Podcasts about Creative Commons license

This is Part One of a four-part series into The Camden Ripper. The truth about may never be known, as it’s hard to understand who he is, as he appeared to be a different person to different people at different times. By viewing this story from his perspective, it is clear that there were four distinct sides to the personality of Anthony Hardy; the alcoholic, the addict, the sadist and the maniac. These are the Four Faces of The Camden Ripper. Part One – Tony the Alcoholic.Murder Mile is researched, written and performed by Michael J Buchanan-Dunne of Murder Mile Walks with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name with additional music, as used under the Creative Commons License 4.0 (Attribution) via Free Music Archive and YouTube Music. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.TICKETS TO CRIME CON UK 2021Go to Crime Con UK website www.crimecon.co.ukEnter code MILE for 10% off and a free Murder Mile goodie.FOLLOW US HERE:FacebookTwitterInstagramMurder Mile Discussion GroupYoutubeSUPPORT THE PODCAST:Support us via PATREON.Buy Merch in THE SHOPFree Goodies HERE Support this show http://supporter.acast.com/murdermile. See acast.com/privacy for privacy and opt-out information.

Following a lesson in history, our party sets forth to discover the secret of The Red Fields. What peril awaits them in THE CAVE OF MYSTERY. (It's not really called that. It's just something we're workshopping here.)CastRohtan - AdamSilwe - AmandaMist - MikeDM and Producer - Diana  @mctdiana - Twitter Editor - AmandaOriginal Music by Adam - Used with permission.Sound effects and soundscapes by Syrinscape.com. and Freesounds.org Freesounds.org sounds used under the Creative Commons License. Like what you hear? Support us on our Patreon. www.patreon.com/multiclasstheater

Sir Bernard Spilsbury was an acclaimed pathologist and the father of forensic science whose most celebrated case made his name and changed the face of murder investigations forever. But how solid was his evidence, and did it lead to an innocent man being executed?Murder Mile is researched, written and performed by Michael J Buchanan-Dunne of Murder Mile Walks with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name with additional music, as used under the Creative Commons License 4.0 (Attribution) via Free Music Archive and YouTube Music. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.TICKETS TO CRIME CON UK 2021Go to Crime Con UK website www.crimecon.co.ukEnter code MILE for 10% off and a free Murder Mile goodie.FOLLOW US HERE:FacebookTwitterInstagramMurder Mile Discussion GroupYoutubeSUPPORT THE PODCAST:Support us via PATREON.Buy Merch in THE SHOPFree Goodies HERE Support this show http://supporter.acast.com/murdermile. See acast.com/privacy for privacy and opt-out information.

The HeatHolderz looked at over 60 rappers all under 30 years old (yes 29 and under only) and picked 30 we believe to have the most emcee skills, not the most famous or popular or most followers, etc. EP243 Draft Intro (0-:43) Show open (:43-3:50) Election wrap up (3:51-5:23) Best Hip-Hop podcast (5:24-6:50) Podcasting (6:51-7:49) Lost episodes (7:50-9:12) Election Remnants (9:13-10:49) The Masters I See (10:50-15:07) NBA Draft (15:08-17:59) Emcee Draft (18:00-1:24:32) Closing(1:24:33- 1:42:46) Hip-HopEmcees30 under 30 Tissue in The Tape Podcast EP243: Emcee Draft 30 under 30 by Tissue in The Tape Podcast is licensed under a Creative Commons License. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/war-room-sports-llc/message

Here’s the spoiler: The Most Important Thing You Have In Your Writing Career Is You We know! We know! You were probably hoping for a cool app, or the perfect book about plot beats, but nope. It’s you. You can’t write if you don’t exist. You write best when you’re doing pretty fine. So here are the ways to actually invest in yourself. Stay healthy for your brain It’s pretty hard to write when you feel like crap because when your brain is all broken. As Harvard Healthbeat says, “First it is important to remember that you need a healthy body to have a healthy brain.” How do you do that? According to Harvard: Step 1: Eat a plant-based diet Step 2: Exercise regularly Step 3: Get enough sleep Step 4: Manage your stress Step 5: Nurture social contacts Step 6: Continue to challenge your brain Stay happy or at least okay. Relationships matter. Stay happy or at least okay. Relationships matter. Your relationships with other people are really important. They help you evolve. There’s a thing called the dependency paradox. As Kyle Benson writes, “Our partners powerfully affect our ability to thrive in life. They influence how we feel about ourselves, what we believe we are capable of, and they ultimately impact our attempts to achieve our dreams. “Even Mr. Self-Actualization (Abraham Maslow) himself argued that without bonds of love and affection with others, we cannot go on to achieve our full potential as human beings. “Once we choose a partner, there is no question about whether dependency exists or not. It always does. “Countless studies show that once we become intimately attached to another human being, the two of us form one physiological being. “Our partner regulates our blood pressure, our heart rate, our breathing, and the level of hormones in our blood. The emphasis of independence in adult relationships does not hold water from a biological perspective.” There’s a link to Kyle’s post in our notes and it’s just so good, but the part that really rings true for writers and other creatives is this: “When a partner is supportive, we are more willing to explore and our self-esteem and confidence gets a boost, which allows us to go after our deepest desires. This not only improves the quality of our lives, but it also deepens and enhances our satisfaction within the relationship and our physical health. “But as many of us know, sometimes our exploration leads to failure, rejection, and painful experiences. When these bad events happen, our biological programming creates anxiety that leads us to seek proximity (physically and/or psychologically) with the person we love. “If they are supportive during this stage, our stress will go down and we cope with our problems faster, which ultimately leads us to overcome the problem and continue to go after our deepest desires.” So find those supportive partners and get rid of the rest! The rest of the hints are over here! SHOUT OUT! The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song? It’s “Summer Spliff” by Broke For Free. --- Send in a voice message: https://anchor.fm/carriejonesbooks/message Support this podcast: https://anchor.fm/carriejonesbooks/support

In which choices are made. You can support Mirrors by subscribing and leaving a review at your favorite podcatcher or by going to https://www.patreon.com/mirrorspodcast  Music is "The Cavern" by Sara Afonso, available at the Free Music Archive.  Our cover image is courtesy of the Wellcome Library and has been made available under Creative Commons License 4.0.  All sound effects can be found at https://www.freesfx.co.uk/ 

Subscribe: Let us do the hard work and send the podcast to you: https://bit.ly/2NZjODA  Review: Share the love and leave a 5* review from your phone: http://getpodcast.reviews/id/1375904962  (from anywhere else hit the ‘Write a Review’ button in the Apple Podcasts app or iTunes) Marketing Theories Explained Series Link: https://bit.ly/3mi35di  Enjoy the Episode - Happy Marketing! Website Thingy: www.marketingstudylab.co.uk  The Professional Bit: https://www.linkedin.com/in/petersumpton/  Facebook Community: https://www.facebook.com/groups/marketingstudylab/  Tweet Tweet: https://twitter.com/cousinp81  Intro This is part five of six. Over the next six weeks we’ll have a slightly different feel on the podcast, It’s just going to be me, myself and I, as I chat through six of the most important and influential theory’s within Marketing This six part series is actually the second season in reviewing, explaining and demonstrating how to use these powerful Marketing tools, but it’s the first time I’ve shared it on the podcast. Why am I doing this? I’ve partnered up with Professional Academy (intro to them later) to bring all those aspiring Marketers six explainer live episodes, which you can catch on a Thursday (link in the show notes) This has been put together to make you a better All-Round Marketer, from Auditing, right through to controls and measurements. This week we take a look at Ansoff’s Matrix Watch the video series: https://bit.ly/35AEWrA  Podcast Summary How can Ansoff’s Matrix Help YOU As A Strategic Marketer? 1 - Provides a focus for a company and the strategic direction that is required to achieve buy-in 2 - Simple to use, four components to consider leading to four top level strategic directions 3 - Review a number of strategic directions using two factors and in turn analyse the risks associated with each Music Featured on this Podcast: Sleepy in the Garden Lobo Loco www.musikbrause.de  Creative Commons License

On this episode of the show, the boys discuss their top 10 retro games for parties and holidays. The list ranges from the Super Nintendo and Genesis/Mega Drive all the way up to the Wii and beyond. They also discuss their top 5 modern party games! • Follow us @wiowpodcast on Twitter and Instagram for more retro game content as well as updates on the show! • Join us on Discord: https://discord.com/invite/kQ9nV6f • Everything else that we're doing: https://linktr.ee/wiowpodcast _______________________________________ EXTRA LIFE [RAISING MONEY UNTIL THE END OF THE YEAR!]: https://www.extra-life.org/ Dan & Jordan's Donation Page Join the Worth it or Worthless Team if you want to participate! Our stream: https://www.twitch.tv/wiowpodcast _______________________________________ SHOW NOTES: Our Retro Game List: Bomberman - [Jordan] Halo - [Dan] Mario Kart - [Dan & Jordan] Mario Party - [Dan & Jordan] NBA Jam - [Dan] NFL Blitz - [Dan] Perfect Dark - [Dan] Super Smash Bros. - [Dan & Jordan] Tetris (Multiplayer) - [Jordan] Worms Armageddon - [Jordan] _______________________________________ Our Modern Game List: Castle Crashers - [Dan & Jordan] Killer Queen Black - [Jordan] Overcooked - [Dan] Towerfall Ascension - [Jordan] You Don’t Know Jack & Jackbox Party Packs - [Dan & Jordan] _______________________________________ Videos: Evolution of Bomberman Games 1983-2018 by Andrew Louis on YouTube Mario Party 3 (N64) - Story Mode Longplay by Mariofan 98 Longplays on YouTube Magical Tetris Challenge For the Nintendo 64 Two Player VS by Airdondon on YouTube Nintendo 64 Longplay [034] Worms Armageddon by World of Longplays on YouTube Killer Queen Black (Switch) Review by Nintendo World Report TV _______________________________________ Music: Track: Song of Healing [YouTube] Artist: Mikel [Spotify] Album: Zelda & Chill 2 [Spotify] Label: GameChops: http://gamechops.com/ _______________________________________ Segment Break Music: Track: Outset Island [YouTube] Artist: Mikel [Spotify] Album: Zelda & Chill 2 [Spotify] Label: GameChops: http://gamechops.com/   Track: Zelda's Lullaby [YouTube] Artist: Mikel [Spotify] Album: Zelda & Chill 2 [Spotify] Label: GameChops: http://gamechops.com/ _______________________________________ - GameChops music is provided with a Creative Commons License: https://creativecommons.org/licenses/by-sa/4.0/

Welcome to Weird Web Radio! I want to let you all know that I and my family are fighting off the Covid virus. As of today - November 23rd - I'm on day 10. Covid has a real nasty way of letting you think you're winning and roaring back even harder than before. That was yesterday and last night. I appreciate all the well wishes, blessings, and even magic being done on our behalf. I'll do the same for all out there also fighting this terrible virus. Please be safe out there and wear your mask. That part out of the way, it's time to tell you what's up with this episode! Meet Meredith Graves! Meredith is a delight to talk to. She has this way of making you feel like you've just chatted with your best friend. Her knowledge and passion for magic, horror, and even the Devil shine through in this interview. I wish there was more time when we spoke. It's my hope she returns for a part two soon. Meredith's bio: Meredith Graves is a lifelong practitioner of witchcraft and magic, whose enthusiasm for the Art permeates her career and cross-disciplinary creative practice. She is a musician, author and lecturer whose recent history includes two years as the host of MTV news, and her current position as a community Outreach director for Kickstarter (which she gleefully admits is covert money magic, all damn day).  Meredith on The Web: Instagram - https://www.instagram.com/gravesmeredith/  Witchstarter on Kickstarter.com Enjoy the Show! Stay Weird, my friends! Want to know what Meredith plans concerning the 90's Occult?! We go dive into weirder and even more personal thoughts on the Bonus Audio! All that and more in the members only bonus audio extended interview! Join here! It's time to sport a new look? Hell yes! Check out the Official Weird Web Radio Store for Shirts, Hoodies, Hats, and more! Real quick! Do you want a Tarot Reading from an international award winning professional? Look no more! I'm here! Go to my site http://tarotheathen.com to reserve your reading today!   Are you dealing with Stress & Anxiety? I'm a Certified Professional Hypnotist, NLP Practitioner, and Meditation Coach with solutions to help you take back your mind! Find out more at https://althypnosis.com You can also come join the Facebook discussion group here: https://www.facebook.com/groups/weirdwebradio/ New Instagram for Weird Web Radio! Follow for unique content and videos! https://www.instagram.com/weirdwebradio/ You can make a One-Time Donation to help support the show and show some love! Is this show worth a dollar to you? How about five dollars? Help support this podcast! That gets you into the Weird Web Radio membership where the extra goodies appear! Join the membership at patreon.com/weirdwebradio or at weirdwebradio.com and click Join the Membership! SHOW NOTES: SUBSCRIBE ON iTunes, Stitcher, YouTube and Spotify! Also streaming on mobile apps for podcasts! Intro voice over by Lothar Tuppan. Outro voice over by Lonnie Scott Intro & Outro Music by Nine Inch Nails on the album ‘7’, song title ‘Ghost’, under Creative Commons License.  

Download: MP3-DateiThemenHonor wird verkauftHonor V40 - Erste Infos zur KameraSamsung könnte Galaxy S und Note-Reihe zusammenlegenTipp: So wechselt man von Google Photos uns sichert seine BilderMediatek kauft Intel Enpirion Power Chip GeschäftsbereichTelegram ist nicht sicher lt. HeiseHuawei News, u.v.m. App der WocheSniper3DAssasin - SpielLine-Community: The Netcasts | Intro and Outro from zero-project. Title: Infinity. Track licensed under Creative Commons License 3.0 BY-SA.

