Podcasts about janusz kaminski

Dana and Tom, for their 250th episode and 5th Anniversary, discuss the 1993 Best Picture winner, Schindler's List: directed by Steven Spielberg, written by Steven Zaillian, music by John Williams, cinematography by Janusz Kaminski, starring Liam Neeson, Ben Kingsley, and Ralph Fiennes.Plot Summary: Schindler's List is a powerful film exposing the horrors of the Holocaust and the capacity for redemption in the face of unimaginable evil. Oskar Schindler (Liam Neeson) is a German businessman whose war profiteering led him to exploit Jewish labor in Nazi-occupied Poland. However, what begins as opportunism transforms into something deeply human as Schindler witnesses the systematic brutality inflicted upon his workers. With quiet urgency, he shifts from bystander to savior, risking everything to shield more than a thousand Jews from certain death. Schindler's List is not just a great film but a necessary one.Chapters:00:00 Welcome to Our 250th Episode and 5th Anniversary Show01:29 Cast and Background for Schindler's List05:46 Relationship(s) to Schindler's List13:27 Where Should Schindler's List be Ranked Among All Best Picture Winners?16:37 What is Schindler's List About?17:25 Plot Summary for Schindler's List18:20 Did You Know?20:09 First Break21:16 Best Performance(s)31:01 Best/Favorite/Indelible Scene(s)35:17 Second Break36:14 In Memoriam36:55 Best Line(s)38:42 The Stanley Rubric - Legacy43:37 The Stanley Rubric - Impact/Significance46:37 The Stanley Rubric - Novelty49:18 The Stanley Rubric - Classicness52:06 The Stanley Rubric - Rewatchability54:55 The Stanley Rubric - Audience Score and Final Total56:58 Remaining Questions and Final Thoughts01:05:27 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/schindler-s-list-1993For the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Schindler's List, Steven Spielberg, Holocaust, film analysis, movie podcast, cinematic legacy, emotional impact, film performances, classic films, movie reviewsRonny Duncan Studios

Join Austin and Big T this week as we discuss the 1993 award-winning film Schindler's List.Tune in as we talk about what elements of the cinematography we enjoyed and what we thought about the character arcs throughout the film. We also share which scenes stood out to us the most and explore what lessons this film can teach us about our world today. Then join us next month when we discuss the 1999 fantasy comedy Being John Malkovich. Episodes are released the first Monday of every month.Write into us at layersoffilmpod@gmail.comFollow us on Instagram, Twitter, and TikTok: @layersoffilmpod

Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs #ShitList, le Podcast cinéma de Retour vers le Turfu qui parle du pire du cinéma. Super héros, comédie, horreur, science-fiction, action, drame, tout y passe ! A l'occasion de la sortie de Indiana Jones et le Cadran de la destinée réalisé par James Mangold. Retour sur le film interdit, un film tant attendu que quand il est arrivé en salle le monde entier a implosé. Ce soir, on vous parle du fameux Indiana Jones IV et le royaume du crâne de cristal réalisé par Steven Spielberg. Sortie 19 ans après le troisième volet, Indiana Jones et la dernière croisade, le film était très attendu, provoquant sur internet une émeute à chaque leak ou évocation du projet, sortie en 2008, le film a été conspué et détesté par la grande majorité du public, pour plusieurs raisons, scénario con, casting de teubé, CGI aux fraises ect Plusieurs années ont suivi suite au traumatisme, et il semblerait que quelques voix ont décidé de réhabiliter le film, mais finalement, la question qu'on pourrait se poser pour le dernier épisode de Shitlist, est ce qu'il s'agirait de grandir et de laisser ce film dans le tréfond des films insignifiants de son propre réalisateur un poil surestimé par des adulescents ? Produit avec beaucoup trop d'argent, 185 millions pour être exact par Lucasfilm et la Paramount. Réalisé par Steven Spielberg et aidé à la photo par Janusz Kaminski, scénario écrit par Jeb Stuart, Jeffrey Boam, M. Night Shyamalan, Stephen Gaghan, Tom Stoppard, Frank Darabont, Jeff Nathanson et enfin marie joseph sainte mère de dieu David Koepp. Ayant accepté d'aider une jeune rebelle dans une mission personnelle, mais qui pourrait le mettre en présence d'un artefact de valeur inestimable, le légendaire crâne de cristal d'Akator, Indiana Jones interprété par Harrison Ford met le cap vers une région éloignée du Pérou pour constater que des agents soviétiques sont également sur la piste, convaincus que le fameux crâne, s'il révèle ses secrets, pourrait les aider à dominer le monde. Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Si vous souhaitez soutenir ou aider notre Podcast Shitlist gratuitementNous vous demandons simplement de mettre des commentaires 5 étoiles avec un joli commentaire sur Apple Podcasts, Itunes ou Podcast Addict en vous remerciant par avance. Par ailleurs vous avez toujours la possibilité de nous envoyer vos suggestions de sujet pour qu'on en parle dans l'émission à l'adresse suivante shitlistpodcast@gmail.com Enregistré en live sur notre chaîne twitch ABONNEZ-VOUS ! Rattrapez le live sur notre chaine youtube Ne ratez aucun numéro, suivez-nous sur Twitter et Instagram Les chroniqueurs sont Marvin Montes, Karim Berradia, Wonder Vesper et présenté par Luc LE GONIDEC Host : Luc LE GONIDECDesign : Christelle DauresMusique Jean Baptise BLAISMontage et mixage son : Luc LE GONIDEC https://retourversleturfu.com

In this week's episode of the AIPT Movies podcast, Alex, Tim, and Matt discuss the often-maligned fourth entry in the beloved action adventure series, Indiana Jones and the Kingdom of the Crystal Skull! A fantastic cast, including a scenery-chewing Cate Blachett! That magical Steven Spielberg visual storytelling that's present in even his lesser movies! Vibrant cinematography from the one and only Janusz Kaminski! New supporting characters who feel like they could've been there all along! Harrison Ford slipping back into character like he never left! Do all these positives outweigh the somewhat awkward presence of Shia LaBeouf and other supposed faults, such as the infamous “nuke the fridge” moment? Listen now to find out!In addition, Alex saw (and enjoyed) two movies from actor/directors: Creed III and the Vietnamese martial arts movie, Furies!You can find AIPT Movies on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The AIPT Movies podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris, Tim Gardiner, and Matt Paul, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Instagram and Twitter @ActionHarris. Matt is a terrific artist that you can find on Instagram @no_wheres_ville. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the AIPT Movies crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter @AIPTmoviesPod.Theme song is “We Got it Goin On” by Cobra Man.

We're joined this week by the great Justin Stillmaker to discuss what's not only a great movie, but is a legitimate contender for the best movie we'll discuss on this podcast... well, maybe one of us disagrees: it's Minority Report! We break down the film in comparison to the original short story, dig into its complicated post 9/11 tone in relation to film noir, debate the aesthetic choices made by the madman Janusz Kaminski, and yes, we get into Colin's (contentious?) performance… but let's be honest, the three of us are mostly just here to talk Tom Cruise. Connor is way too nice to Mission: Impossible III. Cole questions the very thesis of this podcast. Justin posits a very bizarre hypothetical alternate career path Colin could have taken. Hosted on Acast. See acast.com/privacy for more information.

Steven Spielberg; Gabriel LaBelle, Michelle Williams, Paul Dano, Seth Rogen, Julia Butters, Judd Hirsch, David Lynch, Jeannie Berlin; John Williams; Janusz Kaminski; Tony Kushner

Steven Spielberg. The name associated with the biggest moments in movie history. From killer sharks to Oskar Schindler, Spielberg re-defined movie magic, touched our hearts, and brought out the child...

