Podcast appearances and mentions of Marie Darrieussecq

Contemporary French and Francophone Futuristic Novels: The Longing to be Written and Its Refusal (Palgrave Macmillan, 2022) sheds a new light on the metafictional aspects of futuristic and science fiction novels, at the crossroads of information and media studies, possible worlds theories applied to cognitive narratology, questions related to the criticism of post-humanity, and, more broadly, contemporary French and Francophone literature. It examines the fictional minds of characters and their conceptions of resistance to the anticipated worlds they inhabit, particularly in novels by Pierre Bordage, Marie Darrieussecq, Michel Houellebecq, Amin Maalouf, Jean-Christophe Rufin, Antoine Volodine, and Élisabeth Vonarburg. It also explores how corporal postures serve as a matrix for philosophical quests in novels by Amélie Nothomb, Alain Damasio, and Romain Lucazeau. More specifically, from the fictional readers' points of view, it provides a critical approach to the mythologies of writing, in the wake of the French philosophical tales by authors including Cyrano de Bergerac and Voltaire, to question the traditionally expressed formulations of the mythologies of writing, that is, of the metaphors of the book (the book of life, nature, and the world), to rethink the idea of a humanity within its limits. Guest Emmanuel Buzay is currently working as an international technical expert for the Modern Language Association and the French Embassy in the US, having previously held appointments at UMass Amherst and the University of Connecticut. In addition to this monograph, he has published book chapters on topics from Frankenstein to Michel Houellebecq, and his articles have appeared in Nouvelles Études Francophones, Res Futurae, and Contemporary French and Francophone Studies. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Contemporary French and Francophone Futuristic Novels: The Longing to be Written and Its Refusal (Palgrave Macmillan, 2022) sheds a new light on the metafictional aspects of futuristic and science fiction novels, at the crossroads of information and media studies, possible worlds theories applied to cognitive narratology, questions related to the criticism of post-humanity, and, more broadly, contemporary French and Francophone literature. It examines the fictional minds of characters and their conceptions of resistance to the anticipated worlds they inhabit, particularly in novels by Pierre Bordage, Marie Darrieussecq, Michel Houellebecq, Amin Maalouf, Jean-Christophe Rufin, Antoine Volodine, and Élisabeth Vonarburg. It also explores how corporal postures serve as a matrix for philosophical quests in novels by Amélie Nothomb, Alain Damasio, and Romain Lucazeau. More specifically, from the fictional readers' points of view, it provides a critical approach to the mythologies of writing, in the wake of the French philosophical tales by authors including Cyrano de Bergerac and Voltaire, to question the traditionally expressed formulations of the mythologies of writing, that is, of the metaphors of the book (the book of life, nature, and the world), to rethink the idea of a humanity within its limits. Guest Emmanuel Buzay is currently working as an international technical expert for the Modern Language Association and the French Embassy in the US, having previously held appointments at UMass Amherst and the University of Connecticut. In addition to this monograph, he has published book chapters on topics from Frankenstein to Michel Houellebecq, and his articles have appeared in Nouvelles Études Francophones, Res Futurae, and Contemporary French and Francophone Studies. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Contemporary French and Francophone Futuristic Novels: The Longing to be Written and Its Refusal (Palgrave Macmillan, 2022) sheds a new light on the metafictional aspects of futuristic and science fiction novels, at the crossroads of information and media studies, possible worlds theories applied to cognitive narratology, questions related to the criticism of post-humanity, and, more broadly, contemporary French and Francophone literature. It examines the fictional minds of characters and their conceptions of resistance to the anticipated worlds they inhabit, particularly in novels by Pierre Bordage, Marie Darrieussecq, Michel Houellebecq, Amin Maalouf, Jean-Christophe Rufin, Antoine Volodine, and Élisabeth Vonarburg. It also explores how corporal postures serve as a matrix for philosophical quests in novels by Amélie Nothomb, Alain Damasio, and Romain Lucazeau. More specifically, from the fictional readers' points of view, it provides a critical approach to the mythologies of writing, in the wake of the French philosophical tales by authors including Cyrano de Bergerac and Voltaire, to question the traditionally expressed formulations of the mythologies of writing, that is, of the metaphors of the book (the book of life, nature, and the world), to rethink the idea of a humanity within its limits. Guest Emmanuel Buzay is currently working as an international technical expert for the Modern Language Association and the French Embassy in the US, having previously held appointments at UMass Amherst and the University of Connecticut. In addition to this monograph, he has published book chapters on topics from Frankenstein to Michel Houellebecq, and his articles have appeared in Nouvelles Études Francophones, Res Futurae, and Contemporary French and Francophone Studies. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Contemporary French and Francophone Futuristic Novels: The Longing to be Written and Its Refusal (Palgrave Macmillan, 2022) sheds a new light on the metafictional aspects of futuristic and science fiction novels, at the crossroads of information and media studies, possible worlds theories applied to cognitive narratology, questions related to the criticism of post-humanity, and, more broadly, contemporary French and Francophone literature. It examines the fictional minds of characters and their conceptions of resistance to the anticipated worlds they inhabit, particularly in novels by Pierre Bordage, Marie Darrieussecq, Michel Houellebecq, Amin Maalouf, Jean-Christophe Rufin, Antoine Volodine, and Élisabeth Vonarburg. It also explores how corporal postures serve as a matrix for philosophical quests in novels by Amélie Nothomb, Alain Damasio, and Romain Lucazeau. More specifically, from the fictional readers' points of view, it provides a critical approach to the mythologies of writing, in the wake of the French philosophical tales by authors including Cyrano de Bergerac and Voltaire, to question the traditionally expressed formulations of the mythologies of writing, that is, of the metaphors of the book (the book of life, nature, and the world), to rethink the idea of a humanity within its limits. Guest Emmanuel Buzay is currently working as an international technical expert for the Modern Language Association and the French Embassy in the US, having previously held appointments at UMass Amherst and the University of Connecticut. In addition to this monograph, he has published book chapters on topics from Frankenstein to Michel Houellebecq, and his articles have appeared in Nouvelles Études Francophones, Res Futurae, and Contemporary French and Francophone Studies. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emmanuel Carrère è tornato a parlare dei fatti suoi: il suo nuovo libro, Kolchoz (Adelphi), racconta la storia della sua famiglia e in particolare quella di sua madre, Hélène Carrère d'Encausse, che è morta nel 2023 e in Francia era un personaggio pubblico importante. Giulia Pilotti ne parla in questa puntata, mentre Ludovica Lugli si dedica a Dignità di Lea Ypi (Feltrinelli), la filosofa e intellettuale albanese già autrice di Libera: in questo nuovo romanzo filosofico ha re-immaginato la vita di sua nonna, tra la Salonicco del 1918 e l'Albania di Enver Hoxha. Nella puntata sono menzionati questa critica spiritosa degli autografi di scrittrici e scrittori di Ludovica Lugli, Cuor contento il ciel l'aiuta di David Sedaris, e i libri di Carrère Limonov, L'avversario, Yoga, La vita come un romanzo russo, Vite che non sono la mia e Il regno. Questo e gli altri podcast gratuiti del Post sono possibili grazie a chi si abbona al Post e ne sostiene il lavoro. Se vuoi fare la tua parte, ⁠⁠⁠abbonati al Post. Leggi o ascolta anche:-Limonov-Un problema con Yoga, di Emmanuel Carrère-la recensione di Kolchoz di Marie Darrieussecq sul Times Literary Supplement (in inglese e con paywall)-una puntata del podcast Past Present Future sul concetto di dignità in filosofia con Lea Ypi (in inglese) Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:28:48 - Une histoire particulière - par : Nicolas Lévy-Beff - Si Paul Kern arrive à vivre sans dormir, des scientifiques imaginent alors qu'il serait possible de supprimer le sommeil à toute l'humanité ! Rapidement des voix s'élèvent contre cette idée ! Elle serait une perspective terrible pour l'être humain. - réalisation : Yvon Croizier - invités : Marie Darrieussecq Écrivaine; Antoine Pelissolo Médecin psychiatre, chef du service de psychiatrie à l'hôpital Henri-Mondor à Créteil; Jean-Yves Le Naour Historien, spécialiste de la Première Guerre mondiale, scénariste de bandes dessinées et de films documentaires

