Podcasts about En Garde Arts

Ron Ramin was born and raised in New York City. He earned his undergraduate degree at Princeton University, where he majored in music and studied privately with composer Milton Babbitt. Upon graduation, he moved to Los Angeles where he composed music for 20 Primetime television series and 30 movies/telefilms. Ron is the recipient of a CableACE Award, a Primetime EMMY nomination, and TV/Film Awards from BMI and ASCAP. In recent years he has shifted his focus to composing for the concert hall. This includes "Golden State of Mind," a symphonic suite depicting the beauty & drama of the California landscape and its cultural diversity. “Greetings!" was given its world premiere performance in 2016 by the Marin Symphony, conducted by Music Director Alasdair Neale. His latest work, SEVENTEEN, is a narrative work for orchestra and six on-stage Gen Z narrators. Days after the 2018 mass school shooting in Parkland, Florida, librettist Portia Kamons and Ron began to work on an artistic response to the relentless plague of gun violence in American schools and communities. Their attention soon focused on the rising generation of young people channeling their grief and anger into deliberate and effective action. They were bringing extraordinary commitment, determination, and energy to multiple challenges of their time. Ron & Portia were also determined to bring classical music audiences together with young people for an orchestral performance and thoughtful discussion. From the beginning they committed to employ verbatim text from the young Americans themselves. SEVENTEEN is their story, told in their own words. The Orlando Philharmonic commissioned it and gave the premiere performance Nov 8, 2024. Eric Jacobsen, their innovative music director, conducted the performance and Jamie Bernstein directed the six young on-stage narrators. The orchestra, to its credit, made this a free community event that included a thoughtful discussion and Q&A following the performance. A former Board member of the Society of Composers and Lyricists, Ron currently resides in Northern California and New York City.   Portia Kamons is a producer and librettist working with newly commissioned pieces in theatre, live events, music and feature film. With composer Ron Ramin, she is the co-creator and librettist for SEVENTEEN, a narrative work for Orchestra that received its world premiere by the Orlando Philharmonic on 8 November 2024. She was the Executive Producer for Virtua Creative on the US WW1 Centennial Commemoration narrated by Kevin Costner, as well as Exec Producer for "Visions of Peace" a special project for the WW1 Centennial with President Jimmy Carter. Portia was the lead producer of Tennyson Bardwell's feature film DORIAN BLUES which won 14 awards at festivals worldwide. She was a founding member and the first General Manager of Primary Stages Theatre in New York City, and a Producer for the NextWave Festival at the Brooklyn Academy of Music. For many years she worked for as a producer with En Garde Arts in New York City, and the London International Festival of Theatre in the UK where she lives. She is a regular consultant to Danish web-based documentary platform, OTHER STORY.     website: www.seventeeninamerica.com Instagram: @seventeen_in_america  Facebook: https://www.facebook.com/profile.php?id=61561439852395 email: hello@seventeeninamerica.com Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review!  Thanks for joining me on Crushing Classical!  Theme music by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a short discovery call from my website.   I'm your host, Jennet Ingle. I love you all. Stay safe out there!  