This week on the show the boys drink beer and gush about The Fabelmans, Stephen Spielberg's autobiographical take on how crazy it is he got rejected from USC film school. Honestly, I'm surprised they got so giddy. One of the co-hosts (John) was so touched by it he said "aww" a bunch of times the way someone does when they see a bunny. Not the Fatal Attraction bunny. The film is sweet and made brilliantly. So if you're on your way home from drinking, or are drinking alone by yourself, and want to hear some guys drink and talk about the Fabelmans, we'd be honored to share your attention. This episode is for you! Find all of our Socials at: https://linktr.ee/theloveofcinema Additional Cast/Creatives: Michelle Williams, Paul Dano, Gabriel LaBelle, Judd Hirsch, Seth Rogen, Tony Kushner, Janusz Kaminski, John Williams. Hosts: Dave Green, Jeff Ostermueller, John Say. Edited and produced by Dave Green. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer

Just in time for two days after Halloween, here are three movies about Satan's monkeyshines at the end of the previous millennium. The late 90's were a pretty productive time for Old Scratch! STIGMATA (1999, Rupert Wainwright) END OF DAYS (1999, Peter Hyams) LOST SOULS (2000, Janusz Kaminski)

Senior Colorist of Company 3 and Co-Head of Feature Color, Stephen Nakamura continues to be among the most accomplished feature film colorists in Hollywood. In this episode, he talks about his career as a colorist, the importance of color on screen, and his experiences as an Asian American in the film business. Nakamura has worked alongside directors such as David Fincher, Ridley Scott, Kathryn Bigelow, Spike Lee, David O. Russell, and Steven Spielberg. He has also worked with cinematographers Dariusz Wolski, ASC, Claudio Miranda, ASC, Robert Richardson, ASC, and Janusz Kaminski. His feature film credits include Da Five Bloods, Sicario: Day of the Soldado, It: Chapter Two, Crazy Rich Asians, The Martian, and Alien: Covenant. Nakamura got his start in feature film finishing with Technicolor Digital Services. Previously, he was a colorist with the Post Group, working on commercial, music video, television and feature film projects. He began his career at California Video Center​. In 2018 Nakamura was accepted into the Academy Of Motion Picture Arts & Sciences.

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Somethin's comin', somethin' good: this week, Paul and Arlo pirouette through a discussion of Steven Spielberg's new take on West Side Story, nominated for Best Picture at this year's Oscars. Is it a spoiler to say they love it? The boys discuss how Spielberg and screenwriter Tony Kushner's changes enrich the text, why choreographer Justin Peck's bold choice to discard Jerome Robbins' iconic choreography was the right move, what it means for the Sharks to be played by Latinx actors, and the joy of watching Spielberg treat every musical number like his and Janusz Kaminski's playground. Plus, Taco Bell sends Arlo spiraling into an existential crisis, and the boys chat about this year's other Best Picture nominees.   NEXT: Si Spurrier and Jeff Stokely's Six-Gun Gorilla is locked and loaded for this month's Four-Color Flashback.     BREAKDOWN 00:00:53  -  Intro 00:06:39  -  Interminable Oscars Discussion 00:37:43  -  A Look Back to Episode 402 00:47:04  -  West Side Story (2021) 02:14:52  -  Outro / Next     LINKS   How ‘West Side Story' Reset Itself by Jackson McHenry and Helan Shaw, Vulture How Tony Kushner and His Collaborators Brought ‘West Side Story' Into the 21st Century by Andrew R. Chow, Time ‘West Side Story's' Iris Menas Brings New Dimension to Old Character by Carole Horst, Variety     MUSIC “Something's Coming” by Ansel Elgort, West Side Story (2021 Motion Picture Soundtrack) (2021) “Somewhere” by Rita Moreno, West Side Story (2021 Motion Picture Soundtrack) (2021)   GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  US (877) 565-8860 Canada (877) 330-6366 National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://ripmedicaldebt.org/ Register to vote: https://vote.gov/

Something's coming; something good? Comedian and film critic Brandon Collins sits in to go over the high notes and low notes of Spielberg's West Side Story, now streaming.Plus, we play the new Box Office Game together! Will Alonso's movie trivia prowess also apply to a randomly selected box office weekend? What's Good :Alonso: permanent daylight savingsDrea: kitchen updateBrandon: SXSWITIDIC:New MPA Report Says Digital Box Office Revenue Was 3x Theatrical in 2021Theaters are playing 2014 Ukrainian film THE GUIDE to raise money for relief effortAfter Two Virtual Years, the SXSW Film Festival Is Happening In Person This Week Staff Picks:Drea: BALLET 422Alonso: DEEP WATERBrandon: IN THE HEAT OF THE NIGHT Brandon's Podcast, Medium PopcornBuy Alonso's book - I'll Be Home for Christmas MoviesThe Box Office Game With:Drea ClarkAlonso DuraldeBrandon CollinsProduced by Marissa FlaxbartSr. Producer Laura Swisher

Welcome to our continuing coverage of this year's Academy Awards®. Like last year, we have compiled interviews from the nominees in the Best Cinematography category. So, if you are an Oscar voter — either as an Academy member or as a fan participating in your annual office pool — you'll have a much better idea of what to watch for as you get to the Best Cinematography category on your ballot! Here are the nominated Directors of Photography, in alphabetical order by film: http://dunemovie.com/ (DUNE): Greig Fraser https://www.searchlightpictures.com/nightmarealley/ (NIGHTMARE ALLEY): Dan Laustsen https://www.thepowerofthedogmovie.com/ (THE POWER OF THE DOG): Ari Wegner https://tv.apple.com/us/movie/the-tragedy-of-macbeth/umc.cmc.4wpfk1xmi22h3zyv4a10lj1tw?ctx_brand=tvs.sbd.4000&ign-itscg=MC_20000&ign-itsct=atvp_brand_omd&mttn3pid=Google%20AdWords&mttnagencyid=a5e&mttncc=US&mttnsiteid=143238&mttnsubad=OUS2019929_1-581416710452-c&mttnsubkw=127330287810__LyN88Pym_&mttnsubplmnt= (THE TRAGEDY OF MACBETH): Bruno Delbonnel https://www.westsidestory.com/2021-film (WEST SIDE STORY): Janusz Kaminski Here's a table of contents of interviews, in case you'd like to jump around: 0:01:48 — DUNE — Greig Fraser 0:15:51 — NIGHTMARE ALLEY — Dan Laustsen  0:38:35 — THE POWER OF THE DOG — Ari Wegner NOTE: As always, all nominees were invited to join our conversations and we regret that Bruno Delbonnel and Janusz Kaminski were unavailable to join us in time for our podcast posting deadline. Thanks to all the studios for helping us pull these interviews together! Be sure to check outhttps://www.focusfeatures.com/belfast ( )http://dunemovie.com/ (DUNE), https://www.searchlightpictures.com/nightmarealley/ (NIGHTMARE ALLEY), https://www.thepowerofthedogmovie.com/ (THE POWER OF THE DOG), https://tv.apple.com/us/movie/the-tragedy-of-macbeth/umc.cmc.4wpfk1xmi22h3zyv4a10lj1tw?ctx_brand=tvs.sbd.4000&ign-itscg=MC_20000&ign-itsct=atvp_brand_omd&mttn3pid=Google%20AdWords&mttnagencyid=a5e&mttncc=US&mttnsiteid=143238&mttnsubad=OUS2019929_1-581416710452-c&mttnsubkw=127330287810__LyN88Pym_&mttnsubplmnt= (THE TRAGEDY OF MACBETH )andhttps://www.westsidestory.com/2021-film ( WEST SIDE STORY) before Oscars voting ends! We have one more episode of our special Academy Awards® coverage, coming coming in the next few days. That episode is devoted to the Best Animated Feature category.  So if you haven't already, please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). 

Episode 285."Nightmare Alley"Cinematographer: Dan Laustsen.Dan Laustsen is a two time Academy Award nominated Cinematographer for his work in "The Shape of Water" and most currently, his academy award nomination for  "Nightmare Alley".  The 2022 class of Academy Award nominated Cinematographers includes: DUNE, Greig Fraser,  THE POWER OF THE DOG, Ari Wegner, THE TRAGEDY OF MACBETH, Bruno Delbonnel WEST SIDE STORY, Janusz Kaminski and this week's guest NIGHTMARE ALLEY, Dan Laustsen.Dan's filmography includes John Wick Chapter 2, 3 and the soon to be released John Wick Chapter 4. Silent Hill, Crimson Peak, League of Extraordinary Gentlemen, Darkness Falls, Brotherhood of the Wolf and so many more.Highlights:1. Dan was encouraged by his sister to apply to Film School.2. Guillermo Del Toro called Dan one of the top 5 best cinematographers.3. Guillermo Del Toro and Dan have done 4 films together. Crimson Peak, The Shape of Water, Nightmare Alley and Mimic.4. Dan has done the cinematography in 3 of 4 John Wick movies. 5. Dan has been nominated for two academy awards.6. Dan includes Se7en and The Lighthouse as two of the most influential movies as they apply to cinematography.7. Roger Deakins ended up winning the Academy Award in 2018 for his work in "Blade Runner 2049". That same year Dan was nominated for "The Shape of Water"8. Dan attended the National Film School in Denmark.9. Prior to attending film school Dan had experience as a Fashion Photographer.10 . Dan had aspirations of becoming a National Geographic Photographer.A gifted cinematographer I am very fortunate to bring you Cinematographer,  Dan Laustsen.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:@mdmcriticwww.mmcpodcast.comMondaymorningcritic@gmail.comYouTube: Monday Morning Critic Podcast

On this special episode of Behind The Screen, Carolyn sits down with some of 2021's most accomplished cinematographers including Greig Fraser from 'Dune', Janusz Kaminski from 'West Side Story', Chung-hoon Chung from 'Last Night in Soho', Alice Brooks from 'In the Heights', Bruno Delbonnel from 'The Tragedy of Macbeth', Ari Wegner from 'The Power of the Dog', and Haris Zambarloukos from 'Belfast'. They talk about their projects as well as safety on sets, the recent union negotiation, and the future of their craft. Learn more about your ad choices. Visit megaphone.fm/adchoices

Q&A on the visual design for West Side Story with costume designer Paul Tazewell, cinematographer Janusz Kaminski, production designer Adam Stockhausen, and set decorator Rena DeAngelo. Moderated by Mara Webster, In Creative Company. Love at first sight strikes when young Tony spots Maria at a high school dance in 1957 New York City. Their burgeoning romance helps to fuel the fire between the warring Jets and Sharks -- two rival gangs vying for control of the streets.

