Podcasts about La Boca

Recuerden, recuerden el 5 de noviembre. Conspiración, pólvora y traición. No veo la demora y siempre es la hora para evocarla sin dilación. Esta frase aún resuena 20 años después, pues para muchos sirvió para descubrir una historia contada por Alan Moore y David Lloyd casi otros 20 antes en las viñetas de un cómic que marcó otros muchos. Por ello, nosotros recordamos al hombre, al símbolo, a V. Monográfico donde en un primer bloque conoceremos a sus autores originales, el contexto y la obra literaria. Para luego, meternos de lleno con la película de James McTiege y los/las hermanos/as Wachowski con unos geniales Hugo Weaving y Natalie Portman. Bajo máscaras de Guy Fawkes y proclamando su libertad ante el Parlamento, se manifiestan por aquí Ale Oñate, Carlos Rull, Juandi y Pepe Soto. Les controla con La Boca y El Oído, Salva Vargas. Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Javier Ramírez, La Casa del Acantilado, Shinyoru, José Percius, Lestat, Kal-el__80, Cohaggen, Elena Gómez, David, Olgafies, JohnJoe96, Buguui, David Torren Durán, José Ángel Sanz , Fernando Moína Puerta, Miguel Ángel López Peregrino, Rudy Ayose, Jose Antonio Jimenez Talavera. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. Puedes hacerlo económicamente de varias formas: Apoyo en iVoox: En el botón APOYAR de nuestro canal de iVoox y desde 1,49€ al mes: https://acortar.link/emR6gd Invitándonos a una birra en Ko-Fi: por solo 2€ nos puedes apoyar en: https://ko-fi.com/criterioceropodcast Patreon: por sólo 3€ al mes en: https://patreon.com/CriterioCeroPodcast PayPal: mediante una donación a criterioceropodcast@gmail.com También nos podéis ayudar económicamente de forma indirecta si tenéis pensado suscribiros a las modalidades Premium o Plus de iVoox al hacerlo desde estos enlaces: Premium Anual: https://acortar.link/qhUhCz Premium Mensual: https://acortar.link/gbQ4mp iVoox Plus Mensual: https://acortar.link/y7SDmV Con cada rupia que nos llegue sufragamos los costes del programa al mes, invertiremos en mejorar los equipos y por supuesto, nos daremos algún que otro capricho . Las recompensas por apoyarnos se explican en nuestro blog: https://criterioceropodcast.blogspot.com/2023/08/quieres-ayudar-criterio-cero-mejorar.html También puedes hacerte con algo de merchandising de Criterio Cero. Camisetas, Sudaderas, tazas o mochilas en el siguiente enlace: https://www.latostadora.com/shop/criteriocero/?shop_trk Y Criterio Cero no acaba ya en el audio, ahora también nos tenéis en vídeo: En Twitch hacemos directos de Criterio En Serie: https://www.twitch.tv/criteriocero En YouTube: https://www.youtube.com/@criteriocero Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas, Just Live it, Filmotecast, La Tetera, Fuera de continuidad, Campamento Krypton, La órbita de Endor, Archivo007, El bastón de Chaplin

Respirar por la nariz nos mantiene sanos de diversas formas. Las vías aéreas nasales calientan y humedecen el aire que respiramos, lo cual mejora nuestra salud respiratoria. Los vellos que recubren por dentro los conductos nasales constituyen una primera línea de defensa contra patógenos como virus, bacterias y hongos. Respiración oral o por la boca nunca debe considerarse normal y detectarla con tiempo puede disminuir las complicaciones orales que el respirar inadecuadamente provoca. En este podcast de El Expreso de las 10 la doctora Lupita Márquez, Medica con especialidad otorrinolaringología y pediatría nos habla de la respiración oral. ¿Por qué ocurre? ¿Cómo afecta nuestra salud? y cómo podemos atenderla.

