Podcasts about persian studies

Today on Speaking Out of Place we talk with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others. Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.Roya Ahmadi is a senior at Stanford University studying Human Biology with a self-designed concentration in Southwest Asian and North African (SWANA) Women's Health and a minor in Interdisciplinary Arts. She is interested in Muslim and SWANA women's sexual and reproductive health and culturally/religiously sensitive pregnancy care. Roya is a co-chair for the Stanford Institute for Diversity in the Arts Undergraduate Fellowship and a video and sound installation artist who has presented work in group shows across the US. Roya interned for the Center for Iranian Diaspora Studies at SFSU for two summers when she was in high school; the Center has had a deep impact on her artwork and her identity as an Iranian-American.Trailer:https://vimeo.com/1002914645

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

Melvyn Bragg and guests discuss one of the greatest romantic poets in Persian literature. Nizami Ganjavi (c1141–1209) is was born in the city of Ganja in what is now Azerbaijan and his popularity soon spread throughout the Persian-speaking lands and beyond. Nizami is best known for his Khamsa, a set of five epic poems that contains a famous retelling of the tragic love story of King Khosrow II (c570-628) and the Christian princess Shirin (unknown-628) and the legend of Layla and Majnun. Not only did he write romances: his poetry also displays a dazzling knowledge of philosophy, astronomy, botany and the life of Alexander the Great.With Christine van Ruymbeke Professor of Persian Literature and Culture at the University of CambridgeNarguess Farzad Senior Lecturer in Persian Studies at SOAS, University of LondonAndDominic Parviz Brookshaw Professor of Persian Literature and Iranian Culture at the University of OxfordProducer: Simon TillotsonReading list:Laurence Binyon, The Poems of Nizami (The Studio Limited, 1928)Barbara Brend, Treasures of Herat: Two Manuscripts of the Khamsah of Nizami in the British Library (Gingko, 2020)Barbara Brend, The Emperor Akbar's Khamsa of Nizami (British Library, 1995)J-C. Burgel and C. van Ruymbeke, A Key to the Treasure of the Hakim: Artistic and Humanistic Aspects of Nizami Ganjavi's Khamsa (Leiden University Press, 2011)Nizami Ganjavi (trans. P.J. Chelkowski), Mirror of the Invisible World: Tales from the Khamseh of Nizami (Metropolitan Museum of Art, 1975)Nizami Ganjavi (trans. Dick Davis), Layli and Majnun (Penguin Books, 2021)Nizami Ganjavi (trans. Rudolf Gelpke), The Story of Layla and Majnun (first published 1966: Omega Publications, 1997)Nizami Ganjavi (trans. Rudolf Gelpke), The Story of the Seven Princesses (Bruno Cassirer Ltd, 1976)Nizami Ganjavi (trans. Julie Scott Meisami, The Haft Paykar: A Medieval Persian Romance (Oxford University Press, 1995)Nizami Ganjavi (trans. Colin Turner), Layla and Majnun (Blake Publishing, 1997) Dominic Parviz Brookshaw, Hafiz and His Contemporaries: Poetry, Performance and Patronage in Fourteenth-Century Iran (Bloomsbury, 2019)Julie Scott Meisami, Medieval Persian Court Poetry (Princeton University Press, 2014)Asghar Seyed-Gohrab, Layli and Majnun: Love, Madness and Mystic Longing in Nizami's Epic Romance (Brill, 2003)Kamran Talattof, Jerome W. Clinton, and K. Allin Luther, The Poetry of Nizami Ganjavi: Knowledge, Love, and Rhetoric (Palgrave, 2000)C. van Ruymbeke, Science and Poetry in Medieval Persia: The Botany of Nizami's Khamsa (Cambridge University Press, 2007) In Our Time is a BBC Studios Audio Production