Rubrique:nouvelles Auteur: andre-theuriet Lecture: Daniel LuttringerDurée: 12min Fichier: 8 Mo Résumé du livre audio: Extrait des Contes forestiers, une mélancolique nouvelle d'amour. Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Radio Crystal Blue, in its 21st year online, is a freeform-oriented podcast that features music and news of both indie and established songwriters and bands. HOW TO LISTEN: Mixcloud: http://www.mixcloud.com/radiocblue Stitcher: http://www.stitcher.com/podcast/radio-crystal-blue Anchor: https://anchor.fm/radiocblue Anchor RSS: https://anchor.fm/s/d45a80/podcast/rss Apple Music: https://itunes.apple.com/us/podcast/radio-crystal-blue/id1358998494 Overcast: https://overcast.fm/itunes1358998494/radio-crystal-blue Pocket Casts: http://pca.st/J7ff Castbox: https://castbox.fm/channel/id1204385 Breaker: https://www.breaker.audio/radio-crystal-blue Spotify: https://open.spotify.com/show/6Wlzu3cFXU5LAYAvGx4u4T Radio Public: https://play.radiopublic.com/radio-crystal-blue–GEzylN Google Podcasts: bit.ly/2KS802i Internet Archive: https://archive.org/details/rcblive-111620 mp3: https://radiocrystalblue.files.wordpress.com/2020/11/rcblive111620.mp3 Player.fm https://player.fm/series/radio-crystal-blue NEW: Amazon Music: https://music.amazon.com/podcasts/a7049581-79d4-44dc-9d93-20a0f95fc0aa/Radio-Crystal-Blue Ask Siri, or Alexa, to play Radio Crystal Blue. This show, #867, was published on 11/16/2020. Running time: 3 hours, 15 minutos Closing music: Pharaoh's Daughter "By Way Of Haran" - Haran CD www.pharaohsdaughter.com Host: Dan Herman Co-producer: DJ Flowerdove Twitter: @flowerdove2168 Recorded in stereo to 128 kbps bitrate, 44.1 Hz in mp3 format, using Audacity software. All content is free to listen and share, via Creative Commons License, version 4.0, non-derivative, non-commercial, full attribution. This means this work must not be remixed, transformed, nor edited publicly, further upon its publishing, without express permission. Further, full credit must be given to me, (Dan/Radio Crystal Blue), when citing this work. Further still, none of this work is intended for commercial purposes. More info: http://www.creativecommons.org Please listen and enjoy these shows responsibly. Hey, no content on any podcast is ever free from judgement, or suggestion, of offensive use. To that end, be assured that Radio Crystal Blue, despite any such content, does not intend to offend, or cause harm, to any party, or parties, with the distribution of these programs. The Internet's longest-running, adult alternative music station - established, in the year: 2000. EMAIL: dan@radiocrystalblue.net PHONE: 215-995-2234 Facebook: Dan Herman & Radio Crystal Blue Twitter: @radiocblue **************** --- Send in a voice message: https://anchor.fm/radiocblue/message Support this podcast: https://anchor.fm/radiocblue/support

Radio Crystal Blue, in its 21st year online, is a freeform-oriented podcast that features music and news of both indie and established songwriters and bands. HOW TO LISTEN: Mixcloud: http://www.mixcloud.com/radiocblue Stitcher: http://www.stitcher.com/podcast/radio-crystal-blue Anchor: https://anchor.fm/radiocblue Anchor RSS: https://anchor.fm/s/d45a80/podcast/rss Apple Music: https://itunes.apple.com/us/podcast/radio-crystal-blue/id1358998494 Overcast: https://overcast.fm/itunes1358998494/radio-crystal-blue Pocket Casts: http://pca.st/J7ff Castbox: https://castbox.fm/channel/id1204385 Breaker: https://www.breaker.audio/radio-crystal-blue Spotify: https://open.spotify.com/show/6Wlzu3cFXU5LAYAvGx4u4T Radio Public: https://play.radiopublic.com/radio-crystal-blue–GEzylN Google Podcasts: bit.ly/2KS802i Internet Archive: https://archive.org/details/rcblive-111620 mp3: https://radiocrystalblue.files.wordpress.com/2020/11/rcblive111620.mp3 Player.fm https://player.fm/series/radio-crystal-blue NEW: Amazon Music: https://music.amazon.com/podcasts/a7049581-79d4-44dc-9d93-20a0f95fc0aa/Radio-Crystal-Blue Ask Siri, or Alexa, to play Radio Crystal Blue. This show, #867, was published on 11/16/2020. Running time: 3 hours, 15 minutos Closing music: Pharaoh's Daughter "By Way Of Haran" - Haran CD www.pharaohsdaughter.com Host: Dan Herman Co-producer: DJ Flowerdove Twitter: @flowerdove2168 Recorded in stereo to 128 kbps bitrate, 44.1 Hz in mp3 format, using Audacity software. All content is free to listen and share, via Creative Commons License, version 4.0, non-derivative, non-commercial, full attribution. This means this work must not be remixed, transformed, nor edited publicly, further upon its publishing, without express permission. Further, full credit must be given to me, (Dan/Radio Crystal Blue), when citing this work. Further still, none of this work is intended for commercial purposes. More info: http://www.creativecommons.org Please listen and enjoy these shows responsibly. Hey, no content on any podcast is ever free from judgement, or suggestion, of offensive use. To that end, be assured that Radio Crystal Blue, despite any such content, does not intend to offend, or cause harm, to any party, or parties, with the distribution of these programs. The Internet's longest-running, adult alternative music station - established, in the year: 2000. EMAIL: dan@radiocrystalblue.net PHONE: 215-995-2234 Facebook: Dan Herman & Radio Crystal Blue Twitter: @radiocblue **************** --- Send in a voice message: https://anchor.fm/radiocblue/message Support this podcast: https://anchor.fm/radiocblue/support

Radio Crystal Blue Novus Ordo, in its 13th year online, airs biographical information and music of emerging songwriters and bands. HOW TO LISTEN: Mixcloud: http://www.mixcloud.com/radiocblue Stitcher: http://www.stitcher.com/podcast/radio-crystal-blue Anchor: https://anchor.fm/radiocblue Anchor RSS: https://anchor.fm/s/d45a80/podcast/rss Apple Music : https://itunes.apple.com/us/podcast/radio-crystal-blue/id1358998494 Overcast: https://overcast.fm/itunes1358998494/radio-crystal-blue Pocket Casts: http://pca.st/J7ff Castbox: https://castbox.fm/channel/id1204385 Breaker: https://www.breaker.audio/radio-crystal-blue Spotify: https://open.spotify.com/show/6Wlzu3cFXU5LAYAvGx4u4T RadioPublic: https://play.radiopublic.com/radio-crystal-blue–GEzylN Google Podcasts: bit.ly/2KS802i Internet Archive: https://archive.org/details/rcbnew-111620 mp3: https://radiocrystalblue.files.wordpress.com/2020/11/rcbnew111620.mp3 Player.fm https://player.fm/series/radio-crystal-blue NEW: Amazon Music: https://music.amazon.com/podcasts/a7049581-79d4-44dc-9d93-20a0f95fc0aa/Radio-Crystal-Blue Ask Siri, or Alexa, to: "Play Radio Crystal Blue". This show, #492, was published on 11/16/20. Johnny Rivers "Ashes & Sand" - Land Of Dreams CD www.johnnyrivers.com Margie Singleton "Never Mind" - (t/t) Never Mind EP www.margiesingletonmusic.com Shane Martin "Almost" - Anywhere CD www.shanemartin.com @ShaneMartinBand The Jess Novak Band "Place Of Solitude" - Standing Now EP www.jessrocknovak.com @JessRock87 Golden Shoals "Dawn Of A New Morning" - (s/t) CD www.goldenshoals.com Trae Sheehan "Changed" - Postcards From The Country CD www.traesheehan.com @TSheehanmusic Twisted Pine "Fogo De Chow" - Right Now CD www.twistedpineband.com @TwistedPineBand Fred Gillen, Jr. "When The Ravens Came" - Birds CD www.fredgillenjr.com @fredgillenjr ******* Running time: 59 minutos Closing music: DJ Flowerdove "Dissent" Host: Dan Herman Co-Producer: DJ Flowerdove Twitter: @flowerdove2168 Recorded in stereo to 128 kbps bitrate, 44.1 Hz in mp3 format, using Audacity software. All content is free to listen and share, via Creative Commons License version 4.0, non-derivative, non-commercial, full attribution. More info: http://www.creativecommons.org EMAIL: dan@radiocrystalblue.net PHONE: 215-995-2234 Facebook: Dan Herman & Radio Crystal Blue Twitter: @radiocblue **************** --- Send in a voice message: https://anchor.fm/radiocblue/message Support this podcast: https://anchor.fm/radiocblue/support

Rubrique:histoire Auteur: jules-michelet Lecture: Daniel LuttringerDurée: 1h16min Fichier: 55 Mo Résumé du livre audio: Essai paru dans la Revue des deux mondes en 1837. Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Este y otros programas también en nuestra web www.comunidadgetafemedia.es Programa variado el de esta semana el que ha realizado este vencindario al salir como cada viernes a La Escalera. Estábamos poquitos y como hace frio nos hemos metido todos en el ático A, con el brasero en la mesa camilla. Hemos repasado la actualidad de la V edición de #DepoesíaporGetafe que comienza el 21 de noviembre en la localidad, después hemos recogido con Juanjo García, los problemas que esta sufriendo el sector cultural por el COVID-19 y para finalizar, hemos hablado con Raquel Beteta, del Consejo De Mujer de Getafe. CONTENIDO DEL AUDIO Música que aparece en el Podcast. 01. Motivational. Scott Holmes http://freemusicarchive.org/music/Scott_Holmes/~/Motivational 02. Summer Fun. Scott Holmes http://freemusicarchive.org/music/Scott_Holmes/Music_For_Media/Summer_Fun_-_Scott_Holmes 03. Kick Back. Mahogany Marie. http://freemusicarchive.org/music/Mahogany_Marie/Kick_Back/Kick_Back 04. Right Brain (FREE DOWNLOAD). Pokki DJ https://www.youtube.com/watch?v=kTdXHnxbBf8&app=desktop 05- Born_Free. Pokki_DJ https://www.jamendo.com/track/1179546/born-free?language=es 06. Colors (FREE DOWNLOAD). Pokki DJ https://www.youtube.com/watch?v=Eirc8AYxANc 07. Paper Planes - Durden ft. Airtone by DURDEN (c) copyright 2016 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/DURDEN/55041 Ft: Airtone 08. Hola, hola Bossa Nova. Juanitos http://freemusicarchive.org/music/Juanitos/netBloc_Vol_24_tiuqottigeloot/Hola_Hola_Bossa_Nova 09. KISS DE SKY. SCOTT HOLMES http://freemusicarchive.org/music/Scott_Holmes/Music_For_TV__Film_Vo_3/Kiss_The_Sky 10. I dunno by grapes (c) copyright 2008 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/grapes/16626 Ft: J Lang, Morusque 11. Waves of change. Scott Holmes http://freemusicarchive.org/music/Scott_Holmes/~/Waves_Of_Change 12- Penny Whistle Created by Jason Shaw. Released under Creative Commons License 3.0. http://audionautix.com/ 13- Acoustic Rock Created by Jason Shaw. Released under Creative Commons License 3.0. http://audionautix.com/ 14- Mountain Sun Created by Jason Shaw. Released under Creative Commons License 3.0. http://audionautix.com/ 15. ELEMENTARY. SCOTT BUCKLEY http://www.scottbuckley.com.au/library/elementary/ 16. JOURNEYS. SCOTT BUCKLEY http://www.scottbuckley.com.au/library/journeys/ 17. RAINBOWS. SCOTT BUCKLEY http://www.scottbuckley.com.au/library/rainbows/ 18. UTOPÍA. SCOTT BUCKLEY http://www.scottbuckley.com.au/library/utopia/ 19. Blue Circles by unreal_dm © copyright 2011 Licensed under a Creative Commons Attribution license. http://dig.ccmixter.org/files/unreal_dm/33850 Ft: CSoul 20. A Foolish Game by Alex © 2014 Licensed under a Creative Commons Attribution (3.0) license. http://creativecommons.org/licenses/b... dig.ccmixter.org/files/AlexBeroza/46258 Ft: Snowflake, Admiral Bob, SackJo22, Martijn de Boer 21- Guitalele's Happy Place by Stefan Kartenberg (c) copyright 2017 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/56194 Ft: Kara Square (mindmapthat) 22- Soundscapes. Ignacio Nuñez. © 2015 Licensed under a Creative Commons Attribution. https://soundcloud.com/igabyss/soundscapes 23- Equilibrium (2018) RON GELINAS https://www.jamendo.com/track/1557512/equilibrium 24- By By Baby by Stefan Kartenberg (c) copyright 2016 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/54266 Ft: Blue_Wave_Theory, Silke Schmiemann 25- Yerbaguena by Gnawledge is licensed under a Attribution-NonCommercial-ShareAlike License. 26- Mamá Patxanga. Me importa. https://mamapatxanga.bandcamp.com/track/me-importa. From Aliwbili, © 2014 Licensed under a Creative Commons Attribution. 27- Mamá Patxanga. Vente. https://mamapatxanga.bandcamp.com/track/vente. From Aliwbili, © 2014 Licensed under a Creative Commons Attribution. 28- Mamá Patxanga. Míralo bien. https://mamapatxanga.bandcamp.com/track/miralo-bien. From Aliwbili, © 2014 Licensed under a Creative Commons Attribution. 29- Scarborough Fair (TinWhistler & Ignacio Núñez) © 2017 Licensed under a Creative Commons Attribution. https://soundcloud.com/igabyss/scarborough-fair-tin-whistler-ignacio-nunez 30- https://www.hooksounds.com/royalty-free-music/summer-2/898724/ 31- https://www.hooksounds.com/royalty-free-music/summer-vibe/904233/ 32- https://www.hooksounds.com/es/royalty-free-music/wide-and-strong/297271/

