Podcasts about Speedy Ortiz

Sweet Juice Fest has been featured on this show since its inception in 2022, and this is the first year we get an in depth look at not just some of the artists that are playing, but the foundation and philosophy of the festival itself. John and Paige sit down with Shona Carr and Mel Harris, two of the festival's founders, to talk about this year's fest, the growth over previous years, and how Sweet Juice seeks to build and strengthen community and create a more audience-focused approach to music and art festivals.  Dan takes a look at some of the artists playing this year's festival, check out the clickable playlist: 1) ShyGodwin- American Circus 2) Little Hag- Show Me Your Head 3) KulfiGirls- Red Light Full lineup includes: Speedy Ortiz, Little Hag, Kulfi Girls, Sovei, Kai Davis, Ollie Goss, Cyrus K Stratton, and line dancing featuring Fist City and the Sweet Juice Fest House Band. Sweet Juice Fest is Saturday, June 28 at Awbury Arboretum in Germantown, and runs from 1:30pm to 9pm. Go to the festival's site for all information and ticketing, and be sure to follow them on IG for all the up-to-the-minute info. 

This week Justin was assigned the year 2015, and selected the Worriers debut album, Imaginary Life.Join our new $5 Patreon Producer Tier to get your name said on the show every week. You also get access to a Producer exclusive monthly bonus episode discussing a different EP, written content, outtakes, producer exclusive polls, and moreYou can also join our $1 tier to get access to all of our weekly bonus audio. We also have a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopodMajor Awards EP - majorawards.bandcamp.comMerch Shop  - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:Worriers - PlansWorriers - Good LuckWorriers - They / Them / Theirs

This week on [edit] radio, Ben Marwood is in a good mood because January is over! Listen in as he rises above the cold, grey and wet weather to deliver a delicious slice of hand-picked music both new and used. [edit] radio podcast 759 – Right Click and Save As to Download The post Podcast 759 | Featuring Doechii, Foxing & Speedy Ortiz appeared first on .

Not going to Butter is WAY better than going to Butter. Drew is joined by Sadie Dupuis (AKA the iconic musical genius behind bands like Speedy Ortiz and Sad13) to discuss Season 1, Episode 14 of Gossip Girl. This episode has it all: Jenny committing grand larceny, sex toys in the mail, the power of sync, and a threatening letter that changes the world of Gossip Girl as we know it. USPS has a big week! XOXO, Girls Room. Follow Girls Room on ⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠. Follow Drew on ⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠. Follow Julia on ⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠. Follow Sadie on ⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠ ⁠⁠and ⁠⁠⁠⁠Instagram⁠⁠ and ⁠listen to her GG theme song cover⁠!

