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6 episodes with dante spinotti
3 episodes with dante spinotti
2 episodes with dante spinotti
2 episodes with dante spinotti
2 episodes with dante spinotti
Throwback episode -- originally recorded for GlobeScreen in 2023: Dante Spinotti is both a member of the ASC (American Society of Cinematographers) and the AIC (Association of Italian Cinematographers). In a recent conversation from LA, he spoke to us about his distinguished career as a cinematographer. He recalled how Dino Di Laurentiis helped start his career in the US on Michael Mann's 1986 film ‘Manhunter'. Later in the discussion he shared many on-set stories working with Mann on four additional films 1992's Last of the Mohicans, 1995's Heat, 1999's The Insider and 2009's Public Enemies. He also talked about shooting 1997's LA: Confidential for Curtis Hanson. Dante also offered his views on shooting film versus digital. GlobeScreen Podcasts would like to thank Murtha Skouras Agency, for arranging this episode. Hosted by Zef Cota
Abbiamo avuto il privilegio e piacere di poter intervistare il leggendario direttore della fotografia Dante Spinotti.Nell'ora passata assieme ci ha raccontato la sua personalissima e appassionante storia del cinema, fatta di aneddoti e racconti che hanno come protagonisti Robert De Niro, Al Pacino, Michael Mann, Daniel Day-Lewis, Michelle Pfeiffer, Sam Raimi, Liliana Cavani, Sharon Stone, Paul Schrader e moltissimi altri.
James Majure returns to the pod from Athens, GA for a two-part episode on Michael Mann's Manhunter, a box office and critical disappointment in 1986 that has emerged over the decades into being extremely influential not only on Mann's future works but on film and television in general, from genre conventions to forensic procedurals on TV. In part 1, we discuss the various cuts of Manhunter in existence, the source material, Thomas Harris' bestselling novel Red Dragon, Mann's tremendous empathy towards all the characters in his adaptation, the ways Manhunter's themes keeps turning up in Mann's later works, and how the Miami Vice series seems to have been a test kitchen for a lot of Mann's preoccupations as a film stylist. Plus: a Michael Mann update with the surprise arrival of The Keep to Bluray and the 25th anniversary of The Insider. Part 2 of our discussion about Manhunter, including the Brett Ratner remake Red Dragon and a mid-series episode of Miami Vice that feels a lot like Manhunter, is available on the Junk Filter Patreon feed. Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at patreon.com/junkfilter "There Was Courage at Disney In How We Approached It": Michael Mann Reflects on The Insider 25 Years Later, by Tamera Jones & Steven Weintraub, in Collider, December 6, 2024 Trailer for Manhunter (Michael Mann, 1986) Original music video for The Prime Movers 'Strong As I Am' from the Manhunter soundtrack, directed by Dante Spinotti
linktr.ee/CatchingUpOnCinema This month is Masterclass Month at Catching Up On Cinema! September 2024 marks our 6th anniversary of podcasting, and to commemorate the occasion, we take a month to do a deep dive on a popular, long-lived movie franchise. For this year's Masterclass, we'll be reviewing the Hannibal Lecter series of films! Created by author Thomas Harris, Hannibal Lecter is a charismatic serial killer that, across multiple novels, films, and most recently, TV series, has consistently captivated global audiences since his inception in 1981. This week, our Masterclass continues with a review of confirmed piece of shit, Brett Ratner's, Red Dragon (2002)! The second adaptation of the first of Thomas Harris' Hannibal Lecter series of novels, Brett Ratner's, Red Dragon (2002) is a sanitized, and by the numbers adaptation of the classic novel of the same name. Once again produced by mega producers Dino and Martha De Laurentiis (who also produced Hannibal), Red Dragon, in spite of also featuring the talents of cinematographer, Dante Spinotti (who also shot Manhunter), and Ted Tally (screenwriter of Silence of the Lambs), is somewhat bland, and considerably less stylized rendition of Thomas Harris' novel than Michael Mann's, Manhunter (1986). Just a short year after the release of Hannibal (2002), Anthony Hopkins returns to reprise his role as Hannibal Lecter, with Edward Nortion starring as Will Graham, previously embodied on screen by William Petersen. An early example of a fanservice oriented prequel/sequel, Red Dragon goes out of its way to remind viewers at every turn, of the vastly superior Silence of the Lambs. Cast members, characterizations, iconography, and locations from Silence are all exploited, not without justification, but quite readily, and in a fashion that was not yet en vogue in Hollywood. In spite of its weaker presentation as compared to Manhunter, Red Dragon nevertheless benefits greatly from the novelty factor of its adaptation featuring additional scenes with Hannibal Lecter, and from ,pre greatly emphasizing the characterizations of Francis Dolarhyde and Reba McClane (played by Ralph Fiennes and Emily Watson respectively), who in Manhunter were given considerably less screen time. Blunt, and not especially confident in it's presentation or storytelling, Red Dragon is almost entirely buoyed by the efforts of its exemplary cast of players, with Ralph Fiennes and the late Philip Seymour Hoffman both making enormous contributions to the entertainment value of the film, in spite of the otherwise pedestrian filmmaking from director and confirmed piece of shit, Brett Ratner. Follow us on Instagram @catchinguponcinema Follow us on Twitter @CatchingCinema Like, share, subscribe, and we'll catch you next time!
