Podcast appearances and mentions of Greg Ginn

Joey Killingsworth, the driving force behind Joecephus and the George Jonestown Massacre, has spent close to 20 years blending outlaw country with thrashing riff rock to build a loyal following. A Memphis native with deep musical roots—his father, Bo Jack, played with rockabilly legend Eddie Bond—Killingsworth initially resisted country music but later embraced it, launching the Massacre as a vehicle for his diverse influences. Known for creative collaborations and tribute projects, he's worked with legends like Jello Biafra and Greg Ginn.  Joey is also a booking agent who works with both Lydia and Tim.

It's been a long time coming and finally this week we deliver! It's another Shoulda Been Huge episode that has been promised since the show's first year. We had to go big with this one, so please welcome to the show, Mr. “Perfectly Rated” himself, BAKKO from the Cobras & Fire Podcast to discuss a classic punk & alternative band from his town: HÜSKER DÜ. Join us as we take you on their journey from hardcore punk to alternative rock. If you're new to this band open your mind and prepare for a zen-like experience! Like Bakko says, they Shoulda Been Huge!!!This episode is rooted in our Should Have Been category. This is a band that we mentioned before on the show and one that both hosts are very familiar with. We wanted to talk in-depth with another fellow podcaster who's a fan and intimately aware of the Twin City scene that came from, so enter Bakko! Do yourself a favor and check them out! We Hüsker, Dü Ü?Songs this week include:Hüsker Dü - “Everything Falls Apart” from Everything Falls Apart (1983)Hüsker Dü - “Pink Turns To Blue” from Zen Arcade (1984)Hüsker Dü - “New Day Rising” from New Day Rising (1985)Hüsker Dü - “Every Everything” from Flip Your Wig (1985)Hüsker Dü - “Hardly Getting Over It” from Candy Apple Grey (1986)Hüsker Dü - “Don't Want To Know If You Are Lonely” from Candy Apple Grey (1986)Hüsker Dü - “Ice Cold Ice” from Warehouse: Songs And Stories (1987)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Drummer Sim Cain played with the  Rollins Band from 1987 until 1997. Before joining Rollins Band, Sim played in the instrumental trio Gone, alongside future Rollins Band bassist Andrew Weiss and Black Flag guitarist Greg Ginn.  He has also recorded with artists like David Poe, Marc Ribot, David Shea, and played in Elliott Sharp's Terraplane group. Cain appeared on Ween's 2004 album Quebec and performed with blues legend Hubert Sumlin in the early 2000s.

Black Flag recorded four versions of their song “Depression,” with the fourth version being released first on their first LP, “Damaged.” Who sang it best? Keith Morris, Ron Reyes aka Chavo Pederast, Dez Cadena, or Henry Rollins? The compilation, "Everything Went Black" highlights all four singers doing, "Depression." FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 200 DIECUT STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Le math rock est un sous-genre du rock caractérisé par des riffs de guitare inspirés du rock progressif, des harmonies non conventionnelles et des rythmes complexes. Émergé à la fin des années 1980 et au début des années 1990, il trouve ses racines dans la scène indie rock et post-hardcore, influencé par le rock indépendant en plein essor à l'époque. Le groupe emblématique de hardcore des années 1980 à Los Angeles, Black Flag est grâce à de nombreux albums comportant des passages instrumentaux basés sur les riffs du guitariste Greg Ginn, une des influences majeure sur ce genre. De nombreux groupes de math rock sont originaires du Midwest des États-unis, en particulier de Chicago et de Louisville. À Chicago, le studio Electrical Audio, supervisé par Steve Albini, a joué un rôle clé dans l'histoire du genre. Le groupe Shellac, avec son album "At Action Park" de 1994, illustre parfaitement le son caractéristique de Chicago. Louisville, similaire à Chicago, a donné naissance à des groupes notables comme Slint, Rodan, et Gastr del Sol, montrant des influences avant-gardistes. Sur Côte Est, Merge Records en Caroline du Nord a soutenu des groupes notables comme Polvo et Breadwinner. Dischord Records, à Washington, D.C., a accueilli des groupes post- hardcore influencés par le math rock, comme Shudder To Think, Jawbox, Lungfish et Fugazi. Le math rock se caractérise par des chansons comprenant plusieurs parties et de longs pas comme King Crimson, mais avec une esthétique auditive épurée. Ce genre musical favorise une production minimale, avec des orchestrations limitées et l'absence d'overdubs. Les instruments principaux sont la guitare, la basse et la batterie, avec souvent l'un des instrumentistes assumant le rôle de chanteur principal. Le math rock est réputé pour ses passages instrumentaux étendus, privilégiant cette dimension plutôt que les mélodies vocales et les paroles. Des groupes emblématiques comme Slint, avec l'album "Spiderland", ont marqué le genre en proposant des compositions presque entièrement instrumentales. Certains groupes de math rock, comme Don Caballero et Hella, adoptent même une approche sans chanteur. Le genre a étendu son influence à l'étranger, notamment au Japon avec des groupes comme Tricot et Ling tosite Sigure, ainsi qu'au Royaume-Uni avec des groupes post-punk et post-hardcore comme TTNG, Foals et Tubelord. Don Caballero/Fire Back About Your New Baby's Sex Ruby Falls/Evangeline Falls A Minor Forest/...It's Salmon!!! Hella/Biblical Violence Piglet/Bug Stomp Battles/Atlas (Radio Edit) Faraquet/Conversations Toe/Kodoku No Hatsumei Giraffes? Giraffes!/When Catholic Girls Go Camping, The Nicotine Vampires Rule Supreme Black Midi/bmbmbm

This week on Toilet Radio: We're prematurely celebrating 10 years of Toilet / Blue Ridge Rock Fest patrons may or may not ever get a refund on their tix, depending on how the insurance companies feel about acts of god vs employee walkouts. / The government gave KoRn millions of dollars and that's fuckin' tight. / Slipknot is falling apart / Greg Ginn is trying to milk some cream off the corpse of Black Flag. / Alex Terrible of Slaughter to Prevail kinda half-way acknowledges that he hangs out with fascists and gets fascist tattoos. And, thanks to Ash from Sumerian, he can now tour in Europe. Folks, it's a good one. Like this show? Want more? Get hundreds of hours of exclusive content over at the Toilet ov Hell Patreon. Music featured on this ‘sode: Narzissus – Empor zum Ideal (Pre-order Akt III: Erlösung here) This program is available on Spotify. It is also available on iTunes or whatever they call it now, where you can rate, review, and subscribe. Give us money on Patreon to get exclusive bonus episodes and other cool shit.

