Podcast appearances and mentions of Gabriel Kahane

A new 'Craftwork' episode about how to write a poem. My guest is Matthew Zapruder, author of the poetry collection I Love Hearing Your Dreams, available from Scribner. Zapruder is the author of six collections of poetry, including Come on All You Ghosts, a New York Times Notable Book of the Year; Father's Day; Why Poetry; and Story of a Poem, a National Book Critics Circle Award finalist. He has received a Guggenheim Fellowship, the William Carlos Williams Award, a May Sarton Award from the Academy of American Arts and Sciences, and a Lannan Foundation Residency Fellowship. His poetry has been adapted and performed by Gabriel Kahane and Brooklyn Rider and Attacca Quartet at Carnegie Hall and San Francisco Performances and was the libretto for Vespers for a New Dark Age, a piece by Missy Mazzoli commissioned for the Ecstatic Music Festival at Carnegie Hall. He was Guest Editor of Best American Poetry 2022, and from 2016 to 2017, he held the annually rotating position of Editor of the weekly Poetry Column for TheNew York Times Magazine. He lives with his wife and son in the San Francisco Bay Area, where he is editor at large at Wave Books, and teaches in the MFA in creative writing program at Saint Mary's College of California. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Quanti soldi fanno davvero le band con i tour e l'aumento del prezzo dei visti per i musicisti che vogliono suonare negli Stati Uniti. Cinque dischi usciti tra aprile e maggio: English Teacher, Claire Rousay, St. Vincent, Maria Chiara Argirò e Jessica Pratt. Tre nuovi singoli per Nilüfer Yanya, Fontaines D.C. e Arooj Aftab. Sei date in Italia per Bonnie “Prince” Billy e un piccolo festival interessante a Londra. Any Other (via Telegrammy) ci consiglia il disco di Gabriel Kahane. --- Send in a voice message: https://podcasters.spotify.com/pod/show/friday-podcast/message

American composer, singer, songwriter, and sonic storyteller Gabriel Kahane uses pop, folk, and classical music to craft captivating works that illustrate the human experience. Gabriel discusses the importance of using music to create community, his song Sit Shiva, what type of opera he imagines he'd write if given the opportunity, and how he responds to humor that is ultimately empathetic. Reflecting on the influences of his psychologist mother, concert pianist father, and his musical childhood filled with violin, piano, guitar, and singing, Gabriel talks about his start at New England Conservatory as a jazz pianist, how his interest shifted to theater at Brown, and his ultimate arrival in New York with his cellist friend Alisa Weilerstein where he began to write songs.Check out Gabriel Kahane on Instagram, Facebook, Substack, Spotify, Apple Music, or the web.Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram and the web.Photograph of Gabriel Kahane by Jason Quigley.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2024 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Knowing how to organize your practice sessions can be tough. We all struggle with it. Trying to stay motivated can be challenging when you aren't in the right headspace or don't feel inspired. In this episode, Peter and Adam offer some solutions. ↓ Links from the pod ↓Gabriel Kahane's - Empire Liquor Mart (9127 S. Figueroa St.) (Apartment Sessions)Roberta Flack - Tryin TimesPeter's OS video on Top 10 Greatest Jazz Albums MonoNeon's ManifestoHave a question for us? Leave us a SpeakPipeCheckout courses from Adam, Peter and more at Open Studio

Chris van Voorst van Beest is a bassist and composer who grew up in Maine and lives in Brooklyn, NY. Hailed as "a double bassist with an exceptional ability to improvise," (Erminio Garotta - Sound & Vision) Chris has performed and/or recorded with artists as diverse as Frank Kimbrough, Robert Glasper, Gabriel Kahane, and George Garzone. Sought after in a variety of musical settings, Chris is a member of a number of original music projects including The Danny Fox Trio and Garage Ellington, plays for immersive theater (Sleep No More), and collaborates with multi-media artists, most recently with choreographer Kelly Ashton Todd with whom he wrote and performed incidental music for the 45 minute dance piece 'Nest'. Chris also writes contemporary classical music, most recently finishing his first work for orchestra 'Short Story'. The founder of his own chamber ensemble, Chris's latest concert, 'Miniatures and Improvisations', features a broad program of short pieces for trio, each piece immediately followed by an improvised response, exploring the dialogue between improvisation and composition. Chris was awarded a Dutch grant for composition in 2010 to compose music for the children's book 'The Lamplighter' and has been nominated three times for the Charles Ives Arts and Letters award. Chris van Voorst van Beest WebsiteDanny Fox Trio on SpotifyInstagram / Twitter / Youtube / Website / BSA/ View More Episodes

Chris van Voorst van Beest is a bassist and composer who grew up in Maine and lives in Brooklyn, NY. Hailed as "a double bassist with an exceptional ability to improvise," (Erminio Garotta - Sound & Vision) Chris has performed and/or recorded with artists as diverse as Frank Kimbrough, Robert Glasper, Gabriel Kahane, and George Garzone. Sought after in a variety of musical settings, Chris is a member of a number of original music projects including The Danny Fox Trio and Garage Ellington, plays for immersive theater (Sleep No More), and collaborates with multi-media artists, most recently with choreographer Kelly Ashton Todd with whom he wrote and performed incidental music for the 45 minute dance piece 'Nest'. Chris also writes contemporary classical music, most recently finishing his first work for orchestra 'Short Story'. The founder of his own chamber ensemble, Chris's latest concert, 'Miniatures and Improvisations', features a broad program of short pieces for trio, each piece immediately followed by an improvised response, exploring the dialogue between improvisation and composition. Chris was awarded a Dutch grant for composition in 2010 to compose music for the children's book 'The Lamplighter' and has been nominated three times for the Charles Ives Arts and Letters award. Chris van Voorst van Beest WebsiteDanny Fox Trio on SpotifyInstagram / Twitter / Youtube / Website / BSA/ View More Episodes