0:00 - Intro & Summary2:00 - Movie Discussion46:57 - Soundtrack48:56 - Cast & Crew58:26 - Awards 1:00:29 - True Crime/Pop Culture1:07:55 - Music1:08:44 - TV1:14:30 - Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

On this episode, Barry and Mike don their dance belts, flash their jazz hands and dance/fight over Steven Spielberg's remake of West Side Story. Topics discussed include pondering why on earth Spielberg would make this movie, Barry's resistance to Janusz Kaminski's cinematography and Mike's brush with greatness starring Rita Moreno. 

Já se passaram cinquenta anos desde que Amor, Sublime Amor chegou aos cinemas e arrebatou multidões, então faz sentido que Hollywood promova agora um remake da produção. A diferença aqui é quem comanda: ninguém mais que Steven Spielberg, grande Midas do cinema estadunidense, assume a nova versão do clássico da Broadway com toda a pompa derivada de seu status. Da fotografia de Janusz Kaminski aos balés orquestrados por Josh Peck, tudo no filme de 2021 transpira frescor. Mas e aí: será que todo esse esforço fica à altura do original? No Cinemático 258, Pedro Strazza e Rafael Argemon conversam sobre a nova adaptação do musical para as telonas, suas diferenças para a versão dos anos 60 e como o filme se encaixa na longa carreira de seu diretor. Com participação especial de Lucas de Britto! _____ Cinemático é uma produção do B9 Apresentação: Carlos Merigo Coordenação Geral: Carlos Merigo, Ju Wallauer e Cris Bartis Produção e Pesquisa: Pedro Strazza Edição e Sonorização: Alexandre Pottaschef e Mariana Leão Coordenação Digital: Agê Barros, Pedro Strazza e Hiago Vinicus Atendimento e Comercialização: Rachel Casmala, Camila Mazza e Telma Zenaro See omnystudio.com/listener for privacy information.

Today on the pod we discuss Steven Spielberg's West Side Story, adapted by the brilliant Tony Kushner, shot by legend Janusz Kaminski, and starring a whole bunch of awesome people. This movie is so so good, one of the best movie musicals in decades, perhaps an all-timer. We had fun! This movie was so good. We drank beer and talked about West Side. It's just so great, I don't have much else to say. We also talked about drugs in parliament. Push play, like, and subscribe! Find all of our Socials at: https://linktr.ee/theloveofcinema Music: soundcloud.com/dasein-artist. Beer: @cbarrozo.beer Edited and produced by Dave Green. Hosts: Jeff Ostermueller, John Say, Dave Green. Twitter: @theloveofcinema, Twitch/Facebook/Instagram: @theloveofcinemapod, YouTube: The Love of Cinema Podcast.   Find all of our Socials at: https://linktr.ee/theloveofcinema Music: soundcloud.com/dasein-artist. Beer: @cbarrozobar2019. Edited and produced by Dave Green. Hosts: Jeff Ostermueller, John Say, Dave Green. Twitter: @theloveofcinema, Twitch/Facebook/Instagram: @theloveofcinemapod, YouTube: The Love of Cinema Podcast.

Steven Spielberg hired Janusz Kaminski as the cinematographer for "Schindler's List” twenty-five years ago, and they have worked together, hand-in-glove, ever since. Their collaboration has produced "Saving Private Ryan," "Bridge of Spies," "Lincoln," and many others, including the new, eagerly-awaited "West Side Story,"  which opens December 10th.  In this episode, which originally posted in 2016, both filmmakers tell how they fell in love with the movies and learned to make them. Spielberg talks about his first camera and trusting his instincts, and Kaminski talks about how growing up in 1970's Poland gave him an unusual eye on the world.

**TW/CW - Talks of sexual assault and animal death**0:00-Intro and Movie Summary2:00-Movie Discussion50:51-Cast and Crew59:53-True Crime; Terry Plumeri1:08:55 - TV1:17:02-Rankings and Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

Cinematographer Flavio Labiano doesn't consider himself an artist with a capital “A” but more of a craftsperson. To him, cinematography is a craft that you learn by making mistakes and taking risks, like any other craft that you hone and improve over time. On Disney's Jungle Cruise, Flavio found the planning and pre-production stages of the huge-scale movie to be especially challenging. It was about 100 days of planning, with two different sets- one in Hawaii and one in Atlanta, Georgia, and with the second unit shooting footage in the Amazon to use as background plates. All the exterior tank work was done in front of a blue screen in a parking lot in Atlanta. The town of Porto Velho, where the jungle cruise adventure begins, was mainly shot in Hawaii. Flavio paid close attention to the orientation of the sun in order to match the set in Hawaii with the set in Atlanta. He also had to match the hard sunlight in the South to the sunlight in Hawaii, and the crew had to deal with the constant interruptions of summer afternoon rainstorms in Georgia. Flavio and Jungle Cruise director, Jaume Collet-Serra, have worked together on several films including The Shallows, another movie that takes place mostly in water. Flavio grew up in Spain, then moved to Los Angeles to attend AFI. He found his first film jobs working for Roger Corman's studio alongside Wally Pfister, Phedon Papamichael, and Janusz Kaminski. Flavio moved back to Spain for film work and has made most of his career there with movies such as The Day of the Beast, which was a huge commercial success in Spain, and Timecrimes, an exciting and mind-bending thriller. Shortly after Timecrimes, he and fellow Spaniard, director Jaume Collet-Serra began working together. Influenced by director Alfred Hitchcock, who enjoyed making thrillers with characters who are celebrities, the two made Nonstop and Unknown with Liam Neeson. You can watch Jungle Cruise on Disney+ Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep135/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Robby Baumgartner began his film career 28 years ago in New York City. His interest in lighting inspired him to choose the unconventional route to DP via Gaffing.This career path allowed him to light films and learn from some of the most talented DP's in the business: Rodrigo Prieto, Chris Menges, Robert Elswit, Dante Spinotti, Darius Khondji, Janusz Kaminski, and Emmanuel Lubezki. Some of the films include: “8 Mile”, “25th Hour”, “21 Grams”, “Babel”, “Three Burials of Melquiades Estrada”, and “There Will be Blood”.In between Gaffing gigs he took every opportunity to DP or camera-operate on feature films, 2nd-unit photography, commercials, and shorts.Then in 2008 “There Will be Blood” shot by Robert Elswit, won the Oscar for Best Cinematography; the highest honor for any DP/Gaffing team. That event was the impetus for Robby to stop gaffing and DP exclusively.In 2009 Robby joined the International Cinematographers Guild as a DP. Since then he has gone on to shoot 2nd unit on both “Hunger Games” l and ll, “Water for Elephants”, and “Argo” amongst other films. For the last 5 years he has been concentrating on shooting main unit for films such as “The Guest”, “Blair Witch (2016)” and now “Blindspotting”, which has been selected for competition in the US Dramatic category at the 2018 Sundance Film Festival.W: http://robbybaumgartner.com/about/Like to have a ASC cinematographer as a mentor?Have you thought of upgrading your cinematography game? Would you like to have an ASC Cinematographer mentor you for free? Join veteran cinematographer Suki Medencevic, A.S.C. (Disney, Pixar, FX Networks, Netflix, American Horror Story). He teaches you how to create beautiful images using three lighting techniques he has mastered on film sets over his 30+ years in the film industry. Each technique uses basic, low-cost lighting equipment so that anyone can achieve beautiful visuals no matter your projects's budget.Learn film lighting from an ASC cinematographer. If you want to take your cinematography to the next level, this free training will get you there. These videos are available for a limited time, so sign up for instant access. CLICK HERE TO REGISTERhttps://www.ifhacademy.com/a/28632/aLFBXkpNIf you liked this podcast, shoot me an e-mail at filmmakingconversations@mail.comAlso, you can check out my documentary The People of Brixton, on Kwelitv here: https://www.kweli.tv/programs/the-people-of-brixtonDamien Swaby Social Media Links:Instagram https://www.instagram.com/filmmaker_damien_swaby/Twitterhttps://twitter.com/DamienSwaby?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorWebsite http://filmmakingconversations.com/If you enjoy listening to Filmmaking Conversations with Damien Swaby, I would love a coffee. Podcasting is thirsty work https://ko-fi.com/damienswaby

