Podcasts about Akin

In this episode, we listen to a lady’s lament, as depicted in Sangam Literary work, Aganaanooru 187, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents a stack of similes to sketch this landscape. தோள் புலம்பு அகலத் துஞ்சி, நம்மொடுநாள் பல நீடிய கரந்து உறை புணர்ச்சிநாண் உடைமையின் நீங்கி, சேய் நாட்டுஅரும் பொருள் வலித்த நெஞ்சமொடு ஏகி,நம் உயர்வு உள்ளினர் காதலர் கறுத்தோர்தெம் முனை சிதைத்த, கடும் பரிப் புரவி,வார் கழற் பொலிந்த வன்கண் மழவர்பூந் தொடை விழவின் தலை நாள் அன்ன,தரு மணல் ஞெமிரிய திரு நகர் முற்றம்புலம்புறும்கொல்லோ தோழி! சேண் ஓங்குஅலந்தலை ஞெமையத்து ஆள் இல் ஆங்கண்,கல் சேர்பு இருந்த சில் குடிப் பாக்கத்து,எல் விருந்து அயர, ஏமத்து அல்கி,மனை உறை கோழி அணல் தாழ்பு அன்னகவை ஒண் தளிர கருங்கால் யாஅத்துவேனில் வெற்பின் கானம் காய,முனை எழுந்து ஓடிய கெடு நாட்டு ஆர் இடை,பனை வெளிறு அருந்து பைங் கண் யானைஒண் சுடர் முதிரா இளங் கதிர் அமையத்து,கண்படு பாயல் கை ஒடுங்கு அசை நிலைவாள் வாய்ச் சுறவின் பனித் துறை நீந்தி,நாள் வேட்டு எழுந்த நயன் இல் பரதவர்வைகு கடல் அம்பியின் தோன்றும்மை படு மா மலை விலங்கிய சுரனே? In this long and winding path through the drylands domain, we get to hear the lady say these words to her confidante, at a time, when the man had parted away from her, to go in search of wealth: “Slaying the loneliness of my arms, he had slept here for many days, in a state of clandestine union with me. On account of his honour, and with a heart that yearned for the precious wealth to be gained in a faraway country, that lover of mine parted away, thinking of my welfare. After destroying enemies in furious battles, harsh-eyed warriors, clad in sturdy anklets, wielding speeding horses, celebrate the festival of flowers. Akin to the first day of these celebrations, shines the front yard of our wealthy mansion, spread with sands from afar. Won't it now turn lonely, my friend? In those uninhabited, faraway spaces, filled with dried-up axle-wood trees, spotting tiny hamlets by the hills, to eat the day's food, in a protected spot, he stays for a while, and then he continues onward to those scrub jungles, where the summer's heat scorches the black-stemmed ‘Ya' trees, having dried black sprouts, akin to the hanging beards of house hens, and he walks on those formidable paths through the ruined lands, where people have fled owing to endless battles, where after feeding on the palmyra fronds, a green-eyed elephant closes its eyes and rests, without a sliver of movement, in the morning hour, filled with tender rays, when the sun scorches not, and appears akin to a boat, sailing in the swaying sea, wielded by fisherfolk, intent on their day's hunt, as they traverse those cool shores, frequented by sword-mouthed fish. Such are the drylands he traverses near huge, cloud-covered mountains now!” Let’s brave this dreary domain and learn more! The lady starts by mentioning how the man had been in a secret love relationship with her for long. But realising the importance of seeking her hand, he had left in search of wealth, she adds. She compares the sand-filled front yard of their mansion to the festivities of victorious warriors, and depicts that now that the man had left, it’s going to turn bleak and lifeless. Then, she goes on to visualise the path the man walks, talking about the dried up axle-wood trees, the scrub-jungles, where the hanging sprouts on ‘Ya’ trees, appear like the black beards of house hens, where people have fled the region, owing to the battles that arose there, where an elephant sleeps appearing like the boat of fisherfolk in the morning sun. In much detail, the lady concludes by visualising how the man would try desperately to find a protected spot to have his day’s meal and trudge on through the endless expanse of the drylands, to win the wealth, seeking to uphold the welfare of his beloved. The thought that came to me when reading and reflecting is that timeless sense of how the pain of those we love seems so vivid and tangible, no matter how far apart in space they may be!

In our latest podcast episode, Akin litigation partners Scott Barnard and Stephanie Lindemuth discuss the SEC's recent policy shift on mandatory arbitration provisions and what it means for public companies—particularly in light of differing state law approaches in Delaware, Texas and beyond. Listen Now.

In this episode, we listen to the distressed response to an accusation, as depicted in Sangam Literary work, Aganaanooru 186, penned by Paranar. The verse is situated amidst the lush lotus-filled ponds of the ‘Marutham’ or ‘Farmlands landscape’ and portrays the beauty and wealth of an ancient town. வானம் வேண்டா வறன்இல் வாழ்க்கைநோன் ஞாண் வினைஞர் கோள் அறிந்து ஈர்க்கும்மீன் முதிர் இலஞ்சிக் கலித்த தாமரைநீர்மிசை நிவந்த நெடுந் தாள் அகல் இலைஇருங் கயம் துளங்க, கால் உறுதொறும்பெருங் களிற்றுச் செவியின் அலைக்கும் ஊரனொடுஎழுந்த கௌவையோ பெரிதே; நட்பே,கொழுங் கோல் வேழத்துப் புணை துணையாகப்புனல் ஆடு கேண்மை அனைத்தே; அவனே,ஒண் தொடி மகளிர் பண்டை யாழ் பாட,ஈர்ந் தண் முழவின் எறிகுணில் விதிர்ப்ப,தண் நறுஞ் சாந்தம் கமழும் தோள் மணந்து,இன்னும் பிறள் வயினானே; மனையோள்எம்மொடு புலக்கும் என்ப; வென் வேல்,மாரி அம்பின், மழைத்தோற் பழையன்காவிரி வைப்பின் போஒர் அன்ன, என்செறிவளை உடைத்தலோ இலெனே; உரிதினின்யாம் தன் பகையேம்அல்லேம்; சேர்ந்தோர்திரு நுதல் பசப்ப நீங்கும்கொழுநனும் சாலும், தன் உடன் உறை பகையே. We go on a trip full of twists and turns as we listen to the words of a courtesan, said in the earshot of the lady’s friends, conveying a pointed message about the man to the lady: “Leading a life without any poverty, one that seeks not the favour of the skies, fisherfolk pull their sturdy nets woven with strong threads, knowing the catch is caught, in the ponds, brimming with fish. The tall-stalked, wide leaf of the flourishing lotus that floats atop the waters of the dark pond, flutters, when touched by the wind, akin to the swaying ear of a huge elephant, in the town of the lord. The rumours that have risen about my relationship with him is huge indeed; Whereas the extent of his affection for me is only akin to the act of holding on to a raft of thick-stemmed reeds, when playing in the river stream; As maiden wearing shining bangles sing along to the tune of the ancient lute, as moist and cool drums are struck with sticks, the man's shoulders, wafting with the scent of cool and fragrant sandalwood, would now be embracing another woman, he's entranced with. They say his wife is furious with me; Akin to the town of Po-or, watered by the gushing Kaveri, ruled by Palaiyan, renowned for his cloud-like shields, rain-like arrows and white spears, are my beautiful bangles. I have not broken my bangles in anger; Honestly, I'm not her enemy; The one who parts away, leaving the fine foreheads of those he united to be filled with pallor, that rich lord is the right person to be called as the enemy, one within her own abode!” Time to fish in the ponds of this lush landscape! The courtesan starts with a description of the man’s town, and to do that, she brings forth a certain community of people, whom she describes as leading a life that does not know poverty, for they are fisherfolk and they don’t have to depend on the skies for their wealth and prosperity, a statement which implicitly contrasts them with another group of people in that landscape, those who follow the occupation of farming. After that philosophical statement about their work, the courtesan zooms on to the sturdy nets in their hands and the way they are hauling the fish by pulling their nets out of the ponds. She describes these ponds as brimming with water, filled with lotus flowers and leaves, whose movement in the breeze, she specifically places in parallel with that of the swaying ears of a huge elephant.  After that picturesque description of the man’s town, the courtesan turns her attention to the man himself and describes how gossip about her relationship with him had spread all around town. But in reality, the way the man had treated her was nothing more than how someone would hold on to a raft, made of strong reeds, when playing in the gushing river stream, and then abandoning it, once they are done with their play. She reveals how at the very moment the man was enjoying the company of some other courtesan, embracing her and dancing to the songs of the maiden, accompanied by the music of ancient lutes.  The courtesan goes on to talk about what she has just heard, about how the man’s wife, was mad at her, when he was romping around elsewhere. She then describes a rich and handsome town, one called ‘Po-or’, ruled by a chieftain named Pazhaiyan, renowned for his battle-efficient army of spears, arrows and shields. She has summoned this town only to place it in parallel to her own bangles. She talks about how the lady’s anger had not made her break those bangles of hers in oath and fury. The courtesan concludes by pointing out that the real enemy of the lady was not her, but the lady’s own husband, the lord of the town! A perfect illustration of a place where men are few, and where power and wealth accumulates in their very hands. The striking aspect of this verse is the way it tells us to pause in our moments of anger and consider who is to be blamed truly. Often, we avoid blaming ourselves or those close to us, and instead direct the anger at those others, whom we think are the cause of our troubles! Just the way this courtesan points out, it would bring great clarity to ponder on the question, ‘Who is the enemy here?’