Episode 462"Heat" | "The Last of the Mohicans" | "Manhunter" Cinematographer: Dante Spinotti.Dante Spinotti was born in Tolmezzo, Udine, in the northeastern Italian Region of Friuli. He began his career at RAI (Italian TV), before that he spent lot of time in Kenia as cinematographer for his uncle. In 1985, producer Dino De Laurentiis offered him a chance to work in USA for the first time with Michael Mann for the feature Manhunter (1986). From that experience, Spinotti became one of the most appreciated cinematographer in Hollywood. His particular vision gives a movie a great sense of reality. Among his works are: The Last of the Mohicans (1992) (Academy Nomination), Heat (1995), L.A. Confidential (1997) (Academy Nomination), The Insider (1999) (Academy Nomination), and Wonder Boys (2000). https://linktr.ee/mondaymorningcritic#heat #robertdeniro #alpacino #movie #thelastofthemohicans #cinematographer #redragon #michaelmann
Incontro con Dante Spinotti. Intervista di Riccardo Costantini L'autobiografia di uno dei più grandi direttori della fotografia del cinema mondiale, autore, tra gli altri, di capolavori come Manhunter, Insider, L'ultimo dei mohicani, Nemico pubblico e L.A. Confidential. La vita e la carriera di Dante Spinotti sono state un lungo viaggio che l'hanno portato dalla natia Carnia a Hollywood dove ha lavorato con grandi registi da molti anni. Dagli esordi come fotografo della squadra di calcio del suo paese, alle prime produzioni importanti che lo portano a coronare il suo sogno di lavorare nel cinema. Edizione 2023 https://www.pordenonelegge.it/
Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Another solo episode this week as we discuss Michael Mann's thriller 'The Insider', based on the true story of whistleblower Jeffrey Wigand and his explosive 1996 interview with 60 Minutes that exposed secrets about the tobacco industry and their complicity in manipulating their product with known carcinogens to increase the addictive effect of nicotine. The film is at once the story of the the tremendous power of corporate entities to take down those who seek to share the truth with the American public and an expressionist masterpiece that showcases some of Mann's most disciplined and mature directorial work. We discuss the film's seismic lead performances from dual leads Al Pacino and a career-best Russell Crowe. Then, we praise the Michael Mann & Eric Roth script, and its critical portrayal of its subjects, avoiding lionization. Finally, we discuss the story's terrible prescience, and how the film's shock at corporate media interests overruling the efforts of journalists can sometimes feel quaint by today's standards. Read Marie Brenner's profile of Jeffrey Wigand "The Man Who Knew Too Much" in Vanity Fair. ....Our theme song is "Mirror" by Chris Fish
Dante Spinotti is both a member of the ASC (American Society of Cinematographers) and the AIC (Association of Italian Cinematographers). In a recent conversation from LA, he spoke to us about his distinguished career as a cinematographer. He recalled how Dino Di Laurentiis helped start his career in the US on Michael Mann's 1986 film ‘Manhunter'. Later in the discussion he shared many on-set stories working with Mann on four additional films 1992's Last of the Mohicans, 1995's Heat, 1999's The Insider and 2009's Public Enemies. He also talked about shooting 1997's LA: Confidential for Curtis Hanson. Dante also offered his views on shooting film versus digital. GlobeScreen Podcasts would like to thank Murtha Skouras Agency, for arranging this episode.
A New Kind of Forgotten Western - Sam Raimi's The Quick & the Dead This week Mr. Chavez continues to travel and I continue my exploration into the vast number of films that I've somehow missed in this lifetime. There are quite a few films on this list and this podcast allows me the opportunity to watch them and assess their value. This week's choice is the 1995 Sam Raimi-directed, Sharon Stone lead (a rarity in the Western genre) The Quick & the Dead. This is by far not a great film or a forgotten masterpiece, however it is somewhat fascinating in its snapshot look at mid-90s Hollywood filmmaking. The beginning of an independent filmmakers dive into studio filmmaking (at this point, Raimi had directed The Evil Dead series and Darkman but was yet to take on the Spiderman series) and Sharon Stone's emergence as a powerhouse star and producer after Basic Instinct. With supporting performances from a nasty, vile, and dangerous Gene Hackman, and early appearances from Russell Crowe and Leonardo DiCaprio, Raimi's film is filled wtih beautiful cinematography (Dante Spinotti) and exceptionally strange and compelling production design. It's a good time and I'm thrilled that I had the opportunity to watch it for this show. I hope you enjoy it. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.
For the second week of our Comfort Crime month, John and Georgia deep dive into the Los Angeles underworld with Michael Mann's 1995 epic cops and robbers movie, Heat. This movie brings you so far into the symbiotic relationship between law enforcement and crooks that it's difficult to know what side you're on. We discuss the real life story of Chicago detective Chuck Adamson, whose coffee break with career criminal Neil McCauley inspired Mann's film, the iconic first-ever onscreen scene between acting heavyweights Al Pacino and Robert DeNiro, the many parallelisms between Hanna and McCauley, Michael Mann's collaboration with celebrated cinematographer Dante Spinotti (which began with Manhunter in 1986), the incredibly well-researched screenplay, the loneliness of existing outside regular society, and the rigorous training the actors went through to perform their roles. This episode is more jam-packed than the 405 at rush hour, so flip on the blue flashing lights, hit the siren, and ride along with us!
