Podcast appearances and mentions of Sarah Gilbert

Bone mineral disorder is one of the most challenging complications of chronic kidney disease, impacting bone strength, mineral balance, and even cardiovascular health. Nutrition plays a critical role in managing this condition — but the complexity of treatment often requires a skilled, multidisciplinary approach.In this episode, host Christina Rollins talks with Sarah Gilbert, MS, RD, LD, a renal nutrition expert and Clinical Assistant Professor at the University of New England, about the dietitian's role in managing bone mineral disorder in CKD.They explore:

We've heard the stories of chaotic first years of 2000trees as James and his band of merry men tried to find their feet as festival organisers.But what we haven't heard about - until now - was their secret weapon for success: a woman who already had a clue what she was doing in the live music business.That hero is Sarah Gilbert, who now runs the artist liaison teams at both Trees and ATG as well and much, much, much more.Not bad for someone whose favourite metal band is Shania Twain. We go again, every Thursday morning.

WAMC's CEO Sarah Gilbert, "Roundtable" producer Sarah LaDuke, "Roundtable" host Joe Donahue and News Director Ian Pickus welcome special guests for the the second half of special coverage after the rescission package was approved by Congress.

WAMC's CEO Sarah Gilbert, "Roundtable" producer Sarah LaDuke, "Roundtable" host Joe Donahue and News Director Ian Pickus welcome special guests for the the first half of special coverage after the rescission package was approved by Congress.

The senate approved a rescission package of cuts to NPR and PBS along with foreign aid. LaFontaine Oliver, president and CEO and executive chair of the board of New York Public Radio, and Sarah Gilbert, president and CEO of WAMC, Northeast Public Radio, talk about what comes next, both for larger stations like WNYC and smaller and more rural public radio stations. 

The senate approved a rescission package of cuts to NPR and PBS along with foreign aid.On Today's Show:LaFontaine Oliver, president and CEO of New York Public Radio, and Sarah Gilbert, president and CEO of WAMC/Northeast Public Radio, talk about what comes next, both for larger stations like WNYC and smaller and more rural public radio stations.

Have you ever told the truth but it felt like no one listened? This special bonus episode is all about truth-telling.Hey History! follows Travis Lovett, a proud Gunditjmara/Kerrupmara man and Commissioner at the Yoorrook Justice Commission, on a 400km 'Walk for Truth' across Victoria. Who is Travis Lovett, and why is he going on a really, really long walk?What is the Yoorrook Justice Commission?What is 'truth-telling', and how can it happen with history?Host Axel Clark and students from St Patrick's Primary School join Travis on his Walk for Truth through Port Fairy. Hear: Why telling the truth is important—at school, at home, and in Australian history.That 'history' isn't fixed — it changes when new voices and stories are heard.Personal testimony from the Yoorrook Commission, including Aunty Nellie Flagg and the Premier of Victoria.What is a 'commission'?How the Yoorrook Justice Commission has gathered stories and evidence over 4 years.If you listen to the episode before or on Wednesday 18 June 2025, Travis Lovett is still walking! See where he on the Yoorrook Justice Commission website's Walk for Truth. CreditsHosted by Axel Clark. Made on Gadigal Country by Jane Curtis.Executive producers are Clare Wright and Anna Clark. Production assistance from Alexandra Morris.Thanks to all the students whose voices you hear in this episode and their schools and teachers: St Patrick's Primary School, Princes Street Primary school, Marrickville West Primary School, La Perouse Primary School, and Yirrkala Bilingual School. Hey History! is produced by the Australian Centre for Public History at UTS and UTS Impact Studios.Impact Studios' executive producer is Sarah Gilbert. Thank youThis episode was made possible by Dusseldorp Forum, a family foundation committed to a just and equitable Australia, one that is caring, ethical and honours our First Peoples. Special thanks to Principal Olga Lyons and St Patrick's Primary School Port Fairy, Rosa Ellen, Rachel Fyfe and the Yoorrook team.

At a time when trusted, fact-based journalism is more essential than ever, WAMC remains strong thanks to the support of our members, underwriters, and community partners. Your contributions ensure that everyone in our region can access in-depth reporting, diverse voices, and cultural programming that informs, inspires, and connects us.Joe Donahue speaks with WAMC's CEO Sarah Gilbert, WAMC's News Director Ian Pickus, WAMC's North Country Bureau Chief Pat Bradley, and WAMC's Berkshire Bureau Chief Josh Landes about the work of WAMC's News Department.

As long expected, President Donald Trump has signed an executive order aimed at cutting public funding that goes to PBS and NPR. Trump complains that the outlets are biased. WAMC/Northeast Public Radio is among the hundreds of public media outlets nationwide that have been preparing for such a move.On today's Roundtable Panel Joe Donahue discusses the order and WAMC's future with WAMC's CEO Sarah Gilbert, Roundtable Producer Sarah LaDuke, former Vice President for Editorial Development at the New York Press Association Judy Patrick, and CEO of The Business Council of New York State Heather Mulligan.

In this special live recording of Hey History! host Axel Clark asks historians Clare Wright, Anna Clark and Kiera Lindsey what historical objects can tell us about the past? What can a piece of ochre tell us about Australia’s Deep Time History? Can an old gold pan help us to hear the past? And what about a pair of South Australian pink shorts? We ask kids what objects are special to them, and play guessing games with objects - including one that's in the Guinness Book of World Records! This episode of Hey History! was recorded on Kaurna Country for the 2025 Schools Day of Adelaide Writers Week. Many thanks to Adelaide Festival, especially Suzanne Critchley, and Tahlia Greco. Many thanks to the History Trust of South Australia for the use of an image of Don Dunstan's shorts, and the National Museum of Australia for kindly granting permission and usage of images from their collection including: The water bottle of Robert O'Hara Bourke A gold panning dish Chris the sheep Voices Anna Clark is a Professor of History at the University of Technology, Sydney. Clare Wright is a Professor of History and Public Engagement at La Trobe University. Kiera Lindsey is South Australia's History Advocate and an award-winning historian. Episode image Photo of Hey History on stage live in front of primary school students in the Women's Pioneer Memorial Garden in Adelaide, South Australia. Credits Hosted by Axel Clark. Produced on Gadigal Country by Anna Clark, Clare Wright and Jane Curtis. Executive producers are Clare Wright and Anna Clark. Podcast concept, design and development by Anna Clark. Thanks to all the students whose voices you hear in this episode and their schools and teachers. Hey History! is produced by the Australian Centre for Public History at UTS and UTS Impact Studios. Impact Studios' executive producer is Sarah Gilbert.

Nghe trọn nội dung sách nói VAXXERS trên ứng dụng Voiz FM: https://voiz.vn/play/2435/ Đây là câu chuyện về một cuộc chạy đua - không phải để cạnh tranh với các loại vắc-xin khác hoặc các nhà khoa học khác, mà là chống lại một loại virus chết người và tàn khốc. Vào ngày 1 tháng 1 năm 2020, Sarah Gilbert, giáo sư ngành vắc-xin tại Đại học Oxford, đã đọc một bài báo về bốn người ở Trung Quốc mắc một chứng viêm phổi kỳ lạ. Trong vòng hai tuần, bà và nhóm của mình đã thiết kế một loại vắc-xin chống lại mầm bệnh mà chưa ai từng thấy trước đây. Chưa đầy 12 tháng sau, việc tiêm chủng đã được triển khai trên toàn thế giới để cứu sống hàng triệu người khỏi COVID-19. Vắc-xin giữ kỷ lục “từ phòng nghiên cứu đến khi ra thị trường” trước đó là vắc-xin quai bị, được phát triển trong bốn năm vào những năm 1960. Nhưng vì khó khăn trong việc gây quỹ cho nghiên cứu vắc-xin và các rào cản khác nhau trong quản lý, phải mất 10 năm để hầu hết các loại vắc-xin mới được cấp phép, và thậm chí sau đó, chỉ một thông cáo báo chí vội vã hoặc một nhận xét sai lầm của một chính trị gia có thể nhanh chóng khiến mọi công việc khó khăn trước đó bị đổ xuống sông xuống biển. Trong cuốn sách này, chúng ta được nghe trực tiếp từ Giáo sư Gilbert và đồng nghiệp của bà, Tiến sĩ Catherine Green, khi họ tiết lộ câu chuyện về việc điều chế vắc-xin Oxford AstraZeneca cũng như thứ khoa học tiên tiến và công việc cực kỳ chăm chỉ để tạo ra nó. Trong các chương xen kẽ, được kể từ quan điểm của “Sarah” hoặc “Cath”, các tác giả đã chỉ ra rằng họ không phải là “những hãng dược lớn” mà là hai người bình thường cố gắng đạt được một kỳ tích phi thường trong khi phải đối phó với những căng thẳng hằng ngày khi phải làm mẹ toàn thời gian và trụ cột trong một lĩnh vực nổi tiếng là không an toàn và được trả lương thấp. Đây là câu chuyện của họ khi chiến đấu với đại dịch như những người bình thường trong những hoàn cảnh phi thường. Sarah và Cath chia sẻ những khoảnh khắc thót tim trước cơn bão, họ tách biệt sự thật ra khỏi những điều hư cấu, họ giải thích cách tạo ra một loại vắc-xin an toàn trong thời gian kỷ lục trước sự chứng kiến của cả thế giới và họ cho chúng ta hi vọng vào tương lai. Như Sarah và Catherine chỉ ra, không có cách nào hiệu quả hơn về chi phí để cải thiện tuổi thọ và chất lượng cuộc sống của một người so với một loại vắc-xin chống lại một căn bệnh khó chịu. Tuy nhiên, sự do dự về vắc-xin lại là một vấn đề khác, và nó phản ánh sự quan tâm và lo lắng của họ khi họ dành nhiều đoạn trong cuốn sách của mình để làm sáng tỏ nghiên cứu của họ và đặt những rủi ro của việc tiêm chủng vào hoàn cảnh thực tế. Với cuốn sách này, tác giả sẽ đưa bạn vào phòng thí nghiệm để tìm hiểu xem khoa học sẽ cứu chúng ta như thế nào khỏi đại dịch này và cách chúng ta có thể chuẩn bị cho đại dịch không thể tránh khỏi tiếp theo. Tại ứng dụng sách nói Voiz FM, sách nói VAXXERS được đầu tư chất lượng âm thanh và thu âm chuyên nghiệp, tốt nhất để mang lại trải nghiệm nghe tuyệt vời cho bạn. --- Về Voiz FM: Voiz FM là ứng dụng sách nói podcast ra mắt thị trường công nghệ từ năm 2019. Với gần 2000 tựa sách độc quyền, Voiz FM hiện đang là nền tảng sách nói podcast bản quyền hàng đầu Việt Nam. Bạn có thể trải nghiệm miễn phí đa dạng nội dung tại Voiz FM từ sách nói, podcast đến truyện nói, sách tóm tắt và nội dung dành cho thiếu nhi. --- Voiz FM website: https://voiz.vn/ Theo dõi Facebook Voiz FM: https://www.facebook.com/VoizFM Tham khảo thêm các bài viết review, tổng hợp, gợi ý sách để lựa chọn sách nói dễ dàng hơn tại trang Blog Voiz FM: http://blog.voiz.vn/ --- Cảm ơn bạn đã ủng hộ Voiz FM. Nếu bạn yêu thích sách nói VAXXERS và các nội dung sách nói podcast khác, hãy đăng ký kênh để nhận thông báo về những nội dung mới nhất của Voiz FM channel nhé. Ngoài ra, bạn có thể nghe BẢN FULL ĐỘC QUYỀN hàng chục ngàn nội dung Chất lượng cao khác tại ứng dụng Voiz FM. Tải ứng dụng Voiz FM: voiz.vn/download #voizfm #sáchnói #podcast #sáchnóiVAXXERS #SarahGilbert #CatherineGreen