In the 1990s if you were a band wanting to make a record then the dream was to do it at For the Record studios. Bands like Outspoken, Farside, Gameface, Eleven-Thirty Four, Adamantium and many others recorded there. In this interview he talks about late 80s-early 90s bands, technology, rituals that singers have in the studio, thoughts on recording Farside's ROCHAMBEAU, Greg Ginn/SST, and more! Oftentimes, the person behind the console producing your record was none other that Eric Garten aka E. His goal was transfer whatever a band was to a recording that would best represent them. In this interview we are reunited in real time, we discuss analog gear, and we take a tour through this incredibly important Orange County recording studio! Interested in recording in a legendary studio that just celebrated its 35th year? Give E and the fine folks a call at (714) 771-1410. These videos are part of an ongoing video series chronicling the hardcore punk music scene. They are an addendum to the film Orange County Hardcore Scenester. This is a documentary I made that chronicles the 1990s hardcore punk scene. You can watch ORANGE COUNTY HARDCORE SCENESTER here: https://vimeo.com/ondemand/ochs Or, pick up the Orange County Hardcore Scenester DVD here: https://revhq.com/products/evanjacobs-orangecountyhardcorescenester-dvd?_pos=2&_sid=683ac2ce9&_ss=r Subscribe to ANHEDENIA FILMS UNLIMITED and watch every Anhedenia Film as many times as you like for $2 a month: https://vimeo.com/ondemand/afunlimited See E's rich recording history here: https://www.discogs.com/artist/1491459-Eric-Garten Contact the Orange County Hardcore Scenester Podcast here: anhedenia@hotmail.com Orange County Hardcore Scenester: Aftermath music provided by Dear Furious. The songs is "r/Complex”. #E #ForTheRecordstudio #orangecounty

En este episodio conversamos sobre “Damaged”, el álbum debut de Black Flag, lanzado el año 1981.

CINEMA CINEMA was established in 2008 by Brooklyn-born cousins, vocalist/guitarist Ev Gold and drummer Paul Claro. They've been described as “experi-metal punks” by the Village Voice, a “jolt of adrenaline” by BrooklynVegan, and “feral and unrelenting” by Big Takeover.    Touring extensively through the past 15 years, CINEMA CINEMA has performed over 475 shows across 11 countries. Multiple treks alongside SST Records founder Greg Ginn, including a 45-date North American tour opening for Black Flag in 2014, select dates supporting Black Flag in 2013, and shared dates in 2010, 2011, and 2012 with Ginn's other outfits: The Royal We and The Taylor Texas Corrugators. In addition, the band has half a dozen European tours to their credit, including a 2013 stint in support of Martin   CINEMA CINEMA returns, this time with polymath percussionist Thor Harris (Swans, Angels of Light, Shearwater) in tow, to release their seventh full length, “Mjolnir”. Recorded at historic BC Studio in Brooklyn, NY with legendary noise producer Martin Bisi (Sonic Youth, John Zorn, Boredoms). The album will be released July 28 as a red 12” vinyl LP, digital download and via streaming platforms by Nefarious Industries.   Inviting multi-instrumentalist Harris into the fold inspires new direction for the ensemble. Exploring his creative repertoire, Thor makes use of BC's synth collection along with an assortment of drums and arcane percussion pieces to leave his fingerprints on the proceedings. The trio submerge themselves in the strange beauty of chaotic sound, captured inside BC's cavernous recording space. Tracked just before the pandemic, Bisi spent time cultivating the sessions in the months that followed, helping shape one of the band's most expressive records to date. This marking the third time that CINEMA CINEMA and Martin have worked together (2014's A Night at The Fights and 2017's Man Bites Dog), the familiarity breeds wild results.       CINEMA CINEMA's info https://www.cinemacinemaband.com

Ed and Evan are tackling that blaster blues and what is that band that Spike, Carly, and Blaster are jamming out to? Dokken? Krokus? Is that Greg Ginn on the guitar? The guys delve into the classic episode, "Blaster Blues," which contains no blues ironically. Hey look, its Omega Supreme and Astrotrain kids. Missed their introduction? So did we!As always, thanks for being there for us and please reach out if you like what you hear!If you'd like to contact the guys, they'd love to hear from you!Edhatestransformers@gmail.comMorethanmeetstheseguys@gmail.com@mtmtgpod on Twitterhttps://www.facebook.com/MoreThanMeetsTheseGuys/https://discord.gg/sKr8jwaAvhAlso, check out the new youtube channel!https://www.youtube.com/@MoreThanMeetsTheseGuysPODIf you'd like to toss a buck or more per episode, we'd adore and say nice things about you. You don't have to, as we'll still gladly hang out with you guys and gals every week, but we appreciate any help! patreon.com/user?u=69144181

Punk Rock Month rolls on! Week 2 is all about the musical brainchild of Greg Ginn, co-founder of Black Flag, the teenage owner of his electronics company, and head of SST Records! The Imbalanced Brothers explore the varied phases of the band, its somewhat fluid vocalist role, until they found the man who solidified the spot! Both of the guys get into it, but Markus dives deep into the wormhole in this episode! His enthusiasm and knowledge shine throughout! As often happens they both discover things both forgotten, and previously unknown. Hope that you discover something, too! We love our sponsors!!! Please visit their web sites, and support them because they make this crazy show go: Boldfoot Socks  https://boldfoot.com Crooked Eye Brewery  https://crookedeyebrewery.com/ Don't forget that you can find all of our episodes, on-demand, for free right here on our web site: https://imbalancedhistory.com/   Learn more about your ad choices. Visit megaphone.fm/adchoices

Punk Rock Month rolls on! Week 2 is all about the musical brainchild of Greg Ginn, co-founder of Black Flag, the teenage owner of his electronics company, and head of SST Records! The Imbalanced Brothers explore the varied phases of the band, its somewhat fluid vocalist role, until they found the man who solidified the spot! Both of the guys get into it, but Markus dives deep into the wormhole in this episode! His enthusiasm and knowledge shine throughout! As often happens they both discover things both forgotten, and previously unknown. Hope that you discover something, too! We love our sponsors!!! Please visit their web sites, and support them because they make this crazy show go: Boldfoot Socks  https://boldfoot.com Crooked Eye Brewery  https://crookedeyebrewery.com/ Don't forget that you can find all of our episodes, on-demand, for free right here on our web site: https://imbalancedhistory.com/   Learn more about your ad choices. Visit megaphone.fm/adchoices

Psalm 87

This is a public booty announcement: the Valentine's Day mood enrichment and seductive vibes generator known as the “mixed tape” is in serious danger of becoming a lost art. Cupid's quiver of cassettes and CDs has been replaced with Alexa, Siri, and Spotify's artificial algorithm-generated playlists which could render your romantic evening a bit limp. Join us as we educate you on why the music for your special someone this Valentine's Day must be carefully curated. You better put this on if you want to get it on!What is it we do here at InObscuria? On most shows, Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. This episode is part of our educational track of episodes provided to you by 2 certified Auditory Horndogologists. Our hope is that we enhance your romantic festivities on this very special holiday.Songs this week include:Danko Jones - “Sugar Chocolate” from I'm Alive And On Fire (1999)The Bronx Casket Co. - “Black Valentine” from The Complete Collection (2001)Foxy Shazam - “The Only Way To My Heart” from Foxy Shazam (2010)Quireboys - “Sex Party” from A Little Bit Of What You Fancy (1990)Sam Kinison - “Wild Thing” from Have You Seen Me Lately? (1988)Black Flag - “Slip It In” from Slip It In (1985)Betty Blowtorch - “Shut Up And Fuck” from Are You Man Enough? (2008)Danzig - “Black Candy” from Deth Red Sabaoth (2010)Barracuda - “Back Door Boogie” from Open Fire (1989)Mother Superior - “Valentine's Day” from Heavy Soul Experience (1996)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