Ein Kommentar von Paul Clemente.Die Berlinale teilt das Schicksal aller Kulturfestivals im 21. Jahrhundert: Die Präsentation der Werke ist zweitrangig. Das eigentliche Interesse, die großen Schlagzeilen gehören dem politischen Skandal. Kein Leinwand-Spektakel wird sehnsuchtsvoll erwartet, sondern der Tritt in den Fettnapf. Man wartet darauf: Irgendeinem armen Wicht, ob Regisseur, Darsteller oder Jury-Mitglied, rutscht der „falsche“ Satz raus. Und los geht's: Die Aussage wird skandalisiert und der Journalist zum Raubtieren, das seine Beute genüsslich zerfetzt.Dieses Jahr bot sich Wim Wenders als Opfer an. Gleich zu Beginn des Festivals. Dabei ist der achtzigjährige Regisseur null auf Krawall gebürstet. Aber auf der Pressekonferenz der Jury fragte ein Aktivist: ob der Anwesende den Kurs der Bundesrepublik zum Gaza-Krieg unterstütze. Wenders ungeschickte Antwort: „Wir müssen uns aus der Politik raushalten. ... Wir sind das Gegengewicht zur Politik, wir sind das Gegenteil der Politik.“ Damit war der Skandal perfekt. Die publizistische Schlacht konnte beginnen.So erklärte die indische Autorin Arundhati Roy Wenders Replik für „unfassbar“. Konsequenz: Sie sagte ihre Teilnahme an der Berlinale ab. Es folgte ein offener Brief, von 80 Künstlern unterschrieben: Darunter Regisseur Mike Leigh, Fotografin Nan Goldin und Schauspielerin Tilda Swinton. Die empörten sich über das „institutionelle Schweigen“ des Festivals. Mehr noch, sie beschuldigten die Jury der „Beteiligung an der Zensur von Künstlern, die Israels andauernden Völkermord an den Palästinensern im Gazastreifen ablehnen“. Hier ist eine Zwischenfrage fällig: Weshalb die sofortige Eskalation? Wieso ist Frau Roy nicht zur Berlinale geflogen, um ihren Standpunkt vor Ort zu diskutieren? Wozu ein sofortiger Boykott? Das Erzwingen einer bestimmten Positionierung wird die Debattenkultur kaum verbessern.Während des Wenders-Bashings trat Kulturstaatsminister Wolfram Weimer auf den Plan: Der Regisseur werde „von Pali-Aktivisten", also anti-israelischen, pro-palästinensischen Aktivisten bedrängt. O-Ton: „Ich würde ihn da gerne in Schutz nehmen, weil ich finde, er hat genau die richtigen Worte gefunden." Die Berlinale sei immer eine politische Veranstaltung gewesen: „Es werden die heiklen Themen alle angesprochen." Tatsächlich haben die Autoren des Offenen Briefes das Berlinale-Programm nicht gelesen. Darin hätten sie die Ankündigung des Films „Chronicles From the Siege“ gefunden. Das Kinodebut des syrisch-palästinensischen Regisseurs Abdallah Alkhatib zeigt den Alltag, die Überlebensstrategien der Menschen in Gaza. Eine Szene spielt in einer Videothek, wo Filmfans überlegen, ob sie ihre Kultfilme als Brennmaterial verwenden sollen, um nicht zu erfrieren. Alkhatib erhielt den GWFF-Preis für das Beste Spielfilmdebüt. Bei seiner Dankesrede brachte er eine Palästinenser-Flagge auf die Bühne und beschuldigte die Bundesregierung, „Partner des Völkermords in Gaza zu sein". Umweltminister Carsten Schneider verließ daraufhin den Saal. Berlins regierender Bürgermeister Wegner kommentierte: Den Pro-Palästina-Aktivisten gehe es nicht um Menschenrechte, sondern um Hasserzeugung gegen Israel. Politische Inhalte dürften auch die Wahl des Gewinners, die Verleihung des Goldenen Bären mitbestimmt haben. Den erhielt der deutsche Film „Gelbe Briefe“ von İlker Çatak. Das letzte Mal, dass ein Film aus hiesigem Lande diese Auszeichnung erhielt, war 2004: „Gegen die Wand“ von Fatih Akin. Mancher wird sich fragen: Ist es Zufall, dass beide Bären-Filme von türkischstämmigen Regisseuren gedreht wurden? Wohl kaum. Denn beide, Akin und Çatak, haben Mut zum Ungeschönten, zum Aufzeigen von Missständen. Ohne Rücksicht auf modische Diskurse. Ein Mut, der vielen ihrer deutschen Kollegen fehlt. Nehmen wir „Gelbe Briefe“: Präsentiert wird ein Ankara, wo Opposition zum sozialen Tod – zu Jobverlust und Isolierung führt....https://apolut.net/die-berlinale-skandale-gewinner-und-vampire-von-paul-clemente/ Hosted on Acast. See acast.com/privacy for more information.

Hanna ja Aki Vanhanen ovat pohtineen tarkkaan oman elämänsä arvot ja johtavat niistä tavoitteet, suunnitelmat ja elävät oman näköistä elämää. Juttelemme tänään aika perusteellisestikin seuraavista aiheista: Pariskuntana toisiaan täydentävistä luonteista ja osaamisesta Flippiprojektien ja vuokraustoiminnan eroista Oman elämän päämäärien ja arvojen miettimiseen johtaneista tapahtumista Villasukkien merkityksestä asuntosijoittamisen aloittamisessa Asuntosijoittamisen aloittamisen tavoitteista ja suunnitelmasta Kiinnostuksesta rahaan Onnellisuudesta ja unelmista Verkostoitumisesta ja valmentautumisesta Flippiprojektien toteutusperiaatteista Yksityisestä rahoituksesta Suunnitelmista viettää talvet lämpimässä tiimiä kasvattamalla Hannan ja Akin seikkailuja voi seurata Instassa ja TikTokissa seikkailijansalkku -tilillä. Kiitos Ostan Asuntoja -sisällön mahdollistavalle sponsorille: Asuntosalkunrakentaja on asuntosijoittajalle arvoa tuottava kumppani.  Asuntosalkunrakentajan kriteeristön läpäisevien tukkuhintaan ostettujen kerrostalojen turhat kulut karsitaan, tarpeelliset remontit toteutetaan ja asunnot vuokrataan. Asunnot tarjotaan ostettavaksi alle markkinahintatason. Sisäpiiriläisenä saat kohteista tarkat tiedot ostopäätöksen tueksi. Liity tekemään sujuvia sijoitusasuntokauppoja - Asuntosalkunrakentaja.fi. Etukäteisvinkit uusista kohteista saa seuraamalla Asuntosalkunrakentajia Instassa, X:ssä tai Facebookissa. Lisää löytyy YouTubesta. Kiitos Ostan Asuntoja -sisällön mahdollistavalle sponsorille: Asuntopehtoori on suomalainen perheyritys, joka tarjoaa asiakkailleen vuokravälitystä, sijoitusasuntojen hallinnointia ja asuntomyyntiä sekä isännöintiä ympäri Suomen. Huolenpitopalvelulla ulkoistat vuokrasuhteen hoidon Asuntopehtoorille, joka hoitaa asuntoon ja vuokrasuhteeseen liittyvät käytännön asiat puolestasi ja takaa vuokrat koko vuokrasuhteen ajan. Vuokravälityksen Asuntopehtoori hoitaa kilpailukykyisin kiintein hinnoin vuoden vuokratakuulla.  Asuntopehtoori Isännöintitarjoaa nykyaikaista proaktiivista isännöintiä, jonka avulla pystytään parantamaan taloyhtiöiden arvoa. Lisätietoa asuntopehtoori.fi Asuntosijoittamista 4:ssä sukupolvessa Hanna Suni – Ostan Asuntoja Podcast #366 Huippu-urheilijasta Asuntopehtoorin huippujoukkueeseen Antti Hynynen – Ostan Asuntoja Podcast #379 Kiitos Ostan Asuntoja -sisällön mahdollistavalle sponsorille: On kuulopuheita ja luulopuheita – ja sitten on oikeaa tietoa. Tätä tietoa ja tukea tarjoaa yli 34 000 jäsenen Suomen Vuokranantajat.  Jäsenenä saat pääsyn muun muassa vuokranantajan työkaluihin, markkinatietoon, kattavaan tietopankkiin ja maksuttomaan lakineuvontaan. Luotettavaa osaamista.  Grahn, Karlsson, Parviainen, Huru – Kuukausipalaveri 29 – Ostan Asuntoja Podcast #397 Naapurikodit ostaa kokonaisia kiinteistöjä, jalostaa niistä viihtyisiä koteja ja jää omistajaksi nostamaan taloyhtiön arvoa. Osa asunnoista tarjotaan ostettavaksi. Haluatko asuntosijoittajana mukaan? Lue lisää naapurikodit .fi Naapurikoteja Anniina ja Jesse Parviainen Osa 1 – Ostan Asuntoja Podcast #283 Taloyhtiösäästö etsii säästö- ja lisätulokohteita taloyhtiöllesi. Palvelulla on tulostakuu. Maksat vain toteutuneesta taloudellisesta tuloksesta. Katso lisää taloyhtiosaasto.fi Uudistunut Vuokraovi on entistä houkuttelevampi vuokra-asuntojen markkinapaikka, jossa hyvää vuokrakotia etsivät vuokralaiset ja niitä tarjoavat vuokranantajat onnistuvat löytämään toisensa vieläkin helpommin. Vuokraovi.com Oletko ostamassa sijoitusasuntoa ja haluaisit markkinahinta-arvion ostettavasta asunnosta? Pankkiarvio.fi on edullinen ja helppo palvelu tähän tarpeeseen. Täytät vain omat tietosi ja lähetät sinulla olevat dokumentit. Markkinahinta-arvion avulla saat näkemystä siihen, ettet maksa asunnosta liikaa. Pankkiarvio.fi. Roni Arvonen – Asunnoista, Podcastista, X:stä, elämästä – Ostan Asuntoja Podcast #341 "Haluaisitko olla itsevarma asuntosijoittaja? Jo yli sata asuntosijoittajaa on käynyt Ostan Asuntoja Podistakin tutun Suvi Schwabin Asuntoasiaa -valmennuksen, jossa teoria muuttuu käytännön teoiksi henkilökohtaisen sparrauksen avulla. Lisätietoa viestimällä suvi@asuntoasiaa.fi tai Instassa Asuntoasiaa.  Valvo on kotimainen pilvipalvelu, joka kokoaa kiinteistösi vedenkulutuksen, energian, sisäilman ja paloturvallisuuden tiedot yhteen helppokäyttöiseen näkymään. Valvo mittaa huoneistokohtaisen vedenkulutuksen etänä, automatisoi vesilaskutuksen ja havaitsee vuodot ajoissa. Anna valvon valvoa puolestasi. Valvo.fi" Asuntosijoittamisen lumipalloefekti -kirjan tilauspaikka on asuntosijoituskirja.fi. Alekoodi TAVOITE. Sinustako flippaaja? -kirjan alekoodi on FLIPPAA. E-kirjat saa luettavaksi heti.  Marko Kaarton esikoiskirja "Sijoita Asuntoihin! Aloita, kehity, vaurastu" löytyy samalta sivustolta. Koodilla ALOITA saat lisäalennuksen. Kirjat ja valmennukset ovat vuokratuloista verovähennyskelpoisia kuluja. Samalta sivustolta löytyy "Harrin privaattisparraus" -kuvaus ostanasuntoja@NostrVerified.com, Ostan Asuntoja X, Ostan Asuntoja Insta, Ostan Asuntoja FB, Ostan Asuntoja TikTok

