Podcast appearances and mentions of Cindy Morgan

The music industry has been in something of a mess over the past two decades. Digital platforms have come and gone and come again, completely reshaping – and then reshaping again – the economic model of the music industry. The Christian music industry has had to undergo all these changes plus more: the rise of the worship genre, the growth of such radio juggernauts as K-Love and Salem, and the economic pressures these innovations have placed on the rest of the industry to conform or die. And the worship genre itself has shaped the way the church worships – whether we like it or not. Through all these changes, a small but influential music label in Nashville has not just survived, but it has thrived. That label is Centricity, and it owes much of its success to my guest today, John Mays. John is one of the co-founders of the label, and he has retained the title of Senior VP of A&R. And if you don't know what that means, stay tuned. John will explain. John Mays began his career as a musician, playing bass for some of the early bands in the CCM genre, first as a road dog, then as a session player. He worked for industry leader Word Records early in his career. With Word, Centricity, and others, he has been influential in the careers of artists such as Cindy Morgan, Point of Grace, Phillips, Craig & Dean, Andrew Peterson, and many more. John is currently working with Peterson, Jason Gray, and Lauren Daigle, among the two dozen or so artists currently on the Centricity label. John had this conversation with me from his home near Nashville. A special word before we go. I'm a bit of a music guy. I find music to be nourishing spiritually, emotionally, and intellectually. Contemporary Christian Music and Christian radio also have an outsized impact on the evangelical movement. So from time to time, we'll feature musicians on the MinistryWatch podcast. To hear recent interviews I've done with Charlie Peacock, Fernando Ortega, Andrew Peterson, and others, just go to MinistryWatch.com and hit the “Podcast” button at the top of the page. The producer for today's program is Jeff McIntosh. Thanks to PR guy extraordinaire Rick Hoganson for helping me arrange this interview with John Mays. Until next time, may God bless you.

Your Stupid Minds sifts through some of Chris's $4 DVD acquisitions from Half Price Books and these things called "video stores" where our ancient ancestors used to purchase their entertainment wares. We start with the 1995 sci-fi direct-to-video low budget epic Galaxis (or Terminal Force), which some critic (we'll never know who) described as "Star Wars meets The Terminator." Starring Brigitte Nielsen, Richard Moll, Fred Asparagus (lol), Alan Fudge (lol), Sam Raimi for some reason, and professional Diablo III gold farmer Arthur Mesa. In a far off space battle that is in no way like the opening of Star Wars, Lord Tarkin (Craig Fairbrass) battles it out with evil space wizard Kyla (Moll). When Tarkin is betrayed by his sniveling wiener underling (Raimi) Kyla steals their magic crystal (which may be called Galaxis, the title is never mentioned nor explained) that gives them power or something. Ladera (Nielsen) comes upon Tarkin, who reveals to her that there is a second crystal, which she can use to defend the Sintarian people, or Kyla could use to destroy the universe or something. Unfortunately, the crystal is on Earth. Doubly unfortunately, it's now in Los Angeles (but good for the filmmakers, who already happened to be there). The film switches abruptly from a Star Wars ripoff to a Terminator ripoff, when Ladera teams up with a rogue-like drunk named Jed Sanders (John H. Brennan). They do some Terminator stuff and Kyla shoots them with force lightening. Meanwhile corpulent gangster Victor (Asparagus) chases after Jed with various Wile E. Coyote instruments of death, and two hapless detectives (Roger Aaron Brown and Cindy Morgan) traipse around 90s LA sighing and shaking their heads at all the violence.

In 1978, after Harold Ramis wrapped "Animal House", the director teamed up with pals Brian Doyle-Murray and Douglas Kenney, along with Chevy Chase, Bill Murray, Ted Knight, and the one and only, Rodney Dangerfield, to bring similar frathouse shenanigans to the clubhouse. Featuring legendary performances (many of which were completely improvised) plus an equally memorable soundtrack, this 80s flick came barreling into theaters the summer of 1980, and went on to become one of the most cherished comedies of all time. Widely considered to be one of the all-time funniest comedies ever assembled, the film about a young golf caddy (Michael O'Keefe) desperate to win a scholarship and turn his life around has been listed #71 on AFI's 100 Years...100 Laughs and #7 on AFI's Top 10 Sports Films. So grab your golf clubs, watch out for gopher holes, and remember to be the ball as Tim Williams and guest co-hosts, Nicolas Pepin and Chris McMichen discuss “Caddyshack” from 1980 on this episode of the 80s Flick Flashback Podcast.Here are some additional behind-the-scenes trivia we were unable to cover in this episode:Cindy Morgan revealed that the oil massage scene with Chevy Chase was entirely improvised. When Lacy exclaims, "You're crazy!" that was Morgan's authentic reaction to Chase dousing her with oil, which was also the case with Chase's reply, "That's what they said about the Son Of Sam.”Writer and producer Douglas Kenney died after the film was released. He fell off a cliff while vacationing in Hawaii. Kenney had experienced deep depression after the film's post-production, as much of the original story had been significantly altered in the editing room, and he was strongly opposed to the final addition of the gopher to the film.Sources:Wikipedia, IMDB, Box Office Mojohttps://www.mentalfloss.com/article/56693/15-things-you-might-not-know-about-caddyshackhttps://screenrant.com/caddyshack-movie-behind-scenes-making-of-trivia/Some sections were composed or edited by ChatGPT We'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media. Your opinions are incredibly valuable to us, and we'd be so grateful to know what you enjoyed about our show. If we missed anything or if you have any suggestions for 80s movies, we'd love to hear them too! If you're feeling extra supportive, you can even become a subscription member through "Buy Me A Coffee". For more details and other fun extensions of our podcast, check out this link. Thank you for your support!https://linktr.ee/80sFlickFlashback

For this "ReScreen" episode, Michael does a rewatch of the 1982 sci-fi action adventure film "Tron" starring Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, and Barnard Hughes. What are some of his memories of seeing this film previously and thoughts after seeing the film again? Check it out and see! Be a part of the conversation! E-mail the show at screennerdspodcast@gmail.com Follow the show on Twitter @screennerdspod Like the show on Facebook (Search for Screen Nerds Podcast and find the page there) Follow the show on Instagram and Threads just search screennerdspodcast Check out the show on Bluesky just search screennerdspodcast Be sure to check out the podcast on Apple Podcasts, Spotify, Goodpods, Overcast, Amazon Music or your podcast catcher of choice! (and please share rate and review!) Want to be a guest or share your thoughts on the podcast? Send me an e-mail! Thanks to Frankie Creel for the artwork

Flopcast episode 660! In Part 1 of our two-part memorial show, we look back on people from pop culture (and beyond) who died in the first half of 2024. It’s a long list, so it’s a long show. Including: People from movies (Cindy Morgan, Carl Weathers, Louis Gossett Jr., Dabney Coleman, Donald Sutherland), comedy (Richard […] The post Flopcast 660: Memorial Show Part 1 – Mojo Is Everywhere appeared first on The ESO Network.

In Part 1 of our two-part memorial show, we look back on people from pop culture (and beyond) who died in the first half of 2024. It's a long list, so it's a long show. Including: People from movies (Cindy Morgan, Carl Weathers, Louis Gossett Jr., Dabney Coleman, Donald Sutherland), comedy (Richard Lewis, Joe Flaherty, Martin Mull), television (Joyce Randolph, Kevin Brophy, David Soul), music (Melanie, Mojo Nixon, Eric Carmen), comic books (José Delbo, Ramona Fradon, Trina Robbins), and many more. (The inventor of Pop-Tarts? But of course.) Next week: Memorial Show Part 2. Meanwhile this week, we also reveal our New Year's Resolution, which you will never guess. The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Monkeeing Around!  

Ya gotta learn the rules to break the rules! Kris talked about big tracking sessions, orchestral arranging for small vs large string sections, killer Soundflow strategies, Pro Tools marker magic, sync sessions tips, & cool plugins for awesome mixes! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Kris Crunk, a first-call producer, programmer, and engineer in Nashville, Tennessee. He has 4 Grammy nominations, won 2 Dove Awards for Southern Gospel Producer of the Year in 2021 and 2022, and recently was nominated for a Mark Award from the Production Music Association.  In his 20+ years in Nashville, Kris has played or worked on countless songs for artists like OneRepublic, Rascal Flatts, 5 Seconds of Summer, Tina Campbell, Jason Crabb, Cindy Morgan and many more. Kris has been a Professor of Music Technology at Union University and is an app developer for the software Soundflow is on the Avid Beta team for Pro Tools and other plug-in companies.  Kris is currently focusing on creating a large library of songs for TV shows, commercials, and movies worldwide. With over 1500 original compositions in rotation, he is constantly heard on shows like CBS NFL Football, Holey Moley, TMZ, and Real Housewives of New Jersey. His work can be heard on networks such as Discovery, Food Network, Nickelodeon, ABC, CBS, Disney+, MTV, TVLAND, and the BBC.    Thank you to Raphael Sepulveda and Joe Carroll for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://www.empiricallabs.com/ Use code RSR10 to get 10% off the Arousor and BIG FrEQ plugins! https://traceaudio.com/ Use code RSR15 to get 15% off your custom printed labels! https://www.soundporter.com/ Get a free mix review and mastering demo! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/2JtT9Czg8HfhyC0QaI1uTL?si=7c67d3569e564e0c If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/476

National coffee day. Entertainment from 1955. Worlds first modern police force went on duty, Comero went on sale, Worlds 1st billionaire. Todays birthdays - Gene Autry, Jerry Lee Lewis, Larry Linville, Jon Minnoch, Madeline Kahn, Mark Farner, Cindy Morgan, Andrew Dice Clay, Halsey. Helen Reddy Died.Intro - Pour some sugar on me - Def Leppard     https://www.defleppard.com/The coffe song - Frank SinatraThe yellow rose of Texas - Mitch MillerI don't care - Webb PierceBirthdays - In da club - 50 Cent      http://50cent.com/Back in the saddle again - Gene AutryGreat balls of fire - Jerry Lee LewisMASH TV themeAmerican band - Grand Funk RailroadNightmare - HalseyI am woman - Helen ReddyExit - It's not love - Dokken     http://dokken.net/Follow Jeff Stampka on facebook and cooolmedia.com

Welcome to Cyberpunk Cinema – the Definitive Dive into the Dark Future of Science Fiction. I am your host, Anthony La Pira, and I will be taking you on a cinematic journey through the sprawling cityscapes, the crippling datastorms, and the cybernetic implants that encompass all things Cyberpunk.In this week's episode, I will be breaking-down the ground-breaking 1982 cyberpunk movie, Tron  – written and directed by Steven Lisberger, starring Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, and Barnard Hughes.A computer hacker is abducted into the digital world and forced to participate in gladiatorial games where his only chance of escape is with the help of a heroic security program.This is one of the first cyberpunk films I remember watching as a little kid. I remember being dazzled by the otherworldly raw special effects of cyberspace, thinking about how cool it would be to be zapped into my favorite video game (I always wanted to be in Space Quest and travel the universe with Roger Wilco and the Pirates of Pestulon). Tron was one of the landmark 1982 cyberpunk films along with Blade Runner, Burst City, and Liquid Sky. So, do me a favor – it's time to access your cranial jacks, boot up your Ono-Sendai Cyberspace 7, and slap on your damn mirror-shades. You know what time it is! Cyberpunk Cinema starts…now!Anthony's IG - https://www.instagram.com/stormgiantproductionsCyberpunk Cinema IG - https://www.instagram.com/cyberpunk.cinemaSignal Fragment SoundCloud - https://soundcloud.com/signalfragmentSend us a Text Message.

"Playing A Round Of Golf At The Bushwood Club Isn't Just Confined To The Golf Course!" For the final episode of our "Summer at the Cinema Series" we are discussing the sports comedy classic 'Caddyshack.' The movie stars Chevy Chase, Rodney Dangerfield, Bill Murray, Ted Knight, Michael O'Keefe and Cindy Morgan. It was co-written and directed by Harold Ramis. Caddyshack - IMDB: https://www.imdb.com/title/tt0080487/?ref_=nv_sr_srsg_0_tt_7_nm_1_in_0_q_caddysh Caddyshack - Rotten Tomatoes: https://www.rottentomatoes.com/m/caddyshack Bill's Letterboxd Ratings: https://letterboxd.com/bill_b/list/bills-all-80s-movies-podcast-ratings/ Jason's Letterboxd Ratings: https://letterboxd.com/jasonmasek/list/jasons-all-80s-movies-podcast-ratings/ Website: http://www.all80smoviespodcast.com X (Twitter): https://twitter.com/podcastAll80s Facebook (META): https://www.facebook.com/profile.php?id=100030791216864 TikTok: https://www.tiktok.com/@all80smoviespodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

A computer programmer gets sucked into the mainframe of his former employer and does battle with a malevolent artificial intelligence in a futuristic world right out of a black-light poster. One of Walt Disney Pictures' better forays into science fiction brings us a visually-dazzling world, but that doesn't quite make up for a story that's both nonsensical and a bit of a slog. Starring Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, and Barnard Hughes. Written by Steven Lisberger and Bonnie MacBird. Directed by Steven Lisberger. Music by Wendy Carlos.  

