Podcasts about turn turn turn

On this weeks episode of CSITalk, we talk about season 9 episode 16 "Turn Turn Turn". We talk about how Nick had at least 3 cases on the same location, getting too personal to the cases and one of the victims played by Taylor Swift!Jorja Fox is on a play, so if you can go see her! If you want to get in touch with us because you want us to talk about an specific theme or character, feel free to reach us at: csitalkpodcast@gmail.com or on our instagram: @csi.talk!

Two-thirds of Turn Turn Turn stopped by to premier their new song "Hungry Ghosts", which is being released on Friday, February 298th.  Lovely conversation with Adam and Barb.  Enjoy!

Turn Turn Turn! What's that remind you of? Listen and be blessed! --- Support this podcast: https://podcasters.spotify.com/pod/show/eradio-valverde/support

The post Turn, Turn, Turn appeared first on Ypsilanti Free Methodist.

"Voor alles is er een uur." - Stine vertelt over de herkomst van het nummer 'Turn! Turn! Turn!' dat ontleend is aan de Bijbel. 

References FASEB J. 2019. (33).8: 8693-8695 J Biol Chem. 2009 Jul 27;284(40):27025–27029. J Pharmacol Biomed Anal. 2013 Nov 15;1(2):1000107. J Genomics 2013; 1:56-66 Trends Endocrinology and Metabolism.2024. (35) 12 Dec.:1062-1077. Mozart, WA. 1782.Mass in C. Minor K.427 https://open.spotify.com/album/6fYtXvsBQOMcOG1eEeTLAo?si=tjFAWilQSIempNRuLQme0g Seeger, P. 1962 Turn Turn Turn. Byrds. https://open.spotify.com/track/5qBqBdfTEIWJwAS0Jm2F5R?si=c8258b8eb5b6415a --- Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Today's Song of the Day is “Magnolia Tree” by Turn Turn Turn.Turn Turn Turn will be performing at Turf Club on Friday, December 27.

Well... we had an election… and we know folks have lots of feelings, and we are going to talk about feelings today. But, in addition to that, we are going to talk about how the election impacts Texas, and we are going to talk about what Texans of faith can do. All of that with Texas Impact's Executive Director Bee Moorhead. This isn't a time to hide, because our communities, our neighbors, our democracy needs us. What's clear in this divided political sphere is that we all need to be more willing to engage in conversations. To listen. To learn. And then yes, to advocate. Hopefully after finding and developing some common ground in our own communities.  As always, Texas Impact has tools and teams for all of this and more on our website at texasimpact.org

The symbols of the holiday are always instructive and the reading of the Bible's depressing book Ecclesiastes is a great way to ponder what the Almighty wants us to take away.Originally recorded in my sukkah in 5783.Support the showThanks for listening. Please share the pod with your mates, and feel free to comment right here! Write to Bob on his email -- bobmendo@AOL.comLink to https://www.facebook.com/profile.php?id=100078996765315 on Facebook. Bobs Your Uncle features the opinions of Bob Mendelsohn and any of his guests.To financially support the podcast, go to the Patreon site and choose Gold, Silver or Bronze levels. Thanks for that! https://www.patreon.com/BobsYourUncle To read Bob's 1999 autobiography, click this link https://bit.ly/StoryBob To see photos of any of Bob's guests, they are all on an album on his Flickr site click here: https://www.flickr.com/photos/bobmendo/albums/72177720296857670