Ten years, 50,000+ copies, four languages, and about a million stories later… the second edition of Mastering Portrait Photography is here. Sarah flips the mic and grills me about why we did a new edition, what changed (spoiler: basically everything but one image), how mirrorless and AI have shifted the craft, and why a tiny chapter on staying creative might be the most important two pages I've ever written. There's a Westie called Dodi, a cover star called Dory, and a street scene in La Boca that still makes me grin. Enjoy! Links: Signed Copy of Mastering Portrait Photography, New Edition - https://masteringportraitphotography.com/resource/signed-copy-mastering-portrait-photography-new-edition/   Transcript: Sarah: So welcome back to the Mastering Portrait Photography podcast and today's a special one. Hi, I'm Sarah, and I'm the business partner of Paul at Paulwilkinsonphotography.co.uk and also his wife too. Now, you might already know him as the voice behind this podcast, but today I'm gonna get the rare pleasure of turning the microphone around and asking him the questions. So Paul, it's been 10 years since the first edition of mastering portrait photography hit the shelves, and with selling over 50,000 copies, multiple reprints and translation into four languages, it's safe to say it's had a bit of an impact, but as we all know, photography doesn't stand still and neither do you. So today we're diving into the brand new second edition. So Hello Paul. Paul: Hello. It feels weird saying hello to my wife in a way that makes it sound like we've only just met. Sarah: Mm. Maybe, maybe. Paul: The ships that pass in the night. Sarah: Yes. So I thought we'd start with talking about the, the first version. You know, how did it come about? A bit of the origin story about it. Um, and I'll leave that with you. Paul: Well, of course Confusingly, it's co-authored with another Sarah, um, another photographer. And the photographer and brilliant writer called Sarah Plater, and she approached us actually, it wasn't my instigation, it was Sarah's, and she had written another book with another photographer on the Foundations of Photography. Very popular book. But she wanted to progress and had been approached by the publisher to create Mastering Portrait Photography. This thing that we now have become used to didn't exist 10 years ago, and when she approached us, it was because she needed someone who could demonstrate photographic techniques that would live up to the title, mastering portrait photography. And we were lucky enough to be that photographer. And so that first book was really a, a sort of trial and error process of Sarah sitting and interviewing me over and over and over and over and over, and talking about the techniques that photographers use in portraiture. Some of it very sort of over the sort of cursory look, some of it in depth, deep dives, but all of it focusing on how to get the very best out of your camera, your techniques, and the people in front of you. And that's how it came about. I mean, little did I know 10 years ago we'd be sitting here where we are with Mastering Portrait Photography as a brand in and of itself.This is the Mastering Portrait Photography Podcast Yes, because the book sold so well. Sarah: And did you expect it to do as well as it Paul : Oh, I'm a typical photographer, so, no, of course I didn't, you know, I kind of shrugged and thought it'd be all right. Um, and, and in some ways, because you have to boil it down into, I think there's a 176 pictures or there, there were in the first book or somewhere around there, a couple of hundred pages. There's this sense that there's no way you can describe everything you do in that short amount of space. And so instead of, and I think this is true of all creatives, instead of looking what we achieve. We look at the things we haven't done. And I talk about this on the podcast regularly, the insecurity, you know, how to, how to think like a scientist. That's something that will come up later when we talk about the new version of the book. But no, I, I thought it would be reasonably well accepted. I thought it was a beautiful book. I thought Sarah's words were brilliant. I thought she'd captured the, the processes that I was talking about in a way that clarified them because I'm not known for my clarity of thought. You know, you know, I am who I am, I'm a creative, um, and actually what happened was the minute it was launched, the feedback we got has been amazing. And of course then it's gone on to be translated into Italian. A couple of different Italian versions for National Geographic. It's been translated into Korean, it's been translated into German, it's been translated into Chinese. Um, and of course, technically it's been translated into American English. And, and one of the reviews that made me laugh, we've got amazing reviews on Amazon, but there is one that kind of made me laugh, but also upset me slightly, is that both Sarah and myself are British authors. Using English uk, UK English, but for the international market right from the get go the book was using American spellings, Sarah: right? Paul : We didn't know that was what was gonna happen. We provided everything in UK English and of course it went out in with American English as its base language. Its originating language. Um, and that's one of the biggest criticisms we Sarah: got. Paul - Studio Rode Broadcaster V4 (new AI): And when that's the criticism you're getting that people are a bit fed up that it's in American English and apologies to my US friends, of which I have many. Um, it was the only one that really. I don't like that. So I thought, well, it must be all right. And so for 10 years it's been selling really well. book. I never knew it'd be in different languages. Um, it was in the original contract that if the publisher wanted to do that, they could. And really, I only found out it was an Italian when I started getting messages in Italian from people who'd bought the book in Italy. And then of course, we found out. So it's been a remarkable journey and. I don't think I've been as proud of something we've done as I have of the book. I mean, me and you spent hours pouring over pictures and talking about stories. Sarah had to then listen to me. Sarah: Yes. Paul: Mono, sort of giving these sort of diatribes on techniques and things we do. Um, you know, and I think, I think it's a remark. I, well, I still think it's a remarkable achievement. I'm really proud of it. Sarah: Yes. Did, did you think the second edition would, would happen or, um, or how did it come about? Paul: No, not really. Because if you remember, we did a sort of interim update, which was just off the ISBN, so the same ISBN, same book number, but we'd been asked if there was anything that needed tweaking minor word changes, those kinds of things. And I assumed not really being, you know, that time experienced with this stuff is that was. Was a second edition, it was basically a reprint. So I sort of assumed that was the end of it. And then, um, we were contacted the end of last year, um, to say that with the success of the book over the past decade, would we consider, uh, refreshing it properly refreshing it, a new updated edition because of course there's lots of things that change over time. Um. And it's, it was worth having another look at it. So no, I didn't expect it, but it was an absolute joy when the email came in It must have been. It's, it's one of those things that's so lovely when other people appreciate it and know that, um, it would be really good to have a, have another go at it and, uh, see what's changed. Sarah: So it kind of brings me onto what, what have you changed in it? What's, what are the new, the new bits that are in the second edition? Or was it even that from the first edition? You, you knew that there were things you'd love to include? Paul: Well, in a decade, so much changes. I. The equipment is the most obvious. You know, there's a chapter at the beginning on Kit, so you know, one of these dilemmas with books. I think again, we took advice from the publisher as to what do you include in a book? And the publisher were really keen and have stayed really keen that there's a chapter on the kit at the beginning. Um, and apparently that just helps a very particular part of the market sell. So that's fair enough. No problem with that. It's quite fun talking about technology. I don't mind it. Um, but of course that technology's evolved, so we had to update all of that to reflect the fact that 10 years ago we were just beginning to talk about the advent of mirrorless cameras, but they were nowhere near the quality of a digital SLR, for instance. Well, now mirrorless is the professional choice. Everything has gone mirrorless because it's got fewer moving parts. The sensors have increased in, um, sensitivity to focusing, you know, there's a million reasons why that's happened. So of course we've updated all of the technology. I think more importantly, certainly from my point of view is in those 10 intervening years, I've changed every picture. Our clients, the techniques, the. Post-production, the thought processes, um, even down to the fact that with mirrorless cameras, you can actually shoot in a slightly different way. I mean, I'm a traditionalist in many ways. I grew up with a film camera. Yes. So, you know, metering either using a meter or very careful control. Because your dynamic range is pretty limited. Um, maybe the fact that you would focus on a point and then wait for whatever it is that's moving through it, to move through it and take your, take your picture. Um, these were the kind of techniques, you know, lock your focus repose when I started, even even A-D-S-L-R, you know, I'll give you a really good example on how the technology has helped, though. It's not actually part of this book, but it's a, it's a really good illustrative point. Um, technology isn't the be all and end all of photography. What goes on in your head is what matters, but the technology is the enabler. And I work with the hearing dogs every week. We photograph running dogs all the time and with the DSLRs I was using, it would just take four goes, maybe five goes to get that perfect moment where the dog is spot perfect in focus. It's airborne, its paws are off the floor. Everything about it is absolutely right. Four or five goes, you know, because I'm shooting at maybe 10 frames a second. The focusing is more or less keeping up because of course, every time you take a picture, the mirror slaps up and the focusing then has to predict where the dog might have ended up. It's not doing, it's not tracking it at that point, and then you move to mirrorless. Um, and the Z9 that I use now, the Nikon is an unbelievable piece of kit. It locks onto the dog. I can shoot at 20 frames a second. Um, and one of those shots is invariably the shot I'm looking for. And, and that sounds like I'm cheating in some ways, but when you are a professional photographer, your job is to do the very best for your client. And so instead of spending an inordinate, inordinate amount, it's not easy for me to say a very long time. Um. You know, trying to get the right shot. Now I can do it very quickly and move on to another shot so we can provide a wider variety to our clients. And that's true with running children too. Yes. So the technology has changed and the techniques have changed with it. Um, now you're seeing on the back of your camera or through the viewfinder exactly the image. Not a facsimile of it, not a mirror. Prism view of it, you're seeing precisely what you're gonna capture. Um, and that gives you a huge amount of confidence in the shot and a huge amount of control too. You can really fine tune exactly how you want the exposure to be. For instance, you know, you don't have to worry about, is that right? Let's must check the histogram afterwards. You can check the histogram, live in the viewfinder and all these little bits, just make your job different. They, you connect with the shot in a different way. You connect with a client in a different way, and that's the tech side. But I've also, you know, I, in 10 years, I'm 10 years older. You know, in some ways I'm 10 years faster. In other ways, I'm 10 years slower. You know, the cameras are quicker, my shots are quicker, my knees are slower. Um, and it's a different perspective on life. I also teach a lot. The podcast, the book itself, the first edition of the book, led us to the podcast and the website where we run workshops and everything else. So all of this cumulative knowledge, when you look back at the old book, and while I'm still massively proud of it, the new edition was a wonderful opportunity to sit down and say, what would I like, how would I like to be represented this time? Yes, and it's a much more grown up approach, I think. I mean, I, I wasn't a kid back then, but this time around because the book was successful, instead of providing 10 pictures for every slot, I provided the picture I want, in that slot. Right? And so the book is much closer to how I would like it to be as a photographer. Every picture. Now, I could tell you a story about every single picture, every single client, and having the luxury of success on the first version gave me the luxury of being able to do more of what I wanted in this version. This is much more reflective, I think. Of me personally. Yes. And so I've, I've loved it. It's absolutely, it's such a, a lovely process to go through. Sarah: So how many pictures have been changed between the two versions? Paul: All bar one. Sarah: bar one. How intriguing. So will you tell us what the one is, or is that Paul: can, you can go and find that out for yourself. Yeah, so there's one single image that hasn't been changed. There's single image that hasn't been but every other image has has changed from the first edition. Uh, just a caveat to that, of course, some of the kit pictures, uh, 'cause they were generic, they've stayed the same. But every portrait, Wow. every single portrait except for one, has been changed. Sarah: And how did you go about choosing those pictures? 