In an all-new ONE HEAT MINUTE, I join one of the greatest living cinematographers and the very cinematographer of HEAT - the one and only Dante Spinotti. Dante and I discuss HEAT being of consistently high quality, happy accidents at dawn, the strength of Amy Brenneman's performance, lighting the diner scene, and so much more.Join our Patreon for as little as $1 a month for an exclusive weekly podcast Rum and Rant + access to the OHM discord here.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Movie – and TV! – magic means making miracles happen each day, but sometimes those miracles aren't enough. Liz and Sarah reflect on a remark from famed cinematographer Dante Spinotti that resonates with their current work on Fantasy Island. Then, in Take A Hike, they talk about the daily joy that's sweeping the internet – Wordle! Next, in Amplify, Liz recommends a podcast that takes listeners on the twisty journey of one woman's relationship with a conman – Imposters: The Commander hosted by Abby Ellin. Finally, this week's Hollywood Hack is bloody important: know your blood type! Get in touch on Twitter: @sarahmfain & @elizabethcraft Get in touch on Instagram: @Sfain & @LizCraft Visit our website: https://happierinhollywood.com Join our Facebook group: https://www.facebook.com/HappierinHollywood/ Happier in Hollywood is part of ‘The Onward Project,' a family of podcasts brought together by Gretchen Rubin—all about how to make your life better. Check out the other Onward Project podcasts—Happier with Gretchen Rubin, Side Hustle School, Do The Thing, and Everything Happens with Kate Bowler . If you liked this episode, please subscribe, leave a review, and tell your friends! LINKS Dante Spinotti https://www.imdb.com/name/nm0005883/ Women's Murder Club https://www.imdb.com/title/tt0955353/ Brett Ratner https://www.imdb.com/name/nm0711840/ Scott Winant https://www.imdb.com/name/nm0934525/ Wordle https://www.powerlanguage.co.uk/wordle/ The Washington Post | Opinion: Why Wordle is the perfect game for the moment https://www.washingtonpost.com/opinions/2022/01/13/wordle-perfect-pandemic-game-together/ Imposters: The Commander https://open.spotify.com/show/35nG81iVW9kbfMkMXkTym6 Duped by Abby Ellin https://www.amazon.com/Duped-Double-Identities-Almost-Married/dp/1610398009 Happier with Gretchen Rubin | Podcast 205: An Interview about False Identities with Abby Ellin https://gretchenrubin.com/podcast-episode/205-a-talk-with-abby-ellin Eldoncard Blood Type Test https://www.amazon.com/Eldoncard-Blood-Type-Test-Complete/dp/B00JFTSPMW/ Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this weeks episode, Craig and Geoff take a look at Michael Mann's psychological thriller, Manhunter. The first ever appearance of Hannibal Lector is a fascinating and innovative approach to the thriller genre and together, the lads discuss the film's journey to screen, where it sits within Mann's filmography and so much more.
Puntata speciale di ferragosto su #Locarno74...La parola ai due vincitori di CP: Hleb Papou e Francesco Montagner. In concorso e in Piazza Grande: Bonifacio Angius e Alessandro Rak. ..I maestri Dante Spinotti e John Landis e gli omaggi a Gino Strada e a Piera Degli Esposti.
Puntata speciale di ferragosto su #Locarno74...La parola ai due vincitori di CP: Hleb Papou e Francesco Montagner. In concorso e in Piazza Grande: Bonifacio Angius e Alessandro Rak. ..I maestri Dante Spinotti e John Landis e gli omaggi a Gino Strada e a Piera Degli Esposti.
Robby Baumgartner began his film career 28 years ago in New York City. His interest in lighting inspired him to choose the unconventional route to DP via Gaffing.This career path allowed him to light films and learn from some of the most talented DP's in the business: Rodrigo Prieto, Chris Menges, Robert Elswit, Dante Spinotti, Darius Khondji, Janusz Kaminski, and Emmanuel Lubezki. Some of the films include: “8 Mile”, “25th Hour”, “21 Grams”, “Babel”, “Three Burials of Melquiades Estrada”, and “There Will be Blood”.In between Gaffing gigs he took every opportunity to DP or camera-operate on feature films, 2nd-unit photography, commercials, and shorts.Then in 2008 “There Will be Blood” shot by Robert Elswit, won the Oscar for Best Cinematography; the highest honor for any DP/Gaffing team. That event was the impetus for Robby to stop gaffing and DP exclusively.In 2009 Robby joined the International Cinematographers Guild as a DP. Since then he has gone on to shoot 2nd unit on both “Hunger Games” l and ll, “Water for Elephants”, and “Argo” amongst other films. For the last 5 years he has been concentrating on shooting main unit for films such as “The Guest”, “Blair Witch (2016)” and now “Blindspotting”, which has been selected for competition in the US Dramatic category at the 2018 Sundance Film Festival.W: http://robbybaumgartner.com/about/Like to have a ASC cinematographer as a mentor?Have you thought of upgrading your cinematography game? Would you like to have an ASC Cinematographer mentor you for free? Join veteran cinematographer Suki Medencevic, A.S.C. (Disney, Pixar, FX Networks, Netflix, American Horror Story). He teaches you how to create beautiful images using three lighting techniques he has mastered on film sets over his 30+ years in the film industry. Each technique uses basic, low-cost lighting equipment so that anyone can achieve beautiful visuals no matter your projects's budget.Learn film lighting from an ASC cinematographer. If you want to take your cinematography to the next level, this free training will get you there. These videos are available for a limited time, so sign up for instant access. CLICK HERE TO REGISTERhttps://www.ifhacademy.com/a/28632/aLFBXkpNIf you liked this podcast, shoot me an e-mail at filmmakingconversations@mail.comAlso, you can check out my documentary The People of Brixton, on Kwelitv here: https://www.kweli.tv/programs/the-people-of-brixtonDamien Swaby Social Media Links:Instagram https://www.instagram.com/filmmaker_damien_swaby/Twitterhttps://twitter.com/DamienSwaby?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorWebsite http://filmmakingconversations.com/If you enjoy listening to Filmmaking Conversations with Damien Swaby, I would love a coffee. Podcasting is thirsty work https://ko-fi.com/damienswaby