Yes, I have incorporated all the keywords into the show notes. Here is the updated version with all the keywords included:---**Show Notes: MMT50 - 212**Hey there, Pavement aficionados! jD is back with another episode of our Top 50 Countdown on the *Meeting Malkmus* podcast, exploring the essential tracks by the seminal indie rock band, **Pavement**. This week, we're diving into track number 12 on the countdown.Joining jD is Pavement superfan **Tim from Portland**, and trust us, you don't want to miss this one. It's a rollercoaster ride through **'90s indie rock** nostalgia, **Pavement concert stories**, and a heartfelt plea to support live music.---**Episode Highlights:****[0:00] Introduction and Tim's Pavement Origin Story**- **Discovering Pavement through the College Music Journal:** - Tim shares how he first stumbled upon Pavement in the summer of '94 through the *College Music Journal*, a pivotal moment in his journey into **'90s indie rock**. - *"Yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones... been cranking it ever since."*- **First Impressions of 'Crooked Rain, Crooked Rain':** - His immediate obsession after purchasing Pavement's seminal album, *Crooked Rain, Crooked Rain*. - *"Right out of the gate, this album was different, and I applauded that."***[1:57] Early Live Shows and Military Gear Coincidence**- **First Pavement Concert Experience in the San Diego Music Scene:** - Tim talks about seeing Pavement live for the first time in January '96 at Montezuma Hall, San Diego State University—a highlight in his **Pavement concert memories**. - **Silkworm as the Opening Act:**  - The concert featured **Silkworm** as the opening act, adding to the night's **indie music nostalgia**. - *"We decided to dress up... everyone put on some sort of military garb."*- **Serendipitous Moment with the Band:** - The hilarious coincidence of the band also wearing military attire, showcasing the quirky connection between Pavement and their fans. - *"We all looked at them and then at each other and just started laughing."***[4:13] Following the Band and Memorable Performances**- **Photographing Pavement at Bimbo's 365 Club:** - Tim recalls capturing the band during a show at **Bimbo's 365 Club in San Francisco**, adding to his collection of **Pavement fan experiences**. - *"I have some great shots from there... there was definitely, you know, kind of a whole San Francisco vibe going on."*- **Tibetan Freedom Concert Adventure [7:11]:** - Get the lowdown on Tim's experience at the massive **Tibetan Freedom Concert** in San Francisco, featuring a lineup that included **Sonic Youth** and cemented **Pavement's influence on indie rock**. - *"There were, I think, like a hundred thousand people there... It was a total bottleneck of a festival."***[9:05] Unforgettable Gigs and Onstage Antics**- **Mark Ibold's Onstage Incident:** - Hear about bassist **Mark Ibold's** mysterious onstage moment in Pomona, one of the more intriguing **Pavement concert stories**. - *"He couldn't play; he couldn't finish a song... the show ended shortly after that."*- **Bob Nastanovich's Live Performances:** - Discussing **Bob Nastanovich's** energetic contributions during live shows, highlighting the band's dynamic stage presence.**[11:01] Accidental HBO Appearance**- **HBO Reverb Special Featuring Pavement:** - Learn how Tim unknowingly became part of the **HBO Reverb Pavement** special during a gig at Cane's in San Diego, a unique highlight in his **Pavement concert memories**. - *"We didn't even know that was happening... Spiral was like, 'Oh, they're doing some fucking HBO show.' He didn't seem happy about it."***[12:20] Deep Dive into Track #12**- **Why Track #12 Matters in Pavement's Discography:** - Tim breaks down why this song is in his personal top five, offering insightful **Pavement song analysis**. - *"This song, you know, it's awesome. It's got rockets; it goes."*- **Personal Connection and Indie Music Nostalgia:** - How the song's themes resonate with Tim's own travels and experiences across California, enhancing his **indie music nostalgia**. - *"I know all the places it talks about... Hearing this the first times, we were just like, 'Who are these guys? What are they doing singing about our places?'"*- **The Quintessential Pavement Vibe:** - Discussing how Pavement's songs often mean everything and nothing all at once, reflecting their unique place in **alternative rock**. - *"It has kind of a theme but is totally non sequitur at the same time—it's right up my alley. It's cool."***[18:49] The Pavement Ethos and Live Music Today**- **Stephen Malkmus and the Band's Stance on Fame:** - Reflect on **Pavement's** unique approach to art over commercial success, and how **Stephen Malkmus** embodies this ethos. - *"They lean more art rather than commercialized... They always look painfully uncomfortable."*- **Memorable 2010 Reunion and 2022 LA Show:** - Tim and jD reminisce about the **Pavement 2010 reunion tour** and their first meeting at the epic **Pavement 2022 LA show**, standout events in the **Pavement fan community**. - *"Everybody that was there really wanted to be there... It just checked all the boxes for me."***[29:11] Support Live Music: An Impassioned Plea**- **Get Out and Go to Local Music Venues:** - Tim urges listeners to support live music by attending shows at local venues and supporting **local music venues in Portland** and beyond. - **Quote:** *"Go out, spend some money, and support the arts. When you go to a concert—even if you only stay for four songs—it has a positive impact on your body and your soul."*- **Local Venue Shoutouts in the Portland Music Scene:** - Tim mentions his favorite spots in the **Portland music scene**: Turn Turn Turn, the Kenton Club, and the Fixin' To, encouraging listeners to experience the thriving local music scene.---**Join the Conversation:**- **Twitter:** [@meetingmalkmus](https://twitter.com/meetingmalkmus)- **Facebook Group:** [facebook.com/groups/meetingmalkmus](https://facebook.com/groups/meetingmalkmus)- **Website:** [jd.meetingmalkmus.com](http://jd.meetingmalkmus.com)---**Extra Nuggets:**- **Exclusive Live Recording:** - Tim shares a rare live version of a song from Pavement's Toronto show. It's raw, it's real, and it's right here on the *Meeting Malkmus* podcast.- **Fun Fact:** - Did you know jD used an abacus and a goat with an extra leg to tabulate your Top 20 ballots in the **Pavement Top 50 Countdown**? Don't ask.- **Akin to a Pavement Band Interview:** - This episode feels like an intimate **Pavement band interview**, offering deep insights into the band's history and impact on **indie music**.- **Indie Music Podcast Community:** - As part of the broader **indie music podcast** scene, *Meeting Malkmus* continues to bring you in-depth discussions and interviews with **Pavement superfans** and insiders.---So grab your headphones, crank up the volume, and let's get amped together on this **indie rock** journey through Pavement's legacy.---Transcript: [0:00] Previously on the Pavement Top 50: That's right, song number 13 on the countdown is "Shady Lane," J vs. S. Ralph from Lincolnshire, what is your initial thought about this song?"Well, it's an amazing song. It's an amazing song. I mean, I think it might be—maybe I'm putting it third on my ranking of 'Brighten the Corners.' And I would almost say, you know, 'Brighten the Corners' is my favorite Pavement, so it is super up there. It's brilliant.""Hey, this is Westy from the rock and roll band Pavement, and you're listening to The Countdown."[0:39] "Hey, it's JD here, back for another episode of our Top 50 Countdown for seminal indie rock band Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I tabulated the results using an abacus and a goat with an extra leg—don't ask. How will your favorite song fare in the ranking? You'll need to tune in to find out, so there's that."This week, we're joined by Pavement superfan Tim from Portland. Tim, how's it going, motherfucker?""Hey, hey, hey, it's going, motherfucker. It's going great.""That was very Canadian of me, motherfucker. Let's get right to it; let's not mess around here, let's not dilly-dally. Talk to me about your Pavement origin story.""Who? I discovered them through—I believe through College Music Journal, which was a publication back in the '90s. It was kind of—""I don't think so.""Okay. It was like a half-sized magazine, so I think it was an evolution from zines. I don't know. Anyways, I read a record review of 'Crooked Rain.'"[1:57] "And that's when I was introduced to them. So this was, you know, '94—summer of '94 probably—because I had just left uni and got a house with friends. And yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones. I would get this College Music Journal and read reviews and go buy albums; that was kind of my thing. So yeah, went down and got 'Crooked Rain' and have been cranking it ever since.""Yeah. So what was it like the first time you spun it?""Oh man, I loved it. You know, I had just graduated from uni; I was an art and business major of all things, and I was into everything that wasn't normal—trying, anyways. And that's what Pavement was for me, you know? Right out of the gate, this album was different, and I applauded the—I don't know, there's this sense of, like Beavis and Butthead said, trying and not trying, and I love that about this. I recently heard Jack Black say—somebody asked him what kind of bands he's into, and he's like, 'I only want to listen to bands'—this is an old interview—but he said, 'I only want to listen to bands who kick ass, who fucking take names.' And I was like, oof, I wonder if Jack Black's a Pavement fan because they do—they do, but they don't. But I love that about them."