Podcasts about recording session

Randy and co-host Reed Shimozawa celebrate the 50th Anniversary of KISS's third studio album ‘Dressed to Kill', released March 19, 1974.Welcome to the 'Beer Rum & Rock N Roll' podcast. A rock music podcast hosted by Randy Legault. Saving rock - one conversation at a time.Click this link to access your format of choice. https://linktr.ee/beerrumrocknrollIt's happy hour! Subscribe now and join us.Randy Legault is a serious motherfucker when it comes to rock music, owns a video editing company 'Legault Post' and enjoys beer and rum. He's a good boy, crazy 'bout Elvis. Loves Zeppelin and his lovely wife too. A true defender of the faith with a serious arsenal of knowledge that is fun tapping into.https://twitter.com/BEERRUMROCKROLLhttps://www.facebook.com/BEERRUMROCKNROLLhttps://www.instagram.com/beerrumrocknrollhttps://linktr.ee/beerrumrocknroll#musicpodcast #kiss #dressedtokillLinks To Check Out:KISS - C'mon' and love me | official videohttps://www.youtube.com/watch?v=0074lNZ9JIoKiss - Rock And Roll All Nite (1975)https://www.youtube.com/watch?v=o8mzIyIOdm0Skid Row - C'mon And Love Me (Official Video)https://www.youtube.com/watch?v=Nh4UQbRsoxgAnthrax - 'She' Recording Session [featuring Paul Stanley and Gene Simmons] https://www.youtube.com/watch?v=I25HAGrhIPA

Episode SummaryThis podcast episode performs a sound-media meditation on a live event based on a collection of printed scholarly articles. In May 2023 a triple-issue of English Studies in Canada (ESC) was published on the topic of “New Sonic Approaches in Literary Studies.” Edited by Jason Camlot and Katherine McLeod. The issue, designed to explore how sound, literature, and critical methodologies intersect, included thirteen scholarly articles, and an interdisciplinary forum on the place of listening as a methodology in a wide range of scholarly and artistic fields.As the editors considered what kind of “launch” would be best suited to this issue, they felt it should build on the printed scholarship, but also take it further – respond to it,  sound it, and perform it. They asked, “What would this journal issue sound like as a chorus or collage of voices?” They proceeded to organize an event to enact the idea of sounding and performing a scholarly collection as a kind of poetic reading of criticism. Each contributor was invited to select an excerpt to perform, and the performances unfolded in sequence within the 4th Space research showcase venue at Concordia University, and through the virtual participation of some contributors on Zoom. The performance event was also the object of an experiment in the multi-track recording of a spoken word event, with microphones of different kinds situated throughout 4th Space, and even outside the venue itself.The eight tracks of audio resulting from that recording session serve as the raw material, the bed tracks, for a podcast that playfully explores the affordances of sound design for the presentation of scholarly research about literary audio. Some of the simple yet profound possibilities of working in sound to think and argue about sound that are explored here are those of amplitude (playing with the relative loudness of sounds), temporality (the movement and mixing of historically-situated times), speed (the movement of sounds in time), space (the relationship of sounds to the places they happened), noise (the sounds we are supposed not to want to hear), intelligibility (the intention of sounding for meaning), positionality (from where and to whom one is sounding), timbre (the textural quality of sounds and what they do), among many others. The goal of this production has not been to deliver the content of the journal as one might grasp it from the print journal (read the special issue for that!), but to emphasize the possibilities and features of sound, sometimes apposite and sometimes in opposition to the intention and circumstances of the intended message. Archival voices and sounds haunt, taunt and disrupt the planned “Sounding New Sonic Approaches” event. Parallel temporal situations compete with each other. Time is sped and stretched. Speech and vocal timbre are mimicked and mutated by an occasional soundtrack scored for monotonic analogue synths. One mode of meaning is lost, while the potential for new kinds of meaning and feeling-making in sonic scholarly production are amplified for the listener's consideration and pleasure.In-person and online performers: Jason Camlot, Katherine McLeod, Annie Murray, Michael O'Discoll, Mathieu Aubin, Julia Polyck-O'Neill, Jason Wiens, Klara du Plessis, Kandice Sharren, Kelly Baron, Nina Sun Eidsheim, Juliette Bellocq, Kim Fox, Reem Elmaghraby, Daniel Martin, Kristen Smith, Kristin Moriah, Mara Mills, Andy Slater, and Ellen Waterman.Live Recording Event produced by Jason Camlot, Katherine McLeod, James Healey, and Douglas Moffat.Podcast and Sound Design by Jason Camlot.