The modern music industry is defined, in large part, by major labels and centralized digital services. To try and imagine a world without (or at least around them), we've been looking backwards to the 1980s, when a thriving underground economy enabled a remarkable flood of American rock. If one label could be said to define that moment, it would be LA's SST Records. Founded in Hermosa Beach by Black Flag guitarist Greg Ginn, SST would spend the decade releasing an unbeatable string of albums from acts like Hüsker Dü, the Minutemen, Soundgarden, Sonic Youth, St. Vitus, and Meat Puppets. To try and understand how SST did it—and why it more or less vanished by the turn of the 90s, we talk to Jim Ruland author of Corporate Rock Sucks: The Rise and Fall of SST Records. Come for discussion of Spot, the best punk producer of all time. Stay for a takes on semi-thriving undefground economies , megalomania, and “weeding out.”

Part two of The Ledge’s look at SST Records focuses on the second half of the 80’s. There are a few big names involved, including Dinosaur Jr., Sonic Youth, Buffalo Tom, and future grunge major label heroes Screaming Trees and Soundgarden. There’s a look at the last few Black Flag albums, along with the Greg Ginn solo project Gone. There are also a few veterans of the music scene, including Divine Horsemen, Volcano Suns, and the first solo releases by Husker Du’s Grant Hart. Once again, special thanks must go to Jim Ruland for his fabulous book, Corporate Rock Sucks: The Rise & Fall of SST Records, which inspired this series of episodes. I would love it if every listener bought at least one record I played on either of these shows. These great artists deserve to be compensated for their hard work, and every purchase surely helps not only pay their bills but fund their next set of wonderful songs. And if you buy these records directly from the artist or label, please let them know you heard these tunes on The Ledge! Let them know who is giving them promotion! For more information, including setlist, head to http://scotthudson.blogspot.com

When I was informed there was a new book about one of my favorite labels of the 80s, I just had to have it. Jim Ruland’s Corporate Rock Sucks: The Rise & Fall of SST Records is every bit as great as I hoped. It really tells the controversil tale of not only label founder Greg Ginn, but the entire circus of bands and staffers that ran a label that launched the careers of dozens of legendry artists. It was only natural that I put together a show dedicated to these artists, but I quickly discovered this story could not be told in one episode. Tonight’s broadcast starts off with a chronological look at most of the label’s first 20 or so releases, followed by another hour spotlighting some of my personal favorites. While I still have dozens of records to sample for next week’s episode, if there’s any you feel needs to be included, please let me know! I would love it if every listener bought at least one record I played on either of these shows. These great artists deserve to be compensated for their hard work, and every purchase surely helps not only pay their bills but […]

When I was informed there was a new book about one of my favorite labels of the 80s, I just had to have it. Jim Ruland's Corporate Rock Sucks: The Rise & Fall of SST Records is every bit as great as I hoped. It really tells the controversil tale of not only label founder Greg Ginn, but the entire circus of bands and staffers that ran a label that launched the careers of dozens of legendry artists. It was only natural that I put together a show dedicated to these artists, but I quickly discovered this story could not be told in one episode. Tonight's broadcast starts off with a chronological look at most of the label's first 20 or so releases, followed by another hour spotlighting some of my personal favorites. While I still have dozens of records to sample for next week's episode, if there's any you feel needs to be included, please let me know! I would love it if every listener bought at least one record I played on either of these shows. These great artists deserve to be compensated for their hard work, and every purchase surely helps not only pay their bills but […]

Some icons dominate multiple industries, leaving their mark not on just one part of society, but on all of society. Mike Vallely is the Founder of Street Plant Skateboards and the lead singer of rock band Black Flag.Mike revolutionized the way society embraces skateboarding and skateboarding culture while he built a side career as a singer, playing with some of punk's greatest artists. Mike joined Fran Racioppi on the last day of the GORUCK Games to share his personal story, how he had to borrow skateboards to teach himself to ride, why going as hard as you can whenever you have a chance is a recipe for success, and what he has learned leading generations of punk rockers and skateboarders to skate, create and enjoy.Read the full episode transcription here and learn more on The Jedburgh Podcast Website. Check out our video versions on YouTube.Highlights:-Mike shares his decision to become “punk” (5:58)-Mike describes his entry into skateboarding after viewing a Thrasher magazine and accepting a challenge to jump off a car. (9:35) -Street skating was pioneered as Mike went pro with Powell-Peralta and has evolved across culture, proficiency and skateboard design. (28:24)-Fran asks Mike to describe the creativity and expression behind skateboard artwork, including his first design, the African Elephant. (38:50)-Mike discusses his entrepreneurial journey, finding support from his daughter to start Street Plant Skateboards.” (49:02)-Mike's music career spans Mike V and The Rats, his love for Black Flag and a childhood run in with Henry Rollins. (55:00) -Greg Ginn, the founding member of Blag Flag, showed him the importance of partnership. (1:07:57)-Mike shares his upcoming schedules with Black Flag, The Complete Disaster, Revolution Mother & The Morning Trail, as well as a collaboration with GORUCK. (1:26:35) Quotes:-”It was when I started skating that I felt that I actually took my first real breaths.” -”That's cool, come with us. The coolest words ever f***ing spoken to me.” -”My life before that moment was in black and white, or sepia tone. And then I saw these pictures of guys skating in the streets.” -”I would crunch down into the 30 seconds what they had spent all day doing…I would just go animalistic on the thing.” -”I wasn't going to take what I was being handed. I had to have it my way.” -”But when I started my company it was a purposeful return to being very sincere and earnest in creating boards that had a heart and soul.”-“All I really needed was a little help and a little encouragement…and someone to believe in me.” -”Rise Above became the mantra of my life.” -”You can do anything you want in this life. They just proved it right in front of me.” -“If the well of inspiration is there, you tap into it.” Mike's Three Daily Foundations to Success:-Skate: take action and do something-Create: bring artistic expression and be free -Enjoy: love what you are doingThis episode is brought to you by Jersey Mike's, 18A Fitness, Analytix Solutions, Jaguar Land Rover of Fairfield and The Readiness Collective.