The challenges of running a small business in Drogheda laid bare by owners Laura Armada and Sonia Micallef. Sarah Gilbert and Edel Owens are bringing their skills together to work with schoolchildren around mental and physical health. Fr Paddy Rushe told of the storm damage to Togher church while Adrian O'Donnell is one of more than 600 homes trying to cope without power in the Staholmog / Carlanstown area in Meath. Insuring against future storms - a home generator is the answer as Kaylem Gorham from Toolfix in Dundalk explained. Hosted on Acast. See acast.com/privacy for more information.

In the final instalment of Sink or Swim, we look to the future and explore how we can survive the hotter summers that lie ahead for all of us. Blacktown is facing increasingly extreme urban heat, but locals are coming up with their own solutions. We visit two cool refuges where we discover ordinary citizens and local leaders who are shaping the communities they want in the places where they live. You’ll hear from Maryam Zahid, a community leader creating spaces for newly arrived women to learn skills like swimming, and Emma Bacon, who is campaigning for community-led heat responses. And you’ll find out – will Angelica and her swimming classmates reach their goals this summer? Will they sink or swim? Sink or Swim is a UTS Impact Studios production. You can listen to the full series at Impact Studio’s official website: https://impactstudios.edu.au/sinkorswim/ It is written and produced by Angelica Ojinnaka-Psillakis and Britta Jorgensen. Audio editing by Britta Jorgensen and Celine Teo-Blockey. Additional support from Jane Curtis and Tamson Pietsch. The executive producers are Olivia Rosenman and Sarah Gilbert. Sound design by Melissa May. The theme song is Beaming by Friday. Podcast artwork and graphic design by Alexandra Morris. Research by Jackie May. All The Best Credits: All The Best is hosted by Madhuraa Prakash. This episode was mixed by Zac Pennington.See omnystudio.com/listener for privacy information.

Angelica has decided: this is the summer she finally takes the plunge. Go with her as she joins an adult swim class for beginners, and realises that there are plenty of other adults who share both her trepidation and her determination. Angelica’s home of Western Sydney is heating up faster than nearly anywhere else, making swimming an essential survival skill – not just for staying afloat, but for staying cool. She talks to local doctor Kim Loo to learn what extreme heat can do to the human body, and to urban planning and heat researcher Professor Sebastian Pfautsch, who explains how the new homes and suburbs we build – without the community’s input and without an eye to our hotter future – are exacerbating the discomfort and the risk. Sink or Swim is a UTS Impact Studios production. You can listen to the full series at Impact Studio’s official website: https://impactstudios.edu.au/sinkorswim/ It is written and produced by Angelica Ojinnaka-Psillakis and Britta Jorgensen. Audio editing by Britta Jorgensen and Celine Teo-Blockey. Additional support from Jane Curtis and Tamson Pietsch. The executive producers are Olivia Rosenman and Sarah Gilbert. Sound design by Melissa May. The theme song is Beaming by Friday. Podcast artwork and graphic design by Alexandra Morris. Research by Jackie May. All The Best Credits: All The Best is hosted by Madhuraa Prakash. This episode was mixed by Zac Pennington.See omnystudio.com/listener for privacy information.

Sydney holds a strong identity as the capital of sandy shores, ripper waves and thefinest swimmers in the world. But this idealistic depiction of a devoted swimmingculture doesn’t connect to many locals like Angelica who has never learned how toswim. Come and join Angelica on her personal quest to overcome the deep blue waters.Along the way, she talks with her local community of Blacktown. A part of Sydneythat lacks the postcard beaches whilst the limited swimming spots fail to meet thegrowing demand. This week’s episode of All the Best is the first episode of a 3-part series called “Sinkor Swim”. A podcast hosted by Angelica Ojinnaka Psillakis and produced by ImpactStudios, located at UTS. You can listen to the full series at Impact Studio’s officialwebsite: https://impactstudios.edu.au/sinkorswim/ Sink or Swim is a UTS Impact Studios production. It is written and produced by Angelica Ojinnaka-Psillakis and Britta Jorgensen. Audio editing by Britta Jorgensen and Celine Teo-Blockey. Additional support from Jane Curtis and Tamson Pietsch. The executive producers are Olivia Rosenman and Sarah Gilbert. Sound design by Melissa May. The theme song is Beaming by Friday. Podcast artwork and graphic design by Alexandra Morris. Research by Jackie May. See omnystudio.com/listener for privacy information.

In this episode of PRIM&R's podcast, "Research Ethics Reimagined," we explore the intersection of research ethics, online communities, and emerging technologies, with a focus on Reddit. Our guests are Nicholas Proferes, PhD, who is an associate professor at Arizona State University; Sarah Gilbert, PhD, who is a research associate at Cornell University; and Kyle Pittman, MPA, who is moderator of the subreddit "Indian Country" and faculty member at Evergreen State College.

Philip Clark with author and historian Sarah Gilbert and the true story from 1950s Melbourne, uncovered in the book, "Unconventional Women – the Last Blessed Sacrament Sisters in Australia" detailing their life dedicated to silence, hardship and discipline. 

Sarah Gilbert, Public Relations Manager at Lulu joined me for a great episode. Discussing how leveraging a book can help your business and career. Lulu is one of the top Print-on-demand companies in the country. Lulu is also an official sponsor of the podcast.

When Marie Grunke entered a strict convent in Melbourne in the 1960s, she couldn't tell anyone her shameful pregnancy secret. But Marie's story would have a surprising ending. Her story is told in a new book called Unconventional Women: The Story of the Last Blessed Sacrament Sisters in Australia, by writer Sarah Gilbert, who joins the show with more.Get Sarah's book at: https://www.mup.com.au/books/unconventional-women-paperback-softback Like the show? Go to heraldsun.com.au/ibaw for more.See omnystudio.com/listener for privacy information.

When Marie Grunke entered a strict convent in Melbourne in the 1960s, she couldn't tell anyone her shameful pregnancy secret. But Marie's story would have a surprising ending. Her story is told in a new book called Unconventional Women: The Story of the Last Blessed Sacrament Sisters in Australia, by writer Sarah Gilbert, who joins the show with more.Get Sarah's book at: https://www.mup.com.au/books/unconventional-women-paperback-softback Like the show? Go to heraldsun.com.au/ibaw for more.See omnystudio.com/listener for privacy information.

Ever felt the chills of a ghostly presence tied to a legendary music event? Join us as we uncover the spine-tingling story of Sarah Gilbert, a dedicated Beatles fan whose ethereal presence continues to haunt Adelaide's Centennial Hall. You'll hear from Michael Parker, the hall's general manager, as he shares firsthand accounts of eerie phenomena that began shortly after the Beatles' iconic 1964 performance. From ghostly apparitions and unexplained music to spectral lights, these unnerving experiences have become woven into the fabric of the venue's history. It's a tale of undying fandom and the quest for closure that will both captivate and haunt you.Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed! Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show! We now have Merch!  FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there's free shipping? Get more info from Caloroga Shark Media and sign up for our newsletter here.