«Wir machen kein Country-Album», sagte Produzent David Ferguson zu Singer-Songwriter Bonnie Prince Billy. Ups, «The Purple Bird» hört sich trotzdem sehr nach Country an. Oder zumindest stark nach Nashville. Wieso es dieses Album ohne Nashville und Ferguson nicht gäbe, erzählt BPB im Interview. Schon wie sich Will Oldman aka Bonnie Prince Billy und David Ferguson vor über 20 Jahren kennenlernten, liess erwarten, dass von diesen zweien Grosses kommen wird: Sie begegneten sich während einer Recording Session von Johnny Cash im Studio von Produzentenlegende Rick Rubin. Zur Bekanntheit von Cash und Rubin schafften es BPB und Ferguson zwar nicht, doch beide zählen viele tolle Releases - BPB so zahlreich, dass man fast den Überblick über die Diskografie verliert. «The Purple Bird» ist nicht die erste Kollaboration von Ferguson und BPB, doch vermutlich ihre intensivste. Wir hören uns mit BPB durch das gemeinsame Album. +++ PLAYLIST +++ 22:57 NOTHING TASTES AS GOOD AS IT FEELS von LAMBRINI GIRLS 22:50 TAXI MAN von WITCH POST 22:48 RUST von WITCH POST 22:44 SURFIN' ON A ROCKET von AIR 22:39 DEALER von DRESS KIT 22:35 MANHATTAN von DRESS KIT 22:32 THOUGHT YOU WERE THE ONE von TOMMY RICHMAN 22:29 POINT & KILL von LITTLE SIMZ FEAT. OBONGJAYAR 22:26 LOVE ME JEJE von TEMS 22:25 THE ARCHITECT von KACEY MUSGRAVES 22:19 NOT LIKE US von KENDRICK LAMAR 22:17 NOSEBLEEDS von DOECHII 22:12 DENIAL IS A RIVER von DOECHII 22:10 VON DUTCH von CHARLI XCX 21:57 I SEE A DARKNESS von ROSALIA 21:52 DOWNSTREAM von BONNIE PRINCE BILLY FEAT. JOHN ANDERSON 21:48 LONDON MAY von BONNIE PRINCE BILLY 21:44 GOODBYE TO LOVE von THE CARPENTERS 21:37 NEW WATER von BONNIE PRINCE BILLY 21:33 TONIGHT WITH THE DOGS I'M SLEEPING von BONNIE PRINCE BILLY 21:25 JOHN PRINE ON THE RADIO von KING HANNAH 21:22 GUNS ARE FOR COWARDS von BONNIE PRINCE BILLY 21:14 BOISE, IDAHO von BONNIE PRINCE BILLY 21:10 I SEE A DARKNESS von JOHNNY CASH 21:04 TURNED TO DUST von BONNIE PRINCE BILLY