Bill Rauch is the inaugural Artistic Director of Perelman Performing Arts Center. His work as a theater director has been seen across the nation, from low-income community centers to Broadway in the Tony Award-winning production of Robert Schenkkan's All the Way and its sequel The Great Society, as well as at many of the largest regional theaters in the country. His other New York credits include the world premiere of Naomi Wallace's Night Is a Room at Signature Theatre, the New York premiere of Sarah Ruhl's The Clean House at Lincoln Center Theater, and a site-specific Occasional Grace in multiple Manhattan churches for En Garde Arts. From 2007 to 2019, Bill was artistic director of the Oregon Shakespeare Festival (OSF), the country's oldest and largest rotating repertory theater, where he directed seven world premieres and 20 other plays including several by Shakespeare as well as innovative productions of classic musicals including a queer re-envisioning of Oklahoma! Bill is also co-founder of Cornerstone Theater Company where he served as artistic director from 1986 to 2006, directing more than 40 productions, most of them collaborations with diverse rural and urban communities. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Paul Selig is a writer, teacher, and intuitive living in New York City. He is the director of the MFA in Creative Writing Program at Goddard College and serves on the playwriting faculty of the NYU Tisch School of the Arts. His work for the theater has been performed internationally at venues including the Sundance Film Festival, the Joyce Theater, En Garde Arts, The Long Wharf Theater, Teatro Plastico and the Ensemble Studio Theater. His plays include the one woman show Mystery School (performed by Tyne Daly), the stage adaptation of War Letters (with Treat Williams and Mario van Peebles), additional material for the national tour of Tallulah (with Kathleen Turner), Terminal Bar, the Pompeii Traveling Show (NY Drama League Award), Moon City and Body Parts. His operas include the trilogy 3 Visitations. He collaborated with Shapiro and Smith Dance Company on Notes From a Séance and Never Enough. He recently completed a credited rewrite of Truth in Translation, commissioned by South Africa's Market Theater and the Colonnades Theater Lab. His work is published in numerous anthologies, including The Best American Short Plays of 1996-97; Gay Plays 3 and The Best Short Plays of 1988. He received his MFA from the Yale School of Drama. Paul had a spiritual experience in 1987 that left him clairvoyant. As a way to gain a context for what he was beginning to experience, he studied a form of energy healing, working at Marianne Williamson's Manhattan Center for Living and in private practice. He began to "hear" for his clients, and much of Paul's work now is as a clairaudient, clairvoyant, channel, and empath. Paul has led channeled energy groups for 15 years. Paul was invited to channel at the Esalen institute's 2009 invitational Superpowers and the Supernormal symposium and is featured in the upcoming documentary film Authors of the Impossible. - www.TacherBooks.com******************************************************************To listen to all our XZBN shows, with our compliments go to: https://www.spreaker.com/user/xzoneradiotv*** AND NOW ***The ‘X' Zone TV Channel on SimulTV - www.simultv.comThe ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com ******************************************************************

Amy Brenneman divides her time evenly between acting, producing, and political activism. She earned a degree in Comparative Religion at Harvard, with a specialty in Indo-Tibetan Religion, studying sacred dance and indigenous ritual in Kathmandu.  She was a founding member of the Cornerstone Theater Company, which specializes in site-specific community-based theater on themes of social justice.   Other theater:  CSC Rep, Lincoln Center Theater, LA Theater Works, LATC, Williamstown Theater Festival, En Garde Arts, Spark, The American Repertory Theater, Yale Rep, Playwrights Horizons, and the Geffen Playhouse.        Amy co-created, wrote and starred in Mouth Wide Open (The Yard, American Repertory Theater) and Overcome (The Yard).  Overcome will have its premiere at South Coast Repertory as part of the 2021-2022 season.           Amy created, executive produced and starred in “Judging Amy” (two TV Guide Awards, three Golden Globe nominations, Producer's Guild Nomination, three Emmy Award nominations, People's Choice SAG nomination) based on the work of her mother, the Honorable Judge Frederica Brenneman.  Other television: “NYPD Blue” (2 Emmy nominations, SAG award), “Frasier,” “Heartbeat” (exec producer), “Goliath” and Shonda Rhimes' “Private Practice.”  Amy starred in “The Leftovers” (Peabody Award, Critic's Choice nomination). Amy's most recent television roles include playing opposite Jeff Bridges in the critically acclaimed FX/hulu series “The Old Man;” opposite Elisabeth Moss in “Shining Girls” on Apple TV+; and “Tell Me Your Secrets” on Amazon Prime. Film credits include:  CASPER, FEAR, DAYLIGHT, HEAT, FRIENDS AND NEIGHBORS, THE JANE AUSTEN BOOK CLUB, PEEL, THE LOOK OF LOVE and WORDS AND PICTURES opposite Clive Owen.  Amy has a long collaboration with Rodrigo Garcia, with whom she worked on NINE LIVES, THINGS YOU CAN TELL JUST BY LOOKING AT HER and MOTHER AND CHILD.      Amy produced and directed the documentary “The Way the World Should Be” about the trailblazing work of the CHIME Institute and its mission of inclusive education.  She created and hosts the podcast “The Challengers” now in its third season.         As a teacher, she has taught drama and creative process the CHIME Charter school, which specializes in educating children of all abilities.  She has also taught at Harvard and UCLA, among others.          For her activist work, Amy has been honored by Women in Film, The Brady Center, the League of Women Voters, the California State Assembly, the National Children's Alliance, Children's Hospital Los Angeles, the Help Group, the Producer's Guild of America, among others. In 2016, she was part of the amicus brief for the Supreme Court case Whole Women's v. Hellerstedt, ensuring that abortion clinics remain open in Texas and elsewhere; she received the Eleanor Roosevelt Award from The Feminist Majority for her ongoing commitment to reproductive rights. In 2019 Amy received the Change Agent Award from En Garde Arts in New York.  She has served as keynote speaker for NARAL, Cal-Tash, The Council for Exceptional Children and on the steps Supreme Court.              Amy splits her time between Los Angeles and West Tisbury, MA.  She is married to writer/director Brad Silberling and has two children, Charlotte and Bodhi.     Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, I sit down with Atif Qadir, from American Buildings. Atif Qadir, AIA  founded REDIST, a proptech startup based at the Columbia Startup Lab, and Amanat Properties, a development company focused on the renovation of historic real estate in New Jersey. He was previously a member of the acquisitions and development teams at Extell Development for real estate deals across the United States and Canada. Atif serves as a city planning commissioner in Hoboken, where he lives. He sits on the boards of The Hudson School, Haven Adolescent Community Respite Center, and En Garde Arts. He received his bachelor's degrees in architecture and in urban planning from MIT and his MBA from Columbia Business School.Episode Spotlights- When should medium-sized companies reach out to Redist - Opportunity for alternative financing tools - Target Markets, Deal Size & Asset classes supported - Atif shares his experience being a City Planning Commissioner - Business plan & exit criteria with investments Reading Recommendation:- Technology Review- Architect- Real Deal- Snow Crash by Neal StephensonConnect with Atif - Email:Grab your freebie - Tips for Multifamily Investing at www.ushacapital.comFound this episode insightful? Show us some love by spreading the word on social media or  rating and reviewing the show here - https://podcasts.apple.com/us/podcast/multifamily-ap360/id1522097213Follow Rama on socials!LinkedIn | Meta | Twitter | InstagramConnect to Rama KrishnaE-mail: info@ushacapital.comWebsite: www.ushacapital.com