It's an O3L party!  We've got nothing better to do than listen to O3L and have a couple of brews (or ginger ales), because this week we discuss the ultimate American punk rock label, SST Records.  SST was founded in 1978 by Black Flag guitarist Greg Ginn as a vehicle for his band's records, but over the years has released classic underground music by the likes of Hüsker Dü, Minutemen, Meat Puppets, Soundgarden, Sonic Youth, Dinosaur Jr., Screaming Trees, Bad Brains, Descendents and many more.   Our guest Lad this week is author and music journalist Jim Ruland, who has written the definitive chronicle of the label with his new #1 Amazon best seller Corporate Rock Sucks: The Rise & Fall of SST Records.  In this insightful and exhaustive book, Ruland recounts SST's remarkable rise, dysfunctional operation, and infamous downfall.  Through it all, they changed the alternative rock landscape forever. Purchase Jim's book here: Corporate Rock Sucks: The Rise and Fall of SST Records: Ruland, Jim: 9780306925481: Books (amazon.com)

This week we're discussing every album by Saint Vitus. Led by guitarist Dave Chandler, Saint Vitus pretty much invented doom metal in the early to mid 80s after being signed to Greg Ginn's (of Black Flag) record label, SST. While the band has gone through numerous vocalists and lineup changes, the infamous Scott Wino Weinrich left his mark on this band with some of their best albums. Heavy stuff, but definitely not for everyone. Closing track: “Clear Windowpane” from Born Too Late (1986)Spotify playlist on Saint Vitushttps://open.spotify.com/user/motherpuncherincPatreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Instagram:Mike @pandermonkeyAlex @motherpuncherMike and Alex's Picks:Born Too Late (1986) — Best Album, Personal FavoriteC.O.D. (1992) — Worst Album, Least FavoriteAlbums we discussed this episode…Saint Vitus (1984)The Walking Dead EP (1985)Hallow's Victim (1985)Born Too Late (1986)Mournful Cries (1988)V (1990)C.O.D. (1992)Die Healing (1995)Lillie: F-65 (2012)Saint Vitus (2019)

Kira Roessler played bass in Black Flag for two years, during which time the legendary hardcore band put out seven(!) records. Now, at the age of 60, she's an Emmy- and Oscar-winning dialogue editor and promoting her self-titled solo debut. In this interview she discusses her new album, being in a band with Henry Rollins and Greg Ginn, as well as being in a band (and a marriage) with Mike Watt.

A longtime veteran of the scene, Tony Reed has made a name for himself both in front of a live audience and behind the scenes. In addition to leading his main outfit, Mos Generator, Tony's also a driving force in Big Scenic Nowhere (along with Bob Balch from Fu Manchu, who was featured on the show last week) and has put in years of production, engineering, and mastering work on countless albums. During his chat with Dylan, Tony delves into his many other projects, as well as stealing a 45 of "Nights in White Satin" at age four, learning "Iron Man" as his first song, an appreciation for the goths, Greg Ginn's breakfast treats, why he doesn't dwell on past decisions, gets real about production work, the green origins of the band name, and dealing with the fear of rejection. Support Mos Generator and Big Scenic Nowhere, as well as Tony's other bands and solo releases and his alt-country band, Hot Spring Water. Track featured is "Stolen Ages" from Shadowlands, released in 2018. Regarding the track at the time, Tony had this to say: "This is another song that was built from a jam and was recorded the day after it was written. We ended up using two different ideas on the same theme. On the demo jam, the song changed over the course of 20 minutes and when we were reviewing the session we thought it would be cool to marry the different styles. Part one has a loose psychedelic jam style and part two has a great pushing metal boogie feel. As I am writing this paragraph I am taking a break from arranging the vocal melodies and guitar overdubs. This is the second of two songs to be arranged during session #3 in January 2018. There are quite a few ideas that we laid down to the recorder that we'll get to in the future."

Black Flag is such a vast, deep topic to cover that it was impossible to get to everything involving Greg Ginn, Henry Rollins, Keith Morris, Chuck Dukowski and the rest. FLAG IIII came out unscathed, but Keith and Henry's relationship perhaps not so much. We investigate from what we can piece together. VIDEO VERSION - https://youtu.be/Bz5FlzvODy0 Video from KEITH MORRIS: Come To Where I'm From Episode #13 Subscribe HERE - https://www.youtube.com/channel/UChXbOwMi7pF8Mr2uECqcTjQ Podcast from Henry Rollins | Broken Record (Hosted by Rick Rubin) Subscribe Here - https://www.youtube.com/watch?v=nA6c8IKEs0g VIDEO VERSION - https://youtu.be/ZFzbGP2VlRs JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess

Black Flag's feud seems to mostly be all against one: Greg Ginn against Henry Rollins, Keith Morris, Chuck Dukowski, Dez Cadena, Bill Stevenson, Kira Roessler, Ron Reyes and most every other member of Black Flag: A band that has more members/line ups than The Misfits. But the beef is not limited to being directed solely at Greg Ginn. ALLEGEDLY, most if not all of these members have ever received royalties from SST Records. VIDEO VERSION - https://youtu.be/2PFAWtPF-Gw JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess

On this month's podcast we talk to Hughie and David of CT punk band Zipper! We talk about the music we're listening to and dive into what happened to get Zipper going.  We talk about what bands they're playing and releasing stuff with that they're stoked on. We talk about the way they got into music and punk in the first place and generally dive into playing music in bands. We actually stay pretty on topic in this episode only veering a couple times to talk about a couple shows that happened in the old store's basement (Mind Eraser and Greg Ginn - separate shows).  Opening Music: Zipper "Menace To Society" Demo (Youth Distribute) Rick: PJ Harvey & John Parish "Black Hearted Love" A Woman A Man Walked By (Island) Tom Guycot "Deranged Fan" Deranged Fan (Giallo Disco) Golpe "Nato Colpevole" La Colpa È Solo Tua (Sorry State) Mica Levi "Wings" Ruff Dog (Self-Released) Josh: Kleistwahr "Winter Part I - We Sense It Through The Even Snow" Winter (Helen Scarsdale Agency) Varathron "Cassiopeia's Ode" Walpurgisnacht (Nuclear War Now! Productions) Hughie: Mind Eraser "Spectral Dominance" Glacial Reign (Painkiller Records) David: Dillinger Four "Doublewhiskeycokenoice" Midwestern Songs Of The Americas (Hopeless Records) Closing Music: Zipper Live at Microbe Manor July 3, 2021 in Killingly, CT The Redscroll Podcast is a monthly show (new episodes on the first of the month) that works as a companion to what we do at Redscroll Records in Wallingford, CT USA. We are a record store that has a heavy emphasis on the left of center / underground music of the world. Whether it be underappreciated or just has a niche audience, marginalized or just off the radar it's all of interest to us. With the show we'll generally have a localized focus. We'll discuss what is in our personal rotation at the moment. We'll talk to guests who have to do with all of the above. And we'll talk about specific dealings with the store. If you have input you're welcome to contact us through email (redscroll@gmail.com). Oh, and please do subscribe! New episodes on the first of every month! (Subscribe on Android)(Subscribe elsewhere just by searching for us please!)