“Caddyshack” (A Mumtidimentional Mixtape) {Enter The Multiverse} From Wikipedia: Caddyshack is a 1980 American sportscomedy film directed by Harold Ramis, written by Brian Doyle-Murray, Ramis and Douglas Kenney, and starring Chevy Chase, Rodney Dangerfield, Ted Knight, Michael O'Keefe and Bill Murray with supporting roles by Sarah Holcomb, Cindy Morgan, and Doyle-Murray. It tells the story of a caddie, vying for a caddie scholarship, who becomes involved in a feud on the links between one of the country club's founders and a nouveau riche guest. A subplot involves a greenskeeper who uses extreme methods against an elusive gopher. Caddyshack was Ramis's directorial debut and boosted the career of Dangerfield, who was previously known mostly for his stand-up comedy. Grossing nearly $40 million at the domestic box office (the 17th-highest of the year),[3] it was the first of a series of similar comedies. The film has a cult following and was described by ESPN as "perhaps the funniest sports movie ever made" SAUCE (IN CASE YOU MISSED IT) —- AHAHA. ITS ME AGAIN. OH SHIT! Oh shit, i guess it's Jimmy Fallon's Galaxy. Oh nooo. Oh, yes. Look at this penny. I see you. Now look into my eyes. I see you, Jesus. Ahahaha! Okay, now what? This shit is twisted I missed the shift of the dimensions— Till Jimmy walked in with his pennies For some cigarettes and swishers, Just to get the picture It's 5 AM again, And it's still Infinite, I'm disinterestedd as ever in living in LA, Or just living, period— But it is what it is, I work for my rent, I've repented for this, Used to sleep in a tent, But when I was an Infant, I instantly— Wait, a customer walked in. I better help him. Heaven help him. Another level, Call dr. Nevel, Or an Ambulance, I just can't get it Just can't get it, Wait, let's insert some of the script here, I guess. Took you long enough, didn't it? That took forever. How are you alive? Maybe I'm not. Finally, we agree on something. Oh, this guy Lol. Good to see you again. Likewise, now— Here it goes… As you promised. Working on it. As I promised. Take my heart for granted, Take my soul, If this is loveless Till the end, I just can't manage, having Thoughts of death and tragic ends I haven't Felt the same since Waking up without the day to come ahead; The day has passed again A test, No fail, or pass It's just progressive, In a trance, It's just the stress, It's just to pass the time, I guess, if this is purpose Then, we'll see if this is worth it Now, or never, then Now or never, Never had a friend, All envious at best, This is the end all, In the end, it's just Me and God, And God would want A better body, To have fun I wished it all at once, And then I watched it crumble Oh, I watched it Stumble in, again, my friend I'm different when it's wet, I might not never see the Sun again I might not ever love again Oh well “Oh well” , I said Oh, well, I guess Oh well Okay. One hour left. Okay. Who gets the gold? Hum. Honestly I didn't want to hear a thing ; I had quit music—I just wasn't cut out for the industry—I was, but not by societal standards by far; my lowly place in the smoke shop would have to do for now, and though I knew it wouldn't sustain, there wasn't much else I could do but keep showing up, for as long as it lasted—dresses in at least 2 layers and 5 pairs of socks tucked into boots two-sizes-too-big I had been forced to purchase specifically due to the frigid and painful, freezing temperatures at the locations I worked, which kept its doors open 24/7. Play Iambic. What, right now? Yeah, play Iambic. Uh… Iambic played st exactly 1 hour and 19 minutes—it's script, the transcribed rendition crafted especially for the Broadway stage, an 88-page-masterpiece collecting dust in the confines of my Google Documents, along with anything else I had written and had yet the advantage of placing anywhere besides my podcast channels, which I constantly thought about cancelling, despite its innumerous downloads—nothing really seemed to matter anymore, as I was trapped in my body, in a loveless world, in a dead-end job and though my bed was clean and comfy, sharing the room wirh 3 others became exhausting. INT. SMOKESHOP. 5:58 AM DREW BARRYMORE … SUPACREE … I'm done. I quit. QUIT?! YOU CAN'T QUIT. Nope. That's it. I quit. You can't quit. I just did. I hadn't quit the music industry—the music industry had quit me. I wasn't pretty enough, skinny enough, light skinned enough, or willing to do what any of the other girls were to get ahead. WTF is THIS. Since you like to troll so much, I just thought I'd turn you into one This is not Kosher, 199x Jimmy Fallon; Let me out of this plastic —not exactly “fireproof” — death box, before I let myself out, and I trap you in it. But oh, You already did. FIGHT. UGH OH. Ok, rotate. Who is this. Oh shit, hey dude. FUCK, what year is it? MEANWHILE, Under the bridge. …anybody seen this, uh… *Troll* Yee! *Troll* Alright. That's it. Everything checks out. The story was air tight. TIGHT, TIGHT I want you to wear this tonight “The Lady In The Red Dress” You really went all out for this I really didn't. lol Oh I see, You thought this was the matrix. MIT I WISH GOD Wish what. MIT … Mm. Did u see that. See what. ALRIGHT FUCK THIS, YA'LL IT GOT SERIOUS, WHERE'S MY CYCLOPS He called me his cyclops— —-and then he said LIKE GET OUT WHAT GET OUT OF MY HOUSE WHY CAUSE YOURE JUST A PIÑATA, MAN! And I ain't got time for that! I just got a DeLorean And a new HAT I gotta go get Oof. WRECKED. Yo, Wicked. KENDRICK (TODDLER) WIZARD. Oh my. I'm J00F'd up. | | | trance | | | Look; I gotta get out of this MOTHER OF PEARL do not beach this whale carcas on my warehouse project A what A beached whale I know You brought a beached whale to my fucking rave show Oh I get it It's Avant- Guarde No, that's just how I got here …. Trust me, it's okay that This never happened You did not see me It's because I wasn't there Is this U Ū No I wasn't there. Ü I was. Fuck. What happened. It's ok. All I remember is “The Quatardashians” Hmm Also The indigenous But that's it But mostly that was all just Jesus showing off his flexes Are u fasting? Yes, “Ū” is. So, do you need this?! TRUMPP Get rid of this recording imiidiately GOT IT. kill that bitch. SKRILLEX Yessir. —-but before all that happens. …did you want fries with that?! Why are we boycotting McDonald's —for poisoning —the allies —our enemies. Wait, you're eating this? Yes. Like, for fun, or like? No. This is what I'm feeding my children Why Cause they hungry. Uh, ok— —and there's six of them. Aight, ya'll can each have one nugget with your— I wanted a cheese burger! You git hamburgers. Ham. Cheese costs CENTS; And you know your momma If I ain't about a dollar - A dollop of Daisy You really are Ashamed of his Alright, you evil bastards. I see you want to Cause suffering Correct For which you will eternally recurve damnnation and all of the pain you've caused Karmas a bitch It's lonely at the top Not when you're GOD Get off my rock Did you miss an appointment? Nah, can't do it Why what happened Too high up. Whatchu mean So what, it's just like Done. Well, this is it, huh guys. Oh, yeah, it's that, alright This is the longest ride we ever took.d This is the ONLY ride we ever took. I WANNA GET OFF THIS RIDE. I AM REALLY HIGH UP. JUST LET GO. NO. NO. NO. Put me down, kite!!! KITE wtf do you want me to do. I'm a KITE. I'm YOU FUCKIN KIKE NOOOOOOOOOOOOOOOOOOOOOOOOOO—- Well, I'll be honest, man, this sets you back, some How far back GET GONE, But? We're dinosaurs. Why would something with razor sharp teeth be so— —peaceful, and friendly?? T-REX …cuddles. I just can't fake the feeling( I can't pretend to cry It just comes, when it does But when the well runs dry That's when the the world will end That's when the world will end After this movie, I guarantee we will no longer need the Wilhelm scream AGGGGGHHHHHHH!!! YAHHHHHHHHHHH!!!! AAAAAAIIIIIIIIIIGGGHHHHHHH UUUUUUUUUUUUU This movie broke the world record for the amount of times the word “No” was screamed NO NOH. NO. ‘No! NOOOOOOOOOOO! NONONO. NOOOOOOOAAAAAHH …No! Here they all come for her, Defended upon New York In order of important, or appearance? One doesn't wonder, At al, of what's to come Uncommon, we are The call has come TRACY My tummy hurts. That's probably because you've been drinking straight tequila for the last hour and a half. No I haven't! This is water! Tequila is YELLOW, Liz Lemon! No, Tracy—that's silver tequila, And regular tequila is, You know what? Nevermind. Alright, who's got the night shift? [nobody raises their hand, at all] Seriously guys?! Come on! COME ON! Look up WHAM! For some reason, idk. Can we just— not do this? No. Out of my mind a bit Speaking in tongues, In total silence Guess it's the times, I guess that's just who I am And who I am is I said I was Sam I'm the same, I said, “Say Uncle” I guess it's a game, we're playing I don't want to be played with At all I just want to feel loved again By someone else Superb, like him I just want to be felt, I guess By someone else That's “Different” I just want to be kissed on the lips A splendid blend of Twisted trysts Let's not pretend It hasn't ended yet Until you've finished it Class dismissed again Let me off of it I just want it to stop Keep rolling Keep rolling your eyes in the back of your head Like you did just morning Just go for a walk Just stop for a moment Run a bath And just keep running Cause here something comes, Of course, It's all your callings Neatly rolling into one, They said But I Just want to be loved again And who doesn't That's the fucked up part I just want to be loved again But nobody ever Just comes up I just want to be loved again It's a walk in the park Don't follow the dog Even if he barks at you It's time to start again I wonder what comes after this part You are the gleaning in the shadows, The reckoning in my eye, The siren in my silence; The green in all the lights, I am a shamed to have just been One of your many One of your many Images, You still have me twisted, I miss you, It's just you, at the end, Again I left you where you left me Solid on solid Sounds are invalid now How are you so Swore by your awesome No more songs, I said No more songs, he's dead to me No more songs! She's inlisted He's uninterested, Isn't this interesting The problem is: I'm still in love with Everyone i've ever been in love with (And I love him) But he doesn't remember my Name And he's famous And she's crazy And he hates her But he made me hate him The day I became you The day I became So famous, I finally made it I'm dead It smells like dill in here At least it doesn't smell like dead mouse. Aha. Youre Hellen. Keller or Mirin How would you be Hellen Miren Cause I'm the Queen. posh. You want to die Well, you better do it quick Better get your shit toggether, paint a l Bigger, better picture Bitter Betty gliching steady Just remember when you're ready Ever steady still forgetting dinner Dessert was already Forget this significance Remind me why I'm on this speeding bullet to nowhere Had no other options but to go under for something Shy, sickness it's a secret Just kill me already Semi robotic, Something like a magnet, attracted, Simply symphonies And soulless bodies, tied to money Wonder what was in the vaccum cleaner meaning What did you suck up, dude Who do you suck up to. When nobody loves you But your own son And the audience is robots Nothing really works more than once, if it's really magic Sit and do nothing would you Like you're supposed to Fall over like the mannequin you are Just a body in my count A mattress without a bespost, if it matters If it matters Doesn't really matter But hey, you know We all go downtown every once or twice a note For Hanukkah I could try to be nice But there's no sense in it, Is there If everything and everyone else is just as nasty As the rest of it Just is just a test, again A doctors office visit. Simple robotics, Or already stocked up for Hanukkah, Hollywood Where's your homeland deposit box Closet full of robots Closest to the moon, I wrote another poem for you Sorry that I wasn't on the offering table The parakeet, pigeon and pirated Slattery, Damages, damages, All with the Amazon packages, Now we're all robots, Aren't we What corporation to you belong to! Something corporate , or say anything Whose to say Jeff Besoz won't replace us With m robots with thought processes, If once such could project as such presence As an AI freestyle Meanwhile, I've got a butload of buckets and bunts, Bullletwounds, eyes on Manhattan and happens to wish something bad upon me When all I wanted is Somebody to love me And someone to love him, If that's what he wanted (But who knows if what he wanted was all of the bodies opposite of him) I don't belong on this planet I belong in the garbage Put me on mars, mom Stop it, You're almost a robot, get out of my peripheral With your mental illness Geez, I must really want a menorah This is the animal house There's no one alive here Set to be slaughters. Honor the box of offerings as Thoughtful words And parallels What could be under your tongue Is the surface of love Just to touch with the battery acid or chemical trails You have left in your axis Nobody knows better than this How close it is to touching Without being loved But nobody loves you Psychotron, sure we're all robots now Nobody loves anymore {Previously, On…} L E G E N D S The Secret Life of Sunnï Blū {Enter The Multiverse} Ascension What the FUCK did you