Title: Developing with Time with Atif Qadir   Atif Qadir, AIA founded REDIST, a prop-tech startup based at the Columbia Startup Lab, and Amanat Properties, a development company focused on renovation of historic real estate in New Jersey. He was previously a member of the acquisitions and development teams at Extell Development for real estate deals across the United States and Canada. Atif serves as a city planning commissioner in Hoboken, where he lives. He sits on the boards of The Hudson School, Haven Adolescent Community Respite Center, and En Garde Arts. He received his bachelor's degrees in architecture and in urban planning from MIT and his MBA from Columbia Business School.   Let's tune in to his story!   [00:01 - 04:47] Opening Segment   Get to know my guest Atif Qadir Architect turned Real Estate Developer   [04:48 - 10:33] Developing With Time   Atif shares his first development project Managing capital and going out on his own Forty-percent Over Seventy-percent Leverage Atif talks about REDIST   [10:34 - 23:29] Transitioning out of Development   Why Atif Shifted Careers Different Areas and Changing Scales Legacy Investments for Fun Purchasing, Renovating, and Renting Out Condominium Units  Risk Management Perspectives   [23:30 - 25:31] Closing Segment   Final words Connect with my guest, Atif in the links below Resources Mentioned   Zillow   Tweetable Quotes   “When you're working in really expensive markets, you have to be able to have low leverage; you'll have to be able to have as few investors as possible.” - Atif Qadir   “No one is a guarantor of the loan.” - Atif Qadir   ------------------------------------------------------------------------ Reach Atif through: atif@redist.us or LinkedIn   Check out his website: https://www.redist.us/   WANT TO LEARN MORE?   Connect with me through LinkedIn   Or send me an email sujata@luxe-cap.com    Visit my website www.luxe-cap.com or my Youtube channel Thanks for tuning in!     If you liked my show, LEAVE A 5-STAR REVIEW, like, and subscribe!  