Recorded in the beer garden of The Rock Island Public House in Brandon sits down with local musician Fred Morg. A student of music for most of his life, not to mention a music teacher, Fred has spent more than 30 years playing in bands such as Major Threat, Number Nine, Reflexicon and his longest running project FULL, just to name a few . . . There is also some talk about mustard, his encounters with Greg Ginn and Dan Hampton, and of course, the six string bass. If that's not enough we also, we get a call from Fred's mom! Music heard on this episode: Mini theme song by Niko Riley Theme song: Apache by Jorgan Ingmann Fads and M-Possible by FULL Find FULL on Bandcamp by searching FULLOGRAPHY    

Get ready for one nasty upper decker. In today's episode, Cade & I wrestle our minds around 1985's "In My Head," by hardcore moguls Black Flag. This album has its ups and it has its downs, but most importantly: its got a whole lotta Greg Ginn. We're gonna have a Podcast party tonight!!

This week on Broken Records Steve and Remfry continue their search for the very worst record in history by looking at a genuinely legendary band; LA hardcore legends Black Flag, and their 7th studio album What The... , released on the 5th of November 2013. What should and could have been a glorious return to action from one of the most celebrated artists in the history of punk rock soon descended into a farcical situation as Black Flag band leader Greg Ginn sued, ignored and alienated pretty much every legendary musician to have ever passed through the ranks in the past. The result is a rather sad and incredibly confusing period in which the name of a truly exceptional band was trawled through the mud and, arguably, negatively affected their superb legacy. But, was the record that came along during all the drama really that bad? Here's the place to find out.

We're going wild in the streets on this episode because Damian is joined by his buddy & a goddamn LEGEND: KEITH MORRIS! Listen in as the two discuss the LA punk explosion, & what led up to it, from the most first hand of perspectives. From going with Greg Ginn to see the Dogs in a music wasteland to watching West Coast hardcore take over the globe a few years later. This is NOT TO BE MISSED & don't miss the brand new jammed packed reissue of Group Sex (one of the best records ever!) out now on Trust Records.  Also Touched On: Not heroes, friends Great bass players LA versus NY punk A nice thick red face and zucchini noodles Talking Heads, Blondie and most of the early CBs scene wasn’t really punk The Dickies and X are the only bands to get signed Zolar X  The Imperial Dogs The Dogs from Detroit: Ginn and Keith’s favourite band The Last kick it off in the South Bay Lucky Leher gives out his number on Group Sex and regrets it Jeff trades Keith a song in exchange for a new band name Hollywood vs the Beach communities The effect of growing up in the “Hey Devo!” era Don’t stand around trying to figure stuff out, jump in: Beach Jocks Circles Jerks and Fear to 5000 people at the Olympic Auditorium  The Stooges on their last legs The effects of Charles Manson on you Culture Vom were… fun Fear forming to mock punk The Extremes to Youth Brigade The Atoms: pre-DFL and GnR The first tour Fanzines Making sure you were playing with the good band in each town Borrowing riffs four month long tours no merch & SO MUCH MORE!!! BROUGHT TO YOU BY VANS

After recently watching all 3 Decline of Western Civilization films as well as the H.R documentary, I thought what a better subject for this one than some old school punk rock and the youth culture of the 80's that Penelope Spheeris captured so well. Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appRate & review the podcast - send us a screenshot for a free PCH shirt!email me for FREE Power Chord Hour guitar picks - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgGofundme for original Bad Brains vocalist Sidney McCray burial assistance https://gf.me/u/yx59xb

Black Flag special with Kira Roessler in conversation with David Eastaugh   Black Flag is an American punk rock band formed in 1976 in Hermosa Beach, California. Initially called Panic, the band was established by Greg Ginn, the guitarist, primary songwriter, and sole continuous member through multiple personnel changes in the band. They are widely considered to be one of the first hardcore punk bands, as well as one of the pioneers of post-hardcore.

My Longtime friend Richard Francis "Rikk" Agnew, Jr. (born December 9, 1958) is an American singer, songwriter, composer, multi-instrumentalist, record producer, and visual artist. We cover Aura's and Out of body experiences with Rikk's backstory of strange events in his life..Agnew's music career spans more than 30 years. He has previously been a member of some of the most influential bands of the Orange County hardcore punk genre, as well as the highly influential deathrock band Christian Death. During his years with the Adolescents, Agnew became known as one of the best guitarists in the Southern California hardcore punk scene.Agnew has also pursued a solo career and released his debut album, All by Myself, in 1982. He later released Emotional Vomit in 1990 and Turtle in 1992.Agnew has cited influences such as The Beatles, the Doors, Jimi Hendrix, Led Zeppelin's Jimmy Page, Cheap Trick's Rick Nielsen, Black Flag's Greg Ginn, and Flipper's Ted Falconi.Facebook Links:https://www.facebook.com/officialrikkagnewband/https://www.facebook.com/gitanegdqTwitter:https://twitter.com/RikkAgnewBand?fbclid=IwAR05qbI-fAAfkebRShEiCBjq0s-AlQ7r6LYTWvej85Y3qYyPGiRF_Vw5xiIYouTube Links:https://youtu.be/hP0YnzEhLGUhttps://youtu.be/RiO4xpSrGiMhttps://youtu.be/5bM9wRK-C-Ahttps://www.youtube.com/watch?v=Ard1WKpt4GEMerchandise Links:https://rikkagnewshit.bigcartel.com/https://gitanedemone.bigcartel.com/?fbclid=IwAR2yhRL_2-b3GyrwdfcjchSYKpTwUpXozIB7YsUKckVToc3tRxN24CKt2gQWebsites:http://gitanedemone.net/?fbclid=IwAR2mhkXe8aErpdPrcFgNWIScQmYZD2N95kJXrWwmM58FKwC64C49J6VsDi0Support the show (https://cash.app/$2Dabs)

We're joined by guitarist, music history expert, and surprise Kiwi, Matt Silcock (@Blastitude) for what is surely the most dizzying whirlwind of knowledge you'll step in all week. Picture this: your glitch-hop/hypnagogic-pop power trio ensemble is the talk of your mid-size town; having sold out of all 30 copies of your cassette-only EP and all but conquered the Missouri-Arkansas DIY touring circuit, you're now getting calls from record label A&R men. But which deal should you take? Make an informed decision and listen in to consider the histories, ethos, and rosters of the following legendary record labels: (1) Chess Records (2) SST Records (3) Flying Nun Records (4) Drag City Take a tour with us through a brief history of Chicago blues and R&B, American underground punk, New Zealand guitar-pop, Midwestern indie, and so much more in between. Featuring music from Fontella Bass, Ty Segall, Dinosaur Jr., and more. Find full songs and more through our Linktr.ee. Links mentioned in the episode: • Listen to Matt's music (on the Saddle Creek label!) on Spotify with Opium Taylor and Lullaby for the Working Class; his most recent work is with the Crippled Masters. • Check out his long-running zine/blog Blastitude, now in a new home on Substack, where you can subscribe to immerse yourself in even more of his monumental music knowledge. • Rolling Stone interview with Greg Ginn. • Spin article by Jon Dolan on SST and more, "The Revival of Indie" (2005) • Greg Kot article about the 1993 Drag City Invitational: "BANDS CARVE OUT OWN TURF AT DRAG CITY" • Don Howland's Spin feature on Drag City circa 1993