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

The Book of Esther, one of the historical books in the Torah and the Old Testament, is known as a story of community, discrimination, and human ingenuity. It's core to the Jewish holiday of Purim, with singing, feasting, and other merriment. And it's unique as one of the few books in the Bible that doesn't mention God. At all. But it's also useful as a historical document, as Lloyd Llewellyn Jones writes in his most recent book, Ancient Persia and the Book of Esther: Achaemenid Court Culture in the Hebrew Bible (I. B. Tauris, 2023). While not perhaps entirely accurate, the book refers to political divisions, court customs, and gender politics that align with what we know about Ancient Persia. In this interview, Lloyd and I talk about the Book of Esther, what it tells us about Persian history, and whether other parts of the Bible might act as good historical sources. Lloyd Llewellyn-Jones holds the chair in ancient history at Cardiff University and is the director of the Ancient Iran Program for the British Institute of Persian Studies. He has published widely on ancient history. His other books include Persians: The Age of the Great Kings (Basic Books: 2022), Designs on the Past: How Hollywood Created the Ancient World (Edinburgh University Press: 2018), and Aphrodite's Tortoise: The Veiled Woman of Ancient Greece (Classical Press of Wales: 2004). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Persia and the Book of Esther. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Book of Esther, one of the historical books in the Torah and the Old Testament, is known as a story of community, discrimination, and human ingenuity. It's core to the Jewish holiday of Purim, with singing, feasting, and other merriment. And it's unique as one of the few books in the Bible that doesn't mention God. At all. But it's also useful as a historical document, as Lloyd Llewellyn Jones writes in his most recent book, Ancient Persia and the Book of Esther: Achaemenid Court Culture in the Hebrew Bible (I. B. Tauris, 2023). While not perhaps entirely accurate, the book refers to political divisions, court customs, and gender politics that align with what we know about Ancient Persia. In this interview, Lloyd and I talk about the Book of Esther, what it tells us about Persian history, and whether other parts of the Bible might act as good historical sources. Lloyd Llewellyn-Jones holds the chair in ancient history at Cardiff University and is the director of the Ancient Iran Program for the British Institute of Persian Studies. He has published widely on ancient history. His other books include Persians: The Age of the Great Kings (Basic Books: 2022), Designs on the Past: How Hollywood Created the Ancient World (Edinburgh University Press: 2018), and Aphrodite's Tortoise: The Veiled Woman of Ancient Greece (Classical Press of Wales: 2004). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Persia and the Book of Esther. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Book of Esther, one of the historical books in the Torah and the Old Testament, is known as a story of community, discrimination, and human ingenuity. It's core to the Jewish holiday of Purim, with singing, feasting, and other merriment. And it's unique as one of the few books in the Bible that doesn't mention God. At all. But it's also useful as a historical document, as Lloyd Llewellyn Jones writes in his most recent book, Ancient Persia and the Book of Esther: Achaemenid Court Culture in the Hebrew Bible (I. B. Tauris, 2023). While not perhaps entirely accurate, the book refers to political divisions, court customs, and gender politics that align with what we know about Ancient Persia. In this interview, Lloyd and I talk about the Book of Esther, what it tells us about Persian history, and whether other parts of the Bible might act as good historical sources. Lloyd Llewellyn-Jones holds the chair in ancient history at Cardiff University and is the director of the Ancient Iran Program for the British Institute of Persian Studies. He has published widely on ancient history. His other books include Persians: The Age of the Great Kings (Basic Books: 2022), Designs on the Past: How Hollywood Created the Ancient World (Edinburgh University Press: 2018), and Aphrodite's Tortoise: The Veiled Woman of Ancient Greece (Classical Press of Wales: 2004). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Persia and the Book of Esther. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

The Book of Esther, one of the historical books in the Torah and the Old Testament, is known as a story of community, discrimination, and human ingenuity. It's core to the Jewish holiday of Purim, with singing, feasting, and other merriment. And it's unique as one of the few books in the Bible that doesn't mention God. At all. But it's also useful as a historical document, as Lloyd Llewellyn Jones writes in his most recent book, Ancient Persia and the Book of Esther: Achaemenid Court Culture in the Hebrew Bible (I. B. Tauris, 2023). While not perhaps entirely accurate, the book refers to political divisions, court customs, and gender politics that align with what we know about Ancient Persia. In this interview, Lloyd and I talk about the Book of Esther, what it tells us about Persian history, and whether other parts of the Bible might act as good historical sources. Lloyd Llewellyn-Jones holds the chair in ancient history at Cardiff University and is the director of the Ancient Iran Program for the British Institute of Persian Studies. He has published widely on ancient history. His other books include Persians: The Age of the Great Kings (Basic Books: 2022), Designs on the Past: How Hollywood Created the Ancient World (Edinburgh University Press: 2018), and Aphrodite's Tortoise: The Veiled Woman of Ancient Greece (Classical Press of Wales: 2004). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Persia and the Book of Esther. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