Paul Selig is a writer, teacher, and intuitive living in New York City. He is the director of the MFA in Creative Writing Program at Goddard College and serves on the playwriting faculty of the NYU Tisch School of the Arts. His work for the theater has been performed internationally at venues including the Sundance Film Festival, the Joyce Theater, En Garde Arts, The Long Wharf Theater, Teatro Plastico and the Ensemble Studio Theater. His plays include the one woman show Mystery School (performed by Tyne Daly), the stage adaptation of War Letters (with Treat Williams and Mario van Peebles), additional material for the national tour of Tallulah (with Kathleen Turner), Terminal Bar, the Pompeii Traveling Show (NY Drama League Award), Moon City and Body Parts. His operas include the trilogy 3 Visitations. He collaborated with Shapiro and Smith Dance Company on Notes From a Séance and Never Enough. He recently completed a credited rewrite of Truth in Translation, commissioned by South Africa's Market Theater and the Colonnades Theater Lab. His work is published in numerous anthologies, including The Best American Short Plays of 1996-97; Gay Plays 3 and The Best Short Plays of 1988. He received his MFA from the Yale School of Drama. Paul had a spiritual experience in 1987 that left him clairvoyant. As a way to gain a context for what he was beginning to experience, he studied a form of energy healing, working at Marianne Williamson's Manhattan Center for Living and in private practice. He began to "hear" for his clients, and much of Paul's work now is as a clairaudient, clairvoyant, channel, and empath. Paul has led channeled energy groups for 15 years. Paul was invited to channel at the Esalen institute's 2009 invitational Superpowers and the Supernormal symposium and is featured in the upcoming documentary film Authors of the Impossible. - www.TacherBooks.com******************************************************************To listen to all our XZBN shows, with our compliments go to: https://www.spreaker.com/user/xzoneradiotv*** AND NOW ***The ‘X' Zone TV Channel on SimulTV - www.simultv.comThe ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com ******************************************************************

This is my 50th episode so we are celebrating! A year ago I started this podcast at 50 years old, something that I was scared to do. I made a dream list of guests, set goals for how many listeners I wanted and hoped that somebody would be interested in the stories of Warrior Women. Well today I have a top rated podcast with over 20K downloads thanks to all of YOU. All your reviews and listens got me here. So thank you and Thank you for joining this Warrior Women community. We believe in the power of women, collaboration over competition and pulling another woman up. My guest today was on my dream guest list. You know what they say, if you write down your goals you are more likely to achieve them. Well it happened. I hope you enjoy my special 50th episode guest today….. It’s our 50th episode! Today in the Warrior Woman hot seat is actress, producer and activist Amy Brenneman. Amy and I talk about her long career as an actress from her experience on the movie “Heat” with Bob DeNiro, her days on “Law & Order” and how “Judging Amy” came to the small screen. Amy has learned to speak her truth regardless of what people would think! She comes from a long line of trailblazing women, and hearing her story as a Mom, a wife, and a Warrior will inspire you! Guest Bio: Amy Brenneman divides her time evenly between acting, producing and political activism. She was a founding member of the Cornerstone Theater Company, which specializes in site-specific community-based theater on themes of social justice. Other theater: CSC Rep, Lincoln Center Theater, LA Theater Works, LATC, Williamstown Theater Festival, The American Repertory Theater and the Geffen Playhouse. Amy created, executive produced and starred in “Judging Amy” (two TV Guide Awards, three Golden Globe nominations, Producers Guild Nomination, three Emmy Award nominations, People’s Choice SAG nomination) based on the work of her mother, the Honorable Judge Frederica Brenneman. Other television: “NYPD Blue,” “Frasier,” “Jane The Virgin,” “Private Practice,” “Goliath” and “The Leftovers.” Amy currently stars in the Amazon Prime series “Tell Me Your Secrets.” Film credits include: CASPER, FEAR, DAYLIGHT, HEAT, FRIENDS AND NEIGHBORS and THE JANE AUSTEN BOOK CLUB. For her activist work, Amy has been honored by (among others): Women in Film, The Brady Center, the California State Assembly, the National Children’s Alliance, Children’s Hospital Los Angeles, the Producers Guild of America, the Feminist Majority and En Garde Arts.

Welcome everyone! You're in for some deep nourishment today. Our conversation is with Ren Dara Santiago. We cover so many heart centered things in this conversation. We talk about how to dispel narratives through truly seeing someone's heart, building families, her work as a playwright, and so much more. Ren is a Big Sister first and foremost! Every space carries Beanie, Butchie, and Kaying. This Fila-Rican playwright was born in the Bronx, raised in Yonkers and Harlem at intersections of Coded Streets and Bodega Avenues. She's proud of her history and shares in the practice of uplifting the wisdom that comes from her community. From the originators and generators. From creators thriving despite the exploitation of our cultures, loved ones, systematic debts, and geographies. Ren writes stories that activate our potential for deep loving, for brave loving, for healing, for the hustlers. For people that work hard. For the real heroes, who deserve their lives to be honored in stories; complex, expansive, simple and great. Theater should give communities room to dream. To honor the unknowable, conjured by theater-makers of resilient lineages, offering us the opportunity to shift the limits of possibility. Ren is currently working with Rattlestick Playwrights Theater as the showrunner for the MTA Radio Plays, launching December 13th; and commissions with En Garde Arts, The Drama Club NYC, The Theatre Co, and New York Rep. Ren teaches playwriting at the National Theater Institute, MCC Youth Company, Williams College, and Williamstown Community Works. She is a founding member of Middle Voice at Rattlestick, a member of Rising Phoenix Rep. She's the recipient of the TOW Foundation 2020 Residency at Rattlestick, Rising Phoenix Rep's Cornelia Street American Playwriting Award, and the MCC Alumni Award. She's developed work with The Bushwick Starr, Cherry Lane Theatre, Clubbed Thumb, Gingold Theatrical Group, LAByrinth, The Lark Play Development Center, MCC Theater, Ojai Playwrights Conference, Rattlestick Playwrights Theater, Rising Phoenix Rep, and SPACE on Ryder Farm. www.rendarasantiago.com @rendsanti, @rattlestickny --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/britt-dorazio/support