Horror literature review extraordinaire and Night Worms co-creator Mother Horror (Sadie Hartmann) hangs out with us to discuss books, how Paleo & Cheeze met, Waco, Wes Anderson's Rushmore, A Stranger Dream, Black Flag's Greg Ginn & his legal stance, as well as streaming services' conspiracy against Chad's viewing pleasures.Mother Horror & Night Wormshttps://nightworms.com/https://www.facebook.com/sadie.hartmannhttps://www.facebook.com/NightWormsBo...https://twitter.com/SadieHartmannhttps://twitter.com/Night_Wormshttps://www.youtube.com/Night_Wormshttps://www.instagram.com/mother.horror/ See acast.com/privacy for privacy and opt-out information.

Alfred Brown IV http://www.alfredbrowniv.com/https://www.instagram.com/alfredbrowniv/MFA Columbia, BFA Princeton, PhD USC (?)Lead Singer of DANGERSFiction writer, photographer, teacher, gym and soccer coach, and Recorded July 15th, 2019 at Gate 14 in El Segundo, CA A renaissance man…or a Jack of all trades…Alfred does not sleep. Ninja Turtles Pizza has marshmallows. Being a wandering nomad around all the beach cities of California as child. How a competitive edge and doting grandmother drove Al’s scholastic endeavors. Al went to Mira Costa High school: Alma Mater to Keith Morris, Bill Stevenson, and Greg Ginn of Black Flag; Jim Lindberg of Pennywise, and Robert Hecker of Red Kross, and members of 98 mute. Theologian records. Sneaking in to see RATM during the battle of Los Angeles tour. Despite academic accolades, 18 year old Al only wanted to play music and had no interest in going to college…yet eventually gets into Princeton for English, Einstein’s classroom, Cornel West, and Joyce Carol Oates at Princeton…and the proximity to Philadelphia and New York City with out needing a car. 9/11 as the first day of college. Dangers is a California band, but started at Princeton with “Tim” the bass player.The Miracle Mile. Never start a band on the east coast, never date on the east coast, never live on the east coast; California calls you back. https://www.nytimes.com/2018/05/09/nyregion/yale-black-student-nap.htmlWrote a book at 22 for a dissertation at: “The end of me is the beginning of You” Books have been written, but Al hasn’t published full books. Princeton: 2001-2005.In 2002, Al starts Sink With Cali with a grant from Princeton. Sink with Cali, Sound and Fury fest, and the Have Heart “Smoke with Cali” T-shirt. From the Beach, not downtown LA. 2005, enter graduate school at Columbia for a MFA in Fiction. Jonathan Safran Foer and being $200,000 in debt. Photography electives and Jocelyn Lee https://www.jocelynleestudio.com/Communication transcends every art “The writer is one who, embarking upon a task, does not know what to do.” -Donald Barthelmehttps://www.brainpickings.org/2014/04/07/donald-barthelme-not-knowing/Learning by Failure and treating negative outcomes as data. HOMELESShttp://www.alfredbrowniv.com/home-less-blogLA vs. NYC / BEST COAST vs. BEAST COASTWHAT DO YOU DO? Prius, Toe Shoes, and shopping at Whole Foods. “The Problem with Centaurs”- Short story collection for dissertation fulfillment at Columbia. Moves back to LA, gets involved with special needs, and “The grapes of wraith.” 2013: started a PhD in creative writing at USCPursuing your own desires, encouraging your own curiosity, and our societal inability to empathize. money, not living comfortably, and the privilege of time. Good use of emojis and wanting to be a writer. songs you like, songs you don’tcancer and laughter and owning up to your mistakes and the future of dangers the most dangerous think you have is your mind and the pale blue dot. The worst teachers are the ones that don’t listen.

PLEASE SUPPORT US ON PATREON: https://www.patreon.com/cometowhereimfrom Stream of Download the podcast on: iTunes, Google, Spotify, TuneIn, Stitcher, Simplecast and Pocket Casts, please rate us and subscribe.

Previo a su primera presentación en la ciudad de México, tuvimos la oportunidad de hacerle unas preguntas a Mike V. ( vocalista de Black Flag) sobre como fué la integración a la banda, las diferencias entre la escena punk de los 80´s contra la actual, su relación con Greg Ginn, su sonido favorito de la patineta. Episodio imperdible!!! // Prior to their first show in México city, we had the opportunity to ask Mike V. ( singer ) a couple of questions regarding his integration as a permanent member of the band, his friendship with Greg Ginn, the differences between the punk rock scene in the 80´s and the actual scene. Great episode, you can´t miss this one. --- Support this podcast: https://anchor.fm/conversaciones-de-altura/support

Woodstock 50 continues to step on rakes like Sideshow Bob. Greg Ginn’s Black Flag is back with a new lineup. Blink-182 and Lil Wayne touring. Integrity maces.

"Holy shit, Greg Ginn's a Deadhead!" We're headed on a long strange trip into the Black Pyramid with special guest John Kiefer. Deadheads unite! YOU DON’T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don’t know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don’t know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

Backlog clearing part 1: John keeps throwing shows. Tim Armstrong's new cartoon. Weezer's new dumb thing. Greg Ginn's Black Flag are back. Mott The Hoople for some reason.

00 Back from fun 05 All fresh on this 10 We'll probably do the lost civilization first 15 *SPOILER ALERT DAREDEVIL SEASON 3*         Even she wasn't that annoying i season three. 20 You have to be medically fitted. 25 I think they're fucking in it or something. 30 I been itching to play so bad. 35 They wroked on my sun head. 40 HOLY SHIT DAVE MESSAGE TO DAVE! 45 That's a good one. We should bring it back. 50 My voice is not there. 55 Fuck that we put 'em in songs!   BLACK FLAG DAMAGED Henry Rollins - vocals Greg Ginn and Dez Cadena - guitars Chuck Dukowski - bass Robo - drums  

Kurt Bloch came to the pod garage! We discuss his many music projects, OG Photo Shop on disk, growing up punk in Seattle, and the subversive art of Raymond Pettibon. From the Black Flag logo to his many zines to a beach towel sold at Target….we discuss his beginnings and ongoing impact on the art scene.–What do Black Flag and the show Law & Order have in common?–What does Pettibon mean?Listen and find out!And please share with friends xoxo Thank you for your support!@designfreakspodcast@clarita.dezdesignfreakspodcast.comSources:The Art of Punk - Black Flag - Art + Music - MOCAtvhttps://youtu.be/N0u04EqNVjohttp://www.artnet.com/artists/raymond-pettibon/https://en.wikipedia.org/wiki/Raymond_Pettibonhttp://www.raypettibon.com/https://www.gregkucera.com/pettibon.htmTheme Music: "Jet in Jungle" by Damaged Bug, courtesy of John DwyerSupport the show (https://www.venmo.com/Clarita-Hinojosa)