durée : 00:28:48 - Une histoire particulière - par : Nicolas Lévy-Beff - Si Paul Kern arrive à vivre sans dormir, des scientifiques imaginent alors qu'il serait possible de supprimer le sommeil à toute l'humanité ! Rapidement des voix s'élèvent contre cette idée ! Elle serait une perspective terrible pour l'être humain. - réalisation : Yvon Croizier - invités : Marie Darrieussecq Écrivaine; Antoine Pelissolo Médecin psychiatre, chef du service de psychiatrie à l'hôpital Henri-Mondor à Créteil; Jean-Yves Le Naour Historien, spécialiste de la Première Guerre mondiale, scénariste de bandes dessinées et de films documentaires

durée : 00:29:16 - Les Pieds sur terre - par : Sonia Kronlund, Adila Bennedjaï-Zou - Durant ses trois années de lycée, pendant les années 1980, Marie Darrieussecq a enregistré ses pensées sur cassettes audio. - réalisation : Clémence Gross - invités : Marie Darrieussecq Écrivaine

durée : 00:29:16 - Les Pieds sur terre - par : Sonia Kronlund, Adila Bennedjaï-Zou - Durant ses trois années de lycée, pendant les années 1980, Marie Darrieussecq a enregistré ses pensées sur cassettes audio. - réalisation : Clémence Gross - invités : Marie Darrieussecq Écrivaine