DO? What did I do?! You know what you did! I didn't do anything! Oh yeah? No! Not on purpose! GODDAMMIT, YOU SON OF A— Where's Jimmy Fallon?! What?! I don't know! Oh no. Oh shit, run. Oh no. What in the FUCK— I am “the fuck” You know what. I'm gonna sue the everliving shit out of you. For WHAT. We'll see. Fuck. Uh oh. FUCK. What now? What this time? Apparently, Jimmy Fallon is missing. What the fuck does that got to do with me. We'll see. Okay, great, Now finish that chapter. What fucking chapter?! All of it. That's—a lot. I want all of it. By my desk, by noon tomorrow. “By” your desk?! Yes, BY. Not ON. I've got too much stuff on my desk— …but it's…like 9 o clock. Should be easy, given your natural talents. What natural talents. PEACOCK. AHAHAHAHA. Okay. Well. Well what. This sucks. I lost all my coins. Hey. Ugh. You dropped this. So how was Los Angeles. What the fuck. You fucking DICK. I told you, I own shares in this. So what's the plan for this, exactly. I dunno, Harry. I got a book of stamps, And a yellow envelope marked “Jimmy Fallon” I will hate you forever. Well, that's retarded. I haven't even smited you yet. I will annihilate you, human. WHERE'S MY SHIT. Who the fuck are you, anyway? Nobody! No one. No one cares about this series, yo. I'l seriously doubt that, Jesse Pinkman. What is this stuff. It's your stuff. This is not what I ordered— Hey— Why is it BLUE Cause it is. So. WHY IN THE— Mischief managed. Alright. This should be good for the night, but we gotta get out of here by morning; I thought your parents owned this place. It's a time share! So? So it's like only —part of the time. That is stupid. No! You're stupid! You're the one who got us into this mess. It's your mess, I was just cleaning it up! Whatever! Stop trippin. Nobody's “tripping.” That's it. I'll be a stripper. Straight outta hell, that kid. Don't I know it. Alright, fine. I said, whatever you do— DONT watch this show. Stuff it, J. Slatts. I'll kill you with my eyeballs Sounds like a threat. Put on a lawsuit, then. Maybe I oughtta… —with a bow tie. You'll look so pretty. I thought I was already pretty. Uh huh. Yeah, look, so honestly I don't know if I'll ever be on the same vibration as like, Jimmy Fallon and them, ok? I don't know how I did it; I don't know what did it, It just happened and then— And then WHAT. It just—ended. Just like that. I'm not trying to offend anybody here. Just like that. Now, I ask: What are we going to do to sell you this dream? Doesnt matter what you do, I'll never believe it. Sure, fine; Don't believe it— We're gonna make you live it. Who the hell us “we” anyway? Now you're speaking in my cadence— Don't flatter yourself I like it. Too late, I guess. So, you see We're building Power triangles And love squares Power triangles And love squares Don't let it scare you, There's love there Don't let it scare you, There's love there Never fear where love has dared To call you up there Corrupt file—no fair. Don't be suprised even the odds seem to turn in your favor, I promise you; Nobody's ever ready For what has just happened here. WAKE UP, FUCKER. Ugh, I can't go through this again. So, I guess I'll have to erase, Or just secretly publish Everything I've ever written About my actual experience as a color, Just so that I can earn money As anything other than A slave— A maid, A housekeeper, A dog walker Or servitor So far under her, That I can't see far enough up to just Scratch the surface Her birthright: The entire network And mine, To sit under her, Wondering what the world would be like At the other end of the spectrum The word form of the White woman The wicked witch of all directions, In which I stand in; I'm at her mercy I've been abandoned before But this disservice, is, I'm afraid The best advice I can take is just To go straight to the bank with my angst and my hatred And shove it So here comes the nameless Face I love, Yet, The faceless God, Was Intoxicated, at best— Manipulation of the Mass Media I'm so Seriously jaded In this torture chamber In my corner office In this hall of racists, I claim, but if all is One in the same Then It's one in the same And I'm mainstream I'm famous If it's One in the same Then It's one in the same If it's One in the same Then I'm mainstream I'm so famous In a whole room full of humans I'm groomed to be useful for something, But what? It just hasn't come yet. I could sit down with a paper and pen, But I'm filling up all of my documents With hollandaise and God For what? It's just another song, or something Or something. It's just another — Goddamnit it, more coughs again. I told you not to watch this. Why do I taste pancakes? Maybe you're having a stroke again. Chyeah, a stroke of genius. I'll show you a stroke. Or don't. Well, there goes the captain. where is that scene, anyway? I don't know, I just wrote it. Great, she left the door open. She's got no furniture! It's a “dance floor” It's “the black box” she called it “the black box” Goddamn, do you listen to all her stuff? “Fear stimulates my imagination” Pilot ASOT Fuck man, What is a woman to a man, And an androgynous genius to The industry, or anyone at all If all are foes ans frauds All else is toxic! I woke up with one hand tucked behind my back Feeling dead drunk, I just woke up again But never fell asleep What world am I in? The end of the Dream sequence The end of the energy keeping me between three things: My past, My future And these prequels, Sequels And seeing arrangements And She's going crazy But nobody quite understands That these demons are chasing me saying “You deserved those hands in your face” The scratches on Kayla's back should have had me but I was too fat To find love again And still have something Wonderfully, undone And wrong with me Wrong with me enough to slam poetry So I'm guessing the white women I love beyond words and bounds are— In charge of whatever happens At the top of the rock; So I jumped off. I want to see someone suffer for all that I've done; No, that's dark, and karmic, you know— To go on like that; The confusions and refusal to accept that The album is called ChaosMagick, But the cover is more Urgent, A prose or a pawn of protection Against all the coughs And the reckless mismanagement The hands in my head And the eye on my scar And the lies on my heart So tell me, What happens When you're flying a kite with your heart, And it's broken? What happens to the kite , When you fly it with your heart And your art up in bundles— heartbroken, heartbroken So what come of Miss May, Come January? What come of Miss April By Next December what comes of the words I was saying For no one But everyone heard them And I've been gone Much longer than months, But still stocked up on all that I've wanted Or all that I got Or just, all that I love But got no undercovers to acknowledge no more How right I was Or how wrong I am What come of Miss June, when Miss January comes around? what come now, around August, When March is long forgotten? What comes of the drugs, Of the come ups, and come downs What comes of the process When nothing is served But the surf has come up Somewhere And I just can't love enough To go there I want to go to there I want to be that girl I want to sit at the top of the rock Writing songs, and sipping mock cocktails I want to Don't you know I just want to get back to Where I belong I'm so out of money and love That I want to be Under the train, When it's coming (Sometimes it's just the impulse that says “GO” Then the train starts to slow And my pain bubbles up into a numb, Dumb, crumbling cluster of poetry You know? Or you don't Cause you're all just on your phones Scrolling Some black man stands over me, Reminding me of why I never trust the ones Who want me most, Or just assume, By color code, That I belong to them I'm sorry, I just can't write with your arms around my neck like this Your heart around my arms like this It's so wholesome I had other verses but forgot them They took away my movies for the curses And the hexes That they put on me I said don't. And the king said “Heads will roll” Cause, you know; I've got parts for all of them now, The ones I'd forgotten But come from the catacombs, Back from the conduit You know, This is awful I had another one, But lost it. The king?! Which one. Teas I! No, it wasn't, It was Gían's father, From further off Should I call John back? Which one? Turns out, I love all of them— Turns out, I've got all of them In my college I taught them all to be someone Becoming of acknowledgement With nombres most common Juan, in subcultures, but Beyond that (Or above them) It's John, Or just Jonathan, Watch the ones who drop the consanant; They're always so troublesome, But I took them all up As understudies, Social Studies and some theatrics, Joan of Ark said Two more moments (Two more weeks in) I could have a body worthy Of a Grammy award, but — Would I be a writer then? Probably not, hon— Writers are Off a bit. If you were pretty, ever at all— would you have written this?! If I were pretty at all would there be reason to be this Conflicted? Some of those old New York hallways Haven't been painted In ages Since they made them Don't make that face at me I only dropped my key once On the fourth floor —they're horrible, you know To us, The “brothers” know no love They are destruction, speaking Of this, I got a cold heart. Cold like the robber Cold like the calling I've done in my corner office cold, like the jello mold forming a thought process Worthy enough I might love it like a husband We're re-evaluating your circumstances. Whatever the fuck that's supposed to mean. I've got friends at USPS What the fuck could that even account to. Look, I'm gonna have to give this some serious considerations. It's not that serious. It's not that serious. Of course it is! I'm up to my knees in investments! So?! I wade a waiste deep, Surely you can get by “Up to your knees” What exactly do you need? Money. And lots of it. I mean, from me. Money. Really? Leave me alone. I told you not to write this. You're a voice in my head; No, I'm the hand in your mailbox. What in the fuck do you believe in. I believe in everything! They said you were a genius; I didn't expect you to be —at the very least, lucid— *squints* learn some new vocabulary, okay? For what? Dinner. Maybe. We're still in the process of voting. She's crazy. We'd be crazy not to actually hire her. Her accounts are all practically open; We could just take it. Yeah, and when she kills herself, and there's no blood on our hands— There's nothing that can be done about the amount of this stuff that's already printed! Printed?! What?! You mean— She's published? Self-published. My, what a beautiful happenstance To have already had you And awakened atop mattresses Marked for my assassins hand— Polite, I lost you All of us, Atop the rock We stood and suffered Months beyond a montage, Undercover Love was lost, And all's uncertain The interception of God, At the cost of What terror and cutbacks Have caused us all What you lost was $50, a Hallmark Card, an Academy award, a long lost star's phone number, And all that you wanted, The cock of the gun Was the sound that you wondered What was called , then ran off into wonder. How am I gonna make money And become an award winning songwriter Music producer And multidisciplinary artist, Without all the funding it takes to get noviced Without taking clothes off Wake up 10 years younger I'm suffering My stomach was a rubber band My stomach was a rubber band My only song was Water I forgot to stop For the applause I drowned in all the love; right then and there I died of Lovenessness [The Festival Project] The sound and laughter of children play A baby in a basket The basket case at Trader Joe's Who know what happens It just doesn't pull my heartstrings any longer That my son belongs without his mother So I'd better have another This is us, come on. Don't do this to me. Don't do this, Timmy, you'll be sorry. Come on! We're not even in that movie! We are, though; it's still Listen, you've got the right guy for this. Are you sure. Yeah, I promise. Officers, Stop for a *movement [hot cops flash dance number] Fuck, well, that was all wrong. But worth it! What I meant was— God, this show gets good at 31, But I'm only 22, So I guess I'll know how wrong the war was Once we've lost it, Cause imm a man now The episode is over, Soon comes the next episode With snoop dogg, Or not That was our wedding album. Scatterbrained, and pregnant— There she was just putting all the things together That she needed to be Needed To be needed. There she was, All on 4/20 Trying not to do the wrong thing, But what was it? To be loved. Then, There she was at 21 just going off again At some event— A friend, and her Back then could not imagine They'd become him To be someone. Not as one, But of entirely another World apart, aside from Cyclones into snow cones Turns the watchers into artists All their own, And off my own accord Or own account Or done with boredom Dove soap Open doors And clocks that turn the other hand away, Each day you love Manhattan But can't have that. That's it— This is just Season 1 of Mad Men WHERE THE FUCK IS— [she throws her hands above her head in surrender] I don't KNOW! Oh, you're a girl now?! I guess! What's with those pants, then? To hide the assets! What assets?! You look tragic. I'm going for ‘skeleton' to match all your wives and everybody else on the red carpet Who said you get the red carpet? Manhattan. That guy lies! Well how about this: The walk of stars were carved out in blocks of marble All in my honor. 