'cause I can imagine, you know, if you're starting effectively with a blank canvas for where the images have gotta go, uh, how on earth did you do that Paul: Um, slowly the publisher will tell you, uh. The thing to you have to remember though, is that this is an updated edition. Yes. And that was the contract. It was not a complete start again. So, although I had the opportunity to change every picture, every picture had to fit into an almost identical space because they weren't gonna redesign it. Right. It's updated edition and we have to be clear about that. So part of the puzzle was not just, which pictures do I want to illustrate, which point. It was, which pictures in the same shape previous do I want to illustrate? I mean, there's some wiggle room in there, but the designers did not want to do a full redesign. That was not what we were contracted for. Um, obviously the words were being updated too. And both Sarah and myself, um, I mean, since the first book I now write for magazines and online articles and things all the time, I write for all sorts of photography stuff. Um, and so actually both Sarah and myself wrote words this time round. Um, but nonetheless, we couldn't change too much. We could bring it up to date, but there, there were still bits that, you know, if I was being truly honest, there are things that I think in the past 10 years have become less relevant. And things, it would've been nice to have put some different stuff in, but that again, this is an updated edition, um, not a complete from the ground up rewrite. So actually I sat down and I looked at all of the, um, chapters and the words that we'd written in the first edition and thought about what we were trying to illustrate and went back to sort of basics really, and where I already had pictures in the portfolio. Um, we used pictures of great clients, interesting light, interesting locations, interesting techniques where there are certain things where, I'm not sure, the first time round, um, the illustrations of them were as good as I, as strong as I would've liked. I shot them again here in the studio, so things like the lighting pattern. You know, I have, I've talked about them for 10 years, these lighting patterns. So it was a really nice chance to sit Katie, who works for us in the studio, uh, to sit Katie in front of the camera and say, right, this is what we're gonna do. And I worked every lighting pattern and redrew every diagram to make that absolutely on point, which I think the first time round, while they are very, very good. They're not what I would've liked them to be this time round. So there was that side of it too. And then of course, and I'm sure you're gonna come onto it, there's a couple of, well, there's a new chapter in there which did give us a chance to explore something a little bit different. Um, so yeah, it was just a long process of finding pictures that if I'm gonna put my name to it, are the ones that I would like. Yes. And it's not always the best picture. It's not always the competition winners. they're in there. They are in there. Of course they're in there. Um, but I think this time round, um, I really enjoyed reminiscing. I think some of the pictures in there, they're all beautiful pictures, don't get me wrong. But some of the people I picked to be in them are people because actually that was a moment that I will remember for the rest of my life for all sorts of reasons. And I think the, the strongest example of that is our cover shot is Dory now. The story of Dory. That sounds really weird. The story of Dory? photo. Dory. Story of photograph. Oh yeah, my you met Dory? Or should we go with I dunno if the story of Dory that's like, sounds like a children's book. That'd be a great chance to write a children's book. So Sarah and I were having dinner. Dory was working in the restaurant that, uh, we are having dinner in. Um, I laughed to Sarah and said, I think, um, Dory would photograph beautifully. Sarah said, we'll, go and ask her. And I asked her and she said, no. She absolutely said no, categorically. And I said, okay. Then I wrote our email address, sorry, I wrote our web address. Uh, on the back of a, of a napkin and handed it to her. I said, look, you know, if you're not interested, that's fine, but have a look at my work. Um, and this was after the first edition of mastering portrait photography, and my idea was for Dorie to come to the studio and we'd film some stuff where we photographed her and use it for information, stuff for people who read the book and maybe create some YouTube videos and things. Um, anyway, at four o'clock in the morning, got an email back from Dory saying, actually, I've just looked at your work. Yes, please. And Dory has gone on to be someone we've worked with fairly regularly. Um, mostly, um, because she's just the nicest person in the world, but also she's supremely photogenic and you bring those two things together and they're the kind of people I love to work with. I love to celebrate. Photography with, so her picture, one of those pictures I shot in that session is the cover shot in the book and she features later on as well. 'cause she's come back with her husband and her kids and it's just a delight. And then there, you know, there are people from all over the world. Um, and so there's a lot of memories in there for both me and for you I Yes, Um, and it was, uh, just a pleasure to go through it. Oh, and the other thing is every single shot is shot since we published the first edition. So I did limit us to the past 10 everything is limited to what, what you've captured in the last 10 years? Yeah. Yes. Because figured that, um, if you're gonna do an updated edition, then, although there were pictures in the first version of the book, I would've loved to have had in there that never made it. Why don't we start from that point and move forwards? Other than the one Other than other than the one other than, one Sarah: so you've, you've talked a little bit about how you've changed and that's been reflected in the book. You've talked a little bit about how the technology has changed, but probably one of the biggest changes has been post-production, um, the introduction of, of ai. So is that reflected in the book, Paul: Yeah, of course it is. Um, the post-production chapter, um, I mean, the thing with post-production is that's a volume of books in and of itself. Uh, we put it into the book Sarah and myself, because I think it was important to note that an image isn't generally finished in camera. It's finished when it's finished. And this is true for film, by the way. This is not news, you know? Um, and it's for as long as film has been shot, transparency's and negatives. People have been doing a certain amount of post-production on them afterwards in their development tanks. Um, or whether they're doing hand toning or something is', this isn't new for me. I think you're about halfway there. Now, the second half might be a very short half, but it's almost certainly gonna evolve, at the very least, um, brightening controlling your tones and cropping. Okay. Maybe a bit of sharpening if that's your thing. So we put that chapter in just to make the point that there is a finishing stage. That was 10 years ago. In those 10 years, everything has changed. Yes. Yes. You know, even if I just kept it to the Photoshopping that we had in the first edition, all of that is different. I. And of course AI has now arrived. Um, I mean, it's a precocious child of a technology at the moment, but it's growing up really very fast and it's gonna affect us in every single element of us as creatives of, of us as business owners. There's, there's no part of our work. Even. Even the people that say I don't believe in AI are using cameras that have AI in them. You know, there's no way of escaping it. It's here with us and you can fight it if you want. And there are bits of it that I'm not that comfortable with. Certainly some of the training, the way they did it on images, without any acknowledgement of copywriting things, it's problematic. But in the end, it's here, it's now, and if you don't embrace it, the people who are in your market as a professional competing with you. Are embracing it so there's no getting around it. So yeah, there's a part of our post-production now talks about specifically EVOTO.AI, which is the app that we use. There's others as well re Bloom and a few others that do a very similar thing. Um, and we've put it in there. Again, not as this is what AI does, but for make, to make people aware that AI is now part of the puzzle. Use it, don't use it. And that's completely your choice. The same as it is with Photoshop. But it's a good place to just remind people. That this is the direction of travel for a good chunk of the industry. So yeah, we've changed that quite a lot. Sarah: And a section at the end. Is it Paul: my favorite section? Yes. this Sarah: a, this was a request from you to add this in. Paul: Yes, yes. Um, there's a, one of the things with doing this as a job, and it's not just a risk, it really does happen, is you find yourself. Sort of burnt out isn't the right word for it, really, or the right phrase for it. But you find yourself same old, same old, same old. You get good at stuff, you get known for stuff. People ask you to do that stuff. You do more of it. You, you're still good at it, but eventually you start to find yourself just a little bit flat. Um, and it happens all the time. And so I put a chapter and I asked the publishers if we could wiggle some stuff around and make some space to put one specific chapter in. It's not a long chapter, but to me it might be the most important chapter in there. It's about staying creative. It's just little techniques, little ideas for staying on top of your game, thinking of new things, being a creative. And, and being a creative is something you have to work at. You can't just, you don't just invent ideas. You have to be open to seeing things and thinking things and trying things, experimenting, working with different people, having mentoring. These are all the facets that I wanted to just in a very short chapter, 'cause we could only squeeze in a couple of pages. But it's the chapter that I think I am the most proud of Sarah: Yes. And knowing you as well as I do, you know, it's part of my challenge in the business is making sure that you keep motivated and keep being creative. So I, I know how important it's, and how we have to put shoots in the diary and, and do things that are just for you, for no other reason. Just than just to let you play. So I, I can see how important that is. Paul: Yeah. I'm, I'm aware of just how much cotton wool you wrap me in and I can feel it building as well. I always know when I'm not firing on all cylinders, because you start to sort of wrap cotton wool around me and start to think about putting it in other things that we need to do, or just a break to get away for a week. You know, there's those things. It's really hard. It's hard being a creative, as in it's hard to be a creative a hundred percent of the time, and b, creative a hundred percent of the time. The, the, you know, being called a creative is one thing, but actually being creative is a process of invention and experimenting and doing things that you haven't done before. That's the point of being creative. Um, and so, yeah, I'm always aware when I'm clearly starting to feel a bit frazzled because I can feel you starting to. Talk about doing other things. Sarah: So what I didn't realize is what you said earlier, that the, all the images have all been taken since the last book. Um, and they're from clients we've had all around the world as well. So I wondered if it would be. Nice to pull out a couple of our favorite images. Um, I sort of going on from your comments about staying creative. One that jumps out to me is when, um, Vivian and Dody came to the studio and, you know, this was a, a lady who came in with her West Highland tert. So Westy Westy, it's a white west. Highland, ter. And, um, we did some beautiful shots indoors, outdoors, um, having lots of fun. And then you built this, uh, amazing scene, um, which is including in the, included in the posing chapter. Do you wanna just explain and tell me a little bit about that one? Yeah. Um. Paul: Um, you know, Dodie, sorry. Vivian had emailed Dodie didn't email, obviously Doty's Do's dog, Vivian Vivian emailed to say she wanted a shoot with her dog. And I kind of, I say I distinctly remember the email. I remember what she said in the email, which is that she couldn't find another photographer who photographed the owner with their dog. Now, I dunno how hard Vivian looked. I'm not, I'm sure there's a lot of photographers listening to this that photograph dogs with their owners and I judge a lot now as a, as a judge and as a coach. So I know it to. Out there. But anyway, she landed on us and I'm thrilled that she did Vivian and, uh, Dodie turned at the studio. And Vivian is just beautiful. She's elegant. She has a real sort of gentle way about her, uh, and this beautiful little West Highland ter, which was for the first 10 minutes, I have to be honest in now. Backstory, my Nan had repeatedly West Highland Terriers. My Nan repeatedly did not train her. Westie, my Nan's dogs repeatedly bit us all of us as kids, as teenagers, as adults. Even my dad would like shut the door and run because this dog would go for him. And so when she turned up with this little Westie, I must admit I backed away. However, Dodi, just like Vivian, was gentle and calm and just followed her around and, and he would sit. In the studio just looking at her while we worked, if it was