Patient fear and tension are part of everyday clinical care, and the way a clinician responds can shape a patient's entire experience. In this episode of the Everyday Oral Surgery podcast, host Dr. Grant Stucki welcomes return guest Dr. Richard Akin, an oral and maxillofacial surgeon practicing in Louisiana, for a thoughtful exploration of how trust is built in healthcare settings. Drawing on insights from behavioral psychology and years of clinical experience, Dr. Akin shares how humor, curiosity, and genuine presence can help reduce anxiety and build trust with patients. The conversation examines how small moments, from active listening and inviting patients to share their hobbies to creating a welcoming office environment, can make a meaningful difference in high-stress situations. Dr. Akin also reflects on navigating difficult encounters, ways to support your staff in challenging situations, and sustaining a sense of joy and connection amid the daily demands of running a practice. Listen in for a human-centered discussion on why connection matters in healthcare and how thoughtful responses can transform tense moments into trusting relationships!Key Points From This Episode:Dr. Akin's early interest in behavioral psychology: what it taught him about human behavior.Lessons about connection learned while working in the service industry before dental school.Reflections on how patient fear and tension can show up in everyday clinical encounters.How humor can reduce anxiety and help build trust more quickly with patients.Recognizing shame when patients delay care and responding without judgment.Trust and empathy as prerequisites for effective treatment conversations.How office culture, staff interactions, and environment influence patient comfort.Trust built by referring dentists: how they jump-start the patient relationship before their visit.Using hobbies and personal details to open meaningful conversations.Starting gently with touch to help patients feel safe before invasive care.Active listening and being present as essential tools for building trust and creating ease.Responding to negativity with curiosity and humor to de-escalate tense encounters.Reframing difficult or angry patients as fearful rather than hostile.Using gratitude and human connection to sustain joy in long-term practice.Links Mentioned in Today's Episode:Dr. Richard Akin — https://www.drakin.com/ Dr. Richard Akin on LinkedIn — https://www.linkedin.com/in/rick-akin-644aa932/Dr. Richard Akin email — rick@drakin.comEveryday Oral Surgery Website — https://www.everydayoralsurgery.com/ Everyday Oral Surgery on Instagram — https://www.instagram.com/everydayoralsurgery/ Everyday Oral Surgery on Facebook — https://www.facebook.com/EverydayOralSurgery/Dr. Grant Stucki Email — grantstucki@gmail.comDr. Grant Stucki Phone — 720-441-6059

Amrum är en uppväxtskildring i andra världskrigets slutskede, med både mörker och vackra vyer. Lyssna på alla avsnitt i Sveriges Radios app. Fatih Akin slog igenom i 2000-talets början med filmerna ”Mot Väggen” och ”Vid himlens utkant” och när hans vän och mentor Hark Bohm bad honom skriva klart det manus som byggde på Harks egen uppväxt och sen regissera filmen, så tvekade Fatih Akin först. Men under en blöt kväll i Cannes med några regissörsvänner övertygades Faith Akin att göra filmen. Det tog ända till klippningen innan han kände att det var en film som också bar hans signum.Björn Jansson möter Fatih Akin vid ett cafébord i Cannes där filmen hade världspremiär 2025.

Sermon from 2.15.26We would love to help you find your next steps with Jesus. Reach out to us here so we can help you:Follow us on Facebook: www.facebook.com/ebcrockymt/Follow us on Instagram: www.instagram.com/EBCRockyMt/Englewood Baptist Church is located in Rocky Mount, North Carolina.

Jimmy Gaspero and Amber Akin join the show to talk about their upcoming Papercutz graphic novel Penny and the Yeti.

Poet Enda Wyley chooses some 'non-Hallmark' love poems for the day that's in it and quotes Carol Ann Duffy to Adrian Mitchell.

„Posten bringt keine Kunden.“ In dieser Klartext-Episode zeigen Robert Kirs und Akin Colak, warum 95 % der Industrieunternehmen Social Media falsch einsetzen – und wie es richtig geht.Statt bunter Reels oder belangloser Image-Posts geht es darum, gezielt Formate zu entwickeln, die Aufmerksamkeit, Vertrauen und kaufkräftige Anfragen bringen – und am Ende in der BWA spürbar werden.Viele Mittelständler reden über sich selbst – statt über die Probleme ihrer Zielgruppe. Robert und Akin zeigen: Entscheidend sind nicht Länge oder Plattform, sondern Relevanz, Struktur und Positionierung. Wer nicht weiß, wen er erreichen will, kann sich die nächsten Kampagnen sparen. Diese Episode liefert ein konkretes System: von der Zielgruppenanalyse über Content-Aufbau bis hin zur Integration in den Vertriebsprozess.+250.000 € durch LinkedIn-Kampagnen, 4 neue Kunden pro Monat, über 600.000 € im Recruiting – das sind Ergebnisse echter Projekte.Die Grundlage: Inhalte, die nicht gefallen – sondern verkaufen. Kombiniert mit Retargeting, Social Selling und einem Vertriebsprozess, der funktioniert.Robert Kirs macht klar: Content ist kein Selbstzweck, sondern Vertriebshebel mit System – wenn man weiß, was man tut.Ideal für alle Geschäftsführer, Vertriebs- und Marketingleiter, die Social Media 2026 nicht mehr als „Muss“, sondern als Umsatzkanal verstehen wollen.Diese Folge liefert Struktur, Denkfehler, konkrete Einstiege, Content-Strategie und Umsetzung – direkt aus der Praxis für den technischen Mittelstand. Jetzt reinhören, umsetzen – und Anfragen gewinnen, die wirklich zählen.

In this episode, we listen to words of consolation rendered to allay anxiety, as depicted in Sangam Literary work, Aganaanooru 177, penned by Seyaloor Ilampon Saaththan Kotranaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the victory of a king and the beauty of a lady. தொல் நலம் சிதையச் சாஅய், அல்கலும்,“இன்னும் வாரார்; இனி எவன் செய்கு?” எனப்பெரும் புலம்புறுதல் ஓம்புமதி சிறு கண்இரும் பிடித் தடக் கை மான, நெய் அருந்துஒருங்கு பிணித்து இயன்ற நெறி கொள் ஐம்பால்தேம் கமழ் வெறி மலர் பெய்ம்மார், காண்பின்கழை அமல் சிலம்பின் வழை தலை வாடக்கதிர் கதம் கற்ற ஏ கல் நெறியிடை,பைங் கொடிப் பாகற் செங் கனி நசைஇ,கான மஞ்ஞைக் கமஞ்சூல் மாப் பெடைஅயிர் யாற்று அடைகரை வயிரின் நரலும்காடு இறந்து அகன்றோர் நீடினர் ஆயினும்,வல்லே வருவர்போலும் வெண் வேல்இலை நிறம் பெயர ஓச்சி, மாற்றோர்மலை மருள் யானை மண்டுஅமர் ஒழித்தகழற் கால் பண்ணன் காவிரி வடவயின்நிழற் கயம் தழீஇய நெடுங் கால் மாவின்தளிர் ஏர் ஆகம் தகை பெற முகைந்தஅணங்குடை வன முலைத் தாஅய நின்சுணங்கிடை வரித்த தொய்யிலை நினைந்தே. In this trip to the drylands, we get to hear the confidante say these words to the lady, when the man continues to remain parted away, having left in search of wealth: “Ruining your old beauty, you worry day after day, saying, ‘He still has not returned. How can I bear this?”. Please stop this great lament of yours! He has left to the drylands path, filled with huge stones, sweltering in the heat of the sun's rays, which scorch the tops of laurel wood trees, in those spaces by the mountain slopes, decked with bamboos, pleasing to the eyes, where desiring the red fruit of the bitter gourd, growing on green vines, a huge, pregnant jungle peafowl, cries aloud, akin to the ‘vayir' horn on the banks of the ‘Ayiri' river. Your oil-moistened, well-tied, five-part braid is akin to the curving trunk of a huge female elephant with small eyes. Even though he is delayed, he will return soon to adorn these tresses of yours, with honey-fragrant, colourful flowers. The great Pannan, who wears warrior anklets, is renowned for changing the hue of his leaf-tipped white spear and destroying the enemy's elephants, akin to mountains, in the battlefield. To the north of his domain of the ‘Kaveri' river, there stands a tall-trunked mango tree, rendering its shade to a huge pond. Akin to a tender leaf of this tree, is your tormenting bosom. Dreaming about covering the pallor spots that spread on this beautiful bosom of yours with ‘thoyyil' paintings, he shall return soon indeed!” Let’s brave the heat and walk the drylands path to learn more! The confidante starts by describing the lady’s current state of pining for the man, worrying incessantly about how he has not returned, ruining her health. She asks the lady to give up this worry of hers, and then goes on to describe the hot drylands path, by the mountains, that the man walks, where he can hear the cry of a pregnant peahen, which he describes as sounding like a ‘vayir’ horn on the banks of a river. This is excellent material for makers of ancient musical instruments for though the ‘vayir’ is no more, the world still has peahens and it gives hope to recreate the music of the past. Returning, we find the confidante describing the lady’s thick tresses, which she equates to an elephant’s trunk! Imagine the thickness of that braid, to be characterised as such! Looks like it was a blessed time for women’s hair, without the ubiquitous chemicals and pollutants that destroy the health of many a modern woman’s locks. The confidante has mentioned that the man cannot keep away from the beauty of these tresses and that he would indeed return soon to adorn it with the choicest of fragrant and vibrant flowers. Then, the confidante goes on to talk about how King Pannan quelled his enemy’s elephants in the battlefield, reddening the leaf tip of his spears. She has summoned this king only to say the River Kaveri was part of his domain, and there was a lush mango tree, to the north of this river, by a fertile pond, and she goes on to equate the tender leaf of this particular tree to the beautiful bosom of the lady, which would no doubt torment the man, no matter where he was. With the additional promise that the man would want to return and adorn the pallor spots on the lady’s bosom with thoyyil paintings, the confidante concludes her words to her friend!  In essence, the confidante is saying, ‘How can the man forget your beauty and stay away?’.’Like a force of nature, it will pull him back to your fold’, the friend promises. The reference to a king’s exploits in the battlefield and then the trip to a mango tree in his domain was an unexpected turn of events. Intriguing to reflect on the creativity of Sangam poets, who could connect vastly disparate things like majestic valour in the tangible reality of a battlefield to intimate beauty in the tender abstraction of relationships!

In this episode, we examine recent decisions out of Delaware that are reshaping the conversation around corporate governance and the competitive landscape between Delaware and Texas. Akin litigation partners Scott Barnard and Stephanie Lindemuth are back to discuss significant recent updates, including the Delaware Supreme Court's reversal in Moelis, its remedy-focused ruling in the Musk/Tesla matter and the first judicial interpretation of the amended Section 220. Together, these decisions signal Delaware's effort to reinforce predictability, realign with legislative changes and respond to the broader debate around corporate migration. Listen now.

