Podcasts about war productions

Last month, rural Tennesseans, Hollywood actors and a live studio audience in New York City came together. On the agenda were issues that bind us.Theater of War is a New York theater company that "presents community-specific, theater-based projects that address pressing public health and social issues." Recently, they approached WPLN criminal justice reporter Paige Pfleger with a fascinating opportunity. Today we bring you the result – an esteemed group of Hollywood actors reading “In Rural Tennessee, Domestic Violence Victims Face Barriers to Getting Justice. One County Has Transformed Its Approach.” The piece, written by Paige Pfleger for WPLN and ProPublica, is read in its entirety. What follows is a post-performance conversation between people from one of Tennessee's most rural areas and the audience in New York City.This episode was produced by Theater of War Productions, Liv Lombardi and Paige PflegerActors Debra Winger (Terms of Endearment, Urban Cowboy) Josh Hamilton (Eighth Grade, The Walking Dead) Daphne Rubin-Vega (In the Heights, Only Murders in the Building) Bill Irwin (Interstellar, Rachel Getting Married).

Welcome back to another Friday special. This week's bonus episode features an interview with Bryan Dorries, artistic director of Theatre of War Productions — an innovative American theatre company that uses Greek tragedies to help serving military personnel, journalists, and veterans explore the truth about war, the chaos and carnage it creates, and the long tail of grief it often leaves behind. You can find out more information at theaterofwar.com If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Podcast Producer: Eve Salusbury Executive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

On April 9, 2025 Theater of War Productions presented its third installment of a new long-form journalism series at WNYC. The acclaimed actors Oscar Isaac (Dune, Ex Machina), Kathryn Erbe (Law & Order: Criminal Intent, Oz), and Bill Camp (The Queen's Gambit, The Night Of), performed “I Don't Want to Die”: Needing Mental Health Care, He Got Trapped in His Insurer's Ghost Network, written by Max Blau for ProPublica, to frame a powerful conversation about health insurance, ghost networks, and the challenges many Americans face accessing mental health care when they need it most. More information and a video recording are at https://www.wnyc.org/story/i-dont-want-die Theater of War Productions presents community-specific, theater-based projects that address pressing public health and social issues. They work with leading film, theater, and television actors to present dramatic readings of seminal plays—from classical Greek tragedies to modern and contemporary works—followed by town hall-style discussions designed to confront social issues by drawing out raw and personal reactions to themes highlighted in the plays. Since its founding in 2009, Theater of War Productions has facilitated events for more than 500,000 people, presenting over 20 tailored programs to serve diverse communities across the globe, reaching over 100 countries. https://theaterofwar.com/ Truth to Power airs every Friday at 9pm, Saturday at 11am, and Sunday at 7pm on Louisville's grassroots, community radio station, Forward Radio 106.5fm WFMP and live streams at https:/www.forwardradio.org

WNYC and Theater of War Productions have teamed up for a series of live readings and discussion series bring actors together with journalists to bring important and complex reporting to life. This month, the series features a December 2023 article from The Atlantic by Rebecca Johns called A Diet Writer's Regrets, which reflects on weight loss, social pressure, and the unintended consequences of diet culture. On March 22, WNYC will air a recording of the live event, in which actor Hope Davis performs a reading of the article, followed by a conversation with Johns and Theater of War Artistic Director Bryan Doerries, who discuss the series, and its latest installment.   

In honor of Veterans' Day, we're revisiting an episode of Art Works that tells the origin story of the transformative project  Theater of War Productions. Co-founded by classicist, translator, and director Bryan Doerries, Theater of War began with a simple yet profound concept: presenting staged readings of Sophocles' plays Ajax and Philoctetes to military communities as a means of addressing both the challenges veterans face and the lasting impact of war on families and relationships.In this episode, Doerries recounts how he was inspired to bring these ancient military tragedies to contemporary audiences, believing they would unlock conversations around trauma and healing. With excerpts of performances by actors Bill Camp, David Strathairn and Adam Driver, this episode explores the initial journey of Theater of War and its impact on military communities, offering insight into how ancient drama opens pathways for veterans to process their experiences.  Now, with over 20 specialized programs, Theater of War Productions reaches diverse communities worldwide, addressing not only the struggles of veterans but also broader public health and social justice issues, including homelessness, racialized violence, and natural disasters. Doerries also discusses the arts' power to heal, showing how storytelling and shared experience allow individuals to confront, process, and share pain. Theater of War taps into this capacity, creating safe spaces that support connection, resilience, and recovery. 