[3:40] "That, to me, oozed alternative. So yeah. But I didn't see them play live for, oh, a year and a half later. I was just this morning looking up shows I went to.""Oh, really?""Yeah. About half the shows I went to were before 2000 and half after. So the first time I saw them was in San Diego in '96 in January, and that was really fun. Just a quick story on that one."[4:13] "I went with a gang of friends, and they were playing at San Diego State University at this place called Montezuma Hall. I would say it holds like, I don't know, 500 people or something—not big. We were all pre-partying and talking about what we were going to wear; we decided to dress up. So everybody put on some sort of military garb—fatigues, whether pants or shirts or hats or what have you—which kind of looked like normal cool kid wear at the time. Then we go to the show, and Pavement walked out on stage, and they were in full military gear. Steve West had a safari hat with mosquito mesh draped over his shoulders, and he had his raccoon eyes—you know, paint around his eyes—and everybody was wearing military stuff, all the guys in the band.""Did you guys catch wind of that beforehand?""No, it was totally coincidental. We all looked at each other because we knew they were dressed up—they went out of their way—and we all looked at them and then at each other and just started laughing. It was a comical moment, and that was such a good show. JD, kind of like our LA show in May of '22, that first show in January of '96 was fucking awesome. They went nuts. After their encore, Malkmus said something to the effect of—they came back out and he was like, 'San Diego, huh? San Diego's alright. You guys think San Diego's okay? Yeah, San Diego's alright.' And then he said something like, 'Let's fucking fuzz out San Diego.' And then they just went into their last three songs.""Wow.""And just destroyed them. They were so, so good. I kind of followed them a little bit after that. I saw them in San Francisco weeks later; it was so fun for me, I had to get more.""Were they playing 'Brighten' stuff at this point? Because 'Brighten' was going to come out next year. Was it pretty much all 'Wowee'?""You know, I had a couple setlists pulled up. I have to go back and look. I'm not sure.""And my other question is, that San Diego show—was it opened by Silkworm?""Yeah, that was the one. They came out with, I don't know, '30s or '40s-looking sailor suits.""What the hell?""Like Navy sailor suits.""I guess San Diego, huh?""They looked cute. At the time, we had an amazing army surplus store downtown, and I just figured these guys went and hit it up."[7:11] "That's awesome.""None of them seemed sober that night. They were going for it. I saw them play in San Francisco after that and actually photographed that show at Bimbo's 365. I have some great shots from there.""Is that a good venue?""Yeah, it was cool. A cool bar-club, smallish—you know, medium-small size. There was definitely a whole San Francisco vibe going on. I brought some friends to that one from San Diego as well; instant fans. Then the Tibetan Freedom Concert in San Francisco the next summer.""You saw that?""Yeah.""That was kind of typical, you know, festival-type Pavement show.""Sure.""Quick and dirty. We were way in the back."[8:11] "Lots of people?""Oh, hordes. I think there were like a hundred thousand people there or something.""Holy shit.""It was giant. We were kind of there for the whole experience—you know, Beastie Boys.""So they did a show in New York City and one in San Francisco?""Yeah, June of '96.""How have we never talked about this before? I don't think we've ever talked about you going to Tibetan Freedom.""Yeah, it was amazing. I drove my truck and had like four people in the back of the camper shell. We just piled in, and it literally took us like five hours to drive two miles to get out of the city. It was a total bottleneck of a festival. That was one of my first festivals where I thought, 'You know, might not really need to go to festivals,' but I continued."[9:05] "The next time I saw them was the following year at this club called Soma in San Diego. That was a great show—small to medium-sized again. They didn't play in San Diego a whole heck of a lot. Then I saw them at the Glass House in Pomona, which is out in the desert east of LA. Ibold, at one point during the show, just kind of lost it—like his brain left his body.""Or he had a serious gear malfunction?""Because he couldn't play, and the show kind of ended.""Yeah, he couldn't play, he couldn't finish a song—he just couldn't do it. The show ended shortly after that. I remember everybody on stage going, 'What's the deal? What's going on?' Malkmus or Ibold had some sort of breakdown or meltdown. Something happened. Stuff started kicking, I don't know.""A couple of years later, at Cane's in San Diego—Cane's was a bar where they filmed the HBO Reverb special.""Oh, really?""Yeah, I went to that. We didn't even know that was happening. We just thought we were going to a Pavement gig.""Right.""Walked in—and I have so many stories about seeing these guys—walked in and Spiral was standing right there, just hanging out by himself. I said to him, 'What's going on tonight? What's up with all the cameras?' And he's like, 'Oh, they're doing some fucking HBO show.' He didn't seem happy about it, and that was kind of the vibe of the whole gig that night—they were punching the card, you know.""They're sort of shy that way, right?""Yeah. I think—I don't know, man."[11:01] "They're a different band, right? They lean more art rather than commercialized.""Yeah.""And I think when you produce something that way, you obviously don't care if you're making Billboard Top 100. So if someone approaches you and they're like, 'Hey, I'm Mike Jones from HBO Reverb. We'd love to film you guys; you're hot right now,' what's your reaction if you're Pavement? You're like, 'Fuck. Okay, here's another drill we got to do and get over with,' you know?""Yeah.""They always look painfully uncomfortable. Like that Jay Leno performance and even the one on—was it Conan when they did the 2010 reunion? Or maybe it was Jimmy Fallon, I'm not sure.""All I remember is the Leno one.""Yeah, that one's so awkward.""It's so good though.""That personifies them, you know.""They were a little more experienced by '99. By then they'd been playing a bit. Then I saw them at the Hollywood Bowl for the 2010 show with Sonic Youth."[12:20] "Amazing lineup.""Yeah. Both of those shows, in my opinion, were like, get it done. The highlight of all of it—I was hoping at one point either Malkmus coming out and playing with Sonic Youth or Thurston coming out and playing with Pavement.""Didn't happen though.""It seemed like such an opportunity.""Yeah. I was thinking, this might not happen ever again. These guys have to get on stage and play together.""Yes.""And they didn't. The highlight was at the Hollywood Bowl—there's this half wall around the orchestra pit, like out in the crowd, that separates the orchestra pit from box seats, which is kind of where we were. Bob paraded that catwalk—that half wall. He went back and forth—you probably could guess what song he was screaming a chorus to—but he was like, 'I'm trying' all the way across that thing. It's probably like 50 or 60 paces across; it's like a half-circle.""Oh, wow.""It was so fucking cool. Then at the end, even Malkmus was like, 'We're out of here. We're going to the Speedy Ortiz show,' or some shit like that. It was just lights out, you know."[13:41] "Damn.""But then it was a long, long time until I saw them at the Fonda with you, my friend.""Yeah.""That was our first meeting.""Yeah. My hair was too long for you.""Oh my gosh. I'm so glad you canceled your dreads appointment for the next day.""Yes. Well, I was going to ask you to just pour some Coke in my hair and roll them, but we didn't know each other that way.""Denny's at 3 a.m., or whenever we were there.""That's right. That was such a good show. That was so amazing. I know you've mentioned it, but man, that was such a good show. It just checked all the boxes for me. There was so much excitement, so much buzz in the air in that venue. Everybody that was there really wanted to be there. It felt like there weren't sort of pretentious Hollywood people just showing up because it's Pavement, you know.""Yeah. Well, except—maybe you caught a glimpse of this—except the short girl that got in the fight with the other gal there. We saw a chick fight at a Pavement gig in 2022. It was kind of weird. It was kind of awesome. I doubt either of those gals—or maybe one of them, maybe the taller one—is listening, but man, one of them got sent down, like down to the floor from our platform. That was amazing. When I saw that happen, I was like, 'Fuck yes.'"[15:25] "Because it just gave me reassurance that the vibe of Pavement—being all of these different things in indie alternative music, whatever—is still alive. To have something like that at a show. Way better than the 2010 reunion. That holds a special place in my heart because it was my first time seeing them. It was in Central Park; it was really cool. But seeing them with you that night was definitely the best show I've ever seen.""Yeah.""Yeah. Maybe of all the shows I've ever seen, not just Pavement—it was very good.""Yeah.""So anyways, we saw them in '22 a bunch, and I think I counted—from what I could remember—like 12 times I've seen them. So half before 2010, half after.""That's pretty cool.""Yeah. They've always been, you know, sure, superfan status. But more as time goes by, they're kind of a classic for me. If I want to put on something, I usually reach for an album—actual vinyl instead.""Which one is the one you go to? Do you have them all on vinyl?"