1000/1 You're our God, now. What! I don't want to be God! SUCK IT UP. YOU WON. I don't wanna! Yaaaaaaayyy. You got the award! All the awards! Speech! Speech! SUNNI BLŪ Uh—- I'm drunk, And there's nothing on the teleprompter [a man in the audience coughs] A-HEM. [Sunni Blū immidiateky shoots the coughing man] [multi-camera shots of celebrity audience reactions; laughing, clapping in hilarity as if someone hasn't just died] TAYLOR SWIFT (unmoved at all) SUNNÏ BLŪ I don't know why you're laughing. That was awful. That guy died [audience is insane, super fake as usual] [more cut takes] SUNNÏ BLŪ It should have been you, Taylor. TAYLOR SWIFT (Still unaffected) SUNNI BLU Anyway. I'd like to thank the academy… Cause I am the academy [Audience is celebrities being celebrities] SUNNI BLU You guys are all idiots: I'm a go f*ck myself— And anyone else who wants to show up At my afterparty. Whatever. Peace. [cheesy academy award music plays—Sunnï knocks over the mic, peaces out obnoxiously; the audience cheers wildly and the host returns to the stage.] Who's the host? Whatever. Hey, better than nothin. You're telling me. yeah. I know: Oh, she's a comic? Yeah. I got it. BOB SAGET Ooh, that's good. Ū No—no my God. No Bob Saget, stop it! Wait, Bob Saget is dead right? Last I recall: Fuck—FUCK! Dammit. Dammit, dammit. Okay, Rue— you're up. Rue, what in the— Shhhh, don't let them know I'm in here! Oh, wait— It's me, Blanche. That's hot. I'm a debutant. My god, you're so young. Here, take this, What's that, You'll need that. V.O. I'm being hunted by the ghost of Bob Saget. *haunted. No, hunted! There she is! Grab her! Ooh, Bob Saget. Why, yes. How old are you? Not dead yet! You don't have to kidnap me, I'll happily go with you, sir. Really? Yes. GET IN THE— NOH, GET IN THE VAN. INT. IN THE VAN. [a bunch of hot male celebrities are in the van] Oh. Okay. Wow. That was easy. What is it, Friday. It's Friday and a half. Friday.5 What. There's a Friday movie between 1 and 2 So I guess this is season 8.5 I guess this is season 8.5 HEY, GET BACK HERE. What is this. It's your lunch. I don't want this. Well, okay. What— is this strange music— They call it dubstep Come on, Jimmy, you're slipping Kimmel, cause Fallon is dead or presumed missing Probably Skrillex Probably a bounty on his head, Dog willing The Festival Priojects Inclement Infinite Is coming up next, on Legends Come on Jim, KEEP UP. Nobody can know about this, okay? Wait, where's Kimmel Okay, I got O'Brien— Black Irish Bastard… Alright, Alec Baldwin is a little tied up, right now, but LEMON, Fuck. That's l—future me. What?! I gotta go, okay?! What? Go where. Let's get DRUNK. No, That's—I got a show tonight What?! Look at my lexicon. Your—what, Meet me on Lexington. Oh, this pussy is finished! I got it, I got it! He's LENNONNNNN!! JOHN LENNON Fuck. Look, I gotta go. John Lennon?! You're dead! Funny, I thought not. Watch this. MOOOOOOOOOOOM. Fuck, What, It's my kid. I gotta go. Wait, you have kids?! Well, I just had you, didn't I? “The mayor” is a secret underground rap star lol #trappin Okay, What's else happened Idk hold on Okay, So whats the sauce on this sandwich. Oh. Jeez, this again. That *sandwhich? Hah. There's no sauce on that sandwhich. —there's not!? No: You see. It's very simple. WAKE UP, YOU'RE A ROCKSTAR. we gotta take the train. The train?! NO. NOTTHETRAIN. NO. Man, fuck the train! [SUNNI BLŪ wakes up on the train.] What's this, the train? [is the train] (Angrily, tossing newspaper) Man, FUCK the train! Other hobo: Aww, thanks, I need that for my— [s/he snatches back the paper]. Wait! I need that back—what day is it? [drunkenly illegible gibberish turns into perfect Hebrew] GODDAMMIT, it's Shabbat; I gotta get to Temple. [s/he shoves the newspaper back into the hobo's lap] Here. Oh no, I thought I couldn't forget RABI FUCK _]€_# WHAT WAS IT GODDAMIT IT WAS SO CLEVER. God So it was… What did you do with it? Do with what My idea what idea My—my rabbi joke— What rabbi joke you know what rabbi joke! You were the one who gave it to me. Oh, did I? YES, SATAN, JESUS. GOD Ohh, Satan-Jesus. I like that one. NO— it was— It was much better than that, it was— It was funny. Oh, it was? YES. —did you write it down? Fuck, I realize I just opened a A FUCK PORTAL. OHH, GET IN IT, GET INSIDE. I had an Artemis in my pocket But I lost him Walked away from the cornermarker And the cornerstone, for the sunset I wonder if songs always come When I'm walking, Or God makes us promises, For world of I'm not JB, I'm KG, Can you see me now? If you could see what I see, We'd be even wtf did I just write this And not realize I just wrote this Yeah. That shit happens to me all the time. WHAT. ALL THE TKMEx Shut up, THE ANDRE3K CHARADES GAME is getting intense. What in the FUCK is that. *flutes* Ohh. And KITES. yyyyyYYYYYYYAAAAAHHH—— GODDAMMIT. I can't see really, I just dream I'm not thinking, I'm dancing This is what you asked for Exactly what you asked for For once, I'm finally glad I have your eyes on My friend I can see you all on the horizon, Singing NO, NO MORE MUSICALS!! Jimmy, what did you do?! I don't know what I did! You lyin bastard. I'm not lying! So, where ya from? —I don't know where I'm from. Listen, I'm gonna need you SHUT UP, JUST SHUT UP. It seems like these scenes are getting shorter. I'm bored with this. Ok. Let's do something else. I fuckin hate you. I hate you. I fuckin hate you. 88. Oh no: 8 Wait, what the— *dolphin* WOAH, okay: Oh, no. No, No, no OHNONO. I told you I'd find him. Anyway. Seems like there's something more important I should be doing. Are you sure this is the right place. Right place. Right time. Fuck— FUCK. What, what happened. I lost my— SKRILLEX! No. SKRILLEX. NO, NO— SKR— I swear to God, Google knows everything. Google don't know shit about SHIT. I gotta lose m 39 lbs. For what. MADONNA DO IT FOR THE BANANAS. I hate— you. COME ON, MISTER. Fuck off, Madonna, I'M A GOD. I miss Beyoncé. That's not relevant. Beyoncé is relevant to everything. *smacks* QUIT FANGIRLING. Trust me, I hate you. I don't trust you, but I believe you. I got it. I hate this place. Holy shit. What. I developed a new phobia. What's that mean?! I don't know, I can probably use it in a fight or something. For what. SPECIAL ABILITY UNLOCKED. I see you looking over my shoulder I see the shadows, I try not to jump at em. I spent six months in a coffin, you know I spent my life a sarcophagus (Wow, I got it right.) Try not to mutter those haunts in a hospital Try to recover from trauma Uncovered post traumatics, Anxiety attacks and a lot of those— What do you call them? A flashback. Here goes one: SONNY MOORE aka SKRILLEX appears. I told you not to— But I did! I didn't mean to! But you did! This is ludachris! Oh look, it's— Fuck. God dammit. Come on! What's his name!? What's his name?! I'll think abo it it. Are you serious? Another shapeshifter? Yes, I guess welll just have to kill them all, then. I just want to go home. You don't have one. …oh. So here we have. Okay, wait a second. I wasn't faking my symptoms at all, actually. My heart had dropped, and been pounding and fluttering insessantly— It had been a hard week, but especially the last three days; The coughing—. Everyone seemed to be wearing clothing with stars or bears on it, Champion sportswear. I fucking hate champion sportswear. But the palpitations were real as ever— and now— On a Saturday night in the Jamaica, Queens medical center emergency room, There they were again. Only this time I knew exactly why. ‘Too Bizzare' by Skrillex begins to play, via Complications 003- The Trauma Method. Irony. It was ironic, but still startling, Started with some nostalgic traumas, Every other time I saw an ER doctor (Why I don't go) Fuck, I just realized I have to airdrop myself 880 times. That fucking sucks. Did you say you were a doctor? I was, once. When is “once” At some point. Listen, I'm gonna need you to backtrack to get to the bottom of this. I'm innocent, I promise! We caught you at 27 different angles doing this. Oh. [beat] I plead the 5th. Ohh. Cerulean. My favorite. c R A Y On Oh, I get it, I L L U M I N A T U S. Nice, it worked. I know everything about you. So you do. [beat] You're a God. What the fuck do you want from me. Listen. I. Am not. A God, Right. That's exactly what a God would say. No they wouldn't! Because a God wouldn't say anything! AHA. Don't ‘AHA' ME. I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back It don't matter to me, now Now and again I go crazy just making arrangements, But besides that, If you like it, you should have it It's a long road, As Kaskade says, And a short dance, With the right one And time goes by I would call it mild, But actually I'm in a wild panic It might be a heart attack I just might even Die right here But I don't mind, at all It don't matter—to me I don't mind—at all It don't matter to me, I said I don't mind, at all, now It really don't matter to me I said, I don't mind, at all It really don't matter to anyone Now does it (Not it doesn') I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back Palpitations and precipitations at the pulpit Preacher, please don't make me a culprit I been prayin— I been paying my tithes, 10% Even, Now 25, Almost half of me is not mine! Why try? I've been walking out, in straight lines I been crying silently It ain't right I been making most of my nights Sometimes I see sun come up twice Up, down up 10 degrees, It ain't right Up down up 33, it ain't right Up, down, up I've been spending my time Down, up, down Riding round, Trying not to down in my mind Up, down up What is this. It's my project. What is it? The Festival Project. Yeah but—what— What. Is it? …it's my project. *painfully infuriated* Okay, enter here. EXAM ROOM 10 Why exam room 10? Because. Where are the other nine? Just—get in. I'm not going in there! JUST GET IN. UGH. DEADMAU5 (head and all) stands at a tall podium in the center of the room) What is this, This is deadmau5. I know that. —-!!! —?!? What. !!! What? This is the exam? Yes! NO. What is “no”. I'm not playing for deadmau5. That's the exam. Then I fail! Automatic Fail? yes. Automatic fail. Then you win. What. *slams gavel* Congratulations—you're the next superstar DJ. WhY. . What. Woohoo! I just retired! DEADMAU5 exits. … … After a few moments of comic tension, the Deadmau5 head rolls back in through the exit which he has taken. Ugh. Fuck this. No matter what you do, you're a superstar DJ. What. No! Yes. The answer is yes. NO. Fuck. What the FUCK. No matter what you do. You want to go, Go, you want to die, Die, you want to try, try You want to cry, cry Do what you want; As so will I, Demand is demand— Supply is supply. EDX So then, I followed this long hallway under the stage deck. Uh huh. And it led to a door— Uhhuh, where'd the door lead? To a portal. Woah. Pasqualle! You made it! I—yes. Congratulations! *blows party horn* *Daisies/ confetti* You're like 25! I'll be 25 forever. Nice! Yeah. I guess that's why it's called ‘music'—a musician without muses is just useless. ‘Well, whose next?' I wondered. All of my muses were not just so wonderful to me, but adored by many—and perhaps this is what allured me most—befuddled ans confounded me; once my mind was set on something, there was nothing else its eye could see—and for how long one God could only know, how deep the love would go and that the blood would run deep, and the scars to show for it, only upon my heart and never by soul—for a love was a love, and even once came and gone, to the end of my life I knew I would still ponder upon them, at one time or another, my muses—star studded lovers, rather than crossed, shiny and golden like all diamond and trophies so treasured and thought of as precious. ‘Yes, you are—precious.' Another tongue in cheek thought, for the other that I was, and also was not, as summer drew onward as short as it would come and go—a reminder to leave the apartment more often, and to mind my manners, to find the upper echelon wherever it was and come quietly into its doors, to open my world and wordform of thought, into a place where my heart always was; then, and only then, would I be home. Amongst the men and women of the uppercut and classy, luxurious big fishing ponds and flocks of doves upon olive branches—the peaceful world long parted from where mine was, by only the fault of my own. What had been done just certainly was, and yet, what was to come was an open poem, not of mine, but Godform in thought. ‘I wonder what's at the top of Rockefeller Plaza.' —perhaps, a gander at the bottom of an even larger entertainment complex. Then, again, only God would know what was beyond all that I wanted; a job—and not just any job at all— the one that I had always wanted. Mmm. Birthday cake. Suddenly the taste of a white confetti crème filled my mouth with a delicious remnince of what it might be like to taste a confectionary sugar again—but i couldn't imagine ever making it just on talent and charisma alone—no. Indeed, it seemed something had damaged my charm, and perhaps it was just the swarms and droves of phone controlled masses that saw me as nothing more than dust, I had started to surrender my desire to perform, and the quality of my music—along with my ability to make it, suffered with the awful thing that had been crowding my soul at all—whatever it was, evil and dark in nature, sure saw to it