In honor of Veterans' Day, we're revisiting an episode of Art Works that tells the origin story of the transformative project  Theater of War Productions. Co-founded by classicist, translator, and director Bryan Doerries, Theater of War began with a simple yet profound concept: presenting staged readings of Sophocles' plays Ajax and Philoctetes to military communities as a means of addressing both the challenges veterans face and the lasting impact of war on families and relationships.In this episode, Doerries recounts how he was inspired to bring these ancient military tragedies to contemporary audiences, believing they would unlock conversations around trauma and healing. With excerpts of performances by actors Bill Camp, David Strathairn and Adam Driver, this episode explores the initial journey of Theater of War and its impact on military communities, offering insight into how ancient drama opens pathways for veterans to process their experiences.  Now, with over 20 specialized programs, Theater of War Productions reaches diverse communities worldwide, addressing not only the struggles of veterans but also broader public health and social justice issues, including homelessness, racialized violence, and natural disasters. Doerries also discusses the arts' power to heal, showing how storytelling and shared experience allow individuals to confront, process, and share pain. Theater of War taps into this capacity, creating safe spaces that support connection, resilience, and recovery. 

This week's program is truly unique - an act of street theater followed by community conversation about the greatest crisis facing humanity - global climate chaos. This week, we bring you edited highlights from "An Enemy of The People: Extinction Rebellion," a performance and dialogue that took over Times Square in New York City on a bustling Wednesday afternoon, June 12th, 2024. Listen in as Bill Murray and many other great actors perform a reading of portions of the great 1882 play by Norwegian playwright Henrik Ibsen, followed by community conversation. This event was organized by Theater of War Productions; Extinction Rebellion; Scientists Rebellion; Green Faith; The People's Senate; Climate Café; and Billion Oyster Project! On Truth to Power each week, we gather people from around the community to discuss the state of the world, the nation, the state, and the city! It's a community conversation like you won't hear anywhere else! Truth to Power airs every Friday at 9pm, Saturday at 11am, and Sunday at 4pm on Louisville's grassroots, community radio station, Forward Radio 106.5fm WFMP and live streams at https://forwardradio.org

How can a play about rural Norway in 1882 help us process the trauma of the COVID-19 pandemic? That's the question posed by Theater of War Productions, which is hosting readings of The Enemy of the People, by Henrik Ibsen—and then is leading intense community conversations immediately following the productions. Bryan Doerries, artistic director of Theater of War Productions, speaks to Dr. Josh Sharfstein about how this old Norwegian play speaks to the trauma experienced by the public health field and by community members during the pandemic. You can watch the Ohio productions live via Zoom and participate in the conversation afterwards on April 6 and 7 at 6pm. You can sign up for free under the events tab at http://theaterofwar.com. If you missed our first conversation about the parallels between the COVID-19 pandemic and The Enemy of the People, you can listen here: https://johnshopkinssph.libsyn.com/132-the-enemy-of-the-people-by-henrik-ibsen-and-parallels-to-the-covid-19-pandemic

Anointing The Sick Vol 193 'Aural Autopsy' infects Halo Of The Goat Radio. Tune in Every Wednesday 2pm mst/3pm cst/4pm est 9pm uk at https://hello.citrus3.com:2020/public/haloofthegoatCarnage on the airwaves tonight on Halo Of The Goat Radio. Opening up with the doom of Sorcia and closing with a fantastic riff fest by Shadow Kingdom. In between I'm highlighting Godz ov War Productions featuring 3 evil bands from that label. As usual I'm highlighting bands that featured in the Doom Charts and also several albums that you can purchase for NYP on Bandcamp.Absolution is denied by ~SorciaAgeless SummoningBloodletterViral TyrantThunder HorseVelvet ViperHell's CoronationBlasphemous FireSznurKaravanSomnuriDeteriorotSons Of ArrakisDirty StreetsSeizeZephyrIncuratusBlind RiverDer DobermannAbanamatNecrofierDoomherreFulannoReverence To ParoxysmHostiliaOndaMirror SpellShadow Kingdom

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Bryan Doerries is a self-described “evangelist for ancient stories”. He is a Founder and the Artistic Director of Theater of War Productions, a theatrical company which stages readings of groundbreaking plays followed by an audience conversation to confront major issues including the refugee crisis, addiction, and domestic violence.Through these performances featuring leading actors ranging from Bill Murray to Frances McDormand, Bryan and Theater of War Productions create a space for conversation where communities can heal together from traumatic experiences. During the pandemic Theater of War Productions's Zoom performances united global audiences, reminding them that you are not alone in this room, and you are not alone across time.Follow To Dine For:Official Website: ToDineForTV.comFacebook: Facebook.com/ToDineForTVInstagram: @ToDineForTVTwitter: @KateSullivanTVEmail: ToDineForTV@gmail.com Thank You to our Sponsors!MastercardAmerican National InsuranceTerlato Wine Group Follow Our Guest:Official Site: TheaterOfWar.comFacebook: Theater of WarInstagram: @TheaterOfWarTwitter: @TheaterOfWar Hosted on Acast. See acast.com/privacy for more information.