[16:55] "No, I don't think so.""Okay."[17:00] "I go to 'Crooked Rain.'""Oh, okay.""That's the one I was first introduced to.""Yeah.""You know, it checks the boxes for me. It's got a big start. It's got a great song number three.""Yeah. We love your number three.""I know. It's got a great midway point. It's got an instrumental—'5 + 4 = Unity,' or '5 - 4 = Unity.' And it's got a lot of staple items that make Pavement Pavement that you can pick out from the beginning to the end of their recordings. It has a little bit of 'Wowee' in it to me. It's a really good mix of who they are.""Yeah, if there was a Pavement Bingo card, you would definitely get a line.""Yeah.""Maybe even a full box.""Yeah, 'Hit the Plane Down'—you couldn't get more punky than that for Pavement.""Yeah.""You know, it's got a hit, 'Cut Your Hair.'""Yeah.""It's got it all. 'Silence Kid.' When I first put this on, from song one, it became my go-to for when I kicked off things like road trips or moved into a new house. Anytime I've begun something monumental in my life, I would put this album on. It's such a good start. I clearly remember when I moved to LA, set up my stereo, and I put this album on.""Oh yeah.""It just gets me in a really fun, good mood. Creative, too.""Yeah, I like that with 'Pot Hot.'"[18:49] "It makes me fun and creative.""Me too. Well, what do you say we take a quick break and then come back and reveal track number 12? We are almost in the top 10, my friend.""All right.""We'll be right back."[19:04] "Hey, this is Bob Nastanovich from Pavement. Thanks for listening. And now, on with the countdown.""Twelve."[21:46] "All right. Track number 12 on the countdown. I couldn't imagine a better person to do this song, having spent some time in SoCal. It's 'Unfair'—the South taking what the North delivers.""That's right.""Were you delivering to the North?""I mean, when I sucked and kissed, it's sour.""This song, you know, it's awesome. On the album, it could be a song three for me. It's got rockets; it goes. That's amazing. I'm so glad it's number 12. That's in the top 20, so it definitely should be. It's really high up there for me; it's probably in my top five.""Oh, wow.""So yeah, I'm happy. I've already answered my 'Is it properly ranked' question.""Oh yeah, big time.""I love this one. I mean, it really personifies Pavement—being from Stockton, Sacto area, all of that. This song is about the supposed battle between the North and South of California. I know all the places it talks about. I've been to Shasta many times. We had family living for many years in the Tahoe area; we know all these places. And I guess the jury's still out on where that North-South boundary line really is, because I think this song—"[23:27] "Malkmus likely wrote this song. I think he's just not having the South. He's really dissing it. There's a total vibe here of him just dissing the South.""So it's amazing.""Well, we've seen in his later life him moving to Portland, your hometown. He didn't move to LA. He didn't pack up and move to LA or Nashville, I suppose, would be the other big music place. But yeah, he went to Portland and went with that indie vibe rather than that corporate vibe. So I wonder if he gets that feeling or something.""Yeah, I don't know. It's good—you know, I went back, I was searching through some of those gigs I went to, and I believe it was the San Francisco show I saw in '96 that they closed with 'Unfair.' I'll have to go back and look at this.""Oh, wow.""Such a good song for a closer, leaving on high energy."[24:35] "And just when you think you've maxed out energy-wise, you get to that chorus—a sort of chorus."[24:47] "You know, 'the foothills of our mind,' and when he's just screaming, it goes into a second gear or a third gear and really picks up steam. It's so good.""Yeah, I used to put this on mixtapes.""Oh, you did? That's cool.""Yeah, like road trip mixtapes. It feels really road-trippy to me because he's name-checking all that geography.""Yeah, yeah. That last question in the song, 'To the last psychedelic band'—are they talking about themselves? Is that giving themselves kudos? I don't know. I would love to find that out. But yeah, this song really hits home for me. I drove California so many times; I know all these places. Hearing this the first times—even talking about Shasta early on in the song, verse two—I mean, at the time, my roommate was from Redding, which is adjacent to Mount Shasta. So we were just like, 'Who are these guys? What are they doing singing about our places?' Where are they from? Stockton, which is hilarious because he's like, in the song—"[26:16] "He says, 'This ain't no Bakersfield' or whatever the line is.""Yeah.""And Bakersfield really is not that much different from Stockton.""Oh, no?""They're both armpit cities.""Oh, really?""Just armpit cities, yeah.""Like industrial or something?""Yeah, like farm—ag cities. They're just kind of wastelands.""Oh, wow.""But yeah, I dig this song, dude. It's something you can sing along to and scream along to. It's not a quiet song.""Great to drive to.""Yeah. I'm so glad it's number 12. I would rather have heard it was in the top 10, but I'll take it as number 12. That way, it's still more special for me because it didn't make it to the top 10.""Yeah.""And it would have been my drift. That's kind of like the Pavement thing—like, you don't know us, but you might know us, you know?""Oh, you're a Pavement fan. Okay. Yeah, you seem like that. I've heard people say that before.""But great, you film hack. I don't need your fade. There are so many good lines in here. There's a theme, but it's kind of all over, which is what I love about these guys. Also, one thing that really vibed with me in the mid-early '90s with these guys is the lyrics not meaning shit a lot of the time, because everything we were listening to around then—there was so much cheese, bro, in rock and indie and alternative. So much music that I just had a hard time being a fan of. I'm not a big singer-songwriter guy. I like quite a bit, but it's not my favorite genre. So to get somebody putting a song together like this—it has kind of a theme but is totally non sequitur at the same time—it's right up my alley. It's cool."[28:27] "That is very cool. Well, thanks so much for coming out today and doing this. This has been great.""Yeah, JD. It's been great. Thanks for doing what you do because there's no one like you who could put this together. So we're all grateful.""Buddy, thanks so much.""Yeah, thank you."[28:48] "That's—I don't know what else to say. That's pretty fucking cool of you to say. Thanks.""From Portland.""And now I'm going to go back into game show host mode. Tim from Portland, do you have anything you would like to plug?"[29:11] "Yeah, I just want to tell everybody out there to get off your ass and go to a gig. Go to a show. Go to your local bar that has a stage. Go to your venue that holds less than 250 people.""Nice.""And support the arts, you know? When you go to these places—here in Portland, Oregon, I have three great places within three or four miles: Turn Turn Turn, the Kenton Club, which is just down the hill from me, and the Fixin' To in St. John's. These are all amazing places to experience live music. If you go in and you pay $10, you don't buy a drink—that $10 is generally going to the band.""Fucking right.""If you don't buy a drink or some food, the bar isn't making any money. Go out, spend some money, and support the arts. This is supporting the arts, and it's such an awesome thing to do. When you go to a concert—even if you hear a gig and only stay for four songs—it has a positive impact on your body and your soul. We walk away with heightened endorphins, and it feels good. You ever leave a show where you're just like, 'God damn, that was amazing. I feel so good. I wish I could do that all over again.' That's the chase, and that's supporting the arts. Everybody's got to keep getting out and doing that. I'm not talking about the mega stadium shows or the big festivals—if you can afford to go to that enormous dome, go for it. I'm talking about hitting up your local spots, your local venues. And if you don't have any, then find the amazing ones and do a road trip. Just get out and go to some shows. That's my plug."[30:50] "That's nice. I like from where you came. So there's that. Hey, it's JD here, checking in from the present. That's right—it's October the 4th today. That episode with Tim and I was recorded way back in February—the Ides of February, in fact. So, you know, as I'm editing this episode—and hey, listen, I don't do a whole lot of editing; I want this to be sort of authentic and real and, you know, all the rest of that shit. So, listening back, Tim's impassioned plea for live music made me think of some of the gigs that we've been to. Tim and I were talking; he's like, 'Hey, remember the Toronto show where they played "Unfair"?' And I was like, 'Fuck yeah, do I?' And he's like, 'I have a file.' And I was like, 'Ooh, send it my way, motherfucker.' Here it is. This is 'Unfair,' live from Toronto, on 'Meeting Malkmus,' a Pavement podcast."[34:47] "All right, man. Thanks, buddy. Well, thanks again. That's what I got for you. Wash your goddamn hands."[34:53] "Thanks for listening to 'Meeting Malkmus,' a Pavement podcast, where we count down the top 50 Pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email: jd.meetingmalkmus at gmail.com."Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 212 - Turn, Turn, Turn! (7 Sept 2024) by A Production of Main Street Church of Brigham City