In this episode, we listen to the lament of a lady, as depicted in Sangam Literary work, Aganaanooru 175, penned by Alamperi Saaththanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the victory of a historic king and the glory of a supernatural entity. வீங்கு விளிம்பு உரீஇய விசை அமை நோன் சிலைவாங்கு தொடை பிழையா வன்கண் ஆடவர்விடுதொறும் விளிக்கும் வெவ் வாய் வாளிஆறு செல் வம்பலர் உயிர் செலப் பெயர்ப்பின்,பாறு கிளை பயிர்ந்து படுமுடை கவரும்வெஞ் சுரம் இறந்த காதலர் நெஞ்சு உணரஅரிய வஞ்சினம் சொல்லியும், பல் மாண்தெரி வளை முன்கை பற்றியும், ”வினைமுடித்துவருதும்” என்றனர் அன்றே தோழி!கால் இயல் நெடுந் தேர்க் கை வண் செழியன்ஆலங்கானத்து அமர் கடந்து உயர்த்தவேலினும் பல் ஊழ் மின்னி, முரசு எனமா இரு விசும்பில் கடி இடி பயிற்றி,நேர் கதிர் நிரைத்த நேமிஅம் செல்வன்போர் அடங்கு அகலம் பொருந்திய தார்போல்,திருவில் தேஎத்துக் குலைஇ, உரு கெழுமண் பயம் பூப்பப் பாஅய்,தண் பெயல் எழிலி தாழ்ந்த போழ்தே? In this trip to the drylands, amidst the whizzing of arrows, we get to hear the lady say these words to her confidante, when the man continues to remain parted away, after leaving in search of wealth: “Grazing the edge of the broad shoulder, lies the sturdy bow. When harsh-eyed men bend this bow and aim the arrow, they never miss their mark. Those arrows with sharp mouths, when left out, flies whistling, and end the life of wayfarers on those paths. And so, calling their kith and kin, vultures feast on that reeking flesh. Such is the scorching drylands that my lover has left to! That day, he swore a heartfelt, furious oath, as he held my forearm with many, well-etched, radiant bangles, and declared, ‘I shall return after my mission'! Wielding chariots that move like the wind, is the generous Chezhiyan. More than the spears raised in his victorious battle of Aalangkaanum, are streaks of lightning, and akin to the drums there, roars unceasing thunder in the huge, black sky. Akin to the garland on the enemy-slaying chest of God Selvan, who wields the discus with perfect spokes, a picturesque and colourful rainbow curves above. And so, making the land flower with flourish, clouds have descended down with moist rains. Wasn't this the time he said he would return, my friend?” Time to witness the action in the skies! The lady starts by painting a vivid picture of the drylands, zooming on to the highway robbers, mentioning bows hanging on their shoulders, and harp arrows that they launch, which always ends up finding their target in the chests of wayfarers, and delivering their end. What ends there becomes the feast of vultures, the lady adds, saying that’s the dreary place the man has left to. Then she recollects how the man had sworn an oath, holding her forearm, and said he would return by a specific time. The lady now turns to the confidante and points out how the skies are flashing with streaks of lightning, just like the flashes of spears raised by the victorious army of the Pandya King Chezhiyan at the Thalaiyaalangaanam battle. In other verses we have read about how this king single handedly quelled the armies of seven kings and seized victory there. Returning, the lady then points to the sound of thunder echoing and connects it to the drums in that battlefield. From this king in life and blood, the lady shifts to mention a God, referred as ‘Selvan’ here, which interpreters attribute to ‘God Thirumal’ as identified by the ‘Sudarsana chakra’ or divine discus held in his right hand, symbolising the ‘wheel of time’. Interestingly I learnt today that there has been archaeological discoveries of coins in Taxila, featuring a sixteen-spoke wheel, dating back to the 2nd century BCE, thought to reflect a belief in this very God. This poem too makes specific mention of the perfectly radiating spokes of this discus held in the hand of God ‘Selvan’.  Reverting back to the lady’s words, we learn that she has mentioned this god’s name only to draw in parallel the many-flowered garland on his chest and the radiant rainbow curving in the sky. Lightning done, thunder done, rainbow done. All checks to say that it’s the season of rains, when the clouds pour down and make the land bloom, the lady connects. She concludes by asking her friend, ‘Wasn’t this when he said he would be back, with that firm oath of his?’  With these words, the lady intends to echo her anxiety about the man’s dangerous travels and the unfulfilled promise he made. Hope the man returns the very moment to slay the sorrow in her heart. Fascinating how the verse makes us fly from the feeding vultures down on the ground to the pouring clouds in the sky, on the chariot of a king and the discus of a god!

Chef Tyler Akin has a long and impressive bio. Earlier in his career, he worked at Zahav in Philadelphia and Mini Bar and Komi in D.C. More recently, he opened Bastia in Philadelphia's Hotel Anna & Bel, which helped solidify his role in redefining hotel dining. But a lot is going on behind the scenes with Akin. Many of his projects he describes as "white label," meaning he's brought on to create a signature dish, design a kitchen, or consult on food costs. Or he's hired to open a new restaurant, from hiring to menu development and branding. Tyler discusses how he juggles these projects and what he's looking for next with guest host Gloria Dawson.

Akin PE partner Amy Wollensack discusses how a stint in nursing before law school helped her as a young lawyer and talks about talent management and AI.

In this episode, we perceive an attempt to change a person’s course of action, as depicted in Sangam Literary work, Aganaanooru 168, penned by Kotampalathu Thunjiya Cheramaan. The verse is situated amidst the soaring peaks of the ‘Kurinji’ or ‘Mountain landscape’ and portrays the dangers of treading through this domain in the dark. யாமம் நும்மொடு கழிப்பி, நோய் மிக,பனி வார் கண்ணேம் வைகுதும்; இனியே;ஆன்றல் வேண்டும் வான் தோய் வெற்ப!பல் ஆன் குன்றில் படு நிழல் சேர்ந்தநல் ஆன் பரப்பின் குழுமூர் ஆங்கண்கொடைக் கடன் ஏன்ற கோடா நெஞ்சின்உதியன் அட்டில் போல ஒலி எழுந்து,அருவி ஆர்க்கும் பெரு வரைச் சிலம்பின்ஈன்றணி இரும் பிடி தழீஇ, களிறு தன்தூங்குநடைக் குழவி துயில் புறங்காப்ப,ஒடுங்கு அளை புலம்பப் போகி, கடுங் கண்வாள் வரி வயப் புலி கல் முழை உரற,கானவர் மடிந்த கங்குல்மான் அதர்ச் சிறு நெறி வருதல், நீயே? In this little trip to the highlands, we get to hear the confidante say these words to the man, as he prepares to leave after his nightly tryst with the lady: “After spending nights with you, full of affliction, she remains with tear-filled eyes at other times; And so, you must give it up, O lord of the sky-soaring mountains! In the shadow of a peak called ‘Pallaankundram', spreads a town called ‘Kuzhumoor', filled with fine cattle. Here, rules a king called ‘Uthiyan', the one with an unswerving heart, who has assumed the duty of charity. Akin to the uproar in his kitchen, cascades resound in the slopes of the majestic mountain ranges. Here, embracing its dark mate that has just given birth, a male elephant stands in guard of its calf with a swaying gait, even as a strong, harsh-eyed, striped tiger leaves its cozy den in the cave in loneliness, and steps out, roaring aloud amidst the mountain bamboos, in the dead dark of the night, when the mountain folk are fast asleep. Indeed, you must give up your trips through these small bushy paths, frequented by beasts many, at this hour!” It’s time for a midnight stroll through the mountains! The confidante talks about how the lady is all smiles and delight when she is with the man, during their nightly trysts, but the moment he leaves, she seems to be filled with suffering, with tears threatening to leap beyond the bounds of her eyelids. So, the confidante tells the man that he must give up something he’s been doing. Without directly telling what it is, she goes on to talk about a king named ‘Uthiyan’ and his town of ‘Kuzhumoor’, a town in the shadow of a peak called ‘Pallaankundram’, which translates as ‘the peak of cattle many’. No coincidence, the town is said to have many cattle indeed, echoing its wealth. The confidante takes us to the kitchen of this king’s palace and there’s a loud noise, lot of uproar, why because the king had sworn to uphold unceasing charity. That’s why his kitchen was always abuzz! The confidante has mentioned this fact only to place in parallel that uproar to the resounding roar of the cascades in their mountains. And here, she points to how a male elephant is embracing its female and guarding their newborn calf, even as the roar of a tiger that has left its cave resounds in the air. The confidante details how all this is happening in the middle of the night and it’s his walking in the dark amidst those narrow mountain paths that the man must give up! ‘Don’t you add angst to the lady’s heart’, the confidante seems to be telling the man, revealing how much the lady fears for the man’s safety, echoing her love for him. At the same time, telling the man that the lady cannot bear to be apart from him. In a hidden way, the confidante tells the man the only path forward was to forget this temporary trysting and seek the lady’s hand in marriage. ‘Marry her, marry her’ indeed, but interesting that we got to listen to the uproarious sounds in an ancient kitchen that never stops working, and keeps piling mounds and mounds of food, for all those who arrive at that doorstep, seeking! A capture of generosity and prosperity in one shot!

In this episode, Linda and Luan discuss caring for houseplants in the cold, dry winter months.

In this episode, we perceive the lady’s angst, as depicted in Sangam Literary work, Aganaanooru 163, penned by Kazhaar Keeran Eyitriyaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse relays heartfelt words said to an element of the weather. விண் அதிர்பு தலைஇய, விரவு மலர் குழைய,தண் மழை பொழிந்த தாழ்பெயற் கடை நாள்,எமியம் ஆக, துனி உளம் கூர,சென்றோர் உள்ளிச் சில் வளை நெகிழ,பெரு நசை உள்ளமொடு வருநசை நோக்கிவிளியும் எவ்வமொடு, ”அளியள்” என்னாதுகளிறு உயிர்த்தன்ன கண் அழி துவலைமுளரி கரியும் முன்பனிப் பானாள்,குன்று நெகிழ்ப்பு அன்ன குளிர் கொள் வாடை!எனக்கே வந்தனை போறி! புனற் கால்அயிர் இடு குப்பையின் நெஞ்சு நெகிழ்ந்து அவிழ,கொடியோர் சென்ற தேஎத்து, மடியாதுஇனையை ஆகிச் செல்மதி;வினை விதுப்புறுநர் உள்ளலும் உண்டே! In this trip to the drylands, we don’t get to see much of the domain but we hear the lady say these words to the cold northern winds, when the confidante asks her to bear with the man’s continued absence: “Quaking the skies, crushing the flowers, the moist rain clouds have poured down on this last day of the season. All alone, I stand here, with suffering soaring in my heart, thinking about the one, who parted away, even as the few bangles left too slip away, with a deeply desiring heart, looking at the path he would lovingly return, with a sorrow that seems capable of ending me. Without thinking, ‘She's to be pitied', akin to the sigh of an elephant, you spray droplets, ruining everything, during this midnight hour in this early dew season, when a lotus becomes burnt black, spreading a coldness that makes even a mountain quiver, O northern wind! You seemed to have arrived just to assail me! Akin to how the river sand is moistened by the gushing water, to make his heart fill with tenderness, why don't you depart to the place, where that cruel one treads, and without tempering yourself, being just as you are, blow thither? Perhaps that will make the one, who only desires to complete his mission, think about me! Time to experience the shivering cold in the lady’s life! The lady starts by talking about the world within and outside of her just then. Outside, we see that it’s the last day of the rains, which have made the skies tremble and drenched the flowers too. Inside her, it’s all about suffering. She spends all her time thinking of the one, who parted away, glancing over and over again at the direction he would return home, as the last few bangles on her hands slip away, indicating how much she has thinned down and lost her health. Now she turns to the northern wind and says that the wind doesn’t seem to consider how pitiable her state was, but instead, it was intent on tormenting her even more by spraying its moist droplets in that season of ‘early dew’ and spreading the kind of coldness that makes lotuses turn black and even mountains tremble! What an imagination to think that a mountain would shiver in the cold! No doubt the lady’s saying, ‘If a mighty mountain can quiver, how can I, a little human being, bear this attack!’ In any case, after accusing the wind to be targeting her specifically, the lady concludes by putting forth a request, asking the wind to go blow, where the man is, with the full force it has now, so that he would think of her and return home, instead of being only intent on his mission of seeking wealth. Here’s a creative expression, personifying a non-living entity and projecting the angst within on the action of a natural event!