Rubrique:nouvelles Auteur: jules-moinaux Lecture: Daniel LuttringerDurée: 16min Fichier: 12 Mo Résumé du livre audio: Parue dans le recueil Le Monde où l'on rit, une fort drôlatique nouvelle de Jules Moinaux (1815-1895). Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Subscribe: Let us do the hard work and send the podcast to you: https://bit.ly/2NZjODA  Review: Share the love and leave a 5* review from your phone: http://getpodcast.reviews/id/1375904962  (from anywhere else hit the ‘Write a Review’ button in the Apple Podcasts app or iTunes) Guest: John Espirian Topic: Marketing and Bad Practices (Social Media) Discussion Points • Automation • Communicating • Being generic • PODS! • And a bit of footi Enjoy the Episode - Happy Marketing! Website Thingy: www.marketingstudylab.co.uk  The Professional Bit: https://www.linkedin.com/in/petersumpton/  Facebook Community: https://www.facebook.com/groups/marketingstudylab/  Tweet Tweet: https://twitter.com/cousinp81  Transcript (this transcript isn’t 100% accurate but provides a decent representation of the conversation – soz for any confusion) Peter Sumpton And we're back live on a Friday. And my guest yet again, I've got another guest because no one wants to be alone on a Friday evening delay. And what better guest to have on a Friday than John Espirian. The legend that is. So, John, I'm not going to do your intro. I'm sick of introducing you to be phased in. I'm a podcast twice. I always talk about you on multiple podcasts. So I'm gonna let you do your own intro this time. But enough of me and this is my last time. Yeah, absolutely. John Espirian Yeah, I'm john, Experian. I'm a technical copywriter by trade, I also call myself a LinkedIn nerd, because I've been researching this platform for bloody forever. So I help people with their LinkedIn profiles, I write content for their websites, and try to be an all round most guy where I can. But I'm not gonna be a nice guy today, I think we're gonna have a bit of a moan we can today about social. Yeah, and why not? I think, as always just introduce what we're doing here today. So we're live on Facebook, LinkedIn, and YouTube. If you have any comments, just please post them below as we as we go along. But the reason I do these lives on a Friday is to have a bit of a general chat with somebody about marketing, and, and then whatever that might be. So today, it's social media, bad practice, but let's just call it a social media moan about things that we do what other people do, should I say No boss, obviously, because we're squeaky clean, that other people do that just either bad practice, don't work shouldn't be done. You wouldn't do that in real life. So why don't you do it on a social platform? Those types of things. But before we start, john, I've got a little quiz for you. It's just it's one one quick question. And I want you to tell me, who said this, okay. Don't ever try to sell me on anything. Give me all the information. And I'll make my own decisions. I believe that was Mr. Kardashian, wasn't it? Wait, I mean, your success rate must be so low. So I just think that sales approach just isn't for me. And I can't imagine that it works for anyone to be honest. I mean, you'd feel that there's that much around that it works for some people, but I don't know. I'd be amazed if to find somebody, I'm yet to find somebody in the listening, please speak up and say, do all the time. And it really works. Because we automate it to 60,000 people. And we get to people say, Yeah, well, this is the thing that we see back in the day, if it was, alright, you're going to be using an automation tool to spam loads of people through email, then you can even I didn't agree with that. Either, you can kind of at least see that the finances make sense, because it's not costing you any more to send a message to 500,000 people than it is to 5000 people, or many fewer so so then I can kind of see why automation will work. But on social media, unless you're going to do it through the automated route, then I don't see any any reason why you would try that because it would take me so much effort to get a single lead out of that approach, that maybe people are just automating. And that's that. That's another one of the bad practices is just the the process of doing what I would call Front of House automation is a bad thing, you know, so So I mean, I talked about this in content DNA, it's it's back of house automation is all right, you know, the stuff that you can't see, that makes the business's processes smoother, but that isn't detectable at the front end. That's cool. And that's smart. But front of house, you know, where you can see that they'll start a message with Hey there. Okay, what's automated? You know, just something that obviously looks like it's boilerplate text. I just can't imagine that that that works on the modern social media. Use it definitely doesn't work on me. And I think I know a lot of people actually a lot of people who've been put off, I mean, LinkedIn specifically, but I'm sure this happens everywhere, because they'll say, is just full of sales pitches. Uh huh. And so, you know, it's actually, you know, it's damaging, because the people who might actually have something interesting to say thinking stuff this for a game of soldiers, I'm not going to hold on where someone's just going to be bombing my inbox with all sorts of rubbish. Peter Sumpton I'd love to know if even down to the point of view of, we've got this new product out now, as a post. I'd love to know if that's ever worked for anybody. And I suppose it must, in some industries? Absolutely. But in general on LinkedIn, I'd be amazed if that is a good tactic to to utilise in, in anything on LinkedIn just seems a bit crazy to me. John Espirian Yeah, I think we need to earn the right. Mm, ourselves. And so you know, I've heard some marketers say, well, maybe one in five of your posts could be promotional, maybe one in 10 of your product could be promotional, maybe one in 20 of your posts, it depends on who you listen to. But I think you've got to make sure that you you do something that educates and informs and entertains to earn the right to pitch to people. Peter Sumpton And there's a way of doing that. Yeah. And and the thing that I like about the way you go about what what you do, from your website to social and I suppose we'll we'll cover it in in a little while in terms of being the same everywhere, is that you don't you don't sell you educate, but you do it from the point of view of very much openness and transparency, there's not a lot to hide in terms of what you offer from a business perspective. And what you tell people, you know, you're up front with your rates, you're up front, you push them promote the industry, and other people in it. And it's like, it's just all for the good, really, and why wouldn't that be a thing? John Espirian Yeah, well, I think a lot of people have got that that kind of scared competition mindset. Yeah, you know, the big realisation that most people don't have is that your biggest competitor isn't the guy down the road, who does the same thing as you, the biggest competitor is complete inaction, isn't it, your way your brain is tuned to try and conserve energy not have to make hard decisions. And easy decision for it to make is to do nothing. Mm hmm. Conscious brain is the easiest thing is to do nothing. So that's the competitor you're dealing with. So if you if you're battling that foe, you've got to make it as simple and frictionless and trustworthy to deal with someone as possible so that you can move them to that point where they actually do want to do something. And you're not going to do that by hiding stuff. You know, I think that those days are over now, you know, you can't, you can't keep secrets on the internet. It doesn't work like that. So So I think, you know, quite apart from the fact I think it's just the ethical thing is just to tell people the truth as much as possible. I just think it's the smart business thing to do. I mean, when it comes to decision, who are you going to trust the person who lays out all of the facts, and even some of the flaws? Or someone who just says, you know, shiny, shiny, everything is brilliant. Let's get into a consultation. We'll talk about prices later. Well, no, that's not going to work. You've got to, I think you've got to be more and more transparent. And we'll we'll eventually reach a point where the only successful businesses are the ones who actually do share everything up front. And people can make an informed choice. And there'll be less hoodwinking, hopefully in the future. Peter Sumpton The ones the one thing I've noticed of my career, I suppose we're going to a bit of a tangent, I'll bring it back in a moment. But the one thing that I've I've noticed over over my career is that if you do that standard, go to an event which those event things still exist somewhere in the world. If you if you go to an event and you say, how's business, and the answer is good. That means it's terrible. It's like why wouldn't you just say, Well, I'm actually struggling at the moment to be fair, you know, welcome to business so if if you know anybody that can benefit from what we've got to offer, you know, let's let's connect that I don't understand why there wouldn't be that that honestly I've never got that. John Espirian Yeah, yeah, totally. Peter Sumpton So because you can't have your standard background I feel like I should pick John Espirian my brain blue This can't be right this is not right. And this this this this whole thing is blue in front to me now. Peter Sumpton I very treatable Garrison's. For people that don't know is that well, I'm currently sat in an office in the centre of the champions of England. So in Liverpool City Centre, which is cool England as we know likes to tell people even. And this isn't rock Far from it, but fabulous book. I was talking about this book and talking about it. I'm sure it was yesterday. And yes, it was yesterday with with both our friend, Nicole Osborne. And I can, I can just nice little thing then at the bottom six times, there you go loving. And you're sorry, John Espirian I hope that's out of date soon. Peter Sumpton Yeah. But the thing that I was saying is that i've i've don't read many books, but I've read this book because it was just dead easy to read. It's not too long. It's full of valuable information. And this isn't me blowing smoke up your ass. This is me being perfectly honest. But the thing that I intended to do in life gets in the way is go back through it, and start to mark up the elements that I need to have in my business. And I haven't done that. In fact, I've got two pages in my diary of notes from it. And that is it. But that is on my to do list. So just wanted to highlight the fact that anyone that's listening, check out content DNA, because it's, it's a really good read. It's simple to read and understand what you need to do. And it's just about applying it. And like you said, it's my brain that stopped me from doing that more than anything, because time isn't. Time is never an excuse. John Espirian Yeah, I think I think I mean, your case you've got there, you've got the whole Lego thing going on. And isn't that mark, memorable kind of hook that you've got there? And you know, most people who've seen me on LinkedIn, know that, you know, I'm wearing and now I've got my bitmoji on. And it's like, it's almost like a bit of a cornerstone, isn't it? It's like, you want to occupy that space in people's mind that says, Oh, yeah, it's that guy who does whatever. And they've got really quick and easy way of remembering them. So if that if that Lego marketer is that cartoony, LinkedIn guy, I mean, I'm not saying that everyone needs an avatar in that same way. I think everyone needs a hook. Definitely. Because everyone's coming in the sea of sameness, aren't you? But Peter Sumpton yeah, yeah. And if you if you can link that to your personality, or who you actually are, which I think we both do that, then you're on to a positive thing, because regardless of what how people say it, you know, like, Oh, that's the Lego person or they, you know, they've got that cartoon character that is about them and linked to them. It's that link, it's that association. And it makes it memorable, because they've actually remembered it. They might not remember that the exact phrase or what it is, but they've remembered it because it stands out, like you say, John Espirian yeah, that's the thing. And it's what a lot of people don't do, and they end up kind of being actually they ended up doing what I used to do before, you know, short of a few years ago, where I was just too scared to be myself. And so you end up being really generic in what you do, you know, you just end up really being if you even if you're not a boring person you come across as being really boring and just be you forgettable. And what's the point? What's the point of being on social media, if you're not going to be yourself? discussion the other day and just seeing someone's writing and thinking that's not? That's not right. That's not them. Not? They're not like that. What are they writing like that? They're just, it's, it's, you know, I mean, there are many worse practices on social media. But honestly, if you're not yourself, then you're going to attract the wrong people, or you're not going to attract anyone, in which case, what's the point in any of it? You know, yeah. People you want people to when they actually get into a phone call, or a zoom call, or meeting you in person, if that's ever going to be possible again, and you want them to go, Oh, yeah, you know, you're exactly the way you were in your LinkedIn, or on your website or whatever. You don't want to give people that shock to the system. Like, oh, you're actually really funny and Peter Sumpton well expected. John Espirian Or worse, you know, you've got you've paid someone to, to make you look really polished and funny and whatever online. And actually, you can have delis teach water, but it's just probably the worst. I hate seeing those kind of disconnects. You know, where, where it doesn't all line up. Just that does my head in to be honest. So I won't get as open and honest and real as they can if if you are then then I think you know everyone has something interesting to say you can you can get on quite well with with with social media. That's that's what I found the last years. I just relaxed. I've just been myself. And hey, it's working out. Peter Sumpton Yeah, absolutely. which is which is brilliant to hear at one thing, just just leading on from there. So we both come from a corporate background or we have worked in in those industries before. How and I think you alluded to just then but how long did it take for you to wash that out? Have your system John Espirian probably I'd say about five or six years really relax into into my voice. It took a while, you know, I mean, social media when I, when I set up my own business, I did set up a website Pretty soon, but I didn't get into social media straightaway. So it's kind of a late adopter. And yeah, you know, you're so used to kind of, you've got to wear a shirt and tie mindset. It takes you a while to let go of that and think actually, does anyone care? Like, wouldn't they just rather have a real conversation with a real person? So yeah, sorry, it did take me a while. So it's all very well and good, me telling people, hey, you need to just relax and be yourself. So I can't I can't lecture anyone on this. I'm just, it works when you do. So try to find a way to do it quicker than five or six years, because it will really benefit you if you can. Peter Sumpton But it can be it can be really hard. In Iceland, I sometimes start writing something and then I look back at a sentence and think, why have you written Haha, that's just not. That's not even how you even speak, let alone right? Like, what what are you doing? And then I'll delete and rewrite it because it takes a while to to watch out, I think. John Espirian Yeah. Yeah, it's one of the things I say in the book, actually, it's just the best thing you can do is read your own writing out loud before you commit it to the digital page. And if it doesn't sound like you, you better you better edit it, because someone's gonna see the gaps. You know, someone's gonna guess that, you know, you're not saying something right there. So yeah, it's really important that three important tip to get your content writers to read out loud. Peter Sumpton So yeah, I agree. And I put myself in that bracket. I don't. I'm more of a writer and go kind of bloke and I know I need to work on that. Because sometimes, like typos are my nemesis. But I'm not the best copywriter in the world to be fair, so yeah, I try. But what I'd like to do is focus on an Oh, we've been talking around these topics, but some of those things that really get our go or grind our gears or bad practices on social and things that people can if, if anyone's watching or listening can look to avoid, because it's just like, No, just don't, you might have seen it work. And someone's ended up with 50,000 followers, and they get engagement every single time they post. But I think really like is that just all fluff and rubbish, which it probably is. But that was the first one that interests me is automation. Yeah. So let's just have a quick chat about automation on social platforms. John Espirian Well, I think, again, this is something I used to do. So hey, you know, I'm a reformed, reformed Automator. Back in sort of 2016, I thought that social media was popping on to a scheduling tool for 20 minutes on a Sunday evening, lining up a load of blog posts and other interesting stuff that I've come across during the week, and setting it to shedule throughout the following week, and then getting on with something else. And that was that was social media. And a lot of people still do that. Or they buy actual media manager who does that for them. That's not social media at all. That drip drip bought broadcasting, isn't it? It's not social media, you just putting stuff out, it gets zero likes and comments, and everyone ignores it. What's actually social media isn't about that kind of automation. When I when I came to realise that that wasn't the right way of doing things, when actually thought maybe the best way to do it is actually to be social actually engage in conversation, and, you know, engage on other people's posts, respond to people who are looking at my posts, try and have conversations with them in public and in private through direct messages. You can't automate any of that. You could, I suppose you could pay someone to do that bit for you. But that's just taking the task off your desk, and giving it to someone else who has to become a mimic for you, well, they're probably not gonna be able to do that either very well. But certainly just automating the broadcasting bit on its own isn't gonna work. If you automate the broadcasting and also are around to engage with people and go and seek out other content that you can comment on or, you know, collaborate with and have private conversations. If you're around to do those bits, then then brilliant, but without those bits, your social media ain't very social, and you're not going to get really any results from it. I I can't think of anyone that I know who does do. Just that. broadcasts broadcast broadcast and gets results, apart from the mega influences. So if you're someone who's got a million followers, you can do that. Because Enough of your followers have built up enough loyalty with you that if you just announced some product or whatever, the