TLDR; Wear Headphones. 9 Reasons Headphones are the Key to a Professional Podcast Recording Session.1. You'll know if there's a catastrophic noise being baked into the recording (electrical hum, static noise, buzzing sounds). 2. You won't be off-mic half of the time. (You can hear when you're in the sweet spot of your microphone, and when you're not). 3. Increased awareness of Plosives (hard P'S and B's), Mouth-noises (YUCK!), and Proximity Effect (overemphasised and potentially muddy bass in the voice). 4. Awareness of rubbing, zipping and scratching of clothing, jewellery, furniture, mic stand, and the microphone itself. 5. You can get more consistent levels between speakers on the recording, which can reduce post-production time and lessen the need for automated and potentially expensive levelling tools. 6. You can make choices about what environmental noises are actually making it into the recording. (You won't waste time continually referencing things that are barely audible on the actual recording). 7. You'll know if you're baking-in destructive or bad sounding audio effects into the recording (overly aggressive noise-gates, reverb effects, or too much compression and/or bass and treble boost). 8. You'll be able to hear everyone in the room that's on a mic, not just the person closest to you by proximity (or simply the loudest person(s) in the room). This allows for quieter speakers to get heard, and get their turn … particularly when lots of cross-talk is occurring in the conversation, or speakers aren't facing each other directly. Headphones create a level playing field for "being heard". 9. Producers can talk to you IRT yet discretely via your headphones without baking that conversation into the recording - if they have a talk-back function on their mixing or recording console.If you need to talk Headphones, or Podcasting in general, feel free to send me an email (josh@jcaldigital.org) or DM me on X @joshuacliston or Instagram @joshuacliston Have a great week, and happy Podcasting.

The Requirements for GREATNESS. #2025! The Jay King Show. 

Colin and Cricket go over some stuff, including abandoned ideas and deeper delves into alternate universes. Music Credits: Void is Secrets: Chaos - Jonathan Morali Light is "The Path Forward": Lanterns - Jonathan Morali

Positive attitudes about your abilities, qualities, and judgement defines the faith we have in ourselves. This week, host Jay King discusses the power of Self Confidence and Believing in yourself. The Jay King Show. 

Friends and fans have a big influence on your overall audience. This week host Jay KIng gives us a list of things that might influence their tune-in habits and help them choose which items had the most influence on your numbers. The Jay King Show. 

Yes, he's dead forever. No, I'm not going to spring Nightmare on Elm Street IX on anyone. Stories should be allowed to end. Music Credits: Into The Woods - Jonathan Morali

1000 people seems chaotic. It seems like they could get in each other's way. Is it even possible to build something together with one-thousand people? Jay King says, "yes". We can build a career and a future with the group that supports you. Jay talks about it today. The Jay King Show. 

Well, time for the final boss. Music Credits: In His Hands: Frozen Rain - Jonathan Morali

A Life Well Lived. Jay A. King II - A Tribute to My Father. The Jay King Show. 

ORIGINAL AIR DATE: JUNE 6, 2020The recording session of TMR Space Mouse.

Life. How many of us take it for granted? This week host Jay King gives us his vision to help you change your life in 6 months. Tune in for this important conversation. The Jay King Show. 

You ever do a three hour long fight? haha yeah me neither uhhhhh   Music Credits: Heart is Emotions: Max & Chloe at the Lighthouse  - Jonathan Morali

Things are going well. Wonder how long that will last.   Music Credits: Approaching: I Have to Do This by Myself - Jonathan Morali

At the end of the discussion California Governor Gavin Newsom balked at the cost of the slavery reparations bill for black American's in the Golden State. This disappointed a large segment of society. What's going on? Host Jay King discussed the California Reparations proposals, and why they died. Next, on the Jay King Show. 

Well shit, some wacky stuff happened this time, huh?   Music Credits: Breaking on Repeat: Glass (Game Verion) - Daughter

Welcome to Act 2, Bitches.   Music Credits: Social Life: The Right Way Around - Daughter

Get ready for some upcoming ZANY bonus lore from the comics.   Music Credits: Void is Secrets: Chaos - Jonathan Morali

Life comes at us fast. Its all an art and a dance. Host Jay Kings tells us how to be the best at getting and staying healthy at 60 and beyond. The Jay King Show. 