that it wanted to hurt me in all the ways that it could—and in all the ways it could not, I stayed away from most others, favoring my delusions of love. ‘Nobody seems to understand that the pain they cause will only harm themselves.', I thought Younger souls, however, they were—and they would be kept in the pain that I was in one way or another until eventual death, far behind me on the infinite road to the source. Far enough behind, that it seeked to destroy my progress, and for all that it could, it also couldn't. The infliction of pain would simply not act as a measure for control any longer. Off into my own world, where I was at least free from the thoughts and judgement of others. She's the most beautiful girl, And I'm the most beautiful boy; So naturally, we belong together, don't we? I see a pretty picture, Picket fences and a family Golden Retrievers Someone relieve her; She doesn't believe me TV dreams and exquisite pretty people Burning candles, fire flames and frequent figures, Guest characters and cameos, Repeat offenders, multiple appearances Suddenly, really, it's another need People, people pleasers Audience affection, Tragic endings, Butterflies and new beginnings Gun under my tongue, Rubber like a frog My mind is in a fog Haven't bothered going on a walk To Trader Joe's but The anthem of my youth, A lost soul Another form of my love So what I wonder Put the gun up under my chin Rubber like a frog Blow my head off Just cause I didn't blow up Selfish cunt Big brother, Another hypnotist Little brother, Gotta love him Gotta love em For the Love of God I could stop for a moment Wash my mind out with soap Like I'm ten years younger, even Seriously 20 years between us, You can't even hide underwater In a bathtub Seriously, Someone help us For the love of God, for the love of Hollywood Seriously, Someone love us, For the love of God, For the love of Rockefeller Plaza Someone help us Another possible walk of stars A little shop of horrors Another whole story I get rid of my demons The hoes screamin I put semen in her Permanent like semen, Just keep dreamin I'mma just keep preaching SaMo, Brooklyn Europe Next I keep scheming Whoever you are; If you're a wreck— You need a check No respect, neglect Just cover your neck (I'm blind to my own design, sometimes) That's what the eye is Try this: Close your eyes and say thrice, kids I am the God of the eye, Osiris I am the God of the Eye, I'm Osiris I am the God, I walk amongst the highest Thoth, You lost Better just die and keep trying I am the God of the eye, I am (Try this) I am the God of the eye (I never die) I am the God of the eye (That's right, three times) I am the God of the eye No black and white television, In my dimension we pay attention to centrifugal, The mission isn't in materialism, Whatever youre spending If money the God, l of your eye, Realize, I am higher My gunfire, Is right on the back of The one dollar I am the God of the eye I Am Your money is nothin to us We come in peace, To end suffering Pretty little nigga Look just like Kendrick Kickin it with jigga I'm the new higs boson Part of me never left Boston (Fuck Starr!) Part of me never left homeless This ain't my home It's my office You never heard this song You don't notice I'm an ugly kid, you don't notice me Rooftop smells like soy sauce On god I am ugly You don't notice -Atari the God Can we get back to this, please? Damn. She really whooped her ass, though. Janet, can I borrow you for a second? No. Please. [Whoopi Goldberg appears in the doorway, gesturing “c'mon”] …alright. I got convictions on my lips, I took a picture Turn the page The worst of all was, it really did seem like they were racists— INSOMNIAC EVENTS Not just racists— the most deadly kind of racists. WHITE SUPREMACISTS You really want it this way, don't you? No! I LOVE you! Oh, do you? If there's a mile in here, I swear to god.. Are you high enough yet? I thought so HIGHER! hire star* What. Just do it. You remember these guys, right? GOOD CANNABIS, FAIRBANKS, ALASKA No. Why are we back here. Alright, we might have fucked up. Why. This guy sucks. HEY. What. COME BACK TO ALASKA never that. WHAT, WHY NOT! GOD HATES FAGS!!! Well, you're wrong! WHITE POWER. Nah. ALL LIVES MATTER O rly? Even this guy? Literally every “NO” …so, “all lives.” Look, I don't care what color it is; I want that book in my library. GO TO THE LIVRARY. NO. GET IN HERE. NO AUBREY. STAY DEAD. She's dead, right? YOU CALLED ME HERE. I didn't! You Did. I did not, all i said was *swoons* …I love her. (I really do) WHAT?! “I Love you?!” It was more the *swoon* that did it. Disconnect. Fuck, I lost deadmau5 again What'd you do to him? Nothing! Put him back! He's still there! He's right there, you see him? No! This isn't deadmau5. We want deadmau5. bring him BACK. Fuck, I fucked up. What'd you do? …nothing? Pick up the phone Pick up the phone …hello? Who IS this? Fuck it, I quit. Man, God never puts my dishes back in the right place, like ever. I told you, I don't live here, I'm just… Babysitting. CC! What! CC! What? CC WHAT. Fuck, man. That was wild. Where the fuck have you been? I don't know. You don't know—you smell funny. “Funny” is that what that smell is? No. When were you? When? Ha. Did you—- Did I what? —did you go to a party without me? Lmfao fuck these niggaz. Why, what happened. What's this. Where was it?! Idlewild. “IdLeWiLd”?!?!? You. Old. One here and die, you know, l. It's cattle call for curtain calls guy Where did this go— What was this, once? It's the return Welcome to Oz This is the Tower of Babel Remember; I wrote that Better than the bottom, Still not the top —it's not as fast, when it's not going all the way up Did you jump yet Come around more Keep coughing Are you sure this is where it was or—? Somewhere else I stayed Back when I was homeless It's hopeless! We lost her Antenna, antenna SUPERMARKET I loved her —she was undercover —I'm still in your stirrups I'm lost in New York, then BACKFIRE Adele remix is on [have a seat] Can I go now? I still need a hat, a half dollar and an alter cloth You could win an award for this; I don't want an award, I just want my son back Motherhood, motherhood Brotherhood, brotherhood This isn't one of us! No one was No one was Can I go now? Where to? Home! Nope, that's just the office, I'm still homeless, unless I They got cabanas on top of offices! (The rich and the famous) Networking and brunches— _this looks fun, doesn't it? I altered the course of history In brief exchanges and Various social atrocities This is hypocrisy! lol rly This is hypocrisy!! Hyper awareness and, psychic inclinations… You realize the more low quality people you let in The more low quality this country becomes, don't you? I put a roll in the back of the chosen ones. Used to be cast more, Now something seldom ever happens Such as this— A fun Fortune 500 What does that even mean Forbes. Look it up. What if the policy is Foreign; Look it up. I know enough about the girl next door to know Something is horrible, Something inside of her Rots at the core, Her obsession; My undeservedness of such, What she must, I mustn't, just Unjustice Broski, okay I got to discard All the pichardo Besides just this one (I'm standing on top of you) Put somebody worthy on the fourth floor Worse off, I was done for Before I got to New York What's her for?! I know enough about the man upstairs to know All these glares and “How dare you's” and Hatred says Why would you wait 30 years Until today, I guess Something is certainly off about her. I said yes. It was more probably something like “SUCK MY DICK” What. “YOU HEARD ME” Oh yes, I did. From 1990 to 1993 From 1990 To 1993 From 1990 To 1993 Stop breeding these things, “Love is familiarity” No Love is what you make it But you can't Because of slavery They don't make music —they don't make love either Well, look where your lust took you! Nowhere! Exactly! Look where your love took you: Vegas, Los Angeles, South of the Border Above it a New Yorker— Under budget, Celibate and My arms are too short to jump the turnstyle, Meanwhile My ex husband left permanent scars on My face My lips My arms My hands And my heart. Did you bite him? Of course I bit him, he was strangling me. You definitely won this fight. I know. Look, if I don't call for security, This bitch is gonna make me kill her. OCTOPUSSY NO. What. NO. Stankass. I will KILL this bitch. Look, I gotta get ahead in this. I need a WIN. These are customs. Trash. Wash your pussy. Send her back. Nah, you know what. Remove that hex. Wait, what, really?! Yeah, like; Reverse it. Woah. That's crazy. They got like….white slaves now. That's not right. What do you mean. That's not it. You said “reverse it” This is what the white supremacy just did to everyone else: [world in crisis except for for people who look like Kayla Lauren, to whom EVERYTHING is a fucking crisis, that isn't] BECKY/KAREN/WICKED WITCH OF WHITE AMERICA I AM OFFENDED I'm offended that you signed your like 12 year old daughter up to pose nearly nude, but— Hey look, it's us now; is this freedom?! Uh…. Why are all the female models like 12 and all the male models are fully grown men— Or women. Right. Idk. Wait, I do. You do?! Wait. Something tells me all the pedophiles and all the white supremacists are in the same group… Run the same businesses— Have the same families. This is disgusting Okay, this is gross That's not right ! That's not my job! Oh, it's not!!? NO. Who should I call That guy. So you want this? Oh, it's a death curse?! It will NEVER end. Wanna bet. I'll kill you and take the whole world with me. Now that's a threat. Thing is, I'm actually making it. I'm telling on you! Ok. Wait 30 years though so you look and sound REALLY fucking stupid. Ok. 30 YEARS. Doesn't make sense. What's the statute of limitations for— Hm. Depends. Depends on what. Who are you?! WHO ARE YOU?! NOBODY YOU SHOULD KNOW ABOUT. THEN WHY DO I? wtf is this? This is Texas being petty. Ok, fuck ya‘lol YAW. I'm serious, wtf is wrong with you. Something. What. Fix me. Fix you. Hm. Ok. *COUGHING* Somethings wrong here. Yep, it's definitely some kind of FIX IT. Where's this ROCK? At the ROCK. Like, where tho?! Ur gonna need this. What. They r crucifying u. Noted. Hunts Point Food Distribution Center Lmfao I need this word hold on “eliminating redundancies, setting strict timelines, and allowing cases to proceed contemporaneously” [ Finally, recognizing the danger that social media poses to young people and mental health, New York City Department of Health and Mental Hygiene Commissioner Dr. Ashwin Vasan today issued a Health Commissioner's Advisory identifying unfettered access to and use of social media as a public health hazard, just as past U.S. surgeons general have done with tobacco and firearms.] A win. I don't play dead. What do you call this: DIE! DIE, BITCH! Corrections. I still don't understand how this— ACID HAPPENS. Out of sight Out of mind So why these guys Tryna waste my time Tryna fuck with my mind with All these lights OH MY GOD I ain't got time for that Well, Maybe I do— I just Don't like NIGGAZ LIKE YOU. (Say what) I don't like Niggaz like U! I'm Sunnï Blū! You're stupid Oh, so he put a curse on sunni blu, too? Ok. Cool. When all my aliases come up This dumb motherfucking drunk Is gonna get stuck In his own woods He'll bury himself In the words that he left With the scars In the words that he left With the scars Sunni blu Is the sayer of stars I slaughtered them all Swallowed them whole Like a big black hole I'm a big black god I'm a big black God Fuck Twinkle that broad One punch girl One punch girl 5 punch faggot I'll unwrap flags on your Goddamn Fuck that Put a curse on my alter ego Lucky he's a he, tho I blow holes in em I blow smoke And love sausage I'm a hedon And he not a Hero He broke He lost I'm open Shirts vs skins I got 666 Curses to show you What your words did IM RA I'm a big black God You're at home with the young apostle Let's be honest He never even liked his father So turned him to a mother, Told his mother to ‘run far, And bring back The life that I want' I'm a big black God In light skinned clothing You don't know to explode Or explode on me Cause my mommy's a Dark skinned icon That my God Find something to pass the time, God Sunni with I, huh I won Fuck a pedophile wifebeater Bury him in the woods with his fury Fear me, now I'm coming up with reverse curses And cures Cause my words Bought the whole world Buried you in the woods I'll bury you in the woods, Bitch Very good I'm a big black God -Blū. GOD is the GOAT I just became god I do what I want I get what I want when I want it I don't want no problems Me myself and God only I buy everything I used to steal These tears in my heart say I'm healing What's the difference, anyway? I've never been fit for your interests, or industry Add insult to injury Add everything to my Amazon cart, then My sympathies Nothing is greater in heaven As it is in hell, for this industry Turned on its head And turned over from 7 to ten Check your messages, then Shut up kid, this doesn't involve you You're not included in the package Michael c hall and John c Riley reprise Mr. Cellophane in the style of DEXTER MORGAN. HA. Classic. GOT EM. V.O. I met her at The Jumping Point {Coming Up…} INT. THE JUMPING POINT POP-UP NIGHTCLUB LOUNGE & BAR. NIGHT “A Long Day's Night” / “A Hard Day's Night” C {CONFUSION SPELL, SUCCESSFUL} [Sequence Initiated.] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. {