you know the going by it, and it's not a problem, you can just broadcast don't need to reply to anyone. It'll work. But but you know that that's a vanishingly small proportion of the, the, the social media user base, most people can't get away with that. Peter Sumpton Yeah, I think you've almost got certain certain levels as well. So you've, you've got that bottom tier where you need that interaction, you need that engagement, you need to be on the platform, it needs to be you need to start building and developing and lo and behold, being social, imagine that. But like you said, then there's almost that crossover to well, how big are you actually getting? And how, because if we're, if we're taking that from the point of view of it's a social platform, we need to be social? Well, if you've grown that follow into X amount, then you can't reply to everybody, and you can't be everywhere all the time, then how big are you going, but you're almost like a company rather than a person. And then I think you're in a, in a different realm of what people want to hear from you and how you communicate with them. Anyway. John Espirian Yeah, I mean, I've kind of I've actually wrestled with that problem myself. I haven't really solved it yet. But I'm thinking I know that, if my and, and apologies for just focusing on LinkedIn, but that really is my strong suit. But I know that if I keep growing my LinkedIn following at the same rate that I am now, then it means that in a year's time, I'll have about 60,000 followers, which is quite a lot, right. And, and it wouldn't be that long from there to go to maybe 100,000. Because of course, that kind of snowball effect isn't there, because once people can see someone with a lot of followers, they go on follow them, we actually becomes a lot easier to gain massive numbers once you get to quite big. Whereas kind of going from 1000 to 2000, might be a real slog, but going from 50, to 60,000, actually is probably a walk walk in the park, right? So there comes a point where if you do grow, to be to become really, really big, but then the only way to manage it would then to be to get help, some kind of help, but you have to make sure that your business can sustain it, you know, so, so growing your following really that means that you should be getting more and higher quality business, you know, set either selling more product or, or selling more valuable services so that you can actually support the growing following. Because otherwise, if you're if your income and your available time stays the same, then yes, you're absolutely right, you will hit a point where you're going to go, I'm trying to do all of this myself, but I actually can't service any more people, then then, you know, you'll probably hit some kind of ceiling. But I think that the thing that's given me comfort is I was looking back at something that Kevin Kelly wrote a while ago about this, this idea of 1000 true fans, you know, you need to get the really hardcore people who are in your audience, they'll do your marketing for you, they'll do for you. If you've got more followers than actually you need that that's not you know, it's not really a problem. You need to service the real hardcore fans, we're going to take your message out to the masses. Yeah. And for most businesses, unless you're a kind of stalking, high selling low kind of business. You don't need, you don't need thousands and thousands of people to turn into customers, you know, you might need 50 customers. Were the 10 customers. So does it matter? It may be it doesn't matter to think I've got to keep growing, got to keep growing. Got to keep growing. Maybe you don't. Peter Sumpton Yeah. And it's certainly something that I give a lot of consideration to, and certainly something that Yeah, I wrestle with quite a lot into I see things like and we'll come on to it in a minute. But we're really interested in chat thing, but I see things like butt pods, and let me explain where I'm going here. But I see things I like to see things like automation, and I see things like that clearly not them posting it. And I know some people on LinkedIn that don't do that posting. They do some engagement with that with them. But they don't do that posting and some part of me thinks, yeah, I get that to a certain extent because it grows in businesses. It's, it gets you more. It gets you to people, sorry, let me face that. It gets more people viewing your content, whether they're the right people, that's debatable, but then you're more exposed. People, more people see you because like you were saying it kind of snowballs. And then once you're there, then people could start to resonate. But then there's that other side. That's like, that's just completely unethical. It's like, why would you do these practices? What, what's wrong with building slow and going slow, because you're one person at the end of the day, and yet you might build a team around you. But so it's one thing that really, really, I, I wrestle with all the time. And it goes back to what you're saying it's don't focus on the number, because if you if you ever listened to Seth Godin at all, he always mentions the Grateful Dead. And I don't think they had, I think they either had one number one hit, or they had a one top 10 hit. And they were absolutely huge, because they just focused on that core funds. And, and those core funds went to went to see them live like 50 100 times. Yeah. John Espirian Yeah, I think I think is it David? David meerman, Scott's got a book about the Marketing Secrets of the Grateful Dead something like okay, Peter Sumpton right. Okay. That's cool. John Espirian Yeah, they obviously they obviously knew their fans really well and profited from it. So yeah. Oh, yeah. pods. I mean, just wow. I think they are totally unethical. And I call in my, I've got a course called how not to be a LinkedIn loser. And in there, I just say that the pods are really like an unholy alliance between people who are often in different businesses. And that that is a real problem, I think, because you imagine that you're, you know, you're a marketer. And imagine that you're in a, you're in a pod. So it's a, for those who haven't been introduced to pods. They're sometimes formal, but usually a loose agreement between a group of people that when one person posts something, everyone else in that group will go And like and comment and share in order that the post will be seen by more people. But you know, if you're a marketer, and you're in a pod with a logo designer, and landscape gardener, the foreman pool technician, right, and then you know, you're going to be boosting their content by commenting on it. Well, first of all, that's going to take you some time to go and engage. But second of all, and possibly more importantly, you're going to be referring some of that content into the feeds of the people who follow you. So people, or you say, right, pizza mark, or I need some marketing knowledge. Brilliant, I'm going to follow Pete, I'm going to connect with Pete and therefore I'm following him. Great, I'm going to get some marketing insights. And then they see you say, you know, Pete commented on so and so swimming repair post, what, what's that about? And then he did on sound, sound logo design thing. Hang on, I'm here to learn about marketing study or whatever, that's not relevant to me. It's idea of, it's this idea of the extended content footprint, right? your content footprint is the stuff that you create directly. And obviously, you're in full control of that, what you're not quite in full control of is the fuzzy outline of it, the extended content footprint, which is all of the stuff that you interact with, has a chance of being referred into the feeds the people who follow you. And if that's not super relevant to them, there's they might unfollow you, and if they do unfollow, you probably never gonna get them back. And then you're essentially dead to them. So pod means that, you know, you increase the risk of that kind of thing happening. And also, you know, LinkedIn being the way it is, it'll, it will get more intelligent over time. And if it sees the same five people, or however many people commenting on something, within a few minutes of that thing going live, it might go, maybe they were primed to do that. Maybe they didn't see that naturally, and decided to comment on it. In which case, you know, LinkedIn are very, very happy to close you down, if they think that you're breaking the rules, they're pretty hot on their user agreement. So it's just a, just a generally bad thing to do all around. So in general, just that visibility for visibility sake, you unless you know, something more about, you know, the people are likely to see the content, it's probably not gonna be very valuable to you. And it's just a sign of bad practice is trying to cheat the system, trying to get quick, early engagement. And I don't think I don't think it really works. And the people who tend to be in the pods aren't posting the quality material. You know, you can it's just not very good stuff, but it's been boosted by others and, and experienced that can see through that, and I don't think it's going to serve them in the long run. Peter Sumpton So I've just been talking about pods on like, another group and it's a group of podcasters two completely different things, by the way, but let's just do that. Maybe just as in pods, and a group of podcasters, and we've got this group, and we share when we post things, but we don't we don't say, like, push my content, push my content, if it's relevant, then comment. If it's not, then it's like, yes, that's fine. I'm just gonna leave that. But we, you know, it's not it's not a pod. It's a group of people. And we come together, and we do like, group talks and stuff like that. And I think that's absolutely fine. It, it's this bad practice of, and to the worst extent, you pay to be in here, and we will boost your content. I haven't I mean, that's just, John Espirian yeah, I know, businesses based on that. I don't know how they're still operating, to be honest. Because it can shut down. But, you know, if you do get into any kind of arrangement like that, just just watch out. Because if someone look, right, if you're in a pod, and someone posts something that you disagree with, what you gonna do, you know, someone, vote Trump, and you go, Oh, God, hang on, I've just said that I'm gonna support all this stuff, and like and share and comment on it. Am I gonna call you out publicly? Probably not. Am I gonna have to support something I don't believe in Oh, dear. What, what do I do? How on earth do you kind of work that out? So you've got to make sure that you stay on the same page and be friendly about everything that you do. And if someone's posting complete Tosh, you've got to support it anyway. I just think it's bad practice. So yeah, what you just said, if you've got like minded people all working to the same goal, you know, in the same industry, and there's no mandate that says you must share this, you know, if you want, you can if you don't want to, that's fine as well, then then you know, that, that that's just a group of friends. Peter Sumpton And that's pretty much how it feels. It's Yeah, it's an amazing thing. John Espirian And, you know, there's, there's no problem with that, but but trying to formalise it and certainly paying for it cool. Yeah. Peter Sumpton Yeah. I mean, that that goes back to bad practices, such as we'll get you number one in Google, that really just talk talk me through that, God, just talk me through that. How are you going to do that? John Espirian And also dodging tricks with search engine optimization, I guess. But I guess that button links back to people being easy to dupe. It's sad. Peter Sumpton Yeah. John Espirian That That kind of thing could happen. But yeah, Peter Sumpton that's I was listening to a podcast once and I can't remember who it was that was on there. I'm sure it was eyes, podcast off Lago workshop, or whatever he wants to call it, because she's, she's an amazing person. But the person said, they said, Google used to be stupid. It's not anymore. And it's like, Yeah, you've got a point because the used to be some dark arts that worked to a certain extent. But no, Google's a little more sophisticated than that nowadays. And if anybody thinks that, or anybody tells you that they can get you number one for something. It's unless you're in that field, unless you've got that credibility, fundamental ly plus, but doesn't take into consideration anything else. Other people search, what they've been searching their location, all that kind of stuff. It's just a nonsense. John Espirian Yeah. Well, I mean, I think I can't remember the exact the exact way he phrased it, but Andy crestodina, in his, in his writing talks about, you know, Google is is a massive, massive business, and it hires the best people, and could easily have 10,000 100,000, let's say, have the world's best computer scientists working on their product, the new thing that you and your website can fool. Because if you do in the wrong game, they're gonna beat you aren't them. They're gonna suss you out. So if you if you want to match yourself against all those nerds in those lab coats who are working on this every day to serve up the best possible results, you're on your own loser, don't bother, just do this create content that actual humans would want to read and comment on and share. And that way Google will learn that you've got something of value Peter Sumpton Absolutely. So I want to finish on a positive let's let's try and do that for Friday evening. So what what tactics are what's working well on on LinkedIn right now what could people deploy that's what I'm not talking about the you know will will join apart and ultimately content not that kind of tactic I'm talking about his will video seems to be working quite well because and or just just standard copy LinkedIn stories that seems to be getting a push at the moment. You know, what's what's working well? John Espirian Well, I mean, every time LinkedIn producing new feature that tends to get a boost. So it hasn't been that long since LinkedIn polls have been out. So at the start, when someone would post a LinkedIn poll, it would get a lot of visibility, because it's a new feature. latest new thing on the block is LinkedIn story so that I only had that for only a week in the UK. But that has got high visibility in the LinkedIn mobile app, and is a really good way of getting engagement, actually, because I've only done a couple of stories so far, but I've had a lot of direct messages off the back of mind. And so and what that means is that you get into more conversations. And that's actually where all of the business happens is, is through public comments and private conversation. So the more things that you can do to spark those conversations, the more chance you are getting better success from LinkedIn. And so so do invest in in, you know, creating some stories, if you haven't already tried them. All of my stats show that text only will still work the best on LinkedIn versus image posts, which you know, that that flies in the face of everything. The other social platforms. So text only posts work really well, document posts work really well, because there's been, there's been a change in the LinkedIn algorithm a few months ago, which means that it now benefits, you know, it, it rewards people for high dwell time on a post. So in other words, the amount of time that someone spends looking at the post, okay, could, you know, correlates this in, to some extent, with the success of that post. So if you, if you create a video, then that then people have to watch that for a while if they can actually consume it in any way. So that's good for dwell time. And if you create a document post, so that's something like a slide, you know, PDF carousel slideshow thing. That's something that takes people a while to click through. But that also means LinkedIn will go, whoo, they're spending some time on this, it's probably good. Let's show it to lots of people. So videos and document posts get really good numbers. That's what that's where it's worth. That's where it's worth investing a little bit of time in creating that kind of content. And also, you've got there's, there's now a featured section, for LinkedIn profiles of your profile, you can feature your best piece of content. So whatever it is that you're promoting, it's a good idea to put that up in the top of this featured section so that people browsing your profile can learn a bit more about you. And as much as possible, leave your salesy stuff for your profile, and leave your explanatory helpful, you know, personality stuff for your content. So you know, content tells profile sells, think of it like that, put your put your you know, your more sales focused messages in your profile for the people who are going to do the due diligence on you and say, Peter Sumpton one thing I hadn't hadn't thought of there and you raised it, and it's a bit of a genius ploy in it makes more sense why LinkedIn have got stories on there is because you, you really need to start that communication, one to one on an individual basis to build that relationship. And it's very rare that you would have that conversation on a on a post in an open platform. That is Oh, yeah, I want to buy from you. Let's Let's char, but through a DM and that's what LinkedIn stories does. It diverts everyone into into your dm which, which is a genius move John Espirian now. Yeah, no, and it's worked for me, you know, one of my stories, someone's who'd been connecting with me for a while said, you know, they were thinking about, maybe they should hire me to create some LinkedIn content for them, and maybe they wouldn't have got in touch if I just done it. So it definitely can work. You need to, you need to have got over that earlier mindset thing that we talked about, about being yourself, because you can't be you shouldn't be a fake person, if you're going to be doing stories, because that's really quite broad. Just everyday stuff, isn't it? So you need to kind of be be comfortable with that. But also remember that people aren't expecting polished perfection, especially in in, you know, in in a story format, and it goes after 24 hours anyway. So you're not going to have kind of, it's not going to be something that's going to embarrass you, you know, six years down the line. it'll it'll be gone. So yeah, just share a bit of that bit of a personal story, a bit of what's going on in your day, the behind the scenes stuff. We really useful in in getting closer to your audience, I think. Peter Sumpton And I think I think we'll wrap it up here. But one thing you just said, Ben, I think he's just absolutely bang on. You just said that that person might not get got in touch if 100 on that. And that is just an absolute 100% reason why you should be creating valuable, interesting content for the people you want to attract. Because there's a lot There's a lot of lurkers, and rightly so because we all consume content and we don't comment, like or share or whatever. And you don't know who's watching and you don't know how helpful you're potentially being to that one person. And that's what I always think I always think, okay, if I post this or I have this live with, with with you, john, or whoever, as long as I'm helping that one person as long as one person gets a little bit of value or thinks that's a good idea. I'm happy with that. Transcribed by https://otter.ai  Main Intro Music Featured on this Podcast: Intro 1N15 Setuniman http://www.setuniman.com/  Creative Commons License

