Podcasts about athalie

IG & TikTok : orpheesprayer || Ressources bibliques : 2 Rois 11 et 2 Chroniques 22-23. Aujourd'hui je te présente celle que j'appelle « La Reine Au cœur Noir », Athalie, fille de Jézabel, une femme importante de la Bible et qui nous donne un très bon exemple (de ce qu'il ne faut pas faire) !! Bonne lecture

durée : 00:30:00 - Les Nuits de France Culture - par : Philippe Garbit - La leçon de théâtre de Madame Simone porte sur la scène du songe dans "Athalie" de Jean Racine. L'émission "L'art du comédien : Propos et pratique - Athalie" a été diffusée la première fois le 15/10/1957 sur la Chaîne Nationale.

LE SALAIRE DE L'INCRÉDULITÉ .L'INCRÉDULITE DE LA REINE ATHALIE 2CHR 22:10-12 Haitian Helping Hands is a nonprofit organization that is committed to providing access to education, planting churches, and empowering entrepreneurs in Haiti. We believe that by investing in the education and empowerment of the Haitian people, we can help break the cycle of poverty and build a brighter future for all. Through our programs, we work to provide access to education for children and adults, building schools and providing scholarships to those in need. We also plant churches in communities across Haiti, helping to provide spiritual support and guidance to the people. Furthermore, we empower entrepreneurs by providing training and resources to help them start and grow their own businesses. We believe that by working together, we can make a real difference in the lives of the Haitian people. Join us in our mission and support Haitian Helping Hands today. Dear Sponsor, I hope this message finds you in good health and high spirits in Jesus' name. I am reaching out to you today with an opportunity to make a lasting impact on the lives of some children in need in Haiti. We have launched an initiative called "Education for All," aimed at providing quality education to underprivileged children who are currently unable to attend school due to financial constraints. We firmly believe that education is a powerful tool that can break the cycle of poverty and empower individuals to create a better future for themselves and their communities. Unfortunately, countless bright young minds around us are deprived of this basic right due to their families' limited resources. To address this pressing issue, we are seeking compassionate individuals like yourself to partner with us by contributing $60 per month. Your generous support will go directly towards covering the educational expenses of these children, including tuition fees, school supplies, and other essential resources. By investing in their education, you will not only provide these children with the necessary tools to succeed academically but also instill in them the confidence and motivation to pursue their dreams. Your monthly contribution will make a tangible difference, allowing us to expand our reach and positively impact more lives. As a valued member of our initiative, you will receive regular updates on the progress of the children you support. We believe in transparency and accountability, ensuring that your contribution is being utilized effectively to transform lives and foster a brighter future for these deserving youngsters. Joining our cause is incredibly easy. Simply click on the link provided below to visit our secure donation portal. Once there, you can set up a recurring monthly payment of $60 and become a vital part of our mission: haitianhelpinghands.org (http://haitianhelpinghands.org/) If you are unable to commit to a monthly contribution at this time, any one-time donation you can make would still be immensely valuable in our endeavor to provide education to as many children as possible. Alternatively, if you know someone who may be interested in making a difference, please feel free to forward this message to them. Together, we can create a ripple effect of positive change and uplift the lives of countless children. Thank you for considering this opportunity to make a difference in the lives of these children. Your support can shape their futures and enable them to realize their true potential. If you have any questions or require further information, please don't hesitate to reach out to us at haitianhelpinghands1@gmail.com (mailto:haitianhelpinghands1@gmail.com) Warm regards, CEO EMMANUEL D Chery. haitianhelpinghands.org (http://haitianhelpinghands.org/) HAITIAN HELPING HANDS, INC. ADDRESS P.O.BOX 4564 LYNCHBURG VIRGINIA 24502 --- Support this podcast: https://podcasters.spotify.com/pod/show/haitianhelpinghands/support

Today we are joined by Dr Athalie Redwood-Mills from Fiit for Life. We learn how she transitioned from swimmer to rower to Cross Fit Competitor.  We also find out more about Fiit for Life including what they do and the upcoming HYROX 4 Health project. Fiit for Life - https://www.fiituk.co.uk/ Fiit for Life on IG - @fiit_for_life_ Find out more about us  by clicking Here Support us on Patreon Here or Buy us a beer if you like what we do