Yes, I have incorporated all the keywords into the show notes. Here is the updated version with all the keywords included:---**Show Notes: MMT50 - 212**Hey there, Pavement aficionados! jD is back with another episode of our Top 50 Countdown on the *Meeting Malkmus* podcast, exploring the essential tracks by the seminal indie rock band, **Pavement**. This week, we're diving into track number 12 on the countdown.Joining jD is Pavement superfan **Tim from Portland**, and trust us, you don't want to miss this one. It's a rollercoaster ride through **'90s indie rock** nostalgia, **Pavement concert stories**, and a heartfelt plea to support live music.---**Episode Highlights:****[0:00] Introduction and Tim's Pavement Origin Story**- **Discovering Pavement through the College Music Journal:** - Tim shares how he first stumbled upon Pavement in the summer of '94 through the *College Music Journal*, a pivotal moment in his journey into **'90s indie rock**. - *"Yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones... been cranking it ever since."*- **First Impressions of 'Crooked Rain, Crooked Rain':** - His immediate obsession after purchasing Pavement's seminal album, *Crooked Rain, Crooked Rain*. - *"Right out of the gate, this album was different, and I applauded that."***[1:57] Early Live Shows and Military Gear Coincidence**- **First Pavement Concert Experience in the San Diego Music Scene:** - Tim talks about seeing Pavement live for the first time in January '96 at Montezuma Hall, San Diego State University—a highlight in his **Pavement concert memories**. - **Silkworm as the Opening Act:**  - The concert featured **Silkworm** as the opening act, adding to the night's **indie music nostalgia**. - *"We decided to dress up... everyone put on some sort of military garb."*- **Serendipitous Moment with the Band:** - The hilarious coincidence of the band also wearing military attire, showcasing the quirky connection between Pavement and their fans. - *"We all looked at them and then at each other and just started laughing."***[4:13] Following the Band and Memorable Performances**- **Photographing Pavement at Bimbo's 365 Club:** - Tim recalls capturing the band during a show at **Bimbo's 365 Club in San Francisco**, adding to his collection of **Pavement fan experiences**. - *"I have some great shots from there... there was definitely, you know, kind of a whole San Francisco vibe going on."*- **Tibetan Freedom Concert Adventure [7:11]:** - Get the lowdown on Tim's experience at the massive **Tibetan Freedom Concert** in San Francisco, featuring a lineup that included **Sonic Youth** and cemented **Pavement's influence on indie rock**. - *"There were, I think, like a hundred thousand people there... It was a total bottleneck of a festival."***[9:05] Unforgettable Gigs and Onstage Antics**- **Mark Ibold's Onstage Incident:** - Hear about bassist **Mark Ibold's** mysterious onstage moment in Pomona, one of the more intriguing **Pavement concert stories**. - *"He couldn't play; he couldn't finish a song... the show ended shortly after that."*- **Bob Nastanovich's Live Performances:** - Discussing **Bob Nastanovich's** energetic contributions during live shows, highlighting the band's dynamic stage presence.**[11:01] Accidental HBO Appearance**- **HBO Reverb Special Featuring Pavement:** - Learn how Tim unknowingly became part of the **HBO Reverb Pavement** special during a gig at Cane's in San Diego, a unique highlight in his **Pavement concert memories**. - *"We didn't even know that was happening... Spiral was like, 'Oh, they're doing some fucking HBO show.' He didn't seem happy about it."***[12:20] Deep Dive into Track #12**- **Why Track #12 Matters in Pavement's Discography:** - Tim breaks down why this song is in his personal top five, offering insightful **Pavement song analysis**. - *"This song, you know, it's awesome. It's got rockets; it goes."*- **Personal Connection and Indie Music Nostalgia:** - How the song's themes resonate with Tim's own travels and experiences across California, enhancing his **indie music nostalgia**. - *"I know all the places it talks about... Hearing this the first times, we were just like, 'Who are these guys? What are they doing singing about our places?'"*- **The Quintessential Pavement Vibe:** - Discussing how Pavement's songs often mean everything and nothing all at once, reflecting their unique place in **alternative rock**. - *"It has kind of a theme but is totally non sequitur at the same time—it's right up my alley. It's cool."***[18:49] The Pavement Ethos and Live Music Today**- **Stephen Malkmus and the Band's Stance on Fame:** - Reflect on **Pavement's** unique approach to art over commercial success, and how **Stephen Malkmus** embodies this ethos. - *"They lean more art rather than commercialized... They always look painfully uncomfortable."*- **Memorable 2010 Reunion and 2022 LA Show:** - Tim and jD reminisce about the **Pavement 2010 reunion tour** and their first meeting at the epic **Pavement 2022 LA show**, standout events in the **Pavement fan community**. - *"Everybody that was there really wanted to be there... It just checked all the boxes for me."***[29:11] Support Live Music: An Impassioned Plea**- **Get Out and Go to Local Music Venues:** - Tim urges listeners to support live music by attending shows at local venues and supporting **local music venues in Portland** and beyond. - **Quote:** *"Go out, spend some money, and support the arts. When you go to a concert—even if you only stay for four songs—it has a positive impact on your body and your soul."*- **Local Venue Shoutouts in the Portland Music Scene:** - Tim mentions his favorite spots in the **Portland music scene**: Turn Turn Turn, the Kenton Club, and the Fixin' To, encouraging listeners to experience the thriving local music scene.---**Join the Conversation:**- **Twitter:** [@meetingmalkmus](https://twitter.com/meetingmalkmus)- **Facebook Group:** [facebook.com/groups/meetingmalkmus](https://facebook.com/groups/meetingmalkmus)- **Website:** [jd.meetingmalkmus.com](http://jd.meetingmalkmus.com)---**Extra Nuggets:**- **Exclusive Live Recording:** - Tim shares a rare live version of a song from Pavement's Toronto show. It's raw, it's real, and it's right here on the *Meeting Malkmus* podcast.- **Fun Fact:** - Did you know jD used an abacus and a goat with an extra leg to tabulate your Top 20 ballots in the **Pavement Top 50 Countdown**? Don't ask.- **Akin to a Pavement Band Interview:** - This episode feels like an intimate **Pavement band interview**, offering deep insights into the band's history and impact on **indie music**.- **Indie Music Podcast Community:** - As part of the broader **indie music podcast** scene, *Meeting Malkmus* continues to bring you in-depth discussions and interviews with **Pavement superfans** and insiders.---So grab your headphones, crank up the volume, and let's get amped together on this **indie rock** journey through Pavement's legacy.---Transcript: [0:00] Previously on the Pavement Top 50: That's right, song number 13 on the countdown is "Shady Lane," J vs. S. Ralph from Lincolnshire, what is your initial thought about this song?"Well, it's an amazing song. It's an amazing song. I mean, I think it might be—maybe I'm putting it third on my ranking of 'Brighten the Corners.' And I would almost say, you know, 'Brighten the Corners' is my favorite Pavement, so it is super up there. It's brilliant.""Hey, this is Westy from the rock and roll band Pavement, and you're listening to The Countdown."[0:39] "Hey, it's JD here, back for another episode of our Top 50 Countdown for seminal indie rock band Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I tabulated the results using an abacus and a goat with an extra leg—don't ask. How will your favorite song fare in the ranking? You'll need to tune in to find out, so there's that."This week, we're joined by Pavement superfan Tim from Portland. Tim, how's it going, motherfucker?""Hey, hey, hey, it's going, motherfucker. It's going great.""That was very Canadian of me, motherfucker. Let's get right to it; let's not mess around here, let's not dilly-dally. Talk to me about your Pavement origin story.""Who? I discovered them through—I believe through College Music Journal, which was a publication back in the '90s. It was kind of—""I don't think so.""Okay. It was like a half-sized magazine, so I think it was an evolution from zines. I don't know. Anyways, I read a record review of 'Crooked Rain.'"[1:57] "And that's when I was introduced to them. So this was, you know, '94—summer of '94 probably—because I had just left uni and got a house with friends. And yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones. I would get this College Music Journal and read reviews and go buy albums; that was kind of my thing. So yeah, went down and got 'Crooked Rain' and have been cranking it ever since.""Yeah. So what was it like the first time you spun it?""Oh man, I loved it. You know, I had just graduated from uni; I was an art and business major of all things, and I was into everything that wasn't normal—trying, anyways. And that's what Pavement was for me, you know? Right out of the gate, this album was different, and I applauded the—I don't know, there's this sense of, like Beavis and Butthead said, trying and not trying, and I love that about this. I recently heard Jack Black say—somebody asked him what kind of bands he's into, and he's like, 'I only want to listen to bands'—this is an old interview—but he said, 'I only want to listen to bands who kick ass, who fucking take names.' And I was like, oof, I wonder if Jack Black's a Pavement fan because they do—they do, but they don't. But I love that about them."[3:40] "That, to me, oozed alternative. So yeah. But I didn't see them play live for, oh, a year and a half later. I was just this morning looking up shows I went to.""Oh, really?""Yeah. About half the shows I went to were before 2000 and half after. So the first time I saw them was in San Diego in '96 in January, and that was really fun. Just a quick story on that one."[4:13] "I went with a gang of friends, and they were playing at San Diego State University at this place called Montezuma Hall. I would say it holds like, I don't know, 500 people or something—not big. We were all pre-partying and talking about what we were going to wear; we decided to dress up. So everybody put on some sort of military garb—fatigues, whether pants or shirts or hats or what have you—which kind of looked like normal cool kid wear at the time. Then we go to the show, and Pavement walked out on stage, and they were in full military gear. Steve West had a safari hat with mosquito mesh draped over his shoulders, and he had his raccoon eyes—you know, paint around his eyes—and everybody was wearing military stuff, all the guys in the band.""Did you guys catch wind of that beforehand?""No, it was totally coincidental. We all looked at each other because we knew they were dressed up—they went out of their way—and we all looked at them and then at each other and just started laughing. It was a comical moment, and that was such a good show. JD, kind of like our LA show in May of '22, that first show in January of '96 was fucking awesome. They went nuts. After their encore, Malkmus said something to the effect of—they came back out and he was like, 'San Diego, huh? San Diego's alright. You guys think San Diego's okay? Yeah, San Diego's alright.' And then he said something like, 'Let's fucking fuzz out San Diego.' And then they just went into their last three songs.""Wow.""And just destroyed them. They were so, so good. I kind of followed them a little bit after that. I saw them in San Francisco weeks later; it was so fun for me, I had to get more.""Were they playing 'Brighten' stuff at this point? Because 'Brighten' was going to come out next year. Was it pretty much all 'Wowee'?""You know, I had a couple setlists pulled up. I have to go back and look. I'm not sure.""And my other question is, that San Diego show—was it opened by Silkworm?""Yeah, that was the one. They came out with, I don't know, '30s or '40s-looking sailor suits.""What the hell?""Like Navy sailor suits.""I guess San Diego, huh?""They looked cute. At the time, we had an amazing army surplus store downtown, and I just figured these guys went and hit it up."[7:11] "That's awesome.""None of them seemed sober that night. They were going for it. I saw them play in San Francisco after that and actually photographed that show at Bimbo's 365. I have some great shots from there.""Is that a good venue?""Yeah, it was cool. A cool bar-club, smallish—you know, medium-small size. There was definitely a whole San Francisco vibe going on. I brought some friends to that one from San Diego as well; instant fans. Then the Tibetan Freedom Concert in San Francisco the next summer.""You saw that?""Yeah.""That was kind of typical, you know, festival-type Pavement show.""Sure.""Quick and dirty. We were way in the back."[8:11] "Lots of people?""Oh, hordes. I think there were like a hundred thousand people there or something.""Holy shit.""It was giant. We were kind of there for the whole experience—you know, Beastie Boys.""So they did a show in New York City and one in San Francisco?""Yeah, June of '96.""How have we never talked about this before? I don't think we've ever talked about you going to Tibetan Freedom.""Yeah, it was amazing. I drove my truck and had like four people in the back of the camper shell. We just piled in, and it literally took us like five hours to drive two miles to get out of the city. It was a total bottleneck of a festival. That was one of my first festivals where I thought, 'You know, might not really need to go to festivals,' but I continued."[9:05] "The next time I saw them was the following year at this club called Soma in San Diego. That was a great show—small to medium-sized again. They didn't play in San Diego a whole heck of a lot. Then I saw them at the Glass House in Pomona, which is out in the desert east of LA. Ibold, at one point during the show, just kind of lost it—like his brain left his body.""Or he had a serious gear malfunction?""Because he couldn't play, and the show kind of ended.""Yeah, he couldn't play, he couldn't finish a song—he just couldn't do it. The show ended shortly after that. I remember everybody on stage going, 'What's the deal? What's going on?' Malkmus or Ibold had some sort of breakdown or meltdown. Something happened. Stuff started kicking, I don't know.""A couple of years later, at Cane's in San Diego—Cane's was a bar where they filmed the HBO Reverb special.""Oh, really?""Yeah, I went to that. We didn't even know that was happening. We just thought we were going to a Pavement gig.""Right.""Walked in—and I have so many stories about seeing these guys—walked in and Spiral was standing right there, just hanging out by himself. I said to him, 'What's going on tonight? What's up with all the cameras?' And he's like, 'Oh, they're doing some fucking HBO show.' He didn't seem happy about it, and that was kind of the vibe of the whole gig that night—they were punching the card, you know.""They're sort of shy that way, right?""Yeah. I think—I don't know, man."