On Friday 29th March 1968 at roughly 4:20pm, 56-year-old wages clerk Frederick Monk was bludgeoned to death by an unknown assailant inside of a locked office. The attack was brutal, but nothing was stolen. So, was this a robbery, a murder, or something else?Murder Mile is researched, written and performed by Michael J Buchanan-Dunne of Murder Mile Walks with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name with additional music, as used under the Creative Commons License 4.0 (Attribution) via Free Music Archive and YouTube Music. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.TICKETS TO CRIME CON UK 2021Go to Crime Con UK website www.crimecon.co.ukEnter code MILE for 10% off and a free Murder Mile goodie.FOLLOW US HERE:FacebookTwitterInstagramMurder Mile Discussion GroupYoutubeSUPPORT THE PODCAST:Support us via PATREON.Buy Merch in THE SHOPFree Goodies HERE Support this show http://supporter.acast.com/murdermile. See acast.com/privacy for privacy and opt-out information.

This week the coven discusses the future of the podcast. May the circle be open but unbrokenMay the peace of the Goddess be ever in our hearts Merry meet and merry partAnd merry meet again Coven Links: Contact us: cousinscoven2@gmail.com Our Merch: https://cousinscovenpodcast.threadless.com/ Our website: https://cousinscoven.home.blog/ Bonus episodes: https://www.patreon.com/user?u=34461794 Instagram: https://www.instagram.com/cousinscoven/?hl=en Facebook: https://www.facebook.com/CousinsCoven/ Youtube:https://www.youtube.com/channel/UC834gB8Jb4OZW8C4fAWZnCA Amazon wishlist: https://www.amazon.com/hz/wishlist/ls/2SUDLXYCCZL54?ref_=wl_share   Music: Darker Shades of Wizardry by The Polish Ambassador is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License. Cat Nap by Pyrosion | https://soundcloud.com/pyrosion Music promoted by https://www.free-stock-music.com Creative Commons Attribution-ShareAlike 3.0 Unported https://creativecommons.org/licenses/by-sa/3.0/deed.en_US Cat Nap by Purrple Cat is licensed under a Creative Commons License.

Rubrique:documents Auteur: balzac-carraud-bouteron Lecture: Christiane-JehanneDaniel LuttringerDurée: 01h01min Fichier: 56 Mo Résumé du livre audio: Un joli et très intéressant travail de monsieur Marcel Bouteron, en sept parties, pour la Revue des deux mondes, en 1923, dans lequel il nous présente avec talent des échanges épistolaires entre Zulma Carraud et Honoré de Balzac. Partie 03 Suite de ces échanges. Nous sommes en 1833. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Rubrique:animaux Auteur: voltaire Lecture: Christiane-JehanneDurée: 05min Fichier: 4 Mo Résumé du livre audio: plus de fortune que les autres. On leur a en vain demandé ce que c'est qu'une âme matérielle : il faut qu'ils conviennent que c'est de la matière qui a sensation ; mais qui lui a donné cette sensation ? c'est une âme matérielle, c'est-à-dire que c'est de la matière qui donne de la sensation à la matière ; ils ne sortent pas de ce cercle. » Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Czterdzieści dni (Erbgħin Jum) Antoine’a Cassara jest kroniką wewnętrznych zmagań człowieka – zarówno z nierozwiązanymi konfliktami z przeszłości, jak i z porażkami w dorosłym życiu. Ekspresyjna wędrówka po czeluściach uczuć przeplata się z obserwacją świata, który płynie swoim nurtem. Złożony kalejdoskop ludzkich emocji i wewnętrzne rozdygotanie mężczyzny z rozdrapanymi ranami – oto obraz człowieka naszych czasów. Tomik, zapisany w systematyczny sposób, pokazuje ból w różnych postaciach, jego odczuwanie w dzień i w nocy. Przepracowanie tego bólu prowadzi jednak ostatecznie do pozbierania kawałeczków rozbitego, kruchego naczynia, jakim jest człowiek, do zabliźnienia ran i do stworzenia siebie na nowo. Pojednanie, łagodne pogodzenie ze zwaśnionymi częściami samego siebie – oto owoce tej książki. Śródziemnomorski, ekspresyjny rollercoaster dla smakoszy najnowszej poezji południowoeuropejskiej. Zuzanna Gawron (ur. 1983 r.) – tłumaczka, filolożka hiszpańska, autorka polskich przekładów  Alejandry Pizarnik, Moisésa Mato i Antoine’a Cassara, artykułów oraz reportaży literackich o migracji (w: Rita Baum, Signal). Odcinek jest niewielką częścią wystawy "Portrety przekładu" przygotowanej na Międzynarodowy Dzień Tłumacza 2020. Więcej materiałów można znaleźć na stronie - portrecie. "Na przekład" jest podcastem Stowarzyszenia Tłumaczy Literatury, organizacji, która od 2009 roku zrzesza tłumaczy i tłumaczki książek, działając na rzecz lepszej widoczności zawodu, godziwych warunków pracy i życia oraz przyjaznych kontaktów między tłumaczami książek w Polsce i na świecie.   Na stronie Stowarzyszenia (stl.org.pl) można znaleźć dużą bazę ogólnodostępnej wiedzy dla osób zainteresowanych pracą tłumacza literackiego, a także kontakty do tłumaczy i tłumaczek zrzeszonych w STL.   Jeszcze więcej danych i informacji na temat aspektów finansowych, prawnych i organizacyjnych dostępnych jest dla zalogowanych członków.   Muzyka wykorzystana w czołówce i zakończeniu odcinka pochodzi z utworu "Mystery Sax" (Kevin MacLeod, Creative Commons License). Grafika w nagłówku strony podcastu: JT Davis (Black Background) na Flickr.com (licencja CC).   W nagraniu wykorzystano utwór muzyczny dostępny na licencji Creative Commons: Bajun, Primary (link).   Chętnie wysłuchamy Waszych uwag i sugestii pod adresem podcast@stl.org.pl

Seriously. The best books are like wedgies. You can’t ignore them. They get right up inside you and into places they aren’t supposed to go. And sometimes it’s hard to get them out. This week Carrie talked to a lot of her writers about how if you don’t long to write your scenes, your readers probably aren’t going to long to read those scenes either. And recently the New York Times talked to Steve Martin (actor, writer, comedian) about books. He’s allegedly addicted to audiobooks, which is cool. He said, “I’m also a sucker for the magic of opening paragraphs. I’ll never understand what the sorcery is in literature and movies that engages you immediately and makes it impossible to look away.” A wedgie engages you immediately. And a book can do that too, sometimes. But sometimes it’s not like a wedgie; it’s more like a bad 8-hour Zoom meeting about land use ordinances and setback requirements in a town you’ll never visit. So how do you keep your book from being boring? You wedgify it. Yes, we made up that word. HOW DO YOU WEDGIFY A BOOK? You go all in. Make the conflict as big as possible. You have dynamic scenes where things happen. Not just the character’s meandering thoughts about Zoom meetings. You make us care. Wedgies matter because your bum matters. WRITING TIP OF THE POD Go all in with your stories. Make the conflict (internal or external) huge, presidential huge. But more than that, make us care about who the conflict is happening to. DOG TIP FOR LIFE Won't fit here! Go check it out here But it's all about commitment. Shaun gets testy! SHOUT OUT! The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song? It’s “Summer Spliff” by Broke For Free. --- Send in a voice message: https://anchor.fm/carriejonesbooks/message Support this podcast: https://anchor.fm/carriejonesbooks/support

Subscribe: Let us do the hard work and send the podcast to you: https://bit.ly/2NZjODA  Review: Share the love and leave a 5* review from your phone: http://getpodcast.reviews/id/1375904962  (from anywhere else hit the ‘Write a Review’ button in the Apple Podcasts app or iTunes) Marketing Theories Explained Series Link: https://bit.ly/3mi35di  Enjoy the Episode - Happy Marketing! Website Thingy: www.marketingstudylab.co.uk  The Professional Bit: https://www.linkedin.com/in/petersumpton/  Facebook Community: https://www.facebook.com/groups/marketingstudylab/  Tweet Tweet: https://twitter.com/cousinp81  Intro This is part four of six. Over the next six weeks we’ll have a slightly different feel on the podcast, It’s just going to be me, myself and I, as I chat through six of the most important and influential theory’s within Marketing This six part series is actually the second season in reviewing, explaining and demonstrating how to use these powerful Marketing tools, but it’s the first time I’ve shared it on the podcast. Why am I doing this? I’ve partnered up with Professional Academy (intro to them later) to bring all those aspiring Marketers six explainer live episodes, which you can catch on a Thursday (link in the show notes) This has been put together to make you a better All-Round Marketer, from Auditing, right through to controls and measurements. This week we take a look at Segmentation, Targeting and Positioning (STP) and Personas Watch the video series: https://bit.ly/35AEWrA  Podcast Summary How can STP and Personas Help YOU As A Strategic Marketer? 1 - Starts to build a picture as to who your target market is. Not just who they are, but what resonates with them and how best to communicate with them 2 – It can help you develop a competitive position with the intention of targeting a specified group more efficiently 3 – Helps the whole business gain clarity on the most profitable areas of the business and your market Music Featured on this Podcast: Sleepy in the Garden Lobo Loco www.musikbrause.de  Creative Commons License

Although struggling to shake off a sinus infection that will not go away, the Seer conjures forth four tales of true terror. From lethal legends to watching woodlands, eerie employees to familiar phantoms, there is something here to terrify everyone. All stories on Scry are purported to be true. If you have an experience that you would like to share, you can submit it scrypod.com, scrypodcast@gmail.com, or leave us a voicemail at 573-203-8668. Thank you for helping to share the scare. Certain music appears in this episode courtesy of Myuu and Shadow Vibe, and appears through a Creative Commons License. Check out the links below for more info on these talented artists. Myuu: https://soundcloud.com/myuu Shadow Vibe: https://soundcloud.com/shadowvibe --- Send in a voice message: https://anchor.fm/scrypodcast/message

Rubrique:contes Auteur: claude-fee Lecture: Christiane-JehanneDurée: 05min Fichier: 05 Mo Résumé du livre audio: Invention des fermetures éclair Joli conte et illustration de Molly. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Właśnie: = Štai: to trzeci zbiór poetycki wybitnej, wielokrotnie nagradzanej litewskiej poetki i powieściopisarki Agnė Žagrakalytė (ur. 1979). Na Litwie uznany za Książkę Roku w kategorii poezja (2017), w Polsce nominowany do finału VI edycji Nagrody Literackiej Europejski Poeta Wolności (2020). Klamrą tomu są dwa wiersze lustrzane: „mnie tylko / Prędkość przeraża / przed / Innym / Tobą / bojaźni nie czuję“ oraz „Ja tylko prędkości się boję. / Inny / Ty mnie nie przerażasz“. W odcinku tłumaczka opowiada o litewskiej poetce i jej wierszach, które rezonują z czytelnikiem pomimo dystansu i lekkości — a może właśnie z ich powodu.   Agnieszka Rembiałkowska (ur. 1980) – tłumaczka z języka litewskiego, wykładowczyni w Zakładzie Bałtystyki na Wydziale Polonistyki UW, członkini Stowarzyszenia Tłumaczy Literatury. Lubi słowa, woli myśleć niż pisać. Przekłady literackie z języka litewskiego publikuje od 2005 r. Laureatka nagrody festiwalu Poezijos pavasaris (Wiosna Poezji) za przekłady poezji litewskiej na język polski (2018). Tłumaczyła wiersze między innymi Vladasa Braziūnasa, Rasy Čergelienė, Nijolė Daujotytė, Sigitasa Gedy, Dainiusa Gintalasa, Birutė Jonuškaitė, Antanasa A. Jonynasa, Eleny Karnauskaitė, Aušry Kaziliūnaitė, Giedrė Kazlauskaitė, Jonasa Liniauskasa i Agnė Žagrakalytė. Odcinek jest niewielką częścią wystawy "Portrety przekładu" przygotowanej na Międzynarodowy Dzień Tłumacza 2020. Więcej materiałów można znaleźć na stronie - portrecie. "Na przekład" jest podcastem Stowarzyszenia Tłumaczy Literatury, organizacji, która od 2009 roku zrzesza tłumaczy i tłumaczki książek, działając na rzecz lepszej widoczności zawodu, godziwych warunków pracy i życia oraz przyjaznych kontaktów między tłumaczami książek w Polsce i na świecie.   Na stronie Stowarzyszenia (stl.org.pl) można znaleźć dużą bazę ogólnodostępnej wiedzy dla osób zainteresowanych pracą tłumacza literackiego, a także kontakty do tłumaczy i tłumaczek zrzeszonych w STL.   Jeszcze więcej danych i informacji na temat aspektów finansowych, prawnych i organizacyjnych dostępnych jest dla zalogowanych członków.   Muzyka wykorzystana w czołówce i zakończeniu odcinka pochodzi z utworu "Mystery Sax" (Kevin MacLeod, Creative Commons License). Grafika w nagłówku strony podcastu: JT Davis (Black Background) na Flickr.com (licencja CC).   W nagraniu wykorzystano utwór dostępny na licencji Creative Commons: Konstantin Tyufyakin, Le dernier jour de l’automne (link).   Chętnie wysłuchamy Waszych uwag i sugestii pod adresem podcast@stl.org.pl

Download: MP3-Datei ThemenGoogle streicht kostenlosen Foto-Speicher!Amazon Photos als Ersatz? Oder doch lieber PCloud?Honor-Verkauf: Fakt oder Gerücht?Samsung Galaxy S21 LeaksDiese Huawei/Honor-Geräte bekommen HarmonyOSMediatek bringt angeblich Exynos-ähnliches Chipsetu.v.m. App der WocheCloudBeatsLine-Community: The Netcasts | Intro and Outro from zero-project. Title: Infinity. Track licensed under Creative Commons License 3.0 BY-SA.