On the podcast this week, Steven and Sean are crashing into armored cars and knocking off downtown banks in the classic, electric Michael Mann film, Heat. We’re pretty astounded that this film is now as old as it is (and will only continue to get older because that is indeed, perhaps unsurprisingly, how time works) considering how timeless it is. Sure, there are still pagers shown in this movie and the cops would never be able to make it to the downtown bank that’s being robbed because there’s so much more traffic there now, but it still somehow feels evergreen! Let’s put that down to the magic of filmmaking. In a movie that’s nearly three hours long, it’s amazing how engrossing and energetic it still feels. Is it any wonder why when it stars so many phenomenal actors? I mean, you’ve got your De Niros, your Pacinos, your Kilmers and Judds and Brennemans. And then you throw them all on the screen together, sometimes even at the same time? It doesn’t get any better than this movie! And we haven’t even gotten to the intense action sequences. Seriously, the opening armored car robbery and the bank robbery that happens midway through are still some of the best pieces of action that have ever been put on film. If you can, make sure to watch this one with great speakers. You’ll feel like you’re living in the movie and also probably upset your neighbors. The sound design in Heat is on another level. The bank robbery scene is a great example of how the audio in this film elevates every other moment in it. There’s a reason why this film and that particular action scene is still so well-loved. We think it’s due in large part to its realistic sound design. ‘90s era Los Angeles has also never been shot better than it was by Dante Spinotti in this film. There’s a certain glittering realness to how everything looks that just isn’t easy to achieve anymore. We loved every moment of this film. (Recorded on May 14, 2020) Links to Stuff We Mentioned: Heat - IMDb Heat trailer - YouTube Pager - Wikipedia Here’s what that ancient technology know as the “pager” looks like for those of you who are somehow still younger than us relatively young folks. Reservoir Dogs - IMDb Dennis Haysbert - IMDb Leon: The Professional - IMDb Dante Spinotti - IMDb Follow Us: Give us a rating and review on Apple Podcasts! Our Libsyn site! Our Instagram profile! Our Twitter profile!
This episode is very special to me because I speak with a Designer idol of mine Production Designer Jane Musky. The films that Jane has designed have influenced me more than I realized. Although I have seen almost all of her films, multiple times, when I refreshed and watched some again, it made me feel passion, excitement, and my love for making set decorating. Jane designed Raising Arizona, Young Guns, When Harry Met Sally, Ghost, Glengarry Glen Ross, City Hall, The Devil's Own, Boomerang and even recently Hustlers. We talk about her start as a scenic designer, meeting up with the Cohen brothers to start her film career, giving great advice about the set atmosphere, her recent season of the Murphy Brown reboot, working with DP's like Barry Sonnenefeld, Dante Spinotti. Discussing the recent film Hustlers, the classic and in depth dressing of Glengarry Glen Ross, and then I pull everything I can out of her about Raising Arizona.
This episode is very special to me because I speak with a Designer idol of mine Production Designer Jane Musky. The films that Jane has designed have influenced me more than I realized. Although I have seen almost all of her films, multiple times, when I refreshed and watched some again, it made me feel passion, excitement, and my love for making set decorating. Jane designed Raising Arizona, Young Guns, When Harry Met Sally, Ghost, Glengarry Glen Ross, City Hall, The Devil’s Own, Boomerang and even recently Hustlers. We talk about her start as a scenic designer, meeting up with the Cohen brothers to start her film career, giving great advice about the set atmosphere, her recent season of the Murphy Brown reboot, working with DP’s like Barry Sonnenefeld, Dante Spinotti. Discussing the recent film Hustlers, the classic and in depth dressing of Glengarry Glen Ross, and then I pull everything I can out of her about Raising Arizona.
This episode is very special to me because I speak with a Designer idol of mine Production Designer Jane Musky. The films that Jane has designed have influenced me more than I realized. Although I have seen almost all of her films, multiple times, when I refreshed and watched some again, it made me feel passion, excitement, and my love for making set decorating. Jane designed Raising Arizona, Young Guns, When Harry Met Sally, Ghost, Glengarry Glen Ross, City Hall, The Devil’s Own, Boomerang and even recently Hustlers. We talk about her start as a scenic designer, meeting up with the Cohen brothers to start her film career, giving great advice about the set atmosphere, her recent season of the Murphy Brown reboot, working with DP’s like Barry Sonnenefeld, Dante Spinotti. Discussing the recent film Hustlers, the classic and in depth dressing of Glengarry Glen Ross, and then I pull everything I can out of her about Raising Arizona.