Is there Biblical scripture that condones or encourages sexual exploration? Why would God design bodies that experience pleasure if we are not supposed to pursue pleasure? Can faith and sexuality coexist?In this episode, Jacqueline resurrects a conversation she had with Effy and De-Andrea Blaylock-Solar. They embark on an Easter egg hunt to find passages and scriptures in the Bible that talk about sex - not as a vehicle to hell, but as a beautiful, sensual, expression of joy and connection (marriage not required).To learn more about De-Andrea  De-Andrea Blaylock-Solar (she/her) is Missouri's first Black AASECT-Certified Sex Therapist and a supervisor for social workers seeking clinical licensure in the State of Missouri. She has worked in the field of behavioral health for over 15 years. As a graduate of Saint Louis University, she majored in social work and minored in theology before completing a Master of Social Work degree at Washington University in St. Louis. She sees herself as a catalyst for positive change, serving as a collaborator and co-facilitator in healing and enjoys the journey of working with her clients.As the owner of Sankofa Sex Therapy, LLC, she works with individuals and those in all types of relationships and provides therapy from a Christian perspective when requested. She conducts workshops about sexuality, intimacy, and sensuality, and is a member of the Leadership Collective of the Women of Color Sexual Health Network (WOCSHN). She also serves as a Facilitator with Theater of War Productions, completing two off-Broadway runs of the critically-acclaimed Antigone in Ferguson.Instagram: @sankofasex Website: sankofasextherapy.comSupport the showConnect with us on IG and more:Curious Fox @wearecuriousfoxesEffy Blue @coacheffyblueJacqueline Misla @jacquelinemisla Email us or send a voice memo: listening@wearecuriousfoxes.comJoin the conversation: fb.com/WeAreCuriousFoxes

"It is still an enduringly strange and hard time to be alive. And December is always hard for many of us — filled with all kinds of experiences and feelings that contradict each other or contradict how we think we are supposed to be feeling … Yet it's also on my mind, as we roll around to nearly three years since the pandemic shifted the ground beneath our feet, that we are a bit more open, many of us, to pick up more of what these years have given us to see and to learn and to live into."Register here for Antigone in Savannah — December 21, 5:15pm - 8:00pm ET.Experience catharsis — a release of insight and emotions that have had no place to go, with an energizing relief, in which Bryan Doerries' Theater of War is so gifted. A collaboration between Theater of War Productions, the Center for Jubilee, Reconciliation & Healing, and On Being, featuring Jesse Eisenberg, Ato Blankson-Wood, Marjolaine Goldsmith — and Krista Tippett."Remember, you are not alone in this room, and you are not alone across time." – Bryan Doerries

With the holiday season comes Terminus descending into scheduling hell, as is tradition. We like to think of it as a fun mystery, like opening presents on Christmas morning: when will the new episode arrive? Will a random bonus episode get released with zero notice? How blackout drunk will one or both hosts be? To answer in order: right now, maybe at some point, and neither, unfortunately. But to that last query, maybe we should have been, considering just how demented and gorked the majority of the music on today's episode is. To wit: Onslaught Kommand, a Chilean war metal band rooted in primordial death, grind, and d-beat traditions whose thirst for gore is matched only by their hunger for rumbling bass. Next: the return of Geheimnisvoll, first featured on Terminus in 2020, on a split with Russian newcomers КaБah (pronounced Kaban for our Occidental listeners.) Geheimnisvoll further iterates on its Franco-Finnish-rooted sound, now pushing more toward the former than the latter, with epic melodies tempered by an austere, scowling mood. КaБah takes a very different route: glum, hermetic, minimal, and seemingly equally influenced by both Ildjarn and primitive industrial. Either side should be sufficient to upset roommates, housepets, and any vegetation within a hundred yard radius alike. Following is the arrival of the second full length from a band mentioned only by TBMG in hushed whispers: Wrok. Infamous legends of the Dutch underground, Wrok play the most putrid and primordial of raw black metal exclusively, jerking and lurching through track after track of basement noise hell, reflecting an era and style of black metal now seemingly forgotten except by the most wretched among us. The song structures are nearly incoherent, the melodies are an afterthought, and the production is merely the word LOUD repeated a dozen times, and it's one of the coolest things to happen all year. 0:00:00 - Intro/Onslaught Kommand - Onslaught Kommand (Godz ov War Productions) 0:23:12 - Geheimnisvoll/КaБah - Split (Nithstang Productions) 1:05:47 - Interlude - Warwulf - “Follow The Wolves to My Grave,” fr. Walking The Paths of Despair (split w/ Sad on Thor's Hammer Productions / 2009) 1:12:26 - Wrok - De dood roept (Heidens Hart) 2:03:54 - Outro - The Hunches - “Compression” and “This Human Propeller,” fr. Hobo Sunrise (In The Red Recordings / 2004) Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

What can an ancient Greek play show modern audiences about the circumstances nurses have found themselves in over the course of the COVID-19 pandemic? That's a question Theater of War Productions and Dr. Cynda Rushton, professor of nursing and bioethics at Johns Hopkins University, hope will be answered when The Nurse Antigone premieres to audiences around the world. A project by and for nurses, The Nurse Antigone presents dramatic readings of Sophocles' Antigone on Zoom—featuring Taylor Schilling, Margaret Atwood, a chorus of nurses, and you. Mindful's managing editor Stephanie Domet connected with the organizers, and we're pleased to bring you that conversation. Show notes:  Learn more about The Nurse Antigone: theaterofwar.com Can A Greek Tragedy Help Nurses Heal From the Stress of the Pandemic?