Get ready to unplug - but don't sign off yet because in celebration of the upcoming Global Day of Unplugging on March 3-4, 2023, we are revisiting the Unplug episode of The Kibitz podcast, Season 1, Episode 4, originally aired in March 2016. Despite the obvious irony in a podcast about unplugging, this episode of The Kibitz is all about our need to collectively unplug from technology. Join host Dan Crane on a journey celebrating the Shabbat tradition and the National Day of Unplugging. Featuring guests: Dan Rollman, David Kasher, Moshe Kasher, Janice “Nanna” Lubin (Dan's 95 years young nanna), Gabriel Kahane and Mickey Rapkin.Subscribe wherever you get your podcasts: ▼Apple Podcasts: https://apple.co/3Z2pTlH▼Spotify Podcasts: https://spoti.fi/3QdA2HT ▼Google Podcasts: http://bit.ly/3GCtSOE The Kibitz podcast is a hilarious and insightful guide to Jewish ideas and culture hosted by journalist Dan Crane and comedian Jessica Chaffin (Ronna & Beverly). The Kibitz is produced by Reboot, an arts and culture non-profit that reimagines and reinforces Jewish thought and traditions. As a premier research and development platform for the Jewish world, Reboot catalyzes its network of preeminent creators, artists, entrepreneurs and activists to produce experiences and products that evolve the Jewish conversation and transform society. Learn more about Reboot and get involved:▼Website: https://rebooting.com/ ▼Instagram: https://www.instagram.com/rebootjewish/▼Twitter: https://twitter.com/reboot▼Facebook: https://www.facebook.com/Rebooters/▼TikTok: https://www.tiktok.com/@rebooters ▼Newsletter: https://rebooting.com/get-involved/▼YouTube: https://www.youtube.com/@rebootjewish

Staffel 2 – Folge 5 Das neue Jahr läuten wir mit einer besonderen Folge ein. Einige unserer üblichen Rubriken fallen diesmal aus, denn in den "Four Tops" beschäftigen wir uns mit Songs über Monate – und das sind nunmal nicht acht, sondern zwölf. Auch in dieser Folge sind wir musikalisch schön abwechslungsreich unterwegs: von Jazz bis Soul, von Classic bis Indie Rock, von Neo-Funk bis MPB ist alles dabei. Als Gast begrüßen wir diesmal Torstens Kühlschrank, der sich manchmal im Hintergrund bemerkbar macht, und Linus darf einen Gänsehautsong spielen, der 25 Jahre alt wird. Four Tops Take 6: Monate This Month in Music: Kerry Minnear / Air Hier findet ihr die Playlist zur Folge auf Apple Music und Spotify: https://music.apple.com/de/playlist/listen-folge-17/pl.u-aZb0kK5CPNgxx2 https://open.spotify.com/playlist/5yX5OZreDv63FUHGtf9WZo?si=66e3bfcc86de4052 Übrigens: "October 1st, 1939 / Port of Hamburg" von Gabriel Kahane wird von den Streaming-Diensten in zwei Songs aufgeteilt; unser Ausschnitt ist aus dem zweiten Teil, daher fehlt in der Playlist scheinbar der Monat Oktober.

"Tom Sawyer", "Cogs in Cogs" (de l'

Writer Karen Russell chats with Oregon Symphony's Gabriel Kahane in this conversation for 2022 #PDXBookFest.

A conversation about adaptation and the creative process with composer Missy Mazzoli, writer Karen Russell, & Oregon Symphony's Gabriel Kahane.

A conversation about adaptation and the creative process with composer Missy Mazzoli, writer Karen Russell, & Oregon Symphony's Gabriel Kahane.

On today's episode, I talk to composer and singer-songwriter Gabriel Kahane. Originally from Venice Beach, California, Gabriel has been making albums for almost a decade and a half, starting with his self-titled album which was released on Family Records in 2008. Gabriel comes at much of his songwriting from a conceptual standpoint - on his 2014 album The Ambassador, he used ten addresses in LA to write songs from the perspectives of characters both real and imaginary, his 2018 album Book of Travelers was based on a cross-country train trip he took, and his first concert work Craigslistlieder set real Craisglist ads to music. In addition to his songwriting, Gabriel has also been commissioned to write dozens of pieces for orchestras, festivals and theaters, and his latest album Magnificent Bird was just released at the end of March on Nonesuch Records! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter.

Synopsis The American composer and singer songwriter Gabriel Kahane claims someone once described one of his songs as having been from the wastepaper basket of Schubert – but, Kahane hastens to add, “I think he meant that as a compliment.” Certainly Kahane is a successful songwriter, and if not quite as prolific as the 19th century Viennese composer, is quite productive on a number of 21st century platforms and takes his inspiration from quintessential 21st century experiences. On today's date in 2018, for example, the Oregon Symphony premiered his “Emergency Shelter Intake Form,” a song-cycle or oratorio inspired by the questionnaire homeless people have to take to secure a shelter bed. “I live in Brooklyn,” said Kahane, “and I had volunteered at a shelter in Manhattan. I started thinking about the banality of going through that crushing bureaucracy on top of experiencing extreme poverty. That led to the intake form as a jumping-off point for the libretto. It is somewhere between found text and my own extrapolations that began with this sterile administrative form.” The Oregon Symphony's premiere performance of Gabriel Kahane's “Emergency Shelter Intake Form” was recorded, and, in equally quintessential 21st century fashion, is available as a download. Music Played in Today's Program Gabriel Kahane (b. 1981) – “What brings you here?” from “Emergency Shelter Intake Form” (Alicia Hall Moran, ms; Oregon Symphony; Carlos Kalmar, cond.) Digital download

Before the pandemic started, musician Gabriel Kahane had pledged to spend a year without the internet, partly as a way to reconnect with the people around him. Then when the lockdown arrived, his year offline ended up being a little more isolated than he

Gabriel Kahane writes classical music and what he called “deranged pop”; his new 2022 album, Magnificent Bird, was written after spending a year off the internet. The results are deeply personal but also a celebration of his musical community. He plays most of the new album as well as songs from his previous album, Book of Travelers, which documented an 8,980-mile railway journey in the aftermath of the 2016 election. Gabriel Kahane and a special guest string quartet perform in an intimate setting in The Greene Space. Set list: We Are The Saints, Hazelnut Tree/Chemex/To Be American, Baedeker/Baltimore/Little Love (this set from Book of Travelers), Linda & Stuart, Sit Shiva