shots for her on her own. And then when she scooped him up or we tried to do something with him, he was so patient and so well behaved. So I've got this incredible client who wants to do these shots, and at the end of the shoot sometimes the greatest privilege you get is to say to someone, how long have you got? And if they've got a little bit more time. What you can do is say, would you mind just trying a few bits with us? So we cleaned the studio out. It's a white, the, the dog was a white dog. Vivian had a light colored outfit and this kind of fair, and she was just, it. It struck me that we could do something interesting with the white walls of the studio, the white floor of the studio, the white posing blocks that I've had probably for 20 years here. And so I did a couple of things and we, we shot some different combinations and then in the post-production STA stage, I built a model of our studio in 3D in blender, it with blocks exactly the same. And then I can create almost any scene I wanted around this shot that's right in the middle of Dodi looking up at Vivian. Um, and it was one of those shoots that, I mean, every shoot in here, there's a story similar to this where I could tell you it's a shoot I'll remember forever. Um, and it was, and it was just a, a real luxury and, and just, you know, I dunno if Vivian listens to the podcast, but hello. Um, and Vivian's also very kindly sourced books from China for us. Yeah. yes. It's hard to get hold of some of these things when you are not in country. So we're still in touch with her very much. He's a lovely client. Another one that, um, oh, actually there's quite a few in the book from where we work as master photographers with Crystal cruises and so, um. Sarah: We've got this lovely line where we talk about the book, where is it From Venice to Vietnam and Haddenham to Hawaii. Yeah. But, uh, one of my favorite shoots that's included is Christine, when we were in Brena Aires, and actually this is from this year when we were in South America and there's quite a few people that we borrowed on the ship to get some pictures. And also what a lovely opportunity. I think it's in locations. Um. Where there is it and where was it? It was in Le Bocca. Wasn't Itca Le Bocca with Christine? Do you Well, a little bit about that one? What's Paul: It has been a, a real luxury for us in the intervening 10 years. So a lot happened in 20 14, 20 15. And one of the things that happened around the time of the book was they were asked to work with Crystal Cruises, a company that provided the photography to them. Interviewed myself and Sarah. Sorry, us too. It's weird talking, made a third person and giving it right here. Um, interviewed us as a team and ever since then we've been traveling the world with them grading high-end portraits for these beautiful international clients. Um, and this time round the deadline. Not the instigation, but the deadline for the book came up while we were working for about seven weeks around South America on the cruise. So I already had earmarked images from previous cruises, previous visits to different places. But when I was on the ship, there were a couple of people, um, that really leapt out just. Ship. And one of the great luxuries when you have something like a book or you like you've become well known as a photographer, is you can say to people, would you mind stepping in to allow us to take some photographs? So there's a couple of people from the crew where you have to get permission to work with the crew. Um, there's, um. Uh, Barbara is one of the team on there. Uh, say Hi is one of the people on there, um, who were crew members that we just loved the way they were with us. They made our lives wonderful. And so we photographed them specifically to put them in the book. Um, and then there's a client of ours, which is the one you've alluded to, which is Christine Now. We met Christine at the end of another shoot, and this is. Um, I mean, remember this is still the Mastering Portrait Photography podcast, and so it's always worth remembering some of the things that you can do as photographers. This is not just an interview about me in a book, but here's some ideas for you that work. So on the ship, we had just done a shoot, an amazing shoot, and a lady who was in that shoot was showing her images round the bar to all of her friends on our iPad. Now we were drinking, we were sat and we were sat next to this lovely lady who was very quiet and we'd said hello and had a quick chitchat, but not majorly a long conversation. When our client handed us back the iPad, Christine, who was the lady who was sitting with us, said, do you mind if I have a look? And I said, yeah, of course. It'd be my pleasure. You know? So she had a look and she said, would you be willing to do that for me? And I said, well, of course we would, you know, this is what we're here for. Um, and so we arranged to do a couple of different bits. A couple of it is actually two different shoots, but we did a site visit to Le Baca, this area in Buenos Aires. Is that right? Yes. Bueno Aires. Was it? No. Yes. Yes, it was. Bueno Argentina. Yeah. Thank you. Are confused. So we, we did a couple of visits to this place in, uh, bueno Aires Laca to go and check it out for different locations. Uh, myself and you and Keith, who's our client, strictly speaking, who runs the, the photo. Um, company found all these locations and went the following day with Christine to go and explore this really beautiful, touristy area of leer. It's very characterful, it's very hot. Um, very intense actually. There's a lot going on and you do have to have your head on a swivel. Yes. it's quite notorious for pickpockets and thefts and so you do have to be careful. So, Sarah, I mean you, sorry, this is really weird. So I'm used those to talking on my own. So you and me, we were working as a team with Keith. Christine was not. Christine was stealing sausages from barbecue places and running them down alleyways that probably she shouldn't have been. Christine everywhere, but really where we wanted her to be, which was safe and in our site. Um, and if you remember, we kind of, um, we went round a corner. In fact, we were just heading back to the car. We, so Christina had arranged the driver and we'd gone round the corner, haven't we? And we were in this little street. And I just, I looked over the top of the cars to the street shops, the shop fronts on the other side of the road and thought that would make a great picture because the color of Christine's dress, the color of these shops, the whole scene would just be something interesting. But I'm shooting across the road through cars. Um, we've got Keith on the other side of the road with her. You are on the side of the road with me. Both of us trying to keep eyes everywhere 'cause we've now stepped out of the touristy bit. We are now in an area where, strictly speaking, you shouldn't be hanging around with a 10,000 pound camera. Yes. Um, so I dragged the shutter. I got, I got everything else. I wanted it and dragged the shutter in a gap between the cars as somebody walked past. And I have this shot of Christine killing herself, laughing, looking at the camera. Um. With somebody walking past and it has this real vibe of a street shot, a candid shot. It's not, it's been staged, but it's one of my favorite shots in the book because it's, to me, every time I look at it, and this is true of your clients too, and when you're listening, the photographers are listening to this. Remember this every picture, if you've created an experience around it, that picture. We'll hold memories for that client of yours. And it's true for me too. This experience was amazing. We're still in touch with Christine. She's desperate for us to go out and visit her in Texas. Um, but it was such a privilege, such a pleasure. So much laughter and that every time I open that page in the book, that's what it takes me it. I I'm with I love the colors, I love everything about it. And it's nice that it's such a lovely story too. crazy story. Sarah: So who do you think the book is for? Who do you think we'd pick it up and find useful? Paul: Well, I'm hoping another 50,000 people will be. I've, I don't, I don't have total control over that. Um. It's really this, I think there's something for almost any portrait interested photographer in there. Um, if you are already a pro, you're probably not gonna pay a lot of attention to the kit chapter at the beginning. That won't be your shtick. Um, but there will be stuff on posing and interactions and some of the post-production might be of interest. Um, if you are ready. You know, a supremely experienced photographer, you might like it simply 'cause the pictures are really beautiful. I still buy photo books because I will pick them up, look at the pictures and think, do you know what? I'm gonna use that idea. I'm gonna meld that into something else I'm doing because I like, I love seeing. Great photographs. If you are truly a beginner, there's enough in there to get you going. And some of the techniques are a little bit further out there, but mostly it builds on this idea that you have a camera, you have a client, you have your subject, and you're gonna create an experience. And then from that experience, great pictures. So I think it's broader than possibly the mastering portrait photography title gives it. Um, but it covers a little bit of all bases. And it certainly has enough in there to say, actually there's, there's stuff in there that if you do this, it really is quite, um, sophisticated. Yes. Do you, we don't know at this stage in terms of whether it'll be translated into other languages that that usually comes a year after, doesn't it? After the, you last time, say. It was only when I started getting emails in Italian. Yes. Um, that I noticed what happened. And we didn't know if you remember that it was in Chinese and Korean no. we started to put the marketing together for this book. Yes. And we asked the publisher AB, in absolute terms, how many copies have you sold? Yes. And they back with different language versions that we never knew about. Yeah. So, you know. Been been a, a journey of discovery, a journey. a journey. Yes. So, yeah, who knows? I, I really hope they do, uh, create some, uh, different language versions of it. 'cause there's nothing quite like seeing your work in Italian, Yes. So, And, and Chinese, I think that's the one I find the, the most intriguing. Sarah: So the book is officially launched next Tuesday, I believe. Is the 28th. The 28th. Um, so what, what's on the horizon next is what, what are you gonna be doing with the book and knows? Um, I mean, obviously the first thing we've gotta do is get through the launch of the book. Yes. Um, which is exciting. And obviously us two have been walking the studio trying to figure out how to tidy the whole place up. 'cause we haven't done a full on party probably since the last book. No. Or thereabouts. So we've we're inviting. Everybody who's featured in the book Yeah. Um, to a, a launch at the weekend. Yeah. Um, and we are refreshing all of the pictures in the studio, uh, to reflect the pictures that are in the book as well. And it's just, it'll be such a lovely thing to do and it's, I can't wait to see everything when it's up. Yeah. So that's, but next week's gonna be a bit fraught It's 'cause in the middle of all that, I think I've got five shoots to work my way through. Right. I don't sleep much. I a challenge. Yeah. I'm not, I'm I'm not being super, thankfully. Um, so there's that. And then, you know, once that gets rolling, of course I go back to our regular job. I'm judging for the British Institute. Professional photographers print competition straight after. So we've got. A big bash on the Saturday night. Yeah. Uh, for all of our, all the people in the book on the Sunday, we're inviting anybody's around to come and a studio open day, studio open day in the afternoon. And then at some point in that afternoon, I have to go all the way up to Preston Salubrious, uh, Preston, to go and begin the process of judging the print competition for the 2025 print masters. So a lot going on. And you're gonna be busy signing books as well. yeah, It's been a while since I've had to sit and do a big a book signing, but there's a load of that going on. Yeah. Uh, it's just lovely. exciting. It really is. Well, I think that just about brings us to the end of everything. So I've enjoyed being on the other side of everything. Sarah: So I'd just like to say, Paul, thank you ever so much for letting me do that and sitting on the other side of the mic today, um. We have got a limited number of copies here at the studio that Paul can sign, but they will be available at all. Good bookshops, um, with water zones. I think there's some competitions going where they will be with Graphistudio and with. Um. A professional photo. Yeah. Yep. So there's, there's lots of ways for you to get your hands on it and uh, we'd love to know what you think of it and um, especially if you've got the first version and seeing the second version, we'd love some feedback 'cause we are so proud of it. And especially with the pictures in there, and if you can tell us what's that, what's the picture in there that, that haven't been changed? That will be even better. There's no prize. So, no, thank you. Thank you very much. Well, it's a pleasure. And you know what you've gotta say now, don't you? What's that? If you've enjoyed this podcast, is it? No. If you've enjoyed this podcast, please head over to mastering portrait photography.com, which is full of articles. And as it happens, I'm doing all of the behind the scenes diagrams and stories for the images that are in this book. It'll probably take me 10 years to get there, but there's a couple of hundred of those. Uh, and of course, whatever else you do. be kind to yourself. Take care guys.  