S1E7 John Hodian: Meditations on Naghash and New Classical Music. Composer and musician John Hodian joins the podcast to discuss his career, newest recording, The Naghash Ensemble Live Volume 1 and Armenian Medieval mystical poet & priest Mkrtich Naghash.  Featured Music John Hodian and Bet Williams (The Epiphany Project)- "Ararat {Arto's Song}" (Hin Dagh, 2008, Epiphany Records) The Naghash Ensemble- "Meditations on Greed and Poverty" (The Naghash Ensemble Live, Volume 1, Epiphany Records, 2020) John Hodian Biography John Hodian is a composer, conductor, and pianist who has worked in a wide variety of idioms—from classical to jazz, rock to rap, and traditional to avant-garde theater. Hodian's music conveys emotions ranging from profound melancholy to bold exuberance. His hauntingly beautiful melodies, intricate rhythms and soulful intensity reflect both his Armenian roots and his formal classical training, as well as his years spent as a cutting edge jazz improviser. Hodian received Masters degrees in composition and conducting at The Philadelphia College for the Performing Arts. John also spent several summers at the Naropa Institute in Boulder, Colorado where he studied piano and improvisation with Art Lande, Ralph Towner as well as literature and poetry with Allen Ginsburg and William Burroughs. While teaching composition and music theory at the University of the Arts, John was conductor of the Philadelphia New Music Ensemble and associate conductor of The Philadelphia Youth Orchestra.  John went on to found the first fully digital music studio in Philadelphia where he began his career in film and television scoring. Over the past 15 years he has scored over 250 documentary films and won the New York Emmy Award for "Best Music for a Documentary". John's music has been heard in numerous feature films,   dance pieces, chamber music ensembles, stage dramas, music-theater pieces and over 300 documentaries. His music-theater piece, “Sweet Theresiendstadt”, produced by En Garde Arts and Theater Archa, played for a year in Prague before touring to Warsaw and Berlin. In addition to being selected as resident composer for the Sundance Theater Institute, John has collaborated with leading theater figures such as Anne Bogart and Israel Horowitz. John was a two time winner of the New Dramatist Frederick Lowe award for music theater.

Part2: Who am I? What is needed? How can I serve? These are the questions serial entrepreneur Anne Hamburger has been asking from early days as a visual performance artist to originating site specific theater, to running a regional theater, to starting Disneys Global entertainment theme park division to her return to socially relevant theater with her company En Garde Arts. Produced by Dori Berinstein, edited by Alan Seales, music by Anthony Norman. A proud member of the Broadway Podcast Network.

Part1: Who am I? What is needed? How can I serve? These are the questions serial entrepreneur Anne Hamburger has been asking from early days as a visual performance artist to originating site specific theater, to running a regional theater, to starting Disneys Global entertainment theme park division to her return to socially relevant theater with her company En Garde Arts. Produced by Dori Berinstein, edited by Alan Seales, music by Anthony Norman. A proud member of the Broadway Podcast Network.

Anne Hamburger sits down with Michael and shares stories from her years as Founder and Executive Producer of En Garde Arts, New York's first exclusive site-specific theatre company. Learn more about her work at engardearts.org and @engardeartsSupport the show (https://www.patreon.com/countsprojects)

Tonya Pinkins is probably best known for her portrayal of Livia Frye on the soap opera “All My Children” but she is a familiar face to Broadway audiences. A Tony Award-winner, Tonya has won the Obie, the Drama Desk Award, the L.A. Drama Critics Circle Award and been honored at the NAACP Theater Awards. Anne Hamburger is the executive producer of En Garde Arts, an interdisciplinary, multimedia theater production company she founded in 1985. On today’s “Leonard Lopate at Large” on WBAI Tonya Pinkins and Anne Hamburger discuss their new collaboration “Truth and Reconciliation of Women” a collection of 10-minute plays being performed at the Brooklyn Commons.