[11:01] "They're a different band, right? They lean more art rather than commercialized.""Yeah.""And I think when you produce something that way, you obviously don't care if you're making Billboard Top 100. So if someone approaches you and they're like, 'Hey, I'm Mike Jones from HBO Reverb. We'd love to film you guys; you're hot right now,' what's your reaction if you're Pavement? You're like, 'Fuck. Okay, here's another drill we got to do and get over with,' you know?""Yeah.""They always look painfully uncomfortable. Like that Jay Leno performance and even the one on—was it Conan when they did the 2010 reunion? Or maybe it was Jimmy Fallon, I'm not sure.""All I remember is the Leno one.""Yeah, that one's so awkward.""It's so good though.""That personifies them, you know.""They were a little more experienced by '99. By then they'd been playing a bit. Then I saw them at the Hollywood Bowl for the 2010 show with Sonic Youth."[12:20] "Amazing lineup.""Yeah. Both of those shows, in my opinion, were like, get it done. The highlight of all of it—I was hoping at one point either Malkmus coming out and playing with Sonic Youth or Thurston coming out and playing with Pavement.""Didn't happen though.""It seemed like such an opportunity.""Yeah. I was thinking, this might not happen ever again. These guys have to get on stage and play together.""Yes.""And they didn't. The highlight was at the Hollywood Bowl—there's this half wall around the orchestra pit, like out in the crowd, that separates the orchestra pit from box seats, which is kind of where we were. Bob paraded that catwalk—that half wall. He went back and forth—you probably could guess what song he was screaming a chorus to—but he was like, 'I'm trying' all the way across that thing. It's probably like 50 or 60 paces across; it's like a half-circle.""Oh, wow.""It was so fucking cool. Then at the end, even Malkmus was like, 'We're out of here. We're going to the Speedy Ortiz show,' or some shit like that. It was just lights out, you know."[13:41] "Damn.""But then it was a long, long time until I saw them at the Fonda with you, my friend.""Yeah.""That was our first meeting.""Yeah. My hair was too long for you.""Oh my gosh. I'm so glad you canceled your dreads appointment for the next day.""Yes. Well, I was going to ask you to just pour some Coke in my hair and roll them, but we didn't know each other that way.""Denny's at 3 a.m., or whenever we were there.""That's right. That was such a good show. That was so amazing. I know you've mentioned it, but man, that was such a good show. It just checked all the boxes for me. There was so much excitement, so much buzz in the air in that venue. Everybody that was there really wanted to be there. It felt like there weren't sort of pretentious Hollywood people just showing up because it's Pavement, you know.""Yeah. Well, except—maybe you caught a glimpse of this—except the short girl that got in the fight with the other gal there. We saw a chick fight at a Pavement gig in 2022. It was kind of weird. It was kind of awesome. I doubt either of those gals—or maybe one of them, maybe the taller one—is listening, but man, one of them got sent down, like down to the floor from our platform. That was amazing. When I saw that happen, I was like, 'Fuck yes.'"[15:25] "Because it just gave me reassurance that the vibe of Pavement—being all of these different things in indie alternative music, whatever—is still alive. To have something like that at a show. Way better than the 2010 reunion. That holds a special place in my heart because it was my first time seeing them. It was in Central Park; it was really cool. But seeing them with you that night was definitely the best show I've ever seen.""Yeah.""Yeah. Maybe of all the shows I've ever seen, not just Pavement—it was very good.""Yeah.""So anyways, we saw them in '22 a bunch, and I think I counted—from what I could remember—like 12 times I've seen them. So half before 2010, half after.""That's pretty cool.""Yeah. They've always been, you know, sure, superfan status. But more as time goes by, they're kind of a classic for me. If I want to put on something, I usually reach for an album—actual vinyl instead.""Which one is the one you go to? Do you have them all on vinyl?"[16:55] "No, I don't think so.""Okay."[17:00] "I go to 'Crooked Rain.'""Oh, okay.""That's the one I was first introduced to.""Yeah.""You know, it checks the boxes for me. It's got a big start. It's got a great song number three.""Yeah. We love your number three.""I know. It's got a great midway point. It's got an instrumental—'5 + 4 = Unity,' or '5 - 4 = Unity.' And it's got a lot of staple items that make Pavement Pavement that you can pick out from the beginning to the end of their recordings. It has a little bit of 'Wowee' in it to me. It's a really good mix of who they are.""Yeah, if there was a Pavement Bingo card, you would definitely get a line.""Yeah.""Maybe even a full box.""Yeah, 'Hit the Plane Down'—you couldn't get more punky than that for Pavement.""Yeah.""You know, it's got a hit, 'Cut Your Hair.'""Yeah.""It's got it all. 'Silence Kid.' When I first put this on, from song one, it became my go-to for when I kicked off things like road trips or moved into a new house. Anytime I've begun something monumental in my life, I would put this album on. It's such a good start. I clearly remember when I moved to LA, set up my stereo, and I put this album on.""Oh yeah.""It just gets me in a really fun, good mood. Creative, too.""Yeah, I like that with 'Pot Hot.'"[18:49] "It makes me fun and creative.""Me too. Well, what do you say we take a quick break and then come back and reveal track number 12? We are almost in the top 10, my friend.""All right.""We'll be right back."[19:04] "Hey, this is Bob Nastanovich from Pavement. Thanks for listening. And now, on with the countdown.""Twelve."[21:46] "All right. Track number 12 on the countdown. I couldn't imagine a better person to do this song, having spent some time in SoCal. It's 'Unfair'—the South taking what the North delivers.""That's right.""Were you delivering to the North?""I mean, when I sucked and kissed, it's sour.""This song, you know, it's awesome. On the album, it could be a song three for me. It's got rockets; it goes. That's amazing. I'm so glad it's number 12. That's in the top 20, so it definitely should be. It's really high up there for me; it's probably in my top five.""Oh, wow.""So yeah, I'm happy. I've already answered my 'Is it properly ranked' question.""Oh yeah, big time.""I love this one. I mean, it really personifies Pavement—being from Stockton, Sacto area, all of that. This song is about the supposed battle between the North and South of California. I know all the places it talks about. I've been to Shasta many times. We had family living for many years in the Tahoe area; we know all these places. And I guess the jury's still out on where that North-South boundary line really is, because I think this song—"[23:27] "Malkmus likely wrote this song. I think he's just not having the South. He's really dissing it. There's a total vibe here of him just dissing the South.""So it's amazing.""Well, we've seen in his later life him moving to Portland, your hometown. He didn't move to LA. He didn't pack up and move to LA or Nashville, I suppose, would be the other big music place. But yeah, he went to Portland and went with that indie vibe rather than that corporate vibe. So I wonder if he gets that feeling or something.""Yeah, I don't know. It's good—you know, I went back, I was searching through some of those gigs I went to, and I believe it was the San Francisco show I saw in '96 that they closed with 'Unfair.' I'll have to go back and look at this.""Oh, wow.""Such a good song for a closer, leaving on high energy."[24:35] "And just when you think you've maxed out energy-wise, you get to that chorus—a sort of chorus."[24:47] "You know, 'the foothills of our mind,' and when he's just screaming, it goes into a second gear or a third gear and really picks up steam. It's so good.""Yeah, I used to put this on mixtapes.""Oh, you did? That's cool.""Yeah, like road trip mixtapes. It feels really road-trippy to me because he's name-checking all that geography.""Yeah, yeah. That last question in the song, 'To the last psychedelic band'—are they talking about themselves? Is that giving themselves kudos? I don't know. I would love to find that out. But yeah, this song really hits home for me. I drove California so many times; I know all these places. Hearing this the first times—even talking about Shasta early on in the song, verse two—I mean, at the time, my roommate was from Redding, which is adjacent to Mount Shasta. So we were just like, 'Who are these guys? What are they doing singing about our places?' Where are they from? Stockton, which is hilarious because he's like, in the song—"[26:16] "He says, 'This ain't no Bakersfield' or whatever the line is.""Yeah.""And Bakersfield really is not that much different from Stockton.""Oh, no?""They're both armpit cities.""Oh, really?""Just armpit cities, yeah.""Like industrial or something?""Yeah, like farm—ag cities. They're just kind of wastelands.""Oh, wow.""But yeah, I dig this song, dude. It's something you can sing along to and scream along to. It's not a quiet song.""Great to drive to.""Yeah. I'm so glad it's number 12. I would rather have heard it was in the top 10, but I'll take it as number 12. That way, it's still more special for me because it didn't make it to the top 10.""Yeah.""And it would have been my drift. That's kind of like the Pavement thing—like, you don't know us, but you might know us, you know?""Oh, you're a Pavement fan. Okay. Yeah, you seem like that. I've heard people say that before.""But great, you film hack. I don't need your fade. There are so many good lines in here. There's a theme, but it's kind of all over, which is what I love about these guys. Also, one thing that really vibed with me in the mid-early '90s with these guys is the lyrics not meaning shit a lot of the time, because everything we were listening to around then—there was so much cheese, bro, in rock and indie and alternative. So much music that I just had a hard time being a fan of. I'm not a big singer-songwriter guy. I like quite a bit, but it's not my favorite genre. So to get somebody putting a song together like this—it has kind of a theme but is totally non sequitur at the same time—it's right up my alley. It's cool."[28:27] "That is very cool. Well, thanks so much for coming out today and doing this. This has been great.""Yeah, JD. It's been great. Thanks for doing what you do because there's no one like you who could put this together. So we're all grateful.""Buddy, thanks so much.""Yeah, thank you."[28:48] "That's—I don't know what else to say. That's pretty fucking cool of you to say. Thanks.""From Portland.""And now I'm going to go back into game show host mode. Tim from Portland, do you have anything you would like to plug?"[29:11] "Yeah, I just want to tell everybody out there to get off your ass and go to a gig. Go to a show. Go to your local bar that has a stage. Go to your venue that holds less than 250 people.""Nice.""And support the arts, you know? When you go to these places—here in Portland, Oregon, I have three great places within three or four miles: Turn Turn Turn, the Kenton Club, which is just down the hill from me, and the Fixin' To in St. John's. These are all amazing places to experience live music. If you go in and you pay $10, you don't buy a drink—that $10 is generally going to the band.""Fucking right.""If you don't buy a drink or some food, the bar isn't making any money. Go out, spend some money, and support the arts. This is supporting the arts, and it's such an awesome thing to do. When you go to a concert—even if you hear a gig and only stay for four songs—it has a positive impact on your body and your soul. We walk away with heightened endorphins, and it feels good. You ever leave a show where you're just like, 'God damn, that was amazing. I feel so good. I wish I could do that all over again.' That's the chase, and that's supporting the arts. Everybody's got to keep getting out and doing that. I'm not talking about the mega stadium shows or the big festivals—if you can afford to go to that enormous dome, go for it. I'm talking about hitting up your local spots, your local venues. And if you don't have any, then find the amazing ones and do a road trip. Just get out and go to some shows. That's my plug."[30:50] "That's nice. I like from where you came. So there's that. Hey, it's JD here, checking in from the present. That's right—it's October the 4th today. That episode with Tim and I was recorded way back in February—the Ides of February, in fact. So, you know, as I'm editing this episode—and hey, listen, I don't do a whole lot of editing; I want this to be sort of authentic and real and, you know, all the rest of that shit. So, listening back, Tim's impassioned plea for live music made me think of some of the gigs that we've been to. Tim and I were talking; he's like, 'Hey, remember the Toronto show where they played "Unfair"?' And I was like, 'Fuck yeah, do I?' And he's like, 'I have a file.' And I was like, 'Ooh, send it my way, motherfucker.' Here it is. This is 'Unfair,' live from Toronto, on 'Meeting Malkmus,' a Pavement podcast."[34:47] "All right, man. Thanks, buddy. Well, thanks again. That's what I got for you. Wash your goddamn hands."[34:53] "Thanks for listening to 'Meeting Malkmus,' a Pavement podcast, where we count down the top 50 Pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email: jd.meetingmalkmus at gmail.com."Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. This week on the pod we're joined by producer Justin Pizzoferrato. A few weeks ago we talked about the newest and sadly last Shellac album, "To All Trains." We spend a lot of time chatting about Steve Albini as a producer/engineer & his ethics as a human being and how that influenced Justin to become a producer. We also chat about the changing definition of the term post-rock and Justin's background in classical guitar. Justin Pizzoferrato is an engineer who has worked with Dinosaur, Jr, Sonic Youth, Kim Gordon, The Pixies, Wild Pink, Elder, Parquet Courts, Speedy Ortiz and so many others. Check out Sonelab Studios in Western Massachusetts if you're looking to record. https://www.justinpizzoferrato.com/ Subscribe to our Patreon here: www.patreon.com/spinningoutpod Follow us on social media -- twitter and instagram (@Spinningoutpod)