It's an all-new BSV Podcast, where your hosts sit through YET ANOTHER terrible late-90s Tarantino rip-off in the form of Skip Woods's THURSDAY, now available from Kino Lorber Studio Classics! Also, Justin praises SKYLINES, the new entry in the underrated sci-fi series from Vertical Entertainment, while we get all classed-up with the beautiful new Arbelos restoration of SÁTÁNTANGÓ! Plus, longtime Steven Spielberg cinematographer Janusz Kaminski is sitting in the director's chair for AMERICAN DREAM, a new crime drama starring... Nick Stahl... as a Russian mobster... CULT RITUALS (Code Red) THE DEVIL'S WEDDING NIGHT (Code Red) BURIED ALIVE (1990) (Kino) BLOOD SISTERS (1987) (Media Blasters) DEVILMAN (2004) (Media Blasters) SPLATTER FARM (Camp Motion Pictures) CLASSIC SÁTÁNTANGÓ (Arbelos) BAMAKO (2006) (Icarus) WE'RE NO ANGELS (1955) (Paramount) PAT AND MIKE (Warner Archive) THURSDAY (1998) (Kino) ***BLIND BUY*** NEW AMMONITE (Elevation) RADIOACTIVE (2019) (MK2) JUNGLELAND (Paramount) MINDING THE GAP (Criterion) EPICENTRO (Kino) A THOUSAND CUTS (2020) (PBS) LUPIN III: THE FIRST (GKids/Shout) THE RUNAWAYS (2019) (Gravitas Ventures) TWILIGHT ZONE: SEASON 2 (Paramount) IT CUTS DEEP (Dark Sky) SPELL (2020) (Paramount) TOYS OF TERROR (Warner) SKYLINES (2020) (Vertical) AMERICAN DREAM (2021) (Lionsgate)

In this episode, we sit down with Janusz Kaminski, an Oscar-winner from his work as the cinematographer on Schindler's List (1993) and Saving Private Ryan (1998). Listen along as he speaks about his start in the industry and working with the legendary Steven Spielberg.

Phedon Papamichael's career as a cinematographer goes back to the 80's, but he's still a go-to DP for the best filmmakers in the business. You might call him an “actor's cinematographer” or a stylistic chameleon. Phedon talks about his approach to the craft: rather than trying to put his visual stamp on a movie, his goal is to serve the story and overall vision. He compares his experiences working with Alexander Payne, George Clooney, Aaron Sorkin and James Mangold -- and what it was like juggling the massive personalities on the set of Sorkin's The Trial of the Chicago 7. Phedon and recalls his early days shooting stripper-centered B-movies under Roger Corman's tutelage — with Wally Pfister and Janusz Kaminski as his camera crew. This is a masterclass in what it means to be an A-list cinematographer. Don't miss this one: Phedon is the man. Please email us any questions or comments at ask@nofilmschool.com!  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Wally Pfister grew up loving movies, and couldn't wait to become a filmmaker. The son of an ABC news journalist, Wally got his start as a news production assistant in Los Angeles, and he worked his way up to become a news cameraman. He attended American Film Institute, where he met fellow filmmakers Janusz Kaminski and Phedon Papamichael. Together they began working for Roger Corman's Concorde/New Horizons production company based in Venice, CA, cranking out as many as twelve B-movies per year. Wally would leave the studio literally splattered in fake blood, but he knew low-budget filmmaking work was essential for having the freedom to learn lighting and shooting while on the job. Even with his prestigious degree from AFI, Wally knew it didn't make him a filmmaker- he still needed to learn and hone his craft before moving on to bigger projects. Those opportunities came once Phedon Papamichael brought him on as a camera operator for Phenomenon and While You Were Sleeping. Wally loved the independent films of the 1990's, and was happy to work as director of photography for The Hi-Line, a well-received indie feature that won awards at several film festivals. Director Christopher Nolan saw the film, and approached Wally to shoot Memento. Memento blends black and white with color cinematography, to show the main character's broken memory as he tries to piece together who killed his wife. Nolan had purposefully scripted it so that the color sequences shown in the film are in reverse order while the black and white scenes are chronological. Wally and Chris Nolan both preferred taking a naturalistic approach to lighting and camerawork, and Wally's experience of working fast enabled them to shoot in just 25 days. Insomnia was a big jump for Wally and Christopher Nolan into a bigger budget movie, especially with stars such as Al Pacino and Robin Williams attached. This time, Wally had the budget, the time and the ability to make a great movie. Insomnia uses light rather than darkness as a way to build tension- it takes place in midsummer Alaska, when the sun never sets. Wally used key lighting in certain scenes to enhance the performance of Pacino, whose detective character is quite literally hiding from the light, as his guilt and exhaustion spirals down into madness. The next project Christopher Nolan and Wally collaborated on was a huge Hollywood movie: Batman Begins, which relaunched the Batman franchise after nearly ten years. Even though Batman is a superhero/comic book movie, Nolan still wanted to take a gritty and naturalistic approach- he never wanted the cinematography to get in the way. Wally kept the movie dark and rough, rather than glossy and stylized in contrast to the previous Batman movies. Very little of Batman Begins used computer generated visual effects- Chris Nolan prefers to do all effects in-camera when possible and used models and miniatures, as in the train derailment sequence. For The Prestige, the production crew scouted locations in Los Angeles, and found old theaters and the Universal backlot to make it seem like Europe at the turn of the century. Again, Nolan wanted The Prestige to look natural and loose, with much of the film hand-held, even when Wally was on a crane. Wally used lanterns and natural light to illuminate most scenes, and every magic trick was done in-camera, with no special effects. The Prestige earned Wally his first Academy Award nomination. Listen for Wally Pfister, Part 2, coming next week! He talks about Inception, Moneyball, The Dark Knight Rises, Trancendence and more! Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep101/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

How do we light our movies? The answer for many starts with the idea of motivation. What, within the world of our film, justifies the light illuminating our stories? In this episode we once again sit down with Paige Smith to discuss the ins and outs of lighting ideology. Most films circa the 21st century are lit in a way that prizes ‘naturalism’; we delve into the reasoning behind this as well as other ideologies, including the theatrical lighting methods that dominated early and mid 20th century cinema.In this episode, we discuss:Lighting ideologies and how they can influence our creative process.The dangers of using the words “Key”, “Fill”, and “Backlight.”The evolution of lighting linguistics, from the birth of cinema through the era of classical hollywood realism to modern-day realism.Gendered lighting techniques and other broken methodologies.Gregg Toland’s groundbreaking candlelight in The Grapes of Wrath.Janusz Kaminski’s use of ‘documentary’ lighting in Schindler’s List.Ellen Kuras’ use of broken lighting motivation in Eternal Sunshine of the Spotless Mind.James Wong Howe and Roger Deakins’ lighting seminars.

Janusz Kaminski-ren 2007ko drama gomendatu digu zinemagileak aste honetan...