How do you teach and talk about Australian history with kids?  This is a bonus episode for teachers, carers and parents featuring Professor Anna Clark and  Professor Clare Wright.   Teaching and talking about history with kids can be rewarding and challenging.   From their experience studying and teaching history, Clare and Anna tackle questions like:   How can kids in primary school work with history's complexity?   How can primary students consider the moral lessons of what they're learning?    How do you encourage kids when they're interested in history but get some facts wrong?   What's one crucial thing to get across to kids about history?  Anna and Clare look at a concern about saying the wrong thing when talking about Australian history, and look at how to do Reconciliation while teaching or talking about history with kids?   And you'll hear why asking questions is an important part of how you talk about history, and how to use primary sources and historical objects to connect kids with the history of our country.   Voices  Anna Clark is a Professor of History at the University of Technology, Sydney.  Clare Wright is a Professor of History and Public Engagement at La Trobe University.  Episode image  Photo of Clare Wright (left) and Anna Clark (right) in the recording studio at University of Technology Sydney. Music Thannoid by Blue Dot Sessions. Transcript Download How to talk with kids about Australian history transcript in Word Download How to talk with kids about Australian history transcript as PDF Credits Hosted by Axel Clark.   Made on Gadigal Country by Anna Clark, Clare Wright, Jane Curtis and Britta Jorgensen. Executive producers are Clare Wright and Anna Clark.  Podcast concept, design and development by Anna Clark.   Indigenous Cultural Consultant is Katrina Thorpe.   Story editor is Kyla Slaven. Learning material by Nick Adeney, Victorian primary educator Curriculum advisors are Nicole Laauw, Department of Education NSW, and Rose Reid, Association of Independent Schools of NSW Thanks to all the students whose voices you hear in this episode and their schools and teachers: Sandy Bay Primary school, Marrickville West Primary School, Westbourne Grammar School, Preshil Primary School, La Perouse Primary School, and Yirrkala Bilingual School.    Hey History! is produced by the Australian Centre for Public History at UTS and UTS Impact Studios. Impact Studios' executive producer is Sarah Gilbert. 

In 1770, Captain Cook got secret instructions to find the ‘Great South Land'.   His ship The Endeavour sailed into Kamay Botany Bay, the land of the Gweagal people.  How did the Gweagal people meet Captain Cook and his crew?  How did they communicate?  What happened over the eight days that Captain Cook stayed in Botany Bay?  Students from Marrickville West Primary School in Sydney tell us what they know about this encounter.  Ray Ingrey and Paul Irish, along with Captain Cook's own diary, tell the story of this first meeting, answer kids' questions, and reflect on how it went.  How to use this episode in your classroom Play all the way through (23 minutes) or play half the episode (11 minutes) and pause. We'll tell you when you've reached halfway, and recap the episode. Use the 4 page Learning Materials worksheet PDF with your class, and find more resources on our website. Voices  Ray Ingrey is a Dharawal person from the La Perouse Community. He is a Director of the Gujuga Foundation.  Paul Irish is a professional historian who has worked for the past twenty years with Aboriginal heritage and history.  Captain's Cook diary is voiced by Nick Hopwood.  Episode image  Gweagal spears reproduced with the permission of the Dharawal and La Perouse community, and Museum of Archaeology and Anthropology, University of Cambridge, formerly MAA D 1914.1-4 Transcript Download a transcript of First meetings at Kamay Botany Bay in Word Download a transcript of First meetings at Kamay Botany Bay as PDF Music Curiously and Curiously and Roundpine by Blue Dot Sessions. Transcript Download a transcript of First meetings at Kamay Botany Bay in Word Download a transcript of First meetings at Kamay Botany Bay as PDF Credits Hosted by Axel Clark.   Made on Gadigal Country by Anna Clark, Clare Wright, Jane Curtis and Britta Jorgensen. Executive producers are Clare Wright and Anna Clark.  Podcast concept, design and development by Anna Clark.   Indigenous Cultural Consultant is Katrina Thorpe.   Story editor is Kyla Slaven. Learning material by Nick Adeney, Victorian primary educator Curriculum advisors are Nicole Laauw, Department of Education NSW, and Rose Reid, Association of Independent Schools of NSW Thanks to all the students whose voices you hear in this episode and their schools and teachers: Sandy Bay Primary school, Marrickville West Primary School, Westbourne Grammar School, Preshil Primary School, La Perouse Primary School, and Yirrkala Bilingual School.    Hey History! is produced by the Australian Centre for Public History at UTS and UTS Impact Studios. Impact Studios' executive producer is Sarah Gilbert. 

How did First Nations people learn before books, school and the internet?   What are some of the teaching places on Country? Can a cave or a beach be a classroom?  What's the role of rock art, like engravings, stencils and prints, in the ‘oldest classroom'?  What are the different kinds of classrooms First Nations kids learn ion today?  Students at La Perouse Primary School in Sydney tell us what they know about how their ancestors learnt on Country.  Wayne Brennan and host Axel Clark visit a very old rock shelter on Dharug and Gundungurra Country. We hear about different kinds of rock art, learning when you're ready and ways of passing down knowledge. Merrikiyawuy Ganambarr-Stubbs invites us into her classroom at Yirrkala Bilingual School in North East Arnhem Land.  How to use this episode in your classroom Play all the way through (24 minutes) or play half the episode (12 minutes) and pause. We'll tell you when you've reached halfway, and recap the episode. Use the 4 page Learning Materials worksheet PDF with your class, and find more resources on our website.  Voices  Wayne Brennan is an archaeologist at the University of Sydney , a Gamilaraay person and Blue Mountains custodian.  Merrikiyawuy Ganambarr-Stubbs is the Principal of Yirrkala Bilingual School, a Yolngu woman and leader.   Episode image  Red ochre used in painting. Image courtesy of the National Museum of Australia. Transcript Download The Oldest Classroom transcript as Word Download The Oldest Classroom transcript as PDF Music Thannoid and Highway 94 by Blue Dot Sessions. Credits Hosted by Axel Clark Made on Gadigal Country by Anna Clark, Clare Wright, Jane Curtis and Britta Jorgensen Executive producers are Claire Wright and Anna Clark Podcast concept, design and development by Anna Clark Indigenous Cultural Consultant is Katrina Thorpe   Story editor is Kyla Slaven Learning material by Nick Adeney, Victorian primary educator Curriculum advisors are Nicole Laauw, Department of Education NSW, and Rose Reid, Association of Independent Schools of NSW Thanks to all the students whose voices you hear in this episode and their schools and teachers: Sandy Bay Primary school, Marrickville West Primary School, Westbourne Grammar School, Preshill Primary School, La Perouse Primary School, and Yirrkala Bilingual School.    Hey History! is produced by the Australian Centre for Public History at UTS and UTS Impact Studios. Impact Studios' executive producer is Sarah Gilbert. 

Why did kids get transported from Britain to Australia? What were their crimes? Did they miss their families?   What was life like as a convict in Van Dieman's Land, an open air prison on Palawa land?   Students from Sandy Bay Primary School in Hobart tell us what they know about convict kids.  Hamish Maxwell-Stewart and Marcelle Mangan tell the story of transportation, convict tattoos and tokens, and convict life at the Cascades Female Factory in Hobart.  They answer kids' questions and reflect on what the evidence can and can't tell us about the convicts.  How to use this episode in your classroom Play all the way through (32 minutes) or play half the episode (16 minutes) and pause. We'll tell you when you've reached halfway, and recap the episode. Use the 4 page Learning Materials worksheet PDF with your class, and find more resources on our website. Voices  Professor Hamish Maxwell-Stewart is a specialist in convict history and is at the University of New England.  Marcelle Mangan is a tour guide at the Cascades Female Factory, Hobart.   Episode image  Convict love token from J. Fletcher. Image courtesy of the National Museum of Australia. Transcript Download Convict kids transcript in Word Download Convict kids transcript PDF Music Less Jaunty and Apollo Diedre by Blue Dot Sessions. Credits Hosted by Axel Clark.   Made on Gadigal Country by Anna Clark, Clare Wright, Jane Curtis and Britta Jorgensen. Executive producers are Clare Wright and Anna Clark.  Podcast concept, design and development by Anna Clark.   Indigenous Cultural Consultant is Katrina Thorpe.   Story editor is Kyla Slaven. Learning material by Nick Adeney, Victorian primary educator Curriculum advisors are Nicole Laauw, Department of Education NSW, and Rose Reid, Association of Independent Schools of NSW Thanks to all the students whose voices you hear in this episode and their schools and teachers: Sandy Bay Primary School, Marrickville West Primary School, Westbourne Grammar School, Preshil Primary School, La Perouse Primary School, and Yirrkala Bilingual School.    Hey History! is produced by the Australian Centre for Public History at UTS and UTS Impact Studios. Impact Studios' executive producer is Sarah Gilbert.   