Not going to Butter is WAY better than going to Butter. Drew is joined by Sadie Dupuis (AKA the iconic musical genius behind bands like Speedy Ortiz and Sad13) to discuss Season 1, Episode 14 of Gossip Girl. This episode has it all: Jenny committing grand larceny, sex toys in the mail, the power of sync, and a threatening letter that changes the world of Gossip Girl as we know it. USPS has a big week! XOXO, Girls Room. Follow Girls Room on ⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠. Follow Drew on ⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠. Follow Julia on ⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠. Follow Sadie on ⁠⁠⁠⁠⁠Twitter⁠⁠ ⁠⁠and ⁠⁠⁠Instagram⁠ and listen to her GG theme song cover!

Can you write a song on an island? Dave talked about capturing the seeds of songs, mixing with Chris Shaw, signing Nataniel Rateliff, Clap Your Hands and Say Yeah, and Ween to Rounder Records, and finding inspiration in Native Instruments Kontakt. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dave Godowsky, a veteran in the music industry, having spent the past 20+ years in Management, A&R, and Artist Relations. On the label front, he served as Director of A&R for Rounder Records (where he discovered and signed artists including Nathaniel Rateliff and Delta Spirit) and GM at Partisan Records (home to artists like IDLES, Fontaines DC, and Deer Tick). On the management front, he served as VP for Danny Goldberg at GoldVE, managing the careers of artists including Against Me!, Okkervil River, Speedy Ortiz, and Cass McCombs. On the technology front, Godowsky handles all artist and industry relations for the pioneering audio tech innovator iZotope, and now Native Instruments, and Plugin Alliance .  A songwriter and producer himself, Godowsky has released three records, and co-written/collaborated with many others including Adam Duritz (Counting Crows), Lianne LaHavas, and Gene Ween (Ween). He has toured nationwide, including performances at major festivals and on the Late Show with David Letterman. Godowsky was named one of Billboard's "30 Under 30" and has been profiled by the Boston Globe for his industry and musical contributions. He currently lives with his wife and 18-month-old son in Maine. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0kydSMaB05NOHklabBVrH6?si=2299ff470a794d0b If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/438

This week we're happy to have Sarah Tudzin of Illuminati Hotties on the show to talk about her (approximately) 4-5 year old pit bull mix Maeby and her partner's pup Zeus who's a 9 year old German Shepherd mix. Besides steering the ship for Illuminati Hotties, Sarah is also a producer and engineer who's worked with Speedy Ortiz, Sir Chloe and Boy Genius's The Record which, as of this writing, is up for three Grammy Awards. Sarah elected to give a shout out to local SPCA's everywhere who are always looking for volunteers, fosters and of course adopters. Her local SPCA in Los Angles is dedicated to the prevention of cruelty to animals through education, law enforcement, intervention and advocacy. To learn more visit spcala.com For more pics and clips of Sarah, Maeby and Zeus follow us on Instagram.