En este episodio de nuestro segmento del cuerpo habla lo que la boca calla vamos a definir lo que recibe la llamada cola perdida como conflicto emocional.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum....... #Quantum #applepodcasts #spotifypodcast #centroquantum #despertardeconsciencia #quantum #constelacionesfamiliares #fisicacuantica #cuantica #tupuedescrearturealidad #googlepodcasts #CentroQuantum #podcast #epigenetic #conciencia #spotify #taniaramón ##inteligenciaemocional #amor #magia #matrix #JacoboGrinberg #bioreprogramación

Fluent Fiction - Spanish: Tango of Colors: A Fusion of Art and Dance in Buenos Aires Find the full episode transcript, vocabulary words, and more:fluentfiction.com/es/episode/2025-10-15-22-34-02-es Story Transcript:Es: En el corazón de La Boca, Buenos Aires, la primavera cubría las calles con un encanto especial.En: In the heart of La Boca, Buenos Aires, spring covered the streets with a special charm.Es: Las casas pintadas de colores brillantes y la música de tango llenaban el aire.En: The houses, painted in bright colors, and the tango music filled the air.Es: Este año, el festival de arte prometía ser más vibrante que nunca.En: This year, the art festival promised to be more vibrant than ever.Es: Valeria caminaba por las calles empedradas con un sentimiento de nerviosismo mezclado con emoción.En: Valeria walked through the cobblestone streets with a feeling of nervousness mixed with excitement.Es: Era la primera vez que mostraba sus cuadros en un evento público.En: It was the first time she was showcasing her paintings at a public event.Es: Trabajaba en una oficina gris y monótona, pero siempre soñó con vivir del arte.En: She worked in a gray and monotonous office, but always dreamed of living off her art.Es: Ahora, aquí estaba, dispuesta a compartir su mundo interior con los demás.En: Now, here she was, ready to share her inner world with others.Es: Sin embargo, la duda se colaba en su mente.En: However, doubt crept into her mind.Es: ¿Era su arte lo suficientemente bueno?En: Was her art good enough?Es: Cerca, Javier ajustaba su traje de tango.En: Nearby, Javier adjusted his tango suit.Es: Desde joven, había bailado para turistas y locales, pero sentía que el público sólo veía la superficie.En: Since he was young, he had danced for tourists and locals, but he felt that the audience only saw the surface.Es: Anhelaba un vínculo más verdadero, alguien que lo entendiera más allá de sus pasos precisos y su sonrisa encantadora.En: He longed for a more truthful connection, someone who understood him beyond his precise steps and charming smile.Es: El festival bullía de energía.En: The festival buzzed with energy.Es: Valeria montó su pequeño espacio con cuidado.En: Valeria set up her small space carefully.Es: Colgó sus pinturas, todas llenas de colores vivos y emociones sinceras.En: She hung her paintings, all filled with vivid colors and sincere emotions.Es: La gente comenzó a acercarse, su curiosidad atraída por las explosiones de color en sus lienzos.En: People started to approach, their curiosity drawn by the explosions of color on her canvases.Es: En otro lado, la música de tango comenzaba a sonar.En: Elsewhere, the tango music began to play.Es: Javier tomó el escenario improvisado en la calle.En: Javier took the improvised street stage.Es: Su interpretación era apasionada, sus movimientos contaban historias de amor y añoranza.En: His performance was passionate, his movements told stories of love and longing.Es: Pero sus ojos vagaban, buscando esa conexión que su danza no podía expresar.En: But his eyes wandered, seeking that connection his dance couldn't express.Es: Los caminos de Valeria y Javier se cruzaron por casualidad.En: The paths of Valeria and Javier crossed by chance.Es: Javier, intrigado por la paleta de colores de Valeria, se acercó.En: Javier, intrigued by Valeria's color palette, approached her.Es: "Tu arte es un tango de colores", dijo espontáneamente.En: "Your art is a tango of colors," he said spontaneously.Es: Ella se sonrojó y sonrió.En: She blushed and smiled.Es: Nunca había pensado en sus pinturas de esa manera, pero la idea la inspiró.En: She had never thought of her paintings that way, but the idea inspired her.Es: Conforme el día avanzaba, los cuadros de Valeria captaban más atención.En: As the day progressed, Valeria's paintings caught more attention.Es: La gente se detenía, admiraba, comentaba.En: People stopped, admired, commented.Es: Sintió como si, por fin, alguien viera dentro de su alma.En: She felt as if, finally, someone saw into her soul.Es: Mientras, Javier decidió compartir su verdad a través del baile, más auténtico y vulnerable que nunca.En: Meanwhile, Javier decided to share his truth through dance, more authentic and vulnerable than ever before.Es: Finalmente, Valeria observó a Javier en su mejor actuación.En: Finally, Valeria watched Javier in his best performance.Es: Con cada movimiento, parecía contar una historia única, llena de emoción auténtica.En: With each movement, he seemed to tell a unique story, full of genuine emotion.Es: Era su mejor interpretación, anhelando algo más allá del aplauso.En: It was his best performance, yearning for something beyond applause.Es: Al final de su tango, un espontáneo aplauso resonó, pero su mirada buscó a Valeria, y ella lo miró con admiración genuina.En: At the end of his tango, spontaneous applause echoed, but his gaze searched for Valeria, and she looked at him with genuine admiration.Es: Ese día, Valeria encontró la confianza que tanto le faltaba.En: That day, Valeria found the confidence she so lacked.Es: Descubrió que su arte podía tocar corazones, y que no debía temer mostrar quién era.En: She discovered that her art could touch hearts, and that she shouldn't fear showing who she was.Es: Javier, por su parte, encontró en Valeria una persona que veía más allá de lo superficial.En: Javier, in turn, found in Valeria someone who saw beyond the superficial.Es: Una conexión más profunda y verdadera de lo que había esperado.En: A deeper and truer connection than he had hoped for.Es: Juntos, decidieron embarcarse en un viaje, dejando que sus mundos creativos se entrelazaran.En: Together, they decided to embark on a journey, letting their creative worlds intertwine.Es: Compartirían su arte con el mundo, y también sus vidas, buscando inspiración el uno en el otro.En: They would share their art with the world, and also their lives, finding inspiration in each other.Es: En las calles coloridas de La Boca, Valeria y Javier florecieron como la primavera que los reunió, cada uno aceptando y nutriendo la identidad del otro.En: In the colorful streets of La Boca, Valeria and Javier flourished like the spring that brought them together, each accepting and nurturing the other's identity.Es: Juntos, encontraron lo que tanto habían anhelado: libertad e inspiración.En: Together, they found what they had longed for: freedom and inspiration. Vocabulary Words:the charm: el encantovibrant: vibranteto showcase: mostrarthe nervousness: el nerviosismothe doubt: la dudato creep (into): colarse (en)to adjust: ajustarthe connection: el vínculosuperficial: superficialto buzz: bullircarefully: con cuidadothe canvas: el lienzoimprovised: improvisadoto wander: vagarto approach: acercarseto blush: sonrojarsethe inspiration: la inspiraciónto catch attention: captar atenciónto admire: admirarthe vulnerability: la vulnerabilidadto yearn: añorarauthentic: auténticothe applause: el aplausogenuine: genuinoto fear: temerthe journey: el viajeto intertwine: entrelazarseto flourish: florecerto nurture: nutrirthe freedom: la libertad