In this episode, we listen to the passionate heart of a man, as portrayed in Sangam Literary work, Aganaanooru 162, penned by Paranar. The verse is situated amidst the soaring peaks and descending cascades of the ‘Kurinji’ or ‘Mountain landscape’ and reveals the beauty of a lord’s mountain country. கொளக் குறைபடாஅக் கோடு வளர் குட்டத்துஅளப்பு அரிது ஆகிய குவை இருந் தோன்றலகடல் கண்டன்ன மாக விசும்பின்அழற்கொடி அன்ன மின்னு வசிபு நுடங்ககடிதுஇடி உருமொடு கதழ்உறை சிதறி,விளிவு இடன் அறியா வான் உமிழ் நடு நாள்,அருங் கடிக் காவலர் இகழ்பதம் நோக்கி,பனி மயங்கு அசைவளி அலைப்ப, தந்தைநெடு நகர் ஒரு சிறை நின்றனென்ஆக; அறல் என அவிர்வரும் கூந்தல், மலர் எனவாள் முகத்து அலமரும் மா இதழ் மழைக் கண்,முகை நிரைத்தன்ன மா வீழ் வெண் பல்,நகை மாண்டு இலங்கும் நலம் கெழு துவர் வாய்,கோல் அமை விழுத் தொடி விளங்க வீசி,கால் உறு தளிரின் நடுங்கி, ஆனாதுநோய் அசா வீட முயங்கினள் வாய்மொழிநல் இசை தரூஉம் இரவலர்க்கு உள்ளியநசை பிழைப்பு அறியாக் கழல்தொடி அதிகன்கோள் அறவு அறியாப் பயம் கெழு பலவின்வேங்கை சேர்ந்த வெற்பகம் பொலிய,வில் கெழு தானைப் பசும் பூண் பாண்டியன்களிறு அணி வெல் கொடி கடுப்ப, காண்வரஒளிறுவன இழிதரும் உயர்ந்து தோன்று அருவி,நேர் கொள் நெடு வரைக் கவாஅன்சூரரமகளிரின் பெறற்கு அரியோளே. In this somewhat long trip to the mountains, we get to hear the man say these words to his heart, after a tryst with his lady love: “Never diminishing no matter how much is taken, having an unmeasurable depth where conches bloom, appearing with a thick darkness is the ocean! The vast skies seemed akin to glimpsing this ocean, and here, akin to a vine of flames, lightning flashed, splitting the clouds, along with roaring thunder and scattered heavy rain, with no end in sight. Such was the dark hour of midnight, shrouded in a downpour. Just then, watching for the moment the stern guards would relax, as cold and moist winds tormented me, I stood on one side of her father's tall mansion. Akin to river sand, cascaded down her tresses; Akin to flowers blooming on her shining face, were her huge-petaled, rain-like eyes; Akin to bee-buzzing buds, assembled in a row, were her white teeth; Akin to jewels, radiantly shone her exquisite red mouth; Swaying her hands and making her rounded, brilliant bangles tinkle, akin to a sprout that had grown legs, trembling, she had come to end my unceasing affliction and embraced me tight. In the mountains ruled by Athikan, who wears warrior anklets, known for his words of honesty, and having the fine fame of generosity that renders to supplicants, never leaving them in a state of unfulfilled wishes, fertile jackfruit trees, which have never known a moment of not bearing a fruit, flourish along with Kino trees. Here, akin to the victorious flag, fluttering atop elephants, owned by Pasumpoon Pandiyan, who wields an army of skilled archers, pleasing to the eyes, descend down from high, radiant cascades. Akin to the tormenting divine spirits that live in the slopes of this tall and majestic mountain range, my lady is hard to attain!” Let’s soak in the shower of the mountains and listen on! The man starts by describing the skies that appear before him just then, and to do that, he summons the deep and immeasurable seas in parallel. In this sea-like sky, lighting was flashing, thunder was roaring and the rain was pouring, with no respite, the man says. He illustrates how he was standing there, shivering in the cold, by the mansion belonging to the lady’s father, waiting for the right moment the guards would relax their watch. Fulfilling his yearning, the lady seemed to have arrived there, walking like a vine with legs, quivering. That’s not all he says about the lady, of course. He calls her tresses, black sand; Her eyes, blue-lotus flowers; Her teeth, wild jasmine buds; Her mouth, red coral jewels; He vividly records how the lady came there, with her bangles tinkling, and embraced him, putting his painful disease of yearning at ease. Then, he goes on to talk about the fertile mountain slopes of a lord named Athikan, who was known for his honesty and generosity, a place, where there were lush jackfruit trees, bursting over with fruits from every part, and radiant Kino trees as well. To describe the cascades flowing down in this mountain, the man summons another historic character, Pasumpoon Pandiyan, and specifically talks about the victorious flags fluttering atop his elephants. Returning back to Athikan’s mountain slopes, the man says this region was inhabited by female spirits, and concludes by declaring however hard it would be to attain those female spirits, it was so with his beloved too. In essence, though the man has just embraced his love, he is already pining for her! That’s the handiwork of love, especially in the blooming stage, modern psychologists would concur, remarking there’s not that much of a distance between love and addiction, symptomatically speaking! 

This is a recap of the top 10 posts on Hacker News on December 31, 2025. This podcast was generated by wondercraft.ai (00:30): Stardew Valley developer made a $125k donation to the FOSS C# framework MonoGameOriginal post: https://news.ycombinator.com/item?id=46445068&utm_source=wondercraft_ai(01:50): Warren Buffett steps down as Berkshire Hathaway CEO after six decadesOriginal post: https://news.ycombinator.com/item?id=46448705&utm_source=wondercraft_ai(03:10): I canceled my book dealOriginal post: https://news.ycombinator.com/item?id=46446815&utm_source=wondercraft_ai(04:31): Show HN: Use Claude Code to Query 600 GB Indexes over Hacker News, ArXiv, etc.Original post: https://news.ycombinator.com/item?id=46442245&utm_source=wondercraft_ai(05:51): 2025: The Year in LLMsOriginal post: https://news.ycombinator.com/item?id=46449643&utm_source=wondercraft_ai(07:12): Tell HN: Happy New YearOriginal post: https://news.ycombinator.com/item?id=46443744&utm_source=wondercraft_ai(08:32): Akin's Laws of Spacecraft Design (2011) [pdf]Original post: https://news.ycombinator.com/item?id=46442903&utm_source=wondercraft_ai(09:52): Efficient method to capture carbon dioxide from the atmosphereOriginal post: https://news.ycombinator.com/item?id=46444076&utm_source=wondercraft_ai(11:13): The rise of industrial softwareOriginal post: https://news.ycombinator.com/item?id=46442597&utm_source=wondercraft_ai(12:33): Meta created 'playbook' to fend off pressure to crack down on scammersOriginal post: https://news.ycombinator.com/item?id=46446838&utm_source=wondercraft_aiThis is a third-party project, independent from HN and YC. Text and audio generated using AI, by wondercraft.ai. Create your own studio quality podcast with text as the only input in seconds at app.wondercraft.ai. Issues or feedback? We'd love to hear from you: team@wondercraft.ai

ÖZGÜR ÖZEL - AKIN GÜRLEK - DUBAİ'DE İNFAZ

Salt on Akin Monehin's Book and preparing for 2026.Salt is spilling the tea on why she bought Akin Monehin's book, "Execution is a Lie : Why Real-Work Fails Without Systems, Signals and Skin in the Game” Hope you listen. Hope you get his book. How are you preparing for your 2026? Do share. Merry Keresimisi in advance