For the final It's Real episode of 2023, Jordan Edwards and Demi Ramos talk to a couple of artists who have had great years. Sadie Dupuis, known for fronting Speedy Ortiz, was recently named one of the 250 Greatest Guitarists of All Time by Rolling Stone. In September, the band released Rabbit Rabbit. Their first album since 2018's Twerp Verse, it was a hit with both fans and critics. Outside of music, Dupuis is a poet and former journalist who has written the books Mouthguard and Cry Perfume. She's an avid reader and often posts about her favorite books on social media. Joining Dupuis is Navied Mahdavian, a Utah-based cartoonist and author best known for his contributions to The New Yorker. This fall, he released his first book This Country: Searching for Home in (Very) Rural America. The bittersweet graphic memoir covers the time he spent with his wife and young daughter in Central Idaho. Watch Dupuis and Mahdavian talk to Jordan and Demi about their favorite books of the year, as well as the music they've been listening to.

After a two-week hiatus, we’re happy to bring you a new episode. It is hosted by Ben Marwood, who takes us on a tour of the inside of his MP3 player to share his favourite brand-new and utterly used tracks. Artist “Track” [Album] Speedy Ortiz “Ghostwriter” [Rabbit Rabbit] The Strokes “Reptilia” [Room On Fire] Killer... The post Podcast 702 | Slothrust, Speedy Ortiz & Mclusky appeared first on .

The 2018 release from American pop band Speedy Ortiz, Twerp Verse, speaks smartly to political and social situations of the present from a feminist perspective of truth-telling and is designed, on purpose, to make us uncomfortable lyrically and musically. With songs that airdrop aggressive, unpredictable chord progressions and disorienting rhythms behind enemy lines, this record is music for popping out from the cover of safety, armed with teeth and claws. Speedy Ortiz plays some of these tunes, in-studio. (From the Archives, 2018.)  

In this episode Alaska and Sadie Dupuis (Sad13, Speedy Ortiz) speak about collecting and combining voice memos, imagery clichés in lyrics, dog DNA tests, heavy riffage and more. They zero in on Sadie's process writing "Scabs" off of Speedy Ortiz's new album "Rabbit Rabbit" and how Sadie was struck with the idea in the post office.

This week on [edit] radio: Ben Marwood completely forgets to play the Buck Meek song he wanted to play you, changes his mind on Sufjan Stevens, sits in Leicester Square, sits in an attic, sits in a cupboard, gets excited by a potato, watches an Argentinian horror and then plays a song for your plants.... The post Podcast 699 | Featuring MUNA, Speedy Ortiz and Rachel Sermanni appeared first on .

Episode 123 Notes But really, it's Episode 124. We talk about MUSIC. A shocking amount of music, but also Jaime's moon time, time travel, Jaime's newfound fandom of both a Ke$ha and a Tay-Tay, and a topic! (Song of the summer). Music discussed includes Die Sexual, Paint it Black, Be Your Own Pet, A Giant Dog, Speedy Ortiz and Sonic Youth. We get into a big discussion on Skating Polly (Chaos County Line) and obsession. The FLOOD article we reference is linked below. Give it a read. https://floodmagazine.com/136306/skating-polly-chaos-county-line-track-by-track/ Even more exciting, we had a preview from Jacket Thief, the new solo project from Fu Manchu drummer Scott Reed. The album is “Lights Out on the Shore” and it came out on September 29th of TripKey Records. Songs featuring in Episode 123: "Bound, I Rise" - Die Sexual Find us at: www.trashsouthstreet.com trashsouthstreet@gmail.com Facebook.com/TSS Apple Music Amazon Podcasts

Speedy Ortiz - "You S02," from the 2023 album Rabbit Rabbit on Wax Nine Records On today's Song of the Day, Speedy Ortiz songwriter Sadie Dupuis finds inspiration in season 2 of the Netflix series You. She explains in a press statement: "Mostly when I've met my musical heroes, they're kind and principled people. But occasionally someone whose work I love(d) reveals themselves to be anti-union, or anti-'woke,' or some other gear-grinding ugliness. That's who I wrote ‘You S02' about, the song's frenzied guitar and synth solos mirroring the crazymaking intensity wafting off people who act like that. In the TV show You's second season, the main character moves from New York to LA in hopes of a fresh start, but (spoiler) remains a murdering psychopath. Changing cities won't make you a hero if you still treat others badly."  The track can be found on the band's fourth LP (and first new one in five years), Rabbit Rabbit, out now via Wax Nine. The album was co-produced by the band and Sarah Tudzin of Illuminati Hotties. Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On this episode of Lost Sounds Radio, Cyd chats with Sadie Dupuis of Speedy Ortiz about their latest album Rabbit Rabbit and reflections on the 10th anniversary of their debut album, Major Arcana – plus some light Doug Martsch talk, tips from a Road Dog™ and we might even get a little woo woo with it… Have a question you'd like us to answer? Call the Lost Sounds Radio hotline at 424-3ASKVMP (‪(424) 327-5867‬).  Executive produced by Cydney Berlinger and Andrew Winistorfer Hosted and Edited by Cydney Berlinger Our theme song is "Lo and Beholden" by Jade Vases from the album The Very Best of Jade Vases.  

Hi hiWelcome back for episode 2 of Blue Eyes Crying By The Chips, very thrilled to be here with my guest Sadie Dupuis of Speedy Ortiz, Sad13, her book of poetry Cry Perfume  and more. We talk about crying, I propose at least one business idea. It's a good time. Speedy Ortiz has a new record out now, that you should buy. It's called Rabbit Rabbit and you can find it on Bandcamp HEREFollow Sadie on Twitter and Instagram You can follow me on Twitter and Instagram Read my newsletter Anxiety Shark HEREOkay, see you all next week for more. 

NPR Music's picks for the best albums out this week include the jagged indie-rock of Rabbit Rabbit from Speedy Ortiz, hip-hop royalty Illa J's No Traffic and more.Featured Albums:1. Speedy Ortiz — Rabbit RabbitFeatured Songs: "Ghostwriter," "Ballad of Y&S," "Scabs," "Kim Cattrall"2. Illa J — No TrafficFeatured Songs: "Off the Tap," "Circus," "Get Down (feat. AmpFiddler)," "Snaps," "OG Funk"3. Puma Blue — Holy WatersFeatured Songs: "Hounds," "O, The Blood!," "Falling Down," "Pretty"4. Slowdive — everything is aliveFeatured Songs: "alife," "prayer remembered," "shanty"Lightning Round: L'Rain — "Pet Rock" (Single)Ama Lou — I Came Home Late Kendra Morris — I Am What I'm Waiting For Jeff Rosenstock — HELLMODEOther notable releases for Sept. 1:The 1975 — Live From GorillaAesop Rock — Skelethon (10 Year Anniversary Edition)dadá Joãozinho — tds bem GlobalDream — to whoever wants to hear EPField Music — light is gone 2Ghost of Vroom — Ghost of Vroom 3Icona Pop — Club RomantechLarry Fleet — Earned ItLaya — Bet That EPThe Natvral — Summer of No LightNeil Young — Odeon BudokanTaake — Et Hav av Avstand