Jacqueline Dalunde is the founder and Executive Producer of apparentlyjack, a production and development company based in LA. I've known Jack for quite some time and feel fortunate to consider her a friend and ally. She was one of my first interviews when I started the pod. I was a HOT MESS. Talk about mistakes. I had major technical issues, the room we chose was echo AF. I felt really embarrassed. Think: overly dramatic/existential "why even bother doing this" vibes.⁣⁣ ⁣⁣ Yet, she stayed cool, calm, and collected. Classy lady. ⁣⁣ We decided to re-record, however, mostly because it's been a year and a half since and so much has changed in her life.⁣⁣ ⁣⁣ She now lives in Sweden, which proved serendipitous timing. Nordic countries have been able to keep production active during Covid-19, so she gives us an insider look as to what that means. Her background spans almost every aspect of the filmmaking process from development to delivery, in both the branded and Independent film/television spaces. She got her start in 2011 working with producer Chris Gibbin. Together, they collaborated with top cinematographers in the business (Wally Pfister, Janusz Kaminski and Phedon Papamichael) on a content series called Advanced Filmmaking. Some time later, she became Head of Production at LA-Based Agency Something Massive. She built the video & photo departments from the ground up while developing/producing features, shorts and branded content for Fortune 500 companies. With 10+ years in the film and advertising industries, Jacqueline decided to go out on her own to form the content studio apparentlyjack. It’s mission is to produce and develop cinematic storytelling and storyline driven content in a variety of formats. During our hour together, Jack shines a bright light on the importance of talking to each other. Seems obvious, but you'd be surprised.⁣⁣ It is only through discussion (and action), that we can de-stigmatize mental health, grow from our mistakes, and get closer to achieving inclusion and gender parity in front and behind the camera.⁣⁣ Can’t wait to hear what you think of this week’s episode! Beijos, Caca  

episode notesCinematographer Style Volume 1 and 2 - Jon FauerInterviews with some of the best DPs like Roger Deakins, Bill Pope, Nancy Schreiber, John Seale, Haskell Wexler, Gordon Willis, and many more.The 5 Cs of Cinematography - Joseph V. MascelliCamera angle, continuity, cutting, close-up, and compositionCinematography: Theory and Practice - Blaine BrownMaster Shots - Christopher KenworthyGreat examples for setting up scenes with camera angles and blockingLighting for Cinematography - David LandauFilm Lighting: Talks with Hollywood's Cinematographers and Gaffers - Kris MalkiewiczInterviews with Janusz Kaminski, Matthew Libatique, Rodrigo Prieto, Harris Savides, and many more.

Robby Baumgartner began his film career 28 years ago in New York City. His interest in lighting inspired him to choose the unconventional route to DP via Gaffing. This career path allowed him to light films and learn from some of the most talented DP’s in the business: Rodrigo Prieto, Chris Menges, Robert Elswit, Dante Spinotti, Darius Khondji, Janusz Kaminski, and Emmanuel Lubezki. Some of the films include: “8 Mile”, “25th Hour”, “21 Grams”, “Babel”, “Three Burials of Melquiades Estrada”, and “There Will be Blood”. In between Gaffing gigs he took every opportunity to DP or camera-operate on feature films, 2nd-unit photography, commercials, and shorts. Then in 2008 “There Will be Blood” shot by Robert Elswit, won the Oscar for Best Cinematography; the highest honor for any DP/Gaffing team. That event was the impetus for Robby to stop gaffing and DP exclusively. In 2009 Robby joined the International Cinematographers Guild as a DP. Since then he has gone on to shoot 2nd unit on both “Hunger Games” l and ll, “Water for Elephants”, and “Argo” amongst other films. For the last 5 years he has been concentrating on shooting main unit for films such as “The Guest”, “Blair Witch (2016)” and now “Blindspotting”, which has been selected for competition in the US Dramatic category at the 2018 Sundance Film Festival.

A Vakfolt versus című spinoff-podcastunk harmadik évadja veszi kezdetét a héten. Ebben a szezonban nem ikerfilmek és nem is remake-ek a témáink, hanem olyan filmpárosokat tekintünk meg, amelyeket a rendezőjük egyazon naptári évben készített. Vissza fogunk menni egészen Hollywood hőskoráig, de közelmúltbeli duplázásáokra egyaránt sort kerítünk majd. Első alkalommal az egyik legszorgosabb rendezővel foglalkozunk: Steven Spielberg számtalanszor készített már két sikeres filmet egy évben, mi most a 2002-es Minority Report (Különvélemény) és a Catch Me If You Can (Kapj el, ha tudsz!) című alkotásait vetettük össze. A megmérettetésben segítségünkre volt vendégünk, a Brandon Hackett néven alkotó sci-fi szerző, Markovics Botond. Általános áttekintéssel kezdjük az adást: mik a közös jellemzői Spielberg duplázásainak? Miben hasonlít mondjuk a The Post-Ready Player One páros a Catch Me If You Can-Minority Report kettősére. Hol tartottak ekkor karrierjeinkben a filmek főszereplői, Tom Cruise és Leonardo DiCaprio? Hogy került éppen ez a script Spielberg kezei közé? Ezt követően elmerülünk a Különvélemény disztópiájában, és megnézzük, Philip K. Dick művei miért annyira közkedvelt alapanyagai a hollywoodi science fictionöknek. Mennyire átgondolt a Különvélemény világteremtése? Mennyire állja meg a helyét 17 évvel később a film? A Kapj el, ha tudsz! szintén adaptáció, de valós történetet dolgoz fel. Mégis találni hasonlóságokat közte, és a teljesen fiktív Különvélemény közt? Mit akarhatott ezzel a két történettel elmesélni Spielberg, és legfőképpen mi fogta meg őt a szélhámos Frank Abagnale Jr. karakterében? Milyen műfaji elemekkel zsonglőrködik a két film, és melyiknek sikerül konzekvensebben végigvinnie a tézisét? Melyik John Williams-score az elmékezetesebb? Mit hoz ki a filmekből Janusz Kaminski kamerája? Melyik főszereplő nyújtja élete alakítását, Leo vagy Tom? Az adás végén ismét kvízezünk, a két film nyitó hétvégéjén egymással versengő filmeket kell kitalálnia Botondnak és Andrásnak. Linkek Markovics Botond (Brandon Hackett) szerzői weboldala Markovics Botond (Brandon Hackett) szerzői Facebook-oldala Brandon Hackett könyvei az Agave kiadó weboldalán A Vakfolt podcast Patreon-oldala A Vakfolt podcast Facebook oldala A Vakfolt podcast a Twitteren Vakfolt címke a Letterboxdon A Vakfolt az Apple podcasts oldalán András a Twitteren: @gaines_ Péter a Twitteren: @freevo Emailen is elértek bennünket: feedback@vakfoltpodcast.hu  

Guest - Richard Duryea - Filmmaker - A.I., *not* AL - Checking in with Tobin McGrobin - Is Gene Hackman nice?  (Still not worried about him) - A Knight’s Tale, starring Martin Lawrence - Teddy is the real MVP - our mixed takes on 1941 - KubrickCast, Yorgos Lanthimos talk - Isaac Asimov talk, I, RobotCast - Box Office talk, Gone with the Wind still the champ - Janusz Kaminski, DP talk - Haley Joel Osment destroying the child actor game - Faces Coming ApartCast, Lord of the Rings talk - melee war and combat strategies - surviving the apocalypse is easy if you’re rich - John Williams appreciation - Reborn Babies (yikes), diving straight into the uncanny valley - how much do Mecha children weigh? - gaming the second-hand Watch market - Future CarCast, taking the Amphibicopter to at least the Stratosphere - Flat Earthers get at us - Francis O’Connor appreciation - RC Car Cast, talking batteries - Ted and Teddy extended cinematic universe (TCU) - Boston Dynamics, stop kicking your robots - Martin: future school shooter, Handwriting talk - trying to steal manual cars - Star Wars Cast, bleep bloop lights, toggles appreciation, Bypassing the Compressor - Fast and FuriousCast, the return of the Dirigible - ultraviolence is ok if it’s afflicted upon robots - who could have predicted mumblerap? - explaining to our grandkids that Battlebots wasn’t problematic - Baby Vincent Chase, erotic dance bar talk - Running Man throwback, Demolition DerbyCast - the shaky rules of movie betting scenes - Medieval TimesCast, Brendan Gleeson talk - we decipher the rules of Mecha Prostitution - Spielberg and Michael Bay palin’ around - A.I./Transformers/Indiana Jones extended universe - more Haley Joel Osment appreciation - Talking about that ending, The Kubrick Extended Universe - A.I. is a masterpiece, @ us or don’t, Bartificial Intelligence - P.O.D. Satellite talk - sneaking through the Christian filter - Impulse Control, the band - no chain wallets at Universal Studios, buddy - Universal Studios Hollywood Lost and Found Division appreciation - Paramount Great AmericaCast, Theme Park talk general - Addison Goss: DJ Demonic, Race 3Cast - getting our Nu Metal Booms mixed up - P.O.D. music video breakdowns, table tennis talk - Weird AlCast, don’t pee on his Walk of Fame star - crushing your big crane shot dreams 

"The Ambitious Leader".  Susanne Preissler is the founder of Independent Media, an advertising and entertainment production company that represents a group of some of the best known film and television directors around - from Ben Affleck to Janusz Kaminski to Tony Goldwyn. Susanne is also a leader of intention and determination. She has high standards, a point of view and an innate ability to solve problems. She also wants to make a difference.