Sofia Tincani"Povera pazza"Perché in fondo le storie d'amore servono solo a guarire dall'infanziaChloé DelaumeMincione Edizioniwww.mincionedizioni.comTraduzione di "Povera pazza" a cura di Sofia TincaniDurante un viaggio in treno da Parigi a Heidelberg, Clotilde Mélisse, una scrittrice che ha l'abitudine di trasformare i suoi episodi e cicli esistenziali in libri, racconta un'intensa storia d'amore avuta con Guillaume, un uomo gay conosciuto durante una residenza a Villa Medici e che è tornato dopo dieci anni a turbare il suo equilibrio. Clotilde si chiede se è lei ad essere manipolata da un uomo o, al contrario, è lei che si comporta come un uomo, imponendo il suo desiderio. L'autrice, attraverso il suo alter ego, ci racconta la sua vita: la scoperta di poesie nella biblioteca di famiglia, il padre che uccise la madre davanti a lei prima di rivolgere la pistola contro di sé (la pietra miliare delle sue "memorie fondanti"), il lavoro come prostituta, la malattia mentale, le sue ossessioni e le sue relazioni amorose. Un'introspezione veloce e tragicomica. L'autrice Chloé Delaume, nata a Versailles il 10 marzo 1973, è una scrittrice francese. La sua opera letteraria, per lo più autobiografica, si concentra sulla letteratura sperimentale, sul femminismo e sull'autofiction.Così comincia il romanzo:La fine del mondo non ha per niente la forma prevista. Dal vetro appannato, Clotilde osserva la neve ammantare aprile; il treno attraversa foreste morte e prati avvelenati da torrenti fangosi. Guarda lo sfondo sfaldarsi lentamente; l'epoca in cui si trova si chiama Troppo tardi, lo sanno tutti, quindi per forza di cose si chiede come facciano tutte quelle bocche a pronunciare ancora seriamente la parola Futuro. Il vento urta la carrozza trascinando acqua sporca; i fiocchi sono grigi come le ceneri estive che cospargono le piscine mentre le persone ci nuotano dentro, circondate da incendi. Così, come tutti, Clotilde attraversa la prova: è difficile ammettere che vive e vivrà solo con l'ottica di aver superato una soglia, nell'incavo di uno strappo, e che la seconda parte della sua vita coincide col periodo della fine del mondo.Chloé Delaume, nata a Versailles il 10 marzo 1973, è una scrittrice francese. La sua opera letteraria, per lo più autobiografica, si concentra sulla letteratura sperimentale, sul femminismo e sull'autofiction. Per la Mincione Edizioni ha pubblicato "Povera pazza".Sofia Tincani, ha studiato lingue e letterature all'Università di Bologna e all'Université Paris Nanterre. Ha pubblicato articoli su diverse riviste accademiche come RIEF - Revue italienne d'études françaises. Per Crocetti Editore ha tradotto Essere qui è uno splendore di Marie Darrieussecq. Per la Mincione Edizioni ha tradotto "Povera pazza".IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

durée : 00:27:55 - Les Pieds sur terre - par : Sonia Kronlund, Adila Bennedjaï-Zou - Durant ses trois années de lycée, pendant les années 1980, Marie Darrieussecq a enregistré ses pensées sur cassettes audio. - réalisation : Clémence Gross - invités : Marie Darrieussecq Écrivaine

durée : 00:03:20 - Le Regard culturel - par : Lucile Commeaux - Paraît, chez Gallimard et dans une traduction de Marie Darrieussecq, le premier roman de Sheena Patel, le récit d'une jeune londonienne obsédée par un homme et une de ses maîtresses, une influenceuse qui concentre toute sa frustration. Un livre à la fois pétri de son époque, mais qui l'excède.

durée : 00:04:17 - C'est une chanson - par : Frédéric Pommier - A l'occasion des fêtes de fin d'année, nous dédions cette semaine aux chansons des années 80. Nous réécoutons aujourd'hui l'interview que Frédéric Pommier avait réalisée en 2021 avec la romancière Marie Darrieussecq, qui évoque ici l'importance qu'a eu pour elle "Cherchez le garçon" de Taxi Girl.

durée : 00:02:26 - Les 80'' - par : Nicolas Demorand - Ali Baddou nous parle aujourd'hui du dernier Philosophie Magazine dont le dossier “Que puis-je savoir de l'autre ?” contient un dialogue entre Charles Pépin et Marie Darrieussecq.