Sarah Shook and the Disarmers; Ray Wylie Hubbard ; Ian Noe; Molly Tuttle ; Aldous Harding ; Gabriel Kahane ; Bambara

Conductor Nathalie Stutzmann shares what's in store for the new Atlanta Symphony Orchestra season – her first as ASO Music Director. Plus, singer/songwriter and multi-instrumentalist Gabriel Kahane and the story behind his choice to spend a year off the internet.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Een eerbetoon aan de vorige week overleden Foo Fighters-drummer Taylor Hawkins, een prachtige livesessie van VanWyck, Michael Broekman praat ons bij over de muziek uit Oostenrijk en nieuwe platen van oa Celeste en Gabriel Kahane.

Success. Fallacy of the one who escaped. The roots of racism and more, with Pulitzer Prize-winning reporter Andrea Elliott on her new book, Invisible Child: Poverty, Survival & Hope in an American City, which offers an astonishing account of a homeless family in super-stratified New York City, where those grappling with extreme poverty live side by side with the very wealthy. PLUS: New music from mega-talented singer-songwriter and composer Gabriel Kahane. Contributing artist: Joseph Keckler.

Today's guest is singer-songwriter, pianist, and orchestral composer Gabriel Kahane. He's released several albums to critical acclaim, and he's written essays for publications such as The New Yorker and The New York Times. Gabriel has a unique approach to songwriting - in 2016, he traveled all around the United States gathering inspiration for his album Book of Travelers.  On this episode, we dive into Gabe's recent year-long hiatus from the internet, in which he discovered how genuine human interaction has become harder to find as our reliance on technology has grown. We also speak about the human nature of creativity and how technology can help but also interfere with the creative process.    You can submit your questions to Ben here: https://www.speakpipe.com/BenFolds And check out the YouTube channel here: https://www.youtube.com/channel/UC9ix6szTyjg3vmx1sIj-Vfw See omnystudio.com/listener for privacy information.

Welcome to Season Four of Beethoven Walks into a Bar! This week, we visit with pianist Jeffrey Kahane and his son, composer Gabriel Kahane as we gear up to give the world premiere of Heriloom: Concerto for Piano and Chamber Orchestra. Jeffrey and Gabriel team up against Mike and Jason for a game of "Which pair knows each other better?" Spoiler alert: the father/son duo has a definite advantage. Keep tuning in throughout the season for exciting interviews with guest conductors, composers, artists and our amazing Kansas City Symphony musicians, this season on Beethoven Walks into a Bar! https://open.spotify.com/playlist/1NSjwStLlkkkyG7ATyh6vD?si=e83797ea850a4192 (Episode 401 Playlist)

Episode 17 covers the expanse of inspiration and insights leading to VocalEssence's 2021-2022 season. Philip talks about researching and programming a diverse mix of choral music—from Astor Piazzolla to Gabriel Kahane to The Aeolians to Jose Nünez to Stewart Copeland of The Police. "There's so much great choral music of the past and present," notes Philip, gesturing to the tens of thousands of scores surrounding his office. In this episode we also learn what constitutes a "fantastic" composition for singers, that Philip manages to "inbox zero," and the secret history linking Stewart Copeland to Philip back in 1977.

A palimpsest is a manuscript whose original text has been scraped or washed away and overwritten with a new one, often many times over. The original text is still present but visible only in fragments. This concept has inspired composers to overlay music in similar ways to fascinating effect. We feature a small sample of musical palimpsests. Music by Kevin Ernste, George Benjamin, Paul Novak and Gabriel Kahane.

WIBX First News with Keeler in the Morning features newsmakers, hot topics and great conversation about everything that matters to the Utica-Rome area and the Mohawk Valley. Host Bill Keeler is joined each weekday morning from 6:00-9:00 a.m. by Jeff Monaski and Andrew Derminio on Your News, Talk and Sports Leader WIBX 950.

If it has always been your dream to be involved in some capacity in a movie, then your chance may be here before you know it. An independent film crew is coming to shoot their movie in Utica and they are in need of some assistance. https://wibx950.com/independent-film-crew-coming-to-utica-needs-actors-and-houses/