In this episode, we listen to words of resolve, as depicted in Sangam Literary work, Aganaanooru 149, penned by Erukkaattoor Thaayankannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse showers the spotlight on prominent Sangam-era cities and the extent of their wealth. சிறு புன் சிதலை சேண் முயன்று எடுத்தநெடுஞ் செம் புற்றத்து ஒடுங்கு இரை முனையின்,புல் அரை இருப்பைத் தொள்ளை வான் பூப்பெருங் கை எண்கின் இருங் கிளை கவரும்அத்த நீள் இடைப் போகி, நன்றும்அரிது செய் விழுப் பொருள் எளிதினின் பெறினும்வாரேன் வாழி, என் நெஞ்சே! சேரலர்சுள்ளிஅம் பேரியாற்று வெண் நுரை கலங்க,யவனர் தந்த வினை மாண் நன் கலம்பொன்னொடு வந்து கறியொடு பெயரும்வளம் கெழு முசிறி ஆர்ப்பு எழ வளைஇ,அருஞ் சமம் கடந்து, படிமம் வவ்வியநெடு நல் யானை அடுபோர்ச் செழியன்கொடி நுடங்கு மறுகின் கூடற் குடாஅது,பல் பொறி மஞ்ஞை வெல் கொடி உயரிய,ஒடியா விழவின், நெடியோன் குன்றத்து,வண்டு பட நீடிய குண்டு சுனை நீலத்துஎதிர் மலர்ப் பிணையல் அன்ன இவள்அரி மதர் மழைக் கண் தெண் பனி கொளவே. A small foray into the drylands unfolds along with other fascinating voyages, as we listen to the man say these words to his heart, at a moment when it’s pressing him to part with the lady and go seek wealth: “Tiring of the comb mud, within the tall, red mound, raised with much effort by little, dull-hued termites, a bear with huge arms goes in search of the rough-trunked Mahua tree and steals its hollow, white flowers in the drylands. Traversing the winding paths herein, even if I were to attain the hard-to-get, good wealth with ease, I shan't come with you, my heart! May you live long!  Muddling the white-foamed, beautiful river called ‘Sulli Periyaaru' in the domain of the Cheras, fine and well-etched boats of foreigners, arrive with gold and leave with pepper from the prosperous town of Musiri. Surrounding this town, creating a great uproar, waging war, the battle-worthy Chezhiyan, with a tall, fine elephant, captured the golden emblem of the city. His flag flutters high in the streets of his capital Koodal, and to the west of this city, up above, flutters a flag with a victorious mark of a many-specked peacock.  In that peak of the Great One, filled with unceasing festivity, bees buzz around blue lotuses, blooming in the deep and wide springs herein. Akin to a garland woven with two blue lotuses from this place are her exquisite, rain-like eyes and leaving these to brim over with clear tears, I surely shan't part away with you, O heart!” Let’s trace the path through this dreary domain, as seen by the man’s vision. He starts by talking about the drylands region, by bringing before our eyes, the familiar sight of a bear digging up termite comb and after having its fill, feeling discontent with it, and then venturing in the direction of the Mahua trees, to feast on its white flowers. The man says even if the wealth, which is sought out by traversing such harsh paths, something so impossible to obtain, were to be easily attainable by him, he has no thought of leaving, as nudged by his heart. Then, suddenly he leaves the drylands and transports us to a brimming river in the domain of the Cheras, to see how the waves are pushed right and left by well-etched ships arriving from foreign nations. The word used to describe these foreigners is ‘Yavanar’ and it could be a reference to the ‘Ionian Greeks’ or it could be a term for all foreign traders, be it from Rome or Egypt!  Pointing to these ships, the man informs us that these bring great quantities of gold and leave with a barter of what they considered ‘Black Gold’ – Pepper, which grew bountifully in the mountains of this region. Many a historian has remarked how India was the ‘sink of precious metals’ in the ancient era, drawing the wealth from all over the world in exchange for its natural wealth of pepper. The man has mentioned all this not to give us a historic tour but to connect it to the Pandya King Chezhiyan’s siege and conquest of this city. From Musiri on the west coast, we traverse to King Chezhiyan’s capital of Koodal, also known as Madurai. Stopping not even at this wealthy city, the man continues to a hill to the west of this city, a pilgrimage site for a God, identified by his peacock flag. The reference most probably talks about God Murugan and his seat of Thiruparankundram. The reason why the man has brought us here is not to pay our respects at the holy site, but to gaze in awe at the picturesque scene of bees buzzing around blue lotuses in the springs of this hill. Finally, the man connects these blue lotuses to the lady’s eyes and concludes by declaring that it was impossible for him to leave in search of wealth, making those eyes of hers fill with tears.  To summarise the long tale, the man is simply refusing to follow his heart’s nudge and go in search of wealth, for he doesn’t want to bring any sorrow to his beloved! The subtle element here is in presenting how the bear tires of one food and immediately seeks the next, in the beginning, which could be a hidden implication that wealth-seeking is all about jumping from one thing to the next, never content, with no end to desire! Interesting also to note how the core concept of wealth is approached from many angles, such as the difficult wealth the man must seek, the golden wealth that arrives from foreign shores to Musiri, the natural wealth of pepper growing here, the wealth of Musiri brought to the city of Koodal by the warring King Chezhiyan and the natural wealth of the blue lotuses in the hills of Thiruparunkundram – Something that makes us muse on what wealth could mean to us! Though the man doesn’t want to begin a journey, he has taken us on an insightful one, showing us the splendour of those ancient Sangam places, bustling with trade and worship, etching the renown of this part of the world in that period of time!

Topic:- What challenges we faced in 2025 and things we look forward to in the new year. - How to remain content - How important is quality of life? - Did your parents ever show you their struggles?Join Hush Hush Crew to get access to exclusive content:https://www.youtube.com/channel/UCivHlS8rtDWUji83z928luw/joinIf you're interested in relationships, marriage, fatherhood, or parenthood, or if you're simply curious about what it's like to be a young husband or father in your 20s.Make sure to like, subscribe, and hit the notification bell so you never miss an episode of our honest conversations about marriage, relationships, parenting and fatherhood!Check Out Our Vibes With DTMW Playlist: Spotify - https://open.spotify.com/playlist/6gwQRQBHuD0JV1hUOtFoM9?si=q9q-4Un2TMeI7FaMnCXUKQ&pt=f32f0441f2effeb1d3d6d5b35d40cb13&pi=e-XDo_DPp9RmqmJoin Ken & Tonye as they share their experiences of navigating marriage and fatherhood in their twenties.Email: DTMWPod@gmail.comInstagram: https://www.instagram.com/dtmwpod/TikTok: https://www.tiktok.com/@dtmwpodYoutube: DTMWPodTwitter: DTMWPodCheck us out on: https://donttellmywifepodcast.komi.ioJoin hosts Ken & Tonye as they explore the realities of marriage, fatherhood, and life in their twenties. Each episode dives into relatable challenges, parenting tips, and humorous takes on keeping family life balanced. Email: DTMWPod@gmail.com Instagram: DTMWPod Twitter: DTMWPod Youtube: DontTellMyWifePodcast Hosted on Acast. See acast.com/privacy for more information.

In this episode, we listen to a lady’s lament, as depicted in Sangam Literary work, Aganaanooru 147, penned by Avvaiyaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse etches the aura of danger in this domain. ஓங்குமலைச் சிலம்பில் பிடவுடன் மலர்ந்தவேங்கை வெறித் தழை வேறு வகுத்தன்னஊன் பொதி அவிழாக் கோட்டு உகிர்க் குருளைமூன்று உடன் ஈன்ற முடங்கர் நிழத்த,துறுகல் விடர் அளைப் பிணவுப் பசி கூர்ந்தென,பொறி கிளர் உழுவைப் போழ் வாய் ஏற்றைஅறு கோட்டு உழை மான் ஆண் குரல் ஓர்க்கும்நெறி படு கவலை நிரம்பா நீளிடை,வெள்ளி வீதியைப் போல நன்றும்செலவு அயர்ந்திசினால் யானே; பல புலந்து,உண்ணா உயக்கமொடு உயிர் செலச் சாஅய்,தோளும் தொல் கவின் தொலைய, நாளும்பிரிந்தோர் பெயர்வுக்கு இரங்கி,மருந்து பிறிது இன்மையின், இருந்து வினைஇலனே! We witness a birth in our trip through this domain, as we listen to the lady say these words to the confidante, in response to her friend’s words about the man’s parting away: “In the slopes of the soaring hills, along with wild jasmine, the Kino tree's bright flowers burst into bloom. As if bunches of these fragrant flowers have been grouped separately, three cubs, whose curving claws are still concealed by flesh, have been birthed by the female tiger, which stands languishing, in the shade of a corner, within a cave, amidst the boulders. Perceiving the hunger of this female, its mate with radiant specks and a huge mouth, lies in wait, intently listening to the voice of the male deer, with broken antlers, in those long and winding paths through the drylands. Akin to Velli Veethi, I wish to traverse these paths, lamenting a lot. Filled with the fatigue of starving, thinning away as if my life would leave any moment, losing the old beauty of my arms, suffering day after day because of his parting away, without any other cure, I know not what else to do!” Time to brave it all and tread the drylands path! The lady begins by describing this region, and to do that, she brings before our eyes a female tiger that has given birth to three cubs, and she places in parallel three bunches of the ‘Vengai’ tree’s bright yellow flowers, a connection oft-seen in Sangam literature. A moment to consider the choice of number three for that litter of cubs! My curiosity was piqued and I wanted to know how many cubs a tigress normally gives birth to, at a time. I learnt this figure ranged from 2 to 7, on the extreme, 2 to 4 normally, with 3 being the average number. Without the aid of modern censuses, our Sangam ancestors have zeroed in on this number, just with their observation!  Returning, from the mother and the babies, the lady turns her attention to the father tiger, who understanding its mate’s tiredness and hunger, has gone hunting for a male deer in the mountains. Such are these paths filled with terror, the lady says, and yet, she says she wants to walk on these paths, in search of her beloved, just like the famous Velli Veethiyar, when she lost her husband. The lady concludes by saying as there is no other medicine for her affliction which makes her starve, thin away, and lose her beauty, this was the only thing she could think of doing! Here’s a unique lesson in healing oneself by finding a commonality with another person, who has walked the same stony path!

Sometimes we think we have things planned out perfectly with every detail taken care of. Then God puts a stick  in the spokes of our tire, causing us to go off track and change our plans. That's the way things happened on today's program. God's timing is always perfect and when He puts things in our paths, we need to be alert to what He is doing.  So often our lives are overly hectic and chaotic, and we move at what seems like the speed of light.  It's at these times that we need to look around and see where God is moving.

Better implant outcomes start with how we shape tissue from day one. In this episode of Everyday Oral Surgery, host Dr. Grant Stucki welcomes return guest Dr. Richard Akin, an oral and maxillofacial surgeon from Louisiana, to explore immediate implants and the art of crafting custom healing abutments. Dr. Akin explains how years of refinement shaped his chairside method for building custom healing abutments with bulk-fill composite. This approach helps capture and maintain the natural tissue contours during healing. He shares practical lessons on case selection, torque control, and grafting, and unpacks why wide-platform implants play such a critical role in the long-term success of posterior and second molar cases. Beyond surgical precision, Dr. Akin reflects on how collaboration with restorative dentists and lab technicians helps bridge knowledge gaps, streamline workflows, and ultimately improve patient outcomes. Tune in for a masterclass in technique, teamwork, and continual learning within oral surgery!Key Points From This Episode:An introduction to Dr. Richard Akin, an OMS practicing in Louisiana.How a 2010 course sparked his interest in immediate provisionals.The evolution of his chairside custom healing abutment technique.Using bulk-fill composite to capture patient-specific tissue contours.Publishing the “anatomic harmony abutment” concept in 2016.Why soft-tissue management is as critical as implant stability.Key benefits from his custom healing abutment technique.Dr. Akin's full immediate implant workflow from extraction to final abutment.Optimizing insertion torque for predictable immediate placement.Case selection, grafting, and managing buccal gaps for success.Preference for wide-platform implants in posterior and molar cases.Long-term recall data showing success in second-molar implants.Prioritizing thorough socket debridement and irrigation to achieve clean, bleeding bone.Avoiding over-drilling through feel and control during osteotomy preparation.Collaborating with restorative dentists and other specialists for improved patient outcomes.The importance of actively bridging gaps between surgeons, labs, and restorative teams.A breakdown of Dr. Akin's approach to maxillary immediate implants.Final reflections on teamwork, gratitude, and patient-centered care.Links Mentioned in Today's Episode:Dr. Richard Akin — https://www.drakin.com/Dr. Richard Akin on LinkedIn — https://www.linkedin.com/in/rick-akin-644aa932/Dr. Richard Akin email — rick@drakin.com‘A New Concept in Maintaining the Emergence Profile in Immediate Posterior Implant Placement: The Anatomic Harmony Abutment' — https://www.researchgate.net/publication/304779134_A_New_Concept_in_Maintaining_the_Emergence_Profile_in_Immediate_Posterior_Implant_Placement_The_Anatomic_Harmony_Abutment‘Clinical Advantages of Immediate Posterior Implants With Custom Healing Abutments: Up to 8-Year Follow-Up of 115 Cases' — https://www.researchgate.net/publication/363099744_Clinical_Advantages_of_Immediate_Posterior_Implants_with_Custom_Healing_Abutments_Up_to_8_Year_Follow_Up_of_115_CasesEveryday Oral Surgery Website — https://www.everydayoralsurgery.com/ Everyda

Nate Akin, Dave Kiehn, and Liam Garvie discuss how Pillar values closed membership. They address the practice of open membership, the importance of baptism, conscience dilemmas, regenerate church membership, what historic Baptist confessions have to say, teaching patiently on membership, and more. 