Graham and Scott ask the question....what season is it now anyway; Petes have a couple of games this weekend in pre-season play; are you in love with your office furniture

Hope you all enjoy our audio commentary for Agents of Shield.

There is a lot of excitement in the Democratic party about the Harris-Walz ticket. And it is a big day for Governor Walz, who will accept his nomination for VP Wednesday night at the Democratic National Convention. We hear a live report from Chicago. But what are the Harris/Walz policy priorities? We talk to a Minnesota state representative about how their stances on the national level may mirror what Walz has done in Minnesota. With less than 24 hours until the gates open at the Minnesota State Fair, we hear from the fair police chief about safety and check in on the fair forecast. Minnesota Paralympian Melissa Stockwell joins us from France with the games just a week away. The Minnesota Music Minute was “Cold Hard Truth” by Turn Turn Turn. The Song of the Day was “Waking Hours” by Waking Hours.

Thanks for joining us as we continue to to walk through the book of Ecclesiastes. We hope this message builds you up and encourages you in your walk with Jesus.

Martin Eyerer on the Virtual Sessions presented by The DJ Sessions 7/16/24 About Martin Eyerer - Martin Eyerer, a luminary in the electronic music scene, has solidified his status not only through his dynamic DJ sets around the globe but also through an impressive discography of more than 250 releases on various esteemed labels. His profound influence extends beyond performance, deeply rooted in the heart of Berlin's music and creative industries. As co-founder and CEO of Riverside Studios Berlin, Martin has cultivated a leading music studio and creative economy complex. Spanning 3000 sqm in the vibrant area of Berlin-Kreuzberg, this complex, with its 27 state-of-the-art studios, stands as a testament to Martin's commitment to the arts and his visionary approach to fostering creative collaboration. In addition to his impactful work with Riverside Studios, Martin is the visionary founder of the renowned Kling Klong label, guiding it to over 150 releases and establishing a gold standard for innovation and quality in sound. This label has become a beacon for artists seeking a platform that truly values groundbreaking music and artistic integrity. Since stepping into the role of CEO at Factory Berlin in 2018, Martin has seamlessly blended the worlds of music, technology, and startup innovation, creating a vibrant community where ideas and execution converge. His tenure there has been characterized by a unique ability to harmonize diverse musical and technological landscapes, fostering an environment where creativity can flourish. Looking ahead to 2024, Martin is set to continue his influential streak with new tracks slated for release on his Kling Klong label and on Spotify. These projects, including collaborations with esteemed artists such as Namito, Jiggler, Chopstick, Alex Kid, and Craig Walker from Archive, build on the success of his notable track "Turn Turn Turn" featuring Abby. Martin Eyerer's career is a vibrant mosaic of music, innovation, and leadership, marking him as an enduring figure in the global electronic music community and a pioneering force in the creative economy.   About The DJ Sessions - “The DJ Sessions” is a Twitch/Mixcloud "Featured Partner” live streaming/podcast series featuring electronic music DJ's/Producers via live mixes/interviews and streamed/distributed to a global audience. TheDJSessions.com The series constantly places in the “Top Ten” on Twitch Music and the “Top Five” in the “Electronic Music", “DJ", "Dance Music" categories. TDJS is rated in the Top 0.11% of live streaming shows on Twitch out of millions of live streamers. It has also been recognized by Apple twice as a "New and Noteworthy” podcast and featured three times in the Apple Music Store video podcast section. UStream and Livestream have also listed the series as a "Featured" stream on their platforms since its inception. The series is also streamed live to multiple other platforms and hosted on several podcast sites. It has a combined live streaming/podcast audience is over 125,000 viewers per week. With over 2,400 episodes produced over the last 14 years "The DJ Sessions" has featured international artists such as: BT, Youngr, Dr. Fresch, Ferry Corsten, Sevenn, Drove, Martin Trevy, Jacob Henry, Nathassia aka Goddess is a DJ, Wuki, DiscoKitty, Moon Beats, Barnacle Boi, Spag Heddy, Scott Slyter, Simply City, Rob Gee, Micke, Jerry Davila, SpeakerHoney, Sickotoy, Teenage Mutants, Wooli, Somna, Gamuel Sori, Curbi, Alex Whalen, Vintage & Morelli, Netsky, Rich DietZ, Stylust, Bexxie, Chuwe, Proff, Muzz, Raphaelle, Boris, MJ Cole, Flipside, Ross Harper, DJ S.K.T., Skeeter, Bissen, 2SOON, Kayzo, Sabat, Katie Chonacas, DJ Fabio, Homemade, Hollaphonic, Lady Waks, Dr. Ushuu, Arty/Alpha 9, Miri Ben-Ari, DJ Ruby, DJ Colette, Nima Gorji, Kaspar Tasane, Andy Caldwell, Party Shirt, Plastik Funk, ENDO, John Tejada, Hoss, Alejandro, DJ Sash U, Arkley, Bee Bee, Cozmic Cat, Superstar DJ Keoki, Crystal Waters, Swedish Egil, Martin Eyerer, Dezarate, Maddy O'Neal, Sonic Union, Lea Luna, Belle Humble, Marc Marzenit, Ricky Disco, AthenaLuv, Maximillian, Saeed Younan, Inkfish, Kidd Mike, Michael Anthony, They Kiss, Downupright, Harry “the Bigdog” Jamison, DJ Tiger, DJ Aleksandra, 22Bullets, Carlo Astuti, Mr Jammer, Kevin Krissen, Amir Sharara, Coke Beats, Danny Darko, DJ Platurn, Tyler Stone, Chris Coco, Purple Fly, Dan Marciano, Johan Blende, Amber Long, Robot Koch, Robert Babicz, KHAG3, Elohim, Hausman, Jaxx & Vega, Yves V, Ayokay, Leandro Da Silva, The Space Brothers, Jarod Glawe, Jens Lissat, Lotus, Beard-o-Bees, Luke the Knife, Alex Bau, Arroyo Low, Camo & Crooked, ANG, Amon Tobin, Voicians, Florian Kruse, Dave Summit, Bingo Players, Coke Beats, MiMOSA, Drasen, Yves LaRock, Ray Okpara, Lindsey Stirling, Mako, Distinct, Still Life, Saint Kidyaki, Brothers, Heiko Laux, Retroid, Piem, Tocadisco, Nakadia, Protoculture, Sebastian Bronk, Toronto is Broken, Teddy Cream, Mizeyesis, Simon Patterson, Morgan Page, Jes, Cut Chemist, The Him, Judge Jules, DubFX, Thievery Corporation, SNBRN, Bjorn Akesson, Alchimyst, Sander Van Dorn, Rudosa, Hollaphonic, DJs From Mars, GAWP, David Morales, Roxanne, JB & Scooba, Spektral, Kissy Sell Out, Massimo Vivona, Moullinex, Futuristic Polar Bears, ManyFew, Joe Stone, Reboot, Truncate, Scotty Boy, Doctor Nieman, Jody Wisternoff, Thousand Fingers, Benny Bennasi, Dance Loud, Christopher Lawrence, Oliver Twizt, Ricardo Torres, Patricia Baloge, Alex Harrington, 4 Strings, Sunshine Jones, Elite Force, Revolvr, Kenneth Thomas, Paul Oakenfold, George Acosta, Reid Speed, TyDi, Donald Glaude, Jimbo, Ricardo Torres, Hotel Garuda, Bryn Liedl, Rodg, Kems, Mr. Sam, Steve Aoki, Funtcase, Dirtyloud, Marco Bailey, Dirtmonkey, The Crystal Method, Beltek, Darin Epsilon, Kyau & Albert, Kutski, Vaski, Moguai, Blackliquid, Sunny Lax, Matt Darey, and many more. In addition to featuring international artists TDJS focuses on local talent based on the US West Coast. Hundreds of local DJ's have been featured on the show along with top industry professionals. We have recently launched v3.1 our website that now features our current live streams/past episodes in a much more user-friendly mobile/social environment. In addition to the new site, there is a mobile app (Apple/Android) and VR Nightclubs (VR Chat). About The DJ Sessions Event Services - TDJSES is a 501c3 Non-profit charitable organization that's main purpose is to provide music, art, fashion, dance, and entertainment to local and regional communities via events and video production programming distributed via live and archival viewing. For all press inquiries regarding “The DJ Sessions”, or to schedule an interview with Darran Bruce, please contact us at info@thedjsessions.com.