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Écoutez l'incroyable destin de l'actrice française Sarah Bernhardt, considérée comme la première star internationale. Surnommée "La Divine" mais aussi "La Scandaleuse", Sarah Bernhardt est la plus célèbre des tragédiennes françaises au tournant du XIXe et XXe siècle. À 18 ans, elle intègre la Comédie Française en déclamant du Jean de la Fontaine. Comme Sarah a du mal à joindre les deux bouts, elle fait ce que beaucoup d'actrices sont obligées de faire à l'époque : elle se prostitue. Très vite, elle devient la maîtresse de Monsieur Duquesnel. Il est directeur de l'Odéon, et décide de recruter Sarah comme comédienne permanente de ce théâtre. Grâce à son rôle dans Athalie, la pièce de Racine, elle devient une actrice reconnue : elle déclame avec sa voix d'or, elle allonge les voyelles en vibratos saisissants… Alexandre Dumas ne tarit pas d'éloge et George Sand la surnomme "Ma Petite Madone". L'empereur Napoléon III et l'impératrice Eugénie font même partie de son public. Sarah Bernhardt n'a pas 30 ans et tout Paris est à ses pieds.Sujets abordés : Théâtre - Littérature - Paris - Comédie Française - Prostitution "Au cœur de l'histoire" est un podcast Europe 1 Studio. Ecriture et présentation : Virginie Girod - Production : Camille Bichler- Direction artistique : Adèle Humbert et Julien Tharaud - Réalisation : Clément Ibrahim - Musique originale : Julien Tharaud - Musiques additionnelles : Julien Tharaud et Sébastien Guidis - Communication : Kelly Decroix - Visuel : Sidonie Mangin

La señora Bovary de Gustave Flaubert Segunda parte Capítulo V Fue un domingo de febrero, una tarde en que estaba nevando. Habían ido todos, los señores Bovary, Homais y Léon, a media legua de Yonville, a ver en el valle unas hilaturas de lino que estaban construyendo. El boticario había llevado consigo a Napoléon y a Athalie para que hicieran ejercicio, y Justin los acompañaba para llevar los paraguas al hombro. Nada menos curioso, no obstante, que esa curiosidad. Una gran extensión de terreno vacío donde había, revueltas entre montones de arena y de guijarros, unas cuantas ruedas dentadas oxidadas ya, rodeaba un edificio largo y cuadrangular que horadaban muchas ventanitas. Todavía no habían acabado de construirlo y se veía el cielo entre los ristreles de la techumbre. Restallaban al viento las cintas tricolores de un ramo de paja y espigas atado a la viga del gablete. Homais hablaba. Explicaba al acompañamiento la importancia futura de la obra, calculaba la fuerza de los suelos, el grosor de las paredes y echaba mucho de menos no contar con un bastón métrico, como el del señor Binet, que sí tenía uno para su uso particular. Emma, que iba de su brazo, se le apoyaba un poco en el hombro y miraba el disco solar, que lanzaba, allá lejos, entre la niebla, unos rayos de palidez cegadora; pero volvió la cabeza: allí estaba Charles. Llevaba la gorra calada hasta las cejas y le temblaban algo los labios gruesos, lo que añadía a su rostro un toque de estupidez; incluso la espalda, aquella espalda tranquila, resultaba irritante al mirarla, y Emma veía en ella, expuesta en la levita, toda la vulgaridad del individuo. Mientras lo contemplaba, disfrutando así, en su irritación, de algo semejante a una voluptuosidad depravada, Léon dio un paso al frente. Con la palidez del frío la cara parecía de una languidez más suave; entre la corbata y la garganta, el cuello de la camisa, un tanto flojo, dejaba que asomase la piel; se le veía parte de la oreja por debajo de un mechón de pelo y los ojos azules y grandes, alzados hacia las nubes, le parecieron a Emma más límpidos y más hermosos que esos lagos de la montaña en que se mira el cielo.

Calel (Calek) Perechodnik was a Jewish policeman in the Otwock ghetto. Within his role, he took part in an Aktion (forced deportation) in which 8,000 of the city's Jews were deported, among them his wife Anna and daughter Athalie. Calek, certain they would be safe, took them out of the hiding place in which they had been located, and led them to the deportation square, where they were put on trains and sent to the Treblinka extermination camp. Calek remained alone, consumed by guilt and, after several months spent in hiding on the Aryan side of Warsaw, penned a combination of a confession, a ringing indictment, and a diary - which he dedicated to his wife and daughter. The text Calek wrote is one of the most graphic, honest, and jarring texts produced during the Holocaust period. Featured guest: Dr. Amos Goldberg, Professor at the Department of Jewish History and Contemporary Jewry at the Hebrew University, and head of the Research Institute for Contemporary Jewry. Author of Trauma in First Person: Diary Writing during the Holocaust, 2017.

Calel (Calek) Perechodnik was a Jewish policeman in the Otwock ghetto. Within his role, he took part in an Aktion (forced deportation) in which 8,000 of the city's Jews were deported, among them his wife Anna and daughter Athalie. Calek, certain they would be safe, took them out of the hiding place in which they had been located, and led them to the deportation square, where they were put on trains and sent to the Treblinka extermination camp. Calek remained alone, consumed by guilt and, after several months spent in hiding on the Aryan side of Warsaw, penned a combination of a confession, a ringing indictment, and a diary - which he dedicated to his wife and daughter. The text Calek wrote is one of the most graphic, honest, and jarring texts produced during the Holocaust period. Featured guest: Dr. Amos Goldberg, Professor at the Department of Jewish History and Contemporary Jewry at the Hebrew University, and head of the Research Institute for Contemporary Jewry. Author of Trauma in First Person: Diary Writing during the Holocaust, 2017.

In today's episode of This Day in Miami History, we acknowledge one of Miami's most significant figures, Mary Athalie Range. She would rise from PTA chairwoman to statewide administrative office and reshape Miami along the way. To better understand her, we speak to Dr. Marvin Dunn, the author of "Black Miami in the 20th History" and a giant in the field of Miami history.Remember to follow This Day in Miami History Podcast on your preferred podcast provider, as well as Twitter and Facebook!And visit the This Day in Miami History shop on Spreadshirt for your "Elect Ralph Renick Governor" bumper sticker, t-shirt, and more, as well as TDMH-branded material!Black Miami in the Twentieth CenturyDr. Marvin Dunn on Twitter (@MarvinDunn4)Support this podcast at — https://redcircle.com/this-day-in-miami-history-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In our ongoing project, Elowyn Castle, longtime company member and veteran New York actress/director, brings the soliloquy to life in French. A few of the many places Elowyn has turned up on stages in New York and elsewhere over the last 50 years.  NOISES OFF (ACC/Snarks); THE PHILANDERER & BLACK TIE (Triangle Theatre). Off-B'Way: THE NORWEGIANS (The Drilling Company), MUCH ADO ABOUT NOTHING and HAPPY BIRTHDAY WANDA JUNE (Equity Library Theater). KALLIE (American Renaissance Theater); PLAZA SUITE, ARMS AND THE MAN, CEMETARY CLUB (ACC/Snarks); OTHELLO, TWO GENTLEMEN OF VERONA A MIDSUMMER NIGHT'S DREAM, THE LADY'S NOT FOR BURNING, LOVE LETTERS. Acting: for The Drilling Company: TWO NOBLE KINSMEN (Queen) HAMLET (Polonia); ALL'S WELL THAT ENDS WELL (Countess); ROMEO & JULIET (Nurse); CORIOLANUS (Volumnia - “…the Mama Rose of the Roman Military” - NY Times)); Regional Theatre Acting: Gertie in FUDDY MEERS, Sara in THE SISTERS ROSENSWEIG, Hedda Gabler, Elvira in BLITHE SPIRIT, Celimene in THE MISANTHROPE, Athalie, Mehitabel in ARCHY & MEHITABEL, Queen Elizabeth 1.Educated in France, England, U.S.A. and Switzerland, Elowyn Castle received a Diplôme and the Grand Prix d'Art Dramatique in performance and directing from the Conservatoire de Genève in Geneva, Switzerland; President of the Episcopal Actors' Guild since 2008.

Et en 841, Yoram, roi d'Israël, est assassiné par l'un de ses généraux nommé Jéhu. Ce nouveau roi sera le fondateur d'une dynastie qui régnera près d'un siècle, jusqu'à Jéroboam II. La mort de ce dernier ouvre une période d'instabilité qui amènera la chute du royaume d'Israël, en 721, sous les coups de l'armée assyrienne.REFERENCES ET NOTES•«Au Large Biblique » est un podcast conçu et animé par François Bessonnet, enseignant bibliste et prêtre en Vendée. https://www.aularge.eu/blog/le-podcast/ •Opus I – Les origines d'Israël : https://www.spreaker.com/episode/47348322 ou sur https://www.aularge.eu/blog/lhistoire-disrael/ •Opus II – Les royaumes d'Israël et Juda (1030-721) : https://www.aularge.eu/blog/lhistoire-disrael-ii-le-royaume-disrael/ •Les livres : 1er (1S) et 2ème (2S) livres de Samuel ; 1er(1R) et 2ème (2R) livres des Rois•PODCAST : Ozias, roi de Juda : https://www.aularge.eu/blog/2019/03/20/desert-13-ozias-construisit-des-tours-dans-le-desert-2ch-26/ •Image de couverture : Joas proclamé roi de Juda, E.Bird, v. 1815 - source : wikimedias commons.•Génériques : Erwan Marchand (D.R.)•Fond musical de l'introduction : Sergei Prokofiev, Roméo et Juliette, op. 64.•Épisode enregistré en Vendée (85, France), juin 2022.•Sous Licence Creative Commons (cc BY-NC-ND 4.0 FR)•Bibliographie : https://www.aularge.eu/blog/lhistoire-disrael-ii-le-royaume-disrael/#biblio CHAPITRES DE L'EPISODE00:00 Générique et présentation01:07 Introduction : résumé des épisodes précédents03:00 Le coup d'état de Jéhu (841)06:00 Sous le règne de Jéhu (841-814)08:00 La puissance araméenne10:10 Jéroboam II, roi d'Israël (787-747)13:45 Ozias, roi de Juda (781-740)16:33 L'indignation du prophète Amos18:30 La succession de Jéroboam II (747-724)20:00 La chute de Samarie (721)23:00 Conclusion de la sérieCHRONOLOGIE DES ROYAUMES DE JUDA ET D'ISRAËL 841-721•Cf. lien https://www.aularge.eu/blog/wp-content/uploads/2022/06/chronologie841-721.jpg | 852-841 – Yoram, roi d'Israël, assassiné par Jéhu+ 841-814 – * Jéhu, roi d'Israël| 841-841 – Akhazias, roi de Juda, assassiné par Jéhu | 841-835 – Athalie, reine en Juda| 835-796 – Joas, roi de Juda| conflits entre Juda et Israël+ 814-803 – Yoakhaz, roi d'Israël+ 803-787 – Joas, roi d'Israël| 796-781 – Amasias, roi de Juda+ 787-747 – * Jéroboam II| 781-740 – Ozias/Azarias, roi de Juda | 747-747 – Zacharie, roi d'Israël (assassiné)+ 747-746 – * Shalloum, roi d'Israël (assassiné)+ 746-736 – * Menahem, roi d'Israël| 740-735 – Yotam, roi de Juda+ 736-735 – Péqahya, roi d'Israël (assassiné)| 735-716 – Akhaz, roi de Juda + 735-732 – * Péqah, roi d'Israël (assassiné)| 734 guerre syro-éphraïmite| 732 L'Assyrie met fin au royaume araméen (Damas)+ 732-724 – * Osée, roi d'Israël (assassiné)| 728-698 – Ézéchias, roi de Juda+ 721 – PRISE DE SAMARIE ET FIN DU ROYAUME D'ISRAELSUIVRE AU LARGE BIBLIQUE •Instagram : @aularge.eu https://www.instagram.com/aularge.eu/ •Twitter : @AuLargeBiblique https://twitter.com/AuLargeBiblique •Facebook : @aularge85 https://www.facebook.com/aularge85/ •LinkedIn : https://www.linkedin.com/in/fbessonnet/ •Youtube : https://www.youtube.com/user/aulargefbessonnet •Mail : podcast@aularge.eu •Newsletter : https://www.aularge.eu/blog/abonnement/ •RSS : https://www.spreaker.com/show/3266391/episodes/feed Soutenez le podcast avec Tipeee : https://fr.tipeee.com/au-large-biblique

Hosts Claire Kretzschmar and Aarón Sanz are back for another cameo-filled conversation around The Rosin Box. On a typically drama-filled performance night of George Balanchine's A Midsummer Night's Dream, the wings are like a "zoo," filled with fairies, dogs, young dancers from the School of American Ballet, a donkey-headed danseur, plenty of sparkles, and costumes fit for the ballet's "cape-ography." (44:53) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records Overture and Incidental Music to A Midsummer Night's Dream, opp. 21 and 61 (1826, 1842); Overtures to Athalie, op. 74 (1845), The Fair Melusine op. 32 (1833), The First Walpurgis Night, op. 60; Symphony No. 9 for strings; Overture to Son and Stranger, op. 89 (1829) by Felix Mendelssohn

In this special episode of See the Music recorded live at our Lincoln Center theater, NYCB Music Director Andrew Litton dives into the history of the Felix Mendelssohn score for Balanchine's enchanted ballet A Midsummer Night's Dream. Litton shares excerpts from the music—written 173 years ago, when Mendelssohn was just 17 years old—that encapsulate the young composer's prodigious talent, even in the face of religious persecution in his native Germany where the score was banned for a time, despite its charming, enduringly romantic character. (12:43) Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Overture and Incidental Music to A Midsummer Night's Dream, opp. 21 and 61 (1826, 1842) Overtures to Athalie, op. 74 (1845), The Fair Melusine op. 32 (1833), The First Walpurgis Night, op. 60; Symphony No. 9 for strings; Overture to Son and Stranger, op. 89 (1829) by Felix Mendelssohn All music performed by New York City Ballet Orchestra

April 13, 2022 | Episode 84 Shawn & Brian are visited by Athalie Malone who lost her sight after suffering a stroke. She discusses how she turned that challenge into a blessing for others. Athalie Malone was born December 28, 1965 on the beautiful island of St. Thomas in the United States Virgin Islands. She moved to San Antonio in 1980 and proudly graduated from SGRH Royal in 1983. Ms. Malone attended Bethune-Cookman University, where she studied Business Administration. Due to health she did not finish her last year. She worked in the private sector and ecumenical sector of San Antonio from 1987 to 2007 at which time she lost her vision. Additionally appointed to Via Metropolitan Transit Board September 2019. Currently serves on the Intergovernmental Relations & Public Affairs Committee, Chairperson Audit Committee and Board Secretary. Past President and current member National Federation of the Blind Past Board member, & Secretary current member of San Lighthouse Lions Co-chair National White Cane Awareness Day Chairperson Disability Access Advisory Committee Mentioned: https://nfb.org/ https://whitecaneday.org/ — Instagram: https://www.instagram.com/just_two_dads/ Podcast: https://podcasts.apple.com/us/podcast/just-two-dads/ LinkedIn: https://www.linkedin.com/in/justtwodads Facebook: https://www.facebook.com/wearejusttwodads YouTube: https://www.youtube.com/channel/UC-GN4T9fkHEVR5R_16w_7bw #AthalieMalone #WhiteCaneDay #SightVsVision #justTwoDads

C'est pour l'usage limité des Demoiselles de Saint-Cyr, protégées par Mme de Maintenon, que Racine a écrit Esther, puis Athalie. Les intrigues de cour allaient en décider autrement… Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Dans cet épisode à écouter sur ses deux oreilles, Isabelle dénonce le cabotinage cornélien et Eric règle ses comptes avec la série Dallas. On y parle surtout des rapports éthérés, inconscients ou fantasmatiques que le rêve entretien avec la littérature, et des différentes manières dont cette autre face du langage a servi de matrice à l'exercice de la pensée consciente. Contact : noslanguesdanstonoreille@gmail.com  Facebook :  https://www.facebook.com/NLDTOpod/  Twitter : @NLDTOpod  Instagram : noslanguesdanstonoreille Musique du podcast par Komiku/Monplaisir/Rrrrrrose www.freemusicarchive.org/music/Komiku…_adventures_   Références des œuvres citées :   Emmanuelle Laborit, Le Cri de la mouette Dorothée Dussy, Le Berceau des dominations. Anthropologie de l'inceste Guy de Maupassant, Bel Ami & Le Horlà Pierre Corneille, Polyeucte Denis Diderot, Le Rêve de D'Alembert Cicéron, Le Songe de Scipion, in. De Republica Platon, La République Sigmund Freud, L'Interprétation des rêves (Die Traumdeutung, trad. fr. I. Meyerson) André Breton & Philippe Soupault, Les Champs magnétiques Annie Ernaux, Se perdre Pierro della Francesca, Sogno di Costantino (Fresque, 1458-1466) Homère, Odyssée Marcel Proust, À la recherche du temps perdu Stephen King, Pet semetary Jean Racine, Athalie

C'est pour l'usage limité des Demoiselles de Saint-Cyr, protégées par Mme de Maintenon, que Racine a écrit Esther, puis Athalie. Les intrigues de cour allaient en décider autrement… Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

C’est pour l’usage limité des Demoiselles de Saint-Cyr, protégées par Mme de Maintenon, que Racine a écrit Esther, puis Athalie. Les intrigues de cour allaient en décider autrement… Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l’intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d’informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

*REBROADCAST* Athalie taps in with ASAP: Another Shawn Allen Podcast in the 2Pac Vs. Biggie Debate While one was a standalone artist, the other wasn't! Which one shot to Hip Hop Royalty after death? Which one had the most impact on culture? join in on the conversation at http://twitter.com/shawnallenlive http://instagram.com/shawnallenlive http://twitter.com/hearasap http://instagram.com/hearasap

Adverse Childhood Experiences (ACEs) affect nearly everyone. How do these experiences live on in our bodies and how do we recover from them? Meet Joseph And Athalie, the incredible hosts of the Social Cure Podcast. We discuss religion, science, experiences and recovery from childhood adversity. This is one of my favorite episodes because the show was brilliant and I finally got a better mic!! Better sound is everything. --- Send in a voice message: https://anchor.fm/generalmutombo/message Support this podcast: https://anchor.fm/generalmutombo/support

My great friend Athalie and I discuss how this podcast originated from what was initially meant to be an instagram sticker post. She teases out the various facets to things you don't say and the many meanings it can have. She gets vulnerable about the most tragic form of things you don't say, letting go of the past and saying goodbye. It's a fascinating journey that has led her away from a very conservative christian community and defining her future. This episode is so fun, Lots of giggles and shoutouts to an amazing group of friends that have supported me to this very point. Episode Guest: Athalie ==> IG: athaliejoy --------- THE TROUBLEMAKERS Beatmaker ==> IG: Batowa_k IG: photophile228 Logomaker/Artist ==> IG: _nutifafa Twiter: khimosabi DJ/Mixer ==> IG: djnayiram Branding/Swags ==> IG: yakitoko, IG: kitokoart Inspiration ==> IG: ahmay_ahmoo TWDS PRODUCTION: Website: https://twdspodcast.com/ Facebook: https://facebook.com/twdspodcast Twitter: https://twitter.com/twdspodcast Instagram: https://instagram.com/twdspodcast --- Send in a voice message: https://anchor.fm/twdspodcast/message

durée : 00:30:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - La leçon de théâtre de Madame Simone porte sur la scène du songe dans "Athalie" de Jean Racine. L’émission "L'art du comédien : Propos et pratique - Athalie" a été diffusée la première fois le 15/10/1957 sur la Chaîne Nationale. - réalisation : Virginie Mourthé

Shawn & co-host Athalie discuss Black artist seeking validation from white institutions, Diddy being a crook, thief & hypocrite, Kelis crying and still complaining about Pharrell & Chad and things that happened 20 years ago and creating their own award show join in on the conversation at http://twitter.com/hearasap http://instagram.com/hearasap #hearasap http://twitter.com/shawnallenlive http://instagram.com/shawnallenlive http://twitter.com/atha1ie http://instagram.com/atha1ie

Athalie & Shawn go over their Top 10 albums of the decade. Some of these choices may surprise you and some well make you give the side eye. Some of these choices don't even deserve recognition and to be apart of the conversation join in on the conversation at http://twitter.com/hearasap http://instagram.com/hearasap #hearasap http://twitter.com/shawnallenlive http://instagram.com/shawnallenlive http://twitter.com/atha1ie http://instagram.com/atha1ie http://twitter.com/hearasap http://instagram.com/hearasap Stream Words With Friends Vol 1. by @iamKoriJames https://album.link/z2wccVXRzkWsz

Shawn and co-host Athalie embark on the age old debate of who was better, 2Pac or Biggie? While one was a standalone artist, the other wasn't! Which one shot to Hip Hop Royalty after death? Which one had the most impact on culture? join in on the conversation at http://twitter.com/shawnallenlive http://instagram.com/shawnallenlive http://twitter.com/hearasap http://instagram.com/hearasap

00:00 Shawn & Athalie & in Arizona, Trap or Treat with Sade, co-host introduction 19:17 - OutKast, influence, inspiration & legacy and the lack of interest in Big Boi without Andre 3000. OutKast comeback? 29:00 - Jay Z vs Nas and how one makes terrible songs but is a better lyricist, Big & Pac and J. Cole vs. Kendrick debate and riding bikes with J. Cole join in on the conversation at http://twitter.com/shawnallenlive http://instagram.com/shawnallenlive

durée : 00:30:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - La leçon de théâtre de Madame Simone porte sur la scène du songe dans "Athalie" de Jean Racine. L’émission "L'art du comédien : Propos et pratique - Athalie" a été diffusée la première fois le 15/10/1957 sur la Chaîne Nationale. - réalisation : Virginie Mourthé

durée : 00:30:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - La leçon de théâtre de Madame Simone porte sur la scène du songe dans "Athalie" de Jean Racine. L’émission "L'art du comédien : Propos et pratique - Athalie" a été diffusée la première fois le 15/10/1957 sur la Chaîne Nationale. - réalisation : Virginie Mourthé

Angela Peauty (habillée par Tommy Hilfiger) discute dans le Lunch Show de la semaine avec Athalie Taty, référent RSA chez Idefle et Sébastien Lamy, président du nouveau label Elektro Records. + DÉGUSTATION + RÉSUMÉ DES ACTUS DISCUTÉES ET ANALYSÉES DU JOUR + SELECTION BANDE-ANNONCES + LE LIVRE DE LA SEMAINE + PLANS DE LA SEMAINE Vendredi 21 avril, Angela Peauty accueillera, entre autres, Hedi Hamdi de La Shaperie. LUNCH SHOW, c’est tous les vendredis sur MM RADIO ! #LunchShow Mais également sur TUNEIN, ACAST et STITCHER.

Rowan works as a Program Manager on the .NET team at Microsoft. The bulk of his time at Microsoft has been spent on the open source Entity Framework project. He speaks at technical conferences and blogs at romiller.com. Prior to Microsoft, Rowan worked for a tourism company in Tasmania, Australia doing enterprise application development and integration. Rowan lives in Seattle, Washington with his wife Athalie and their children. The bulk of their time is taken up as a foster family, but in his spare moments Rowan enjoys snowboarding, construction, rocket engines, and pretty much anything that involves being active or tinkering in his workshop.

One Night Stands Having casual sex is ok, but for me, growing up in a religious and very closed minded environment and culture, one night stands were some what of a taboo, so I wanted to learn how other people in this modern world see one night stands. On this episode I first talked to Athalie, who is getting ready to start her Masters degree in Human Sexuality and whom gave me her opinion on why some people are better at causal sex than some of us. Secondly Bobby will tell us how technology is completely changing the way we can get sex. And last but certainly not least, Susan and Jamie gives us heartful stories of what could happen after a one night stand.   On this episode: Athalie Pathing Bobby Hankinson Susan Kent Jamie Brickhouse   Special thanks to Andrea Mustain, consultant content editor   Follow us! www.wearesingleling.com @wearesingleling

Special thanks to John Clodfelter for sharing his music gift with the parish on June 5, 2016. He is continuing graduate studies in music at the University of North Dakota. This post “War March of the Priests,” from Athalie, Op. 74 by Felix Mendelssohn – Played by Saint Andrew's Organist Emeritus, John Clodfelter is on the Saint Andrew's Episcopal Church website.

In this special excerpt from Jarring Segue's episode about space, hear the story that won Athalie a storyteller award at The Moth. Meanwhile, Scott and Beth call bullshit on constellations.

The one in which Beth yells a lot, Scott reminisces about drawing his professor as an alien, and special guest Athalie has the downlow on how to get down low in zero gravity. The fearsome threesome talk everything space, including probing by aliens, favorite space movies, and what space smells like.