Date With A Debut is a podcast hosted by writer Nick Wasiliev: shining a light on debut authors, their incredible books, and their journeys to publication. For the twentieth episode of series two, Nick sits down with Lauren Crozier, author of The Best Witch in Paris. They discuss the book, winning the Text Prize, creating magical worlds in real life locations, the importance of belonging and self-discovery, and more. BOOKS: Debut Feature: The Best Witch in Paris by Lauren Crozier: https://booktopia.kh4ffx.net/POjRoY Other Books Mentioned: The Hearing Trumpet by Leonora Carrington: https://booktopia.kh4ffx.net/VxaAn3 Pig Tales by Marie Darrieussecq: https://bit.ly/4fvgvyk I Capture the Castle by Dodie Smith: https://booktopia.kh4ffx.net/Dy0OYn PRODUCTION NOTES: Host: Nick Wasiliev Guest: Lauren Crozier Editing & Production: Nick Wasiliev Podcast Theme: ‘Chill' by Sakura Hz Production Code: 2:20 Episode Number: #33 Additional Credits: Dani Vee (Words & Nerds), Maddy Corbel (The Text Publishing Company) © 2024 Nick Wasiliev and Breathe Art Holdings ‘Date With A Debut' is a Words and Nerds and Breathe Art Podcasts co-production recorded and edited on Awabakal Country, and we pay our respects to all elders past and present.

Guest Marie Darrieussecq, author of more than 20 novels, discusses two of her non-fiction books Sleepless: A Memoir of Insomnia and Being Here is Everything: The Life of Paula Modersohn-Becker. She reads an excerpt of Rainier Maria Rilke's “Requiem for a Friend.” Recitation begins at 28:31.

durée : 01:58:32 - Les Matins du samedi - par : Nicolas Herbeaux - Cette semaine dans Les Matins du Samedi, nous nous intéresserons aux bienfaits des microbes, à une anthropologie des fantômes et des zombis, et à la nouvelle traduction du célèbre conte Alice aux Pays des Merveilles par Marie Darrieussecq. - réalisation : Jean-Christophe Francis - invités : Marie-Monique Robin Journaliste d'investigation, réalisatrice et écrivain; Grégory Delaplace Anthropologue, maître de conférence à l'université Paris-Ouest; Philippe Charlier Médecin, archéologue et anthropologue; Marie Darrieussecq Écrivaine

durée : 00:17:57 - France Culture va plus loin le samedi - par : Nicolas Herbeaux, Pauline Chanu - Nicolas Herbeaux reçoit l'écrivaine et traductrice Marie Darrieussecq pour sa traduction inédite du classique de Lewis Carroll : "Alice au pays des merveilles". - réalisation : Jean-Christophe Francis - invités : Marie Darrieussecq Écrivaine

durée : 00:28:47 - Les Pieds sur terre - par : Sonia Kronlund - Christian s'est fait braquer son camion chargé de parfums de luxe. Bernard est arrêté à Calais alors qu'une famille afghane est cachée à l'arrière de son poids lourd. Michel raconte son premier voyage en Allemagne de l'Est, à l'époque du Mur de Berlin. Trois récits de chauffeurs routiers.

durée : 00:28:47 - Les Pieds sur terre - par : Sonia Kronlund - Christian s'est fait braquer son camion chargé de parfums de luxe. Bernard est arrêté à Calais alors qu'une famille afghane est cachée à l'arrière de son poids lourd. Michel raconte son premier voyage en Allemagne de l'Est, à l'époque du Mur de Berlin. Trois récits de chauffeurs routiers.

durée : 00:28:04 - Les Pieds sur terre - par : Sonia Kronlund - Alors qu'elle a elle-même été victime d'un viol en réunion quelques années auparavant, arrivée dans son nouveau lycée, Maël se trouve prise à partie par un petit groupe d'ami·e·s qui accusent un de leurs camarades d'être un violeur.

durée : 00:28:04 - Les Pieds sur terre - par : Sonia Kronlund - Alors qu'elle a elle-même été victime d'un viol en réunion quelques années auparavant, arrivée dans son nouveau lycée, Maël se trouve prise à partie par un petit groupe d'ami·e·s qui accusent un de leurs camarades d'être un violeur.

durée : 00:28:21 - Les Pieds sur terre - par : Sonia Kronlund - Mathilde et Adèle se sont engagées, mais ont fini par craquer. Coût émotionnel de la lutte, violence, fatalisme, solitude, frénésie de l'urgence, divergences au sein des cercles militants : elles se confient au micro de Timothée de Rauglaudre.