CHASE BROCK, called “prolific” in The New Yorker and “a showman with an eye to a wide audience” in The New York Times, is a choreographer, director and occasional costume designer working across theater, dance, opera, ballet, TV and video games. From Flat Rock, NC, Brock made his Broadway debut at 16 in the original cast of Susan Stroman’s revival of The Music Man, also appearing on “The Rosie O’Donnell Show” and “The Tony Awards.” At 18, Brock produced a showcase of his own choreography in Michael Bennett’s leg- endary building at 890 Broadway, and at 23, he launched his own dance company. As Artistic Director of The Chase Brock Experience (in residence at Theatre Row on 42nd St), he has commissioned 8 original scores and directed, choreographed and often designed cos- tumes for 31 original works including American Sadness to Gabriel Kahane’s debut album, The Four Seasons to the Vivaldi score and new text by David Zellnik, Mirror Mirror with an original score by Michael John LaChiusa, The Song That I Sing; Or, Meow So Pretty to vintage record- ings by The New Christy Minstrels, The Girl with the Alkaline Eyes with original score and sce- nario by Eric Dietz, and Whoa, Nellie! to Nellie McKay’s album Obligatory Villagers. Broadway choreography: Joe Iconis and Joe Tracz’s Be More Chill (Lyceum Theatre), Bono, The Edge and Julie Taymor’s Spider-Man: Turn off the Dark (Foxwoods Theatre) and Sam Gold’s revival of Inge’s Picnic (Roundabout Theatre Company). International choreography: Disney’s The Hunchback of Notre Dame (North American, German and Japanese companies), Be More Chill (London), Roméo et Juliette (Salzburger Festspiele). Off-Broadway choreography: Disney’s Hercules, Michael John LaChiusa’s First Daughter Suite, Lear deBessonet and Todd Almond’s The Tempest and The Winter’s Tale (The Public Theater), The Wildness (Ars Nova), Gigantic (Vineyard Theatre), The Mysteries (The Flea Theater). Re- gional highlights include directing The Music Man, The Nutcracker (Flat Rock Playhouse) and The Night They Invented Champagne (Westport Country Playhouse) and choreographing the world premieres of Sara Bareilles’s Waitress (American Repertory Theater), Soul: The Stax Mu- sical (Baltimore Center Stage, dir. Kwame Kwei Armah), Daniel Zaitchik’s Darling Grenadine (Goodspeed Musicals) and Be More Chill (Two River Theater). Other highlights include serving as the onscreen theater director for the Fiddler on the Roof episode of Kristin Bell’s “Encore!" (Disney+) and choreography for Bartlett Sher’s production of Gounod’s Roméo et Juliette for The Metropolitan Opera and “Great Performances” (PBS), “Dash & Lily” (Netflix), many works of political satire for “Last Week Tonight with John Oliver” on HBO, the bestselling video game Dance on Broadway (Nintendo Wii, PlayStation Move), sever- al ballets for New York Theatre Ballet and the upcoming film Man & Witch. Brock is the subject of the Emmy-nominated documentary Chasing Dance, and his latest project is the creation of Modern Accord Depot (modernaccorddepot.com), an arts residency space and luxury getaway in a turn-of-the-century Hudson Valley train depot. For more, please visit www.chasebrock.com and www.chasebrockexperience.com Follow @instachasebrock --- Send in a voice message: https://anchor.fm/confessionsofanactress/message Support this podcast: https://anchor.fm/confessionsofanactress/support

This 2014 episode features Bela Fleck & Abigail Washburn, Kate Miller-Heidke, Janiva Magness, Storyman and Gabriel Kahane. Support provided by Digital Relativity. https://digitalrelativity.com/

Andrew O’Hagan discusses his “proudly misspent youth” as well as his imaginative landscape and new novel, Mayflies; Gabriel Kahane shares work from his groundbreaking oratorio on homelessness; and NPR veteran Jacki Lyden reports as herself from the Heartland in this week’s episode, themed “Home.” Contributing artists: Joseph Keckler, The Oregon Symphony, Stevie Macleod, Phoebe Legere.

Greek mythology, and musicals share the stage. This is episode 49 of Caffe Lena: 60 Years of Song. Thank you to Sarah for the list of songs and artists for the feature. Anais Mitchell is fascinated with the Greek myth of Eurydice and the love between the title character and Orpheus. It has taken her on a journey across mediums - one song led to a concept album called Hadestown which led to a stage production in Canada and London before ending up on Broadway. She was just named one of the 100 Most Influential People of 2020 by Time Magazine. Gabriel Kahane wrote his first musical when he was in college and has gone on to write other commissioned pieces for the Williamstown Theatre Festival and others. After the 2016 election, he embarked on a cross country train trip that led to an album that links America’s abstract political reality with the lives it has shaped. Caffe Lena : 60 Years of Song, a production of WEXT Radio.

My friend Till Kammertöns hipped me to the music of Gabriel Kahane sometime in September 2018 and I immediately got hooked. I couldn’t stop listening to his wonderful album “Book of Travelers” for a month. While checking out all of his other wonderful works I noticed an urge to interview him for this series. I … Continue reading Gabriel Kahane

Testing the boundaries of our format by pushing the definition of "album" a bit, Jon brings a fairly unconventional compilation for discussion. See, in 2012, Beck published a book of sheet music for an album of new songs, but no recordings. In 2014, Warby Parker sponsored a compilation disc of twenty different artists all performing the songs of Song Reader. The album is eclectic, sprawling, and arguably doesn't even sound much like Beck, so we thought it would be interesting to talk about for an hour! Over the course of our discussion, we also cover... Which band probably wouldn't have been considered for this compilation if it hadn't been recorded in 2013 (and why it's fun.) Harrison's discovery of who/what Warby Parker is How Jack White is one of the world's best living guitarists, but he got out-soloed by pre-Grammy Jason Isbell Jon's "Mandela Effect" moment, incorrectly recalling two different songs performed by Beck on this compilation Jarvis Cocker sounding like Rorschach in "Eyes that Say I Love You" Harrison mistaking Sparks for someone else (we later realized it was probably Jordin Sparks) Jon Wonders whether "Saint Dude" might have anything to do with The Big Lebowski The heartbreaking lyrics to "America, Here's My Boy" and why they're even more powerful as performed by Swamp Dogg Our key tracks and a preview of the next episode! Come join us for an hour of thoughtful and good-humored commentary, and we'll catch you on the B-side! The spreadsheet Request Lottery picks and their associated numbers can be seen here: https://docs.google.com/spreadsheets/d/1xOiYNZduLxz7L2CtNUPK1YOu63ni2XTWpcy1cdB6EQw/edit?usp=sharing You can get your request on this list by donating to our Patreon account at the $5 level or above. Support us on Patreon! https://www.patreon.com/PlayDiscPodcast Follow us on Facebook! https://www.facebook.com/PlayDiscPodcast/ Follow us on Twitter! https://twitter.com/PlayDiscPodcast Email us at playdiscpodcast@gmail.com This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