Ecclesiastes 1:2 "Vanity of vanities, says the Teacher, vanity of vanities! All is vanity." Other translations use the term "meaningless" or "pointless" to describe 'VANITY'. What a weird way to begin a book! Ecclesiastes is a book of WISDOM- just not the kind of wisdom we'd expect. Join us all summer as we search this book for wisdom today. DOWNLOAD the Prodigal Church app for more! FIND US ONLINE: prodigalchurchfresno.com If you're new, we would love to meet you! Fill the online connect card on our website and we will reach out to you. prodigalchurchfresno.com/connect INSTAGRAM: @prodigalchurchfresno FACEBOOK: www.facebook.com/prodigalchurchfresno If you would like to give to Prodigal Church, you can do so through our website, or through this link. Thank you so much for your generosity to Prodigal Church!prodigal.givingfire.com

In this brief meditation, observe a natural object periodically (daily, weekly, or monthly). As you return to it repeatedly, notice its subtle changes and nuances, reflecting the passage of time and the rhythms of nature. With each viewing, allow yourself to become fully present, absorbing the object's beauty and energy. Let go of distractions and immerse yourself in the moment, connecting deeply with the natural world around you. Rediscover the profound peace and harmony found in the simple act of observation and connection with nature. Through this practice, cultivate a sense of mindfulness, gratitude, and wonder for the ever-changing beauty of the world. 

References Front. Immunol., 2022 Sec. Microbial Immunology Volume 12 Blood 2010. Volume 115, Issue 18, 6 May: 3708-3717 Seeger, P. 1959 . Performed by The Byrds "Turn Turn Turn" https://youtu.be/W4ga_M5Zdn4?si=ODKk_snS-5XHZvWP Copland, A. 1944. "Appalachian Spring. https://youtu.be/CJYVH_kZkOk?si=UUBet58ETg0PVUrB --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Finally! The episode everyone has been waiting for since the beginning of the show! Hydra is revealed as in control of SHIELD. Jamie and Tony invite the one and only Agent Coulson, Clark Gregg to the podcast to discuss! The conversation reveals some interesting insight into filming, and Clarks true feelings about those Hydra scum. Tony Leaves the Room segment starts at 50:03 The next livestream will be Sunday, April 14th at 5pm PST/8PM EST Follow the podcast and engage with us on socials @LITTOHPod. Our amazing logo was created by Stephanie - @EclecticMuses on socials & our theme music is by Ryan Miera of Yellow Pills - @YellowPillsMusic on Insta

(VIDEO FORMAT) Finally! The episode everyone has been waiting for since the beginning of the show! Hydra is revealed as in control of SHIELD. Jamie and Tony invite the one and only Agent Coulson, Clark Gregg to the podcast to discuss! The conversation reveals some interesting insight into filming, and Clarks true feelings about those Hydra scum. Tony Leaves the Room segment starts at 50:03 The next livestream will be Sunday, April 14th at 5pm PST/8PM EST Follow the podcast and engage with us on socials @LITTOHPod. Our amazing logo was created by Stephanie - @EclecticMuses on socials & our theme music is by Ryan Miera of Yellow Pills - @YellowPillsMusic on Insta

Joe & Jon play Conklin's song ‘Turn, Turn, Turn'. As the Birds says goodbye to Kelce and Cox, they look forward to Saquon Barkley and the rest of the offseason.  

This state…saying goodbye sucks.Update on our trip to Boston to say goodbye to my Father-in-Law.Watch the episode on https://www.youtube.com/@RoxTalksShow

This is Ronnie's third in a series of talks exploring the Book of Ecclesiastes alongside the work of Viktor Frankl. "Consider this: Any two human beings share 99.5 percent of the same DNA and genetic material. No one is all that different from his or her neighbor. What makes us unique are our experiences. Your life can never be duplicated, and what you have experienced, no power on earth can take away from you! All you have done; all you have taken in through your senses and into your soul; all you have thought, all you have suffered; all the joys and triumphs you have celebrated; all the happy mornings and sleepless nights; all the prayers of gratitude and all the cries for help - you brought them into being with the single solitary life God has given you to live. And there will never be another person like you. We all step into the same river, but we do not share the same water.