David Golden: Las palabras que hablamos revelan lo que hay en nuestro corazón, pero también tienen el poder de formar lo que pensamos y creemos. La Biblia enseña que la lengua puede producir vida o muerte, por eso debemos aprender a hablar en acuerdo con Dios. Confesar Su Palabra fortalece la fe, renueva la mente y transforma nuestras actitudes y relaciones. Cuando llenamos nuestro corazón con la Palabra, nuestras palabras se vuelven fuente de vida, paz y bendición para nosotros y para los demás.

Jeffrey destaca unos lanzamientos coloridos y mitológicos.¿Qué estoy usando hoy?:LAMY Studio Racing Green (M) Diamine Best WishesTinteríasBENU HauteKaweco AL Sport Navy Blue PistonKaweco TITAN SportLAMY Studio OrionPelikan M809 Black MattPilot Custom 845 Deep BluePilot Decimo 20º AniversarioSailor Serie Estatal Minnesota y ConnecticutTWSBI ECO Carrara con OnixVisconti MazeTintería del capítulo: LABERINTO

El día de hoy en nuestro segmento vamos a darte la información de el conflicto bucal llamado Gingivitis que envuelve ciertas características importantes a tomar en cuenta.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum.

durée : 00:25:55 - Les saveurs du Pays Basque Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Desfogan presa La Boca en NL, rebasó el 100 % de capacidadDetienen a “El Kisufur”, presunto líder de banda de robo de autos en CDMXBrote de ébola en Congo muestra contención, OMS mantiene alerta sanitariaMás información en nuestro Podcast

El día de hoy en nuestro episodio del cuerpo habla lo que la boca calla vamos a explicar este fenómeno llamado hiperlaxitud y lo.que puede envolver detrás en la conducta de una persona.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum.Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL...... #Quantum #applepodcasts #spotifypodcast #centroquantum #despertardeconsciencia #quantum #constelacionesfamiliares #fisicacuantica #cuantica #tupuedescrearturealidad #googlepodcasts #CentroQuantum #podcast #epigenetic #conciencia #spotify #taniaramón ##inteligenciaemocional #amor #magia #matrix #JacoboGrinberg #bioreprogramación

Segmento # 17

Envíame un mensajeRecientemente se ha dado a conocer un protocolo emanado de la Archidiócesis de San Juan de Cuyo (Argentina), impulsado y firmado por su arzobispo monseñor Jorge Eduardo Lozano, que impone a todos los catecúmenos, incluidos los niños de primera comunión, recibir la Sagrada Comunión “únicamente de pie y en la mano”.Support the show YouTube Facebook Telegram Instagram Tik Tok Twitter

Brenda La Fuente, expareja del Presidente Luis Arce, dio su testimonio en Erbol y brindó detalles reveladores sobre la historia de su relación con el Primer Mandatario.

V Galeriji Družina v Ljubljani so sinoči odprli razstavo Marjana Gruma, ki je svetovno znan umetnik slovenskega rodu, ki živi in deluje v Argentini, v Buenos Airesu - v znameniti umetniški četrti La Boca. Po spletu okoliščin je prišel v stik z umetniki in se navdušil za ustvarjanje. Varjenja železa, ki je njegova osrednja tehnika za lasten umetniški izraz in kiparjenja se je lotil kasneje, pri svojih 37 letih, kot samouk. Grum je zelo izviren umetniški ustvarjalec z veliko smisla za ročno obdelavo materialov, še posebej kovin. Iz njih je zasnoval vrsto linijsko izrisanih in iz ploskev skonstruiranih kipov, ki tako reflektirajo vsakdanje scene iz argentinskega življenja. Prav tako kritično komentirajo temne pojave v človeški družbị – predvsem vojne in nasilje nad človeškim življenjem. Značilni so njegovi kipi vitkih silhuet s posebno površinsko obdelavo, ki so avtorja naredili tudi širše prepoznavnega. V njegovem umetniškem opusu je tudi precej slikarskih del, med katerimi izstopajo predvsem motivi človeških obrazov v intenzivnih barvah in z ekspresivnim pogledom. Grumova širina se kaže tudi v njegovi inventivnosti in nenehnem preizkušanju različnih tehnik. Ob odprtju razstave, ki bo na ogled do 11. oktobra, so predstavili tudi monografijo, ki je letos izšla pri Rafaelovi družbi.