Bohater powieści Twoja twarz jutro Javiera Maríasa po rozstaniu z żoną przenosi się z Madrytu do Londynu i zatrudnia w tajemniczej organizacji, prawdopodobnie w wywiadzie brytyjskim. Jego praca polega na tworzeniu scenariuszy przyszłych ludzkich zachowań, „twarzy” ludzi  – jutro. Akcja powieściowa zamyka się w trzech dniach, ale o wiele więcej dzieje się w głowie hiperaktywnego narratora. Snuje on piętrowe dygresje, z których każda jest zamkniętą, oddzielną opowieścią i rozgrywa się na wielu planach czasowych. Cofamy się do drugiej wojny światowej, hiszpańskiej wojny domowej, znajdujemy rozważania o języku i jego niszczycielskiej sile, o zdradzie i miłości, o rozpaczy i stracie, o bezpowrotnie utraconym czasie.         Przekład powieści Twoja twarz jutro Javiera Maríasa autorstwa Ewy Zaleskiej został uhonorowany nagrodą „Literatury na świecie” w roku 2014. Ewa Zaleska – tłumaczka z języka hiszpańskiego, autorka m. in. przekładów powieści Mario Vargasa Llosy, Isabel Allende, Enrique Vila-Matasa, Javiera Maríasa i Javiera Cercasa. Dwukrotnie, w 2006 i w 2012 roku, otrzymała nagrodę Instytutu Cervantesa w Warszawie za przekład literacki z języka hiszpańskiego. Przekład powieści Twoja twarz jutro Javiera Maríasa został uhonorowany nagrodą „Literatury na świecie” w roku 2014. W 1994 r. „Literatura na świecie” nagrodziła debiut translatorski Ewy Zaleskiej (Historia Alejandro Mayty Mario Vargasa Llosy). Ostatnio w jej przekładzie ukazały się esej Javiera Maríasa Wenecja jako wnętrze („Przegląd Polityczny”, nr 151/152, 2018) oraz powieść Javiera Cercasa Władca cieni (Noir sur Blanc, 2019). Mieszka w Warszawie. Odcinek jest niewielką częścią wystawy "Portrety przekładu" przygotowanej na Międzynarodowy Dzień Tłumacza 2020. Więcej materiałów można znaleźć na stronie - portrecie. "Na przekład" jest podcastem Stowarzyszenia Tłumaczy Literatury, organizacji, która od 2009 roku zrzesza tłumaczy i tłumaczki książek, działając na rzecz lepszej widoczności zawodu, godziwych warunków pracy i życia oraz przyjaznych kontaktów między tłumaczami książek w Polsce i na świecie.   Na stronie Stowarzyszenia (stl.org.pl) można znaleźć dużą bazę ogólnodostępnej wiedzy dla osób zainteresowanych pracą tłumacza literackiego, a także kontakty do tłumaczy i tłumaczek zrzeszonych w STL.   Jeszcze więcej danych i informacji na temat aspektów finansowych, prawnych i organizacyjnych dostępnych jest dla zalogowanych członków.   Muzyka wykorzystana w czołówce i zakończeniu odcinka pochodzi z utworu "Mystery Sax" (Kevin MacLeod, Creative Commons License). Grafika w nagłówku strony podcastu: JT Davis (Black Background) na Flickr.com (licencja CC).   Chętnie wysłuchamy Waszych uwag i sugestii pod adresem podcast@stl.org.pl

Rubrique:nouvelles Auteur: arthur-conan-doyle Lecture: Daniel LuttringerDurée: 1h02min Fichier: 45 Mo Résumé du livre audio: Silver Blaze est un cheval de course qui appartient au colonel Ross. L'entraineur du cheval, John Straker, est retrouvé mort et c'est Fitzroy Simpson qui est accusé du meurtre. Sherlock Holmes et Watson se rendent dans le Wessex pour enquêter à la demande du colonel Ross. Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Rubrique:nouvelles Auteur: michel-corday Lecture: RegineDurée: 09min Fichier: 6 Mo Résumé du livre audio: « Il était pour l'auto ce qu'est le pique-assiette pour la table. C'était le pique-voiture. Au demeurant, le plus inoffensif pique-voiture du monde.» Les bonnes intentions ne sont pas toujours interprétées comme on l'aurait espéré. Un chauffeur mécanicien agacé et un habitué de ses services qui va se trouver bien surpris de la réception qui va lui être faite. Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Rubrique:nouvelles Auteur: michel-corday Lecture: RegineDurée: 11min Fichier: 8 Mo Résumé du livre audio: « L'auto stoppa au ras du trottoir, quelques mètres avant la grille de l'octroi. » Tel est pris qui croyait prendre. Comment se passaient les arrivées à la porte de l'octroi avant d'entrer dans une agglomération. Dans cette nouvelle, Michel Corday nous met à l'entrée d'un octroi parisien. Octroi Certains droits que les villes étaient autorisées à lever sur les denrées qui entraient dans leur enceinte et dont elles affectaient le produit au budget municipal. Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Rubrique:nouvelles Auteur: michel-corday Lecture: RegineDurée: 09min Fichier: 6 Mo Résumé du livre audio: « Mais le divin plaisir, c'est le passage d'une auto. L'amusant défilé de silhouettes cocasses ou gracieuses ! » Michel Corday nous perche sur un arbre dans une prose poétique ravissante. Nouvelle tout en légèreté qui se finit en tourbillon plein de lenteur et d'espérance. Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Rubrique:contes Auteur: louis-leger Lecture: Ar MenDurée: 08min Fichier: 6,9 Mo Résumé du livre audio: Une petite fille est envoyée par sa marâtre chez se tante: la Baba-Iaga qui est une méchante sorcière! Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Rubrique:nouvelles Auteur: vicente-blasco-ibanez Lecture: RegineDurée: 16min Fichier: 10 Mo Résumé du livre audio: Une condamnation à mort qui ne condamnera pas le coupable mais une innocente. « Quand un employé lui dit que sa femme, avec la petite qui était née pendant son incarcération, rôdait autour de la prison et demandait à le voir, il n'eut plus de doute. Puisqu'elle avait quitté le village, c'est que la chose était imminente. » Un homme violent et brutal est condamné à mort pour un assassinat. Sa grâce lui sera accordée et il sera envoyé au bagne à vie. Quel sera alors l'avenir pour sa jeune femme ? Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Rubrique:contes Auteur: arnaud-fontaine Lecture: Daniel LuttringerDurée: 11min Fichier: 8 Mo Résumé du livre audio: Le roi de Pémagnie est en colère, la reine, son épouse vient de lui donner une septième petite fille. Toujours pas d'héritier donc ! Alors il refuse de la voir ou de lui donner un prénom. Aucune fée n'ose alors le braver et se pencher sur le berceau de la princesse comme il se doit.Toutes sauf une, la fée Carabosse... Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Shakey's Heroes features Mister Matthew as Shakir Askari in a war story from the Wayback, which  showcases our master swordsman when his eminence was merely imminent. Part 1 of 3, weekly for the remainder of November. Watch your feed for the return of the Rapscallions and the dynamic début of Tallwater Tales, our eldritch horror epic... both in December!   All music used in this episode licensed through SOCAN, by Creative Commons License, or in the Public Domain. Details at runelanders.com! 

Rested and recharged our merry band of misfits is ready for the road once more. Will they find Rohtan's brother? Will they discover the secret of the Red Fields? Will I stop stealing Mike's Schtick?  Some of these questions are answered.CastRohtan - AdamSilwe - AmandaMist - MikeDM and Producer - Diana  @mctdiana - Twitter Editor - AmandaOriginal Music by Adam - Used with permission.Sound effects and soundscapes by Syrinscape.com. and Freesounds.org Freesounds.org sounds used under the Creative Commons License. Like what you hear? Support us on our Patreon. www.patreon.com/multiclasstheater

Dr. Tegart is back to discuss the history of operatic mad scenes, as well as talk about the maddiest of all time, the finale to Lucia di Lamermoor.The Metropolitan Opera’s production of Lucia’s mad scene: https://youtu.be/92jiitUEahgMusic excerpts provided by archive.org, used with the Creative Commons License found here: https://creativecommons.org/licenses/by-nc-sa/3.0/Support the show (http://www.patreon.com/caseybozell)

Dzikie polowanie króla Stacha autorstwa białoruskiego pisarza Uładzimira Karatkiewicza, wydane na Białorusi w 1958 roku, to historyczna powieść grrrozy. Koniec XIX wieku, podczas burzy zbłąkany na trzęsawiskach etnograf dociera do zapuszczonego pałacu, gdzie dziedziczka, młodziutka sierota, mieszka samotnie pośród portretów przodków-degeneratów, widm, upiorów, ponurych legend i biedy, wyczekując śmierci. Okolicę terroryzuje „dzikie polowanie”: praszczur panienki w XVII wieku podstępnie zamordował na bagnach chłopskiego króla Stacha, ten zaś poprzysiągł zemstę do dwudziestego pokolenia i teraz z orszakiem widmowych jeźdźców, galopujących bezgłośnie po mokradle i wrzosowiskach, zwiastuje zagładę ostatniej z przeklętego rodu.          Książka nie ukazała się jeszcze w Polsce, niespiesznie rozgląda się za wydawcą. Małgorzata Buchalik z Kazimierza nad Wisłą (ur. 1972) – tłumaczka rosyjskiej i białoruskiej literatury pięknej: około trzydziestu powieści i kilkuset dramatów, opowiadań i esejów, dwukrotna laureatka Nagrody Literatury na Świecie. Autorka awangardowej translatorskiej Teorii Jedenastej Strony, w myśl której ponieważ najtrudniejsze jest pierwszych dziesięć stron książki, gdzie trzeba zdecydować się na styl i dominantę, należy spokojnie tłumaczyć od strony jedenastej, a na końcu – kiedy już wszystko wiemy – dopisać początek. Kryzys wieku średniego spędza na klifach i torfowiskach zachodniego wybrzeża Irlandii. Ma chomika Łolerana. Odcinek jest niewielką częścią wystawy "Portrety przekładu" przygotowanej na Międzynarodowy Dzień Tłumacza 2020. Więcej materiałów można znaleźć na stronie - portrecie. "Na przekład" jest podcastem Stowarzyszenia Tłumaczy Literatury, organizacji, która od 2009 roku zrzesza tłumaczy i tłumaczki książek, działając na rzecz lepszej widoczności zawodu, godziwych warunków pracy i życia oraz przyjaznych kontaktów między tłumaczami książek w Polsce i na świecie.   Na stronie Stowarzyszenia (stl.org.pl) można znaleźć dużą bazę ogólnodostępnej wiedzy dla osób zainteresowanych pracą tłumacza literackiego, a także kontakty do tłumaczy i tłumaczek zrzeszonych w STL.   Jeszcze więcej danych i informacji na temat aspektów finansowych, prawnych i organizacyjnych dostępnych jest dla zalogowanych członków.   Muzyka wykorzystana w czołówce i zakończeniu odcinka pochodzi z utworu "Mystery Sax" (Kevin MacLeod, Creative Commons License). Grafika w nagłówku strony podcastu: JT Davis (Black Background) na Flickr.com (licencja CC).   Chętnie wysłuchamy Waszych uwag i sugestii pod adresem podcast@stl.org.pl