The Book of Esther, one of the historical books in the Torah and the Old Testament, is known as a story of community, discrimination, and human ingenuity. It's core to the Jewish holiday of Purim, with singing, feasting, and other merriment. And it's unique as one of the few books in the Bible that doesn't mention God. At all. But it's also useful as a historical document, as Lloyd Llewellyn Jones writes in his most recent book, Ancient Persia and the Book of Esther: Achaemenid Court Culture in the Hebrew Bible (I. B. Tauris, 2023). While not perhaps entirely accurate, the book refers to political divisions, court customs, and gender politics that align with what we know about Ancient Persia. In this interview, Lloyd and I talk about the Book of Esther, what it tells us about Persian history, and whether other parts of the Bible might act as good historical sources. Lloyd Llewellyn-Jones holds the chair in ancient history at Cardiff University and is the director of the Ancient Iran Program for the British Institute of Persian Studies. He has published widely on ancient history. His other books include Persians: The Age of the Great Kings (Basic Books: 2022), Designs on the Past: How Hollywood Created the Ancient World (Edinburgh University Press: 2018), and Aphrodite's Tortoise: The Veiled Woman of Ancient Greece (Classical Press of Wales: 2004). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Persia and the Book of Esther. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Book of Esther, one of the historical books in the Torah and the Old Testament, is known as a story of community, discrimination, and human ingenuity. It's core to the Jewish holiday of Purim, with singing, feasting, and other merriment. And it's unique as one of the few books in the Bible that doesn't mention God. At all. But it's also useful as a historical document, as Lloyd Llewellyn Jones writes in his most recent book, Ancient Persia and the Book of Esther: Achaemenid Court Culture in the Hebrew Bible (I. B. Tauris, 2023). While not perhaps entirely accurate, the book refers to political divisions, court customs, and gender politics that align with what we know about Ancient Persia. In this interview, Lloyd and I talk about the Book of Esther, what it tells us about Persian history, and whether other parts of the Bible might act as good historical sources. Lloyd Llewellyn-Jones holds the chair in ancient history at Cardiff University and is the director of the Ancient Iran Program for the British Institute of Persian Studies. He has published widely on ancient history. His other books include Persians: The Age of the Great Kings (Basic Books: 2022), Designs on the Past: How Hollywood Created the Ancient World (Edinburgh University Press: 2018), and Aphrodite's Tortoise: The Veiled Woman of Ancient Greece (Classical Press of Wales: 2004). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Persia and the Book of Esther. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

The Book of Esther, one of the historical books in the Torah and the Old Testament, is known as a story of community, discrimination, and human ingenuity. It's core to the Jewish holiday of Purim, with singing, feasting, and other merriment. And it's unique as one of the few books in the Bible that doesn't mention God. At all. But it's also useful as a historical document, as Lloyd Llewellyn Jones writes in his most recent book, Ancient Persia and the Book of Esther: Achaemenid Court Culture in the Hebrew Bible (I. B. Tauris, 2023). While not perhaps entirely accurate, the book refers to political divisions, court customs, and gender politics that align with what we know about Ancient Persia. In this interview, Lloyd and I talk about the Book of Esther, what it tells us about Persian history, and whether other parts of the Bible might act as good historical sources. Lloyd Llewellyn-Jones holds the chair in ancient history at Cardiff University and is the director of the Ancient Iran Program for the British Institute of Persian Studies. He has published widely on ancient history. His other books include Persians: The Age of the Great Kings (Basic Books: 2022), Designs on the Past: How Hollywood Created the Ancient World (Edinburgh University Press: 2018), and Aphrodite's Tortoise: The Veiled Woman of Ancient Greece (Classical Press of Wales: 2004). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Persia and the Book of Esther. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biblical-studies

The Book of Esther, one of the historical books in the Torah and the Old Testament, is known as a story of community, discrimination, and human ingenuity. It's core to the Jewish holiday of Purim, with singing, feasting, and other merriment. And it's unique as one of the few books in the Bible that doesn't mention God. At all. But it's also useful as a historical document, as Lloyd Llewellyn Jones writes in his most recent book, Ancient Persia and the Book of Esther: Achaemenid Court Culture in the Hebrew Bible (I. B. Tauris, 2023). While not perhaps entirely accurate, the book refers to political divisions, court customs, and gender politics that align with what we know about Ancient Persia. In this interview, Lloyd and I talk about the Book of Esther, what it tells us about Persian history, and whether other parts of the Bible might act as good historical sources. Lloyd Llewellyn-Jones holds the chair in ancient history at Cardiff University and is the director of the Ancient Iran Program for the British Institute of Persian Studies. He has published widely on ancient history. His other books include Persians: The Age of the Great Kings (Basic Books: 2022), Designs on the Past: How Hollywood Created the Ancient World (Edinburgh University Press: 2018), and Aphrodite's Tortoise: The Veiled Woman of Ancient Greece (Classical Press of Wales: 2004). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Persia and the Book of Esther. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Keyth Pankau was baptized a member of the Church about six months after joining the Navy when he was 21 years old. He spent nine years in the Navy, including deployments to Fallujah, Iraq, as a member of a convoy security team, and providing relief immediately following Hurricane Katrina. During this time he obtained a degree in Persian Studies from the Defense Language Institute and a bachelor of science. Keyth continued to serve in the Church between deployments as a youth Sunday School teacher, a Gospel Doctrine teacher, a counselor in the Young Men presidency, and a scoutmaster, along with serving while deployed as a sacrament group leader. Keyth was selected as a Direct Commission Intelligence Officer and switched over to the Coast Guard where he continued a life of travel and service with much shorter trips. He was a dual career track officer (Intelligence/Operations Ashore Response) where he specialized in crisis/emergency management. In the Coast Guard, Keyth also completed his Master of Arts in Organizational Leadership from Gonzaga University and a Master of Science in Environmental from Louisiana State University. During this time, Keyth served as a 2nd counselor in a Young Men's presidency, scoutmaster, Young Men president, second counselor in a bishopric, ward mission leader, and a branch president. When the Baton Rouge Temple was rededicated he started serving as an ordinance worker and continues in that capacity today. He is also the bishop of his ward and has been serving for about a year. Keyth currently works as a civil servant for the Coast Guard and is pursuing a doctor of education in Applied Learning Sciences from the University of Miami. He is the producer, host, and content creator of the podcast "That ALL Might Be Edified: Discussions on Servant Leadership". Keyth and his wife Tiffany have two daughters and one granddaughter. Originally from Washington, Keyth spent about a year in Illinois and met Tiffany in California. They have also served & lived in Georgia, Alaska, and twice in Louisiana, where they now reside. Highlights 02:00 Introduction to Keyth and the episode theme 03:20 Keyth's background in the Coast Guard, serving as bishop, and his podcast 07:15 Search and rescue and how it relates to church leadership 13:41 The indicators that we can use in the Church to search for the individuals who might need rescue 15:10 Keyth shares a personal experience he has had with a member in his ward. 19:10 Coming together as a ward council to help one individual: Keyth shares how a targeted approach can work in search and rescue. 21:00 Finding the families that need help. How do you do it? What to look for and tools to help. Your ward council is your team. 27:30 Not everyone wants to be rescued. Not everyone is excited to help either. We have to try to help them understand that the Lord wants what is best for them. 33:10 Who are the bystanders in the ward? Who is not active in the Lord's vineyard? What invitations could we make to them to help them feel the Lord's love? 37:40 Coming together as a ward council to find people that need invitations 39:15 Helping the bystander. It's more than just giving them a calling. We need to invite them to do inspired things. Maybe what they need is help finding friends. 41:40 Keyth shares an analogy about boats and making sure they are seaworthy. In the same way individuals have to be ready and "seaworthy" before they can go out and rescue others. 49:20 As a council we have to learn how to ask better questions. What do you like? What works for you? What skills do you have? We have to understand who someone is and what skills they have. Then we can harness those gifts and skills to help them get active in the vineyard. 50:20 Where are you at? How are you really doing? Get used to asking these questions and create an environment where people will answer you truthfully and vulnerably.