Seth Bockley is a playwright and theater director, specializing in literary adaptation, physical and object theater as well as multimedia works. As a director, Seth has led productions throughout the United States and around the world, including Mexico, Colombia, and Ireland. Just a few of the theatres where he has recently directed include The Goodman Theater, Victory Gardens, Redmoon Theater, Foundry Theater, and the Brooklyn Academy of Music. As a playwright, his works include 2666, adapted with Robert Falls from the novel by Roberto Bolaño; which won the 2016 Equity Jeff Award for New Adaptation, Wilderness with En Garde Arts, The Death and Life of Billy The Kid with Cabinet of Curiosity Events, February House, a collaboration with lyricist and composer Gabriel Kahane, and directed by Davis McCallum, which premiered off-Broadway at The Public Theater, Ask Aunt Susan which premiered at The Goodman Theatre, and Jon, an adaptation of a George Saunders short story, which won the 2009 Equity Jeff Citation for Best New Adaptation, Fun facts: Seth once dressed up as a skeleton for the Obamas’ first Halloween party. He made a clown show with a theatre troupe in Mexico that toured a maximum-security prison, and Seth has recently written for A Prairie Home Companion in Saint Paul Minnesota, where he currently lives with his family. Seth shares with Marc about his love for collaboration, his newest projects, his appreciation for many types of Chicago theater, his process for writing literary adaptations, and how he creates theater that is of image, that is poetic, and that is lyrical.

During this powerful conversation, Dr. Brad Reedy explains why it’s imperative for parents to detach in a healthy way and why over-identifying with our children can have lasting consequences.As parents, we must take our own well-being into our hands and make our own lives our project. Our children are not responsible for our serenity! It's important for us to treat our children as a person, allow them to have their feelings, love their "otherness," and avoid trying to "fix them."This episode has fascinating insights for all parents, including the transformative message to help anyone who is struggling, "You are not alone, and I am with you."Dr. Brad Reedy is a Co-owner and the Clinical Director of Evoke Therapy Programs, an experientially-based therapy program for adolescents, young adults and families. He has served on the Board of the Utah Department of Child and Family Services and the board of the National Association of Therapeutic Schools and Programs. He is also the Founder of Enlightening Relationships and provides parent coaching, couples’ therapy, and individual therapy.Dr. Reedy has developed an accessible and liberating approach to adolescents, young adults, and their parents. His powerful ability to use his own story and stories from the thousands of families he has treated offers hope to families suffering from mental health, addiction, and stage-of-life issues. He is a captivating public speaker and has been invited to deliver several keynote addresses on wilderness therapy, treatment of addiction, and parenting.Dr. Reedy is the author of The Journey of the Heroic Parent: Your Child’s Struggle & the Road Home, published by Reganarts. He is also an associate producer of the upcoming play “Wilderness,” Premiering in NYC at the Abrons Arts Center with a national tour in 2017, “Wilderness” is an original multi-media, documentary theater production from En Garde Arts, telling the story of six families participating in wilderness therapy.Personal YouTube channel: https://www.youtube.com/channel/UCvUrznbBJk3OSoc_1nldNWgPersonal Website: http://drbradreedy.comTwitter: @27bmrFacebook: https://www.facebook.com/drbradreedy/Personal Blog: http://drbradreedy.com/brad-reedy-blog/Evoke's YouTube channel https://www.youtube.com/channel/UCdwPCDlcKGPxI70trk8s5QAEvoke's Website: https://evoketherapy.comTwitter: @EvokeTherapyFacebook: https://www.facebook.com/EvokeTherapy/Blog on Evoke: https://evoketherapy.com/the-evoke-team/blog/brad-reedy/Dr. Reedy's Book - The Journey of the Heroic Parent:https://www.amazon.com/Journey-Heroic-Parent-Childs-Struggle-ebook/dp/B00T0GIB0Q/--Find out more at http://beyondhoperadio.com--Show sponsors:The Addictions Academy - The Nation’s Leading Accredited Addiction Treatment Services, Recovery/Sober Coaching & Intervention Training Academy: https://theaddictionsacademy.com/Hassle-Free Books - You have a message to share, it shouldn't be so difficult to get it out to the world. Become an author in a little as 45 days: http://hasslefreebooks.comBeyond Hope with Shar Joneshttps://businessinnovatorsradio.com/beyond-hope/