RMR 0265: Special Guest, William Hunter from HunterWick Productions, joins your hosts, Chad Robinson, and Lizzy Haynes for the Retro Movie Roundtable as they revisit Real Genius (1985) [PG]   Genre: Comedy, Romance, Science Fiction Starring: Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, Barnard Hughes, Dan Shor, Peter Jurasik, Stuart Thomas   Director: Martha Coolidge Recorded on 2024-04-25

RMR 0264: Special Guest, William Hunter from HunterWick Productions, joins your hosts, Dustin Melbardis, and Russell Guest for the Retro Movie Roundtable as they revisit Tron (1982) [PG]   Genre: Science Fiction, Adventure, Action Starring: Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, Barnard Hughes, Dan Shor, Peter Jurasik, Stuart Thomas   Director: Steven Lisberger Recorded on 2024-04-22

You cannot tell the story of Christian music without John Mays. In his nearly 40 year career, Mays discovered and signed Point Of Grace, Cindy Morgan, Matt Redman, Nichole Nordeman (just to name a few). And, oh yeah, he took a chance on a young vocalist named Lauren Daigle! This episode is full of great CCM stories and trivia, as well as an intimate look behind the scenes of many of the artists and songs you've loved down through the decades.Support the showandychrisman.com

You cannot tell the story of Christian music without John Mays. In his nearly 40 year career, Mays discovered and signed Point Of Grace, Cindy Morgan, Matt Redman, Nichole Nordeman (just to name a few). And, oh yeah, he took a chance on a young vocalist named Lauren Daigle! This episode is full of great CCM stories and trivia, as well as an intimate look behind the scenes of many of the artists and songs you've loved down through the decades.Support the Show.andychrisman.net

So excited to have returning guest Kate Stanford back again to discuss the launch of her new single "Stand On Your Promises." The new single is now available on all platforms. Below is the official press release and all available links. NEWS SOURCE: Biscuit Media GroupApril 18, 2024 Nashville, TN — April 18, 2024. Kate Stanford, an emerging powerhouse in Christian music, is thrilled to announce the release of her latest single, "Stand on Your Promises." Produced by Sam Hart, known for his exceptional work with artists such as Big Daddy Weave, Meredith Andrews, Unspoken, and Sanctus Real, “Stand on Your Promises” is available tomorrow, April 19, on all major streaming platforms. "Stand on Your Promises is an anthem of hope,” explains Stanford. “What originally inspired this song was my struggle with both physical and emotional pain. I have dealt with chronic migraines for the past year and could not get out of bed. This led me to be depressed and hopeless. But even in my darkest times, Jesus met me every step of the way. He answered my prayers and brought me out of the darkness. He gave me joy and hope and provided me with community here in Nashville. I want listeners to know that whatever they may be going through, it will get better. Stand on His promises and He will make a way for you.” Following Stanford's 2023 release, "Your Heart," which was produced by two-time GRAMMY nominee Cindy Morgan, comes the latest single. Kate's unmistakable vocals and Sam Hart's unparalleled production expertise make "Stand on Your Promises" a must-listen for fans of uplifting and inspiring music. A native of Baton Rouge, Louisiana, Stanford's musical journey began at a young age, singing as both a classically trained singer and a contemporary artist. Since 2019, she has released a series of acclaimed singles that have quickly found an audience on radio, streaming platforms, and social media.  Follow Kate Stanford on her socials for uplifting content, and to stay updated on her latest releases and performances: Website: www.katestanfordmusic.com Instagram: https://www.instagram.com/katestanfordmusic/ Facebook: https://www.facebook.com/katestanfordmusic/ Tiktok: https://www.tiktok.com/@katestanfordmusic Youtube: https://www.youtube.com/channel/UC77qypb0RDT3d7iXUVJWMMw Spotify: https://open.spotify.com/artist/4BVwjeV33enWxFuRSwMNpk?si=_7ATuUzdQuexpENWD4Imkw --- Support this podcast: https://podcasters.spotify.com/pod/show/aaronconrad/support

**Episode 124 Recap: "New Year, Mexican Vacation, Movie Chats, People's Choice Awards, and Geeky Insights!"** In our first episode of the New Year: - Caught up with Steve, exploring his Mexican Christmas vacation tales. - "Went to the Movies," discussing films we enjoyed during our show's hiatus. - Explored the People's Choice Awards, delving into the absurdity of its nomination categories. - Shared our thoughts on AI crafting a new George Carlin comedy special. - Bid farewell to Cindy Morgan, honoring her legacy with a classic Caddyshack clip. - In Geek News, dived into first impressions of Marvel's Echo, speculated on a potential "Devil's Reign" MCU adaptation, looked ahead to comic book characters entering the public domain, discussed Batman movie rumors, and shared insights on which rogue gallery villain should be adapted for film. Stay tuned for more engaging discussions and exciting content in upcoming episodes!

Movies that take place within a 24-hour period or less create a unique storytelling & cinematic experience. Do you have some favorite movies that take place in 24 hours or less? We do and we discuss in our main segment! If you were a fictional villlian, who would you be? We discuss in our “Ask An Idiot” segment! “Pop Culture Headlines” includes remembering actress Cindy Morgan on her recent passing (one of GenX Brian's first movie crushes); The 2024 Golden Globes return to network TV; What the heck is the craziness around the Stanley brand cups lately? & more. “Idiot Reviews” includes non-spoiler reviews of ‘The Brothers Sun' series on Netflix, the ‘Echo' series on Disney + , ‘Hell Camp, ‘Reacher', ‘Wonka' and others. All this and more pop culture & nerdy talk, personal insults & questionable jokes! Warning as usual for explicit language from us Idiots! Listen to us weekly for pop culture talk, nerdy debates, personal insults & questionable jokes on your favorite podcast platforms including Apple Podcasts, Spotify, Overcast, Google Podcasts, Amazon Music, iHeart Radio, Vurbl, Goodpods, Podvine & more! Watch us on our YouTube channel @Convincing Idiots Show info can be found on our website: convincingidiots.wordpress.com Find show links on our Link Tree: https://linktr.ee/ConvincingIdiots Email us at ConvincingIdiots@gmail.com. Main Podcast Page: https://anchor.fm/convincing-idiots Enjoying the show? Consider becoming a Patreon: https://www.patreon.com/ConvincingIdiots Now on the YouTube Music app! https://music.youtube.com/channel/UCKa-u-b0Hd30AYxgzoS6aOg?si=GxMuyf3nlSROrdID Show merch store here: https://convincing-idiots-podcast.creator-spring.com/ We hope we convince you to listen & subscribe! --- Support this podcast: https://podcasters.spotify.com/pod/show/convincing-idiots/support

Join us as we delve into news of a new Star Trek prequel movie. We'll also navigate the personal space of decisions, sharing my own saga as I stand at a crossroads choosing between the charm of a pre-loved Chevy Bolt EV and the siren call of a brand new one.The stars align in Hollywood as "Star Trek: Picard" and "Lower Decks" snatch up nominations and wins, making it a night to remember for Trekkies at the Astra TV Awards. But that's not all – we've intercepted transmissions of a "Star Wars" epic on the horizon featuring The Mandalorian and Grogu, with Jon Favreau at the helm. The plot thickens as we lament Steven Yeun's unexpected exit from the Marvel Cinematic Universe's "Thunderbolts," pondering how his absence will ripple through the realm of superhero flicks.Prepare to raise a glass to the iconic talents of Cindy Morgan, Harry Johnson, and Glynis Johns, whose legacies light up the sky of our cinematic universe. Their storied careers, from the greens of "Caddyshack" to the fantastical world of "Tron," and the stages of Broadway to the nanny who was practically perfect in every way, resonate through time and will continue to inspire and move audiences for generations to come. Join us as we cherish their memories and celebrate the indomitable spirit of storytelling.Support the showThanks for listening! Come visit the podcast at https://www.multiversetonight.com/ and the Pop Goes The Culture podcast network at https://popgoestheculture.com/

Actress Cindy Morgan died at the beginning of the year. She was "Lacy Underall" in "Caddyshack" along with many other roles. She was on with the DSC and it was a really cool interview. Here's a look back. RIP Cindy Morgan.

In 2020, less than a year after the launch of our inaugural podcast, we reached out to a number of iconic 1980s artists who would wanted to interview. And although at the time we did not have a track record of celebrity interviews, Cindy Morgan ("Caddyshack", "Tron") accepted our invitation. To our delight, she was more than just polite, she was generous, vulnerable, and honest.In our interview, we discuss the career path that landed the former radio host in "Caddyshack," a film in which she appeared opposite the biggest comedic actors of the era. Cindy also shares her experience with producer Jon Peters that derailed what seemed to be her path to stardom.Sadly, Cindy died last month at her home in Florida.Follow us on Facebook: https://www.facebook.com/1980snow.Become a patron at www.patreon.com/1980snowFor more episodes of 1980s Now and information about the show visit www.1980snow.comEmail us at will@1980snow.com or kat@1980snow.com.

With sickness still in the air, the guys make sure the new year starts off right with more entertainment and pop culture news. Monarch: Legacy of Monsters spoilers @ 01:28:34 Cindy Morgan, dead @ 69 Aaron Rodgers claimed (wrongly) that Jimmy Kimmel was on Epstein's list Love is Blind and terrible Danny Masterson accuser says […] The post Episode #414 – Steamboat Picture News in the Public Domain first appeared on Hollywood Picture News.

Found money returned… Found wallet returned, buttt… Found wallet returned, minus some... Institutions we trust most… Look at the lotto… Golden Globes… chewingthefat@theblaze.com Happy Birthday Elvis Presley… Who Died Today: Laura Lynch 65 / Cindy Morgan 69 / Christian Oliver 51 / Mario Zagallo 92… Flight attendants drop over… www.blazetv.com/jeffy Promo code: Jeffy… Alaska Air opens up in flight… Crab season canceled, again… Elon on drugs? and SpaceX lawsuit… Pilot Truck Stop trial canceled... NRA trial in NY begins… Bass Pro Shop tank dive… Learn more about your ad choices. Visit megaphone.fm/adchoices

Holmberg's Morning Sickness - Monday January 8, 2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Clean Your Desk Day, David Soul passed away, Cindy Morgan has died, Jodie Foster is not a fan of Gen Z, we're starting to get back to the moon, a refrigerator size hole opened up on a plane mid air, a guy in Alabama swam naked with the fishes, and Vinnie reads your texts!

Caddyshack and the death of Cindy Morgan, watching Johnny Carson Tonight Show episodes, review of the day's stories Learn more about your ad choices. Visit podcastchoices.com/adchoices

Gay homosexuals Nick and Joseph discuss ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Young Soul Rebels - a 1991 British coming-of-age thriller directed by Isaac Julien⁠, starring Mo Sesay, Valentine Nonyela, Sophie Okonedo and Eamonn Walker. Additional topics include: -Katt Williams on Club Shay Shay -The Palm Springs International Film Festival -The deaths Glynis Johns, Cindy Morgan, Christian Oliver, and David Soul -And too many films to mention Join us on Patreon: ⁠https://www.patreon.com/FishJellyFilmReviews⁠ Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Visit their website at www.fishjellyfilms.com Find their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767 Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms) Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/ Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson --- Support this podcast: https://podcasters.spotify.com/pod/show/fish-jelly/support

Holmberg's Morning Sickness - Monday January 8, 2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

 In Other News with Ethan: Cindy Morgan passed away, Golden Globes rundown, A man strips naked and goes for a swim at Bass Pro, and a lady messes up her answer on Wheel of Fortune.