The piece of music featured in this episode is called Anneliese. It’s an off kilter piece which I wrote as the character theme for the psychological fantasy/horror audio drama Palimpsest. The soundtrack conveys a quiet and contemplative feel. This week we’ll look at some of the insights into why and how it was made. My name is Ian Ridenhour. I'm a composer from Asheville, NC, and this is How I Make Music. IN THIS EPISODE 01:56 I was influenced by Gregorian chant music. Gregorian sheet music was written without barlines, and I wanted the feeling of flowing seamlessly without a fixed rhythm. 02:54 The first electronic artist I listened to was Deadmau5. I’ve cited him as an influence because of the idea that Anneliese should use a palette of purely electronic sounds. Other influences include Moses Sumney, who is from my home town of Asheville. 03:38 The rhythm in this track is complex. It’s a core 6/8 and I’ve added a bizarre 2+5 meter over it. Listen as I count along. There’s a word for this type of polyrhythm: it’s called hemiola. 04:55 The harmonic structure pushes the boundaries of typical pop harmony. I wanted to convey a lack of permanence by using odd shifts. Noteworthy influences include Gabriel Kahane. I use a circle of 4ths (plagal cadence) modulation to destabilize the listener. Every chord sounds like the root. 06:47 There’s a low and subtle wind sound throughout the piece. You only really notice it at the end. It changes pitch and pans back and forth. It’s my favorite piece of the composition. SHOW NOTES Listen to audio drama Palimpsest http://thepalimpsestpodcast.com/ Check out other work by Ian Ridenhour http://www.ianridenhour.com/ Follow Ian Ridenhour https://twitter.com/ianridenhour MUSIC CREDITS Monks of the Dark Abbey - Derek Fietcher and Brandon Fietcher Strobe (Club Edit) - Deadmau5 Cut Me - Moses Sumney Empire Liquor Mart (9127 S. Figueroa St.) - Gabriel Kahane Gleam - Covet ABOUT THIS SHOW How I Make Music is where behind-the-scenes musicians get to tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition and investigate the insights into how it was made. Subscribe to How I Make Music https://pod.link/1460793686 How I Make Music https://howimakemusic.com Contact How I Make Music https://johnbartmann.com/contact Composers: host an episode of How I Make Music https://bit.ly/host-an-episode How I Make Music is created by John Bartmann https://johnbartmann.com

Download "It's a Long Way Across the Wire," Chris Thile's Song of the Week from our November 16, 2019 broadcast. The band: Chris Thile, Aoife O'Donovan, Mike Elizondo, Eric Doob, Alex Hargreaves, Armand Hirsch, Gabriel Kahane. Please support Live from Here with Chris Thile to help us stay strong during these tough times livefromhere.org/give — Lyrics: Boy you’re gonna tire Yourself right out pretending That you can write a happy ending To this story by yourself ‘Cause it’s a long way Across the wire Ain’t no shame in falling Just in being ashamed of calling For a friend to come and help Yeah it’s a long way Across the wire And it’s been a bad day Boys you’re gonna tire Yourselves right out pretending That you can write a happy ending To this story by yourselves ‘Cause it’s a long way Across the wire Ain’t no shame in falling Just in being ashamed of calling For a friend to come and help Yeah it’s a long way Across the wire And it’s been a bad day But I bet it’ll get a little better Bet it’ll get a little better Boy let a buddy in I bet it’ll get a little better Whoop Let it get better Let everybody in ‘Cause buddy with everybody in I bet it’ll get a little better We ain’t gonna tire Ourselves out pretending That we can write a happy ending To this story by ourselves ‘Cause it’s a long way Across the wire Ain’t no shame in falling Just in being ashamed of calling For a friend to come and help Yeah it’s a long way Across the wire And it’s been a bad day But I bet it’ll get a little better Bet it’ll get a little better Boy let a buddy in I bet it’ll get a little better But I bet it’ll get a little better Bet it’ll get a little better Boy let a buddy in I bet it’ll get a little better Whoop Let it get better Let everybody in ‘Cause buddy with everybody in I bet it’ll get a little better

Te midden van grote internationale artiesten als Little Steven en Lucinda Williams staat de naam van singer-songwriter Ruud Houweling tussen de lijst genomineerden voor de Independent Music Awards, de onafhankelijke tegenhanger van de Grammy’s. Met in de jury één van Ruuds favoriete artiesten: Tom Waits. In Oeverloos vertelt Ruud over de invloed van Waits en Talk Talk op zijn leven, over filmmuziek, nieuwe ontdekkingen als Madison Cunningham en Gabriel Kahane, over de huidige stilte in zijn woonplaats Zandvoort, en over de 17-jarige versie van zichzelf, die een zelfgemaakt nummer voor zijn vriendin speelde. Oeverloos wordt mede mogelijk gemaakt door De Muziekgieterij.

Te midden van grote internationale artiesten als Little Steven en Lucinda Williams staat de naam van singer-songwriter Ruud Houweling tussen de lijst genomineerden voor de Independent Music Awards, de onafhankelijke tegenhanger van de Grammy’s. Met in de jury één van Ruuds favoriete artiesten: Tom Waits. In Oeverloos vertelt Ruud over de invloed van Waits en Talk Talk op zijn leven, over filmmuziek, nieuwe ontdekkingen als Madison Cunningham en Gabriel Kahane, over de huidige stilte in zijn woonplaats Zandvoort, en over de 17-jarige versie van zichzelf, die een zelfgemaakt nummer voor zijn vriendin speelde. Oeverloos wordt mede mogelijk gemaakt door De Muziekgieterij.

Download Chris Thile’s Song of the Week from our February 29, 2020 show, “The Sully” (originally from September 14, 2019). The band: Chris Thile, Sarah Jarosz, Mike Elizondo, Eric Doob, Armand Hirsch, Gabriel Kahane, Jeremy Kittel. — Lyrics: This is the Sully— —As fine a ship as you can sail from Le Havre France to New York of a mild October in the year of our lord 1832 Blessed be the quiet mind— —such as wielded by a Sully passenger named Samuel F.B Morse the nearly famous artist coming up for air post years of work and study Quiet be the weary mind That hovers o’er the water— —grateful to be homeward borne by true and perfect boredom Hallowed be its name ‘Cause— —weary be the troubled mind That hovers o’er the water With its lonely sons and daughter On the shore ahead And on the shore behind So much unfinished business But there ain’t a cure for distance Save a long long time Tick tick ticking several decks below in steerage next to less- considered travelers nothing but their fevers running wild from bed to bed To bed Quiet be their weary minds Between the old and new world No more to seek approval From the loved ones wedded to the shore behind Calling “y’all are gonna miss us, Unless you find the cure for distance” —and in that instant There it is A ceaseless current A boundless grid A prayer a potion With form and function To deliver us To each other From each other Racing be the blessed mind To a future long imagined Bright with glory, fame and fortune It had left for dead On the shore behind Jedidiah are you listening Your son has found a cure for distance And blessed be his quiet mind That hears the roaring of an instant God hath wrought the cure for distance And that cure is mine

Alle zwei Wochen täglich Kult: SWR3-Moderator Kristian Thees ruft seine beste Freundin Anke Engelke an und die beiden erzählen sich gegenseitig ihre kleinen Geschichtchen des Tages.