Episode 207: The Crew's running in the forest with a sexy Daniel Day-Lewis while discussing Michael Mann's The Last of the Mohicans. This was the box-office success that took Michael Mann from TV (Miami Vice) to big budget films. Daniel Day-Lewis was fresh off his first Best Actor Oscar (he won three throughout his career). The soundtrack, cinematography, editing, and every performance are prefect. But the Crew debates whether the movie is more than a beautiful adventure film. If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: themoviecrewe@gmail.com
Bruce Willis' star power rose quite a bit with the release of Die Hard, but strangely it was his supporting role in Bonfire of the Vanities that seemed to give him the clout he needed to do his own rewrites on the action thriller he was working on at the time, Hudson Hawk. Through his vision, this film became goofier and very Looney Tunes-esque. Unfortunately, the marketing stuck with the action side of Willis and the film flopped in the States. But it's a quirky film that found its audience over time and became a bit of a cult classic. Join us – Pete Wright and Andy Nelson – as we start up a new round of our guilty pleasure series for the new year and look at one of Pete's guilty pleasures, Michael Lehmann's 1991 film Hudson Hawk. We talk about why Pete has this on his guilty pleasures list and what Andy thought of it. We look at the backstory and what went into getting it made. We discuss the marketing for the film and ponder if a different approach may have allowed for a successful release. We chat about the over-the-top antics of the rest of the cast but principally Richard E. Grant and Sandra Bernhard as the Mayflowers. We touch on Dante Spinotti's look and Chris Lebenzon's & Michael Tronick's editing of the film and what they brought to it, paired with Lehmann. And we debate the tonal shifts in the film between goofy, bonkers comedy and surprising moments of strong violence. It's a strange little film that many people don't click with but some people – like us – really enjoy. We have a great time talking about it on this week's show, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: iTunes • Amazon • Netflix • YouTube Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd Walkthrough of Super NES version of Hudson Hawk Video Game
Bruce Willis’ star power rose quite a bit with the release of Die Hard, but strangely it was his supporting role in Bonfire of the Vanities that seemed to give him the clout he needed to do his own rewrites on the action thriller he was working on at the time, Hudson Hawk. Through his vision, this film became goofier and very Looney Tunes-esque. Unfortunately, the marketing stuck with the action side of Willis and the film flopped in the States. But it’s a quirky film that found its audience over time and became a bit of a cult classic. Join us – Pete Wright and Andy Nelson – as we start up a new round of our guilty pleasure series for the new year and look at one of Pete’s guilty pleasures, Michael Lehmann’s 1991 film Hudson Hawk. We talk about why Pete has this on his guilty pleasures list and what Andy thought of it. We look at the backstory and what went into getting it made. We discuss the marketing for the film and ponder if a different approach may have allowed for a successful release. We chat about the over-the-top antics of the rest of the cast but principally Richard E. Grant and Sandra Bernhard as the Mayflowers. We touch on Dante Spinotti’s look and Chris Lebenzon’s & Michael Tronick’s editing of the film and what they brought to it, paired with Lehmann. And we debate the tonal shifts in the film between goofy, bonkers comedy and surprising moments of strong violence. It’s a strange little film that many people don’t click with but some people – like us – really enjoy. We have a great time talking about it on this week’s show, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: iTunes • Amazon • Netflix • YouTube Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd Walkthrough of Super NES version of Hudson Hawk Video Game
Robby Baumgartner began his film career 28 years ago in New York City. His interest in lighting inspired him to choose the unconventional route to DP via Gaffing. This career path allowed him to light films and learn from some of the most talented DP’s in the business: Rodrigo Prieto, Chris Menges, Robert Elswit, Dante Spinotti, Darius Khondji, Janusz Kaminski, and Emmanuel Lubezki. Some of the films include: “8 Mile”, “25th Hour”, “21 Grams”, “Babel”, “Three Burials of Melquiades Estrada”, and “There Will be Blood”. In between Gaffing gigs he took every opportunity to DP or camera-operate on feature films, 2nd-unit photography, commercials, and shorts. Then in 2008 “There Will be Blood” shot by Robert Elswit, won the Oscar for Best Cinematography; the highest honor for any DP/Gaffing team. That event was the impetus for Robby to stop gaffing and DP exclusively. In 2009 Robby joined the International Cinematographers Guild as a DP. Since then he has gone on to shoot 2nd unit on both “Hunger Games” l and ll, “Water for Elephants”, and “Argo” amongst other films. For the last 5 years he has been concentrating on shooting main unit for films such as “The Guest”, “Blair Witch (2016)” and now “Blindspotting”, which has been selected for competition in the US Dramatic category at the 2018 Sundance Film Festival.
ACT ONE: Blake is joined by editor of Flicks Australia, writer for the Guardian and author Luke Buckmaster and co-host of The Sinner Files podcast Stu Coote to rank their "Top 5 Superhero Moments" in the Superhero genre before Endgame.ACT TWO: Blake is joined by legendary, Academy Award nominated cinematographer behind L.A Confidential and The Insider - Dante Spinotti about what it's like to shoot Marvel movie Ant Man and The Wasp.This podcast stars…Blake Howard (follow Blake on Twitter)Luke Buckmaster (follow Luke on Twitter)Stu Coote (follow Stu on Twitter)Further readingThe Boys made me revisit the greatest superhero scene of all time, from Zack Snyder’s Watchmen by Luke BuckmasterFurther viewingCaptain America: The First AvengerSupermanWonder WomanThe Dark KnightThe Dark Knight RisesCaptain America: The Winter SoldierThe WatchmenAvengers: EndgameSpiderman: Into the Spider-verseUnbreakableCaptain Underpants The First Epic MovieReturn of Captain InvincibleSubscribeOn iTunesOn Spotify