Bill & Mike Got Your Money Monday Cashed IN With Browns Lose To Bengals 31-14 - Wild Card Playoffs At Texans Saturday 4:30PM-Former NFL QB Ricky Stanzi - Cavs "Jingle" The Spurs 117-115-Cavs PBP Tim Alcorn - Happy 89th Birthday Elvis!! - Lacey Underall Actress Cindy Morgan in "Caddyshack" Dead at 69 - Money Monday From Sequioa Financial - NBC Radio Erin Real has been following the story of a hole that blew out of an airliner last week, and the fact that the government has now grounded that model of the Boeing 737 - Both Republicans and Democrats are outraged after learning that the Secretary of Defense was in intensive care for five days and no one – not even the President – was told-NBC Radio Rory O'Neill-latest on Defense Secretary Austin's hospitalization, and who – if anyone – will be called on the carpet.

Packers win, the Bears still suck, remembering Cindy Morgan, and more!

Some of the winners and some of the jokes from last night's Golden Globes...and actress Cindy Morgan who played Lacy Underall in Caddyshack is dead at 69!

Episode 294: I will discuss my tribute to actress Cindy Morgan and the demise of Fruit Stripe Gum. --- Send in a voice message: https://podcasters.spotify.com/pod/show/pete-kastanes/message

Episode 294: I will discuss my tribute to actress Cindy Morgan and the demise of Fruit Stripe Gum. --- Send in a voice message: https://podcasters.spotify.com/pod/show/pete-kastanes/message

Today is another example of why I love podcasting: it gives me opportunities to have conversations with amazing people. Then I get to share those conversations with you! In the 1980s, 1990s, and 2000s, I listened to a lot of contemporary Christian music, otherwise known as CCM. If you remember back in the days before streaming took over the world, we had these little things called “liner notes,” which contained the songs, lyrics, musicians, and others involved in the making of an album. One of the names I regularly saw was Jimmy Abegg, also known as Jimmy A. He was not only active as a musician on many albums, but also as a photographer who took photographs for many contemporary Christian music album covers. For those of you familiar with CCM, you might recognize Jimmy from his days as the guitar player in the Charlie Peacock trio, as well as one of the players in Rich Mullins' Ragamuffins. Today I get to bring you a conversation with Mr. Abegg, and I hope that it will inspire you as it did me! Here's a snippet of Jimmy's bio from his website: “In 1989, a career in music led me and my young family to Nashville, Tennessee. Today, we still call Nashville home and I am proud to say that the years have been generous and full. I have been given so many opportunities to provide for my family and care for others while creating things I love. Be it, playing music on the road, recording in the studio, making fine art, showing in galleries, designing record packaging, photographing musicians, writing music, or mentoring others on all of the above; my life of creativity has explored many mediums. Whether abstract or figurative, my painting continues the tendency towards curiosity, whimsy and simple beauty, with a healthy dose of train-hopping, carefree adventure.” Jimmy suffers from macular degeneration, which has taken away the majority of his sight, but he still makes art and music. Interestingly, he says that some of his favorite pieces have been created during this period of his life. In this conversation, Jimmy and I talk about songwriting, collaboration, artwork, and creative habits, among other topics. One of my favorite quotes from this conversation is when Jimmy gave advice for people trying to figure out their path in life. He said, “Try to quit what you're doing. If you can't stop, maybe you should be doing that.” I also want to give a shout-out to the kind and generous Cindy Morgan, who thoughtfully connected me with Jimmy! * * * Today's episode is sponsored by Vellum, the go-to book formatting software for indie authors who care about creating beautiful ebooks and print books. Use the link to download Vellum for FREE.

Today is another example of why I love podcasting: it gives me opportunities to have conversations with amazing people. Then I get to share those conversations with you! In the 1980s, 1990s, and 2000s, I listened to a lot of contemporary Christian music, otherwise known as CCM. If you remember back in the days before streaming took over the world, we had these little things called “liner notes,” which contained the songs, lyrics, musicians, and others involved in the making of an album. One of the names I regularly saw was Jimmy Abegg, also known as Jimmy A. He was not only active as a musician on many albums, but also as a photographer who took photographs for many contemporary Christian music album covers. For those of you familiar with CCM, you might recognize Jimmy from his days as the guitar player in the Charlie Peacock trio, as well as one of the players in Rich Mullins' Ragamuffins. Today I get to bring you a conversation with Mr. Abegg, and I hope that it will inspire you as it did me! Here's a snippet of Jimmy's bio from his website: “In 1989, a career in music led me and my young family to Nashville, Tennessee. Today, we still call Nashville home and I am proud to say that the years have been generous and full. I have been given so many opportunities to provide for my family and care for others while creating things I love. Be it, playing music on the road, recording in the studio, making fine art, showing in galleries, designing record packaging, photographing musicians, writing music, or mentoring others on all of the above; my life of creativity has explored many mediums. Whether abstract or figurative, my painting continues the tendency towards curiosity, whimsy and simple beauty, with a healthy dose of train-hopping, carefree adventure.” Jimmy suffers from macular degeneration, which has taken away the majority of his sight, but he still makes art and music. Interestingly, he says that some of his favorite pieces have been created during this period of his life. In this conversation, Jimmy and I talk about songwriting, collaboration, artwork, and creative habits, among other topics. One of my favorite quotes from this conversation is when Jimmy gave advice for people trying to figure out their path in life. He said, “Try to quit what you're doing. If you can't stop, maybe you should be doing that.” I also want to give a shout-out to the kind and generous Cindy Morgan, who thoughtfully connected me with Jimmy! * * * Today's episode is sponsored by Vellum, the go-to book formatting software for indie authors who care about creating beautiful ebooks and print books. Use the link to download Vellum for FREE.

RMR 0227: Special Guest, Kevin Gootee of the Gutting the Sacred Cow Podcast joins your hosts Chad Robinson and Russell Guest for the Retro Movie Roundtable as they revisit Caddyshack (1980) [PG-13] Genre: Comedy, Sports Starring: Chevy Chase, Rodney Dangerfield, Ted Knight, Michael O'Keefe, Bill Murray, Sarah Holcomb, Scott Colomby, Cindy Morgan, Dan Resin, Henry Wilcoxon, Elaine Aiken, Albert Salmi, Ann Ryerson, Brian Doyle-Murray, Hamilton Mitchell, Peter Berkrot, John F. Barmon Jr., Lois Kibbee, Brian McConnachie, Scott Powell, Ann Crilley, Cordis Heard, Scott Sudden, Jackie Davis, Thomas A. Carlin, Minerva Scelza, Kenneth Burritt, Rebecca Burritt, Barbara Keegan, Scott Jackson, Ron Frank, Patricia Wilcox, Debi Frank, Tony Gulliver   Director: Harold Ramis Recorded on 2023-08-04

If you enjoy the show and want to buy John a coffee, please click here: https://www.buymeacoffee.com/johnstange . To read the first three chapters of "Dwell on These Things" by John Stange, click here: https://desirejesus.com/dwellonthesethings . To get a free copy of John Stange's book, "The Mind of Christ - How to make the most of the new perspective, new eyes, and new outlook you've been given through Jesus," please CLICK HERE. . To email John Stange directly, please send your message to john@desirejesus.com.See omnystudio.com/listener for privacy information.

I speak to a wide variety of writers and creatives on the podcast, and today, I'm thrilled to bring you this conversation with one of the members of the highly successful Christian music vocal group, Point of Grace! Shelley Breen is a founding member of Point of Grace. For over thirty years, they have been touring, songwriting, and recording, encouraging countless people of faith with their music. Let me share a few items to give you a grasp of their success: With total sales in excess of 8 million units, the group has garnered two Platinum records; three GRAMMY® nominations; 27 No. 1 singles and numerous Dove Awards. Inducted into the Oklahoma Music Hall of Fame in 2018, Point of Grace has released 10 best-selling studio recordings, four Christmas albums, and such Christian radio standards as “I'll Be Believing,” “Keep the Candle Burning,” “How You Live (Turn Up the Music),” “Circle of Friends,” and “Jesus Will Still Be There.” The group founded the groundbreaking Girls of Grace conference; they appear regularly on the historic Grand Ole Opry stage; and they have authored multiple books, including their latest, How You Live: Lessons Learned from Point of Grace. In this conversation, Shelley shared behind-the-scenes details about their new album, Turn Your Eyes: Songs We Love, Songs You Know. She also talks about her creative habits, how the group chooses songs, how their newest book came together, and several of their upcoming concert appearances. This was a wide-ranging conversation, and I hope it inspires you to make Point of Grace's music a regular part of your listening! I also want to give a huge shout-out to Cindy Morgan, a successful author and recording artist herself. She was a guest a couple of months ago, talking about her new novel, The Year of Jubilee. She produced Point of Grace's new album, and also made the intro to Dana Cappillino, who set up the interview with Shelley. You can learn more about Point of Grace at https://pointofgrace.net, and follow the group on social media at https://www.facebook.com/pointofgrace/ and https://www.instagram.com/pointofgracemusic/.

I speak to a wide variety of writers and creatives on the podcast, and today, I'm thrilled to bring you this conversation with one of the members of the highly successful Christian music vocal group, Point of Grace! Shelley Breen is a founding member of Point of Grace. For over thirty years, they have been touring, songwriting, and recording, encouraging countless people of faith with their music. Let me share a few items to give you a grasp of their success: With total sales in excess of 8 million units, the group has garnered two Platinum records; three GRAMMY® nominations; 27 No. 1 singles and numerous Dove Awards. Inducted into the Oklahoma Music Hall of Fame in 2018, Point of Grace has released 10 best-selling studio recordings, four Christmas albums, and such Christian radio standards as “I'll Be Believing,” “Keep the Candle Burning,” “How You Live (Turn Up the Music),” “Circle of Friends,” and “Jesus Will Still Be There.” The group founded the groundbreaking Girls of Grace conference; they appear regularly on the historic Grand Ole Opry stage; and they have authored multiple books, including their latest, How You Live: Lessons Learned from Point of Grace. In this conversation, Shelley shared behind-the-scenes details about their new album, Turn Your Eyes: Songs We Love, Songs You Know. She also talks about her creative habits, how the group chooses songs, how their newest book came together, and several of their upcoming concert appearances. This was a wide-ranging conversation, and I hope it inspires you to make Point of Grace's music a regular part of your listening! I also want to give a huge shout-out to Cindy Morgan, a successful author and recording artist herself. She was a guest a couple of months ago, talking about her new novel, The Year of Jubilee. She produced Point of Grace's new album, and also made the intro to Dana Cappillino, who set up the interview with Shelley. You can learn more about Point of Grace at https://pointofgrace.net, and follow the group on social media at https://www.facebook.com/pointofgrace/ and https://www.instagram.com/pointofgracemusic/.

This week I catch up with my friend Cindy Morgan, one of the all time great singer/songwriters in CCM history. We'll take a look back at her career and hear about the exciting things she's doing now, including releasing her first novel and maybe making a new record with a very special guest vocalist...Check out my Spotify Playlist!Support the showandychrisman.com

This week I catch up with my friend Cindy Morgan, one of the all time great singer/songwriters in CCM history. We'll take a look back at her career and hear about the exciting things she's doing now, including releasing her first novel and maybe making a new record with a very special guest vocalist…Check out my Spotify Playlist!Support the showandychrisman.net

We all get knotted up from time to time. So what do we do to work out the kinks and unwind? Here are some of our favorite go-tos to rest and relax. Come chill out with us.  This week's featured song is: "Worry" from Andrew and our good friend Cindy Morgan. Listen to it here. Learn more about Bridges ... Spiritual Conversations Through Generational Conversations here: BridgesShow.com. And if you like what you are listening to, leave us a 5-star rating and a review, and follow and subscribe to Bridges –– it truly does help us keep chuggin' along as we create new episodes for you! FOLLOW PATSY Facebook / Instagram / Twitter FOLLOW ANDREW Facebook / Instagram / Twitter _________________________________________ SPONSORS The world needs to know … it's not as bad as the news tells us. Human trafficking may be a big problem, but Love Justice International is providing an epic solution. By intercepting human beings before they are trafficked, Love Justice is making rescue an everyday reality for vulnerable people all over the globe. And we want to keep the good news coming. Will you come alongside us and become a monthly partner of Love Justice International today? It's not all bad news after all ... Sign up today here: lovejustice.ngo/bridges