Jacke had big plans to make this episode all about the poetry of William Butler Yeats...and then listener feedback to the last episode overtook him. So instead of lazing about on the Lake Isle of Innisfree, he returns to the subject of Sophocles and the power of literature, as introduced in the conversation with Bryan Doerries, the Artistic Director of Theater of War Productions. After checking in with Friend of the Show Margot Livesey as she reads Boswell's Life of Johnson, Jacke turns to a special message from a longtime listener whose own life had been changed by the work that Bryan and his theater company do. We hope you enjoy this special episode devoted to the power of literature. Help support the show at patreon.com/literature or historyofliterature.com/shop. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the Artistic Director of Theater of War Productions, Bryan Doerries has joined his colleagues in using dramatic readings and community conversations to confront topics such as combat-related psychological injury, end-of-life care, radicalized violence, incarceration, gun violence, domestic violence, sexual assault, the refugee crisis, and addiction. In this episode, he joins Jacke to talk about his new translation of Sophocles' Oedipus Trilogy, his vision for contemporary theater, and how classic texts and age-old approaches to literature can help individuals and communities heal from trauma and loss. Interested in Theater of War Productions? Want to learn more? Learn about upcoming events and sign up for their mailing list at theaterofwar.com. Help support the show at patreon.com/literature or historyofliterature.com/shop. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Greeks understood that adolescence is a time of infinite possibility. Does our current narrow definition of achievement truly enable our kids to access that wide variety of opportunities? Our guest is Bryan Doerries, founding and artistic director of Theater of War. Bryan explains how the Greeks trained their young people for the vicissitudes of life and empowered them to express themselves. And while they trained their youth for participation in either the military and/or civic affairs-they balanced this with encouraging and empowering their youth to explore the world and take risks, so that they could and would experience challenges, engage their creativity and problem solving skills, struggle with discomfort on the physical and emotional levels, and be informed and emboldened to make difficult decisions. Adolescence is a time of dynamic change. Neuroscience has shown that not only are their bodies changing rapidly through the twenties, but their brains are still developing into their mid-20s. This is the time, the teenage years into young adulthood, where they should be exposed to a range of situations, experiences and opportunities so that they can flourish, even in the face of disappointment or mistakes.Perhaps we've put up too many guardrails around them?