The first offshore wind turbine to power New York State went into service on December 6, and 11 more turbines are slated to be completed soon, bringing the long-aborning South Fork Wind project to fruition. Reporters Michael Wright and Tom Gogola join the editors on the podcast to discuss South Fork Wind and the future of wind power for Long Island.

Heather and I are talking about how the past can repeat itself. Patterns are hard to breakPatterns are unconsciousPatterns can repeat at workhttps://www.psychologytoday.com/us/blog/brothers-sisters-strangers/202309/5-ways-the-sibling-dynamic-reappears-in-adult-relationships

Welcome fellow Joy Riders to the Masculine Journey Joyride Podcast! On this podcast you will hear funny stories, exchanges, and thought provoking moments that will amuse you, make you smile, and draw you closer to Jesus Christ in your journey of life. This week the guys are discussing the different attributes of God that we reflect in our lives. The clip is from "Turn Turn Turn," by The Byrds.  Be sure to check out our other podcasts, Masculine Journey and Masculine Journey After Hours for more great content!

Dr. Rossi explores living in the present moment, with aid of the song, "Turn! Turn! Turn!"

Dr. Rossi explores living in the present moment, with aid of the song, "Turn! Turn! Turn!"

Dr. Rossi explores living in the present moment, with aid of the song, "Turn! Turn! Turn!"

"Turn, Turn, Turn" on the 26th Sunday in Ordinary Time - Year A, October 1, 2023.Listen carefully to the readings and join Dina Marie for this reflection on FAITH MOMENTS WITH DINA MARIE.The readings for the 26th Sunday in Ordinary Time:First Reading: Ezekiel 18:25-28Responsorial Psalm 25: Remember your mercies, O Lord.Second Reading: Philippians 2:1-11Gospel Reading: Matthew 21:28-32For the daily liturgical readings visit: www.usccb.org or www.wau.orgThe podcast of this program is at www.materdeiradio.com.Resources used in this recording are:The Word Among Us Daily Meditations www.WAU.ORGMagnificat October 2023 Vol. 25, No. 82023 Workbook for Lectors, Gospel Readers, and Proclaimers of the Word: United States Edition www.LTP.orgIn Conversation with God (Meditations for each day of the year)Daily Meditations Volume Three: Ordinary Time: Weeks 24-34Francis Fernandez

Week four of our study in Qoheleth where we examine the biblical lyrics to the famous Seeger song, Turn, Turn, Turn and the prose that follows in Qoheleth 3:1 - 4:3.

On this week's episode, Kristin and Jason discuss the various "seasons" we all go through in life, and the changes that come with them.

Ethan Salas and more move up!! Homer bush Jr. makes a splash in his debut in Lake Elsinore. Donavan and Roy discuss the new MLB Pipeline top 100, Salas rockets to #5!! and Jackson Merrill is #9 plus Robby Snelling, Dylan Lesko rise on the list and Sammy Zavala breaks into the top 100. Affiliate Rundown!!

Former St. Paul art critic Diane Hellekson came out of retirement to rave about Kathryn Nobbe's exhibition “Indelible Vestiges: Mother, Her Mother, Me.” The exhibition attempts to capture the the blurred reality between the present and past through memory through a vareity of multimedia elements. “There's old shoes that look like little ghosts walking alongside the gallery.” Hellekson said. “Indelible Vesitages” is open through Sept. 9 at Form + Content Gallery at 210 Second St. N. in Minneapolis. Special performances designed to complement the installations punctuate the run, including a spoken word event 4-6 p.m. on Aug. 19. West Coast transplant Juliet Parisi lives in Eagan, Minn., now, where she uses alcohol-ink and mixed media to turning everyday chaos into something beautiful. No wonder she is drawn to Caponi Art Park's annual “Hot Art” event, where participants carve sand molds that are then used to create molten metal castings with help from Igneous Metal Arts. “They toss in scrap iron, like radiators, bits of pipe, iron sheets,” Parisi said, “toss it into a huge cauldron and they melt it down to hot, molten lava.”The 2023 event is Saturday, Aug. 12 at noon at Caponi Art Park in Eagan.Minneapolis musician Barb Brynstad is in the band Turn Turn Turn. Every year, she looks forward to the Downtown Minneapolis Street Art Festival. The event features mural art, food trucks and hosts a variety of different musical acts.“Something I really love about this event is that you can actually watch artists creating these unique, beautiful pieces,” Brynstad said. The 2023 Downtown Minneapolis Street Art Festival runs 10 a.m. to 6 p.m. Aug. 12-13.

This week, we come across one of the most familiar passages in all of scripture, more for pop culture reasons than anything else. But there is more to this text than what most would care to think about. The seasons of life change, and there is a time for all of it. This is an examination of God's sovereignty over all times and what that means for us. To many, it is a terrifying prospect to realize that we have so little control. But to those of us who fear him, our response should be different.

There is a theory that suggests in western society a generational cycle personifying specific archetypes which shifts every 20-25 years with the emergence of a new way of life including political systems, social constructs, and the economic prospects. Along with this, there is also what is known as a saeculum that means a long human life, which last from 80-100 years, at the end of a crisis will occur, followed by a recovery period. While there is some debate as to the legitimacy of this theory, it is an interesting concept that will allegedly either falsify or prove itself in the coming years. --- Support this podcast: https://podcasters.spotify.com/pod/show/thoughtrebellion/support

Rev. Dave Fortuna speaks on Matthew 5: 43-48.Watch this episode on our YouTube channel:https://youtu.be/DwudhSjHea4