Keyth Pankau was baptized a member of the Church about six months after joining the Navy when he was 21 years old. He spent nine years in the Navy, including deployments to Fallujah, Iraq, as a member of a convoy security team, and providing relief immediately following Hurricane Katrina. During this time he obtained a degree in Persian Studies from the Defense Language Institute and a bachelor of science. Keyth continued to serve in the Church between deployments as a youth Sunday School teacher, a Gospel Doctrine teacher, a counselor in the Young Men presidency, and a scoutmaster, along with serving while deployed as a sacrament group leader. Keyth was selected as a Direct Commission Intelligence Officer and switched over to the Coast Guard where he continued a life of travel and service with much shorter trips. He was a dual career track officer (Intelligence/Operations Ashore Response) where he specialized in crisis/emergency management. In the Coast Guard, Keyth also completed his Master of Arts in Organizational Leadership from Gonzaga University and a Master of Science in Environmental from Louisiana State University. During this time, Keyth served as a 2nd counselor in a Young Men's presidency, scoutmaster, Young Men president, second counselor in a bishopric, ward mission leader, and a branch president. When the Baton Rouge Temple was rededicated he started serving as an ordinance worker and continues in that capacity today. He is also the bishop of his ward and has been serving for about a year. Keyth currently works as a civil servant for the Coast Guard and is pursuing a doctor of education in Applied Learning Sciences from the University of Miami. He is the producer, host, and content creator of the podcast "That ALL Might Be Edified: Discussions on Servant Leadership". Keyth and his wife Tiffany have two daughters and one granddaughter. Originally from Washington, Keyth spent about a year in Illinois and met Tiffany in California. They have also served & lived in Georgia, Alaska, and twice in Louisiana, where they now reside. Highlights 02:00 Introduction to Keyth and the episode theme 03:20 Keyth's background in the Coast Guard, serving as bishop, and his podcast 07:15 Search and rescue and how it relates to church leadership 13:41 The indicators that we can use in the Church to search for the individuals who might need rescue 15:10 Keyth shares a personal experience he has had with a member in his ward. 19:10 Coming together as a ward council to help one individual: Keyth shares how a targeted approach can work in search and rescue. 21:00 Finding the families that need help. How do you do it? What to look for and tools to help. Your ward council is your team. 27:30 Not everyone wants to be rescued. Not everyone is excited to help either. We have to try to help them understand that the Lord wants what is best for them. 33:10 Who are the bystanders in the ward? Who is not active in the Lord's vineyard? What invitations could we make to them to help them feel the Lord's love? 37:40 Coming together as a ward council to find people that need invitations 39:15 Helping the bystander. It's more than just giving them a calling. We need to invite them to do inspired things. Maybe what they need is help finding friends. 41:40 Keyth shares an analogy about boats and making sure they are seaworthy. In the same way individuals have to be ready and "seaworthy" before they can go out and rescue others. 49:20 As a council we have to learn how to ask better questions. What do you like? What works for you? What skills do you have? We have to understand who someone is and what skills they have. Then we can harness those gifts and skills to help them get active in the vineyard. 50:20 Where are you at? How are you really doing? Get used to asking these questions and create an environment where people will answer you truthfully and vulnerably.