"The Ambitious Leader".  A 15 minute edited highlight of our full-length conversation. Susanne Preissler is the founder of Independent Media, an advertising and entertainment production company that represents a group of some of the best known film and television directors around - from Ben Affleck to Janusz Kaminski to Tony Goldwyn. Susanne is also a leader of intention and determination. She has high standards, a point of view and an innate ability to solve problems. She also wants to make a difference.

This is Frank Roche for the Postcardist News Network reporting today’s postcard news. Today’s top stories: Tired of the post office shredding your postcards? Now you can pay for the privilege with Hello from Banksy, a postcard that has to be shred to be read. The Super Bowl of U.S postcard shows opens November 16 and 17 at the York International Postcard Expo in York, Pennsylvania.  It’s beginning to look a lot like Christmas…at least in North Pole, Alaska, where you can get a special cancellation for your holiday postcards. And where else can you get an original by some of the world’s leading artists? The auction for Art on a Postcard is where. Plus…more. Postcard books I read in October. And more. Stay tuned. ****** Welcome to Episode 42 of The Postcardist Podcast. After our terrific storytelling episode last week on the Halloween Episode, I thought I’d try a little something just for fun. There’s a lot of postcard news out there…   Here we go….   Hear that? It’s the sound of Bansky’s Girl with Balloon being shredded right after the gavel fell at a Sotheby’s, where the framed drawing sold for over one million dollars. As soon as the purchase was final, a Banksy confederate activated a switch that made the drawing slide down through the frame and get sliced into a hundred strips.   Now…you can get a postcard inspired by that fine art prank. Designer Lesha Limnov created a postcard for the Rijksmuseum called Hello from Bansky. It looks like a miniature, framed piece of art. But pull at a tab on the bottom, and the precut postcard comes out in shreds. As you slice the postcard to ribbons, what’s left behind is a small, secret message, filled out by the postcard’s sender. Their concept: Destroy the masterpiece and leave your message inside the postcard.  Cost is $10 on the Shuba site…alas, they’re out of stock, but I’m first in line to get the collection.   Next up on the Postcardist News Network is the York International Postcard Expo on November 16 and 17. Recognized as the largest antique postcard show in the country, the show will feature dealers from more than 30 different states and Europe and new dealers have been added this year bringing such specialties as Art Nouveau, Real Photo, Russian, Holiday cards and U.S. and foreign views. Visitors can look forward to viewing millions of postcards. Postcards of every artist, country and topic from any era can be found at the York Fairgrounds Postcard Show. For more than 25 years Mary Martin Ltd. has hosted its annual postcard show held at the York Expo Center in York, Pennsylvania. Plus, I’ll be there. With a microphone. Talking to dealers and collectors and the who’s who in postcarding. Maybe I’ll get a special cachet or two.   Our third story is about the North Pole. Or more specifically, the US. Post Office at North Pole, Alaska. They’re already gearing up for the holiday season with their special Letters from Santa postmark. How this affects us in the postcard community is this: there’s a special North Pole Holiday cancellation you can get in the United States if you send postcards to the location. According to the USPS postal bulletin,  Customers wanting a special holiday postmark need to do the following (and I’m paraphrasing for the Postcardists):  Personalize your postcard, seal it in an envelope and print addresses on the postcards. Place a postage stamp on each postcard. Mail all addressed postcards together in a larger envelope to NORTH POLE HOLIDAY CANCELLATION POSTMASTER 4141 POSTMARK DR ANCHORAGE AK 99530-9998 Myself, I’m going to send a bundle of Christmas postcards with great stamps and address them to people on my list. And I’m going to ask them to place the North Pole postmark on the cards, then drop them in the don’t-overspray bin…and there you. Go. The last day the USPS recommends sending cards or letters is December 8.   Also..for postcardists in the U.S there are a number of special cancellations in certain cities such as REINDEER STATION in Rudolph, Ohio and Santa Claus Station in Santa Claus, Indiana. Also, those of you who like sprayed on cancellations should know the USPS will apply a Happy Holidays cancellation with Santa in his sleigh from Saturday, Dec. 1 to Friday, Jan. 4. If it’s anything like the Thinking of You cancellation, it might be hard to discern.     Our final story on the Postcardist News Network is about the secret auction, Art on a Postcard, that runs now through November 15. Art on a Postcard presents a unique chance to own a mini masterpiece by an artist who would normally be well out of most people's reach. Certainly mine. The auction features some of the most collectable and interesting contemporary artists practicing today, such as Marina Abramović, Humphrey Ocean, Rob and Nick Carter, Martin Yeoman, Vanessa Jackson, and Maria Kreyn. Here’s the catch: But you'll never know who you're bidding for, as all of the work is anonymous until after the sale. You can get involved online at www.artonapostcard.com. Simply browse through the different works on display and choose your favourites to bid. Whoever bids the most, wins. The auction ends at midday on November 15, 2018. Art on a Postcard raises money for The Hepatitis C Trust, so it's all for a good cause.   That’s the news.   Finally, this month I read a bunch of postcard books I’d like to recommend. The include:   Atget: Postcards from a Lost Paris by Benjamin Weiss The Postcard Age: Postcards from the Era of World Wars (The Leonard A. Lauder Postcard Archive) by Jozefacka, Klich, Kreinik and Weiss Paper Jewels from the Raj by Omar Khan Postcards from the Boys by Ringo Starr. There’s a reason I mention this one I’ll get into soon.   Meanwhile, there are a couple extra bits of postcard news. Variety announced that Jeffrey Dean Morgan, star of AMC’s series “The Walking Dead,” and Connie Nielsen have signed on for the Janusz Kaminski-directed thriller “The Postcard Killings.”   The two will co-star in the film adapted from James Patterson and Liza Marklund’s bestseller. The film follows a New York detective whose life is thrown into turmoil when he learns that his daughter and son-in-law have been brutally murdered in London. As he digs into the case, similar crimes are reported across Europe with each killing accompanied by a postcard sent to a local journalist. And last, proving that postcards make connections…a piece of happy news. Hello Clarksville-The Neighborhood Postcard project, kicks off at the Downtown Commons on November 6 from 11 a.m. to 1 p.m. The event is free and open to the public. Participants will create handcrafted postcards with positive messages that will be mailed to random people in the community. Each postcard is a small piece of art to be shared with a neighbor  And that’s the Postcardist News Network for the week of November 5, 2018. Next week, we have Evan Kalish of Postlandia. Evan has visited and photographed more then 9200 post offices across all 50 states in the United States…we’ll hear about those adventures…and much more. Evan is a real expert on postmarks. That’s a wrap. Please subscribe to the show. It really makes a difference to get our message out.   Keep sending postcards. And thanks for listening

The Oscar-winning cinematographer discusses the film's profound impact on the creative and emotional trajectory of his career.

The Oscar-winning cinematographer discusses the film’s profound impact on the creative and emotional trajectory of his career.

Cinematographer Janusz Kaminski talks a career-long relationship with Steven Spielberg, most recently in The Post.

Cinematographer Janusz Kaminski joins Deadline Hollywood's Anthony D'Alessandro to discuss his career and his work on the new film "The Post". Produced by David Janove,

Edición 139 de La Gran Evasión, 6/6/2017, Steven Spielberg estremeció al mundo en 1993 con La Lista de Schindler, y es que el mundo necesitaba ser estremecido, la obra de Spielberg muestra lo peor y también lo mejor del ser humano, una mezcla brillante y por momentos insoportable, filmada con enorme respeto y pudor, pero también es seca, directa.... devastadora, una pesadilla en blanco y negro con retazos de color, de rojo sangre, de rojo vergüenza…un abrigo rojo, una niña….la inocencia asesinada. El Rey Midas de Hollywood utilizó su prestigio, su posición y su talento para adaptar la novela "El arca de Schindler" (Thomas Keneally), con un gran guión de Steven Zaillian, Spielberg aprovecha su fama de director “comercial” para recordar a las generaciones que no vivieron la Segunda Guerra Mundial, que la mayor ignominia del siglo XX existió, que se privó de la condición humana a todo un pueblo, que el exterminio judío existió... además del horror, la película es también hermosa, por cuanto alude a la esperanza en el páramo desierto, a la luz que ilumina en la oscuridad.....a la bondad que habita el corazón de los hombres. Es, quizás, su obra más personal y más profunda, una deuda que él sentía contraída con su pueblo, con la historia, con sigo mismo....para mí una obra maestra, con las notas de Williams, ese quejido del violín, que es el quejido de toda la humanidad, con la fotografía impresionante de Janusz Kaminski. Las actuaciones de Liam Neeson, Ralph Fiennes y Ben Kingsley son sobresalientes, extraordinarias, contenidas, se nota que sabían lo que estaban haciendo, la magnitud del proyecto, la importancia de esos personajes, sin duda el espectador queda paralizado por la historia, ver la angustia, el terror, la crueldad...es a veces inaguantable, pero necesaria, nos esforzamos en no olvidar y en resaltar la poderosa luz de esperanza, de bien absoluto que habitó en el corazón de un hombre, Oskar Schindler, y por tanto, en el de todos los hombres, porque salvar una vida dice el Talmud que es salvar..... la humanidad. Conmovidos desde la torre de Radiopolis, honramos a los muertos y a los supervivientes del Shoa, Isabel Moncada, José Miguel Moreno, Raúl Gallego, Gervi Navio, y tecleando febrilmente de emoción y cine, nuestro crítico Cesar Bardes.