A special interview with Sadie Dupuis.Dupuis chats about art, labor, music, meaning, poetry and Speedy Ortiz's 'Rabbit Rabbit" record release out this very same day! Features the tracks "Scabs" and "Ranch v Ranch."“Rabbit rabbit” is a superstitious incantation repeated on the first of each month to bring good fortune—a belief practiced by Sadie Dupuis, the guitarist, singer and songwriter of the Philadelphia rock quartet Speedy Ortiz. As a child with OCD, she followed arbitrary rituals, a coping mechanism commonly triggered by early trauma, and “rabbit rabbit” was one that stuck. When Dupuis began to parse difficult memories for the first time in her songwriting, it felt like kismet to name her band's resultant fourth record after an expression of luck and repetition: Rabbit Rabbit. Instead of re-treading old routines, the record finds Speedy Ortiz interrogating conventions, grappling with cycles of violence and destructive power dynamics with singular wit and riffs. Rabbit Rabbit finds Speedy Ortiz at its most potent: melodically fierce, sonically mountainous, scorching the earth and beginning anew.SadieSpeedy OrtizSRTN

Wie jeden «New Music Friday» machen wir auch heute wieder den Streifzug durch die neuen Veröffentlichungen der Woche. Tonangebend am heutigen Releasefreitag ist dabei vor allem der Gitarrenrock, in all seinen Facetten und Formen: von schrammlig bis träumerisch, von Royal Blood bis zu Slowdive.

All good things must come to an end, even recap fan podcasts. In this, the PENULTIMATE episode of XOXO Riverdale (this is our last recap, but we've got something fun planned for next week) Kate and Louie cover the final episode of our beloved Riverdale. Also! Louie interviews Riverdale megafan, Speedy Ortiz songwriter, guitarist and singer Sadie Dupuis. Their new album, Rabit Rabit comes out Sept 1st. Also: here's the link to Louie's interview with the Today Show!

The Philadelphia band returns with their fourth LP, Rabbit Rabbit.

Speedy Ortiz's Sadie Dupuis tells The FADER's Walden Green about the books, musical partnerships, life changes, and premium TV actresses that helped shape the final form of her band's new album, ‘Rabbit Rabbit.' Learn more about your ad choices. Visit megaphone.fm/adchoices

The first CD Sadie Dupuis saved up her own money to purchase was "Let's Face It" by The Mighty Mighty Bosstones. The first concert she begged her mom to take her to was No Doubt. And on a recent NPR segment, Sadie talked about the huge influence The Selecter's Pauline Black had on her. Pauline, through example, taught her that music could be a political toolThese days Sadie plays in the indie-rock band Speedy Ortiz, and she also releases music under the moniker Sad13. But she hasn't forgotten about her love for ska. In fact, she makes a plea to JER for a Sadie Dupuis / Skatune Network collaboration. (Hopefully, you're listening JER!) We also get into a lot more, like how Sadie's parents worked at record labels in the 70s. Her mom worked at the UK ska/reggae label Rock Steady Records. We talk about how The Specials' "Ghost Town" is a perfect song, we discuss the ska leanings of 100 gecs. And she talks about sending an AIM message to I Voted For Kodos. We also talk about booking MySpace tours, Sinéad O'Connor, and her love for Weezer. (Her favorite non-album track is "Blast Off!!"). We also talk about a ska band Sadie played in when she was a kid called "Walker Exists." They had no bass player! (She also mentions the ska band that Kevin Bacon's kid used to play in.) We talk about her songwriting process, fostering dogs, and get into the 2 Tone ska influences on the Brit-pop genre. But most importantly, she tells us her AOL and AIM screen names from back in the day. They both are ska-related. Be sure and check out Speedy Ortiz's new album Rabbit Rabbit, which releases on Sept 1! Support the show

Part 2 of my conversation with guest Jay Breitling as we discuss our favorite music of the first half of 2023. Show notes: Running down our favorite albums of the year so far Kumar's #10: Pile diversifies its sound Breitling's #9 and Kumar's #8: Yo La Tengo keeps on Yo La Tengoing  Kumar's #9: Dangerous sounding debut from Model/Actriz Breitling's #8: Continued excellence from Protomartyr Kumar's #7: Excellent third release from Washer, giving off Meat Puppets vibe Another great act on Exploding In Sound Breitling's #7: Fog Lake returns with a compelling slowcore release; may or may not be Shady Canadians Breitling's #10 and Kumar's #6: Perennially pissed off hip hop from UK Grim Breitling's #6: Lo-fi folk rock stalwarts Hands and Knees return with a strong release Kumar's #5: Yves Tumor mixes shoegaze, alt-rock and funk into a powerful concoction Breitling's #5 and Kumar's #4: Legit supergroup Boygenius delivers the goods Breitling's #4: Bully with another excellent rock album Tom Cavanaugh tangent time Kumar's #3: Catchy hardcore from Fucked Up represents a more spontaneous recording process Breitling's #3: Quick collection of rippers from New Zealand's Guardian Singles Kumar's #2: UK act Shame pushes out of their post-punk comfort zone Breitling's #2: Going back to Philly with Purling Hiss, bringing hooks and attitude to the party Kumar's #1: Power pop awesomeness from the indie all-star band that is Eyelids Breitling's #1: Jangly indie pop straight outta Columbus with Connections Kurt Loder tangent  Anticipated/newer albums: Drop Nineteens, Speedy Ortiz, Palehound, PJ Harvey, Queens of the Stone Age, Jason Isbell, Jeff Rosenstock, OSees, Blur  Completely Conspicuous is available through the Apple Podcasts directory. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

On this week’s podcast, Ben Marwood is back behind in charge of this week’s new music podcast with a few old tracks thrown in for good measure. Artist “Track” [Album] Kesha “Eat the Acid” [Gag Order] Jeff Rosenstock “Liked U Better” [HELLMODE] Water From Your Eyes “Barley” [Everyone’s Crushed] This Is The Kit “More Change”... The post Podcast 687 | Featuring Kesha, speedy ortiz and Chappell Roan appeared first on .

Today's Song of the Day is "You S02" from Speedy Ortiz's album, Rabbit Rabbit, out September 1st.

We'll celebrate summer with the Du plus hear great new music from: Girl and Girl, Speedy Ortiz, The Chemical Brothers and more! --- Support this podcast: https://podcasters.spotify.com/pod/show/thebottomforty/support

Sadie Dupuis is the guitarist, songwriter, and singer of rock band Speedy Ortiz, whose albums include Major Arcana, Foil Deer, Twerp Verse, and their forthcoming album, Rabbit Rabbit which is about to be released on Sept 1 of this year. She is also the producer and multi-instrumentalist behind the pop project Sad13, through which she's released the albums Slugger and Haunted Painting. She's also collaborated with artists such as Lizzo, Ben Lee, and the New Pornographers. In addition to all that Sadie heads the record label Wax Nine, edits its poetry journal, and is a regular contributor to Spin, Tape Op, Talkhouse, and more. She holds an MFA in poetry from UMass Amherst, where she also taught writing. Mouthguard, her first poetry book, was published in 2018 by Gramma, and Cry Perfume, her second poetry collection, was released in 2022 from Black Ocean. She is also an organizer with the Union of Musicians & Allied Workers and its local UMAW Philly. On this season finale episode, Sadie discusses the magic of music-making, the powerful pull of poetry, and why she embraces glitch witchery in her work.Pam also talks about upcoming summer sorcery, and answers a listener comment about the Witch Wave community.(Songs featured in the episode:“Plough” from Major Arcana by Speedy Ortiz“Ruby Wand” from Haunted Painting by Sad13“Puffer (Lazerbeak Remix)” by Speedy Ortiz, Lizzo, and Lazerbeak“Scabs” from Rabbit Rabbit by Speedy Ortiz“Ghost (of a Good Time)” from Haunted Painting by Sad13“Coming Into Powers” from Slugger by Sad13)Our sponsors for this episode are VVITCH Digital, The Spacious Tarot, Hallowed Haircraft, BetterHelp, Black Phoenix Alchemy Lab and Ritual+ShelterWe also have brand new print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here.And if you want more Witch Wave, please consider supporting us on Patreon to get access to bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

We tricked Sadie from Speedy Ortiz into watching Black Widow with us. We talk bad (good?) Russian accents, the juice, face swapping for fun and profit, and of course we dive into another one of these fucking movies! Spending time we can never get back like coins thrown into a well of sadness! This episode is sponsored by Grumble Snacks! A Snack company that doesn't exist and is not once mentioned on the podcast!