What if our experience of ancient Greek plays, rather than involving stultifying boredom, could instead evoke powerful emotions? Bryan Doerries–author of many books involving ancient Greek plays and Artistic Director of Theater of War Productions–talks with Julie and Eve about the tragic loss in his life that caused Greek plays to suddenly begin “sp[eaking] directly to me as if they've been written for me.” As a director, he has since sought “audience[s] that have experienced the extremities of life”--he's performed at hospitals, for the military, in prisons, for addicts, and for the survivors of natural disasters. Bryan discusses what it is about ancient Greek plays that make them resonate all these centuries later. He also details why the audience discussions that follow the play can be more meaningful than the performances themselves. Finally, Bryan explains how the protocols of theatergoing today are a “kind of violence.” Bryan Doerries is a writer, director, and translator. His theater company presents dramatic readings of seminal plays and texts to frame community conversations about pressing issues of public health and social justice. He has received an honorary doctorate of humane letters from Kenyon College. And he was named Public Artist in Residence for the city of New York. Bryan's most recent book, which offers a contemporary translation of ancient Greek tragedies, is Oedipus Trilogy: New Versions of Sophocles' Oedipus the King, Oedipus at Colonus, and Antigone. Find us on Twitter (@bookdreamspod) and Instagram (@bookdreamspodcast), or email us at contact@bookdreamspodcast.com. We encourage you to visit our website and sign up for our newsletter for information about our episodes, guests, and more. Book Dreams is a part of Lit Hub Radio and the Podglomerate network, a company that produces, distributes, and monetizes podcasts. For more information on how The Podglomerate treats data, please see our Privacy Policy. Since you're listening to Book Dreams, we'd like to suggest you also try other Podglomerate shows about literature, writing, and storytelling like Storybound and The History of Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Okay, here's the thing: recording this episode was grueling. Not because of the records but because of various technical issues which led to us wrapping up recording at 4 in the morning, which was just like hell, and not in the cool way. It gets a little weird and delirious. I'm still tired. I might be tired forever. Here's what you get: Apparition of Sunlight is in part the sequel to Fin, one of TBMG's favorite USBM bands, and it doesn't disappoint. Their debut demo/EP/what have you is a brilliant if brief explosion of outlaw rock with a bunch of crazy guitar technique and a brilliant dual vocal performance and if you like this show you probably bought it already, but just in case you haven't, please do so now. You won't be disappointed. Beastlurker plays melodic black/death that sounds like if Sacramentum was the soundtrack to a house party at the beginning of a teen slasher movie and it's very fun. It's self-aware, over the top, and extremely technically accomplished. Satan has the fastest motorcycle in the world and he wears extremely big sunglasses. Ild exists to dissuade you of the notion that being a Norwegian peasant would be somehow cool or fun- it's music about being cold, tired, and concerned that you won't have enough bread to make it through winter. Like the record, our review is weird and wandering and offers more questions than it does answers. It's a bleak experience but one with a lot of depth that keeps you coming back for more. 8 Hour Animal is a weirdo mix of various industrial and noise styles and a good chunk of the review is just us figuring out how to describe it to an audience of metalheads. It's all over the map in extreme electronic music but mixes in just enough extreme metal structures and textures that it sometimes sounds like listening to Godflesh at quadruple speed in a wind tunnel, and if that doesn't sound inherently cool to you I don't know what you're even doing here.   0:00:00 - Intro/Terminus News 0:13:35 - Apparition of Sunlight - Wilt of Roses Crimson (Tour de Garde) 0:50:52 - Beastlurker - Celestial Henchwhores Aflame (Godz of War Productions) 1:36:19 - Interlude - Thy Primordial - “For Fires to Burn,” fr. At The World of Untrodden Wonder (Pulverised Records, 1999) 1:40:55 - Ild - Fandens lykteskjær (Screaming Skull Records) 2:22:38 - 8 Hour Animal - Resigner (Sentient Ruin) 3:04:33 - Outro - Atrax Morgue - Arphenia fr. Sickness Report (Release Entertainment, 1996)   Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Subscribestar Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

It's double episode day, boys! In addition to a sprawling interview with Lori Bravo of Nuclear Death is your regularly scheduled session of extreme metal discussion. This episode features four records with numerous crossing threads which will be familiar to regular listeners- the resurgence of cavernous black/death metal, the atavistic urges of primordial extreme metal, and the concept of songwriting sprawl vs. clearer organization. As usual we pride ourselves on our lack of approachability, and today's records will undoubtedly satisfy the tastes of anyone who wants their metal weird and monolithic. Starting the session is the new EP by Denmark's Broder, a barbaric attack of primitive black/death metal from the Korpsand Circle. Broder resembles many things around the edges- war metal, Celtic Frost, primitive deathrash- but finds its own identity in its abstraction. This is a short record that punches far above its weight in sheer intensity and aggression, and is an absolutely essential listen for those whose favorite parts of extreme metal from when it was first slithering out of the primordial ooze. On a completely different note is Luminous Veil, who perform a thoroughly eclectic style of... symphonic post-black with breakcore elements? Its constituent parts are as diverse as possible, but they add up to a whole with a distinct vision. Joyous explosions of arcing riffs, chiming synths, and hyperspeed drum machine theatrics make for a record which will undoubtedly be divisive, but likely exactly what a few people have been looking for their whole lives. After our break comes two sides of the cavernous black/death coin. First up is Serpentrance, a Russian band who imbue the traditional sounds of Profanatica and Archgoat with a granite slab of minimal, crushing doomdeath. Other bands play; Serpentrance churns with a terrible weight and certainty which brings to mind some of the ugliest parts of modern doom and sludge. You know it's good when even the fast parts sound slow, like the band is struggling to complete a song while being waterboarded. Concluding the evening's festivities is a listener submission. Thaumaturgy also plays a cavernous style of black/death/doom metal, but coming from a radically different direction, more interested in pointelistically etching out abstract, colorful riffs like a Jackson Pollock interpretation of Onward to Golgotha. It's abstract and vertiginous music more concerned with dizzying the listener than crushing them, but when the final car on the rollercoaster starts its descent, the G-forces equal that of any better known ride.   0:00 - Intro/Terminus News feat. Nuclear Death 0:13:42 - Broder - Det højes smed (Independent by Korpsand brothers) 0:52:56 - Luminous Veil - Vespers for the Loom and Lain (BMC Productions) 1:34:29 - Interlude - Tårne Spirer - “Mit vaesen forstummer,” fr. Varmblod (Instruments of Discipline, 2018) 1:43:15 - Serpentrance - Akra Tapeinosis (Godz ov War Productions) 2:22:02 - Thaumaturgy - Charnel Gnosis (Adirondack Black Mass) 3:02:09 - Outro - Witch Tomb - Crippled Messiah fr. Crippled Messiah (Die Todesrune Records, 2009)   Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Subscribestar Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