In this episode, we listen to words of delight after an awaited event, as depicted in Sangam Literary work, Aganaanooru 142, penned by Paranar. Set amidst the golden flowers of the ‘Kurinji’ or ‘Mountain Landscape’, the verse depicts the generosity of a king and the courage of a commander in the battlefield. இலமலர் அன்ன அம் செந் நாவின்புலம் மீக்கூறும் புரையோர் ஏத்த,பலர் மேந் தோன்றிய கவி கை வள்ளல்நிறைஅருந் தானை வெல்போர் மாந்தரம்பொறையன் கடுங்கோப் பாடிச் சென்றகுறையோர் கொள்கலம் போல, நன்றும்உவ இனி வாழிய, நெஞ்சே! காதலிமுறையின் வழாஅது ஆற்றிப் பெற்றகறை அடி யானை நன்னன் பாழி,ஊட்டு அரு மரபின் அஞ்சு வரு பேஎய்க்கூட்டு எதிர்கொண்ட வாய் மொழி மிஞிலிபுள்ளிற்கு ஏமம் ஆகிய பெரும் பெயர்வெள்ளத் தானை அதிகற் கொன்று, உவந்துஒள் வாள் அமலை ஆடிய ஞாட்பின்,பலர் அறிவுறுதல் அஞ்சி, பைப்பய,நீர்த் திரள் கடுக்கும் மாசு இல் வெள்ளிச்சூர்ப்புறு கோல் வளை செறித்த முன்கைகுறை அறல் அன்ன இரும் பல் கூந்தல்,இடன் இல் சிறு புறத்து இழையொடு துயல்வர,கடல் மீன் துஞ்சும் நள்ளென் யாமத்து,உருவு கிளர் ஓவினைப் பொலிந்த பாவைஇயல் கற்றன்ன ஒதுக்கினள் வந்து,பெயல் அலைக் கலங்கிய மலைப் பூங் கோதைஇயல் எறி பொன்னின் கொங்கு சோர்பு உறைப்ப,தொடிக்கண் வடுக்கொள முயங்கினள்;வடிப்பு உறு நரம்பின் தீவிய மொழிந்தே. There’s only a dash of this domain in this instance, as we listen to the man say these words to his heart, at a moment when he has trysted with his lady, after a long separation: “Celebrated by wise bards, who have skilled red tongues, akin to silk-cotton flowers, is the one with generous hands, exalted above all others, that conquering king with an unstoppable army, known as ‘Mantharam Poraiyan Kadunko'. Akin to the vessels of those impoverished, who return after singing about him, you shall brim over now, my heart! May you live long! Without swerving from his just path, with his talents, the great Nannan won over elephants with huge feet. In his town of ‘Paazhi', his commander Minili, renowned for his honesty, undertook the task of feeding the insatiable and terrifying spirits of death, and routed the famous Athikan, with a flood-like army, renowned for being a protector of birds. After this, Minili, performed the ecstatic ‘Amalai' dance, with his shining sword. Akin to the uproar that arose in the battlefield just then, slander would spread in town if they knew of our relationship. Fearing that, walking gently, wearing many neat rows of flawless silver, curving bangles on her forearms, having thick, dark tresses, akin to silt-laden sand, caressed by the river, extending and swaying beyond her slender waist, my lady love came at the dark hour of midnight, when even fish in the seas sleep, moving with a delicate gait, akin to a radiantly painted doll, which was just learning to walk, and making my honey-soaked garland of mountain flowers, tousled by the rains, shed flowers, akin to golden sparks that scatter in a smithy, she embraced me, leaving impressions of her bangles, and uttering sweet words, resounding like the well-played strings of a lute!” Let’s hear the heartbeat of this mountain man! He starts by talking about a great king, Mantharam Poraiyan Kadunko, one who was celebrated by silver-tongued bards, only here, their truthful tongues are placed in parallel to the red flowers of a silk-cotton tree. The man goes on to say how generous this king was known to be, and just like how the bowls of those who had come seeking to him would overflow, the man’s heart too was in the same state of brimming over with joy!  Before telling us why, the man talks about the nature of slander that would spread in the lady’s town if her relationship with him were to be found out. To do that, he makes the verse echo with the uproar in the battlefield at the moment a commander of King Nannan, a lord named ‘Minili’ defeated the powerful Athikan and did the victory dance. Connecting this uproar to the rumours in town, the man says the lady feared that very much. This nugget tells us that the man had not been meeting the lady as much as he would like, for she had been avoiding seeing him owing to her fear. But just a while ago, she had come walking like a doll, and making the golden flowers of his rain-soaked garland scatter, she had embraced him tightly, leaving imprints of her bangles on him. Not only that, she had ended by speaking words as sweet as the music of lutes, the man concludes. Since this event occurred, that’s the reason his heart is brimming over, we understand. A record of a relatable feeling that many of us would have felt when a much awaited meeting goes on better than our expectations! Situations may change, reasons may differ, but emotions remain the same!

For decades Western policymakers have struggled to understand the mindset of the Russian people and their leaders. This episode of The Transatlantic brings together two Russia experts who provide unique perspectives into the challenges American leaders often face when negotiating with Russian officials. Join James Collins, former Ambassador to Russia, and Wayne Merry, the officer in Embassy Moscow who authored a 1993 dissent cable predicting the adversarial turn of post-Soviet Russia, for a wide-ranging conversation about their combined decades inside Russia, a look inside the Vladimir Putin's world, and their thoughts on what will determine the future of Russia. -- Read E. Wayne Merry's Dissent Cable here: https://nsarchive.gwu.edu/document/32704-document-1-wayne-merry-dissent-channel-cable-american-embassy-moscow -- Ambassador James F. Collins is an expert on the former Soviet Union, its successor states, and the Middle East. Ambassador Collins was the U.S. ambassador to the Russian Federation from 1997 to 2001. Prior to joining the Carnegie Endowment, he served as senior adviser at the public law and policy practice group Akin, Gump, Strauss, Hauer & Feld, LLP. Before his appointment as Ambassador to Russia, he served as Ambassador-at-Large and Special Adviser to the Secretary of State for the newly independent states in the mid-1990s and as Deputy Chief of Mission and Chargé d'affaires at the U.S. embassy in Moscow from 1990 to 1993. In addition to three diplomatic postings in Moscow, he held positions at the U.S. embassy in Amman, Jordan, and the consulate general in Izmir, Turkey. He is the recipient of the Secretary of State's Award for Distinguished Service; the Department of State's Distinguished Honor Award; the Secretary of State's Award for Career Achievement; the Department of Defense Medal for Distinguished Public Service; and the NASA Medal for Distinguished Service. Before joining the State Department, Ambassador Collins taught Russian and European history, American government, and economics at the U.S. Naval Academy. -- E. Wayne Merry is Senior Fellow for Europe and Eurasia at the American Foreign Policy Council in Washington, DC. He is widely published and a frequent speaker on topics relating to Russia, Central Asia and the Caucasus, the Balkans, European security and trans-Atlantic relations. In twenty-six years in the United States Foreign Service, he worked as a diplomat and political analyst specializing in Soviet and post-Soviet political issues, including six years at the American Embassy in Moscow, where he was in charge of political analysis on the breakup of the Soviet Union and the early years of post-Soviet Russia. He also served at the embassies in Tunis, East Berlin, and Athens and at the US Mission to the United Nations in New York. In Washington he served in the Treasury, State, and Defense Departments. In the Pentagon he served as the Regional Director for Russia, Ukraine and Eurasia during the mid-nineties. He also served at the Headquarters of the US Marine Corps and on Capitol Hill with the staff of the US Commission for Security and Cooperation in Europe. He was later a program director at the Atlantic Council of the United States

The OG reacts to Morissette's "Akin Ka Na Lang"   Watch The OG's reaction to Morissette's performance of "Akin Ka Na Lang"! See his genuine and unfiltered response to this amazing song.   For Business Inquiries & Podcast Consultation: santiago.consultant@gmail.com For Podcast Inquiries: agnbpodcast@gmail.com  Click Here To Subscribe!      Instagram -  @agnbmarketing  Instagram - @agnbdmv CashApp   - $agnbpodcast   Comment for more video ideas below!   Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS

The OG reacts to Morissette's "Akin Ka Na Lang"   Watch The OG's reaction to Morissette's performance of "Akin Ka Na Lang"! See his genuine and unfiltered response to this amazing song.   For Business Inquiries & Podcast Consultation: santiago.consultant@gmail.com For Podcast Inquiries: agnbpodcast@gmail.com  Click Here To Subscribe!      Instagram -  @agnbmarketing  Instagram - @agnbdmv CashApp   - $agnbpodcast   Comment for more video ideas below!   Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS

TW: Mentions of suicideIn this episode, I sit down with Toni Akin, a powerhouse in public education and a deeply compassionate advocate for those navigating affordable and subsidized housing. With over 20 years in the educational field, Toni brings a rare blend of lived experience, sharp insight, and heart-forward leadership.Toni's story began in affordable housing in Boston, where she was raised by her grandmother. An experience that taught her the lifesaving impact of supportive adults and community programs. Now, she's on a mission to challenge the stigma surrounding subsidized housing and to expand access to educational opportunities for underserved communities.You can find Toni here:https://www.linkedin.com/in/tonidakinToni is the current Board Director (Treasurer) of TerraCorps which focuses on environmental education and is a member of the New England Education Opportunity Association (NEOA)Support me on Patreon! ⁠https://www.patreon.com/nikkithedeathdoula⁠You can find me here:https://linktr.ee/nikkithedeathdoulaGet merch! https://good-grief-podcast.printify.me/ Music:https://incompetech.filmmusic.io/song/3495-cheery-monday