Hear the full story!  Forty years after the final recording session, Los Angeles-based power pop band THE BINGS have released their debut album. The 16-track multitrack master tapes sat forgotten in a California bedroom closet until they were discovered during the 2020 lockdown. Mixed from scratch, the album the world has never heard: "Power Pop Planet - The Lost Tapes." Links: The Bings on Bandcamp The Bings on the web The Bings on FB The Bings on IG The Bings on Tik Tok

Can Kamala Harris be President of the United States? We talk about it today on the Jay King Show 

Gee, Cricket, how come your GM lets you have TWO killers in your Slasher campaign?!   Music Credits: In His Hands: Frozen Rain - Jonathan Morali

Electional integrity, Independent voting, and Western Democracies have built this nation for the past 200+ years. Suddenly, these principals are in jeopardy. Today, host Jay King discusses the broken American Election system and what we can all do about it... with guests John Beckmann and Ali Seaton. The Jay King Show 

1, 2, Freddy's coming for you...   Music Credits: Void is Secrets: Chaos - Jonathan Morali

Playing your instrament creates personal fulfillment. It's more than Intro, Verse, Pre-chorus, and Chorus. This week host Jay King discussess Songwriting 101 with Reggie Calloway from Midnight Star, Jada Raquel who's a singer and songwriter, and othe special guests. The Jay King Show! 

Round 2 Endcap feat. Declarations of Victory; Drinks that Kill You   Music Credits: Panic Response: The Storm - Jonathan Morali

Thursting Humanity to new heights, what will the new, advanced intelligence bring us as we live in the shadows of intuitive machine learning? And what will happen to expression, conversation, and creativity? Host Jay King takes your calls and discusses AI and the Future of Humanity.

Welcome to the first Slasher of Boogieman Buddies

We are recoridng our show for KBLA-AM in Los Angeles. Join us for our lively, and interactive studio session as we Teach, Education, Inform, and have a great time. Host Jay King is your Master of Ceremonies. The Jay King Show 

Rising against the hatred and fear mongering. Host Jay King tell us why we - the Black community - will not be a zero wealth by the year 2053, as predicted. The Jay King Show. 

Today we talking about developing Strategies for Small Business. Host Jay King will give you established practices to accelerate you business growth. If you are a Small Business owner you will want to listen... The Jay King Show. 

How deep is your emotion for a topic? Does it go to the extent of companionship? Sometimes we need someone to hold our hand that comes with more than a relationship. Host Jay King discusses the connection and differences betwen Relationship and Companionship. The Jay King Show.   

Independent Presidential candidate Robert F Kennedy Jr. has a Vice Presidential running mate in Nicole Shanahan. But is Kennedy's bid serious? Is it for real? Host Jay King says RFK Jr is Real. He's the right major-party alternative with an activist mind. 

45:25 – Welcome to Tape Land! On each episode, I’ll present the audio of a cassette tape or historic material from my personal archives. New Year’s Eve… December 31, 1986… I’ve just set up my recording studio, consisting of a Casio SK-1 sampling keyboard, an old black & white TV set, a tape deck, a […]

Host Jay King has intimate experience with the music business, and has a few hints and suggestions on how you might get in on the action. Are you ready to play? The Jay King Show! 

Are you ready for the Windows of opportunities to open for you? Host Jay King shares how to bring in fresh perspectives and new sources of light show a bold new path in your life. The Jay King Show 

It's The Jay King Show. Whatever Jay King wants to talk about. It could range from Steve Garvey to BillCrosby, or Barbara Lee. Or more and less. Join us at 7pm. The Jay King Show. 

Join us for a free-for-all topics conversation with Jay King. Marry yourself to possibliies and divorce yourself from impossibilities. The Jay King Show- Recording Session LIVE. 

See omnystudio.com/listener for privacy information.

Are you enthusiastic about Reparation? Maybe a little cynical? Or, yes, confident in its passage? A Reparations program has been endorsed by nine members of Congress, and a special legislative committee in California. Host Jay King discusses the feasibility of receiving Reparations, asking "Is it Real?" The Jay King Show. 