Mónica-Tezla Solís Vega-Görsün is a producer working on a variety of commercial and narrative productions. She’s currently in post on LILY+MARA, an indie short staring Oona Laurence and Meghann Faghy. THE NYMPHETS, her last feature, world premiered at SXSW 2015 and is now currently available on iTunes. In her commercial career, she’s had the privilege to work for directors like Stacy Peralta, Brett Ratner, and Tony Goldwyn and DP’s including Wally Phister, Janusz Kaminski, and Matthew Libatique.

Steve Cooper talks with comic/actor Tom McTigue. Tom can be seen performing his particular brand of insanity on HBO, Showtime and Comedy Central. He continues to tour both nationally and internationally. An accomplished actor, he has worked with Academy Award winners Janusz Kaminski, Richard Linklater and Robert Richardson. He has co- starred with a virtual who's-who of Hollywood. Christopher Meloni, Cybil Shephard, Noah Wylie, Tim Curry, Craig T. Nelson, Roseanne Barr and Wayne Newton have all shared the spotlight with him. He created, produced and starred in the series Guys Like Us for ABC- TV, co-starring Robert Hays from Airplane! and continues to write comedy material for many top headlining performers. He is also busy working in commercials. His face and voice are instantly recognizable, having been featured in over 350 national TV campaigns as the spokesman for everything from Miller Beer to Disney World. Constantly in demand, he has been on-air non-stop for a whopping 25 consecutive years!

Steven Spielberg hired Janusz Kaminski as the cinematographer for "Schindler's List” twenty-five years ago, and they have worked together, hand-in-glove, ever since. Their collaboration has produced "Saving Private Ryan," "Bridge of Spies," "Lincoln," and many others. In this episode, both filmmakers tell how they fell in love with the movies, and learned to make them. Spielberg talks about his first camera and trusting his instincts, and Kaminski talks about how growing up in 1970's Poland gave him an unusual eye on the world.

Know Dallas-born Mitch Dubin? No? You have indeed seen his work if you’ve caught little-known films such as Bridge of Spies, Godzilla, The Avengers, War Horse, Indiana Jones and the Crystal Skull, Catch Me If You Can, Saving Private Ryan, War of the Worlds ... We could go on, but we don’t have enough space. Mitch is Steven Spielberg’s long-time camera operator, having worked on more than a dozen of his films. He has also operated camera and collaborated with the amazing Oscar winning cinematographer Janusz Kaminski on 20 films! Spielberg, Kaminski and other famous directors and cinematographers trust Mitch to bring the visions in their heads to life in moving images, which get passed on to editors who shape the Oscar-worthy scenes for the big screens. But get this! After Mitch graduated from college, it was tough to get a job. Sound familiar? He worked as a janitor to pay his rent. Mitch tells of getting his first film job putting stickers on camera gear for Francis Ford Coppola and his gradual rise to becoming Steven Spielberg’s go-to-guy. Mitch focuses on the basic principles of on-set procedures and protocol. Yet, his perspective on the world of story telling goes far beyond the scope of great camera operators. Zoom in on what one of the best in the business has to say about building your career. Check out Mitch Dubin on www.imdb.com. You’ll feel like you’ve known him forever. “Always be nice to those you meet on the way up … they are the same people you will meet on the way down.” - Wilson Mizner Subscribe to the free Monetizing Your Creativity podcast: https://itunes.apple.com/ca/podcast/monetizing-your-creativity/id1082894462?mt=2 While you're there, please leave your comments and suggestions for future episodes. We love your feedback! Or search for Monetizing Your Creativity on Stitcher, Google Play Music, Overcast or your other podcast app. www.monetizingyourcreativity.com

KELLY MANTLE is an entertainer extraordinaire.  Whether she’s singing live, lip syncing & dancing, or brandishing her sardonic comedy as an emcee, her high-energy shows captivate audiences worldwide and leave them wanting more. Audiences will immediately recognize Kelly from the last season of “RuPaul’s Drag Race.”  But this isn’t her first time on TV.  Kelly has been a working actor (in and out of drag) in Hollywood for the past ten years with a list of credits longer than her legs. As a stand-up comedian and stage actor, Kelly has starred in over 50 plays in the theatre.  Kelly wrote & starred in her critically-acclaimed one-person show “The Confusion Of My Illusion” which was produced at the Lily Tomlin/Jane Wagner Theatre at the L.A. Gay & Lesbian Center. Kelly has a few movie credits, but wants MORE!  Most recently, Kelly finished filming Confessions of a Womanizer (with Gary Busey) and American Dream (with Nick Stahl, directed by Steven Spielberg‘s Oscar-winning cinematographer, Janusz Kaminski).  Both movies will be released in movie theaters this year. Kelly is also a singer, songwriter, and musician.  To date, Kelly has recorded three albums which have been hailed by critics everywhere: “Ever Changing,” “Rock N Glow” and “Satellite Baby.”  Kelly’s cover & video of “My Neck, My Back” has won over thousands of viewers on YouTube, including the song’s originator, Khia. Kelly grew up in Oklahoma like her uncle, the late great Mickey Mantle. (Yep…Kelly’s a switch-hitter too.)  Kelly received a B.F.A. in Theatre from the University of Oklahoma.  Kelly is also a graduate of Second City in Chicago. 

KELLY MANTLE is an entertainer extraordinaire.  Whether she’s singing live, lip syncing & dancing, or brandishing her sardonic comedy as an emcee, her high-energy shows captivate audiences worldwide and leave them wanting more. Audiences will immediately recognize Kelly from the last season of “RuPaul’s Drag Race.”  But this isn’t her first time on TV.  Kelly has been a working actor (in and out of drag) in Hollywood for the past ten years with a list of credits longer than her legs. As a stand-up comedian and stage actor, Kelly has starred in over 50 plays in the theatre.  Kelly wrote & starred in her critically-acclaimed one-person show “The Confusion Of My Illusion” which was produced at the Lily Tomlin/Jane Wagner Theatre at the L.A. Gay & Lesbian Center. Kelly has a few movie credits, but wants MORE!  Most recently, Kelly finished filming Confessions of a Womanizer (with Gary Busey) and American Dream (with Nick Stahl, directed by Steven Spielberg‘s Oscar-winning cinematographer, Janusz Kaminski).  Both movies will be released in movie theaters this year. Kelly is also a singer, songwriter, and musician.  To date, Kelly has recorded three albums which have been hailed by critics everywhere: “Ever Changing,” “Rock N Glow” and “Satellite Baby.”  Kelly’s cover & video of “My Neck, My Back” has won over thousands of viewers on YouTube, including the song’s originator, Khia. Kelly grew up in Oklahoma like her uncle, the late great Mickey Mantle. (Yep…Kelly’s a switch-hitter too.)  Kelly received a B.F.A. in Theatre from the University of Oklahoma.  Kelly is also a graduate of Second City in Chicago. 