durée : 00:27:30 - Les Pieds sur terre - par : Sonia Kronlund - C'est devenu une façon de s'exprimer, de dire sa colère, une vengeance fumante et pas très symbolique. Florian Bottin en a eu l'idée lorsqu'il a découvert qu'on volait des légumes de sa parcelle. L'histoire d'un petit tas de fumier, par Pauline Maucort.

durée : 00:28:25 - Les Pieds sur terre - par : Sonia Kronlund - Sandrine loue une chambre de sa maison depuis août 2020. Sa vie tourne au cauchemar quand sa nouvelle locataire décide de ne plus payer le loyer. Chantal, elle, est multipropriétaire d'appartements en Belgique. Elle doit alors veiller sur les jeunes locataires, mais aussi savoir imposer ses règles.

durée : 00:30:05 - Les Pieds sur terre - par : Sonia Kronlund - Marius, 21 ans, diffuse tous ses chasses sur sa chaîne YouTube, suivie par 50 000 personnes. Sonia, 25 ans participe à des actions anti-chasse près de chez elle. Grégoire habite dans les Landes et depuis 10 ans a décidé d'arrêter de chasser et de troquer son fusil contre un appareil photo.

durée : 00:29:17 - Les Pieds sur terre - par : Sonia Kronlund - Nathalie a grandi dans une famille bourgeoise. Elle a travaillé pour de prestigieuses maisons de couture et de design avant de se mettre à son compte. Mais suite à une erreur d'orientation quant à la forme juridique de son activité, elle fait face à de graves problèmes financiers.

Fuhrig, Dirk www.deutschlandfunkkultur.de, Lesart

Fuhrig, Dirk www.deutschlandfunkkultur.de, Lesart

Walsprache, Kaltwasserschwimmen, Windstärke und Moby Dick - zum Tag der Ozeane gibt es eine volle Ladung Meeresbücher. Jan und Katharina waren mit dem Podcast im Ozeaneum Stralsund zu Gast - im beeindruckenden Saal der Meeresriesen, direkt unter einem - nein, keinem Oktopus, aber fast: einem Riesenkalmar. Zu Gast ist Kuratorin Dorit Liebers, die unter anderem verrät, warum die Möwen nur den Touristen die Brötchen klauen. Und falls "Moby Dick" immer noch auf eurer "müsste ich lesen, aber …"-Liste steht, gibt es in dieser Folge einen Motivationsschub! Alle Infos zum Podcast: https://ndr.de/eatreadsleep Mail gern an: eatreadsleep@ndr.de Alle Lesekreise: https://ndr.de/eatreadsleep-lesekreise Unseren Newsletter gibt es hier: https://ndr.de/eatreadsleep-newsletter @eat.read.sleep_and_friends – der eat.READ.sleep.-Fanclub auf Instagram: https://www.instagram.com/eat.read.sleep_and_friends/ Podcast-Tipp: Zwischen Hamburg und Haiti https://1.ard.de/ZwischenHamburgUndHaiti?=cp Die Bücher der Folge (00:01:56) Tom Mustill: "Die Sprache der Wale", übersetzt von Christel Dormagen (Rowohlt) (00:03:32) Coinneach MacLeod: "The Hebridean Baker", übersetzt von Susanne Kammerer (btb) (00:09:04) Caroline Wahl: "Windstärke 17" (Dumont) (00:18:41) Gregor Hens: "Die eigentümliche Vorliebe für das Meer" (Aufbau Verlag) (00:22:38) Josie Lloyd: "Der Brighton-Schwimmclub", übersetzt von Brigitte Heinrich (Insel TB) (00:29:38) Marie Darrieussecq: "Das Meer von unten", übersetzt von Patricia Klobusiczky (Secession Verlag) (00:35:18) Hannah Gold: "Der verschwundene Wal", übersetzt von Sylke Hachmeister (Von Hacht) (00:42:28) Holger Teschke: "Möwen" (Matthes & Seitz) (00:51:20) Herman Melville: "Moby Dick" (diverse Ausgaben) (00:56:54) Jouvray & Alary: "Moby Dick", Graphic Novel (Splitter) (00:57:53) Moby Dick - das Quiz (Coppenrath) Bestseller für die nächste Folge: "25 letzte Sommer" von Stefan Schäfer Das Rezept für Hafer-Schoko-Kekse von den Hebriden gibt es hier: http://www.ndr.de/kultur/buch/eatREADsleep-114-Hebriden-Kekse-und-Meeresrauschen,eatreadsleep876.html Link zur Folge mit Caroline Wahl: https://www.ardaudiothek.de/episode/eat-read-sleep-buecher-fuer-dich/88-pestoschnecken-mit-caroline-wahl/ndr-kultur/12706423/ eat.READ.sleep. ist der Bücherpodcast, der das Lesen feiert. Jan Ehlert, Daniel Kaiser und Katharina Mahrenholtz diskutieren über Bestseller, stellen aktuelle Romane vor und präsentieren die All Time Favorites der Community. Egal ob Krimis, Klassiker, Fantasy, Science Fiction, Kinder- und Jugendbücher, Urlaubsbücher, Gesellschafts- und Familienromane - hier hat jedes Buch seinen Platz. Und auch kulinarisch (literarische Vorspeise!) wird etwas geboten und beim Quiz am Ende können alle ihr Buch-Wissen testen und Fun Facts für den nächsten Smalltalk mitnehmen.