During this powerful conversation, Dr. Brad Reedy explains why it’s imperative for parents to detach in a healthy way and why over-identifying with our children can have lasting consequences.As parents, we must take our own well-being into our hands and make our own lives our project. Our children are not responsible for our serenity! It's important for us to treat our children as a person, allow them to have their feelings, love their "otherness," and avoid trying to "fix them."This episode has fascinating insights for all parents, including the transformative message to help anyone who is struggling, "You are not alone, and I am with you."Dr. Brad Reedy is a Co-owner and the Clinical Director of Evoke Therapy Programs, an experientially-based therapy program for adolescents, young adults and families. He has served on the Board of the Utah Department of Child and Family Services and the board of the National Association of Therapeutic Schools and Programs. He is also the Founder of Enlightening Relationships and provides parent coaching, couples’ therapy, and individual therapy.Dr. Reedy has developed an accessible and liberating approach to adolescents, young adults, and their parents. His powerful ability to use his own story and stories from the thousands of families he has treated offers hope to families suffering from mental health, addiction, and stage-of-life issues. He is a captivating public speaker and has been invited to deliver several keynote addresses on wilderness therapy, treatment of addiction, and parenting.Dr. Reedy is the author of The Journey of the Heroic Parent: Your Child’s Struggle & the Road Home, published by Reganarts. He is also an associate producer of the upcoming play “Wilderness,” Premiering in NYC at the Abrons Arts Center with a national tour in 2017, “Wilderness” is an original multi-media, documentary theater production from En Garde Arts, telling the story of six families participating in wilderness therapy.Personal YouTube channel: https://www.youtube.com/channel/UCvUrznbBJk3OSoc_1nldNWgPersonal Website: http://drbradreedy.comTwitter: @27bmrFacebook: https://www.facebook.com/drbradreedy/Personal Blog: http://drbradreedy.com/brad-reedy-blog/Evoke's YouTube channel https://www.youtube.com/channel/UCdwPCDlcKGPxI70trk8s5QAEvoke's Website: https://evoketherapy.comTwitter: @EvokeTherapyFacebook: https://www.facebook.com/EvokeTherapy/Blog on Evoke: https://evoketherapy.com/the-evoke-team/blog/brad-reedy/Dr. Reedy's Book - The Journey of the Heroic Parent:https://www.amazon.com/Journey-Heroic-Parent-Childs-Struggle-ebook/dp/B00T0GIB0Q/--Find out more at http://beyondhoperadio.com--Show sponsors:The Addictions Academy - The Nation’s Leading Accredited Addiction Treatment Services, Recovery/Sober Coaching & Intervention Training Academy: https://theaddictionsacademy.com/Hassle-Free Books - You have a message to share, it shouldn't be so difficult to get it out to the world. Become an author in a little as 45 days: http://hasslefreebooks.comBeyond Hope with Shar Joneshttps://businessinnovatorsradio.com/beyond-hope/

Marin Mazzie talks about taking on the role of Diana Goodman in Broadway's "Next to Normal" and whether she and her co-star/husband Jason Danieley take their work home with them after the show. She also talks about her early professional experiences, including The Barn Theater in Michigan and An Evening Dinner Theatre in Westchester NY; appearing in the ultimately truncated national tour of "Doonesbury"; stepping into roles in the original productions of "Big River", "Into The Woods" and "And The World Goes Round"; her first opportunity to create a role, Clara in Sondheim and Lapine's "Passion", and having it created around her; the journey of "Ragtime" from Toronto to Broadway; her foray into the classics with Charles Mee's version of "The Trojan Women" for the site-specific company En Garde Arts; the differences between appearing in both "Kiss Me, Kate" and "Spamalot" in New York and London; and her forays into non-musical roles with "A Streetcar Named Desire" at Barrington Stage and "Enron" on Broadway -- and why she wants more opportunities to do more than just musicals. Original air date - September 8, 2010.