Suppliants & Chill: Stand-alone episode explores Aeschylus' most obscure play, the Suppliants. Whether you’re a student, professor, a literature or poetry fan, or even if you’re just curious about this play, this podcast is for you. Listen to Sara and Darby on-the-go, as they take you through the plot of the play (and tetralogy). Then, these two nerdsinterview Theater of War Productions' Artistic Director, Bryan Doerries as well as performers David Zayas and Dorina Castillo, about their production of the Suppliants. This episode was made in conjunction with the Suppliants Project, created by Theater of War and co-sponsored by Northwestern University, University of Chicago, and University of California, Irvine.

“Remember,” Bryan Doerries likes to say in both physical and virtual gatherings, “you are not alone in this room — and you are not alone across time.” With his public health project, Theater of War, he is activating an old alchemy for our young century. Ancient stories, and texts that have stood the test of time, can be portals to honest and dignified grappling with present wounds and longings and callings that we aren’t able to muster in our official places now. It’s an embodiment of the good Greek word catharsis — releasing both insight and emotions that have had no place to go, and creating an energizing relief. And it is now unfolding in the “amphitheater” of Zoom that Sophocles could not have imagined.Bryan Doerries — is co-founder, principal translator, and artistic director of Theater of War Productions. In 2021, Theater of War is launching a new form of global amphitheater in conjunction with the first ever Nobel Prize Summit on the civilizational issues facing humanity. Learn more - and register - at theaterofwar.com. His books include The Theater of War: What Ancient Greek Tragedies Can Teach Us Today and All That You’ve Seen Here is God, his translations of four ancient plays. Find the transcript for this show at onbeing.org.

“Remember,” Bryan Doerries likes to say in both physical and virtual gatherings, “you are not alone in this room — and you are not alone across time.” With his public health project, Theater of War, he is activating an old alchemy for our young century. Ancient stories, and texts that have stood the test of time, can be portals to honest and dignified grappling with present wounds and longings and callings that we aren’t able to muster in our official places now. It’s an embodiment of the good Greek word catharsis — releasing both insight and emotions that have had no place to go, and creating an energizing relief. And it is now unfolding in the “amphitheater” of Zoom that Sophocles could not have imagined.Bryan Doerries — is co-founder, principal translator, and artistic director of Theater of War Productions. In 2021, Theater of War is launching a new form of global amphitheater in conjunction with the first ever Nobel Prize Summit on the civilizational issues facing humanity. Learn more - and register - at theaterofwar.com. His books include The Theater of War: What Ancient Greek Tragedies Can Teach Us Today and All That You’ve Seen Here is God, his translations of four ancient plays.This interview is edited and produced with music and other features in the On Being episode “Bryan Doerries — “You are not alone across time." Find the transcript for that show at onbeing.org.

Bryan Doerries is a writer, director, and translator, who currently serves as Artistic Director of Theater of War Productions. A self-described evangelist for ancient stories and their relevance to our lives today, Doerries uses age-old approaches to help individuals and communities heal from trauma and loss. During his tenure at Theater of War Productions, the company has presented diverse projects across the United States and internationally. The company uses dramatic readings of seminal plays and community conversations to confront topics such as combat-related psychological injury, end-of-life care, police and community relations, prison reform, gun violence, domestic violence, sexual assault, the refugee crisis, and addiction. Doerries' books include The Theater of War: What Ancient Greek Tragedies Can Teach Us Today, The Odyssey of Sergeant Jack Brennan, and a collection of his translations of ancient Greek Tragedies entitled All That You've Seen Here is God. Among his awards, he has received an honorary Doctorate of Humane Letters from Kenyon College, and in March 2017, he was named Public Artist in Residence (PAIR) for the City of New York, a joint appointment with the New York City Department of Veterans' Services and Department of Cultural Affairs. Find out more about Community Building Art Works at www.cbaw.org. --- Support this podcast: https://anchor.fm/cbaw/support

Bryan Doerries is a Brooklyn-based writer, director, and translator, who currently serves as Artistic Director of Theater of War Productions. A self-described evangelist for classical literature and its relevance to our lives today, Doerries uses age-old approaches to help individuals and communities heal from trauma and loss. Doerries is a proud graduate of Kenyon College and serves as a board member of the Alliance for Young Artists & Writers and Friends of the Young Writers Workshop. Among his awards, Doerries has received an honorary Doctorate of Humane Letters from Kenyon College, and in March 2017, he was named Public Artist in Residence (PAIR) for the City of New York, a joint appointment with the New York City Department of Veterans' Services and Department of Cultural Affairs. During this two-year residency, he will bring more than 60 Theater of War Productions projects to diverse communities across all five boroughs. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/changeyourpov/message Support this podcast: https://anchor.fm/changeyourpov/support

How can Ancient Greek tragedies help communities build resilience in the face of stress and trauma? Since 2009, Theater of War Productions has used this “ancient technology” to break cultures of silence and spark cathartic conversations. They've performed for soldiers, prison guards, front-line health workers, and many other audiences. In this interview, artistic director Bryan Doerries explains how each performance, which consists of a reading by A-list actors followed by a candid audience discussion, can open a door to healing.Free Tickets to Theater of War for Frontline Medical Providers: Mount SinaiThurs. Nov. 19, 2020 @ 7pm Eastern (on Zoom)https://www.eventbrite.com/e/theater-of-war-for-frontline-medical-providers-mount-sinai-tickets-126575206851?aff=erelexpmltTheater of War Productionshttps://theaterofwar.comIf you're enjoying Road to Resilience, please review us on Apple Podcasts. It helps new listeners discover the show. Thanks!Sign up for our monthly newsletter.Learn more about the podcast on our homepage.Feedback and guest suggestions welcome! Email us at podcasts@mountsinai.orgRoad to Resilience is a proud production of the Mount Sinai Health System.

Join host Brad Whipple (@bradwhipple) as he sits down with Madison Thames (@Madison_Thames), the host of Doing Talking Podcast (@DoingTalkingPod). On our final episode of 2019, we celebrate the life of Ben Solo by reflecting on his journey from birth through The Rise of Skywalker. Plus, we hear from over 20 listeners on what Ben means to them and why he's made an impact on their life! The Rise of Ben Solo GoFundMe: https://www.gofundme.com/f/bensoloslegacy Theater of War Productions: https://theaterofwar.com/ Theater of War Audiobook narrated by Adam Driver: https://www.audible.com/pd/The-Theater-of-War-Audiobook/B014LJVYCI Adam Driver: The Millenial Darth Vader (GQ) If you or a loved one are struggling with depression, please seek professional help or visit the Suicide Prevention Lifeline here: https://suicidepreventionlifeline.org/ Want to become a Friend of the Force? Twitter: @FriendsOfForce | @bradwhipple Instagram: @FriendsOfTheForce Website: bit.ly/2XpFQWJ Patreon: https://www.patreon.com/friendsoftheforce Email: friendsoftheforcepodcast@gmail.com Find us on: Anchor: https://anchor.fm/friendsoftheforce Spotify: https://spoti.fi/2KhcvpC Apple Podcasts: https://apple.co/2EQMSbP Google Podcasts: https://bit.ly/2XV9388 Thank you to all of our Patrons, including our Luminous Beings: Neil Lowery. Intro and Outro Music is composed by Jonathan Adamich ("Flight Toward The Stars") and is licensed to use.

The characters and events of ancient Greek drama might seem remote from our present-day concerns, but Bryan Doerries and Theater of War Productions don’t see it that way. Since 2009, this company has used readings from classical theatre to tackle issues from post-traumatic stress disorder to the community impact of gun violence. Now Bryan’s a New York City Public Artist in Residence, working with city agencies to stage over sixty events all across the city. He joined us to discuss Theater of War’s work and the continuing relevance of ancient drama.

In this episode we talk about using ancient Greek plays to act as catalysts for community-driven discussions about uncomfortable issues, and about using age-old approaches to help individuals heal from trauma and loss. Later in the conversation we hear about how one individual, DVS Coordinator Monique Rada, has connected with the performances on multiple levels. Bryan Doerries is the co-founder and Artistic Director of Theater of War Productions. Monique Rada is a Navy veteran and Engagement Coordinator at the New York City Department of Veterans’ Services.

On this week's Exposure, your host Stephanie had an opportunity to talk to Bryan Doerries – the cofounder of Theater of War Productions and the art director for their latest production, “Promethea in Prison” – as well as Dominic Dupont, a volunteer with a personal attachment to the subject material.Theater of War Productions has been putting on classic literature productions and leading a group discussion to tackle important social and political issues for the last decade. From classical Greek tragedies to more modern productions, various performers from film, theater and television band together to both entertain and educate audiences all while integrating the audience's opinions. The company has partnered with many distinct organizations, veterans, prisons, universities, advocacy groups and more to create a safe place to talk about a variety of issues which are themes in the productions.This week, Theater of War Productions is coming to the Wharton Center! Come watch and participate in “Promethea in Prison” this Wednesday, Feb. 27, 2019 at 7:30 p.m., tickets can be purchased directly from the Wharton Center's website!