Listen to author and critic Erica Wagner in conversation with Sheena Patel, writer of “I'm a Fan”, her first novel published by Rough Trade Books in 2022, and soon to be published in French by Gallimard. In her novel, Sheena Patel explores the blurred lines between reality and the online world through the involvement of an unnamed female character in an unequal romantic relationship. Through this conversation with Erica Wagner, Sheena Patel talks about her desire to capture the spirit of her time. They also evoke “Four Brown Girls Who Write”, a collective of women writers created with her friends to support each other in their writing processes.As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.Sheena Patel, I'm a fan, © Sheena Patel, 2022. Cover © Granta Books, 2023.© Rough Trade Books.Women Who Run with the Wolves by Clarissa Pinkola Estes, Ph.D., published byBallantine Books, copyright © 1992, 1955 by Clarissa Pinkola Estes, Ph.D.Minor Feelings : An Asian American Reckoning by Cathy Park Hong, Random House, 2020.Martine Syms, Shame Space, 2020. © Martine Syms. Published by Primary Information.Martine Syms, The African Desperate, © Dominica Publishing, 2022Maggie Nelson, Bluets, © Copyright 2009 by Maggie Nelson, Wave Books, 2009The Argonauts © 2015 by Maggie Nelson. First published by Graywolf Press, Minneapolis.© Guardian News & Media Ltd 2024.Kathy Acker, Blood and Guts in High School, © Grove Press, 1984.Celia Dale, A Spring of Love, © Daunt Books, 2024.© The British Book Awards.© The Women's Prize.© Swansea University Dylan Thomas Prize.© Jhalak Prize.© Foyles. All Rights Reserved.© Los Angeles Times. All Rights Reserved.Sheena Patel, I'm a fan, Translated into French by French novelist and translator Marie Darrieussecq, © Éditions Gallimard, 2025.Juan Carlos Medina, The Limehouse Golem, ©New Sparta Films, 2016.Roshni Goyate, Sharan Hunjan, Sunnah Khan, Sheena Patel, 4 BROWN GIRLS WHO WRITE, © Rough Trade Books, 2020.© 4 BROWN GIRLS WHO WRITE

Kicking off 2024 we welcome Tara Cheesman to the podcast with her recommendation, Being Here Is Everything: The Life and Times of Paula Modersohn-Becker by Marie Darriussecq, translated by Penny Hueston. Tara is a freelance critic, former judge of the Best Translated Book Award, and she brings us our first work of nonfiction. We have an absolutely fascinating conversation on art, motherhood, representations of women, and a lot more. And recommend a small syllabus of titles to dig into.Titles/authors mentioned:Imperium by Christian Kracht, translated by Daniel BowlesNathalie Léger: Suite for Barbara Loden, Exposition, The White DressÉric Plamondon: Apple S and MayonnaiseJean Echenoz's biographical novels: Running, Lightning, RavelSharks, Death, Surfers by Melissa McCarthyKate Zambreno: Book of Mutter and To Write As If Already DeadMargaret the First by Danielle DuttonJazmina Barrera: On Lighthouses and Linea NigraGeorges Perec: Ellis Island, I Remember, An Attempt at Exhausting a Place in ParisTo hear more from Tara follow her on Instagram: @taracheesman or subscribe (and you should!) to her Substack: Ex Libris.Click here to subscribe to our Substack and find us on the socials: @lostinredonda just about everywhere.Music: “The Low Spark of High-Heeled Boys” by TrafficLogo design: Flynn Kidz Designs

durée : 00:50:31 - Grand Canal - par : Eva Bester - L'autrice Marie Darrieussecq nous présente "Fabriquer une femme", son dernier roman paru chez POL. Les adolescentes de 15 ans Rose et Solange sont deux amies. A l'aube de leur vie d'adulte, elles s'éloignent l'une de l'autre mais toutes deux désirent, doutent et dérivent sur une bande-son années 80.