V Galeriji Družina v Ljubljani so sinoči odprli razstavo Marjana Gruma, ki je svetovno znan umetnik slovenskega rodu, ki živi in deluje v Argentini, v Buenos Airesu - v znameniti umetniški četrti La Boca. Po spletu okoliščin je prišel v stik z umetniki in se navdušil za ustvarjanje. Varjenja železa, ki je njegova osrednja tehnika za lasten umetniški izraz in kiparjenja se je lotil kasneje, pri svojih 37 letih, kot samouk. Grum je zelo izviren umetniški ustvarjalec z veliko smisla za ročno obdelavo materialov, še posebej kovin. Iz njih je zasnoval vrsto linijsko izrisanih in iz ploskev skonstruiranih kipov, ki tako reflektirajo vsakdanje scene iz argentinskega življenja. Prav tako kritično komentirajo temne pojave v človeški družbị – predvsem vojne in nasilje nad človeškim življenjem. Značilni so njegovi kipi vitkih silhuet s posebno površinsko obdelavo, ki so avtorja naredili tudi širše prepoznavnega. V njegovem umetniškem opusu je tudi precej slikarskih del, med katerimi izstopajo predvsem motivi človeških obrazov v intenzivnih barvah in z ekspresivnim pogledom. Grumova širina se kaže tudi v njegovi inventivnosti in nenehnem preizkušanju različnih tehnik. Ob odprtju razstave, ki bo na ogled do 11. oktobra, so predstavili tudi monografijo, ki je letos izšla pri Rafaelovi družbi.

Hoy en nuestro segmento del cuerpo habla lo que la boca calla vamos a explicar la conflictiva que has detras del sobre hueso del juante comúnmente llamado así.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum.Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL.......#Quantum #applepodcasts #spotifypodcast #centroquantum #despertardeconsciencia #quantum #constelacionesfamiliares #fisicacuantica #cuantica #tupuedescrearturealidad #googlepodcasts #CentroQuantum #podcast #epigenetic #conciencia #spotify #taniaramón ##inteligenciaemocional #amor #magia #matrix #JacoboGrinberg #bioreprogramación

Episodio 7 de la OCTAVA TEMPORADA de #FMIpodcastDisclaimer: Las opiniones manifestadas en este podcast son responsabilidad única de su autor y a título personal. No necesariamente reflejan las opiniones o preferencias de Hausler, BST, MEGAQM, Roku o Calipso, ni de ninguno de sus integrantes.

Fui a comer a un restaurante de comida brasileña y tuve una experiencia bastante espinosa.

Estamos en este capítulo dejándote la información ℹ️ importante a revisar y a comprender de los codos y las lesiones que te ayudan a liberar estrés.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum.Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL .....#Quantum #applepodcasts #spotifypodcast #centroquantum #despertardeconsciencia #quantum #constelacionesfamiliares #fisicacuantica #cuantica #tupuedescrearturealidad #googlepodcasts #CentroQuantum #podcast #epigenetic #conciencia #spotify #taniaramón ##inteligenciaemocional #amor #magia #matrix #JacoboGrinberg #bioreprogramación

Discord: https://discord.com/invite/mzZnJuVwdT |  SUSCRÍBETE  A NUESTRO CANAL DE YOUTUBE: |  https://www.youtube.com/@sonido_boom?sub_confirmation=1 |  NUESTRO CANAL PRINCIPAL: |  https://www.youtube.com/abuguet |   Esta semana Ep. 345:  (0:00) - Intro. (1:27) - Nintendo Direct. (14:49) - Virtual Boy en Nintendo Switch Online. (23:48) - Pokemon Pokopia. (33:10) - Hades 2. (41:54) - Hyrule Warriors: Age of Imprisonment. (47:09) - Metroid Prime 4: Beyond. (1:11:21) - Resident Evil Requiem.  ===SPEEDRUN DE NOTICIAS=== (1:19:38) - Vampire The Masquerade Bloodlines 2 se retracta. (1:23:32) - La película de Exit 8 es todo un éxito. (1:24:39) - Splinter Cell vuelve, ¡En forma de fichas! (1:27:42) - Efecto Mandela: La bandera de México. (1:30:43) - Equipo de Hell Is Us tienen qué decir acerca de Silksong. (1:39:05) - Playstation cumple 30 años de su lanzamiento en Norte América. (1:40:03) - Nintendo consigue retroactivamente patentes contra Palworld. (1:46:27) - Valve ya no acepta Early Access con contenido maduro. (1:51:25) - Borderlands 4 es la más reciente víctima de Unreal Engine 5. (1:57:32) - Las ofertas y descuentos de la semana con el Arbano Peps.

No te pierdas el top 5 de datos curiosos en Pa´Arriba con Los Hijos de la mañana

La boca habla de la abundancia del corazón, esos son los frutos que brotan del interior. ¿Has escuchado lo que hablas a los demás desde tu corazón? ¿Son frutos amargos o dulces; frutos de guerra o paz; frutos de violencia o fraternidad? Deja a Cristo fertilizar las extrañas de tu alma y se nutra de su amor que todo transforma #EnLaHoraDelEncuentro

Si te gusta lo que escuchas y quieres apoyar esta empresita, ven a ver el programa en directo de lunes a jueves a las 18:00h en Twitch.tv/chiclanafriends

Hoy vamos a hablar drl tobillo y su importancia en el movimiento y ejecución del pie, vamos a darte la información para comprender el aspecto biológico y psicológico de ésta parte del cuerpo.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum....

Creía que no me iba a gustar… y terminé de pie, aplaudiendo con lágrimas y carcajadas. En este episodio de La Vida es un TEatro te cuento mi experiencia en Teatro Contrarreloj, un espacio íntimo de la CDMX que ofrece obras de 20 minutos cargadas de emoción, crudeza y genialidad.De la ternura devastadora de Halzhaimer, a la brutalidad de Sueños de… ¿amor?, hasta la risa imparable con El síndrome Roxie Hart. Cinco montajes, cinco joyas que me hicieron tragarme mis prejuicios y recordar que el teatro, cuando es honesto, siempre sorprende.

Muchos más recursos para tu vida de fe (Santo Rosario, Oración, etc.) en nuestra web https://sercreyente.com________________Sábado, 13 de septiembre de 2025 (23ª Semana del Tiempo Ordinario)Evangelio del día y reflexión... ¡Deja que la Palabra del Señor transforme tu vida! Texto íntegro del Evangelio y de la Reflexión en https://sercreyente.com/de-lo-que-rebosa-el-corazon-habla-la-boca/[Lucas 6, 43-49] En aquel tiempo, dijo Jesús a sus discípulos: «No hay árbol bueno que dé fruto malo, ni árbol malo que dé fruto bueno; por ello, cada árbol se conoce por su fruto; porque no se recogen higos de las zarzas, ni se vendimian racimos de los espinos. El hombre bueno, de la bondad que atesora en su corazón saca el bien, y el que es malo, de la maldad saca el mal; porque de lo que rebosa el corazón habla la boca. ¿Por qué me llamáis “Señor, Señor”, y no hacéis lo que digo? Todo el que viene a mí, escucha mis palabras y las pone en práctica, os voy a decir a quién se parece: se parece a uno que edificó una casa: cavó, ahondó y puso los cimientos sobre roca; vino una crecida, arremetió el río contra aquella casa, y no pudo derribarla, porque estaba sólidamente construida. El que escucha y no pone en práctica se parece a uno que edificó una casa sobre tierra, sin cimiento; arremetió contra ella el río, y enseguida se derrumbó desplomándose, y fue grande la ruina de aquella casa».________________Descárgate la app de SerCreyente en https://sercreyente.com/app/¿Conoces nuestra Oración Online? Más información en: https://sercreyente.com/oracion¿Quieres recibir cada día el Evangelio en tu whatsapp? Alta en: www.sercreyente.com/whatsappTambién puedes hacer tu donativo en https://sercreyente.com/ayudanos/Contacto: info@sercreyente.com

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=oFf9MVLwiQg ¿Sabías que tu cuerpo comunica todo aquello que tu boca reprime? En este encuentro con Ernesto Díaz, exploramos prácticas intuitivas para leer las señales del cuerpo holístico y reorganizar energías invisibles que generan auto-sanación. Descubre cómo las emociones no expresadas se traducen en síntomas físicos y cómo un abordaje armónico del cuerpo, alma y energía permite liberar bloqueos y activar bienestar interior. ¡Deja de somatizar dolores! Ernesto Díaz Especialista en Medicina Tradicional China, Ayurveda y Biodescodificación. Es también experto en movimiento de geometría sagrada, biodanza y masajes terapéuticos; como el tailandés y otros. https://sanaciontotal.com/ https://www.facebook.com/profile.php?... / sanacion__total Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. ------------INFORMACIÓN SOBRE MINDALIA----------DPM Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

En este episodio conversamos con la reconocida odontóloga Dra. Margarita M. Correa, con más de 35 años de experiencia en odontología general, cosmética y deportiva.