Episode 118 Notes: A pant-load of stories, plus a summary of the Tennessee Williams super plot, Veruca Salt, the concept of a “Mind Tummy”, Judy Bloom, and other such nonsense. We hint at a new topic (TSS Play List). If you have a song, send it to us and We'll add it. This will get pushed in the next few. Music featured in Episode 118: “Psychic Dance Routine” – Scowl “Hail Mary” – Skating Polly We also talk about The new Shana Cleveland album (Manzanita….it's great) the first new Speedy Ortiz song in 5 years, and tease Boygenius (which causes Jaime to go a bit nuts). Links to those gems are on Trashsouthstreet.com Find us at: www.trashsouthstreet.com trashsouthstreet@gmail.com Facebook.com/TSS Apple Music Amazon Podcasts

Today's Song of the Day is "Scabs" the new single from Speedy Ortiz, out now.

All Songs Considered's Bob Boilen and NPR Music's Marissa Lorusso and Hazel Cills share their favorite new music of the week, including the first new Speedy Ortiz song in five years.Featured Artists And Songs:1. Indigo De Souza: "You Can Be Mean," from All of This Will End2. Peter One: "Cherie Vico," from Come Back to Me3. Speedy Ortiz: "Scabs" (Single)4. Bully: "Days Move Slow," from Lucky For You5. Charlotte Cornfield: "Cut and Dry," from Could Have Done Anything6. Laura Wolf: "Calligraphy and Calculations," from Shelf Life

Host Shawna talks to Sadie Dupuis (of Speedy Ortiz, Sad13, etc) about her start as a musician, singing in a children's choir, songwriting, how that differs from writing poetry, surviving on tour, and her dogs. What's your favorite flora and fauna? And don't say van mushrooms, that's already taken. Full version with bonus story available only at patreon.com/shawnapotter. The official sponsors of this episode are First Defense Krav Maga, and Pupcakes and Pawstries, where you can use promo code waronwomen15 to get 15% off your next order. Episode transcripts, important links, and ways to support Shawna and this podcast can be found at shawnapotter.com. Everything War On Women can be found at linktr.ee/waronwomen. For bonus episodes, behind the scenes content, and the chance to make special requests and get shoutouts on air, become a patron at patreon.com/shawnapotter. Thanks to Brooks Harlan for chopping up War On Women's song “Her?” to create the podcast theme song. Main podcast photo: Justin Borucki.  SPONSOR LINKS:  https://www.firstdefensekravmaga.com/ https://pupcakesandpawstries.com/ SHOW LINKS/MENTIONS: For all of Sadie's music, poetry, writings, events, and more: sadiedupuis.com Sad13 - WTD? [lyric video]: https://youtu.be/V5w-FmybU8k Find her on Instagram and Twitter @sad13    No books or activist recommendations, because she's busy on tour! Will update if that changes! Author Eve Babitz Jia Tolentino - Trick Mirror ZE Records: https://en.wikipedia.org/wiki/ZE_Records “Basement Queens” - a song by LIZZO + Sad13!!?!: https://youtu.be/w_rT2VMCz1o --- Send in a voice message: https://podcasters.spotify.com/pod/show/shawnapotter/message Support this podcast: https://podcasters.spotify.com/pod/show/shawnapotter/support

First new music in 5 years from Speedy Ortiz plus a track from what I claim is one of the most important albums of the last millennium! --- Support this podcast: https://podcasters.spotify.com/pod/show/thebottomforty/support

Sadie Dupuis of Speedy Ortiz and Sad13 comes on the podcast to talk about her dogs Lavender, who's become a minor Philly celebrity after being found in a park starving with facial trauma, and Buster, her 12 year old pit bull mix who was her first foster fail. 

The Pauses released their first album, A Cautionary Tale, in 2011 through New Granada Records. The band recorded the album with producer J. Robbins of Jawbox fame in Baltimore, MD, at The Magpie Cage.  Lead singer Tierney Tough stopped by Thunderlove Studios to chat with Geoff and Keith about The Pauses and take a deep dive into their second album - Unbuilding - from 2018. Like its predecessor, it was produced by J. Robbins of Jawbox. Said BrooklynVegan of the release: “…it's got a little of the off-kilter mathy guitars of the DC/Dischord scene that birthed J Robbins, plus bouncy Mates of States-y synths, and singer Tierney Tough has a delightfully dry delivery that brings to mind Speedy Ortiz or Liz Phair.” - can confirm. A great interview was had. Give it a listen, you'll see... and you'll fall in love with The Pauses. Just ask Geoff. LINKS The Pauses on Bandcamp The Pauses on Facebook The Pauses website Live on Audiotree Tierney Tough Solo Flickchart.com Unbuilding by David Macaulay Brutalism Charles and Ray Eames  The Architect and the Painter Documentary  Clara Rockmore Jawbox David Cross Henderson Valley Eggs The Bird Machine Dianogah (band) Flatstock Mock Orange Band Slothrust (band)

Her second poetry collection, Cry Perfume, deals with a lot. There's a lot to deal with, from overdoses to a society that allows its artists to simply scrape by as a result of making art. Her band, Speedy Ortiz, hasn't toured for some time, owing to the constraints of the pandemic, but has still found her way back onto the road, coheadlining a book tour with cartoonist, Michael DeForge. Dupuis has been plenty busy on the music front, as well. In 2020, she released Haunted Painting, the second LP from her solo project, Sad13. To mark the release of her new book, we sat down to discuss teaching, editing and the importance of killing your darlings. Hosted on Acast. See acast.com/privacy for more information.

This week we look at two raucous female-led indie rock bands, Speedy Ortiz and Spud Cannon. Both bands play catchy indie rock with plenty of cheap guitar jangle and influences flowing down from bands like Pavement, but also Riot Grrrl. Check your device for images as links as this episode plays. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Pollak's Pen. Original White Zombie Dreads. Book Tour Benefits. Hip Hop Rescues The Guitar. From the band Speedy Ortiz, the label Wax Nine, and the book Cry Perfume, we welcome back to the charts Sadie Dupuis!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week's guest is NNAMDÏ. The Chicago-based singer, rapper, producer and multi-instrumentalist has put out a ton of great music since 2020 (including his acclaimed new Sooper Records / Secretly Canadian album, Please Have a Seat). He's performed with Wilco, Sleater-Kinney, Black Midi, Jeff Rosenstock and Speedy Ortiz. He has garnered acclaim from Kasey Musgraves and he was named "Chicagoan of the Year" by the Chicago Tribune. Before he was an accomplished artist on the cusp of even bigger and better things, NNAMDÏ was living in the Chicago suburb of Lansing, drumming in rock bands and teaching himself to record by writing songs about butts for his friends. Recently, just prior to the release of Please Have a Seat and the upcoming U.S. tour (including an Oct. 20 show at Cactus Club), NNAMDÏ spoke with My First Band host Tyler Maas about making the new album, getting back on the road again, as well as some of the hopes and plans he has for the near future. Along the way, he also talked about playing drums in his middle school's jazz band, starting a group called The Para-Medics, playing basement shows and comic book shops in high school, dabbling in self-recording and rapping, and how lighthearted material about booties and inside jokes inadvertently paved the way to a successful solo career. My First Band is sponsored by Mystery Room Mastering, Lakefront Brewery and Music Go Round Greenfield. The show is edited by Jared Blohm. You can listen to My First Band on iTunes, Stitcher, Spotify and wherever else you get podcasts. You can also listen to rebroadcasts of previous My First Band episodes on WMSE every Wednesday from noon to 12:30 p.m. CST. Music used in this episode comes courtesy of Devils Teeth ("The Junction Street Eight Tigers") and NNAMDÏ ("Grounded").