What were the Gold Rushes? Why did people from all over the world get ‘gold fever'?   What was life like on the Ballarat goldfields of Victoria, on Wada Wurrung Country?  With so many different groups of people, how did everyone get along?   Did First Nations people mine gold too? What was the Eureka Stockade?  How did the Gold Rushes change Australia?  Students from Preshill Primary School and Westbourne Grammar in Melbourne tell us what they know about the Gold Rushes.  Fred Cahir, Andrew Pearce, Sarah Van de Wouw and an oral history about a Chinese miner share the different experiences of goldfields life. How to use this episode in your classroom Play all the way through (28 minutes) or play half the episode (14 minutes) and pause. We'll tell you when you've reached halfway, and recap the episode. Use the 4 page Learning Materials worksheet PDF with your class, and find more resources on our website. Voices  Professor Fred Cahir is a professor in Australian History at Federation University.  Andrew Pearce is the Learning Program Leader at Sovereign Hill, Ballarat.  Sarah Van de Wouw is the Education Officer at the Eureka Centre, Ballarat.  Gabrielle Wang interviewed by Anna Zhu for the Australians with Chinese heritage oral history project, from the National Library of Australia online catalog.  Episode image  Gold panning dish. Image courtesy of the National Museum of Australia. Music Lady Marie, Rush to the Clearing, Borough and Jespen by Blue Dot Sessions. Transcript Download Gold Fever transcript in Word Download Gold Fever transcript as PDF Credits Hosted by Axel Clark.   Made on Gadigal Country by Anna Clark, Clare Wright, Jane Curtis and Britta Jorgensen. Executive producers are Clare Wright and Anna Clark.  Podcast concept, design and development by Anna Clark.   Indigenous Cultural Consultant is Katrina Thorpe.   Story editor is Kyla Slaven. Learning material by Nick Adeney, Victorian primary educator Curriculum advisors are Nicole Laauw, Department of Education NSW, and Rose Reid, Association of Independent Schools of NSW Thanks to all the students whose voices you hear in this episode and their schools and teachers: Sandy Bay Primary School, Marrickville West Primary School, Westbourne Grammar School, Preshil Primary School, La Perouse Primary School, and Yirrkala Bilingual School.    Hey History! is produced by the Australian Centre for Public History at UTS and UTS Impact Studios. Impact Studios' executive producer is Sarah Gilbert. 

Sign up for the AIAV newsletter⁠! This week, Sarah Gilbert (she/her) shares the story of how a random question Charlie asked a few years ago sparked a journey of self-discovery. You will learn: 1. What two pieces of advice she offers others wondering if they might be LGBTQ+ 2. How it feels to be a long-time LGBTQ+-affirming therapist learning later in life that she's queer and some of the fears and hesitations she's had around claiming the term 3. Why icons like Freddie Mercury have inspired her and how queer spaces like bars, drag shows, and musical theater feel comforting and joyful Resources, references, and full transcripts are available at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠w⁠ww.allyshipisaverb.com/episode/sarah-gilbert/ Host Charlie Ocean, MSW (they/them), has a background in LGBTQ+ training, community organizing, and technology. Guest episodes feature at least one allyship tip, including tailored questions based on the guests' unique intersecting identities. You can follow Charlie on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack. --- Send in a voice message: https://podcasters.spotify.com/pod/show/allyship-is-a-verb/message Support this podcast: https://podcasters.spotify.com/pod/show/allyship-is-a-verb/support

Therapists, when someone asks you about yourself, how often do you start with "I'm a mental health therapist," without actually being able to talk about the other things that make up your identity? It could be that you can't think of other roles in your life, interests, hobbies, etc. As helpers, we so often default to "what we do for work" to describe who we are. This can be problematic, especially when we don't take care of other parts of ourselves. It leads to burnout, stress, compassion fatigue, and more. 1️⃣ Reflect on your journey: It's important to explore why you entered this field and how your identity as a helper developed. Understanding this can provide insight into how your work may be influencing your overall sense of self. 2️⃣ Boundaries are crucial: Building boundaries is an essential component of self-care and preventing burnout. We must recognize that we can't be "therapists" or "healers" 24/7. It's okay to prioritize other aspects of our lives and set limits to protect our mental and emotional well-being. 3️⃣ Challenge societal expectations: Society often expects mental health professionals to sacrifice their personal lives for the sake of their clients. However, we have the power to redefine success in our field. Let go of guilt and shame when prioritizing self-care and setting professional goals that align with your needs and values. ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––

Sinead Brassil back in the hot seat this morning and a lot has happened in the last 2 weeks, but with just about 1 week to go until the kids go back to school, some little ones are heading off for the first time and may feel anxious Sarah Gilbert actor and drama teacher and founder of little sunflower wellness programme has released a brilliant book that will help young children cope with first day at school nerves plus Louth GAA star Sam Mulroy is encouraging us to go up the hill for the jack and jill foundation he joined us for a chat. Hosted on Acast. See acast.com/privacy for more information.

Can we get rid of the bad bits of social media and keep the good? Is it possible to create a more positive social media experience than the one we get from the platforms that dominate the landscape today? In this episode, Elaine Moore asks what the social media platforms of the future should look like, and whether platforms designed for smaller groups of users with shared interests are the way forward.We hear from writer and tech historian Benj Edwards about the BBS era of the early 1990s; University of Massachusetts professor Ethan Zuckerman; Sarah Gilbert, researcher at Cornell University and Reddit moderator; and Jonathan Abrams, partner at 8-Bit Capital and the creator of Friendster.Presented by Elaine Moore. Produced by Edwin Lane and Josh Gabert-Doyon, Executive producer is Manuela Saragosa. Sound design by Breen Turner and Samantha Giovinco. Original music by Metaphor Music. The FT's head of audio is Cheryl Brumley. Special thanks to Hannah Murphy.Mentioned in this podcast:The Lex Newsletter: Reddit and the API apocalypseDiscord has won over gamers. Now it wants everybody elseReddit stands firm in clash with users as blackout on forums escalates Hosted on Acast. See acast.com/privacy for more information.

Can we get rid of the bad bits of social media and keep the good? Is it possible to create a more positive social media experience than the one we get from the platforms that dominate the landscape today? In this episode, Elaine Moore asks what the social media platforms of the future should look like, and whether platforms designed for smaller groups of users with shared interests are the way forward.We hear from writer and tech historian Benj Edwards about the BBS era of the early 1990s; University of Massachusetts professor Ethan Zuckerman; Sarah Gilbert, researcher at Cornell University and Reddit moderator; and Jonathan Abrams, partner at 8-Bit Capital and the creator of Friendster.Presented by Elaine Moore. Produced by Edwin Lane and Josh Gabert-Doyon, Executive producer is Manuela Saragosa. Sound design by Breen Turner and Samantha Giovinco. Original music by Metaphor Music. The FT's head of audio is Cheryl Brumley. Special thanks to Hannah Murphy.Mentioned in this podcast:The Lex Newsletter: Reddit and the API apocalypseDiscord has won over gamers. Now it wants everybody elseReddit stands firm in clash with users as blackout on forums escalatesRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Barbie is a box office bonanza!  In celebration, we're reposting our episode of BoxerBlu and Bram about Barbies that celebrated Covid-19 heroes.  It's October 7, 2021. BoxerBlu and Bram are back for the Season 3 premiere! In this episode, BoxerBlu and Bram teach kids about mostly adult white males who love My Little Pony who sometimes mix white supremacy with their love of the cartoon characters, changes in the ethnic aisle, six new Barbies honoring scientists who are women, bringing back ballooning, and the death of an influential Zouk musician.

Barbie is a box office bonanza!  In celebration, we're reposting our episode of BoxerBlu and Bram about Barbies that celebrated Covid-19 heroes.  It's October 7, 2021. BoxerBlu and Bram are back for the Season 3 premiere! In this episode, BoxerBlu and Bram teach kids about mostly adult white males who love My Little Pony who sometimes mix white supremacy with their love of the cartoon characters, changes in the ethnic aisle, six new Barbies honoring scientists who are women, bringing back ballooning, and the death of an influential Zouk musician.

In this episode we speak to Michael Sanders, Professor of Public Policy at King's College London, and one of the authors of the Centre for Homelessness Impact's report on Sexuality, Gender Identity and Homelessness. We talk to Michael about the lack of data surrounding LGBTQ+ people who experience homelessness, the challenges of collecting that data, and measures that can be taken to improve the situation. Podcast notes: Sexuality, gender identity and homelessness: Incidence, experience and evidence of homelessness among LGBTQ+ people by Michael Sanders, Ella Whelan Alba Murcia, Louise Jones: https://www.homelessnessimpact.org/post/lgbtq-people-are-more-likely-to-experience-homelessness What Works for Children's Social Care https://whatworks-csc.org.uk/ Invisible Women by Caroline Criada Perez https://carolinecriadoperez.com/book/invisible-women/ Homelessness Case Level Collection (H-CLIC) https://analysisfunction.civilservice.gov.uk/government-statistical-service-and-statistician-group/user-facing-pages/mhclg-homelessness-statistics-user-forum/ Albert Kennedy Trust: https://www.akt.org.uk/what-we-do Vaxxers by Sarah Gilbert and Catherine Green https://www.hodder.co.uk/titles/sarah-gilbert/vaxxers/9781529369885/