Rubrique:feuilletons Auteur: charlotte-bronte Lecture: Daniel LuttringerDurée: 32min Fichier: 23 Mo Résumé du livre audio: Chapitre 18 - Le dénouement Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Subscribe: Let us do the hard work and send the podcast to you: https://bit.ly/2NZjODA  Review: Share the love and leave a 5* review from your phone: http://getpodcast.reviews/id/1375904962  (from anywhere else hit the ‘Write a Review’ button in the Apple Podcasts app or iTunes) Guest: Lenka Koppova Topic: Marketing and Social Media Events Discussion Points • What does it take in 2020 to coordinate an event? • What is different from previous years? • What is the best thing about organisation them? • And what's the hardest thing about online events? • What are your social media tips for 2021? Enjoy the Episode - Happy Marketing! Website Thingy: www.marketingstudylab.co.uk  The Professional Bit: https://www.linkedin.com/in/petersumpton/  Facebook Community: https://www.facebook.com/groups/marketingstudylab/  Tweet Tweet: https://twitter.com/cousinp81  Transcript (this transcript isn’t 100% accurate but provides a decent representation of the conversation – soz for any confusion) Peter Sumpton And we're live. We're back live and I've got a guest this week or two weeks it just me. So it's great that I have got a guest again this week and what a privilege to have lenker cup of are with me today on marketing study lab live, first of all, Lenka thank you so much Samuel, do this. And joining me, of course, happy to be here. Thank you for having me. Excellent. So as the ticker at the bottom says, we're going to be talking about marketing, and social media, but social media events as well. And we'll come on to that in a little bit after you have just explained to the audience a little bit more about yourself about the wonderful world of Lincoln. Lenka Koppova Okay, so Hello, everyone. I'm Lanka, and I'm a social media consultant. And aside from running my own business, doing social media strategies, and content and trainings, I'm also the founder of Cambridge social media, which is an organisation it's a community for small business owners and freelancers where we all help each other. And we support our community with anything social media marketing related. And from there, we started with monthly meetups, which obviously, this year, is not as easy to run in person meetups. So we've turned our monthly meetups into weekly Facebook, live training sessions and zoom workshops. And I'm also the organiser of embrittled. Media Day, which again, this year going virtual. So it's a conference in November, and I'm super happy that Peter is running a session for us as well. Peter Sumpton Yes, so am I thank you so much for the opportunity to do that, really looking forward to that as well. And you'll see that over social in the coming weeks, but really super excited for that and to be part of it and to get to know a bit of your community as well, which will be really, really cool. Okay, so like I said, At the start, all we're going to do today is have a bit of a chat around social media events. So first and foremost, if people got any questions, post them in the comments, and we'll get around to them, or just say hello, or a shout out or whatever you want to do. That's fine with me. But so first Lanka, 2020 has been a bit different over the years, from from, you know, for the past 2030 years, it's been slightly different to what we used to. How have you had to Well, first of all, how did you make the decision to go ahead with your events? And secondly, what changed? You know, first, let's do one question at a time. How did you make that decision to do this? Lenka Koppova It was very interesting this year, because I run to in person events in the past two years. And it's kind of started as my side project with it just blows my idea after running a couple of meetups to be like, How hard could it be to run all day conference for about 200 people? How did you imagine? years in a row people loved it. But it was very stressful. So I was at the end of last year finished this event in November and it was kind of pondering what to do next. And I found a part partners, I found, you know, one of my business colleagues, Alex Hughes from shift T's who we've known each other for a while, and we had a couple of conversations about what I want, where he's heading, where I'm heading to be like, well actually sounds like a perfect partnerships. So then we nail down the plan, we were had a very ambitious plan for the third annual Cambridge Social Media Day, we plan to change venues go bigger and better. And we made an announcement first week of March that we're doing it, it will be bigger and better. And a week later, like what just happened? So we were back to the drawing board to be like, so what do we do? Do we postpone the oven and make do nothing? Or do we hope that it will be okay in November? Because you know, in March, it looks like it might be discovered. And everything will be okay in November? Or do we go to Safeway, we still want to do something for the audience. We still want to keep the momentum of year or the events doing we still want to celebrate. So let's do it online. And let's figure out a way to bring the best conference the best event the best virtual experience for people or communities online. Peter Sumpton Mm hmm. Excellent. So yeah, a bit of a no brainer, but still something that you really have to consider because I'm guessing the way you would lead up to that and will not necessarily lead up to it but structure it is usually different. So what are the differences that you're seeing? Because you're right in the middle of this now the differences you're seeing from trying to organise something that's that's face to face that's offline to something that is less classes virtual, I don't really like that phrase. Well, that's classes virtual. Lenka Koppova It's interesting because the feedback that we've got from the past events and the things that really matter to me during organising these events was the people vibe, the friendliness didn't come up, you're really the energy of other people, which is the hardest thing to do online. So when we thought about is, obviously I wanted to have great speakers, I wanted to have great content I wanted to make sure they were providing is relevant. It's timely, it's helpful. It's designed for our audience. But the biggest challenge was thinking about how we do we translate our values of really to community feel and positive friendly vibe online. And I consulted with a couple of facilitators, people who are like workshop hosts, and who had to turn their whole business virtual this year, to break down event to make sure did we pay attention to people's energy that we don't just overwhelm them with videos, and just staring at a screen, some time a wall or some exercises away. And it also we have a tool that supports what we do to support this feeling of online interactions. And it allows us us as much as we can to represent the real life feeling and look and atmosphere of in person event. And I think we found a solution, I think we find a pretty cool tool. And we plan the layout of the event, vertical layout to replanning virtual out for our virtual conference room and conference building. And we've planned a lineup and agenda of those two days with the mind of people's energy. And they're not only for them to learn some factual things, but to have as many opportunities as possible to interact, network meet, and build partnership, build connections, find people like them, because I always remember people coming year after year, to me from those conferences to be like this person that I've met, I sit next to, you know, we started working together, we started accountability group to get to where we started this, and I want this to translate on my event as much as we can. Peter Sumpton Yeah, I mean, it's, it's a big ask in some ways, but from a positive point of view, people have had at least half a year to get used to communicating more on on tools such as stream yard, or zoom, or teams, or you named 610 20 100 of them. At this moment in time, you know, we always got chairs and those back in during life would be slightly different right now I expect. And so with with the actual event, then I'm just interested to know, I mean, I do know, but it'd be good for people that are watching or listening to know that. So it's, it's a social media event. So the folks on social media fantastic. But that isn't just the topics that you're going to be covering. So why, first of all, if you could explain just a couple of the topics that are, you know, exciting for you, as the creator of the event. But secondly, why you covering topics that might not be specifically geared towards social media. Lenka Koppova So even though it is a Cambridge Social Media Day, and the main theme is social media marketing, I always tell my community, I always tell my clients that social media can't stay alone, not only marketing tactics can stand alone, you can't do just video marketing. You can't do just email marketing, you can't do just the SEO. It's all not only all digital tools, but all marketing tools and tactics and techniques, they need to be complemented to each other, they need to be put into a planning strategy. So that's where we do focus on social media, a lot of our content will be platform specific or social media content specific. But we then have other topics that are relevant this year is kind of overall theme is focused on customer experience, and delivering great customer feeling, customer journey, customer experience being online, which is what we most of us can do, but also thinking about how can you improve the current or foreign experience and the future of flight experience. And then we have couple sessions are looking at marketing automation and looking at building lists. Because no matter how much I left social media, I still know that built using social media purely it's building a house on a rented land algorithm can change, someone can hack your account, this can go wrong and out of nowhere where you're with nothing. So we do put a lot of emphasis on having your own website, having your own CRM, having your own mailing list and using social media to drive these other kind of communities that you have a bigger feel of ownership and if something happens, you have something that is actually own and you can then still connect with your community and customers and prospects. Peter Sumpton I'm so I'm so glad you said that. So I've got the way I explained that is. And this comes down to the old Olden upin, and the merge if you like. And, you know, everybody likes a bit of merge as long as you're not paying for it. And so I always explain it, in terms of that isn't really going to move somebody to purchase very much. But it's just 1% of what you should be doing. And if you have 99, or the 1%, that's a huge shift. So a pen alone with your logo on isn't going to shift people that much, but it's more brand awareness. And in the grand scheme of things, if you're doing other elements, including merchandise, that's a bigger proposition than just the one channel or the one piece of merchandise, which is exactly what your say, saying in terms of just having social media alone is precarious, because that changes. So you know, you have to really think of your strategy, which is, which is really cool. So this year is about customer experience, then. So let's just shift it towards social for this moment in time. And what kind of thing should we be looking at on social to generate a better customer experience them. Lenka Koppova So first things first, it's about being aware where on social media you're active, where you have accounts, if they have been used, if they not been used, then why you have them and just do a little bit of an audit to actually be aware where your customers might come across you. And if they come across you There is everything working if they learned and your Facebook page and send you a message will use it and he will be able to respond if not put processes in place to either close on account or make sure that it's very clear to people that you know, this is not your active platform to go and delete direct messages here and there email recall you never will be my first advice is just making sure that you look at all the potential windows and doors where people can kind of run away and mess on. So it's just about for me with social media, it is about not selling all the time. Even though Yes, we use social media marketing to promote the customer experience is all about them. It's about providing them with value, building relationships, connecting with them, helping them serving them, finding the pain that your customers and prospects have, and how you can use social media and content and social media to help them and providing value without actually being just buy from me selling or no one has signed up to LinkedIn or Facebook or especially places like Instagram, to be bombarded by ads and be sold to we're coming to social media to connect to get updates and get news to be entertained, to be hired. We're not coming there to see advertising. So it will see advertising, then it needs to serve us it needs to help us with whatever it is that we need to need to be interesting. It needs to be engaging. And it needs to be helpful. Peter Sumpton Yeah, absolutely. And it was interesting for me when you see maybe something that is on the surface dry and a bit dull and boring. And people think that, well, there's nothing we can say that is of interest, you know, we do whatever it might be. And I'm not I'm not picking on any industry here. But for example, we do insurance. So what the hell can we say? It's just it's boring, everybody has to have it. But you know, they don't really want it, we're just asking for their money. So they, whatever it might be, but even even that you look at, you know, compare the near car and go compare and all that kind of stuff. And it's most that's got nothing to do with insurance. So similar thing on social for small, medium, or large companies that it's not just about what you do, it's, it's about that brand and that culture and and pushing something to people that they will resonate with your audience like, like you were saying they're absolutely superb. Do you think that when people start to use different social platforms, there's that worry that they chase that new shiny thing? And are you a fan of just focusing on one platform at a time? Or would you say have a healthy mix? Or what's your what's your take on that? Lenka Koppova Yeah, I'm definitely suggesting people to be aware of trying to be everywhere and spreading themselves too thinly, especially audience in the community and working with where it's people who tend to do their own marketing. They don't have a big marketing team. They don't have too much time to do very really limited resources. So my suggestion always is pick one or two. Priority platforms, platforms where you know, did your target customers are, but also the platforms that you would enjoy. You know, using, there's no point of picking a platform that someone suggested because of demographic research, it's being said that it's more like most likely to have your target customers there. But you are just dreading and hating the user interface the way it works. We're on board ahead, you love being on Instagram, and you love doing stories and you love talking to people. And even though maybe Instagram is not the number one platform that you would expect your customers to be, still can work perfectly. And you still have these days, all the platforms have pretty balanced, you know, demographics, you know, all sorts of people on all sorts of bathrooms, I don't think it's like, very demanding to say like, only Instagram will work for your own Twitter will refer. But I would say pick one platform or two that you enjoy, and that you really can see yourself spending time on creating content for and in engaging with people on Peter Sumpton is probably something that you can resonate with. And that's that's FOMO. What would you say to somebody that that is, and again, is probably reiterating what you said, but what would you say to somebody that is say, focus on Instagram, and they're getting engagement there, and I was worried I'm missing out on Facebook, or I'm worried I'm missing out on LinkedIn, you know, what would you What do you advise them, like test the water or stay stay true to what you know, Lenka Koppova I would always say if you want to experiment, you can dedicate like 10% of your time to experiment and keep an eye on other platforms. I'm not saying that you should not be on all channels, you can have profiles and keep them kind of maintain on all the channels and really on deep dive on one platform. But I would say yeah, try to really appreciate the platform that you're using. Because especially like now, but it's been a trend in social media, social media networks are changing so fast. Even I can't keep up with all the new tools, new updates, new features, new days on all the channels. And this is my business, I can't imagine how you know, anyone who has a business whose focus is fotografie, flowers, consultants, anything else and doing marketing and social media marketing is just 10 20% of their time and how they can stay on top of all the new Instagram stories, reels, guides, HGTV live all the stickers, all the algorithm changes all the things and really be able to use and leverage the platform properly. Like today, I discovered in LinkedIn has a newsletter feature. Never heard of it before. All this is pretty cool. But again, LinkedIn is not my number one platform. That's why I don't know these things. But if I was, I would hope that I know about it. And I've considered it for my strategy. Peter Sumpton Doing I mean, LinkedIn is probably my main platform, and that I love it. But it can be as frustrating as hell because like exactly what you said they release things. And they only release it to a certain amount of people. And then that gets around the world. And it's like, why the hell Haven't we got this and it's only select month people and all that kind of stuff, which is hugely frustrating. But I don't get that feel from all the platforms that they really do that. You know, I feel that they're much more we've tested it and pretty much everyone can have it or am I missing something there? Is that the case on all of them? Lenka Koppova There's still box I think other platforms do it less today, once they decide to launch something they tested in couple countries and India launches globally. But like for example, I have five client Instagram accounts. On three of them. I have a new app layout on the rest of them. I have rails on my personal like create a business account I don't have rails feels the same with Facebook. Like I didn't have a new Facebook layout. It's never been switched to me I don't have the option to switch I'm like you don't like me Why? Why me? Why my personal account why my business like a why all my clients do have it and I can use it for them, but I cannot use it for myself. So I think LinkedIn is a worst. Twitter is also really bad in announcing new features. There tend to hide lots of the features to be like we've released something, but only if you know then you will know what otherwise you will not know like media studio is one of the best hidden features of Twitter and pretty much no one knows that it exists. It's like the best way for you to sharing videos and any kind of media on Twitter. Peter Sumpton Okay, I've never heard of that. Lenka Koppova Exactly. There's still not enough video content on which is one of the reasons Muito is still under utilised and there's a lot more opportunities for people to do more video content. But because Twitter has certain restrictions, and then you can't have this and that out of nowhere, people don't use it. But if you notice, there is a media studio where you can upload Oreo media, your videos, you can actually add a description and a clickable call to action to videos, you can shoot over there within Twitter, out of nowhere Mind blown, you get so much more with this platform. But as he said, No one knows this. Peter Sumpton That's, that's crazy. I've just I've just noticed I'm fairly new to stream yard. But if I click that, it's a bit better. We've got we've got more room. And I must admit, I'm obviously not at home. I'm in an office. And I've just realised it almost looks like I've just put this big, bright light all the way behind me. It's just a white wall over it just looks a bit startling. So I need to learn from that. Really. Sorry. Anyway, just a couple of shoutouts. Really so Phil's joined us. He just says hello. And then this thing. It's streaming, I got salty, but I think you need to GDPR stuff with stream yard. And that was it was that that was Tony. That sound that Hello. So hello. Hello. Anyone that's watching just out of interest. What's your what platform Do you enjoy using them the most. Lenka Koppova I enjoy Instagram the most I enjoy stories. I enjoy Rios, I really enjoyed it. It's very personal. It's very in the moment. It's really kind of real and authentic. And it's still you can still do great business there. But it feels very friendly. I do like LinkedIn. And they're like this year, LinkedIn has been fantastic in the amount of really quality engagement and support. It's been happening on LinkedIn. But I prefer like I do my own social media kind of interruptions mainly on mobile. And I just find Instagram is the most mobile friendly, and the most fun. Peter Sumpton Okay, but let's see, I don't use Instagram at all. I just don't I don't know, I think it's just that one too many for me. And just I've never really got around to utilising it in any way shape or form. But there you go. It's just your preferences. And there Lenka Koppova it is. And you know, I love it. Because part of it part of my lifestyle and my business brand. It is all about travel. And it is all about a lifestyle. And I love travelling, I love eating out. I love taking photos of these things. And you know, just the perfect and second place. And that's how I built my brand. People know that not only I do social media, but people know me for me, they know me for my hiking, or my dog. They know me for my you know, latte art and all the food I go to. And it's a thing that people will remember, as well as the date I do social media, so it's more likely for them to remember me really build the connection with me. And if they ever need me, they know they can find me. Peter Sumpton Yeah, and because I'm not on Instagram, I just got a glimpse of that. So So I've seen some of your photos. And yeah, you go to some amazing places, and it's really cool. Maybe not that many. Lenka Koppova I managed. I managed a little bit this year, and I managed to move where I am right now. Back home and the countryside in my family. So I managed to Peter Sumpton I'm just getting some feedback. It's like that's, I think that's my end. That's weird. Lenka Koppova Like, I hear people talking to someone else. Peter Sumpton I don't know, there's no one in this office. That's a bit freaky. Anyway, it seems Lenka Koppova like there's no one in this house right now. So it's got to be coming from me. Peter Sumpton That's a bit scary. Yeah, there's literally nobody in this office. Anyway, okay. Let's move on. Let's just blame that on Instagram. And then this, this is a really, really big question for me. Okay. So and I hear this a lot and I've got my own answer to this, but you deal with a lot, lot more smaller businesses than I do. People must one of the questions you must get asked a lot is I just don't have the time to do it. So what I say to people that that say I haven't got the time. Lenka Koppova Um, I would say to people who don't have the time, you know, consider what it can do for you consider what benefits why would you use it, it's not using social media for the sake of using social media. If you want to use social media just to be on social media, then it's not ill advice. But social media should be a reason for using it or should be a reason to repurpose, you should be using strategically. So it's always an excuse, I don't have time to go to gym, I don't have time to eat healthy, I don't have properties. Like if I know the goal, if I know why am I doing it not just because everyone telling me and I see on Instagram, you should be going to gym. But if I want to feel better, I want to be healthier, if I want to be more capable, then I will exercise I will eat. And the same goes for social media. If you want social media marketing to work for you, if you see it as a helpful beneficial tool that can help your business to grow can help you to get the lifestyle that you want, that can give you this time and space and freedom and revenue that you want. And you will make it a priority to put a plan in place, pick a metaphor, and invest the time into it. And I would say to social media, especially at the beginning feels like a big time commitment and a big investment. And it definitely is something that you will have to do forever and ever. But at the same time, if you build it in this time, then over time eight will be much easier to keep it ticking over if you keep it activated, to keep deletes coming through there. So it will become your second nature, you will figure out the processes. And actually, if you put an investment in then it will really help you. It has the potential to help you to have the business and the life that you want. Hmm, Peter Sumpton yeah, I agree. And I might take work, particularly when I'm teaching. And people all have busy lives. And you know that they're working, they're studying, they want some sort of social life. And so I've got no time. And the first thing I say to them, is because sometimes you need that commitment. Particularly if you're going to add something extra to your life, either Something has to move and shift, or you need to find that time somewhere. So I always say, Okay, so what did you do last weekend? And usually the answer is either Netflix or chilled out or did something. And I'm just like, Well, there you go. Just take just and I'm not advocating working over weekends, everyone's got a different preference. Or it's almost like, okay, we'll take half an hour out of your evening or half an hour out of a Saturday and Sunday. You've clawed back. What that's that's like three to four hours a week, just for half an hour each evening, or in the morning, get an extra half hour. And it doesn't have to be that all because like you said, socials, huge, it's daunting, how do I cover everything, just start small, just just don't cover everything, just start small, there's always ways to find time. Lenka Koppova Yeah, I would say if it really is such a big thing, and you don't have really don't have the opportunity to put the time aside to really build a strong plan and strategy. And you really want to do something, the best thing you can do on social media, it's be present. So even if it's that you don't have the time to really create content and put all the effort in to do videos, do training, do blog posts, do this because yes, it can be time consuming. Even if all you can do is spend five minutes with your coffee in the morning or after your lunch break. Instead of watching Tic Tock and YouTube videos, spend the time go to whichever platform and look what other people have posted. Find the people who are your ideal customers, follow them, connect with them comment on their stuff here, just dm them and start building the relationship seed as you're building friendships like the same way to check in on your family. And you would check it in your friends. build this habit of checking in on your social media community. And even this just very passively without pushing content out there. But kind of proactively reaching out to people connecting with them. Even if you just comment on their stuff. We share their content, you know, give them a thumbs up and give them a lift up. That's an amazing time investment that will pay off for your business. Peter Sumpton Yeah, I completely agree. It's, I always try to explain it to people as you need to see these platforms. If you're a business owner or you're in business or you want to use it from that respect. You need to see them very differently to what you have been seeing them because they're not like you said it's not you're not going on there to aid say socialised. You're not going on there to use it for what it was built for. You're going on there to engage in a very, very different way. And you need to it's a complete different mind shift for some people. And as soon as you see that mind shift As soon as you see that difference, the platform's become very different places. Like I've met some amazing people, you know, I mean, you purely through LinkedIn, and probably through through somebody else, LinkedIn. And it's just it's that craziness. And and if I was on there just for watching videos or consuming the content, I've simply, I wouldn't be speaking to you right now. And that's that's that will be a sad world. Lenka Koppova Exactly. It's really unlock so much opportunities business wise, like, obviously most of my business comes from social comes from being on social media, but it is less about the content that I put out there even though yes, I do put books and I have ebooks and no, I do video training. But it then comes to me just showing up to when people post something when I see the day do something that they cried, and I'm just like commenting and sharing and liking. They remember that they remember how that made them feel that someone gave and comes up with someone supported them. And if they then need your help, they're more likely to come to you. So is really helpful if you just build relationships and help others genuinely. Peter Sumpton And like you said, Just you don't even have to push yourself just just get involved, just common. And that that is that is just taken, tap away. And that's what that's all it is just start with that. And it might not be for you. That's the thing, and but you just learn as you go along. But I think that was the thing for me with Instagram, I probably didn't use it to the best of my ability, but it just didn't work for me in the way that I I work. Lenka Koppova And that's absolutely fine. Again, you just do you and you'd be where you want to be. But I think that every platform these days gives you all the accessibility options. So I know that some people are not the ones who which type. And other people are not the ones who do video, and other people are not the ones who would like to talk. So you have two options. You can type, you can record audio, you can record videos, you can communicate with people in the way that feels the most natural to you. Peter Sumpton And I suppose one thing to note there, and I'm just talking from a LinkedIn basis, it's, it's doing those different things that make you stand out, you might feel a little uncomfortable, and I'm not advocating, I personally feel if you're in that little uncomfortable zone. That's when you start to grow and develop. But for some people, they're just not there. And that's absolutely fine. But it's things like messaging. And I don't do it enough. But like yesterday, I was I was messaging somebody. And they instead of trying to type out a long winded message back, they did an audio and it stands out like a sore thumb. And if you did a video when everyone else is doing audio, it just stands out like a sore thumb. And that's on a personal level. You know, so there's so many opportunities. And just one quick question. I'm just conscious of time. But I thought I'd put this up because James is pretty much what we've been talking about just there. So talk to people is a great strategy to grow your business. And social allows us to talk to people at scale. And he loves the chat, which is absolutely super, but it's only great because rank is on with me today, which is fantastic in itself. So just on that point that James says, talking to people at scale, I suppose you can do both, can't you? You know, I've just been talking about peak speaking to people on on VM. And that's a one to one basis. But I noticed you just posted something. It was weird. Because before we got on this chart, I was looking at LinkedIn and lose a video view and then you popped up on the screen and I'm like, okay, like doubling, amazing day. But yeah, it's like you're speaking to speak people at scale on video. And that's a huge benefit. Lenka Koppova Well, I think that's where the benefit and the beauty of social media lies because social media allows you to reach out to anyone and everyone it is an open democratic platform where there is no gatekeeper, you can send a message out there and millions of people can see it the same time. It allows every single individual to be able to interact with you. There is no one you know, it's not like you, you can't interact with TV, you can shout at it. But it's probably the only thing you will do. Like something if you like something you can interact with it. And if you keep majority of your conversations on the public domain where someone tweets you someone messages us on the comments in a conversation going to a certain point publicly, Yes, exactly. It is public, everyone else can see it. No, you are investing in a conversation one on one potentially under comments on LinkedIn under someone's post that you you know, you reply to a reply but I can have a conversation. it for you. It might be I'm having a conversation with one person, but there might be hundreds of other people who will read the conversation. And who will align who might comment or might not comment will might follow you because of the who might like to because of that. And then yes, it's just then taking it to the next level of no picking from the scale the people who will resonate with you, and then taking those relationships to the next level by going to the DMS or one personalised chat. Peter Sumpton And that's why it's so important to be important to be yourself, isn't it? You know, because you want to resonate with people that you want to work with eventually. And if you're you, and people see you for you, and they are still willing, well, in my case, they're still willing to chat to me, then that that means that they can put up with me in my ramblings on on marketing, important strategy and everything else's, I'm really conscious of things I want to cover and then on to social media. And then this year, first thing is, people get hung up on on the likes, the comments and all that kind of stuff. How do you stop people from worrying if they're putting out content, and there's not that much engagement on the face of it from what they've seen stat wise. Lenka Koppova So there are statistics and numbers that are meaningful, and there are stats that are meaningless, like watching the numbers of followers doesn't really matter, like on Twitter, and Instagram, on other platforms, if you use the right hashtags, if your content is interesting and valuable, then it will be spread widely, and it can go way beyond your number of followers. So it's important to understand the meaningful metrics, the metrics that really show you the indication of the quality and the interest in your content in your business in your offering, which could be, you know, comments could be shares, it could be DMS, obviously, it is web traffic, it is email science, it is video views, repeat views. But I would say, especially at the early stages, it takes a long while it is very interesting to see that social media works kind of exponential in a way that there is a long lead up to them quite quick growth and take off too, sometimes, you know, 12, to 18 months of day to day activity of surgery, podcasters can see the new example of podcast after podcast that the first nine months just nothing happened. And then out of nowhere, it goes like this, it goes fast. But without putting the work in, in the first stage, it wouldn't, you wouldn't get there it is there is something about your resilience and consistency and persevere. And understanding that even though social media will give you results immediately, you can measure anything and everything from three second views to you know, likes here and there. It's important to know that the meaningful metrics and the meaningful results, take time and be patient. Peter Sumpton And yeah, it's a marathon, not a sprint, at the end of the day. So just moving back to your event. Just I suppose two quick questions. Really, before we wrap up? what's what's the worst thing about organising an event online? Lenka Koppova I think the worst thing is kind of not knowing if the technology will work. Because in person, you know, yes, there are some tech aspects that you need to pay attention to, like a microphone and stuff like that. But also then you you actually have real people in real life in you in in the room with you to help you this way, where, you know, we are all in our rooms, we're all in different parts of the world if something goes wrong before our team before myself that for one of the attendees, how will I be able to help them and fix it? I was always the fixed and running around, told him for blanks doing this and isn't knowing that everything is under control. And who is the person? Where do I go? And right now I feel like very early on, if something goes wrong, yes, I know the person but I can't do anything. And if some something's not working on someone's laptop, how will I help them to fix it? Because I don't know. Peter Sumpton Yeah, I mean that that that would be a main worry, because that's the whole event, isn't it? So So On the flip side, what's the best thing about organising this event or any event that you've done? Lenka Koppova I think organising online events really allows you not to be bounded by location because we've always been involved in the Cambridge event. We had people from UK coming, but there was always commuting as always to drive and park. And this way we can welcome audiences from all around the world. And we had people coming to our workshops and Facebook events, people from not only Europe, we managed to get people from all around the world coming to Cambridge Social Media Group, to connect with others, and work with others and learn windows, which is the most wonderful feeling. Because I love connecting people, I love being connected to different people from different places, learn about how social media works there, what it can learn from them. So I think this is the best thing that we can take everyone globally. Transcribed by https://otter.ai  Main Intro Music Featured on this Podcast: Intro 1N15 Setuniman http://www.setuniman.com/  Creative Commons License