Today on the podcast I am chatting to Josephine Hatch, who is an Innovation Director with over 20 years of experience in foresight, cultural strategy, and brand innovation. Now, you might not totally know what any of that means, but basically, we are talking about trend forecasting! One of the things that really struck me during our chat is that, as creatives and small business owners, many of us do this instinctively without having the formal language for it. This conversation gave me such a good framework for being more strategic about looking at culture and making plans for my business and honestly, Jo's perspective gave me such a boost regarding the value of human creativity.   Key Takeaways Foresight vs. Fads: While "trends" are often associated with fast fashion or fleeting fads, foresight is about spotting signals and understanding the macro forces that impact human behaviour. Human Truths Remain: Technology and context change, but fundamental human truths—like the need for connection or joy—stay the same. Successful brands understand how to tap into these enduring feelings. The AI Counter-Movement: As generative AI adoption grows, there is a strong counter-trend towards the "human." People are increasingly valuing imperfections, analog hobbies, and genuine human curation. Look Outside Your Bubble: Real innovation rarely comes from looking at your direct competitors. Instead, look to other industries, art, and culture for inspiration to disrupt your own category.   Episode Highlights 02:51 – Joe explains her background and how an Alexander McQueen runway show sparked her interest in how fashion mirrors society. 06:49 – We discuss why "trend" has become a dirty word and the difference between short-term fads and long-term foresight. 12:56 – Joe shares incredible free resources and tools that small businesses can use to spot cultural shifts. 20:23 – A fascinating look at AI, including why the "human touch" is becoming a premium and the rise of analog hobbies. 33:17 – Simple habits you can adopt to become more culturally curious, including how to document the things that inspire you.   About the Guest Josephine Hatch is an Innovation Director at The Otherly, an innovation and brand agency that works with global brands and small businesses to help them defend their space and grow with intent. She has spent 20 years working at the intersect of trend forecasting, cultural strategy, and innovation. Website: The Otherly LinkedIn: Josephine Hatch   Mentioned in this episode The Otherly https://theotherly.com/ Andres Colmenares, Responsible AI expert and IAM festival co-founder Link to a google drive of trend reports https://bit.ly/2025trending  via Global Cultural Strategist Amy Daroukakis. Note that a new set of trend reports will come out around December 2025 Free platform for trends, updated daily https://www.trendhunter.com/ Dezeen, The Dieline and Lovely Package (both good for packaging), Campaignlive https://secondhome.io/culture/   SJ from The Akin's substack is a great read for what's happening in culture https://theakin.substack.com/ Emma Jane Palin's Our Curated Abode https://www.ourcuratedabode.com/  and Instagram https://www.instagram.com/ourcuratedabode/#   I would love to hear what you think of this episode, so please do let me know on Instagram where I'm @‌lizmmosley or @‌buildingyourbrandpodcast and I hope you enjoy the episode! This episode was written and recorded by me and produced by Lucy Lucraft lucylucraft.co.uk If you enjoyed this episode please leave a 5* rating and review!

In this episode Mark Akins shares his powerful life story — from childhood abuse, depression, and a near-fatal suicide attempt to homelessness and finally rebuilding his life through trade work, sales, writing, and coaching. Mark discusses how challenging your perception can free you from anxiety, the lessons he learned from recovery, practical tips for cold calling and sales, and how he now helps others as a perception coach and motivational speaker. Sponsors:   Stacey Roberts, author of "The Pain Free Formula"                    Judy Kim Cage, author of "Supersurvivor"                    Hero Soap Company-Use code RAP for a 10% discount Links:          LinkedIN    @mark akins                    https://itsawrapwithrap.com  

HEADLINE: The Philosophical Roots of Communism and the Unmasking at Tiananmen Square GUEST AUTHOR:Professor Sean McMeekin 50-WORD SUMMARY: The Tiananmen Square massacre (1989) unmasked the brutal core of communism, akin to Kronstadt. Karl Marx derived the dialectical concept of history as binary class struggle (oppressors/oppressed) from Hegelianism. Marx defined communism as the "negation of the negation," advocating a violent cataclysm driven by philosophical principles rather than political economy.

We present the third and final episode of our limited series podcast on how Texas and Delaware are positioning themselves as leading jurisdictions for corporate incorporation and litigation.  Join our co-hosts, Akin litigation partners Scott Barnard and Stephanie Lindemuth, as they dissect the operational realities of the new Texas Business Courts. They'll explore the courts' structure, inherent challenges and the long road ahead as Texas vies for prominence against Delaware's established dominance.

Tori removal may not be the most glamorous procedure, but it's one that demands skill, patience, and careful preparation. In this episode of Everyday Oral Surgery, host Dr. Grant Stucki welcomes Dr. Richard Akin, an oral and maxillofacial surgeon in Baton Rouge, to explore the nuances of managing these challenging cases. Dr. Akin reflects on lessons learned from early practice with his father, the unique anatomy and patient factors that complicate these cases, and the importance of knowing when removal is truly indicated. He shares practical techniques for both maxillary and mandibular tori, from flap design to instrument choice. Dr. Akin also discusses the realities of insurance coverage and billing, and how reimbursement rarely reflects the complexity of the work. Along the way, he emphasizes patient communication, setting realistic expectations for recovery, and taking the time needed to avoid complications. Tune in to hear insights that can help you refine your approach and set patients up for better outcomes!Key Points From This Episode:An introduction to Dr. Richard Akin, an OMS in Baton Rouge.Dr. Akin's early training with his father and transition into solo practice.Why tori removal remains a core responsibility of oral surgeons.Indications for removal, from hygiene challenges to painful ulcers.Preparing patients for recovery and setting realistic expectations.Step-by-step techniques for removing maxillary and mandibular tori.Managing thin tissue, closure difficulties, and post-op care.Instrument choices that make tori removal safer and more efficient.Strategies to minimize tearing and ensure proper healing.Recognizing rare complications such as flap necrosis.Why suturing technique and flap care are critical to healing.Dr. Akin's range of patient stories, from food entrapment to denture challenges.Typical healing timelines and patient resilience after surgery.Insurance coverage and billing realities for tori removal cases.Dr. Akin's favorite books, hobbies, and daily practices.Links Mentioned in Today's Episode:Dr. Richard Akin — https://www.drakin.com/ Dr. Richard Akin on LinkedIn — https://www.linkedin.com/in/rick-akin-644aa932/Dr. Richard Akin email — rick@drakin.com Dr. Richard Akin Powerpoint — 7 Goldman-Fox Knife — https://www.hufriedygroup.com/en/dental-knives/7-goldman-fox-knife1/2 Orban DE Knife, EverEdge™ — https://www.hufriedygroup.com/en/dental-knives/1-2-orban-periodontal-knife-0Forceps to extract tooth number five — Hearts in Atlantis — https://www.amazon.com/Hearts-in-Atlantis-Stephen-King-audiobook/dp/B0000547DGSurrender — https://www.amazon.com/Surrender-40-Songs-One-Story/dp/B09ZK1XJ4XHidden Potential — https://www.amazon.com/Hidden-Potential-Science-Achieving-Greater/dp/0593653149The Overstory — https://www.amazon.com/Overstory-Novel-Richard-Powers/dp/039335668XBreaking Bad — https://www.imdb.com/title/tt0903747/Better Call Saul —

Akin, Fatih www.deutschlandfunkkultur.de, Fazit

We present the second episode of our limited series podcast on how Texas and Delaware are positioning themselves as leading jurisdictions for corporate incorporation and litigation. This week, we examine recent developments in corporate law and the efforts by both states to attract businesses.   Our co-hosts, Akin litigation partners Scott Barnard and Stephanie Lindemuth, explore the legislative changes and structural differences that are shaping the corporate law environment, with a specific focus on fiduciary duties, standards of review and shareholder rights.  Listen now.

“The uptake among public companies actually is the biggest evolution in the field, because public companies are beginning to recognize the value of this asset class,” says Ranesh Ramanathan, partner and co-head of the Global Capital Solutions Practice for Akin, discussing capital solutions as a financing alternative. Ramanathan joins Bloomberg Intelligence's Noel Hebert on this episode of the Credit Crunch podcast to talk about building a product suite, and meeting a company where they are at with a tailored solution. The pair also examine the difficulties in building awareness, the broader growth in funding alternatives, potential extensions for Akin's platform and lessons learned through the great financial crisis. The Credit Crunch podcast is part of BI's FICC Focus series.

Akin is excited to announce the launch of our three-part, limited series podcast, The Business Court Benches: Delaware and Texas Compared. This topical series, co-hosted by Akin litigation partners Scott Barnard and Stephanie Lindemuth, will dive into the bold steps Texas has taken to rival Delaware as the go-to jurisdiction for corporate litigation.  Our first episode, "'DExit' or Just Drama? The Future of Delaware and 'Y'all Street," explores the historical significance of the Delaware Court of Chancery, recent shifts in corporate law jurisprudence and the emerging competition from Texas's new business courts. Over the coming weeks, stay tuned as we provide in-depth analyses and insights that will help you navigate this evolving landscape.

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Joelle Pineau is the Chief Scientist at Cohere, where she leads research on advancing large language models and practical AI systems. Before joining Cohere, she was VP of AI Research at Meta, where she founded and led Meta AI's Montreal lab. A professor at McGill University, Joelle is renowned for her pioneering work in reinforcement learning, robotics, and responsible AI development. AGENDA:  00:00 Introduction to AI Scaling Laws 03:00 How Meta Shaped How I Think About AI Research 04:36 Challenges in Reinforcement Learning 10:00 Is It Possible to be Capital Efficient in AI 15:52 AI in Enterprise: Efficiency and Adoption 22:15 Security Concerns with AI Agents 28:34 Can Zuck Win By Buying the Galacticos of AI 32:15 The Rising Cost of Data 35:28 Synthetic Data and Model Degradation 37:22 Why AI Coding is Akin to Image Generation in 2015 48:46 If Joelle Was a VC Where Would She Invest? 52:17 Quickfire: Lessons from Zuck, Biggest Mindset Shift  

Bethany tells us the story of Jailhouse Pizza in Brandenburg, then Jamie tells us about Akin!

Have you every wished you could call up an experienced auto tech to diagnose your car trouble? One company is doing just that by transforming the DIY auto repair experience.   With nearly 1 million app downloads, Tinker DIY is the only platform that offers live video support with ASE-certified mechanics for auto repairs, rideshare inspections, and used car evaluations. Akin to “telehealth for your car,” Tinker eliminates the need for YouTube guesswork or costly auto shop visits by guiding users through step-by-step auto repairs in real-time.    Listen in as we sit down with Megan Han, Head of Operations, to discuss how Tinker helps connects users with expert guidance to help them diagnose and repair their vehicles on their own.    We'd love to hear from you. Share your comments, questions and ideas for future topics and guests to podcast@sae.org. Don't forget to take a moment to follow SAE Tomorrow Today — a podcast where we discuss emerging technology and trends in mobility with the leaders, innovators and strategists making it all happen—and give us a review on your preferred podcasting platform.  Follow SAE International: Facebook: https://www.facebook.com/SAEInternational/ X: https://x.com/SAEIntl LinkedIn: https://www.linkedin.com/company/sae-international/ Instagram https://www.instagram.com/saeintl/   Follow host Grayson Brulte: LinkedIn: https://www.linkedin.com/in/graysonbrulte X: https://x.com/gbrulte Instagram: https://www.instagram.com/gbrulte/