On this week's World of Noise, DJ Bob Ham speaks with modern composer Gabriel Kahane about his new role as Creative Chair for the Oregon Symphony, and Parker Hall, the front man for the new band Rules, chooses five songs that have influenced his work as a songwriter and a jazz drummer.

Download "It's a Long Way Across the Wire," Chris Thile's Song of the Week from our November 16, 2019 broadcast. The band: Chris Thile, Aoife O'Donovan, Mike Elizondo, Eric Doob, Alex Hargreaves, Armand Hirsch, Gabriel Kahane.

Chris Thile’s Song of the Week for October 26, 2019: “Mutton and Strawberries.” The band: Chris Thile, Rachael Price, Mike Elizondo, Armand Hirsch, Gabriel Kahane, Jeremy Kittel, Joey Waronker. — Lyrics: What hath God wrought Of strength unfelt Gifts neglected And love withheld What hath God wrought (x3) Lucretia left the world without a fight Father left it clutching the handle of a knife His memory never failing to give that knife a twist All has led to this: Mutton— My children scattered like so many seeds Separated from one another and from me All my colleagues snickering at Samuel Morse the Scientist All has led to this: Mutton— (x2) Dark magic or miracle I don’t care It’s wonderful Listen, America’s about to bare her soul And maybe her teeth as well It’s a sound To behold Good or bad only someone else’s time will tell —and strawberries And a wire to connect the world A wire to remind it That nothing can become itself ‘Til something else defines it One wire to connect the world One wire to remind it That nothing can become itself ‘Til something else defines it Now a ghost of wire haunts this world A ghost of wire drives it Unto the need to know itself And with that knowledge binds it One ghost of wire haunts this world One ghost of wire drives it Unto the need to know itself And with that knowledge binds it ‘Til we use it to connect the world And let the world remind us That none of us become ourselves While someone else defines us

Chris Thile’s Song of the Week from our September 14, 2019 show, “The Sully.” The band: Chris Thile, Sarah Jarosz, Mike Elizondo, Eric Doob, Armand Hirsch, Gabriel Kahane, Jeremy Kittel. — Lyrics: This is the Sully— —As fine a ship as you can sail from Le Havre France to New York of a mild October in the year of our lord 1832 Blessed be the quiet mind— —such as wielded by a Sully passenger named Samuel F.B Morse the nearly famous artist coming up for air post years of work and study Quiet be the weary mind That hovers o’er the water— —grateful to be homeward borne by true and perfect boredom Hallowed be its name ‘Cause— —weary be the troubled mind That hovers o’er the water With its lonely sons and daughter On the shore ahead And on the shore behind So much unfinished business But there ain’t a cure for distance Save a long long time Tick tick ticking several decks below in steerage next to less- considered travelers nothing but their fevers running wild from bed to bed To bed Quiet be their weary minds Between the old and new world No more to seek approval From the loved ones wedded to the shore behind Calling “y’all are gonna miss us, Unless you find the cure for distance” —and in that instant There it is A ceaseless current A boundless grid A prayer a potion With form and function To deliver us To each other From each other Racing be the blessed mind To a future long imagined Bright with glory, fame and fortune It had left for dead On the shore behind Jedidiah are you listening Your son has found a cure for distance And blessed be his quiet mind That hears the roaring of an instant God hath wrought the cure for distance And that cure is mine

Chris Thile's Song of the Week, "Monette and the Milkman," from our May 25, 2019 show. The band: Rachael Price, Josh Dion, Chris Eldridge, Alan Hampton, Alex Hargreaves, and Gabriel Kahane. — Lyrics: “Monette”He whispers at the backdoor“This is just a trap yourLoving folks have setBut you don’t have to spring itGather up your things it’sTime you placed yourOwn bet”MonetteReplies “boy don’t I know itBut I’d be disowned ifI just up and leftIn the middle of the plan toRaise our family’s standingBy what man I wedMy mom and his are in the parlorTalking guest list dresses drinks and ringsMy father asked his then he asked my father no one’s bothered asking meSo MilkmanLover boyAdam whatcha afterA partnerOr a pretty toyAdam whatcha afterI’m almost scared ask ‘causeWhat if you’re too scared to ask me too and—“MonetteI’m after marrying a goddessGiving her just cause toBless the day we metYeah we’ll be in San DiegoSpreading avocadoOn our morningToast yet”MonetteReplies “well ain’t that niceBut dear a high societyGirl daren’t acceptWhy don’t you run along and partyWith those movie stars andGive them my regretsMy mom and his are in the parlorOn to what our children’s names should beMy father asked his then he asked my fatherAnd that’s quite enough for me”MilkmanLoverboy“Monette”His heart sinks as he whispers“Well I guess that’s it forThis huh please forgetThat I so misunderstood usAs my train rolls good-guy--Like into theSunset”MonetteReplies “Christ on a crackerHon, I’m kidding, packed, andNot a bit upsetBut since you couldn’t tell I’dChase your love to hell ifThat were where it ledSo MilkmanLover boyIt’s off to CaliforniaI’m your partnerYour my pretty toyAnd we’re off to California”

Gabriel Kahane - a fascinating conversation with a singer who's current Book Of Travelers album centres around stories he collected on a phone free train odyssey around America just after Trump was elected. He urges us to switch off social media and engage with each other. He makes his Irish debut at NCH Studio on April 9th.