Marin Mazzie talks about taking on the role of Diana Goodman in Broadway's "Next to Normal" and whether she and her co-star/husband Jason Danieley take their work home with them after the show. She also talks about her early professional experiences, including The Barn Theater in Michigan and An Evening Dinner Theatre in Westchester NY; appearing in the ultimately truncated national tour of "Doonesbury"; stepping into roles in the original productions of "Big River", "Into The Woods" and "And The World Goes Round"; her first opportunity to create a role, Clara in Sondheim and Lapine's "Passion", and having it created around her; the journey of "Ragtime" from Toronto to Broadway; her foray into the classics with Charles Mee's version of "The Trojan Women" for the site-specific company En Garde Arts; the differences between appearing in both "Kiss Me, Kate" and "Spamalot" in New York and London; and her forays into non-musical roles with "A Streetcar Named Desire" at Barrington Stage and "Enron" on Broadway -- and why she wants more opportunities to do more than just musicals. Original air date - September 8, 2010.

Paul Selig is a writer, teacher and intuitive living in New York City.He is the director of the MFA in Creative Writing Program at Goddard College and serves on the playwriting faculty of the NYU Tisch School of the Arts.His work for the theater has been performed internationally at venues including the Sundance Film Festival, the Joyce Theater, En Garde Arts, The Long Wharf Theater, Teatro Plastico and the Ensemble Studio Theater.Paul had a spiritual experience in 1987 that left him clairvoyant. As a way to gain a context for what he was beginning to experience, he studied a form of energy healing, working at Marianne Williamson’s Manhattan Center for Living and in private practice.  He began to “hear” for his clients, and much of Paul’s work now is as a clairaudient, clairvoyant, channel, and empath. Paul has led channeled energy groups for 15 years.Paul was invited to channel at the Esalen institute’s 2009 invitational Superpowers and the Supernormal symposium and is featured in the upcoming documentary film Authors of the Impossible.Download G&D 06-20-10

Carlos Murillo is a Chicago-based playwright, director and teacher. He is a Visiting Professor at the Theatre School of DePaul University. His play Mimesophobia (or before and after) was produced at Arielle Tepper’s 2005 NYC Summer Play Festival after previous workshops at J.A.W. West Festival at Portland Center Stage (2004), South Coast Rep’s Hispanic Playwrights Project (2003), the Chautauqua Institution Theatre Conservatory (2002) and A.S.K. Theatre Project in Los Angeles (2002). In NY Carlos’ plays have been seen at the Public Theater, New York Theatre Workshop, En Garde Arts, Lincoln Center, Soho Rep, the Hangar Theatre, the Chautauqua Institute Conservatory, the Flea,INTAR and Nada, Inc. Regionally his work has been seen at South Coast Rep, Theatre at Boston Court, Circle X Theatre, Son of Semele Ensemble and A.S.K.Theatre Projects all in southern California, Red Eye Collaboration and the Playwrights’ Center in Minneapolis, The Group Theatre and Annex Theater in Seattle, Portland Center Stage, Madison Repertory Theatre, the Sundance Institute, the Bay Area Playwrights Festival, Boston Theatre Works, Salvage Vanguard and the dirigo group in Austin, and others. In Chicago his plays have been produced at Walkabout Theatre and Barat College of DePaul University. Recently, dark play was presented in the 2006 Latino Theatre Festival at the Goodman Theatre.

Carlos Murillo is a Chicago-based playwright, director and teacher. He is a Visiting Professor at the Theatre School of DePaul University. His play Mimesophobia (or before and after) was produced at Arielle Tepper’s 2005 NYC Summer Play Festival after previous workshops at J.A.W. West Festival at Portland Center Stage (2004), South Coast Rep’s Hispanic Playwrights Project (2003), the Chautauqua Institution Theatre Conservatory (2002) and A.S.K. Theatre Project in Los Angeles (2002). In NY Carlos’ plays have been seen at the Public Theater, New York Theatre Workshop, En Garde Arts, Lincoln Center, Soho Rep, the Hangar Theatre, the Chautauqua Institute Conservatory, the Flea,INTAR and Nada, Inc. Regionally his work has been seen at South Coast Rep, Theatre at Boston Court, Circle X Theatre, Son of Semele Ensemble and A.S.K.Theatre Projects all in southern California, Red Eye Collaboration and the Playwrights’ Center in Minneapolis, The Group Theatre and Annex Theater in Seattle, Portland Center Stage, Madison Repertory Theatre, the Sundance Institute, the Bay Area Playwrights Festival, Boston Theatre Works, Salvage Vanguard and the dirigo group in Austin, and others. In Chicago his plays have been produced at Walkabout Theatre and Barat College of DePaul University. Recently, dark play was presented in the 2006 Latino Theatre Festival at the Goodman Theatre.