       We listen to Black Flag's My War with friend of the show and music writer, Sean Caldwell from letters-from-a-tapehead. Sean is an authority on Flag and dives into a lot of the context surrounding the record along with the making of the album. They are one of those bands that everyone seems to know and come to in very different ways, but undeniably essential and this B-side was decades ahead of everything. Email - records@harveylovesharvey.com Twitter - @welisten21 Instagram - welisten2records Leave a message on the Welisten hotline - 978-707-9899 

Avant d’être le guitariste et fondateur de Black Flag, Greg Ginn était un gamin débrouillard qui a inventé des appareils électroniques et a déposé de nombreux brevets, le plus rentable étant celui d’un tuner d’antenne. A l’âge de 13 ans, il lance un fanzine radio amateur : The Novice et il fonde dans la foulée SST pour Solid State Transmitter afin de vendre du matériel radio par correspondance. Bien que son entreprise fût petite, elle prospéra rapidement à tel point que Greg Ginn pouvait presque en vivre avant l’âge adulte. En 76, Greg Ginn fonde avec son frère Raymond Petitbon et Keith Morris le groupe Panic que l’on connaitra par la suite sous le nom de Black Flag. Raymond Petitbon quittera le groupe par la suite remplacé par Charles Dukowski. Il deviendra célèbre pour avoir dessiné le fameux logo du groupe : le drapeau noir que l’on trouve tatoué sur de nombreuses peaux et aussi maintenant sur des t-shirts H&M. Ses pochettes de disques légendaires et son style unique ont fait les honneurs des albums de Black Flag et des groupes SST ainsi que de nombreux autres groupes. En 78, Black Flag enregistre le single Nervous Breakdown pour le label Bomp mais celui-ci tarde à le sortir. Greg Ginn décide qu’il a suffisamment d’expérience pour le sortir lui-même. Il revend son affaire de radio et fonde le label SST Records. Nervous Breakdown sera la première sortie du label en 79 suivi en 80 de l’ep Paranoid Time des Minutemen. Pour mettre en place leur 1er album Damaged en 81 dans les magasins, SST a passé un marché avec Unicorn Records via la major MCA. Une semaine avant la sortie de l’album, MCA refusa de sortir l’album pour des raisons d’éthiques jugeant le disque « anti-parents ». SST a intenté une poursuite contre Unicorn. Unicorn obtiendra une injonction interdisant SST de publier des albums de Black Flag. Unicorn fit faillite en 83 rendant les droits de publication à SST. Malgré ses problèmes juridiques, SST continuera de publier des disques notamment des Minutemen, Saccharine Trust ou des Meat Puppets. SST avait pour idée de partager l’argent comme une famille. Les groupes rentraient dans un style de vie particulier. Si un album se vendait bien l’argent servait pour un autre groupe du label. Il y avait plusieurs styles de musique, différents points de vue et même temps une logique anti-commerciale déconnectée de toute scène. La famille SST a commencé a volé en éclats lorsque Warner Bros a signé Hüsker Dü fin 86, devenant le premier groupe de hardcore a signé chez une major. Gregg Ginn devint un fumeur de joints paranoïaque et les groupes quittèrent le label un à un. En 84, SST était en position pour obtenir un succès à long terme en tant qu’indépendant rebelle. Et même s’ils sortirent par la suite quelques groupes décents comme Saint Vitus ou Always August le label finira par ne sortir que des productions médiocres à tel point que SST finira dans l’anonymat le plus total en perdant son côté « Do It Yourself » des débuts. SST publia de nombreux albums qui s’avérèrent décisifs dans l’essor du hardcore et du rock indépendant américain en publiant des groupes comme Minutemen, Hüsker Dü, Sonic Youth, les Meat Pupets ou Dinosaur Jr. Black Flag/Nervous Breakdown Hüsker Dü/Something I Learned Today Bad Brains/Re-Ignition Minutemen/Little Man With a Gun in His Hand Sonic Youth/Star Power Saint Vitus/Born Too Late Screaming Trees/Black Sun Morning Dinosaur Jr./Raisans Sylvia Juncosa/Lick My Pussy, Eddie Van Halen Oxbow/Lucky

Episode 015: Greg Ginn, Chuck Dukowski, Dez Cadena, Robo, Chavo Pederast, Johnny "Bob" Goldstein "Everything Went Black" YOU DON’T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don’t know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don’t know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: https://www.facebook.com/youdontknowmojack/ Twitter: @udontknowmojack Instagram: https://www.instagram.com/youdontknowmojack/ Tumblr: https://www.tumblr.com/blog/youdontknowmojack Theme Song: Shockflesh

To know Nick Stargu (or DJ Real) is to love him! Nick is a friend of the show (he appeared in character on our LIVE Sketchfest episode 2 years ago) and is a very talented comedian and musician. Nick brought to us We Jam Econo the revealing doc that looks back at the history of the influential 1980s punk band the Minutemen. We also get into music, tech, Nick's formation of the DJ Real act, Paco's bands, George's jam with Mike Watt, Andy Kaufman and more!We Jam Econo: The Story of the Minutemen, is a full-length 2005 documentary about the influential 1980s punk rock band Minutemen, created by director Tim Irwin and producer Keith Schieron.Nick Stargu is a musician, comedian, writer and filmmaker who is best known for his multimedia / musical comedy act, DJ REAL, which has been featured at Comedy Central’s Colossal Clusterfest, Outside Lands, San Francisco Sketchfest, Bridgetown Comedy Festival and more! Nick also performs as Imaginary Radio with comedy partner, Drennon Davis.He is an audio producer, composer and sound designer at Audible’s comedy division. He has written the theme songs for “Bedtime Stories for Cynics” (w/Nick Offerman), “Hold On with Eugene Mirman”, “Limelight” and more. He co-produced the audio series McSweeney’s Internet Tendencies, and has worked on the production of a number of shows including “Wedlock with Kurt Braunohler and Lauren Cook” and most recently “Dr. Katz: The Audio Files”.He also, currently co-produces San Francisco’s premiere weirdo multimedia show, Talkies, where he has premiered live audience interactive virtual reality experiences, characters and short films. He produced the hit live show, Pitch!, in San Francisco, where guest comics pitched ideas for movies, inventions, video games and more. He also co-produced the monthly storytelling show, Shit Creek, at Lost Weekend Video with comedians Mary Van Note and Jessse Fernandez.Follow us on:Twitter: @supdocpodcastInstagram: @supdocpodcastFacebook: @supdocpodcastsign up for our mailing listAnd you can show your support to Sup Doc by donating on Patreon.