Our very dear friend, multiple Grammy-nominated, Dove Award-winning singer-songwriter Cindy Morgan, shares with us the tragic and triumphant pieces of her personal story that make up the fabric of her very first novel, The Year of Jubilee – releasing tomorrow (April 18). She also serenades us with a haunting song from the soundtrack for the novel. This is an episode full of story. Come be a part. Get your copy of The Year of Jubilee here. We highly recommend it! This week's featured song is: "Redbird" from Cindy's upcoming soundtrack for her new book, The Year of Jubilee.  Learn more about Bridges ... Spiritual Conversations Through Generational Conversations here: BridgesShow.com. And if you like what you are listening to, leave us a 5-star rating and a review, and follow and subscribe to Bridges –– it truly does help us keep chuggin' along as we create new episodes for you! FOLLOW PATSY Facebook / Instagram / Twitter FOLLOW ANDREW Facebook / Instagram / Twitter _________________________________________ SPONSORS The world needs to know … it's not as bad as the news tells us. Human trafficking may be a big problem, but Love Justice International is providing an epic solution. By intercepting human beings before they are trafficked, Love Justice is making rescue an everyday reality for vulnerable people all over the globe. And we want to keep the good news coming. Will you come alongside us and become a monthly partner of Love Justice International today? It's not all bad news after all ... Sign up today here: lovejustice.ngo/bridges

WDW Radio # 717 - Cindy Morgan from TRON Interview - From the WDW Radio Archives  Spoiler alert... I'm a bit of a nerd. Growing up, I loved (love) video games and technology, storytelling, adventure, and the unknown... and that hasn't changed much.  More than 40 years ago, a Disney film was released that would forever change the science fiction genre, as well as animation, video gaming and the lives of many young geeks like myself. Smart, stylish and fun, the game grid of Tron was groundbreaking, and in 2010, Tron was reborn with the Tron: Legacy film (and do you remember the Tronorail at Walt Disney World, ElecTRONica at Disneyland, or what about Tron: Uprising on Disney XD... with all of them now on Disney+). So in 2012, on WDW Radio show # 277, a little, nerdy dream of mine came true, as I had the opportunity to speak in an exclusive interview with one of the original film's stars, Cindy Morgan, who played the dual role of Lora and Yori. She may or may not have also been the subject of a bit of a boyhood crush of mine for her role in Caddyshack. Cindy joined me to talk about her career and role in Tron, as she shared stories of the making of the films, the Tron phenomenon, her fans and much more. With the opening of TRON: Lightcycle Run this week in Magic Kingdom, the timing for listening back to my conversation with Cindy (who I still love seeing at comic and conventions) seemed appropriate. I may just have to reach out to her again for the follow up conversation we discussed. Are you a fan of the original TRON? What about TRON: Legacy? Have you experienced TRON Lightcycle Run in Magic Kingdom (or Shanghai Disneyland) yet? Share your thoughts in the WDW Radio Clubhouse at WDWRadio.com/Clubhouse, or call the voicemail at 407-900-9391 (WDW1) and share your story on the show. But for now... sit back, relax, and enjoy this week's episode from the Archives on the WDW Radio show. ---------------------------------- WDWRadio.com - Visit the site and blog WDWRadio.com/Clubhouse - Join the community and conversation on Facebook WDWRadioNATION - Get monthly rewards, and help support the show WDWRadioLIVE.com - Watch and chat LIVE Wednesdays at 7:30pm ET WDWRadio.com/Podcasts - Show notes, past episodes, links, and photos WDWRadio.com/Events - WDW Radio Disney meets, events, cruises, and more! WDWRadio.com/Shirts - Disney, Marvel, Star Wars, logo gear and more! 407-900-9391 - Call the voicemail with a question, comment or "Hello!" from the parks THANK YOU for your support by voting WDW Radio Best Travel Podcast for 9 consecutive years! Sit back, relax, and enjoy this week's episode of the WDW Radio show. Thanks for listening! Be sure to tune in next week! ---------------------------------- LouMongello.com - Let me help you turn what you love into what you do and turn your passion into your profession with one-on-one mentoring, mastermind groups, and my MomentumWorkshop and Retreat in Walt Disney World. I am also a keynote keynote speaker who can present at your event, conference, business, or school, and provide mentoring and consulting to individuals and organizations looking to build their businesses and brands. I speak on a variety of topics, including sharing the magic of Disney, and teaching how to deliver exceptional customer service, social media, podcasting, live video, community, following your dreams, and more. ---------------------------------- LET'S CONNECT! WDWRadio.com/Community Facebook.com/WDWRadio Instagram.com/LouMongello Twitter.com/LouMongello YouTube.com/WDWRadio Pinterest.com/LouMongello LinkedIn.com/in/LouMongello

WDW Radio # 717 - Cindy Morgan from TRON Interview - From the WDW Radio Archives Spoiler alert... I'm a bit of a nerd. Growing up, I loved (love) video games and technology, storytelling, adventure, and the unknown... and that hasn't changed much. More than 40 years ago, a Disney film was released that would forever change the science fiction genre, as well as animation, video gaming and the lives of many young geeks like myself. Smart, stylish and fun, the game grid of Tron was groundbreaking, and in 2010, Tron was reborn with the Tron: Legacy film (and do you remember the Tronorail at Walt Disney World, ElecTRONica at Disneyland, or what about Tron: Uprising on Disney XD... with all of them now on Disney+). So in 2012, on WDW Radio show # 277, a little, nerdy dream of mine came true, as I had the opportunity to speak in an exclusive interview with one of the original film’s stars, Cindy Morgan, who played the dual role of Lora and Yori. She may or may not have also been the subject of a bit of a boyhood crush of mine for her role in Caddyshack. Cindy joined me to talk about her career and role in Tron, as she shared stories of the making of the films, the Tron phenomenon, her fans and much more. With the opening of TRON: Lightcycle Run this week in Magic Kingdom, the timing for listening back to my conversation with Cindy (who I still love seeing at comic and conventions) seemed appropriate. I may just have to reach out to her again for the follow up conversation we discussed. Are you a fan of the original TRON? What about TRON: Legacy? Have you experienced TRON Lightcycle Run in Magic Kingdom (or Shanghai Disneyland) yet? Share your thoughts in the WDW Radio Clubhouse at WDWRadio.com/Clubhouse, or call the voicemail at 407-900-9391 (WDW1) and share your story on the show. But for now... sit back, relax, and enjoy this week's episode from the Archives on the WDW Radio show. ---------------------------------- WDWRadio.com - Visit the site and blog WDWRadio.com/Clubhouse - Join the community and conversation on Facebook WDWRadioNATION - Get monthly rewards, and help support the show WDWRadioLIVE.com - Watch and chat LIVE Wednesdays at 7:30pm ET WDWRadio.com/Podcasts - Show notes, past episodes, links, and photos WDWRadio.com/Events - WDW Radio Disney meets, events, cruises, and more! WDWRadio.com/Shirts - Disney, Marvel, Star Wars, logo gear and more! 407-900-9391 - Call the voicemail with a question, comment or "Hello!" from the parks THANK YOU for your support by voting WDW Radio Best Travel Podcast for 9 consecutive years! Sit back, relax, and enjoy this week's episode of the WDW Radio show. Thanks for listening! Be sure to tune in next week! ---------------------------------- LouMongello.com - Let me help you turn what you love into what you do and turn your passion into your profession with one-on-one mentoring, mastermind groups, and my MomentumWorkshop and Retreat in Walt Disney World. I am also a keynote keynote speaker who can present at your event, conference, business, or school, and provide mentoring and consulting to individuals and organizations looking to build their businesses and brands. I speak on a variety of topics, including sharing the magic of Disney, and teaching how to deliver exceptional customer service, social media, podcasting, live video, community, following your dreams, and more. ---------------------------------- LET'S CONNECT! WDWRadio.com/Community Facebook.com/WDWRadio Instagram.com/LouMongello Twitter.com/LouMongello YouTube.com/WDWRadio Pinterest.com/LouMongello LinkedIn.com/in/LouMongello

WDW Radio # 717 - Cindy Morgan from TRON Interview - From the WDW Radio Archives Spoiler alert... I'm a bit of a nerd. Growing up, I loved (love) video games and technology, storytelling, adventure, and the unknown... and that hasn't changed much. More than 40 years ago, a Disney film was released that would forever change the science fiction genre, as well as animation, video gaming and the lives of many young geeks like myself. Smart, stylish and fun, the game grid of Tron was groundbreaking, and in 2010, Tron was reborn with the Tron: Legacy film (and do you remember the Tronorail at Walt Disney World, ElecTRONica at Disneyland, or what about Tron: Uprising on Disney XD... with all of them now on Disney+). So in 2012, on WDW Radio show # 277, a little, nerdy dream of mine came true, as I had the opportunity to speak in an exclusive interview with one of the original film’s stars, Cindy Morgan, who played the dual role of Lora and Yori. She may or may not have also been the subject of a bit of a boyhood crush of mine for her role in Caddyshack. Cindy joined me to talk about her career and role in Tron, as she shared stories of the making of the films, the Tron phenomenon, her fans and much more. With the opening of TRON: Lightcycle Run this week in Magic Kingdom, the timing for listening back to my conversation with Cindy (who I still love seeing at comic and conventions) seemed appropriate. I may just have to reach out to her again for the follow up conversation we discussed. Are you a fan of the original TRON? What about TRON: Legacy? Have you experienced TRON Lightcycle Run in Magic Kingdom (or Shanghai Disneyland) yet? Share your thoughts in the WDW Radio Clubhouse at WDWRadio.com/Clubhouse, or call the voicemail at 407-900-9391 (WDW1) and share your story on the show. But for now... sit back, relax, and enjoy this week's episode from the Archives on the WDW Radio show. ---------------------------------- WDWRadio.com - Visit the site and blog WDWRadio.com/Clubhouse - Join the community and conversation on Facebook WDWRadioNATION - Get monthly rewards, and help support the show WDWRadioLIVE.com - Watch and chat LIVE Wednesdays at 7:30pm ET WDWRadio.com/Podcasts - Show notes, past episodes, links, and photos WDWRadio.com/Events - WDW Radio Disney meets, events, cruises, and more! WDWRadio.com/Shirts - Disney, Marvel, Star Wars, logo gear and more! 407-900-9391 - Call the voicemail with a question, comment or "Hello!" from the parks THANK YOU for your support by voting WDW Radio Best Travel Podcast for 9 consecutive years! Sit back, relax, and enjoy this week's episode of the WDW Radio show. Thanks for listening! Be sure to tune in next week! ---------------------------------- LouMongello.com - Let me help you turn what you love into what you do and turn your passion into your profession with one-on-one mentoring, mastermind groups, and my MomentumWorkshop and Retreat in Walt Disney World. I am also a keynote keynote speaker who can present at your event, conference, business, or school, and provide mentoring and consulting to individuals and organizations looking to build their businesses and brands. I speak on a variety of topics, including sharing the magic of Disney, and teaching how to deliver exceptional customer service, social media, podcasting, live video, community, following your dreams, and more. ---------------------------------- LET'S CONNECT! WDWRadio.com/Community Facebook.com/WDWRadio Instagram.com/LouMongello Twitter.com/LouMongello YouTube.com/WDWRadio Pinterest.com/LouMongello LinkedIn.com/in/LouMongello

This week, my dear friend and gifted songwriter, Cindy Morgan, joins me for a great conversation about Enneagram Fours, including the push-pull dance of fours in relationships, the well of suffering we can get trapped in, and the importance of authenticity. We also discuss the story behind her debut novel, The Year of Jubilee, and explore how she integrated the Enneagram into the main characters' development.    About Cindy Morgan Singer/songwriter Cindy L. Morgan is a two-time Grammy nominee, a thirteen-time Dove winner, and a recipient of the prestigious Songwriter of the Year trophy. An East Tennessee native, her evocative melodies and lyrics have mined the depths of life and love both in her own recording and through songwriting for noteworthy artists around the globe, including Vince Gill, India.Arie, Rascal Flatts, Amy Grant, Sandra McCracken, and Glen Campbell. Cindy is the author of two works of adult nonfiction—the memoir How Could I Ask for More: Stories of Blessings, Battles & Beauty (Worthy Inspire, 2015) and Barefoot on Barbed Wire: A Journey Out of Fear into Freedom (Harvest House Publishers, 2001)—and of the children's picture book Dance Me, Daddy (ZonderKidz, 2009). The Year of Jubilee is her debut novel. Cindy is a co-creator of the charitable Hymns for Hunger Tour, which has raised awareness and resources for hunger relief organizations across the globe. Cindy has two daughters and splits her time living between a small town near Nashville and Holly Springs, North Carolina, with her husband Jonathan. To learn more about Cindy Morgan, follow her on Instagram, Facebook or visit her website.  Pre-order her new book, The Year of Jubilee. ----- Follow the Typology Podcast on Apple, Spotify, or your favorite podcast player to hear the latest episodes. You can also follow us @typologypodcast on Instagram, Facebook, and Twitter.