It's a real "show of shows" this week on BEHIND THE LENS as we welcome back the fabulous DEON TAYLOR for the entire hour! Take a listen as we go in-depth talking about Deon's latest film – THE INTRUDER plus Deon's journey as a filmmaker to arrive at today with a wide release feature film that debuted as the #1 new release at the box office and only second to "Avengers: Endgame". A man who has always kept his eye on the ball, his story is an inspiration to every filmmaker or wannabe filmmaker. And he is as affable, energetic and entertaining as can be while staying grounded, grateful, and humble. Dennis Quaid affectionately refers to him as "Mr. Excitement." One of the hallmarks of his filmmaking finds Deon with an uncanny knack for lulling one into a false sense of security when it comes to both his characters and his audience. He shows us ordinary people who become victims to terrifying circumstances, but who somehow find the inner mettle to survive. He also excels at showcasing the power of family, love, and that inherent will to survive, relying on the first two to propel the third. We saw it in "Supremacy". We saw it in "Traffik". We even saw it in the dark comedy "Meet the Blacks." His films boast dark forces and faces that we often don't see or knowingly look away from. And now Deon Taylor gives us THE INTRUDER. He once again brings terror to our home and our hearts and lays it on our doorstep, literally and figuratively, immersing us in true moments of jump out of your skin, heart pounding fright. You think you were afraid of monsters in the closet and under the bed before? Thanks to Deon and his vision, in true Hitchcockian style, the monsters in THE INTRUDER are more frightening than ever thanks to an award-worthy, insanely brilliant performance from Dennis Quaid. Knowing Dennis and knowing Deon, I only wish I had been a fly on the wall during the filming of THE INTRUDER. Coming from the world of professional basketball, Deon finds many aspects of sports analogous to filmmaking and talks about this during the hour. He also speaks from the heart about his journey as a self-taught filmmaker complete with the pitfalls and triumphs. And Deon is not shy about crediting the artisans who he works with, collaborates with, and learns from at every turn. We go into a detailed discussion about cinematography and use of color, and his work with cinematographer Daniel Pearl on THE INTRUDER, as well as Dante Spinotti's work on "Traffik". Plus, we talk about Deon's BE WOKE web campaign to engage the youth and African-American community to get out and vote, and get involved in their communities at the grassroots level and beyond. Good messages in this video series for everyone! And BE WOKE was recently nominated for a Webby Award! Sit back and take a listen now and let DEON TAYLOR "intrude" on you for the next hour with the filmmaking lessons he's learned in traversing the industry, sticking to his guns, following his instincts, and of course, THE INTRUDER. http://behindthelensonline.net http://eliasentertainmentnetwork.com
We're putting the pedal to the metal on this episode of BEHIND THE LENS with writer/director/producer DEON TAYLOR talking everything TRAFFIK. Already an established, and admittedly self-taught, director, TRAFFIK is completely representative of Deon as a storyteller and as a filmmaker. Listen as we talk about working with legendary cinematographer Dante Spinotti, not to mention the film's sound design, employing sound and visual to create some riveting and striking sequences within the film. And how about the casting of TRAFFIK? Paula Patton, Roselyn Sanchez, Omar Epps and Laz Alonso all go against type and deliver outstanding performances under Deon's guidance and collaborative style. Deon's candor and forthright discussion is eye-opening for freshman filmmakers and veterans alike. But before we get to Deon, take a listen to an excerpt of our exclusive interview with writer/director GREG CARUSO talking his latest film FLOCK OF FOUR. Regular listeners will recall Greg previously appeared on BTL talking about his documentary MAKING THE AMERICAN MAN. Well, get ready for something totally different from Greg with FLOCK OF FOUR as he delves into 1959 South Central Los Angeles, the West Coast Harlem, and takes us into the world of jazz. From an incredible and unforgettable original score to cinematography and the entire genesis of the story, the result makes FLOCK OF FOUR a "must see" film. Listen as Greg talks about the initial development of the story and film. . .and his love of jazz. http://behindthelensonline.net http://eliasentertainmentnetwork.com
Heat, film de Michael Mann de 1995 sort en DVD réédition 4K. Ce grand classique du cinéma policier est entre temps devenu une référence pour les amateurs de films de genre. Sa force est d’être un vrai grand polar qui se développe dans un univers intimiste, avec des personnages dont on perçoit la sensibilité et la sincérité. Avec Heat, Michael Mann a prouvé sa maîtrise de l’écriture, de l’image et de la mise en scène.Animé par Thomas Rozec avec Stéphane MoïssakisRÉFÉRENCES CITÉES DANS L’ÉMISSIONDeux éditions de Heat - en doubles Blu-ray (20th Century Fox, février 2017), L.A. Takedown (Michael Mann, 1989), Insaisissables (Now You See Me, Louis Leterrier, 2013), Triple 9 (Matt Cook, 2016), Robert De Niro, Al Pacino, Le Parrain (Francis Ford Coppola, 1975), Raging Bull (Martin Scorsese, 1980), Danny Trejo, Tom Sizemore, Strasky & Hutch (William Blinn, ABC, 1975), Miami Vice (Anthony Yerkovich, NBC, 1984), Manhunter (Michael Mann, 1986), Collatéral (Collateral, Michael Mann, 2004), Révélations (The Insider, Michael Mann, 1999), Ultimate Die Hard Limited Edition Blu-ray Collection (20th Century Fox), Dante Spinotti, Christopher Nola, The Dark Knight (Christopher Nolan, 2008), William Fichtner, Grand Theft Auto V (Rockstar Games, 2013)CRÉDITSEnregistré le 23 février 2017 à l’Antenne Paris (10 rue la Vacquerie, Paris 11ème). Production : Binge Audio. Direction de production : Joël Ronez. Chargée de production et d’édition : Elsa Neves. Direction générale : Gabrielle Boeri-Charles. Moyens techniques : Binge Audio / L’antenne Paris. Réalisation : Sébastien Salis. Générique : "Soupir Articulé", Abstrackt Keal Agram (Tanguy Destable et Lionel Pierres). NoCiné est une production du réseau Binge Audio www.binge.audio.POUR ASSISTER AUX ENREGISTREMENTSPour assister à notre prochain enregistrement en public à L'antenne Paris, rendez-vous sur notre page bingeaudio.eventbrite.comUN GRAND MERCI À NOS CONTRIBUTEURSKaren Bastien, Christian Baujard, Thomas Baumgartner, Laurent Bazet, Clara Beaudoux, Matthieu Beauval, Taryk Belazzouz, Violaine Bellée, Florent Bellin, Gerald James Benchetrit, Olivier Bénis, Sarah Bennaceur, Nicolas Benoît, Antoine Bertout, Morgane Bertrand See acast.com/privacy for privacy and opt-out information.