The songs of Gabriel Kahane are so rich in their detail and character studies that it’s quite evident he’s a composer and pianist with the eye of a novelist. And that would be enough. But add a voice full of emotion and melodies that never evaporate from your consciousness and you instantly realize that Gabriel is the consummate artist. Talent this good is a gift to us all. His latest album, Book of Travelers (Nonesuch Records), is just another example in his arsenal. The 2018 song cycle was inspired by the people he met when he spent two weeks traveling across America via Amtrak.  Visit Gabriel Kahane online:                           http://gabrielkahane.tumblr.com STREAM/SUBSCRIBE ON SPOTIFY:                           http://bit.ly/TMTspotify SUBSCRIBE ON SOUNDCLOUD:                 https://soundcloud.com/thisisboice TMT APP FOR iPHONE: http://bit.ly/TMTappiOS TMT APP FOR ANDROID: http://bit.ly/TMTappANDROID SUBSCRIBE ON iTUNES: http://bit.ly/TalkMusicTalk SUBSCRIBE ON GOOGLE PLAY: http://bit.ly/TMTgoogleplay Please take a moment to leave a rating and/or review in the store. It helps increase the ranking of the podcast and exposes TMT to a new audience. Thanks! Liz (The Talk Music Talk Theme)-FULL VERSION Written and Composed on an iPad by boice. https://soundcloud.com/thisisboice/liz-talk-music-talk-theme   SURVEY It would be greatly appreciated if you would take a moment to fill out this brief demographic survey. It will be used solely to help me select advertisers/sponsors for Talk Music Talk to offset the cost to produce the podcast i.e. audio editor, podcast host, traveling to guests to record. It should take less than a minute of your time. Thanks!                                                                                                                                                                                                    http://www.talkmusictalk.com/survey

This week, artists whose work — and sometimes even their mere existence— have caused a kind of social friction. In an awesome way. You’ll hear from prolific drummer and polymath Madame Gandhi, actor/director/writer John Cameron Mitchell, musician Black Belt Eagle Scout. Also, the story composer Gabriel Kahane's groundbreaking composition for the Oregon Symphony.

Love can completely transform us – for better or for worse. In this episode, we listen to musical songs (with and without words) that convey this transformative power of love. Featuring music by Gabriel Kahane, Richard Wagner, and Arnold Schoenberg.

Conductor David Vickerman of San Jose State University joins me to talk about his career and share his wisdom. Notably, this includes an extended discussion about our responsibility as leaders to help promote diversity. Topics: David’s job at San Jose State and his background growing up in Northern California through his first job at the College of New Jersey and his return back home to the Bay Area of California. Choosing music and some thoughts about finding quality literature regardless of aesthetic tastes. The importance of actively trying to make changes in our system and helping to promote diversity in the band community. The music program at San Jose State University. Trying to be better at asking and answering the "Why? as conductors and teachers, and using comprehensive musicianship through performance. Links: San Jose State University David Vickerman Armando Bayolo Tina Tallon CASMEC Bill Walsh: The Score Takes Care of Itself John David Mann Mozart: Serenade in C minor, K. 388 Bryant: Ecstatic Waters Biography: Dr. David Vickerman, 2015 winner of The American Prize in Conducting, is the new Director of Bands at San José State University.  In addition to conducting the wind ensemble and symphonic band, he teaches undergraduate and graduate instrumental conducting.  Prior to his appointment at San José State University, he was the Director of Bands at The College of New Jersey where he established the Wind Ensemble as a regional model for performance excellence through invitations to the College Band Directors National Association and National Association for Music Education Eastern Division Conferences. Before joining The College of New Jersey, he held the position of Director of Bands on the Johns Hopkins University Homewood Campus where he conducted the Wind Ensemble and directed the Pep Band. In addition to his duties at SJSU, he has served as the Associate Conductor of Great Noise Ensemble, in Washington D.C. and he is a highly sought-after guest conductor having conducted numerous honor bands over the past five years. A fervent advocate for contemporary music, Dr. Vickerman has commissioned works by eminent composers and conducted numerous world premieres with The College of New Jersey Wind Ensemble and Great Noise Ensemble. He has also arranged several pieces for winds including Ára Batur by the Icelandic rock band, Sigur Rós, Observer in the Magellanic Cloud by Mason Bates and Craigslistlieder by Gabriel Kahane. In the fall of 2013, Dr. Vickerman conducted the premiere of the “Sgt. Pepper Project” with Great Noise Ensemble. This concert consisted of thirteen premieres, each based off of a track from the famous Beatles album. For a concert event entitled “Digital Embrace” at the Peabody Institute, he conducted a concert of wind band music that focused on the use of integrated live electronics.  His primary conducting instructors include Dr. Edward C. Harris (Professor Emeritus from San José State University), Dr. Stuart Sims, Robert Ponto and Harlan Parker. Dr. Vickerman regularly presents at regional, national and international conferences on topics ranging from teaching social justice issues in band, to the development of a computer-based conducting analysis system to assist beginning conducting students.  His co-authored paper with Dr. Andrea Salgian, “Computer-Based Tutoring for Conducting Students,” was presented at the International Computer Music Conference in Utrecht, Netherlands in September 2016. He also accepted an invitation to present “Improve Band Performance with Socially-Conscious Repertoire” along with Dr. Colleen Sears, at the National Association for Music Education Eastern Division Conference in 2017.  Along with Dr. Sears, Dr. Vickerman is a founder of the Institute for Social Justice in the Arts and Humanities at TCNJ, which presents concerts, workshops and cross-departmental projects for the community. Dr. Vickerman graduated from the Peabody Institute with a DMA in Wind Conducting in 2014 and a Master’s Degree in Wind Conducting from the University of Oregon in 2010. Prior to his work at the University of Oregon, he taught high school in California for 6 years after receiving a Bachelor of Music Degree in Music Education and teaching credential from California State University Stanislaus in 2002.