Bryan Doerries is a Brooklyn-based writer, director, and translator, who currently serves as Artistic Director of Theater of War Productions. A self-described evangelist for classical literature and its relevance to our lives today, Doerries uses age-old approaches to help individuals and communities heal from trauma and loss. Doerries is a proud graduate of Kenyon College and serves as a board member of the Alliance for Young Artists & Writers and Friends of the Young Writers Workshop. Among his awards, Doerries has received an honorary Doctorate of Humane Letters from Kenyon College, and in March 2017, he was named Public Artist in Residence (PAIR) for the City of New York, a joint appointment with the New York City Department of Veterans’ Services and Department of Cultural Affairs. During this two-year residency, he will bring more than 60 Theater of War Productions projects to diverse communities across all five boroughs.

Summary: Bryan Doerries is a Brooklyn-based writer, director, and translator, who currently serves as Artistic Director of Theater of War Productions. A self-described evangelist for classical literature and its relevance to our lives today, Doerries uses age-old approaches to help individuals and communities heal from trauma and loss. Doerries is a proud graduate of Kenyon College and serves as a board member of the Alliance for Young Artists & Writers and Friends of the Young Writers Workshop. Among his awards, Doerries has received an honorary Doctorate of Humane Letters from Kenyon College, and in March 2017, he was named Public Artist in Residence (PAIR) for the City of New York, a joint appointment with the New York City Department of Veterans’ Services and Department of Cultural Affairs. During this two-year residency, he will bring more than 60 Theater of War Productions projects to diverse communities across all five boroughs.

By Michael Lueger, Bryan Doerries. Bryan Doerries, co-founder of Theater of War Productions, talks about how classical dramas from the ancient world can address society's pressing issues in the twenty-first century.

Bryan Doerries, the artistic director of Theater of War Productions, joins host Mark Healey to discuss how his production can assist those afflicted with PTSD. Theater of War is a dramatic reading of Sophocles’ “Ajax,” presented on April 17 at the Rockaway Theatre Company’s Post Theater at Fort Tilden from 7 p.m. – 9 p.m,   The company presents readings of Sophocles’ Ajax and Philoctetes to military and civilian communities across the United States and Europe. These ancient plays timelessly and universally depict the visible and invisible wounds of war. By presenting these plays to military and civilian audiences, the hope is to de-stigmatize psychological injury, increase awareness of post-deployment psychological health issues, disseminate information regarding available resources, and foster greater family, community, and troop resilience.     

Timothy Hull, an A.C.T. Master of Fine Arts Program grad who has been deployed to Iraq, speaks about Theatre of War Productions in Collaboration with A.C.T., USF this weekend: Sunday, Nov.13-14, 2011, 7 PM both days at University of San Francisco's Presentation Theater, 2350 Turk Blvd., San Francisco, CA. Reservations are recommended: 415.749.2228 or act-sf.org KALAKUTA @ Oasis Restaurant & Bar, Sat., Nov. 12, 2011 at 135 12th Street Oakland, CA from 9:00 PM - 2:00 AM, $10 before 11pm $15 after features: Wunmi World! afro-funk : afro-beat : house : soul : afro-couture: In the world of dance music, Wunmi is a one-off, an artist that effortlessly joins the dots between Nigeria's Afrobeat heritage, New York's house pedigree and London's jazz, broken beat and classic street soul sounds. After ten years of classic collaborations working with production heavyweights like Masters At Work, Osunlade, Seiji and Truby Trio; Wunmi is finally flying solo with her acclaimed debut album, entitled A.L.A Born in London, Wunmi aka Ibiwunmi Omotayo Olufunke Felicity Olaiya lived in Nigeria for 10 years, returning to the UK at age 14. http://www.wunmi.com/ Robey Theatre Director, Ben Guillory & Playwright, Kurt Dana Maxey whose Pity the Proud Ones continues Friday-Sunday, Nov. 11-13 at LA Theatre Center www.thelatc.org  We close with cast from FELA! Adesola Osakalumi (Fela Anikulapo-Kuti Alternate), Nicole Chantal de Weever(Ensemble) & Oneika Phillips(Sandra U/S, Ensemble) who open at the Curran Theatre Tuesday, Nov. 15, 2011, 8 PM, continuing through Dec. 11, 2011, in San Francisco.  

An interview with Bryan Doerries, director for the THEATER OF WAR. This podcast follows a performance of AJAX translated by Bryan Dorries starring movie and TV stars. Theater of War Productions works with leading film, theater, and television actors to present dramatic readings of seminal plays—from classical Greek tragedies to modern and contemporary works—followed by town hall-style discussions designed to confront social issues by drawing out raw and personal reactions to themes highlighted in the plays. The guided discussions underscore how the plays resonate with contemporary audiences and invite audience members to share their perspectives and experiences, and, helping to break down stigmas, foster empathy, compassion, and a deeper understanding of complex issues.Were ancient Greek plays a form of healing for a city at war?Doerries takes the performance to Bethesda Naval Hospital where the audience is composed of servicemembers that have experienced war first hand, and provide insight to the suffering of AJAX to the suffering of modern day warriors.