Rarely does a film truly take you into somebody's head for almost the entire film. Sure, you get POVs here and there in films, but it's a tricky tool to use, especially for longer periods of time. When Ronald Harwood hit on this in-the-head technique for his adaptation of Jean-Dominique Bauby's biography, it was exactly what the story needed to be told as a film. Enter Julian Schnabel, an artist/filmmaker who brought his own intuitive magic to the directing of it, and you end up with 2007's "The Diving Bell and the Butterfly," a stunningly gorgeous film that's as powerful a story of human resilience and beauty as it is a difficult film to watch because of the subject — a man living with locked-in syndrome. Join us — Pete Wright and Andy Nelson — as we continue our foreign language series with this brilliant film. We talk about our feelings of the movie and how powerful it is yet how difficult it can be to watch and why. We chat about the unique techniques Schnabel brings to the table in the making of the film and why they work so well with this story. We discuss the actors — Mathieu Amalric, Max von Sydow, Emmanuelle Seigner, Marie-Josée Croze and more — and how they all bring an amazing personal strength to the film. We talk about Janusz Kaminski's beautiful cinematography and how well it lends itself to the telling of this story. We bring up the novel Bauby's widowed girlfriend wrote about her experience and talk about why she got virtually left out of the film. And we look at the critical reception this film had worldwide, even if it struggled to bring in the bucks. It's a glorious poem of a film and one worth talking about. Definitely check it out then tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter

Rarely does a film truly take you into somebody's head for almost the entire film. Sure, you get POVs here and there in films, but it's a tricky tool to use, especially for longer periods of time. When Ronald Harwood hit on this in-the-head technique for his adaptation of Jean-Dominique Bauby's biography, it was exactly what the story needed to be told as a film. Enter Julian Schnabel, an artist/filmmaker who brought his own intuitive magic to the directing of it, and you end up with 2007's "The Diving Bell and the Butterfly," a stunningly gorgeous film that's as powerful a story of human resilience and beauty as it is a difficult film to watch because of the subject — a man living with locked-in syndrome. Join us — Pete Wright and Andy Nelson — as we continue our foreign language series with this brilliant film. We talk about our feelings of the movie and how powerful it is yet how difficult it can be to watch and why. We chat about the unique techniques Schnabel brings to the table in the making of the film and why they work so well with this story. We discuss the actors — Mathieu Amalric, Max von Sydow, Emmanuelle Seigner, Marie-Josée Croze and more — and how they all bring an amazing personal strength to the film. We talk about Janusz Kaminski's beautiful cinematography and how well it lends itself to the telling of this story. We bring up the novel Bauby's widowed girlfriend wrote about her experience and talk about why she got virtually left out of the film. And we look at the critical reception this film had worldwide, even if it struggled to bring in the bucks. It's a glorious poem of a film and one worth talking about. Definitely check it out then tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter

Rarely does a film truly take you into somebody's head for almost the entire film. Sure, you get POVs here and there in films, but it's a tricky tool to use, especially for longer periods of time. When Ronald Harwood hit on this in-the-head technique for his adaptation of Jean-Dominique Bauby's biography, it was exactly what the story needed to be told as a film. Enter Julian Schnabel, an artist/filmmaker who brought his own intuitive magic to the directing of it, and you end up with 2007's "The Diving Bell and the Butterfly," a stunningly gorgeous film that's as powerful a story of human resilience and beauty as it is a difficult film to watch because of the subject — a man living with locked-in syndrome. Join us — Pete Wright and Andy Nelson — as we continue our foreign language series with this brilliant film. We talk about our feelings of the movie and how powerful it is yet how difficult it can be to watch and why. We chat about the unique techniques Schnabel brings to the table in the making of the film and why they work so well with this story. We discuss the actors — Mathieu Amalric, Max von Sydow, Emmanuelle Seigner, Marie-Josée Croze and more — and how they all bring an amazing personal strength to the film. We talk about Janusz Kaminski's beautiful cinematography and how well it lends itself to the telling of this story. We bring up the novel Bauby's widowed girlfriend wrote about her experience and talk about why she got virtually left out of the film. And we look at the critical reception this film had worldwide, even if it struggled to bring in the bucks. It's a glorious poem of a film and one worth talking about. Definitely check it out then tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)

Rarely does a film truly take you into somebody's head for almost the entire film. Sure, you get POVs here and there in films, but it's a tricky tool to use, especially for longer periods of time. When Ronald Harwood hit on this in-the-head technique for his adaptation of Jean-Dominique Bauby's biography, it was exactly what the story needed to be told as a film. Enter Julian Schnabel, an artist/filmmaker who brought his own intuitive magic to the directing of it, and you end up with 2007's "The Diving Bell and the Butterfly," a stunningly gorgeous film that's as powerful a story of human resilience and beauty as it is a difficult film to watch because of the subject — a man living with locked-in syndrome. Join us — Pete Wright and Andy Nelson — as we continue our foreign language series with this brilliant film. We talk about our feelings of the movie and how powerful it is yet how difficult it can be to watch and why. We chat about the unique techniques Schnabel brings to the table in the making of the film and why they work so well with this story. We discuss the actors — Mathieu Amalric, Max von Sydow, Emmanuelle Seigner, Marie-Josée Croze and more — and how they all bring an amazing personal strength to the film. We talk about Janusz Kaminski's beautiful cinematography and how well it lends itself to the telling of this story. We bring up the novel Bauby's widowed girlfriend wrote about her experience and talk about why she got virtually left out of the film. And we look at the critical reception this film had worldwide, even if it struggled to bring in the bucks. It's a glorious poem of a film and one worth talking about. Definitely check it out then tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)

This week, Jason and Mike discuss sliders, mics, cameras, and other new gear. In the Red Room, Mike chats with Oscar-nominated Lincoln DOP Janusz Kaminski, and also DOP and fxphd prof Ben Allan about the resurgence of light meters.

Janusz Kaminski talks about his thirteenth collaboration with director Steven Spielberg, Lincoln.

"Where'd they go? Space?" "Not into space. Into the space between spaces." The ridiculousness of this line pretty much sums up our feelings for Steven Spielberg's 2008 film, Indiana Jones and the Kingdom of the Crystal Skull. It's nonsensical, silly, and surreal sci-fi mumbo jumbo that amounts to nothing. That being said, the long-awaited return to Indiana Jones and his adventures still manages to take viewers on a wild ride, even if it steers off course most of the time. Join us — Pete Wright and Andy Nelson — this week as we finish off Indiana Jones with what most people consider the worst of the series. We talk about the addition to the cinematic lexicon that Spielberg created with nuking the fridge, something on par with jumping the shark, and how that really reflects the rest of the film quite well. We discuss how Spielberg and his cinematographer, Janusz Kaminski, had to return to an older style of filmmaking used in the previous films and how that helped and hindered this film. We chat about the challenges of making a sequel 19 years after the last entry, what struggles they had because of it, why they took so long to get around to making it, and what works in it. We laugh about the odd overuse of animals in this film and what Spielberg may be trying to say in the film. We relate this entry to "Crusade" and how they're both father/son stories, yet how this one fails where "Crusade" succeeded. And we come to terms with the fact that, as much as we (mostly) don't like this movie, it really does fit stylistically with everything going on in "Temple" and "Crusade" as far as style and humor, and how "Raiders" is the film that really stands out as the entry that doesn't quite fit. It was a struggle to watch but, oddly, not as much as it was the last time and, even if it's not everything we wanted it to be to finish the series, it's still a lot of fun to talk about.  Listen in! Film Sundries Want to join us for an episode? Support The Next Reel on Patreon to automatically be entered into our regular Listener's Choice drawings! — http://patreon.com/thenextreel Watch this film: iTunes • Amazon Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd Nuke the Fridge in the Urban Dictionary New Words Spielberg Spank Dehors de la Scène

"Where'd they go? Space?" "Not into space. Into the space between spaces." The ridiculousness of this line pretty much sums up our feelings for Steven Spielberg's 2008 film, Indiana Jones and the Kingdom of the Crystal Skull. It's nonsensical, silly, and surreal sci-fi mumbo jumbo that amounts to nothing. That being said, the long-awaited return to Indiana Jones and his adventures still manages to take viewers on a wild ride, even if it steers off course most of the time. Join us — Pete Wright and Andy Nelson — this week as we finish off Indiana Jones with what most people consider the worst of the series. We talk about the addition to the cinematic lexicon that Spielberg created with nuking the fridge, something on par with jumping the shark, and how that really reflects the rest of the film quite well. We discuss how Spielberg and his cinematographer, Janusz Kaminski, had to return to an older style of filmmaking used in the previous films and how that helped and hindered this film. We chat about the challenges of making a sequel 19 years after the last entry, what struggles they had because of it, why they took so long to get around to making it, and what works in it. We laugh about the odd overuse of animals in this film and what Spielberg may be trying to say in the film. We relate this entry to "Crusade" and how they're both father/son stories, yet how this one fails where "Crusade" succeeded. And we come to terms with the fact that, as much as we (mostly) don't like this movie, it really does fit stylistically with everything going on in "Temple" and "Crusade" as far as style and humor, and how "Raiders" is the film that really stands out as the entry that doesn't quite fit. It was a struggle to watch but, oddly, not as much as it was the last time and, even if it's not everything we wanted it to be to finish the series, it's still a lot of fun to talk about.  Listen in! Film Sundries Want to join us for an episode? Support The Next Reel on Patreon to automatically be entered into our regular Listener’s Choice drawings! — http://patreon.com/thenextreel Watch this film: iTunes • Amazon Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd Nuke the Fridge in the Urban Dictionary New Words Spielberg Spank Dehors de la Scène