durée : 00:46:54 - Le masque et la plume - par : Rebecca Manzoni - Les critiques littéraires du Masque et la Plume ont lu "Fabriquer une femme" de Marie Darrieussecq, "Un soir d'été" de Philippe Besson, "Les Détails" de Ia Genberg et "Fantastique histoire d'amour" de Sophie Divry. Méritent-ils de rejoindre votre bibliothèque ? - invités : Nelly KAPRIELIAN, Elisabeth Philippe, Arnaud Viviant, Laurent CHALUMEAU - Nelly Kaprielian : Journaliste et critique littéraire chez Les Inrocks, Elisabeth Philippe : Critique littéraire (L'Obs), Arnaud Viviant : Critique littéraire chez Transfuge et Regard, Laurent Chalumeau : Journaliste rock, scénariste, dialoguiste, romancier - réalisé par : Lilian ALLEAUME

durée : 00:53:59 - Le grand atelier - par : Vincent Josse - Sans littérature, sans l'écriture, dit-elle, Marie Darrieussecq serait morte. Dans son dernier roman, elle observe le passage adulte de deux de ses anciens personnages, qui deviennent femmes. Son invitée est Juliette Armanet, qui porte haut le féminisme dans ses textes.

Cette semaine, La Grande Librairie interroge le sens nos vies. Que veut dire réussir sa vie, aujourd'hui ? À l'heure où l'on recherche à tout prix le succès, la performance ou même le bonheur ? Avec malice, et non sans érudition, cinq écrivains se penchent sur la question : Christophe André, David Foenkinos, Marie Darrieussecq, Claro et Raphaëlle Red.

Et comment révèle-t-elle le jeune acteur Felix Cameron dans le rôle principal ? Avec quel guitariste de renom Liam Gallagher s'est-il associé pour son nouvel album ? Quelle réalité macabre explore la série polonaise « Detective Forst » ? Quelle chanteuse française a créé une reprise toute personnelle de « Beautiful Life » de Black ? Quelles musiciennes sont derrière le groupe Sleater-Kinney ? Quel portrait propose le film « Clèves », adapté d'un roman de Marie Darrieussecq ? Quel nouveau single vient de sortir la chanteuse américaine Chappell Roan ? Toutes les réponses à ces questions sont dans « La semaine des 5 heures » de ce mercredi 17 janvier Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

durée : 00:03:29 - Le Regard culturel - par : Lucile Commeaux - Le dernier livre de Marie Darrieussecq, qui paraît aujourd'hui chez POL, saisit en un geste romanesque intense la vie de deux femmes nées en France dans les années soixante-dix. Un exercice de synthèse qui est aussi une forme de convergence en littérature d'enjeux intimes et sociaux.

Célèbre pour son roman "Mrs Dalloway", mais aussi son essai "Une chambre à soi", elle est souvent présentée comme une figure de proue de l'émancipation féminine. Mais Virginia Woolf est une femme bien souvent enfermée dans sa légende : celle d'une icône féministe, dominée par la folie et hantée par la mort, qui finit par se suicider à cinquante-neuf ans. Tout au long de sa vie, elle n'a cessé d'écrire, en témoignent ses ouvrages avant-gardistes qui résonnent aujourd'hui et se révèlent d'une grande modernité. Ce documentaire s'appuie sur des rencontres avec les grands lecteurs de l'œuvre de Virginia Woolf : Agnès Desarthe, Marie Darrieussecq, Simonetta Greggio, Geneviève Fraisse, Maxime Rovere, Tatiana de Rosnay. Nous vous proposons de découvrir la vie et l'œuvre de Virginia Woolf à travers une narration portée par la voix de François Busnel et d'Elsa Lepoivre de la Comédie Française.