ITS ALRIGHT. How to successuflly release a single record? Artist, producer, and songwriter Jay King lays out the what it takes to break through and be great. The Jay King show 

Part 2:: Reinforcing Priorities for 2024. The Jay King Show 

Behind the Scenes of Miss Sosha's Recording Session at Studio Stargazer at the BTC, Enjoy! - Learn more about Miss Sosha at MissSoshaMusic.com, and Studio Stargazer at StudioStargazer.Org

Sam and Doug record at the Rawhide Ranch. We discuss the upcoming NFR, our ProFantasy Rodeo 2023 NFR Game Team and our ParaSight Systems testing results.We hope that you enjoy.Resources:Pro Fantasy RodeoPro Fantasy RodeoNational Finals RodeoPRCA Sports News (prorodeo.com)New York State Rodeo Museumhttps://www.facebook.com/groups/1159615314694489Beyond the Chutes Facebook Pagehttps://www.facebook.com/profile.php?id=100093822821241Beyond the Chutes Webpagehttps://beyondthechutes.show/ParaSight Systemshttps://www.parasightsystem.com/Hash tags:#rodeo #cowboy #cowboyboots #cowgirl #cowgirlstyle #westernstyle #westernfashion #horse #horseriding #bullriding #podcast #podcaster #podcastersofinstagram #rodeopodcast #rodeohouston #rodeofashion #prorodeo #sttite #fwst #dance #fwst2023 #fwst2024 #rodeohorse #rodeoroad #rodeocharm #rodeoclown #yellowstone #ipra #prca #pbr #pbrbrasil

When Queen and David Bowie met in Switzerland to record their iconic collaboration ‘Under Pressure' on 26th October, 1981, *quite a lot* of drugs and wine were taken - to the extent that nobody can recall exactly how the iconic pop song came to be formed. What we do know is that Freddie Mercury never performed the monster hit live with Bowie, nor turned up to appear in the video, and that the precise authorship of the instantly recognisable bassline remains hard to establish. In this episode, Arion, Rebecca and Olly probe into Bowie's tax affairs; relate Brian May's account of Mercury's vocal-booth improv; and ask why Jedward and Vanilla Ice appear to have stolen a march on this seminal track… Further Reading: • ‘Feel Like' (1981), the demo Queen recorded before Bowie turned up: https://www.youtube.com/watch?v=V-hKRR5FZ78 • ‘Under Pressure' (1981) - David Bowie and Queen, Official Video:  https://www.youtube.com/watch?v=a01QQZyl-_I • ‘Inside David Bowie and Queen's 'Tense' Recording Session for "Under Pressure"' (Biography, 2020): https://www.biography.com/news/david-bowie-queen-under-pressure-recording-session ‘Why am I hearing a rerun?' Every Thursday is 'Throwback Thursday' on Today in History with the Retrospectors: running one repeat per week means we can keep up the quality of our independent podcast. Daily shows like this require a lot of work! But as ever we'll have something new for you tomorrow, so follow us wherever you get your podcasts: podfollow.com/Retrospectors Love the show? Join 

We are only 10 days away from cutting the new album in Argentina, and this episode takes a deep dive into my process for demoing songs, what I send to the other musicians, and how I prepare to record and give myself the best chance of success. Join the journey with the making of the new album and be a part of the PRE SALE NOW! I've added another bonus only available to people who are involved in the pre-sale, and that is to include the demos in the package. Listen side-by-side and see how a song changes from conception to finished product. And if you've ever thought about taking a private lesson with me, the new office hours I mention in today's episode are LINKED HERE. Enjoy, Janek Get full access to Janek's Newsletter at janekgwizdala.substack.com/subscribe

Creative Workshop is an historic recording studio founded in 1970 by songwriter and producer Buzz Cason. It was the very first recording studio established in Nashville's Berry Hill district and was one of the first independently owned studios built in all of Nashville. Berry Hill is now home to nearly 40 recording studios.    The Studio was originally built as a place for Cason to develop and produce new artists. He and his engineer Travis Turk wasted no time doing this.  Before the paint could even dry on the walls they were in the studio tracking a young songwriter from Mobile named Jimmy Buffett.   When Travis left, Brent Maher became the new chief engineer and oversaw the building of a brand new, state-of-the-art control room and renovation to the live tracking room in 1976.  Shortly after,in 1977,Elvis Presley was booked in to Creative for a week long Recording session, beginning Thursday January 20th. However,things didn't quite go to plan. I'm delighted to say Brent joins me on the show today to share his memories of that time with us