is a radical explication of the ways anti-Black racial oppression has infused the US government's anti-communist repression. And in The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America, Andrew W. Kahrl reveals a history that is deep, broad, and infuriating, and casts a bold light on the racist practices long hidden in the shadows of America's tax regimes.This episode is presented in conjunction with the American Writers Museum's special exhibit Dark Testament: A Century of Black Writers on Justice, which is now traveling throughout the United States. Learn more and see where Dark Testament is now at this link here.AWM PODCAST NETWORK HOMEAbout the writers:DR. CHARISSE BURDEN-STELLY is an Associate Professor of African American Studies at Wayne State University and a 2023-2024 Charles Warren Center Visiting Scholar at Harvard University. A scholar of critical Black studies, political theory, political economy, and intellectual history, she is the author of Black Scare/Red Scare: Theorizing Capitalist Racism in the United States, the co-author of W.E.B. Du Bois: A Life in American History, and the co-editor of Organize, Fight, Win: Black Communist Women's Political Writings and of Reproducing Domination: On the Caribbean Postcolonial State.ANDREW W. KAHRL is professor of history and African American studies at the University of Virginia. He is the author of the books The Land Was Ours and Free the Beaches.ARIONNE NETTLES is a lecturer at Northwestern University's Medill School of Journalism, Media, Integrated Marketing Communications. As a culture reporter in print and audio, her stories often look into Chicago history, culture, gun violence, policing and race & class disparities as a contributor to the New York Times Opinion, Chicago Reader, The Trace, Medium's ZORA and Momentum, Chicago PBS station WTTW and NPR affiliate WBEZ. She is also host of Is That True? A Kids Podcast About Facts and the author of We Are the Culture: Black Chicago's Influence on Everything.
Public schools are one of the last remaining universal public goods in the United States—and are also some of our most unequal institutions. In Unsettling Choice, Ujju Aggarwal explores how the expansion of choice-based programs led to greater inequality and segregation in a gentrifying New York City neighborhood during the years following the Great Recession, mobilizing mechanisms rooted in market logics to recruit families with economic capital on their side while solidifying a public sphere that increasingly resembled the private. Here, Aggarwal is joined in conversation with Sabina Vaught.Ujju Aggarwal is assistant professor of anthropology and experiential learning at The New School. She is author of Unsettling Choice: Race, Rights, and the Partitioning of Public Education and coeditor of What's Race Got to Do with It? How Current School Reform Policy Maintains Racial and Economic Inequality.Sabina Vaught is professor at the University of Pittsburgh and director of the Kinloch Commons for Critical Pedagogy and Leadership. Vaught is coauthor of The School-Prison Trust and author of Compulsory: Education and the Dispossession of Youth in a Prison School. Episode references:Ruth Wilson GilmoreChristina HeathertonCindy KatzSelma JamesJoão Costa VargasMorgan Talty / Fire ExitPraise for the book:“A must-read to understand the racialized violence inherent within one of the most fundamental aspects of education in the United States: the logic of choice.”—Damien Sojoyner“Read this book, and be moved and transformed.”—Sabina VaughtUnsettling Choice: Race, Rights, and the Partitioning of Public Education by Ujju Aggarwal is available from University of Minnesota Press.
00:08 Rebecca Nagle, Cherokee citizen, journalist, and host of the podcast This Land, just out with the book By The Fire We Carry: The Generations-Long Fight for Justice on Native Land [rebroadcast from October 2024] The post Rebecca Nagle on native dispossession and the fight for justice [rebroadcast] appeared first on KPFA.
Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad's The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture. The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself. Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit's history or expose it to a full reckoning, direct attention toward or away from the city's agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city's influence on a wide array of genres in pop culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad's The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture. The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself. Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit's history or expose it to a full reckoning, direct attention toward or away from the city's agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city's influence on a wide array of genres in pop culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad's The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture. The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself. Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit's history or expose it to a full reckoning, direct attention toward or away from the city's agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city's influence on a wide array of genres in pop culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad's The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture. The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself. Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit's history or expose it to a full reckoning, direct attention toward or away from the city's agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city's influence on a wide array of genres in pop culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad's The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture. The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself. Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit's history or expose it to a full reckoning, direct attention toward or away from the city's agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city's influence on a wide array of genres in pop culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad's The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture. The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself. Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit's history or expose it to a full reckoning, direct attention toward or away from the city's agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city's influence on a wide array of genres in pop culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad's The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture. The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself. Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit's history or expose it to a full reckoning, direct attention toward or away from the city's agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city's influence on a wide array of genres in pop culture. Learn more about your ad choices. Visit megaphone.fm/adchoices
Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad's The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture. The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself. Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit's history or expose it to a full reckoning, direct attention toward or away from the city's agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city's influence on a wide array of genres in pop culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Hasib Hourani talks to Cheryl about the displacement and dispossession of the Palestinian people, as well as the broader context of global politics, media, and the ongoing conflict in Palestine. His latest work, rock flight, is out now. Hosted on Acast. See acast.com/privacy for more information.
Welcome to Drafting the Past, a podcast all about the craft of writing history. I'm Kate Carpenter, and in each episode I talk with a historian about the practices, archival frustrations and joys, drafts and revisions and more that go into writing history. In this episode, I'm delighted to be joined by Dr. Andrew Kahrl. Andrew is a professor of history and African American Studies at the University of Virginia. His third book was published by the University of Chicago Press earlier this year, titled The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America. Andrew is especially interested in issues of housing and real estate, land use and ownership, and local tax systems. He is the author of two additional books, The Land Was Ours: African American Beaches from Jim Crow to the Sunbelt South, and Free the Beaches: The Story of Ned Coll and the Battle for America's Most Exclusive Shoreline. In addition to his books, Andrew regularly writes for public outlets like the New York Times, Washington Post, The Guardian, and more. In our conversation, we talked about how Andrew wrestled the research for his latest book into a compelling narrative argument, and why he firmly believes in the importance of history that speaks to present-day issues. He also shared some unexpected writing advice from his dad that I think you'll enjoy hearing about. Enjoy my conversation with Dr. Andrew Kahrl.
In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America's tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America's tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America's tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America's tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America's tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America's tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics
In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America's tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America's tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices
In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America's tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/finance
In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America's tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices
She learnt journalism in America and spent many years in South Africa writing a portrait of their troubled society, where everything is complicated and nothing is settled -- much like anywhere else. Eve Fairbanks joins Amit Varma in episode 398 of The Seen and the Unseen to talk about her life, her work, her craft and the world around her. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Eve Fairbanks on Twitter, LinkedIn and her own website. 2. The Inheritors -- Eve Fairbanks. 3. The Dispossession of District Six -- Eve Fairbanks. 4. From Cairo to Delhi With Max Rodenbeck — Episode 281 of The Seen and the Unseen. 5. Wendell Berry on Wikipedia and Poetry Foundation. 6. Get Married -- Brad Wilcox. 7. The Four Loves -- CS Lewis. 8. The World in a World Cup -- Eve Fairbanks. 9. Robert George's thread on his rhetorical question to his students. 10. Natasha Badhwar Lives the Examined Life — Episode 301 of The Seen and the Unseen. 11. Harmony in the Boudoir — Mark Strand. 12. The Seven Basic Plots -- Christopher Booker. 13. Maharashtra Politics Unscrambled — Episode 151 of The Seen and the Unseen (w Sujata Anandan). 14. The Flirting Trap -- Eve Fairbanks. (Scroll down on that page for this piece). 15. The Art of Gathering -- Priya Parker. 16. Common Sense -- Thomas Paine. 17. On Tyranny -- Timothy Snyder. 18. The Origins of Political Order -- Francis Fukuyama. 19. A Meditation on Form — Amit Varma. 20. The Power Broker — Robert Caro. 21. Beautiful Thing — Sonia Faleiro. 22. The Good Girls — Sonia Faleiro. 23. Two Girls Hanging From a Tree — Episode 209 of The Seen and the Unseen (w Sonia Faleiro). 24. The Broken Script — Swapna Liddle. 25. Swapna Liddle and the Many Shades of Delhi — Episode 367 of The Seen and the Unseen. 26. RRR -- SS Rajamouli. 27. Here Comes The Groom: A (conservative) case for gay marriage -- Andrew Sullivan. 28. Eric Weinstein Won't Toe the Line — Episode 330 of The Seen and the Unseen. 29. This Be The Verse — Philip Larkin. 30. William Prince and Khwezi on Spotify. 31. Love: A History -- Simon May. 32. How Far Can Amapiano Go? -- Kelefa Sanneh. This episode is sponsored by The 6% Club, which will get you from idea to launch in 45 days! Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Amit's newsletter is active again. Subscribe right away to The India Uncut Newsletter! It's free! Check out Amit's online course, The Art of Clear Writing. Episode art: ‘This Town' by Simahina.
In this episode: The recent "merger" revelation and what it means The history of school district boundaries and the things they separate How and why Open Enrollment and Chapter 220 were created What we have gained from OE over the years and what we hope to gain by drawing it down Show notes: WSD merger stuff Special school board meeting to release legal opinion WISN-12 coverage and interviews The legal opinion itself Tosa 2075 Task Force materials Resource booklet Open Enrollment Data Review slide deck Policies brief Task Force final report State legislative and DPI resources LFB explanation of Open Enrollment history and processes DPI enrollment, demographic, and discipline datasets Histories of general school choice dynamics in MKE/WI come from here: John Witte, The Market Approach to Education: An Analysis of America's First Voucher Program (Princeton UP, 2001). Robert Asen, Democracy, Deliberation, and Education (Penn State UP, 2015) Noliwe Rooks, Cutting School: The Segrenomics of American Education (The New Press, 2020). Jack Dougherty, More Than One Struggle: The Evolution of Black Education Reform in Milwaukee (U of North Carolina Press, 2004). General history of spatial, educational, and economic segregation in the urban north Shep Melnick, The Crucible of Desegregation: The Uncertain Search for Educational Equality (U of Chicago Press, 2023) Ansley Erickson, Making the Unequal Metropolis: School Desegregation and Its Limits (U of Chicago Press, 2017). Carla Shedd, Unequal City: Race, Schools, and the Perception of Injustice (Russell Sage Foundation, 2015) Savannah Shange, Progressive Dystopia: Abolition, Antiblackness, and Schooling in San Francisco (Duke University Press, 2020). Mike Amezcua, Making Mexican Chicago: From Postwar Settlement to the Age of Gentrification (U of Chicago Press, 2023). Jonathan Rosa, Looking Like a Language, Sounding Like a Race: Raciolinguistic Ideologies and the Learning of Latinidad (Oxford University Press, 2019) Andrew Kahrl, The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U of Chicago Press, 2024) Kevin Kruse, White Flight: Atlanta and the Making of Modern Conservatism (Princeton University Press, 2005). Erica Frankenberg and Gary Orfield, eds, The Resegregation of Suburban Schools (Harvard Education Press, 2012). Elizabeth Hinton, From the War on Poverty to the War on Crime (Harvard University Press, 2016). Keeanga-Yamahtta Taylor, Race for Profit: How Banks and the Real Estate Industry Undermined Black Homeownership (U of North Carolina Press, 2019). Elizabeth Popp Berman, Thinking Like an Economist: How Efficiency Replaced Equality in US Public Policy (Princeton University Press, 2022). Richard Rothstein, The Color of Law: A Forgotten History of How Our Government Segregated America (Liveright Publishing, 2017). Matt Kelly, Dividing the Public (Cornell University Press, 2024). Jerald Podair, The Strike That Changed New York: Blacks, Whites, and the Ocean Hill-Brownsville Crisis (Yale UP, 2002)
Two decades ago, a group of Indonesian agricultural workers in the Sumatran uplands began occupying the agribusiness plantation near their homes. In the years since, members of this remarkable movement have reclaimed collective control of their land and cultivated diverse agricultural forests on it, repairing the damage done over nearly a century of abuse. Scott talks with environmental anthropologist David Gilbert to delve into the history and politics of Indonesia's landback movements. They discuss how grassroots agrarian workers organized to resist corporate and governmental land grabs under the authoritarian regime of Suharto and the New Order. They also get into the Cold War politics of the region, U.S. intervention in Indonesia and current political developments in Indonesia. Bio// David Gilbert is an environmental anthropologist with a special interest in social movements, ecological change, and post-development theory. David is a postdoctoral research fellow in the Institute of Environmental Science and Technology at the Autonomous University of Barcelona. He held previous positions as at the University of California, Berkeley and Stanford University. He holds a Ph.D. in Anthropology from Stanford University. He is the author of "Countering Dispossession, Reclaiming Land: A Social Movement Ethnography." He is active in protest movements across four continents, from Sumatra and Amazonia to Catalonia and California. ------------------------------------------ Outro- "Green and Red Blues" by Moody Links// + David's website: https://www.davidegilbert.com/ + UC Press: "Countering Dispossession, Reclaiming Land: A Social Movement Ethnography" (https://bit.ly/3XnZH51) Follow Green and Red// +G&R Linktree: https://linktr.ee/greenandredpodcast +Our rad website: https://greenandredpodcast.org/ + Join our Discord community (https://discord.gg/MBjDvs69) Support the Green and Red Podcast// +Become a Patron at https://www.patreon.com/greenredpodcast +Or make a one time donation here: https://bit.ly/DonateGandR Our Networks// +We're part of the Labor Podcast Network: https://www.laborradionetwork.org/ +We're part of the Anti-Capitalist Podcast Network: linktr.ee/anticapitalistpodcastnetwork +Listen to us on WAMF (90.3 FM) in New Orleans (https://wamf.org/) This is a Green and Red Podcast (@PodcastGreenRed) production. Produced by Bob (@bobbuzzanco) and Scott (@sparki1969). Edited by Isaac.
Send us a Text Message.Our Way Black History Fact discusses the $600 billion stolen from Black Americans through bureaucracies, taxes, and land theft. For further reading check out The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America.Support the Show.www.civiccipher.comFollow us: @CivicCipher @iamqward @ramsesjaConsideration for today's show was provided by: Major Threads menswear www.MajorThreads.com Hip Hop Weekly Magazine www.hiphopweekly.com The Black Information Network Daily Podcast www.binnews.com
This episode is the first of two episodes this season on Muslims in China. Here Claudia Radiven and Chella Ward talk to Darren Byler about his book Terror Capitalism:Dispossession and Masculinity in a Chinese City. Darren is a sociocultural anthropologist at Simon Fraser University, whose book explores how islamophobia and capitalism contribute to the violence against Uyghur Muslims in East Turkestan. Our conversation spans the history of China, the question of global Islamophobia and the importance of friendship.
What is cultural memory? How do settlers use it in East Jerusalem to dispossess Palestinians? In this episode I interview film maker and scholar Yair Agmon. Known for short movies like Once Upon a School (2023), Like a Beating Heart (2022) and Our Heroes (2016), Yair is now working on his PhD at UCLA 'Dwelling on The Past: Memory, Discard, and Dispossession at The City of David National Park,” which explores how settlers in East Jerusalem use memory to give purpose and meaning to a territorial project in Palestinian East Jerusalem'.We discussed his work, the question of memory and how the City of David has become more than an archeological site. Support this show http://supporter.acast.com/jerusalemunplugged. Hosted on Acast. See acast.com/privacy for more information.
In this episode: we go to the US to look at how African Americans were overtaxed and dispossessed - a lesser known story of struggles against tax injustice, from the experience of George Floyd's great great grandfather to this day. Taxcast host Naomi Fowler speaks to historian and author Andrew W Kahrl of The Black Tax: 150 years of theft, exploitation, and dispossession in America: "Every stage of the research on this book was one revelation after another. These legalized forms of theft actually happened at far greater frequency than historians have ever really recognized. Historically, and still today, taxes are both a problem in the US, but they're also the solution." Plus: the OECD ignores a formal letter from UN human rights experts raising concerns about the detrimental and discriminatory impacts on the Global South of OECD and G20 tax policy: "There has been no response. One way to describe it would be to say it's disappointing. Another way to describe it would say it's shocking and downright unacceptable." Transcript of the show: https://podcasts.taxjustice.net/wp-content/uploads/2024/06/Transcript_Taxcast-June-2024.pdf (some is automated) Further Reading: OECD tax reforms risk violating human rights law, UN experts warn in special intervention: https://taxjustice.net/press/oecd-tax-reforms-risk-violating-human-rights-law-un-experts-warn-in-special-intervention/ Formal letter from UN Human Rights experts to the OECD raising human rights concerns over tax reforms: https://spcommreports.ohchr.org/TMResultsBase/DownLoadPublicCommunicationFile?gId=28676 Litany of failure: new briefing sets out OECD's manifold shortcomings in international tax talks: https://taxjustice.net/2024/05/28/litany-of-failure-new-briefing-sets-out-oecds-manifold-shortcomings-in-international-tax-talks/ The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America by Andrew W. Kahrl: https://uk.bookshop.org/p/books/the-black-tax-150-years-of-theft-exploitation-and-dispossession-in-america-andrew-w-kahrl/7592145?ean=9780226730592 The living new deal: a website with a collection of all the public infrastructure, bridges, roads, swimming pools, community centres etc that were built during the 1930s and 40s: https://livingnewdeal.org/ The Project Gutenberg eBook of The Souls of Black Folk, by W. E. B. Du Bois: https://www.gutenberg.org/files/408/408-h/408-h.htm All our podcasts are available with more information on https://podcasts.taxjustice.net/production/taxcast/ and you can find all our other podcasts (all separate monthly productions in Arabic, French, Portuguese and Spanish) here https://podcasts.taxjustice.net/
A dirty secret in U.S. history is how local property taxes have been used to steal massive amounts of land and money from Black people, for the last 160 years. The Black Tax, a new book by historian Andrew Kahrl, exposes these scams that helped create the colossal racial wealth gap of today. The damage to Black Americans? More than $600 billion in straight-up theft – and trillions in lost generational wealth! SHOW NOTESGuest: Andrew W. KahrlAndrew Kahrl is a Professor at the University of Virgina. His research focuses on the social and political history of racial inequality in the United States. He teaches courses on African American history, race and real estate, and U.S. urban history.Books by Andrew Kahrl:The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America The Land Was Ours: How Black Beaches Became White Wealth in the Coastal South Related readings and resources:The Whiteness of Wealth: How The Tax System Impoverishes Black Americans - And How We Can Fix It by Dorothy A. Brown“Blacks in South Struggle to Keep the Little Land They Have Left” (NY Times 1972)Federation of Southern Cooperatives (Land Assistance Fund)HIGHLIGHTS OF EPISODE:[10:55] Over-taxing of Black-owned property[13:54] Under-servicing of Black communities[22:18] The tax sale scam[26:06] The saga of Evelina Jenkins[29:08] The tab: damages to Black Americans for stolen property[39:32] Andrew Kahrl's proposals to repair the tax system[42:22] Importance of solidarity to creating a more just system Contact Tony & AdamSubscribe
In this episode Pat speaks with Dr Christopher Mayes. Dr Mayes is an interdisciplinary scholar with backgrounds in sociology, history and philosophy. His research interests include history and philosophy of healthcare, sociology of health and food, and bioethics. He is the author of Unsettling Food Politics Agriculture, Dispossession and Sovereignty in Australia (Rowman & Littlefield Publishers, 2020). They discuss dance and the biopolitics of lifestyle; food and cultural appropriation; and music, film, death, and grief. A transcript of this episode is available on the Concept : Art website (www.conceptart.fm). Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
African American studies professor and author Andrew Kahrl joins Tavis to discuss the economic gains of the U.S. post-slavery, reparations, his new book “The Black Tax: 150 Years of Theft, Exploitation and Dispossession in America” and more!
A philosopher and a butcher dig into what we should and shouldn't eat, and why.“As society has shifted away from being in close proximity to farms and food production, people are increasingly concerned about where their food's coming from – the condition under which animals are raised and reared, and certain farming practices, [such as] pesticide use and the effects that that may have on the environment as well as on human health.”Philosopher and sociologist Chris Mayes has thought about eating a lot more than most of us (which if we're honest, is already quite a bit). The ethics of food involves a whole raft of factors: not only the treatment of animals and the environmental impact of production, but also the treatment of workers and the impact of the growth of pastoral land on indigenous peoples.“In Australia it seems natural that we would have sheep, and natural that wheat would be here, but in thinking of the obviousness of those practices and products here, we forget their role in dispossessing indigenous Australians – the way that the expansion of sheep, particularly throughout NSW and Victoria in the early to mid-nineteenth century, was coinciding with a lot of these most brutal massacres.”Chris considers what it means for lamb to be Australia's national cuisine – and how you make Scriptures that rely on the language of sheep and shepherds meaningful within a non-pastoralist culture.Then: Tom Kaiser is Simon Smart's local butcher. Perhaps unusually for a butcher, he thinks people should eat less meat. He sells meat products that many would consider to be expensive in what he calls the “Masterchef era”.“Affluence definitely plays a big part. They can afford to have the product that they see on TV. We know for a fact that we wouldn't be able to charge the price, nor have the same model we have in different parts of Australia. … Ethics is obviously multi-layered. It comes to personal beliefs. It comes down to knowledge.”Explore:Chris Mayes' book Unsettling Food Politics: Agriculture, Dispossession and Sovereignty in AustraliaCPX's new podcast The Week @ CPX
Turning Tides: Piecing Together the Present will discuss the last 150 years of Puerto Rican history. The fourth and final episode, Accumulation by Dispossession, will cover the period from 1969 to Present, in which neoliberal economic policies influence the islanders' daily lives, and political corruption further exacerbates one of the worst natural disasters in modern Puerto Rican history.If you'd like to donate or sponsor the podcast, our PayPal is @TurningTidesPodcast1. Thank you for your support!Produced by Melissa Marie Brown and Joseph Pascone in affiliation with AntiKs Entertainment.Researched and written by Joseph PasconeEdited and revised by Melissa Marie BrownIntro and Outro created by Melissa Marie Brown and Joseph Pascone using Motion ArrayWebsite: https://theturningtidespodcast.weebly.com/IG/Threads/YouTube/Facebook: @theturningtidespodcastEmail: theturningtidespodcast@gmail.comIG/YouTube/Facebook/Threads/TikTok: @antiksentEmail: antiksent@gmail.comEpisode 4 Sources:Fantasy Island: Colonialism, Exploitation, and the Betrayal of Puerto Rico, by Ed MoralesWar Against All Puerto Ricans: Revolution and Terror in America's Colony, by Nelson A. DenisHistory of Puerto Rico: A Panorama of Its People, by Fernando PicóPuerto Rico: A Political and Cultural History, by Arturo Morales CarriónThe Harper Encyclopedia of Military History: From 3500 B.C. to the Present: Fourth Edition, by R. Ernest Dupuy and Trevor N. DupuyHow to Hide an Empire: A History of the Greater United States, by Daniel Immerwahrhttps://www.aljazeera.com/news/2021/2/18/lgbtq-defenders-welcome-pr-emergency-declaration-demand-actionhttps://www.ncbi.nlm.nih.gov/pmc/articles/PMC4154190/https://www.lgbtmap.org/equality-maps/profile_state/PRhttps://www.nytimes.com/2023/06/12/opinion/puerto-rico-gender-violence.htmlhttps://convention2.allacademic.com/one/asc/asc17/index.php?program_focus=view_paper&selected_paper_id=1278825&cmd=online_program_direct_link&sub_action=online_programWikipedia
The BC social studies curriculum includes historical atrocities such the colonization of North America, the Holocaust, and the Rwandan genocide, but there is no mention of the Nakba. The Nakba was the violent dispossession and ethnic cleansing of Palestinians from historic Palestine that led to the creation of the state of Israel. Now, parents and teachers in BC have launched a campaign to include the Nakba in the BC curriculum. We speak with Tamara Herman, a Vancouver parent and member of Independent Jewish Voices and KZ, a Palestinian educator involved in elementary education.
The history of Native people and the National Park Service in the United States is fraught. Dispossession, cultural insensitivity, and outright erasure characterize the long relationship that the NPS has with Indigenous groups. But change is possible, as Drs. Christina Hill, Matthew Hill, and Brooke Neely adeptly demonstrate in National Parks, National Sovereignty: Experiments in Collaboration (U of Oklahoma Press, 2024). This edited collection contains several case studies that focus not just on critique, but practical tools and outcomes for use by public historians interested in forging partnerships between scholars and Native communities. The book also contains full-text interviews with people who have on-the-ground experience in forging these kinds of partnerships, including Gerard Baker, the first Native person to act as superintendent of Mount Rushmore and several other NPS sites. This book serves as a guide to forging new relationships between history institutions and Native communities, and shows that collaboration can be a bridge to telling truer, more democratic, stories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The history of Native people and the National Park Service in the United States is fraught. Dispossession, cultural insensitivity, and outright erasure characterize the long relationship that the NPS has with Indigenous groups. But change is possible, as Drs. Christina Hill, Matthew Hill, and Brooke Neely adeptly demonstrate in National Parks, National Sovereignty: Experiments in Collaboration (U of Oklahoma Press, 2024). This edited collection contains several case studies that focus not just on critique, but practical tools and outcomes for use by public historians interested in forging partnerships between scholars and Native communities. The book also contains full-text interviews with people who have on-the-ground experience in forging these kinds of partnerships, including Gerard Baker, the first Native person to act as superintendent of Mount Rushmore and several other NPS sites. This book serves as a guide to forging new relationships between history institutions and Native communities, and shows that collaboration can be a bridge to telling truer, more democratic, stories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies
Two decades ago, a group of Indonesian agricultural workers began occupying the agribusiness plantation near their homes. In the years since, members of this remarkable movement have reclaimed collective control of their land and cultivated diverse agricultural forests on it, repairing the damage done over nearly a century of abuse. Countering Dispossession, Reclaiming Land: A Social Movement Ethnography (U California Press, 2024) is their story. David E. Gilbert offers an account of the ways these workers-turned-activists mobilized to move beyond industrial agriculture's exploitation of workers and the environment, illustrating how emancipatory and ecologically attuned ways of living with land are possible. At a time when capitalism has remade landscapes and reordered society, the Casiavera reclaiming movement stands as an inspiring example of what struggles for social and environmental justice can achieve. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Two decades ago, a group of Indonesian agricultural workers began occupying the agribusiness plantation near their homes. In the years since, members of this remarkable movement have reclaimed collective control of their land and cultivated diverse agricultural forests on it, repairing the damage done over nearly a century of abuse. Countering Dispossession, Reclaiming Land: A Social Movement Ethnography (U California Press, 2024) is their story. David E. Gilbert offers an account of the ways these workers-turned-activists mobilized to move beyond industrial agriculture's exploitation of workers and the environment, illustrating how emancipatory and ecologically attuned ways of living with land are possible. At a time when capitalism has remade landscapes and reordered society, the Casiavera reclaiming movement stands as an inspiring example of what struggles for social and environmental justice can achieve. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies
Two decades ago, a group of Indonesian agricultural workers began occupying the agribusiness plantation near their homes. In the years since, members of this remarkable movement have reclaimed collective control of their land and cultivated diverse agricultural forests on it, repairing the damage done over nearly a century of abuse. Countering Dispossession, Reclaiming Land: A Social Movement Ethnography (U California Press, 2024) is their story. David E. Gilbert offers an account of the ways these workers-turned-activists mobilized to move beyond industrial agriculture's exploitation of workers and the environment, illustrating how emancipatory and ecologically attuned ways of living with land are possible. At a time when capitalism has remade landscapes and reordered society, the Casiavera reclaiming movement stands as an inspiring example of what struggles for social and environmental justice can achieve. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
Two decades ago, a group of Indonesian agricultural workers began occupying the agribusiness plantation near their homes. In the years since, members of this remarkable movement have reclaimed collective control of their land and cultivated diverse agricultural forests on it, repairing the damage done over nearly a century of abuse. Countering Dispossession, Reclaiming Land: A Social Movement Ethnography (U California Press, 2024) is their story. David E. Gilbert offers an account of the ways these workers-turned-activists mobilized to move beyond industrial agriculture's exploitation of workers and the environment, illustrating how emancipatory and ecologically attuned ways of living with land are possible. At a time when capitalism has remade landscapes and reordered society, the Casiavera reclaiming movement stands as an inspiring example of what struggles for social and environmental justice can achieve. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
What are the economic forces that underly racist thinking? What are the theological dimensions of racism? How does the “political economic distortion of the divine economy” impacts the contemporary experience of and response to racism?In this episode, Jonathan Tran (Baylor University) joins Matt Croasmun to discuss his book, Asian Americans & the Spirit of Racial Capitalism, focusing on the unique experience of Asian Americans, and Jonathan's own experience growing up as a war refugee in southern California; where race and racialized thinking really comes from and how we can understand its history and its impact today; Christian moral psychology; meritocracy and capitalism; and they discuss a unique Christian community—Redeemer Community Church in San Francisco that offers a unique experiment in bearing witness to the economic and racial realities of life today, but through the theological framing of the Gospel.About Jonathan TranJonathan Tran is a theologian and ethicist, and is Associate Dean for Faculty in the Honors College and Professor of Theology in Great Texts at Baylor University. His research focuses on the human life in language, and what that life reveals about God and God's world. Lately, that research has focused on race and racism, and his book Asian Americans and the Spirit of Racial Capitalism attempts to present racism as a theological problem, a political economic distortion of the divine economy, and a problem given to the usual redress, the church laying claim to God's original revolution.Show NotesThe roots of Asian Americans and the Spirit of Racial CapitalismAre we thinking about racism backwards?Race as a self-interpreting categoryIs race just obvious? Is it just about the racialized relationships we have with each other?“Rather than thinking of race as basic, we want to ask the question, when and where and how did race come to capture our imaginations, such that we just now assume it as basic?”What is political economy?Connecting an understanding of economy to God's essence and existence“The structure of creation is in a sense hardwired as gift.”“One of the first ways we talked about the gospel in the early church was as the divine economy, an economy of gratuity and grace over and against the world's privation and predation.”Gift economyPope Francis's “Our Common Home”“What is the material political economy out of which the concept and category of race began?”“Race was utilized in Europe and America to create a kind of ideological justification for relationships of property and labor.”Race and unjust labor practicesIs capitalism coextensive with racism?Marxism vs theological answers to the problem of capitalism and racismUnderstanding Marxism with an example: Waco, TexasBlack Marxism as a corrective to White MarxismChristianity and Moral PsychologyAnti-racism, post-racialism, identitarianismReverse engineering racism to produce Black dignity, Black power, or Black politicsGiving race explanatory power“I'm not essentially Asian, but I've been racialized as an Asian person.”Does racism against Asian Americans count?Double marginalization: first by racism, then by anti-racismFoucault's “history of the present”“[Race] is necessarily binary thinking.”Meritocracy and capitalismCase Study: Redeemer Community Church in San Francisco (https://www.redeemersf.org/)The Joy–Dispossession Elipse: “Joy without dispossession is escapist. Dispossession without joy is sadist.”The Gospel as proclamation instead of resistance“Marxists in our sense are waiting for the revolution to start. Christians are leaning into a revolution that's a few thousand years old.”Production NotesThis podcast featured Jonathan Tran & Matt CroasmunEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Macie Bridge, Alexa Rollow, & Tim BergelandA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give
Als die indigenen Nationen der Cherokee, Creek, Seminoles und zahllose mehr im 19. Jahrhundert aus ihrer Heimat in das Gebiet des heutigen Oklahoma verbannt wurden, war dies mit einem Versprechen verbunden. Jene Gebiete auf der anderen Seite des Mississippi waren Indianerterritorien – Indian Territory. Nach all den Erniedrigungen, Kriegen und Vertreibungen durch Weiße sollten Cherokee und andere Natives dort ein Zuhause finden, an dem sie für alle Zeit in Ruhe leben konnten. So das Versprechen der damaligen Regierung der USA. Heute erzähle ich die Geschichte, wie dieses Versprechen gebrochen wurde. Immer und immer wieder.Melde dich hier für den Newsletter an und erfahre hier mehr über den Déjà-vu Club.Indian Territory bezeichnete zu Beginn eine riesige Fläche Land. Die gesamten zentralen USA vom Mississippi im Osten bis zu den Rocky Mountains im Westen waren damit in den 1820er-Jahren noch gemeint. Aber natürlich würde sich die Geschichte anders entwickeln. Innerhalb weniger Jahrzehnte schrumpfte das Indian Territory immer und immer wieder zusammen, bis bald nur noch das Gebiet des heutigen Oklahoma übrig blieb. Und am Ende wurde sogar das noch in zwei geteilt, mit einem Raster durchzogen und von Weißen besiedelt, sodass nicht mal der heutige Staat Oklahoma noch als Indian Territory gelten kann. Es ist eine der großen Schanden in der Geschichte Amerikas.Déjà-vu Geschichte ist Mitglied des Netzwerks #Historytelling. Diese Episode findest du auch auf ralfgrabuschnig.com. Hinterlasse mir dort gerne einen Kommentar mit deinen Gedanken. Und wenn dir der Déjà-vu Geschichte Podcast gefällt, abonniere ihn doch bitte, wo auch immer du ihn hörst.Links zur EpisodeTeil 1 über die Geschichte der Cherokee Zu den Fotos der Reise Zum Club auf Steady Alles über den Déjà-vu Newsletter Alle Infos aus der WerbungQuellenClaudio Saunt: Unworthy Republic. The Dispossession of Native Americans and the Road to Indian TerritoryEpisodenbild: "Our Father", 2006. Roy Boney Jr. Private Collection. Gesehen in Tahlequah, Oklahoma. Zur Website des KünstlersTags: USA, Amerika, Nordamerika, Oklahoma, Indian Territory, Cherokee, Geschichte Hosted on Acast. See acast.com/privacy for more information.
Guest: Claudio Saunt is Richard B. Russell Professor in American History and Co-Director of the Center for Virtual History at the University of Georgia. He is the author of such books including, West of the Revolution (2014), Black, White, and Indian (2005), and A New Order of Things (1999). His most recent book, Unworthy Republic (2020), was awarded the Bancroft Prize and was a finalist for the National Book Award. He has developed several online projects, including the Invasion of America and, with Elizabeth Fenn, Pox Americana. The post Dispossession: The Indian Removal Act of 1830 appeared first on KPFA.
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