This week, Adam was joined in the writer's studio by Marie Darrieussecq, whose latest book Sleepless (translated by Penny Hueston and published by Fitzcarraldo) is one writer's attempt to describe, understand, and perhaps overcome her insomnia. The passages in Sleepless that take us into the mind of the insomniac are somewhat like the experience of insomnia itself— at times fragmented and hynopgogic, at others dazzlingly alert and perceptive—while those that investigate the potential cures are captivating in their detail, description and weirdness. For those whose lives have never been blighted by insomnia, Sleepless will be a fascinating insight into this strangest and most psychologically traumatic of conditions, while those who have suffered it will find in these pages solidarity and solace.Buy Sleepless: https://www.shakespeareandcompany.com/books/sleepless-5Marie Darrieussecq was born in Bayonne in 1969 and is recognized as one of the leading voices of contemporary French literature. Her first novel, Pig Tales, was translated into thirty-five languages. She has written more than twenty books. Text has published Tom Is Dead, All the Way, Men, Being Here: The Life of Paula Modersohn-Becker, Our Life in the Forest, The Baby and Crossed Lines. In 2013 Marie Darrieussecq was awarded the Prix Médicis and the Prix des Prix for her novel Men. She has written art criticism and journalism for a number of publications, including Libération and Charlie Hebdo, and is also a translator from English and has practised as a psychoanalyst. She lives in Paris.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Anna and Annie discuss a recent study on reading to young children. We wrap up Women in Translation month.  The books we read (or Annie did at least!) and recommend are: Slime: A Natural History by Susanne Wedlich translated by Ayca Turkoglu Heaven by Mieko Kawakami translated by Sam Bett and David Boyd What You're Looking For Is In The Library by Michiko Aoyama translated by Alison Watts Collected Works by Lydia Sandgren translated by Agnes Broomé My Devotion by Julia Kerninon translated by Alison Anderson Sleepless by Marie Darrieussecq translated by Penny Hueston   Coming up: Chai Time in the Cinnamon Gardens and Wifedom   Follow us! Email: booksonthegopodcast@gmail.com Facebook: Books On The Go Instragram: @abailliekaras and @mr_annie   Credits Artwork: Sascha Wilkosz    

Join our hosts Rebecca, Frances, and Dorian as they discuss MRS. S by K Patrick, and chat about their current reading. For our next episode, we will discuss MAP: COLLECTED AND LAST POEMS by Wislawa Szymborska, translated from the Polish by Clare Cavanagh and Stanislaw Baranczak. We would love to have you read along with us, and join us for our conversation coming to you in September. We have had to reschedule this chat a few times, but we really think that we can deliver this time. Want to support the show? Visit us at Bookshop.org or click on the links below and buy some books! Books mentioned: Mrs. S by K. Patrick Bear by Marian Engel A Month in the Country by J. L. Carr Blood Wedding and Other Plays by Federico García Lorca Loving by Henry Green Bartleby the Scrivener by Herman Melville The steamy novels of Alberto Moravia Kairos by Jenny Erpenbeck, translated from the German by Michael Hoffman Out of the Sugar Factory by Dorothee Elmiger, translated from the Swiss German by Megan Ewing April in Spain by John Banville Book of Mutter by Kate Zambreno Sleepless by Marie Darrieussecq, translated from the French by Penny Hueston Being Here is Everything by Marie Darrieussecq, translated from the French by Penny Hueston Children of Earth and Sky by Guy Gavriel Kay All the Seas of the World by Guy Gavriel Kay A Brightness Long Ago by Guy Gavriel Kay Bad Cree by Jessica Johns Map: Collected and Last Poems by Wislawa Szymborska, translated from the Polish by Clare Cavanagh and Stanislaw Baranczak Also mentioned in the podcast… Dorothee Elmiger and Kate Zambreno in conversation – “A Meditation on Being a Daughter.” https://vimeo.com/819544960 Visit us online at onebrightbook.com. Browse our bookshelves at Bookshop.org. Comments? Write us at onebrightmail at gmail Find us on Twitter at @pod_bright Frances: @nonsuchbook Dorian: @ds228 Rebecca: @ofbooksandbikes Dorian's blog: https://eigermonchjungfrau.blog/ Rebecca's newsletter: https://readingindie.substack.com/ Our theme music was composed and performed by Owen Maitzen. You can find more of his music here: https://soundcloud.com/omaitzen.

Shortly after the birth of her first child in 2001 French writer Marie Darrieussecq developed insomnia, and she's not been able to get a good night's sleep since. She's spent some of her many waking hours writing a memoir dedicated to insomnia. Sleepless combines meditations from a list of revered writers (such as Virginia Woolf and Marcel Proust) with Marie's research and personal experiences. Darrieussecq is one of the leading voices in contemporary French literature. Her first novel, Pig Tales, was translated into thirty-five languages and she was awarded the Prix Médicis and the Prix des Prix in 2013.

This month World Book Club visits Paris, France to be guests of the iconic bookshop on the Left Bank of the River Seine, Shakespeare & Co. There Harriett Gilbert and a bookshop audience talk to acclaimed French writer Marie Darrieussecq about her extraordinary novel Pig Tales. Pig Tales is the story of a young woman who works at a shady Parisian massage parlour, becoming a favourite with her lustful clients until, that is, she slowly and alarmingly metamorphoses into a pig. A dark feminist fable of political and sexual corruption, and a grim warning of what can happen in a society without a soul, Pig Tales scandalised its readers when it first came out and became the most popular first novel published in decades. (Picture: Marie Darrieussecq. Photo credit: Charles Freger.)