"All I am is what I'm going after."The Next Reel's Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month's episode, cinematographer Jayson Crothers joins us to talk about one of his favorite films, Michael Mann's epic 1995 crime drama Heat.We talk about the world-building that Mann does here, giving us fascinating characters on both sides of the law along with the families they struggle to please. We chat about the powerhouse moment when Robert De Niro and Al Pacino finally end up on screen together for the first time and deliberate about Mann's careful choice of when they're fully in the same frame together. We discuss the rest of the amazing cast, notable because every role seems to be inhabited by yet another incredible actor. We chat about the nature of women in Mann's films and why they may seem afterthoughts as compared to the men. We look at Dante Spinotti's cinematography and the incredible work he does creating a relatively normal-looking Los Angeles. We touch on the editing, the music, the locations, and many other things that went into creating this rich tapestry. And we ponder an alternate universe where Tone Lōc might have played Pacino's role. It's an incredible conversation about an incredible film that certainly has stood the test of time. If you haven't seen it, you definitely need to watch it right now, then join us in our conversation with Crothers about it!Film Sundries Watch this film: iTunes • Amazon Screenplay Original theatrical trailer Original poster artwork Flickchart Letterboxd Heat — Panel Discussion with Cast and Creators Internet Movie Firearms Database — Heat “Pacific” by Alex Colville Jayson Crothers — JaysonCrothers.com Jayson Crothers — IMDB Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!Star your own podcast journey with the best host in the business. Try Transistor today!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.
"All I am is what I’m going after." The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, cinematographer Jayson Crothers joins us to talk about one of his favorite films, Michael Mann’s epic 1995 crime drama Heat. We talk about the world-building that Mann does here, giving us fascinating characters on both sides of the law along with the families they struggle to please. We chat about the powerhouse moment when Robert De Niro and Al Pacino finally end up on screen together for the first time and deliberate about Mann’s careful choice of when they’re fully in the same frame together. We discuss the rest of the amazing cast, notable because every role seems to be inhabited by yet another incredible actor. We chat about the nature of women in Mann’s films and why they may seem afterthoughts as compared to the men. We look at Dante Spinotti’s cinematography and the incredible work he does creating a relatively normal-looking Los Angeles. We touch on the editing, the music, the locations, and many other things that went into creating this rich tapestry. And we ponder an alternate universe where Tone Lōc might have played Pacino’s role. It’s an incredible conversation about an incredible film that certainly has stood the test of time. If you haven’t seen it, you definitely need to watch it right now, then join us in our conversation with Crothers about it! Film Sundries Watch this film: iTunes • Amazon Screenplay Original theatrical trailer Original poster artwork Flickchart Letterboxd Heat — Panel Discussion with Cast and Creators Internet Movie Firearms Database — Heat “Pacific” by Alex Colville Jayson Crothers — JaysonCrothers.com Jayson Crothers — IMDB
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Tomahawks to face-splitting action is set against the French and Indian War and romance. We discuss the style of Michael Mann, the writing of Cooper, and Native American portrayals.
ONE HEAT MINUTE is the podcast examining Michael Mann's 1995 crime saga HEAT, minute by minute. It's the 100th minute (1:39:00-1:40:00) - host Blake Howard joins one of the greatest living cinematographers and the very cinematographer of HEAT - the one and only Dante Spinotti. Blake and Dante discuss HEAT as one of the finest movies he's ever worked on, L.A as the most cinematic city, Michael Mann mapping the psychological trajectory of his characters, shooting the entire film in 2000 ASA to give the picture its defining grainy look and provoking Christopher Nolan.Support this podcast at — https://redcircle.com/one-heat-minute-productions/donations
ONE HEAT MINUTE is the podcast examining Michael Mann's 1995 L.A crime epic HEAT, minute by minute. It's the 129th minute (2:08:00 -2:09:00) - host Blake Howard joins writer for the Public Transportation Snob blog, Cinema Axis and PopMatters and host of the Tomorrow Society Podcast, Dan Heaton. Blake and Dan breakdown Neil's slow-motion pursuit of Eady up the hill next to her house through the long grass like they're watching a nature video where a predator subdues its prey and spend a moment marvelling at the L.A sunrise, courtesy of Dante Spinotti. When you're running up hills away from your sociopathic criminal boyfriend in L.A in 1995, there's only one podcast I'd recommend.Support this podcast at — https://redcircle.com/one-heat-minute-productions/donations