In the fifth episode of It's The Larry Sanders Show's Show, Jason and Max do a professional deep dive into the history of late-night talk shows with Mr. Bill Carter. Mr. Carter describes the business model for these shows, the changing landscape in the early 1990s, and the blending of fact and fiction on TLSS. Then, Jason and Max break down The New Producer. Finally,  indie rock band Speedy Ortiz perform their song "Lean In When I Suffer" from the album Twerp Verse. It's a long one, so settle in and have a good time!Bill Carter is a journalist and author. He was a National Media reporter for the New York Times for over 25 years beginning in 1989. He is the author of the classic book The Late Shift. He is now a CNN contributor, recently producing the documentary series The Story of Late Night and The History of the Sitcom.The Late Shift is available here from Open Road Media: https://openroadmedia.com/ebook/the-late-shift/9781504058841Speedy Ortiz is a Philadelphia based band featuring Joey Doubek (drums), Sadie Dupuis (guitar & lead vocals), Andy Molholt (guitar, synth, backing vocals), and Audrey Zee Whitesides (bass, backing vocals). Their most recent release is The Death of Speedy Ortiz & Cop Kicker .​.​.​ Forever, issued in 2021 by Carpark Records.Special thanks to Davis Thurston for engineering the live recording of Speedy Ortiz. More information here: https://www.davisthurstonproductions.comThe New Producer Originally aired: September 12, 1992Written by: Garry Shandling, Dick Blasucci, Paul Simms, Howard Gewirtz, and Chris ThompsonDirected by: Todd HollandProduction Number: 111Are you enjoying It's The Larry Sanders Show's Show? Please consider following us on all social media @larrysanderspod and giving us a rating or review on your podcast distributor of choice!

Dan talks to Sadie Dupuis (Speedy Ortiz/Sad 13) about as much as he can cram into an interview: fronting her bands, her new book of poetry 'Cry Perfume', juggling grad school and touring, her work with Union of Musicians and Allied Workers, advocacy for safe venues, and so much more. 'Cry Perfume' is out now via Black Ocean, available wherever you get books, and she's currently out on book tour with Michael DeForge. You can keep up with everything Sadie at sadiedupuis.com.

Sadie Dupuis of Sad13 and Speedy Ortiz joins Dwyer to discuss her new book of poetry Cry Perfume, touring with her hero Stephen Malkmus, the empty human that is Daniel Ek and how Spotify doesn't disclose it's deals with major lables leaving everyone in the dark about their payment practices.Patreon Part 2 with Sadie HEREOpening Song, Hysterical from the album Haunted Painting by Sad13.All Things Sadie DupuisClimate Emergency FundKelly R. DwyerThemattdwyer.com Hosted on Acast. See acast.com/privacy for more information.

Alex Schmidt is joined by writer/musician Sadie Dupuis (new poetry collection 'Cry Perfume', bands Speedy Ortiz and Sad13) and comedian/podcaster Caitlin Durante ('The Bechdel Cast' podcast) for a look at why drive-thrus are secretly incredibly fascinating. Visit http://sifpod.fun/ for research sources, handy links, and this week's bonus episode.

Devin McKnight is a musician and songwriter currently based in Brooklyn, NY. Previously hes played guitar in rock projects such as Speedy Ortiz, Grass is Green, and Philadelphia Collins. At the moment, his main focus is the rock band he fronts, Maneka(Monica), which fuses elements of jazz, improvisation, math rock and shoegaze. Under this project he's released three records Is This You, Devin, and most recently Dark Matters.We talk to Devin about creating his new record "Dark Matters," the challenges of navigating predominately white spaces in the indie rock music industry, generational trauma, Black experience, and making something more nuanced that sad boy music.Hosted by Phillip Russell and Ben ThorpEpisode NotesYou can visit Maneka's website here.You can follow Devin McKnight here.Visit our website: Originstory.showFollow us on Twitter @originstory_Do you have feedback or questions for us? Email us theoriginstorypod@gmail.comCover art and website design by Melody HirschOrigin Story original score by Ryan Hopper

EMAIL US: kitschforkpodcast@gmail.com Audrey Whitesides (@audreyotherway) of the bands Mal Blum and Speedy Ortiz joins us in our discussion of Chicago indie music darling Liz Phair and her infamous Liz Phair Goes Mainstream Pop self-titled album from 2003 that netted much disgust from music critics and a 0.0 from our friends at Pitchfork. why did she get so much hate? why doesn't the album have the reputation anymore for being the Bad Album it had in its day? what can we learn from this? (probably nothing). find out here!

Joined by Sadie Dupuis of Speedy Ortiz and Sad13 to chat about a song/train we all have feelings about.  ~*~*~patreon: https://www.patreon.com/fountainsofsplainEmail: fountainsofsplain@gmail.comIG: https://www.instagram.com/fountainsofsplain/TikTok: https://www.tiktok.com/@fountainsofsplain?lang=enantidepressants playlist: (spotify search: escitalopram5mg)https://open.spotify.com/playlist/5gzNUwU9OVAP4Klj8KWELm?si=ec459fec5fe64e49'Splain playlist: https://open.spotify.com/playlist/5BSmVU2i5Ntjy5d0KcO7gP?si=kzyR5784RgWArUFO3BjRbwPlaylist of featured artists: https://open.spotify.com/playlist/6WEHh9HtbMppR02NWK7Rm2?si=KocI17RxQ7uLQjc1PfjBzAPERFECT THEME SONG by Kirsten and Darinhttps://instagram.com/kirabella1588?igshid=fpw8kv87ybsahttps://instagram.com/gimpymusical?igshid=tmm3p3f5lzd8Music: A Fine Day For a Parade by Sad13 (from Saving for A Custom Van)Buy SCV here: https://fatherdaughterrecords.bandcamp.com/album/saving-for-a-custom-vanInstagram: @sad13 Spotify: https://open.spotify.com/artist/6YHfq8Pg3lZPo1u0PaQ8ob https://open.spotify.com/artist/5WMmQuQNYBIJ3HVrKFKaPgBandcamp: https://speedyortiz.bandcamp.com/ https://sad13.bandcamp.com/album/haunted-painting CHECK OUT RYAN'S ELECTRONIC DEBUT, THE LUNCHBOX EP: https://lunchwave.bandcamp.com/album/the-lunchbox-epCover art by Claire D:https://www.instagram.com/claire.in.color/Support the show (https://www.patreon.com/fountainsofsplain)Support the show (https://www.patreon.com/fountainsofsplain)

Musical guest Speedy Ortiz joins improvisers James Mannion, Vic Michaelis, and Matt Apodaca for a special improv4humans! Speedy Ortiz plays songs off their latest album “Twerp Verse” which inspire scenes about Satan discovering a human more evil than he is, a softball team that shows up to a restaurant right before closing time, and a library that replaces all its books with lemonade. Later, we'll meet a man who doesn't want any romance out of his dates and a tour guide for the home of a sports legend's sibling.This episode is sponsored by The Jim Jefferies Show Podcast, MVMT Watches (www.MVMT.com/IMPROV), and ButcherBox (www.butcherbox.com/IMPROV code: IMPROV).