歡迎留言告訴我們你對這一集的想法： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s/comments Topic: Traditional Toys May Beat Gadgets in Language Development 嬰兒筆電，嬰兒手機，交談農場，這些都是當前推出快速又先進的玩具，許多被當成激發嬰兒語言技能的工具行銷。 Baby laptops, baby cellphones, talking farms — these are the whirring, whiz-bang toys of the moment, many of them marketed as tools to encourage babies' language skills. 不過，新研究報告質疑這類電子玩具是否會使嬰兒跟父母的口頭交流減少，這種交流對認知發展極其重要。 But a new study raises questions about whether such electronic playthings make it less likely that babies will engage in the verbal give-and-take with their parents that is so crucial to cognitive development. 發表於「美國醫學會小兒科學期刊」的該研究報告發現，嬰兒與父母玩廣告中特別宣傳能促進語言發展的電子玩具時，父母說話及對嬰兒發聲的回應，要比玩傳統玩具如積木或閱讀硬頁書時來得少。嬰兒玩電子玩具時發聲也較少。 The study, published in JAMA Pediatrics, found that when babies and parents played with electronic toys that are specifically advertised as language-promoters, parents spoke less and responded less to baby babbling than when they played with traditional toys like blocks or read board books. Babies also vocalized less when playing with electronic toys. 帶領研究的弗拉格斯塔夫北亞利桑納大學傳播科學與溝通障礙副教授安娜．索沙說：「我的直覺是，他們讓嬰兒跟玩具互動，自己退居一邊。」 "My hunch is that they were letting the baby interact with the toy and they were on the sidelines," said Anna V. Sosa, an associate professor of communications science and disorders at Northern Arizona University in Flagstaff, who led the study. 這項研究建立在日漸增多的一些研究結果之上，既有結果顯示電子玩具和電子書可能使父母較少與小孩進行最有意義類型的口語交流。 天普大學心理學教授凱西．赫許帕塞克說：「當使用這類工具與裝置時，父母們就會閉口。你做的是更多行為規範，像是『別碰那』或『做這個』，甚至啥也不做，因為電子書與玩具已代勞了。」赫許帕塞克未參加上述研究，但此前對電子書跟電子形狀分類盒的研究有類似發現。 The study builds on a growing body of research suggesting that electronic toys and e-books can make parents less likely to have the most meaningful kinds of verbal exchanges with their children. "When you put the gadgets and gizmos in, the parents stop talking," said Kathy Hirsh-Pasek, a professor of psychology at Temple University who was not involved in the new study, but who has found similar effects with e-books and electronic shape-sorters. "What you get is more behavioral regulation stuff, like 'don't touch that' or 'do this,' or nothing because the books and toys take it over for you." 她並補充道：「玩玩具應是玩具只占10%，90％由小孩做主，許多這些電子玩具卻是玩具占了90%以上，小孩只能補白。」 索沙說，她對結果感到驚訝。她原本預期一些父母嬰兒組玩某種玩具時說話較多，而其他組則是在玩另種玩具時說較多話。 She added, "A toy should be 10 percent toy and 90 percent child, and with a lot of these electronic toys the toy takes over 90 percent and the child just fills in the blank." Sosa said she was surprised by the results. She had expected some parent-baby pairs would talk more with one type of toy, while others would talk more with another. 然而，結果卻幾乎一致。玩電子玩具時父母平均每分鐘說40字，少於玩傳統玩具的56字，及讀書時的67字。 But the results were consistent almost across the board. When electronic toys were being used, parents said about 40 words per minute, on average, compared with 56 words per minute for traditional toys and 67 words per minute with books. 這是個小型研究，共26個家庭參與，多為受過良好教育的白人家庭。因此研究人員說，若以更大、更多樣化的群體為研究對象，結果可能不同，但這個研究仍值得注意，因為它盡力捕捉現實世界中無研究人員觀看下的居家親子遊戲時間。 The study was small — 26 families — and most were white and educated. So the researchers say the results might be different with a larger and more diverse group. But the study is notable because it sought to capture real world parent-child playtime in their homes without researchers watching. Source article: https://paper.udn.com/udnpaper/POH0067/292769/web/ Next Article Topic: Boffin Barbie- toy creator honors vaccine co-creator Toy giant Mattel said Wednesday last week it hoped to “inspire the next generation” after creating a model of its iconic Barbie doll in honor of Sarah Gilbert, co-creator of the Oxford/AstraZeneca coronavirus vaccine. 玩具大廠美泰兒公司上週三表示，為表彰牛津／阿斯捷利康冠狀病毒疫苗之共同發明人莎拉‧吉伯特，該公司為其著名產品芭比娃娃開發了新款，希望能「鼓舞下一代」。 Gilbert said she found the news “very strange” but hoped “children who see my Barbie will realize how vital careers in science are to help the world around us.” 吉伯特聽聞此消息，說她覺得「挺怪的」，但希望「看到我的芭比娃娃的孩子們會了解，科學職業對幫助我們周遭的世界是多麼重要」。 “My wish is that my doll will show children careers they may not be aware of, like a vaccinologist.” The toy company created models in honor of five other women in the sciences: US healthcare workers Amy O'Sullivan and Audrey Cruz, Canadian campaigner Chika Stacy Oriuwa, Brazilian researcher Jaqueline Goes de Jesus and Australian medic Kirby White. 「希望我的玩偶會向孩子們展示他們可能不知道的職業，比如說疫苗學家」。 這家玩具公司也設計了其他款式，來表彰五位科學界的女性：美國醫護人員艾米‧奧沙利文及奧黛莉‧克魯茲、加拿大活動人士奇卡‧史岱西‧奧里瓦、巴西研究人員賈克琳‧戈耶思‧德‧杰索斯，以及澳洲醫師克兒比‧懷特。 “Barbie recognizes that all frontline workers have made tremendous sacrifices when confronting the pandemic and the challenges it heightened,” said Lisa McKnight, senior vice president of Barbie and dolls at Mattel. 美泰兒公司芭比娃娃及玩偶部門高級副總裁麗莎‧麥克奈特表示：「芭比肯定所有前線工作人員，在面對疫情大流行及加劇的挑戰時，都做出了巨大犧牲」。 “To shine a light on their efforts, we are sharing their stories and leveraging Barbie's platform to inspire the next generation to take after these heroes and give back.” “Our hope is to nurture and ignite the imaginations of children playing out their own storyline as heroes.” 「為彰顯其努力，我們分享他們的故事，並利用芭比娃娃這平台，來激勵下一代追隨這些英雄並做出回饋」。「我們希望培養及點燃孩子的想像力，讓他們在遊戲扮演角色時，有自己的英雄故事」。Source article: https://www.taipeitimes.com/News/lang/archives/2021/08/09/2003762257 Next Article Topic: Giant Japanese robot spurs hopes for tourism after virus hit 受病毒衝擊後 巨大的日本機器人為觀光業燃起希望 An 18-metre “Gundam” robot that can walk and move its arms was unveiled in Japan on Monday amid hopes that it will help invigorate tourism hit by COVID-19. 一個18公尺、可以走動及移動手臂的「鋼彈」機器人週一在日本亮相，希望它能幫忙振興受到2019冠狀病毒疾病衝擊的觀光業。 The robot is modelled after a figure in “Mobile Suit Gundam”, a Japanese cartoon first launched in the late 1970s about enormous battle robots piloted by humans. The series spawned multiple spin-offs and toys and gained a worldwide following. 這個機器人仿照「機動戰士鋼彈」其中一款打造，這部日本卡通於1970年代晚期首度發表，描述了由人類操控之大型戰鬥機器人。一系列漫畫催生出多項衍生產品與玩具，並獲得全球關注。 It will be the centrepiece of the Gundam Factory Yokohama, a tourist attraction that opens on Dec. 19 in the port city. 它將是12月19日於橫濱這個港市開張的觀光景點「橫濱鋼彈工廠」最引人入勝的核心。 “I hope this will lead to stimulating tourism demand and revitalising local areas,” Chief Cabinet Secretary Katsunobu Kato told a news conference. 內閣官房長官加藤勝信在記者會說，「我希望這會帶動刺激觀光需求並振興當地。」 Source article: https://features.ltn.com.tw/english/article/paper/1417730 Powered by Firstory Hosting

Sarah Gilbert is the Said Professor of Vaccinology at the University of Oxford. She works on vaccines for many different emerging pathogens, including influenza, Nipah, MERS, Lassa, Crimean-Congo haemorrhagic fever, and in 2020, she initiated the SARS-CoV-2 vaccine project. Working with Oxford colleagues she is able to take novel vaccines from design to clinical development, with a particular interest in the rapid transfer of vaccines into manufacturing and first in human trials. She is the Oxford Project Leader for ChAdOx1 nCoV-19, a vaccine against the novel coronavirus, SARS-CoV-2 which is now in use in many countries around the world. Read more in her book Vaxxers: A Pioneering Movement in Scientific History