This week's episode is one of many firsts for Artroverted, recording in a studio with two guests! Our conversation features two leaders in the field of emerging artists. Natasha Arselan and Ty Bishop. Natasha is the founder and CEO of AucArt, the world’s first online, hybrid auction house devoted to emerging artists, connecting collectors with artists enabling them to purchase directly from the artist’s studio. Ty is the founder and publisher of Friend of the Artist, a hard-back, bi-annual, juried publication that publishes the work of emerging artists from around the world. Both Natasha and Ty’s platforms have created opportunities for both emerging artists and artworld insiders to help each other connect and grow. On Monday, they begin their first collaboration, a sale of works selected from the most recent issue of Friend of the Artist, Volume 12. In our interview, they talk about everything from vouching for artists on visa applications to the end of Art. It’s leaders like these two that are essential to the survival and growth of the art world. This episode was recorded on October 22, 2020 To learn more about Friend of the Artist visit FriendoftheArtist.com and @friendoftheartist on Instagram. To learn more about AucArt and the sale, visit AucArt.com, and @aucart on Instagram. Music credit: Maurice Ravel's String Quartet in F major - II. Assez vif, très rythmé produced by the Isabella Stuart Gardener Museum (issued under a Creative Commons License).

On Saturday 3rd June 2017 at 12:24am, in London's bustling Trafalgar Square, as 50-year-old Desmond O’Beirne was heading home after a night out in the West End, he made a very innocent and simple request from a total stranger... 37 seconds later, his life was over.Murder Mile is researched, written and performed by Michael J Buchanan-Dunne of Murder Mile Walks with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name with additional music, as used under the Creative Commons License 4.0 (Attribution) via Free Music Archive and YouTube Music. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.TICKETS TO CRIME CON UK 2021Go to Crime Con UK website www.crimecon.co.ukEnter code MILE for 10% off and a free Murder Mile goodie.FOLLOW US HERE:FacebookTwitterInstagramMurder Mile Discussion GroupYoutubeSUPPORT THE PODCAST:Support us via PATREON.Buy Merch in THE SHOPFree Goodies HERE Support this show http://supporter.acast.com/murdermile. See acast.com/privacy for privacy and opt-out information.

Rubrique:histoire Auteur: charles-barthelemy Lecture: Daniel LuttringerDurée: 28min Fichier: 20 Mo Résumé du livre audio: Ce court essai de l'historien Charles Barthélémy (1825-1888), extrait de l'ouvrage Erreurs et mensonges historiques, démontre que « Galilée ne fut point persécuté comme bon astronome mais en qualité de mauvais théologien. » Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Rubrique:feuilletons Auteur: charlotte-bronte Lecture: Daniel LuttringerDurée: 47min Fichier: 37 Mo Résumé du livre audio: Chapitre 17 - Écrit dans la salle d'étude Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Rubrique:feuilletons Auteur: charlotte-bronte Lecture: Daniel LuttringerDurée: 26min Fichier: 19 Mo Résumé du livre audio: Chapitre 16 - Dans lequel les choses font quelque progrès, mais pas beaucoup Cet enregistrement est mis à disposition sous la Licence art libre. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Rubrique:philosophies Auteur: montaigne Lecture: Christiane-JehanneDurée: 48min Fichier: 44 Mo Résumé du livre audio: Livre III Chapitre 06 : Sur les voitures 1595 2018 Tous nos remerciements les plus sincères à monsieur Guy de Pernon qui autorise la publication de ce livreaudio, avec sa traduction. Texte sous Copyright. Mp3 sous CCBYNCND.Merci. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Helen moves forward with the plan. Sierra and Corrine expand their efforts against the Parker Initiative. Z sees something terrible in the Nicholas labs. Matilda cracks the code.  You can support Mirrors by subscribing and leaving a review at your favorite podcatcher or by going to https://www.patreon.com/mirrorspodcast  Music is "The Cavern" by Sara Afonso, available at the Free Music Archive.  Our cover image is courtesy of the Wellcome Library and has been made available under Creative Commons License 4.0.  All sound effects can be found at https://www.freesfx.co.uk/ 

Subscribe: Let us do the hard work and send the podcast to you: https://bit.ly/2NZjODA  Review: Share the love and leave a 5* review from your phone: http://getpodcast.reviews/id/1375904962  (from anywhere else hit the ‘Write a Review’ button in the Apple Podcasts app or iTunes) Marketing Theories Explained Series Link: https://bit.ly/3mi35di Enjoy the Episode - Happy Marketing! Website Thingy: www.marketingstudylab.co.uk  The Professional Bit: https://www.linkedin.com/in/petersumpton/  Facebook Community: https://www.facebook.com/groups/marketingstudylab/  Tweet Tweet: https://twitter.com/cousinp81  Intro This is part three of six. Over the next six weeks we’ll have a slightly different feel on the podcast, It’s just going to be me, myself and I, as I chat through six of the most important and influential theory’s within Marketing This six part series is actually the second season in reviewing, explaining and demonstrating how to use these powerful Marketing tools, but it’s the first time I’ve shared it on the podcast. Why am I doing this? I’ve partnered up with Professional Academy (intro to them later) to bring all those aspiring Marketers six explainer live episodes, which you can catch on a Thursday (link in the show notes) This has been put together to make you a better All-Round Marketer, from Auditing, right through to controls and measurements. This week we take a look at TOWS ANALYSIS Watch the video series: https://bit.ly/35AEWrA  Podcast Summary How can the TOWS Analysis Help YOU As A Strategic Marketer? 1 - Bridges the gap between a situation analysis or research (where are we now)? 2 - Develop forward thinking strategic directions (where do we want to go)? 3 - It is based on research and sound knowledge which can be explained to important stakeholders within the organisation to gain buy-in 4 - You can use this along with a SWOT to very quickly create strategic focal points 5 - Following this step by step process creates a link between the present and the future. Music Featured on this Podcast: Sleepy in the Garden Lobo Loco www.musikbrause.de  Creative Commons License