About the episode: Joe Lynch and I, self-professed "Mann-sperts," assemble again to discuss that The Last of the Mohicans is in fact Joe's favourite Michael Mann movie.About the show:THE LAST (12 minutes) OF THE MOHICANS is a twelve episode limited podcast series focusing on the climax of the Michael Mann’s 1992 epic The Last of the Mohicans. The format of the podcast, which slightly differs from ONE HEAT MINUTE, utilises the entire final twelve minute climax of Mohicans as a portal to explore the themes of the movie, the cross section of political apparatuses, colonial superpower wrangling, and Mr Mann’s riff on the “great American hero.” With an Academy Award winning score from Randy Edelman and Trevor Jones, iconic performances, stunning cinematography from Dante Spinotti, a relentlessly paced script from Mann and co-writer Christopher Crowe and masterful orchestration from Mann; the film’s extended finale - triggered by the delivery of tribal justice until the credits roll - is arguably one of the greatest endings to almost any movie ever.About the movie: The Last of the Mohicans is adapted (and significantly altered from) James Fenimore Cooper novel, set in 1757, Mohicans follows three trappers who are inadvertently drawn into the French and Indian War when they rescue the daughters of British Colonel and their British Captain escort from an ambush. It stars Academy Award Winner Daniel Day Lewis, Madeleine Stowe, Academy Award Winner* Wes Studi, Russell Means, Eric Schweig, Jodhi May and Steven Waddington.About the Guest: Director - Point Blank (2019) - available exclusively on NetflixWriter/Director Mayhem (2017) - available on ShudderHost of FANGORIA’s THE MOVIE CRYPT PodcastSupport this podcast at — https://redcircle.com/one-heat-minute-productions/donations
About the episode: Part One: World-renowned film critic and writer/editor for New York Magazine Bilge Ebiri reunite to talk about the fact that The Last of the Mohicans is the Star Wars of colonial history movies.Part Two: Prolific Australian film and T.V critic Cam Williams and I take a wander down nostalgia lane to talk about discovering Mohicans in Australia circa. 1993, before formally apologising to any Mann fans who’ve begun to embark on a minute by minute Mohicans examination for stealing their thunder.About the show:THE LAST (12 minutes) OF THE MOHICANS is a twelve-episode limited podcast series focusing on the climax of the Michael Mann’s 1992 epic The Last of the Mohicans. The format of the podcast, which slightly differs from ONE HEAT MINUTE, utilises the entire final twelve-minute climax of Mohicans as a portal to explore the themes of the movie, the cross-section of political apparatuses, colonial superpower wrangling, and Mr Mann’s riff on the “great American hero.” The film features an Award-winning Academy score from Randy Edelman and Trevor Jones, iconic performances, stunning cinematography from Dante Spinotti, a relentlessly paced script from Mann and co-writer Christopher Crowe and masterful orchestration from Mann. The film’s extended finale - triggered by the delivery of tribal justice until the credits roll - is arguably one of the greatest endings to almost any movie ever.About the movie: The Last of the Mohicans is adapted (and significantly altered from) James Fenimore Cooper novel. Set in 1757, Mohicans follows three trappers who are inadvertently drawn into the French and Indian War when they rescue the daughters of a British Colonel and a British Captain escort from an ambush. It stars Academy Award Winner Daniel Day-Lewis, Madeleine Stowe, Academy Award Winner* Wes Studi, Russell Means, Eric Schweig, Jodhi May and Steven Waddington.About Bilge: Bilge Ebiri is a film critic/writer/editor at New York Magazine. He has contributed to publications such as L.A. Weekly, The New York Times and the Village Voice (rip). Bilge is also a writer and director, known for New Guy (2003), Purse Snatcher (2006) and The Barber of Siberia (1998).TWITTER: @BILGEEBIRI THE VILLAGE VOICE ARCHIVEROTTEN TOMATOESAbout Cam: Cameron Williams is a writer and film critic based in Australia. He is the Editor of The Popcorn Junkie. He contributes to The Feed (SBS Australia), FilmInk Magazine, IndieWire, Junkee, Spook Magazine and Graffiti with Punctuation. Cameron is also a regular guest on ABC Radio National’s film show The Final Cut and a member of the Australian Film Critics Association.Cameron has a slight addiction to Twitter, so follow along for lots of movie opinions, reviews and news via @MrCamW.The Popcorn Junkie is Rotten Tomatoes approved site.Support this podcast at — https://redcircle.com/one-heat-minute-productions/donations
It's an honour to bring you a chat with one of the greatest living cinematographers, the legendary Dante Spintotti (cinematographer of THE LAST OF THE MOHICANS & HEAT). In this bombshell laden discussion, Dante and I discuss joining the film four weeks into production; his contribution to the film's aesthetic and constructing the titanic face-off between Magua (Wes Studi) and Chingachgook (Russell Means).ABOUT DANTE SPINOTTIDante Spinotti was born in Tolmezzo, Udine, in the northeastern Italian Region of Friuli. He began his career at RAI (Italian T.V.), before that he spent a lot of time in Kenia as cinematographer for his uncle. In 1985, producer Dino De Laurentiis offered him a chance to work in the USA for the first time with Michael Mann for the feature Manhunter (1986). From that experience, Spinotti became one of the most appreciated cinematographers in Hollywood. His particular vision gives a movie a great sense of reality. Among his works are The Last of the Mohicans (1992) (Academy Nomination), Heat (1995), L.A. Confidential (1997) (Academy Nomination), The Insider (1999) (Academy Nomination), and Wonder Boys (2000). He married his wife Marcella, and they live in Los Angeles, Rome, and Tolmezzo.About the show: THE LAST (12 minutes) OF THE MOHICANS is a twelve-episode limited podcast series focusing on the climax of the Michael Mann's 1992 epic The Last of the Mohicans. The format of the podcast, which slightly differs from ONE HEAT MINUTE, utilises the entire final twelve-minute climax of Mohicans as a portal to explore the themes of the movie. The show examines the cross-section of political apparatuses, colonial superpower wrangling, and Mr Mann's riff on the "great American hero." The final episode - once again will feature Mr Mann to unpack his intentions with the film in the conception and orchestration of its grand ending.Support this podcast at — https://redcircle.com/one-heat-minute-productions/donations
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