Energy Consultant Paul O'Reilly outlined instant savings we can make on our energy bills. Sarah Gilbert's Little Sunflower program is a must for all primary school children. Is there no end to Conor Bowman's talent? Re-mortgaging your home and the legal ins and outs and another belter from Mr Manilow... Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Topic: Traditional Toys May Beat Gadgets in Language Development 嬰兒筆電，嬰兒手機，交談農場，這些都是當前推出快速又先進的玩具，許多被當成激發嬰兒語言技能的工具行銷。 Baby laptops, baby cellphones, talking farms — these are the whirring, whiz-bang toys of the moment, many of them marketed as tools to encourage babies' language skills. 不過，新研究報告質疑這類電子玩具是否會使嬰兒跟父母的口頭交流減少，這種交流對認知發展極其重要。 But a new study raises questions about whether such electronic playthings make it less likely that babies will engage in the verbal give-and-take with their parents that is so crucial to cognitive development. 發表於「美國醫學會小兒科學期刊」的該研究報告發現，嬰兒與父母玩廣告中特別宣傳能促進語言發展的電子玩具時，父母說話及對嬰兒發聲的回應，要比玩傳統玩具如積木或閱讀硬頁書時來得少。嬰兒玩電子玩具時發聲也較少。 The study, published in JAMA Pediatrics, found that when babies and parents played with electronic toys that are specifically advertised as language-promoters, parents spoke less and responded less to baby babbling than when they played with traditional toys like blocks or read board books. Babies also vocalized less when playing with electronic toys. 帶領研究的弗拉格斯塔夫北亞利桑納大學傳播科學與溝通障礙副教授安娜．索沙說：「我的直覺是，他們讓嬰兒跟玩具互動，自己退居一邊。」 "My hunch is that they were letting the baby interact with the toy and they were on the sidelines," said Anna V. Sosa, an associate professor of communications science and disorders at Northern Arizona University in Flagstaff, who led the study. 這項研究建立在日漸增多的一些研究結果之上，既有結果顯示電子玩具和電子書可能使父母較少與小孩進行最有意義類型的口語交流。 天普大學心理學教授凱西．赫許帕塞克說：「當使用這類工具與裝置時，父母們就會閉口。你做的是更多行為規範，像是『別碰那』或『做這個』，甚至啥也不做，因為電子書與玩具已代勞了。」赫許帕塞克未參加上述研究，但此前對電子書跟電子形狀分類盒的研究有類似發現。 The study builds on a growing body of research suggesting that electronic toys and e-books can make parents less likely to have the most meaningful kinds of verbal exchanges with their children. "When you put the gadgets and gizmos in, the parents stop talking," said Kathy Hirsh-Pasek, a professor of psychology at Temple University who was not involved in the new study, but who has found similar effects with e-books and electronic shape-sorters. "What you get is more behavioral regulation stuff, like 'don't touch that' or 'do this,' or nothing because the books and toys take it over for you." 她並補充道：「玩玩具應是玩具只占10%，90％由小孩做主，許多這些電子玩具卻是玩具占了90%以上，小孩只能補白。」 索沙說，她對結果感到驚訝。她原本預期一些父母嬰兒組玩某種玩具時說話較多，而其他組則是在玩另種玩具時說較多話。 She added, "A toy should be 10 percent toy and 90 percent child, and with a lot of these electronic toys the toy takes over 90 percent and the child just fills in the blank." Sosa said she was surprised by the results. She had expected some parent-baby pairs would talk more with one type of toy, while others would talk more with another. 然而，結果卻幾乎一致。玩電子玩具時父母平均每分鐘說40字，少於玩傳統玩具的56字，及讀書時的67字。 But the results were consistent almost across the board. When electronic toys were being used, parents said about 40 words per minute, on average, compared with 56 words per minute for traditional toys and 67 words per minute with books. 這是個小型研究，共26個家庭參與，多為受過良好教育的白人家庭。因此研究人員說，若以更大、更多樣化的群體為研究對象，結果可能不同，但這個研究仍值得注意，因為它盡力捕捉現實世界中無研究人員觀看下的居家親子遊戲時間。 The study was small — 26 families — and most were white and educated. So the researchers say the results might be different with a larger and more diverse group. But the study is notable because it sought to capture real world parent-child playtime in their homes without researchers watching. Source article: https://paper.udn.com/udnpaper/POH0067/292769/web/   Next Article   Topic: Boffin Barbie- toy creator honors vaccine co-creator Toy giant Mattel said Wednesday last week it hoped to “inspire the next generation” after creating a model of its iconic Barbie doll in honor of Sarah Gilbert, co-creator of the Oxford/AstraZeneca coronavirus vaccine. 玩具大廠美泰兒公司上週三表示，為表彰牛津／阿斯捷利康冠狀病毒疫苗之共同發明人莎拉‧吉伯特，該公司為其著名產品芭比娃娃開發了新款，希望能「鼓舞下一代」。 Gilbert said she found the news “very strange” but hoped “children who see my Barbie will realize how vital careers in science are to help the world around us.” 吉伯特聽聞此消息，說她覺得「挺怪的」，但希望「看到我的芭比娃娃的孩子們會了解，科學職業對幫助我們周遭的世界是多麼重要」。 “My wish is that my doll will show children careers they may not be aware of, like a vaccinologist.” The toy company created models in honor of five other women in the sciences: US healthcare workers Amy O'Sullivan and Audrey Cruz, Canadian campaigner Chika Stacy Oriuwa, Brazilian researcher Jaqueline Goes de Jesus and Australian medic Kirby White. 「希望我的玩偶會向孩子們展示他們可能不知道的職業，比如說疫苗學家」。 這家玩具公司也設計了其他款式，來表彰五位科學界的女性：美國醫護人員艾米‧奧沙利文及奧黛莉‧克魯茲、加拿大活動人士奇卡‧史岱西‧奧里瓦、巴西研究人員賈克琳‧戈耶思‧德‧杰索斯，以及澳洲醫師克兒比‧懷特。 “Barbie recognizes that all frontline workers have made tremendous sacrifices when confronting the pandemic and the challenges it heightened,” said Lisa McKnight, senior vice president of Barbie and dolls at Mattel. 美泰兒公司芭比娃娃及玩偶部門高級副總裁麗莎‧麥克奈特表示：「芭比肯定所有前線工作人員，在面對疫情大流行及加劇的挑戰時，都做出了巨大犧牲」。 “To shine a light on their efforts, we are sharing their stories and leveraging Barbie's platform to inspire the next generation to take after these heroes and give back.” “Our hope is to nurture and ignite the imaginations of children playing out their own storyline as heroes.” 「為彰顯其努力，我們分享他們的故事，並利用芭比娃娃這平台，來激勵下一代追隨這些英雄並做出回饋」。「我們希望培養及點燃孩子的想像力，讓他們在遊戲扮演角色時，有自己的英雄故事」。Source article: https://www.taipeitimes.com/News/lang/archives/2021/08/09/2003762257   Next Article   Topic: Giant Japanese robot spurs hopes for tourism after virus hit 受病毒衝擊後 巨大的日本機器人為觀光業燃起希望 An 18-metre “Gundam” robot that can walk and move its arms was unveiled in Japan on Monday amid hopes that it will help invigorate tourism hit by COVID-19. 一個18公尺、可以走動及移動手臂的「鋼彈」機器人週一在日本亮相，希望它能幫忙振興受到2019冠狀病毒疾病衝擊的觀光業。 The robot is modelled after a figure in “Mobile Suit Gundam”, a Japanese cartoon first launched in the late 1970s about enormous battle robots piloted by humans. The series spawned multiple spin-offs and toys and gained a worldwide following. 這個機器人仿照「機動戰士鋼彈」其中一款打造，這部日本卡通於1970年代晚期首度發表，描述了由人類操控之大型戰鬥機器人。一系列漫畫催生出多項衍生產品與玩具，並獲得全球關注。 It will be the centrepiece of the Gundam Factory Yokohama, a tourist attraction that opens on Dec. 19 in the port city. 它將是12月19日於橫濱這個港市開張的觀光景點「橫濱鋼彈工廠」最引人入勝的核心。 “I hope this will lead to stimulating tourism demand and revitalising local areas,” Chief Cabinet Secretary Katsunobu Kato told a news conference. 內閣官房長官加藤勝信在記者會說，「我希望這會帶動刺激觀光需求並振興當地。」 Source article:  https://features.ltn.com.tw/english/article/paper/1417730

Accountability is the one thing in your business that is going to let you know if your people are in the right roles, doing what they are supposed to be doing, and making forward progress. That's why episode 39 of Female Founders Breaking Boundaries is about accountability is key!Have you ever felt like your customers and your team just don't get what it is you're trying to do with your business? Download your free Company Persona Template that we use with clients to get them started with bringing everyone on to the same page. It's designed to get you and your team thinking about your purpose, your focus and your values; and documenting them so that you can get everybody on the same page.In this episode of Female Founders Breaking Boundaries, I'm sharing the importance of keeping your team accountable by setting clear expectations and actionable steps you can take right now to set and track the goals and responsibilities within your business. Some of the things I cover in this episode are:Celebrating British vaccinologist Sarah Gilbert, one of the original people that helped develop the Covid-19 vaccine and is now being honored with a Barbie doll made with her likeness. Practicing accountability in a way that is backed by tangible evidence. Assigning ONE person to the goal/ task/ responsibility so that you have clear boundaries around who is responsible for what. Organizing your team meetings in a way that focuses on accountability and gets you and your team in the habit of checking in on your goals week after week.Utilizing a scorecard to essentially “give your employees the answers to the test” by setting clear expectations on what their efforts should be focused on.Sharing a personal life update, why I missed an episode last week, and the importance of listening to your body and taking care of yourself. Accountability can be made simple when you give your team the autonomy to be accountable without having to come to you to ask questions.Thanks for listening! Be sure to tune in to all the episodes to receive tons of tools, advice, resources, support, and encouragement that resonates with the modern business woman and to hear even more about the points outlined above.If you enjoyed this episode, take a screenshot of the episode to share and tag me!  And don't forget to follow, rate and review the podcast and tell me your key takeaways!Learn more about Female Founders Breaking Boundaries and Casey at https://she-suiteboutique.com/podcast/CONNECT WITH CASEY GROMER:LinkedInCompany PersonaWork with Casey Gromer! LINKS MENTIONED IN THIS EPISODE:Sarah Gilbert Barbie Doll