Seth Bockley is a playwright and theater director, specializing in literary adaptation, physical and object theater as well as multimedia works. As a director, Seth has led productions throughout the United States and around the world, including Mexico, Colombia, and Ireland. Just a few of the theatres where he has recently directed include The Goodman Theater, Victory Gardens, Redmoon Theater, Foundry Theater, and the Brooklyn Academy of Music. As a playwright, his works include 2666, adapted with Robert Falls from the novel by Roberto Bolaño; which won the 2016 Equity Jeff Award for New Adaptation, Wilderness with En Garde Arts, The Death and Life of Billy The Kid with Cabinet of Curiosity Events, February House, a collaboration with lyricist and composer Gabriel Kahane, and directed by Davis McCallum, which premiered off-Broadway at The Public Theater, Ask Aunt Susan which premiered at The Goodman Theatre, and Jon, an adaptation of a George Saunders short story, which won the 2009 Equity Jeff Citation for Best New Adaptation, Fun facts: Seth once dressed up as a skeleton for the Obamas’ first Halloween party. He made a clown show with a theatre troupe in Mexico that toured a maximum-security prison, and Seth has recently written for A Prairie Home Companion in Saint Paul Minnesota, where he currently lives with his family. Seth shares with Marc about his love for collaboration, his newest projects, his appreciation for many types of Chicago theater, his process for writing literary adaptations, and how he creates theater that is of image, that is poetic, and that is lyrical.

American composer Gabriel Kahane originally wrote The Fiction Issue for a 2012 Carnegie Hall commission. He reached out to his pals in the string quartet, Brooklyn Rider, and My Brightest Diamond's Shara Worden to collaborate. All parties got back together to record The Fiction Issue in 2015, and it's the title track on the Kahane/Brooklyn Rider co-release. Worden and Kahane trade off singing duties on the six-parts that make up The Fiction Issue. What we know for sure is that coffee and donuts play a big role. The rest of the plot is a little ambiguous, but Kahane likes it that way. On this episode of Music is Music: find out why we should try rating music on the Goose Bump Scale. Oh, and you can also listen to the first two parts of The Fiction Issue.

Although a famous name can open some doors, it's not always easy following in the footsteps of a great artist. Many children of great composers and performers have chosen to go a different route altogether, but others have found their own artistic identity. Hosted by Seth Boustead Produced by Jesse McQuarters Sergei Prokofiev: Vision Fugitives Op. 22, No. 18 Sergei Prokofiev, p. Gabriel Prokofiev: Strong Quartet No. 2, II Elysian Quartet Lisa Bielawa: Double Violin Concerto, II. Song Boston Modern Orchestra Project/Gil Rose; Carla Kihlstedt, violin and vocals; Colin Jacobsen, v. Herb Bielawa: “Nightland” fr. Stone Settings Marian Marsh, soprano, Herb Bielawa, piano Gabriel Kahane: The Fiction Issue, Part I Brooklyn Rider; Shara Worden & Gabriel Kahane, vocals Ramon Zupko: Piano Concerto, Windsongs, II Kalamazoo Symphony/Yoshimi Takeda; Abraham Stokman, p. Mischa Zupko: Eclipse Sang Mee Lee, v.; Wendy Warner, vc. Gyorgi Ligeti: Piano Etudes, Book 1 No. 1 Pierre Laurent Aimard, p. Lukas Ligeti: Great Circle's Tune I (excerpt) Lukas Ligeti, percussion and electronic percussion Norman Dello Joio: Capriccio fr. City Profiles Keystone Wind Ensemble/Jack Stamp Justin Dello Joio: The March of Folly, I (excerpt) Ani Kavafian, violin; Carter Brey, cello; Jeremy Denk, p.

Bela Fleck & Abigail Washburn, Kate Miller-Heidke, Janiva Magness, Gabriel Kahane, and Storyman. Episode 831.

YACHT is more than just a band playing music, they're a group sharing ideas. YACHT stands for something: 'Young Americans Challenging High Technology.' YACHT is led by Claire L. Evans and Jona Bechtolt YACHT met maDCap at @Moogfest 2014 in Asheville, North Carolina. YACHT tours starting September 14th in Denver. Visit http://TeamYacht.com for more information. Then, 'Musicial 'Ambassador' Gabriel Kahane visited Jammin Java in Vienna, Virginia, and we sent our multi-talented intern Drew Snadecki to take in the scene. Here, in his inaugural maDCap appearance, we offer the first of 'Drew's Reviews.' There may or may not some delicious easter egg-flavored ear candy at the end of this piece. I'll say no more. @yacht | http://twitter.com/yacht | http://fb.com/yacht | http://instagram.com/teamyacht -- http://madcapdc.org | http://twitter.com/madcapdc | http://fb.com/madcapdc | http://instagram.com/madcapdc -- @gabriel-kahane | http://gabrielkahane.com | http://twitter.com/gabrielkahane | @jamminjava | http://jamminjava.com -- @drew-snadecki

YACHT is more than just a band playing music, they're a group sharing ideas. YACHT stands for something: 'Young Americans Challenging High Technology.' YACHT is led by Claire L. Evans and Jona Bechtolt YACHT met maDCap at @Moogfest 2014 in Asheville, North Carolina. YACHT tours starting September 14th in Denver. Visit http://TeamYacht.com for more information. Then, 'Musicial 'Ambassador' Gabriel Kahane visited Jammin Java in Vienna, Virginia, and we sent our multi-talented intern Drew Snadecki to take in the scene. Here, in his inaugural maDCap appearance, we offer the first of 'Drew's Reviews.' There may or may not some delicious easter egg-flavored ear candy at the end of this piece. I'll say no more. @yacht | http://twitter.com/yacht | http://fb.com/yacht | http://instagram.com/teamyacht -- http://madcapdc.org | http://twitter.com/madcapdc | http://fb.com/madcapdc | http://instagram.com/madcapdc -- @gabriel-kahane | http://gabrielkahane.com | http://twitter.com/gabrielkahane | @jamminjava | http://jamminjava.com -- @drew-snadecki

April 5, 2015. Composer/pianists Gabriel Kahane and Timothy Andres discuss their compositions, performing careers and collaboration at the Library of Congress. Both are leading figures in a new generation of musicians who believe in breaking down barriers between musical genres. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6218