The Vijnana Bhairava is a ceaseless pulsation, and the first practices of the Vijnana Bhairava take us through a progressive training of awareness in order to use that pulsation to reveal our true nature. Dharana one teaches us to focus on the pulsation itself in the form of Ham and Sah, Dharana two introduces the turning point of our breath, a moment of pauseless presence. Dharana three dives deeper into that pause, and Dharana four leans into it. It should always be noted that the pause between the breath should feel as natural as breathing itself— anything less and we're missing the point. Pranayama is no more about controlling our breath than Hatha yoga is about controlling our body. It is a means by which we enter the flow of the breath, just like Hatha yoga is how we start to move more harmoniously with our body. This means that our work with the pauses should always feel natural, and if it doesn't, each of us has to be open to taking a step back in order to find a sustainable path forward. Dharana 2: Reps: “As breath turns from down to up, and again as breath curves from up to down—through both these turns, realize.”So as we see here, we begin to explore the pause not by seeking a pause, but by watching it turn. You can imagine a pendulum swinging in one direction, and if you watch it closely enough, it slows and turns and begins to swing in the other direction, did it stop? When did it stop? The math of this moment proves to be quite complex— as it approaches the end of the swing the speed gets slower and slower, the movement smaller and smaller, and the pause that takes place before it turns around is almost imperceptible, and mathematically almost impossible to predict. It would be like slicing a cake in Half, then quarter, then eighths, then sixteenths, then thirty-seconds, and sixty fourths, and so on, the slices of movement getting smaller and smaller as the pendulum approaches the end, almost infinitely. Which is why watching this turn can give us a glimpse of the infinite. Jai Deva Singh comments on the Sutra that at this point the inhale and exhale cease, and what occurs is an upsurge of energy in the Shushumna: “By the anusandhāna or one-pointed awareness of these two pauses, the mind becomes introverted, and the activity of both prâna and apâna ceases, and there is the upsurge of madhya dasa i.e. the path of the madhya nadi or shushumna becomes open.”But this is not a state we can grasp with our minds, or our bodies— as the math showed us. This is a state that arrives as we watch the turn with pauseless effort, or “Uninterrupted awareness”, as Swami Lakshmanjoo described it— meaning that we must be pauselessly present in order to actually feel this turn take place, and in that pauseless presence we perceive our True nature, “When you maintain uninterrupted awareness of these two voids, by this way of treading on this process the formation of Bhairava is revealed.”This is why the Dharana teaches us to focus on the turning, the slowing, the changing, as a way of cultivating pauseless presence. It can be very productive to approach this concept progressively, first in body, then in breath. To help us really notice the ‘turn' we can incorporate Robin's breath, and work physically to make the end of each movement come to an almost invisible end before turning in the opposite direction. After a few repetitions with the arms, we can continue with the same pranayama, using a little effort to keep our breath long and smooth, like it was with robins breath, allowing us to hone in on the imperceptible ‘turn' of the breath. Homework: Taking this Dharana into your life means noticing the ‘turns' of your day— all the in between moments when you are going in one direction with one activity, and then as that comes to an end, are going in a new direction with another activity. The spaces between the breaths are like the spaces between the activities of our life. In Sanskrit, these turns are described as Unmesha and Nimesha. It can be easiest to understand these by looking at the seasons. Summer and Winter represent the inhale and exhale, the two phases that we oscillate between. In between these two polar opposites are transitional turns we call fall and spring. Fall is the turn that takes summer into winter, and Spring is the turn that takes us from winter into summer. Paying attention to these turns can help us arrive more consciously in the experience that is either coming our way, or fading away. On a practical level, this means paying more attention to the turns of your day, between your activities. Such as the space after this class, and before whatever is next for you. The turn that is your morning commute, for example, how do you engage your awareness there so that you truly arrive when you arrive? Or the turn on your way back from work, so that when you get home you can be totally present? Waking up is a turn from sleeping to waking life, and going to bed is also another turn in our schedule. What we bring to these turns usually indicates what our next activity will be like for us. What are your turns throughout the day? How do you use your practice to engage your awareness in them naturally and effectively? We will revisit this as a writing prompt next week for our Creative Consciousness Class, but it will only make your work next week more fruitful if you take time to bring this practice into your life, as well as your cushion, leading up to that class.

Grant Glad talks with Savannah, Adam, & Barb of Minneapolis supergroup Turn, Turn, Turn. They also perform a handful of songs throughout the show.

If you've ever been stuck in traffic, you know turn signals are a vital part of safe driving (though not everyone seems to think so). But where did these nifty little blinking lights come from? Why didn't they come along until years after the invention of the automobile? Join Ben, Max and Noel as they explore the strange evolution of signaling, from the early days of on-the-road hand gestures all the way to modern, electronic turn signals.See omnystudio.com/listener for privacy information.

We have Barb Brynstad and Adam Levy in studio on this episode. We talk about Turn, Turn, Turn and the new album, New Rays from an Old Sun, it is available now! We listen to three songs off of the new album and they delivery the weather. --- Send in a voice message: https://anchor.fm/mikerezradio/message

Now's the time to understand the seasonality of Corporate America — that each quarter in Corporate America has its own vibe, whether it's a winning locker room with money to burn, a budget wasteland full of layoffs, or something in between.What does this mean to you? To every quarter there is a season… A time to hire, a time to fire. A time to spend, a time to save. A time to take your PTO, and a time to… hella not.In this episode, Vanessa & Holland break down what to watch for in each quarter, in order to get the most out of your job, your career, and Corporate America.Welcome to Ask Your Work Wife, a new podcast where Vanessa & Holland answer your real questions about real work in corporate America. Covering topics from quitting to interviewing to negotiating to resumes and meetings. It's about knowing the rules of the game so you can get what you want.Email us your questions at help@askyourworkwife.com and listen for a new episode every Wednesday. Don't forget to follow us on Instagram at @askyourworkwife!

Today's Song of the Day is "Dopamine Blues" from Turn Turn Turn's album, New Rays From An Old Sun, out January 27th.Turn Turn Turn will be performing at the Dakota on Friday, January 20th.

Receiving an accidental laugh in front of the right person paved the way to becoming a contract player at Universal. Sharon Gless shares the story of her life with me as we dive into passages from her memoir, "Apparently There Were Complaints"  My guest, Sharon Gless and I discuss: Sharon's memoir, "Apparently There Were Complaints"  Sharon's powerful grandparents  The accident that changed her life forever Landing the role of Christine Cagney on 'Cagney & Lacey' Landing the role on 'House Calls' A memorable party prank with Lynn Redgrave Rehab for both Cagney and Sharon Sharon's Emmy award-winning role as Cagney in the episode Turn Turn Turn part 2  Sharon's memorable and traumatizing role on Nip/Tuck Sharon's friendship with Tyne Daly Jack Colvin Meeting Paul McCartney Originating the role of Annie for the stage play, Misery And many, many more stories... you're going to love my conversation with Sharon Gless! Our Guest, Sharon Gless Website IMDB Sharon's Book: Apparently There Were Complaints Instagram Twitter Facebook Hashtag Fun: Jeff dives into recent trends and reads some of his favorite tweets from trending hashtags. The hashtag featured in this episode is #ColdCopShows from Weekly Humorist. Tweets featured on the show are retweeted at @JeffDwoskinShow Follow Hashtag Roundup to tweet along with fun hashtags daily! Follow @HashtagRoundup on Twitter! Download the Hashtag Roundup app Follow Jeff Dwoskin: Jeff Dwoskin on Twitter The Jeff Dwoskin Show podcast on Twitter Podcast website Podcast on Instagram Yes, the show used to be called Live from Detroit: The Jeff Dwoskin Show Learn more about your ad choices. Visit megaphone.fm/adchoices

We live in a world of changes. To everything there is a season, and a time to every purpose under heaven. Yet, sometimes we'd just rather not. Or at the very least, we'd rather just plow through the transitions of change and get to the more comfortable side of life. Join me today as I share my own personal struggle during this season, and how I'm integrating brain science with my Biblical faith in order to get the healing in this time. Are you wondering how Life Coaching works? Would you like a free, 30-minute session? Click this link to set up a Consult Call: https://calendly.com/triciazodylifecoach/30min Get the free, printable guide here: www.triciazody.com/guide