Dr. Waleed Ziad is Assistant Professor and Ali Jarrahi Fellow in Persian Studies in the Department of Religious Studies at the University of North Carolina at Chapel Hill. His newest book, published by the American Numismatic Society in 2022, is: In the Treasure Room of the Sakra King: Votive Coinage from Gandhāran Shrines. In this episode […] The post S3, Ep. 8. A Conversation with Waleed Ziad appeared first on American Numismatic Society.

In today's episode, Isabelle Imbert welcomes Dr Firuza Melville, director of research of Cambridge Shahnama centre for Persian Studies and eminent specialist of the Persian poet Firdausi (c. 933-1020) and his Shahnama, the book of kings telling the epic history of Iran before Islam. The text was illustrated many times, including under the reign of Safavid ruler Shah Tahmasp (r. 1524-76). His manuscript was finished around 1535 and is considered by most as the pinnacle of Persian painting. Pages of the manuscript sometimes appear on the market, and one page will be sold at Sotheby's on the 26th October, so it is a perfect time to invite a great specialist to talk about the text, the manuscript and its history. Firuza's computer made some impromptu interventions at different points of the recording, which I couldn't remove. I apologize for the inconvenience and hope it won't be too distracting.  If you've liked this episode and want to support, buy me a coffee! Mentioned in the Episode and Further LinksFollow the Art Informant on Instagram and Twitter Follow Firuza on Instagram and AcademiaThe Cambridge Shahnama Centre for Persian StudiesDatabase of the Shahnama project in Cambridge Digital Library Florentine Shahnama, oldest surviving manuscript of the Shahnama, dated 614 H./ 1217Sotheby's catalogue: Rustam recovers Rakhsh from Afrasiyab's herd, Shahnameh of Shah Tahmasp, attributed to Mirza 'Ali, Persia, Tabriz, Royal Atelier, circa 1525-35Pages of Shah Tahmasp's Shahnama in the Metropolitan Museum Click here for more episodes of the ART Informant.  Click here to see the reproductions of artefacts discussed in the episode. 

“Persian Language Under the Ayatollahs” - Part 32 of the Roqe Media series, The Contemporary History of Iran. The Islamic Revolution of 1979 created seismic shifts in Iranian society, but what effect did it have on language? What impact did the Islamic Republic's attempts to Islamize language in Iran have on the way Persians speak? Iranian-Canadian linguist, author, and curator of Iranian cinema and Persian literature, Dr. Khatereh Sheibani, professor of Persian Studies at York University, joins Jian Ghomeshi from Toronto, to discuss how the Persian lexicon has changed since the period of the Shah, and how resistance to the current Iranian government has created a new vernacular as well.

This episode features a conversation with host, Rhonda Willers, and guest, Zahra Hooshyar Zahra is an interdisciplinary artist based in Northern California, who describes herself as constantly stuck in diasporic liminal spaces. Zahra and I met at Anderson Ranch Arts Center where she was working as a ceramics intern. She was my workshop assistant for a week-long terra sigillata workshop, which we can now fondly refer to as t-siggy thanks to Zahra. She's one of those people who feels like magic when you meet her. She engages with a desire to be submerged fully in the wholeness of life. Zahra is a first generation Iranian-American, who was born and raised in West Virginia to a cute and short pair of Iranian immigrants. We recorded this episode on the day her BFA thesis show opened. She is graduating from the University of California-Davis with a degree in Studio Art and a minor in Persian Studies, and as you'll hear from our conversation, Zahra is a human containing multitudes of experiences and knowledge. Please enjoy this episode with ZahraTo learn more about Zahra's work follow her on Instagram @zazahoosh and check out her website http://www.zhooshyarstudios.comStudio Mix #12 :|: Zahra HooshyarBe Careful by Greentea PengPrelude by Ali AzimiLamp Lady by SevdalizaIt Never Rains Here Morteza by KioskNo Bus by lophiileListen on Spotify: https://open.spotify.com/playlist/42rb0A0IahbU54upMbEcxW Zahra Hooshyar Biography:Zahra Hooshyar is an interdisciplinary artist with an emphasis on ceramics. Born and raised in West Virginia to a cute and short pair of Iranian immigrants. She is a first generation Iranian-American that is constantly stuck in diasporic liminal spaces. Hooshyar will be graduating from the University of California-Davis with a degree in Studio Art and a minor in Persian Studies.Episode page: https://theartistinmeisdeadpodcast.com

Some 5,000 years ago nomadic peoples of central Asia settled on the Iranian plateau. Their descendants would be the nucleus of an extraordinary empire that reached north to the lands of their ancestors, eastwards to India and China, and west as far as the Libyan desert and the Aegean Sea. These were the Persians, who not only created the first of the world-empires, but also brought about the first period of significant and continuous contact between the east and the west.  What is typically known about the Persians comes from Herodotus, who in his Histories told the story of how Persia came to invade Greece, and how the Greeks were able to repel the greatest empire yet known to mankind. But what is the Persian version of the story? What would the Persians have said about themselves? With me to discuss the Persian Empire of the Achaemenid Kings is Lloyd Llewellyn-Jones, chair of ancient history at Cardiff University, and director of the Ancient Iran Program for the British Institute of Persian Studies. His latest book is Persians: The Age of the Great Kings, and it is the subject of our conversation today. For Further Investigation Early in the conversation, when discussing the importance of the Persian's nomadic past, I made reference to a conversation with Pamela Crossley. This was Episode 185; her book on the importance of nomadic thought and culture for all of Eurasia is Hammer and Anvil: Nomad Rulers at the Forge of the Modern World. Lloyd had some tough things to say about Herodotus; for a different perspective, see my conversation in Episode 116 on "The First Historian" with Jennifer Roberts, a Herodotus scholar.

23 February 2022 This webinar explores the history, archaeology and architecture of this historic city, located in central Israel. Ramla is significant because it was the only new city founded by the Muslim Arabs within Palestine and for a short period functioned as capital. From the eighth to the tenth century Ramla grew to be the most populous city in Palestine extending over a vast area with different quarters for Jews, Christians and Muslims. However, by the end of the eleventh century the city had fallen into decline and when the Crusaders arrived, much of the city was uninhabited. After the expulsion of the Crusaders, the city was rebuilt both as a staging post on the trade route between Cairo and Damascus and also the principal stop-over for Christian pilgrims travelling from Jaffa to Jerusalem. After the creation of Israel in 1948 the city once more fell into decline- a transition which has been captured in the best-selling book The Lemon Tree by Sandy Tolan. _______________________________________________________________________________________________ About the speaker: Andrew Petersen is Director of Research in Islamic Archaeology at the University of Wales Trinity Saint David. He studied medieval history and archaeology at St Andrews followed by an MPhil in Islamic Architecture at Oxford. His PhD at Cardiff University concentrated on the development of urban centres in medieval and Ottoman Palestine. He has worked in and carried out research in a number of countries of the Middle East and Africa including, Jordan, Iraq, Palestine, Turkmenistan, the UAE, Oman, Syria, Qatar, Kenya and Tanzania. He has also worked in British archaeology with a speciality in recording standing buildings. He is a member of the Institute for Archaeologists and a fellow of the Royal historical Society. He has published a number of books on different aspects of the architecture and archaeology of the Islamic world including most recently an edited volume on Ramla in collaboration with Denys Pringle. About the discussants: Richard Piran McClary is a Senior Lecturer in Islamic Art and Architecture at the University of York, and the Research Director of the British Institute of Persian Studies. has a PhD from the University of Edinburgh. His research focuses primarily on medieval Islamic architecture, from Anatolia to Central Asia, and on Iranian overglaze ceramics from the twelfth to fourteenth centuries. His first two monographs examined Rum Seljuq Architecture and Qarakhanid Architecture respectively, and his third monograph, currently in press, with be the first comprehensive study of mina'i ware. He is currently working on a project to examine lajvardina ware, and editing what will be the first major book on the use of stucco in Islamic architecture. He has conducted field work across West and Central Asia and has lectured extensively on Islamic art and architecture around the world. Maher Y. Abu-Munshar is Associate Professor of Islamic History at Qatar University. He completed his PhD in 2003 in Islamic History at the University of Dundee. His teaching and research expertise lies in the areas of Islamic history, with a special interest in the history of Jerusalem, history of Muslim – Christian Relations and the Crusaders. He is the author of Islamic Jerusalem and Its Christians: A History of Tolerance and Tensions (IB Tauris Publishers, 2007 & 2013) as well as many articles on different aspects of Jerusalem, Islamic history, Christian-Muslim Relations and the study of Islam and Muslims. He is a fellow of the Higher Education Academy and the Royal Historical Society. _____________________________________________________________________ Watch the webinar on YouTube: https://bit.ly/3po6xau

Born in the remote Khojand province of Tajikistan in 1964, Farzaneh Khojandi is widely regarded as the most exciting woman poet writing in Persian today and has a huge following in Iran and Afghanistan as well as in Tajikistan, where she is simply regarded as the country's foremost living writer. Her frequently playful and witty poetry draws on the rich tradition of Persian literature in an often subversive and humorous way.  Khojandi was translated by Narguess Farzad, Senior Lecturer, Persian Studies, at SOAS and Chair of Centre for Iranian Studies WITH the UK poet Jo Shapcott, who has won a number of literary prizes including the Commonwealth Writers' Prize for Best First Collection, the Forward Prize for Best Collection and the National Poetry Competition. Persian poetry is rightly famed for the richness of its heritage and many classical Persian poets, such as Rumi and Hafez, are famous across the world. But little is known about how contemporary Persian-language poets have continued to enrich and enliven their tradition, a gap that the PTC sought to fill in its early days translating Persian poets working within the local variations of Dari spoken in Afghanistan, Farsi from Iran and Tajik from Tajikistan.

At the 103rd session of the Toronto Book Club held on November 13, 2015, Dr. Ahmad Karimi Hakkak, Professor of Persian Studies at the University of Maryland, talks about the evolution of Persian poetic modernity by looking at works of Shamloo, Farrokhzad, and Akhavan. ”عنوان سخنرانی: “تکوین تجدد در شعر فارسی - شاملو، فرخزاد، اخوان سخنران: دکتراحمد کریمی حکاک ‌دکتراحمد کریمی حکاک، با نگاهی به کارهای شاملو، فرخزاد و اخوان، در مورد فرایند پیدایش و تکوین پدیده شعر نو سخن میگوید. این فرایند در روند خود به رویدادی تبدیل شد که بعضی از ارزشهای پایدار و اعتبارهای تثبیت شده شعر فارسی را دگرگون کرد تاریخ: ۱۳ نوامبر ۲۰۱۵

At the 107th session of the Toronto Book Club held on March 11, 2016, Dr. Khatereh Sheibani, Assistant Professor of Persian Studies at York University, discusses the mother's image in Iranian Cinema. ”عنوان سخنرانی: “نمود مادران در سینمای ایران سخنران: دکتر خاطره شیبایی دکتر خاطره شیبایی با توضیح راجع به نقش زنان در تاریخ ادبیات و هنر ایران از نمود مادران در سینمای ایران سخن میگوید تاریخ: ۱۱ مارس ۲۰۱۶

Who could have predicted that the 13th century Persian poet Rumi would have such a huge presence on the Instagram feeds of post-Millennials? Jalal ad-Din Muhammed Rumi, to give him his full name, was a Sufi master who wrote ecstatic mystical poems about joy and love and the search for divine truth. His poetry would literally move people to dance, which is where the notion of the ‘whirling dervish’ comes from. 800 years on, what is it about the poetry of Rumi that continues to strike a chord with so many today, including artists like Madonna and Coldplay’s Chris Martin? For some, Rumi has been sanitised for a secular Western audience, but not everyone can read Persian. Ernie Rea chairs a special discussion about Rumi's appeal, recorded at the BBC's Contains Strong Language Festival in Hull. Contributors: Narguess Farzad – Senior Lecturer in Persian Studies at SOAS University of London; Alan Williams – Professor of Iranian Studies and Comparative Religion at the University of Manchester, who is currently translating the six volumes of the Masnavi; Shaykh Paul Salahuddin Armstrong – Managing Director of the Association of British Muslims and member of the Naqshbandi Sufi order; Jamal Mehmood - writer and poet. Producer: Dan Tierney

Who could have predicted that the 13th century Persian poet Rumi would have such a huge presence on the Instagram feeds of post-Millennials? Jalal ad-Din Muhammed Rumi, to give him his full name, was a Sufi master who wrote ecstatic mystical poems about joy and love and the search for divine truth. His poetry would literally move people to dance, which is where the notion of the ‘whirling dervish’ comes from. 800 years on, what is it about the poetry of Rumi that continues to strike a chord with so many today, including artists like Madonna and Coldplay’s Chris Martin? For some, Rumi has been sanitised for a secular Western audience, but not everyone can read Persian. Ernie Rea chairs a special discussion about Rumi's appeal, recorded at the BBC's Contains Strong Language Festival in Hull. Contributors: Narguess Farzad – Senior Lecturer in Persian Studies at SOAS University of London; Alan Williams – Professor of Iranian Studies and Comparative Religion at the University of Manchester, who is currently translating the six volumes of the Masnavi; Shaykh Paul Salahuddin Armstrong – Managing Director of the Association of British Muslims and member of the Naqshbandi Sufi order; Jamal Mehmood - writer and poet. Producer: Dan Tierney

AAR's 2016 American Lectureship in the History of Religions was held by Iranian academic and poet Fatemeh Keshavarz, who at this session at the 2016 AAR Annual Meeting, delivers her capstone lecture. Born and raised in the city of Shiraz, completed her studies in Shiraz University, and University of London. She taught at Washington University in St. Louis for over twenty years where she chaired the Department of Asian and Near Eastern Languages and Literatures from 2004 to 2011. In 2012, Keshavarz joined the University of Maryland as Roshan Institute Chair in Persian Studies, and director of Roshan Institute for Persian Studies. Keshavarz is the author of award-winning books including "Reading Mystical Lyric: the Case of Jalal al-Din Rumi" (USC Press, 1998), "Recite in the Name of the Red Rose" (USC Press, 2006), and "Jasmine and Stars: Reading more than 'Lolita' in Tehran"(UNC Press, 2007). She has also published other books and numerous journal articles. Keshavarz is a published poet in Persian and English and an activist for peace and justice. She was invited to speak at the UN General Assembly on the significance of cultural education. Her NPR show “The Ecstatic Faith of Rumi” brought her the Peabody Award in 2008. In the same year, she received the Herschel Walker Peace and Justice Award. Keshavarz is introduced by Louis A. Ruprecht (Georgia State University) followed by Ebrahim E. I. Moosa (University of Notre Dame). This session was recorded during the 2016 Annual Meeting of the American Academy of Religion on November 20 in San Antonio, Texas. Learn more about the American Lectures in the History of Religions at https://www.aarweb.org/programs-services/history-of-religions-lectures.

May 31, 2016. Mahnaz Rezaie represented the Afghan Women's Writing Project (AWWP) during a conversation where poetry and visual art was shared. Part of the Persian Book Lecture Series, presented in collaboration with the Roshan Institute for Persian Studies at the University of Maryland. Speaker Biography: Mahnaz Rezaie was born in western Afghanistan to a Shia family that placed a high value on education. When she was eight years old, the Taliban came to power, forcing her Shia family to flee the Sunni Taliban threat. Returning to Afghanistan years later, Rezaie won a scholarship to continue her education in the United States in 2009. She is a writer for the Afghan Women Writers Project and now mentors the online Dari workshop for women in Afghanistan who do not speak/write English. She is also a filmmaker who was honored at the recent Women in the World Summit in NYC for her short film that explores how wearing a hijab affected her relationships when she first came to the U.S. Currently, Rezaie is in the Master's program at the Corcoran School of Art and Design at George Washington University in Washington, D.C. and is at work on a novel. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7425

Feb. 22, 2016. Fatemeh Keshavarz discussed her new book on the mediaeval Persian lyrical poet Sa'di: "Lyrics of Life: Sa'di on Love, Cosmopolitanism and Care of the Self." This program was the opening lecture of a Persian book lecture series, held during the Nowruz season which celebrates the arrival of spring. Speaker Biography: Fatemeh Keshavarz, a poet and writer in both English and Persian, is the director of the Roshan Institute for Persian Studies at the University of Maryland. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7299

You may be surprised to learn that one of the best-selling poets in America today is a man who lived and died 800 years ago. The Persian-born Rumi, Jalal ad-Din Muhammed Rumi, to give him his full name, was a Sufi master who wrote ecstatic poems about joy and love and separation and pain. One respected scholar compares Rumi's work to Shakespeare's for "its resonance and beauty." Contemporary artists as diverse as Madonna and Philip Glass acknowledge their debt to him. But the popular editions of his work, much edited, contain little evidence of his Muslim origins. Has he been sanitised for a sensitive modern reader? Has his religion been removed from his poetry to help him become a more universal figure? Ernie Rea is joined by Fatemah Keshavarz, Director of the Roshan Institute for Persian Studies at the University of Maryland, College Park; Alan Williams, Professor of Iranian Studies and Comparative Religion at the University of Manchester; and Shahram Shiva, a Rumi Translator and scholar Produced by Nija Dalal-Small.

You may be surprised to learn that one of the best-selling poets in America today is a man who lived and died 800 years ago. The Persian-born Rumi, Jalal ad-Din Muhammed Rumi, to give him his full name, was a Sufi master who wrote ecstatic poems about joy and love and separation and pain. One respected scholar compares Rumi's work to Shakespeare's for "its resonance and beauty." Contemporary artists as diverse as Madonna and Philip Glass acknowledge their debt to him. But the popular editions of his work, much edited, contain little evidence of his Muslim origins. Has he been sanitised for a sensitive modern reader? Has his religion been removed from his poetry to help him become a more universal figure? Ernie Rea is joined by Fatemah Keshavarz, Director of the Roshan Institute for Persian Studies at the University of Maryland, College Park; Alan Williams, Professor of Iranian Studies and Comparative Religion at the University of Manchester; and Shahram Shiva, a Rumi Translator and scholar Produced by Nija Dalal-Small.

April 25, 2014. Ahmad Karimi-Hakkak discussed "The Persian Book of Kings" as part of the Library's "A Thousand Years of the Persian Book" exhibition. Speaker Biography: Ahmad Karimi-Hakkak was professor of Near Eastern languages and civilizations at the University of Washington for 19 years. He is currently a professor and founding director of the Roshan Center for Persian Studies in the School of Languages, Literatures and Cultures at the University of Maryland. He has written 19 books and more than 100 major scholarly articles. A specialist in modern Persian literature, his works have been translated into French, Dutch, Spanish, Russian, Greek, Arabic, Japanese and Persian. He has served as president of the International Society for Iranian Studies and several other professional academic organizations. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6352