This is The Download from Sounds Profitable, the most important business news from the world of podcasting, I'm Bryan Barletta.And I'm Evo Terra. Today, The New York Times Bets half a billion on sports, NPR doubles down on paid subscriptions, Spotify goes all-in on in-app digital ads, and I'm clearly making too many gambling references. Let's get started.NYT buys The AthleticThe New York Times has agreed to purchase the sports news company, the Athletic, for $550m. The six-year-old company, which raised $50m in 2020 at a $500m valuation, was originally in talks to sell to the New York Times last summer, but the deal fell through due to disagreements on price. With the New York Times focusing heavily on subscription content and on audio with their new app, called obviously enough "New York Times Audio", acquiring the Athletic with their 1.2m paid subscribers, which is 1/8th the total subscriptions the New York Times has, puts them on track to easily exceed their goal of 10m subscribers.Currently, the Athletic is hosted on Megaphone, part of Spotify, and participates in the Spotify Audience Network. The New York Times hosts on Simplecast, part of Adswizz, which also offers a competing monetization product. Whether we see The Athletic migrate to Simplecast or not likely depends on how integrated the two companies will be with each other.AdvertiseCast has updated their Industry Average Podcast Advertising Rates page as of January 1st, 2022. AdvertiseCast has been tracking the average CPM rates for their client podcasts since the beginning of 2020, grouping the rates charged by podcasts into three buckets—shows getting less than 10,000 downloads per month, shows getting between 10,000 and 100,000, and those seeing more than 100,000 downloads per month.And it's good news, with the average CPM of all groups at just under $24, up nearly 6% comparing December 2021 to December 2020. And the biggest shows saw an even higher increase, jumping up by more than 8% year over year.The takeaway here is clear: The actual value—not just the perceived value, but the actual value paid by advertisers on 2,412 podcasts in this sample size, is going up for podcast advertising.Reviewing the programmatic mergers and acquisitions that James Hercher of AdExchanger pointed out this week, there's a lot of trends happening in channels outside of podcasting that bode well for our industry.Hercher writes:“Historically, DSPs and SSPs have been kept separate from ad server businesses. Ad servers are the source of reconciliation data, meaning they decide whether ads were served or visible and whether advertisers should pay for an impression. Although walled gardens can often get away with bundling an ad server and grading their own homework, open programmatic companies generally could not. But SSPs need an ad server for CTV.”This need has been echoed in podcasting for quite some time. Companies like Triton Digital and Adswizz offer publishers both adserving and SSP capabilities in one package.Similarly, verification vendors like DoubleVerify and Integral Ad Science, whose technology relies on client-side execution to verify ads, have each purchased contextual advertising companies to further their offering. Contextual verification is the easiest path for these vendors to enter the podcast space, enabling their clients to validate their purchased podcast inventory.Axios reports that NPR is taking another run at monetizing their podcasting efforts, working with premium podcast provider Supporting Cast to launch NPR+. The broadcaster plans to add a slate of new shows as well as subscriber-only episodes, including "podcast bundles" as incentives to listeners who become members of local NPR affiliates.Quoting from the article:"Subscription podcasting offers a new digital business model for NPR and its member stations. But its long-standing mission to inform the public limits how much content the non-profit can put behind a paywall.""NPR has been experimenting with podcasts for well over a decade, but it's pushing more aggressively to produce podcasts, particularly daily shows, that it can include in subscription efforts.""Podcast subscriptions will be used to drive revenue from loyalists who want to support their favorite shows and hosts, similar to radio memberships.""It's about the relationship that our journalists, our producers, our editors have with their audiences and their ability to create and craft new relationships," said Sarah Gilbert, vice president for news programming."The new NPR+ service is already live, with nine shows available at the time of this recording, each going for $2.99 per month.Spotify has released their take on a companion ad to accompany their streaming ad insertion offering, called CTA Cards. The unit works by providing a size-variable, banner-like ad, served only to listeners of Spotify's original and exclusive podcasts, and only to users of the Spotify mobile app.What's unique about this ad unit is its staying power. The ad—or "card"—will be visible to the listener on both the episode and show pages for seven days or until the end of the campaign, whichever is shorter. This feature isn't yet available to publishers who use Spotify Audience Network through Megaphone or Anchor, nor is it available to any publisher directly selling their inventory.Spotify is straddling the walled garden of advertising with their in-app streaming audio offering and their mainstream podcast advertising through dynamic ad insertion. But as they release more unique ad features solely to users of their mobile app, it will be interesting to see how Spotify responds to listener pushback for selling and running ads for their Spotify Premium customers who have paid for ad-free listening.And that was The Download, from Sounds Profitable! I know we went through these fast, so be sure to check out the links to every article mentioned right in your podcast listening app. And thanks for sticking with us on this grand experiment to give you the best stories you migh have missed from this week. I'm Evo Terra.I'm Bryan Barletta. Thanks for joining us. Robot?[Download complete!]See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

This is The Download from Sounds Profitable, the most important business news from the world of podcasting, I'm Bryan Barletta.And I'm Evo Terra. Today, The New York Times Bets half a billion on sports, NPR doubles down on paid subscriptions, Spotify goes all-in on in-app digital ads, and I'm clearly making too many gambling references. Let's get started.NYT buys The AthleticThe New York Times has agreed to purchase the sports news company, the Athletic, for $550m. The six-year-old company, which raised $50m in 2020 at a $500m valuation, was originally in talks to sell to the New York Times last summer, but the deal fell through due to disagreements on price. With the New York Times focusing heavily on subscription content and on audio with their new app, called obviously enough "New York Times Audio", acquiring the Athletic with their 1.2m paid subscribers, which is 1/8th the total subscriptions the New York Times has, puts them on track to easily exceed their goal of 10m subscribers.Currently, the Athletic is hosted on Megaphone, part of Spotify, and participates in the Spotify Audience Network. The New York Times hosts on Simplecast, part of Adswizz, which also offers a competing monetization product. Whether we see The Athletic migrate to Simplecast or not likely depends on how integrated the two companies will be with each other.AdvertiseCast has updated their Industry Average Podcast Advertising Rates page as of January 1st, 2022. AdvertiseCast has been tracking the average CPM rates for their client podcasts since the beginning of 2020, grouping the rates charged by podcasts into three buckets—shows getting less than 10,000 downloads per month, shows getting between 10,000 and 100,000, and those seeing more than 100,000 downloads per month.And it's good news, with the average CPM of all groups at just under $24, up nearly 6% comparing December 2021 to December 2020. And the biggest shows saw an even higher increase, jumping up by more than 8% year over year.The takeaway here is clear: The actual value—not just the perceived value, but the actual value paid by advertisers on 2,412 podcasts in this sample size, is going up for podcast advertising.Reviewing the programmatic mergers and acquisitions that James Hercher of AdExchanger pointed out this week, there's a lot of trends happening in channels outside of podcasting that bode well for our industry.Hercher writes:“Historically, DSPs and SSPs have been kept separate from ad server businesses. Ad servers are the source of reconciliation data, meaning they decide whether ads were served or visible and whether advertisers should pay for an impression. Although walled gardens can often get away with bundling an ad server and grading their own homework, open programmatic companies generally could not. But SSPs need an ad server for CTV.”This need has been echoed in podcasting for quite some time. Companies like Triton Digital and Adswizz offer publishers both adserving and SSP capabilities in one package.Similarly, verification vendors like DoubleVerify and Integral Ad Science, whose technology relies on client-side execution to verify ads, have each purchased contextual advertising companies to further their offering. Contextual verification is the easiest path for these vendors to enter the podcast space, enabling their clients to validate their purchased podcast inventory.Axios reports that NPR is taking another run at monetizing their podcasting efforts, working with premium podcast provider Supporting Cast to launch NPR+. The broadcaster plans to add a slate of new shows as well as subscriber-only episodes, including "podcast bundles" as incentives to listeners who become members of local NPR affiliates.Quoting from the article:"Subscription podcasting offers a new digital business model for NPR and its member stations. But its long-standing mission to inform the public limits how much content the non-profit can put behind a paywall.""NPR has been experimenting with podcasts for well over a decade, but it's pushing more aggressively to produce podcasts, particularly daily shows, that it can include in subscription efforts.""Podcast subscriptions will be used to drive revenue from loyalists who want to support their favorite shows and hosts, similar to radio memberships.""It's about the relationship that our journalists, our producers, our editors have with their audiences and their ability to create and craft new relationships," said Sarah Gilbert, vice president for news programming."The new NPR+ service is already live, with nine shows available at the time of this recording, each going for $2.99 per month.Spotify has released their take on a companion ad to accompany their streaming ad insertion offering, called CTA Cards. The unit works by providing a size-variable, banner-like ad, served only to listeners of Spotify's original and exclusive podcasts, and only to users of the Spotify mobile app.What's unique about this ad unit is its staying power. The ad—or "card"—will be visible to the listener on both the episode and show pages for seven days or until the end of the campaign, whichever is shorter. This feature isn't yet available to publishers who use Spotify Audience Network through Megaphone or Anchor, nor is it available to any publisher directly selling their inventory.Spotify is straddling the walled garden of advertising with their in-app streaming audio offering and their mainstream podcast advertising through dynamic ad insertion. But as they release more unique ad features solely to users of their mobile app, it will be interesting to see how Spotify responds to listener pushback for selling and running ads for their Spotify Premium customers who have paid for ad-free listening.And that was The Download, from Sounds Profitable! I know we went through these fast, so be sure to check out the links to every article mentioned right in your podcast listening app. And thanks for sticking with us on this grand experiment to give you the best stories you migh have missed from this week. I'm Evo Terra.I'm Bryan Barletta. Thanks for joining us. Robot?[Download complete!]See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

This is The Download from Sounds Profitable, the most important business news from the world of podcasting, I'm Bryan Barletta.And I'm Evo Terra. Today, The New York Times Bets half a billion on sports, NPR doubles down on paid subscriptions, Spotify goes all-in on in-app digital ads, and I'm clearly making too many gambling references. Let's get started.NYT buys The AthleticThe New York Times has agreed to purchase the sports news company, the Athletic, for $550m. The six-year-old company, which raised $50m in 2020 at a $500m valuation, was originally in talks to sell to the New York Times last summer, but the deal fell through due to disagreements on price. With the New York Times focusing heavily on subscription content and on audio with their new app, called obviously enough "New York Times Audio", acquiring the Athletic with their 1.2m paid subscribers, which is 1/8th the total subscriptions the New York Times has, puts them on track to easily exceed their goal of 10m subscribers.Currently, the Athletic is hosted on Megaphone, part of Spotify, and participates in the Spotify Audience Network. The New York Times hosts on Simplecast, part of Adswizz, which also offers a competing monetization product. Whether we see The Athletic migrate to Simplecast or not likely depends on how integrated the two companies will be with each other.AdvertiseCast has updated their Industry Average Podcast Advertising Rates page as of January 1st, 2022. AdvertiseCast has been tracking the average CPM rates for their client podcasts since the beginning of 2020, grouping the rates charged by podcasts into three buckets—shows getting less than 10,000 downloads per month, shows getting between 10,000 and 100,000, and those seeing more than 100,000 downloads per month.And it's good news, with the average CPM of all groups at just under $24, up nearly 6% comparing December 2021 to December 2020. And the biggest shows saw an even higher increase, jumping up by more than 8% year over year.The takeaway here is clear: The actual value—not just the perceived value, but the actual value paid by advertisers on 2,412 podcasts in this sample size, is going up for podcast advertising. Reviewing the programmatic mergers and acquisitions that James Hercher of AdExchanger pointed out this week, there's a lot of trends happening in channels outside of podcasting that bode well for our industry.Hercher writes:“Historically, DSPs and SSPs have been kept separate from ad server businesses. Ad servers are the source of reconciliation data, meaning they decide whether ads were served or visible and whether advertisers should pay for an impression. Although walled gardens can often get away with bundling an ad server and grading their own homework, open programmatic companies generally could not. But SSPs need an ad server for CTV.”This need has been echoed in podcasting for quite some time. Companies like Triton Digital and Adswizz offer publishers both adserving and SSP capabilities in one package.Similarly, verification vendors like DoubleVerify and Integral Ad Science, whose technology relies on client-side execution to verify ads, have each purchased contextual advertising companies to further their offering. Contextual verification is the easiest path for these vendors to enter the podcast space, enabling their clients to validate their purchased podcast inventory.Axios reports that NPR is taking another run at monetizing their podcasting efforts, working with premium podcast provider Supporting Cast to launch NPR+. The broadcaster plans to add a slate of new shows as well as subscriber-only episodes, including "podcast bundles" as incentives to listeners who become members of local NPR affiliates.Quoting from the article:"Subscription podcasting offers a new digital business model for NPR and its member stations. But its long-standing mission to inform the public limits how much content the non-profit can put behind a paywall.""NPR has been experimenting with podcasts for well over a decade, but it's pushing more aggressively to produce podcasts, particularly daily shows, that it can include in subscription efforts.""Podcast subscriptions will be used to drive revenue from loyalists who want to support their favorite shows and hosts, similar to radio memberships.""It's about the relationship that our journalists, our producers, our editors have with their audiences and their ability to create and craft new relationships," said Sarah Gilbert, vice president for news programming."The new NPR+ service is already live, with nine shows available at the time of this recording, each going for $2.99 per month.Spotify has released their take on a companion ad to accompany their streaming ad insertion offering, called CTA Cards. The unit works by providing a size-variable, banner-like ad, served only to listeners of Spotify's original and exclusive podcasts, and only to users of the Spotify mobile app.What's unique about this ad unit is its staying power. The ad—or "card"—will be visible to the listener on both the episode and show pages for seven days or until the end of the campaign, whichever is shorter. This feature isn't yet available to publishers who use Spotify Audience Network through Megaphone or Anchor, nor is it available to any publisher directly selling their inventory.Spotify is straddling the walled garden of advertising with their in-app streaming audio offering and their mainstream podcast advertising through dynamic ad insertion. But as they release more unique ad features solely to users of their mobile app, it will be interesting to see how Spotify responds to listener pushback for selling and running ads for their Spotify Premium customers who have paid for ad-free listening. And that was The Download, from Sounds Profitable! I know we went through these fast, so be sure to check out the links to every article mentioned right in your podcast listening app. And thanks for sticking with us on this grand experiment to give you the best stories you migh have missed from this week. I'm Evo Terra.I'm Bryan Barletta. Thanks for joining us. Robot? [Download complete!] See omnystudio.com/listener for privacy information. See omnystudio.com/listener for privacy information.

Julia is joined by Professor Dame Sarah Gilbert, the co-creator of the Oxford-AstraZeneca vaccine, one of the most widely used Covid-19 vaccines in the world. She shares her experience of working around the clock with her team to develop the vaccine at record speed, what it's been like to see the impact of the vaccine in the UK and beyond, and her frustration at the inequity of vaccine distribution around the world. Sarah also underlines the need for more funding for vaccine development to ensure we can be better prepared for future outbreaks and avoid the devastating consequences of another global pandemic. See acast.com/privacy for privacy and opt-out information.

On New Year's Day 2020, Sarah Gilbert, Professor of Vaccinology at Oxford University, read an article about four people in China with a strange pneumonia. Within two weeks, she and her team had designed a vaccine against a pathogen that no one had ever heard of. Less than 12 months later, vaccination was rolled out across the world to save millions of lives from Covid-19. In this episode of the How To Academy Podcast, Professor Gilbert and her colleague Dr Catherine Green, who led on the manufacturing of the vaccine, join us to separate fact from fiction and explain how they made a highly safe vaccine in record time with the eyes of the world watching. Learn more about your ad choices. Visit megaphone.fm/adchoices

The inside story of the Oxford AstraZeneca vaccine, from two of the leading scientists who created it. This is the story of a race - not against other vaccines or other scientists, but against a deadly and devastating virus. On 1 January 2020, Sarah Gilbert, Professor of Vaccinology at Oxford University, read an article about four people in China with a strange pneumonia. Within two weeks, she and her team had designed a vaccine against a pathogen that no one had ever seen before. Less than 12 months later, vaccination was rolled out across the world to save millions of lives from Covid-19. In Vaxxers, we hear directly from Professor Gilbert and her colleague Dr Catherine Green as they reveal the inside story of making the Oxford AstraZeneca vaccine and the cutting-edge science and sheer hard work behind it. This is their story of fighting a pandemic as ordinary people in extraordinary circumstances. Sarah and Cath share the heart-stopping moments in the eye of the storm; they separate fact from fiction; they explain how they made a safe vaccine in record time with the eyes of the world watching; and they give us hope for the future. Vaxxers invites us into the lab to find out how science will save us from this pandemic, and how we can prepare for the inevitable next one.

La doctora Sarah Gilbert es la creadora de la vacuna más avanzada contra el COVID-19; confía tanto en ella que incluso la ha probado en sus hijos Hosted on Acast. See acast.com/privacy for more information.

Confira os destaques desta quinta-feira (02/06/20) no caderno Metrópole do EstadãoSee omnystudio.com/listener for privacy information.

Sarah Gilbert and Linda Perry break up. The AP names Lizzo their entertainer of the year. Gigi Hadid wants to get back together with Zayn Malik. The Bachelor returns. We hear from "Pilot Pete". Yes, Jessica Simpson has written a book. We're not interested in Kevin Hart's docu-series. Florence Pugh claps back. at someone who thinks Zah Brasff is too old for her.

Sarah Gilbert and Linda Perry break up. The AP names Lizzo their entertainer of the year. Gigi Hadid wants to get back together with Zayn Malik. The Bachelor returns. We hear from "Pilot Pete". Yes, Jessica Simpson has written a book. We're not interested in Kevin Hart's docu-series. Florence Pugh claps back. at someone who thinks Zah Brasff is too old for her. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jason had a fake Brit boyfriend once; Bachelorette talk; Sarah Gilbert on Roseanne; kelly Tran quits social media