En este episodio de arranque de semana del cuerpo habla lo que la boca calla. Vamos a hablar del canal carpiano y los temas que pueden estar involucrados al respecto.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum.Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL.

En nuestro episodio vamos a hablar de las causas o bloqueos emocionales que llevan al desarrollo de este somático complejo.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum.Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL.

En nuestro episodio del cuerpo habla lo que la boca calla camos a hablar del somático llamado Parkinson y sus conflictos emocionales básicos.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum.Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL.

Polémico show de baile de Matutino regresa. ¿Quienes van a ser los participantes? Se le suelta la boca a Aleks Syntek. Luis Angel el flaco dice que después de la tormenta llega la calma. See omnystudio.com/listener for privacy information.

Hoy en nuestro segmento semanal del cuerpo habla lo que la boca calla vamos a hablar del conflicto central de la Médula Osea. Esperamos sea de tu utilidad.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum. Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL.

El dia de hoy en el cuerpo habla lo que la boca calla, vamos a tratar varios aspectos de la apnea del sueño, así como dejar varias recomendaciones para tomar en cuenta.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum.

ℹ️ ¿Tu perro gruñe o echa la boca cuando tiene algo que considera suyo? Es cariñoso y le amas, pero…te preocupa ese comportamiento. ⚠️ Seguro que has gritado mil veces “¡¡NO HAGAS ESO!!” para corregir ese comportamiento y ¿parece que va a peor? Es normal, esa no es la forma para eliminar la protección de recursos. ➡️ Si tienes este problema y quieres corregirlo, hay una técnica de 3 ejercicios que debes seguir en orden para eliminarlo. ⏰️ Para enseñárselos sólo debes dedicarle 15 min al día y en menos de 3 semanas verás cómo tu perro mejora y cada vez tendrá más ganas de compartir “sus cosas contigo” ;-) 🎯 Antes de invertir 800€ en un adiestramiento presencial comprueba si puedes solucionar este problema por menos de lo que te cuesta tu pizza favorita al mes. ➡️ La clase está en el canal privado de Perrunología y puedes entrar hoy mismo, ver la clase #246 “Protección de recursos” con las pautas paso a paso para poner en práctica y en menos de 3 semanas conseguir que tu perro confíe más en ti y quiera compartirlo todo contigo. Aquí te dejo la web para que puedas acceder: Perrosypunto.com/perrunologia

En éste episodio vanos a describir el sentido biológico de hacer un quiste o cápsula y como este mismo se aplica al ovario, como a otra parte del cuerpo.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL....

La falta de sensibilidad que mostró Nahle al decir que taxista no fue ejecutada por crimen, sino que murió por infarto, le acarreó críticas.

El grupo debe atravesar Florinelle en su camino a Nendilterre para investigar el misterio de los brazos negros, pero se encontrarán con que en la ciudad aún quedan deudas por saldar...Tirando Rol – Un podcast de Dungeons & Dragons en español¿Buscas un podcast de D&D en español? Tirando Rol es un actual play donde jugamos Calabozos y Dragones y otros RPGs, todo en español. Acompáñanos en sesiones llenas de comedia, drama, acción y muchos dados.

Hoy en el cuerpo habla lo que la boca calla vamos a hablar del conflicto biológico de la sangre y esta llamada desvalorización para poder liberte de esas creencias. Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum. Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL.... #tupuedescrearturealidad #fisicacuantica #taniaramón #spotify #centroquantum #podcast #googlepodcasts #quantum #spotifypodcast #amazonmusic #applepodcasts #cuantica #constelacionesfamiliares #Quantum #Desarrollopersonal #taniaramón #CentroQuantum #despertardeconsciencia #conciencia ##inteligenciaemocional #autoestima #AutoestimaElevada #emociones #biodescodificacion

Iglesia Bautista de Santa AnaPastor Ringo Ayalahttp://santaanabaptist.orgContactenos en: info@santaanabaptist.orgRecursos: https://payhip.com/ContendiendoPorlaFe

Vivió hace más de dieciséis siglos, pero sus más de 600 sermones siguen siendo material de estudio, ejemplo y reflexión para quienes estudian homilética y comparten la Palabra de Dios.SÍGUENOSSitio web: http://biteproject.com​​​x: https://twitter.com/biteproject​​​Podcast: https://anchor.fm/biteprojectTikTok: https://www.tiktok.com/@biteprojectInstagram: https://www.instagram.com/biteproject/Facebook: https://www.facebook.com/biteproject/​​​Créditos:Producido por: Giovanny Gómez Pérez y Pilar PrietoMúsica: Envato Elements.Generación de voces: Daniel Ángel.Edición de sonido y música: Jhon Montaña.

El día de hoy vamos a hablar de las enfermedades venereas en general para que puedas ampliar tu información al respecto de este tema. Déjanos tus comentarios y siguenos en Instagram quantum_gdl y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum. Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL.... #tupuedescrearturealidad #fisicacuantica #taniaramón #spotify #centroquantum #podcast #googlepodcasts #quantum #spotifypodcast #amazonmusic #applepodcasts #cuantica #constelacionesfamiliares #Quantum #Desarrollopersonal #taniaramón #CentroQuantum #despertardeconsciencia #conciencia #biodescodificacion #bio

El día de hoy en nuestro episodio semanal vamos a hablar dr la infección de la sangre así como los conflictos detras del somático.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum.Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL.

Hoy en nuestro episodio del cuerpo habla lo que la boca calla vamos a hablar sobre el conflicto emocional de la artrosis de cuello y las causas de sostener este somático.Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum.

En nuestro episodio semanal del cuerpo habla lo que la boca calla vamos a hablar del conflicto de infertilidad que se genera en los ciclos que no tienen óvulos. Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum.Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL.

En éste episodio vamos a observar la conflictiva más importante de la espondilitis anquilosante, así como las sugerencias emocionales.Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum Ahora en Patreon con audios subliminales para Reprogramación R3PR0 5D HACK3O M3NTAL.

Hoy tenemos en nuestro lunes del cuerpo habla lo que la boca calla la temática de las mamas y los conflictos emocionales qué están detrás de ellos. Déjanos tus comentarios y siguenos en Instagram quantum_gdl y Telegram en nuestro canal Centro Quantum.... #tupuedescrearturealidad #fisicacuantica #taniaramón #spotify #centroquantum #podcast #googlepodcasts #quantum #spotifypodcast #amazonmusic #applepodcasts #cuantica #constelacionesfamiliares #Quantum #Desarrollopersonal #taniaramón #CentroQuantum #despertardeconsciencia

Envíame un mensajeEl Obispo Forte Dice que la recepción en la lengua comenzó en la Edad Media porque la gente tenía las manos sucias, pero que ahora somos mucho más higiénicos y, por ello, deberíamos recibir en la mano. También dices que los laicos de hoy ya no son niños para recibira Jesus como niños. Luis Román le contesta al Obispo. No te lo pierdas.Support the show YouTube Facebook Telegram Instagram Tik Tok Twitter