This week on the show: FLAG!!!! That is right, Damian is sitting down with the LEGENDARY ex-members OF Black Flag to discuss a ton of topics. Sit back for a wild one! Some of the topics covered include: Ted Nugent impressions and when did he start to suck? Coffee with a Stern Bro. “How old are you?” NoFX’s Birds Of Fire Metallic K.O. is the greatest live record ever! Louie Louie over Femme Fatal: the first conflict “I’m not Greg Ginn’s Puppet” Keith meeting Bill as a little kid Meeting the Red Cross kids The floorplan of the Black Flag house RonAndDez: the inseparable pair he would gum that steak down The Last and the Alleycats: the only bands with creativity Rhino 39: from the southern tip of the Southbay The Quick and going to Altamont Rodney plays the hits! The Saints the Stingers: LA Family band How Dez found Flag Robo tales Living next door to the Screamers The Suburban problem Dez getting asked to join Flag The falling out between Ron and Dez David Bowie comes to see Black Flag Chuck watching Vox Pop recording their first single. VOM sucked live AND MORE!!!!!!!

Keith Morris is the former lead singer of pink legends Black Flag, The Circle Jerks and the current singer/songwriter of Off! Discussing everything from the very beginnings of Black Flag including how Greg Ginn went from a card carrying Deadhead to on of the greatest punk rock songwriters of all time, Keith's disdain for all things Bruce Springsteen, all the way to today's music scene and Coachella's current state. Intro music is Teenagers by teh Meat Puppets, Outro is Wiped Out by Off!

In part one of my interview with iconoclastic Los Angeles art writer and gallerist Mat Gleason, we talk about the Los Angeles punk scene, The Atomic Cafe, the new paradigm, SST Records, the South Bay, conservative culture, art-as-time-machine, feminism, diversity, tolerance, Greg Ginn, Mike Ness, Mr. Brett Gurewitz, prog rock, The Misfits, the burden of facts, The Velvet Underground, Coagula Art Journal, Grad school, Mike Kelley, Green Day and careerism. Among other things. In other words, a typical conversation with Mat.

This week Damian sits down with his good friend Steven McDonald from OFF! and Red Kross, for a conversation that was so good that they had to record it twice! Steven is the definition of a lifer, having started playing in punk bands at the age of 11 in 1978. He shares amazing and legitimately terrifying stories from hardcore’s formative days. Sit back and enjoy this EPIC 2+ HOUR hang out!!!! Plus, behind the scenes of their VICE-20 Hardcore bands. Also covered in this episode: - Steven's genuine curiosity about Damian having been “straight edge” - The two's evening spent getting to become "Cro-Mags Adjacent" - Seeing Patti Smith as a child - Being cousins of the Allycats - McDonald's and husky kids - How the Dickies "10" White Dickie" kills Junior High School popularity. - The A&R skills of Greg Ginn - "Little kid band" beef with Mad Society? - The Germs being THE band. - Rollins: the prototypical hardcore kid - An impassioned debate on downloading - Record stores as laxatives

“I’m sorry if I can’t look you in the eyes during the interview,” Keith Morris apologizes, taking the microphone from me. I’m slightly baffled by the statement until he lays down on the couch, feet facing me, mic resting on his chest. It takes a few minutes to shake the feeling that this is some sort of on-the-record counseling session. Morris isn’t feeling 100-percent. Not too surprising, really, for a 58-year-old hardcore singer grappling with diabetes and emphysema, but the mere fact that he’s made it this far is an accomplishment in and of itself — and then there’s the fact that, in a couple of hours, he’s set to take the stage with his new band, OFF. For the time being, however, the former Black Flag/Circle Jerks frontman is attempting to exert as little energy as possible, as we sit in the Bowery Ballroom’s backstage, in amongst assorted foodstuff that looks to have been plucked from the shelves of a nearby health food store. But while Morris will barely move a muscle during the hour-plus conversation, his mind and mouth hardly ever stop. There’s plenty of ground to cover, of course, from the early Southern California hardcore days of the late-70s/early-80s to his recent rebirth, creating arguably his best and most immediate music since Golden Shower of Hits. And then there’s the health concerns and the lawsuits and the time spent on the Black Flag Facebook page defending his old pal, Henry Rollins. As for their old bandmate, guitarist Greg Ginn, however, Morris isn’t likely to be rushing to defend him on social media any time soon.

Minor Threat t-shirts. Greg Ginn lawsuits. Jesse Michaels' book. Descendents recording.

I got together with my old friend Randy Larsen (Cable, Empty Flowers) to check out the "Black Flag" show that happened here in Brooklyn at the Warsaw Club as part of the Northside Music Fest. I know that I've been obsessed with this for the last few episodes, but this will probably be the final transmission on this topic. It's time to move on to other things and just let it go. Greg Ginn is a genius; his guitar playing will destroy you however, I think he needs to leave Black Flag in the past. Music for this episode: Intro - Hans Zimmer - "Gotham's Reckoning" from the DARK KNIGHT RISES soundtrack Outro - Empty Flower - "Police" from the album SIX

Ev Gold from Brooklyn's Cinema Cinema checks into McG's Backroom to discuss old-school indie and punk rock, recording their new album “MANIC CHILDREN and the SLOW AGGRESSION” with Don Zientara at Inner Ear Studios and their summer 2012 tour with Greg Ginn and the Royal We. To take part in the show please call in at 347-202-0832 or click on the shows free skype link.

SST Records was a seminal label in Los Angeles’s independent music scene of the 1980’s. Founded in 1978 by Greg Ginn, SST released records by a slew of influential bands such as Black Flag, Minutemen, Meat Puppets, Saint Vitus, Husker Du, and Sonic Youth, to name just a few. Naomi Petersen was SST’s staff photographer for much of the 1980s. Finding out about Naomi’s death in 2005, a full two years after the fact, spurred Joe Carducci, part owner of SST Records from 1981-1986, to write Enter Naomi: SST, L.A. and All That… (Redoubt Press, 2007). In it he not only tells Naomi’s story, but also the story of SST and, to a lesser extent, the story of the L.A. punk scene in the early eighties. Carducci sensitively portrays Naomi as a young woman finding her art and passion in the distinctly masculine worlds of SST and punk rock. Along the way he tells the stories of many of the characters that made SST the pioneering indie label that it was. Learn more about your ad choices. Visit megaphone.fm/adchoices

2025 is the year punk broke because Dave Markey and Jordan Schwartz have come to Turned Out A Punk! Listen in as Damian sits down with the brains behind We Got Power Fanzine and Films to discuss all things punk. From getting Damian into punk, to Bill Bartell being punk's biggest troll, to the day Pat Smear joined Nirvana, to getting fired by Greg Ginn, to filming Rollins' first and last set with Black Flag sets and so much more: DON'T MISS THIS ONE!!!Also don't miss the amazing film: "The Secret Lives Of Bill Bartell"! Check We Got Power for more updates!Also, check out Dave's youtube channel for some of the greatest music movies ever!Support this podcast at — https://redcircle.com/turned-out-a-punk/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy