Podcasts about Formalism

On "Formalism in Ethics and Non-Formal Ethics of Values" (1916), Ch. 6 "Formalism and Person," sec. 3, "Person and Act." While you may want to listen to part one, we're more or less starting fresh, as parts one and two (the latter only available to paying supporters at patreon.com/closereadsphilosophy), were mostly about how Scheler rejects Kant's idea of the transcendental ego. We're skipping several pages here to start with section 3 on the recommendation from a member of the International Scheler society, hoping that at least we will find out what makes a person: What makes each of us unique and worthy of moral respect? Read along with us, starting on p. 382 (PDF p. 415). You can choose to watch this on video. Learn more about your ad choices. Visit megaphone.fm/adchoices

Email for info iamthecounsel@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/my-take-on-it-with-your-angelic-karma--2638626/support.

This lecture discusses key ideas from the 20th century German philosopher, sociologist of knowledge, and phenomenologist, Max Scheler's work Ressentiment, which provides an interpretation of Friedrich Nietzsche's concept of that same name. It focuses on on his discussion about how "value blindness" and "value delusion" figure into the dynamic of ressentiment. In the course of this discussion, Scheler references his earlier work Formalism in Ethics and Non-Formal Ethics of Values, where he develops these concepts in relation to hierarchies of values. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Max Scheler's Ressentiment - amzn.to/4f3mv18

We discuss two recently released movie trailers; the upcoming horror movie "Weapons", and the upcoming mixed martial arts biopic "The Smashing Machine". Then, we dissect multiple scenes from the pantheon great film, "The Apartment", from a writing and directing standpoint.Engage!

On Ch. 6 "Formalism and Person," in Max Scheler's most famous work, Formalism in Ethics and Non-Formal Ethics of Values (1916). Ethical Formalism is Kant: What makes something ethically correct is just something about the type of act and willing involved. Non-formalism pays attention to the content, e.g. our sentiments (a la Hume). As we've been studying on The Partially Examined Life, phenomenologists starting with Brentano sought to merge the two: Things in our experience just present themselves as intuitively praiseworthy, and this is sufficient to establish ethical obligations. We have been reading about how Scheler relies in his ethical theorizing on our experiences of sympathy and love, but we wanted to learn more about what it is about particular people that we love and respect: What is it to be a "person" in the moral sense? This book moves very slowly, so in this part he's still just distinguishing himself from Kant when it comes to saying some basic things about your relation to your own selfhood. Read along with us, starting on p. 370 (PDF p. 403). You can choose to watch this on video. To get future parts, subscribe at patreon.com/closereadsphilosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Le Random podcast, host Peter Bauman (Monk Antony), our editor-in-chief, coordinates a discussion on coordination. He is joined by very special guests Mitchell F Chan, Operator's Ania Catherine and Dejha Ti, matto from Material Protocol Arts and maltefr.The conversation explores both the contrasts and connections between these seemingly opposing emerging camps, reaching at the very heart of why artists choose to work on Ethereum—straight from the protocol's leading thinkers and practitioners.

In episode THREE HUNDRED AND TWELVE, Mike, Jason, and Wade discuss the Protestant fear of formalism, or ritualism? Is the fear justified? What exactly in this regard did God warn about in the Bible? What is the place for rituals? Does the liturgy encourage or guard against formalism? The guys discuss all this and more. We hope you enjoy the episode! Show Notes: Support 1517 Podcast Network 1517 Podcasts 1517 on Youtube 1517 Podcast Network on Apple Podcasts 1517 Events Schedule 1517 Academy - Free Theological Education What's New from 1517: Pre-order: Ditching the Checklist by Mark Mattes Broken Bonds: A Novel of the Reformation, Book 1 of 2 by Amy Mantravadi  Bible in One Year with Chad Bird Junk Drawer Jesus By Matt Popovits Take 20% Off Our Lenten Devotionals until March 5th: The Sinner/Saint Lenten Devotional Finding Christ in the Straw: A Forty-Day Devotion on the Epistle of James More from the hosts Michael Berg @ 1517 Wade Johnston @ 1517 Let the Bird Fly! website Thanks for listening! Attributions for Music and Image used in this Episode: “The Last One” by Jahzzar is licensed under an Attribution-ShareAlike 3.0 International License. “Gib laut” by Dirk Becker is licensed under an Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. “Whistling Down the Road” by Silent Partner. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License.

Comics, like cinema, is an eminently modern medium. And as with cinema, looking closely at it can swiftly acquaint us with the profound weirdness of modernity. Do that in the context of a discussion on Charles Burns' comic masterpiece Black Hole, and you're guaranteed a memorable Weird Studies episode. Black Hole was serialized over ten years beginning in 1995, and first released as a single volume by Pantheon Books in 2005. Like all masterpieces, it shines both inside and out: it tells a captivating story, a "weirding" of the teenage romance genre, while also revealing something of the inner workings of comics as such. In this episode, Phil and JF explore the singular wonders of a medium that, thanks to artists like Burns, has rightfully ascended from the trash stratum (https://www.weirdstudies.com/20) to the coveted empyrean of artistic respectability—without losing its edge. BIG NEWS: • If you're planning to be in Bloomington, Indiana on October 9th, 2024, click here (https://cinema.indiana.edu/upcoming-films/screening/2024-fall-wednesday-october-9-700pm) to purchase tickets to IU Cinema's screening of John Carpenter's In the Mouth of Madness, featuring a live Weird Studies recording with JF and Phil. • Go to Weirdosphere (http://www.weirdosphere.org) to sign up for Matt Cardin's upcoming course, MC101: Writing at the Wellspring, starting on 22 October 2024. • Visit https://www.shannontaggart.com/events and follow the links to learn more about Shannon's (online) Fall Symposium at the Last Tuesday Society. Featured speakers include Steven Intermill & Toni Rotonda, Shannon Taggart, JF Martel, Charles and Penelope Emmons, Doug Skinner, Michael W. Homer, Maria Molteni, and Emily Hauver. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Charles Burns, Black Hole (https://bookshop.org/a/18799/9780375714726) Clement Greenberg's concept of “medium specificity” (https://en.wikipedia.org/wiki/Medium_specificity#cite_note-2) Terry Gilliam (dir.), The Fisher King (https://www.imdb.com/title/tt0101889/) Seth (https://drawnandquarterly.com/author/seth/), comic artist Chris Ware, Building Stories (https://bookshop.org/a/18799/9780375424335) “Graphic Novel Forms Today” (https://www.jstor.org/stable/10.1086/677339) in Critical Inquiry Raymond Knapp, The American Musical and the Performance of Personal Identity (https://bookshop.org/a/18799/9780691141053) Vilhelm Hammershoi (https://en.wikipedia.org/wiki/Vilhelm_Hammersh%C3%B8i), Danish painter Ramsey Dukes, Words Made Flesh (https://bookshop.org/a/18799/9780904311112) G. Spencer-Brown, [Laws of Form](https://en.wikipedia.org/wiki/LawsofForm) Dave Hickey, “Formalism” (https://approachestopainting.wordpress.com/wp-content/uploads/2013/01/19135319-hickey-7-formalism-036.pdf) Nelson Goodman, [Languages of Art](https://en.wikipedia.org/wiki/LanguagesofArt) Chrysippus (https://en.wikipedia.org/wiki/Chrysippus), Stoic philosopher Scott McCloud, Understanding Comics (https://bookshop.org/a/18799/9780060976255)

A new track by DJ Habett from the album "PsychoKnots" (2024-07-21). Tags: Electro, Ambient, Laidback, Dark, Chillout, Options, Relief, Departure CC(by). Production notes: Laidback after the storm, possibly, maybe dark. No BPM wanderings, two obvious samples... Easy to EQ, easy to record.

In this computerized age, we tend to see memory as a purely cerebral faculty. To memorize is to store information away in the brain in such a way as to make it retrievable at a later time. But the old expression "knowing by heart" calls us to a stranger, more embodied and mysterious take on memory. In this episode, Phil and JF endeavour to recite two poems they've learned by heart, as a preamble to a discussion on poetry, form, and the magic of memory. Details on Shannon Taggart's Symposium @ Lily Dale (https://www.shannontaggart.com/events/2024) (July 25-28). Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Samuel Taylor Coleridge, “Kubla Khan” (https://www.poetryfoundation.org/poems/43991/kubla-khan) Elizabeth Barrett Browning, “A Musical Instrument” (https://www.poetryfoundation.org/poems/43729/a-musical-instrument) Dave Hickey, “Formalism” (https://approachestopainting.wordpress.com/wp-content/uploads/2013/01/19135319-hickey-7-formalism-036.pdf) from Pirates and Farmers Weird Studies, Episode 109-110 on “The Glass Bead Game” (https://www.weirdstudies.com/109) Samuel Taylor Coleridge, Biographia Literaria (https://www.gutenberg.org/files/6081/6081-h/6081-h.htm) Weird Studies, Episode 42 with Kerry O Brien (https://www.weirdstudies.com/42) Francis Yates, Giordano Bruno and the Hermetic Tradition (https://bookshop.org/a/18799/9780226950075)

A discussion about two important terms

Thank you for listening to The Cluster F Theory. If you don't already subscribe at Substact, please sign up on our page in order to receive an email when new episodes are released. If you enjoy the podcast, please rate it or review it wherever you listen and share it with your friends. Thank you!Anna Kornbluh is a professor of English at the University of Illinois, Chicago, where she founded InterCcECT, the Inter Chicago Circle for Experimental Critical Theory. Her research and teaching interests center on the novel, film and cultural aesthetics in theoretical perspective, including formalist, Marxist and psychoanalytic approaches. She is the author of Immediacy or The Style of Too Late Capitalism; The Order of Forms, Realism, Formalism, and Social Space; Marxist Film Theory and Fight Club; and Realizing Capital, Financial and Psychic Economies in Victorian Form. Her essays have appeared in various publication such as the Los Angeles Review of Books, Diacritics, Public Books and Differences. Anna is also an active community organizer. She's a co-founder of Humanities Works, an initiative to debunk myths about the dire prospects of Humanities graduates, and is an active member of the UIC United Faculty bargaining team. Anna Kornbluh: http://www.annakornbluh.comAnna Kornblum's faculty page: https://engl.uic.edu/profiles/kornbluh-anna/InterCcECT: http://interccect.com/Humanities Works: http://humanitiesworks.org/UIC Faculty: https://uicunitedfaculty.org/---------The Cluster F Theory Podcast is edited by Julian Mayers at Yada Yada.You can also subscribe on Apple Podcasts, Spotify or anywhere else you listen to podcasts. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com

What is the status of art and culture in a world dominated by apps, algorithms, and influencers? Anna Kornbluh's newest book Immediacy, Or the Style of Too Late Capitalism (Verso, 2023) analyzes a swath of cultural forms from auto-fiction to Netflix binges and immersive art installations. For Kornbluh, neoliberalism's economic disintermediation manifests itself in a new dominant cultural style that renounces complex forms of representation, abstraction, and mediation in favor of instantaneity, memoir, and literalism. An ambitious and far-reaching intervention into politics and aesthetics, Immediacy is ultimately an impassioned defense of the power of art to reflect, critique, and transform the world. Anna Kornbluh is Professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of The Order of Forms: Realism, Formalism, and Social Space, and Marxist Film Theory and Fight Club, and Realizing Capital. David Maruzzella is a writer, editor, and translator specializing in philosophy and contemporary art currently based in Chicago. He received his PhD in philosophy from DePaul University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is the status of art and culture in a world dominated by apps, algorithms, and influencers? Anna Kornbluh's newest book Immediacy, Or the Style of Too Late Capitalism (Verso, 2023) analyzes a swath of cultural forms from auto-fiction to Netflix binges and immersive art installations. For Kornbluh, neoliberalism's economic disintermediation manifests itself in a new dominant cultural style that renounces complex forms of representation, abstraction, and mediation in favor of instantaneity, memoir, and literalism. An ambitious and far-reaching intervention into politics and aesthetics, Immediacy is ultimately an impassioned defense of the power of art to reflect, critique, and transform the world. Anna Kornbluh is Professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of The Order of Forms: Realism, Formalism, and Social Space, and Marxist Film Theory and Fight Club, and Realizing Capital. David Maruzzella is a writer, editor, and translator specializing in philosophy and contemporary art currently based in Chicago. He received his PhD in philosophy from DePaul University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is the status of art and culture in a world dominated by apps, algorithms, and influencers? Anna Kornbluh's newest book Immediacy, Or the Style of Too Late Capitalism (Verso, 2023) analyzes a swath of cultural forms from auto-fiction to Netflix binges and immersive art installations. For Kornbluh, neoliberalism's economic disintermediation manifests itself in a new dominant cultural style that renounces complex forms of representation, abstraction, and mediation in favor of instantaneity, memoir, and literalism. An ambitious and far-reaching intervention into politics and aesthetics, Immediacy is ultimately an impassioned defense of the power of art to reflect, critique, and transform the world. Anna Kornbluh is Professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of The Order of Forms: Realism, Formalism, and Social Space, and Marxist Film Theory and Fight Club, and Realizing Capital. David Maruzzella is a writer, editor, and translator specializing in philosophy and contemporary art currently based in Chicago. He received his PhD in philosophy from DePaul University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What is the status of art and culture in a world dominated by apps, algorithms, and influencers? Anna Kornbluh's newest book Immediacy, Or the Style of Too Late Capitalism (Verso, 2023) analyzes a swath of cultural forms from auto-fiction to Netflix binges and immersive art installations. For Kornbluh, neoliberalism's economic disintermediation manifests itself in a new dominant cultural style that renounces complex forms of representation, abstraction, and mediation in favor of instantaneity, memoir, and literalism. An ambitious and far-reaching intervention into politics and aesthetics, Immediacy is ultimately an impassioned defense of the power of art to reflect, critique, and transform the world. Anna Kornbluh is Professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of The Order of Forms: Realism, Formalism, and Social Space, and Marxist Film Theory and Fight Club, and Realizing Capital. David Maruzzella is a writer, editor, and translator specializing in philosophy and contemporary art currently based in Chicago. He received his PhD in philosophy from DePaul University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is the status of art and culture in a world dominated by apps, algorithms, and influencers? Anna Kornbluh's newest book Immediacy, Or the Style of Too Late Capitalism (Verso, 2023) analyzes a swath of cultural forms from auto-fiction to Netflix binges and immersive art installations. For Kornbluh, neoliberalism's economic disintermediation manifests itself in a new dominant cultural style that renounces complex forms of representation, abstraction, and mediation in favor of instantaneity, memoir, and literalism. An ambitious and far-reaching intervention into politics and aesthetics, Immediacy is ultimately an impassioned defense of the power of art to reflect, critique, and transform the world. Anna Kornbluh is Professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of The Order of Forms: Realism, Formalism, and Social Space, and Marxist Film Theory and Fight Club, and Realizing Capital. David Maruzzella is a writer, editor, and translator specializing in philosophy and contemporary art currently based in Chicago. He received his PhD in philosophy from DePaul University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What is the status of art and culture in a world dominated by apps, algorithms, and influencers? Anna Kornbluh's newest book Immediacy, Or the Style of Too Late Capitalism (Verso, 2023) analyzes a swath of cultural forms from auto-fiction to Netflix binges and immersive art installations. For Kornbluh, neoliberalism's economic disintermediation manifests itself in a new dominant cultural style that renounces complex forms of representation, abstraction, and mediation in favor of instantaneity, memoir, and literalism. An ambitious and far-reaching intervention into politics and aesthetics, Immediacy is ultimately an impassioned defense of the power of art to reflect, critique, and transform the world. Anna Kornbluh is Professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of The Order of Forms: Realism, Formalism, and Social Space, and Marxist Film Theory and Fight Club, and Realizing Capital. David Maruzzella is a writer, editor, and translator specializing in philosophy and contemporary art currently based in Chicago. He received his PhD in philosophy from DePaul University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

What is the status of art and culture in a world dominated by apps, algorithms, and influencers? Anna Kornbluh's newest book Immediacy, Or the Style of Too Late Capitalism (Verso, 2023) analyzes a swath of cultural forms from auto-fiction to Netflix binges and immersive art installations. For Kornbluh, neoliberalism's economic disintermediation manifests itself in a new dominant cultural style that renounces complex forms of representation, abstraction, and mediation in favor of instantaneity, memoir, and literalism. An ambitious and far-reaching intervention into politics and aesthetics, Immediacy is ultimately an impassioned defense of the power of art to reflect, critique, and transform the world. Anna Kornbluh is Professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of The Order of Forms: Realism, Formalism, and Social Space, and Marxist Film Theory and Fight Club, and Realizing Capital. David Maruzzella is a writer, editor, and translator specializing in philosophy and contemporary art currently based in Chicago. He received his PhD in philosophy from DePaul University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What is the status of art and culture in a world dominated by apps, algorithms, and influencers? Anna Kornbluh's newest book Immediacy, Or the Style of Too Late Capitalism (Verso, 2023) analyzes a swath of cultural forms from auto-fiction to Netflix binges and immersive art installations. For Kornbluh, neoliberalism's economic disintermediation manifests itself in a new dominant cultural style that renounces complex forms of representation, abstraction, and mediation in favor of instantaneity, memoir, and literalism. An ambitious and far-reaching intervention into politics and aesthetics, Immediacy is ultimately an impassioned defense of the power of art to reflect, critique, and transform the world. Anna Kornbluh is Professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of The Order of Forms: Realism, Formalism, and Social Space, and Marxist Film Theory and Fight Club, and Realizing Capital. David Maruzzella is a writer, editor, and translator specializing in philosophy and contemporary art currently based in Chicago. He received his PhD in philosophy from DePaul University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Michael Edward Johnson is a philosopher, neuroscientist and entrepreneur. He's the author of Principia Qualia and the co-founder of the Qualia Research Institute. He's done pioneering work at the intersection of mathematics and consciousness studies, seeking to systematically map and measure subjective experiences.Resources:* Principles of Vasocomputation: A Unification of Buddhist Phenomenology, Active Inference, and Physical Reflex* Autism as a disorder of dimensionality* Qualia Formalism and a Symmetry Theory of Valence This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit themetagame.substack.com

View this episode on youtube at youtube.com/@drjamestour By juxtaposing Isaiah's messages to Judah and Jerusalem with present-day challenges, Dr. James Tour explores the wisdom of this adept writer and prophet poet. Isaiah unequivocally presents a critique of ritualistic practices, emphasizing the imperative for authentic faith and obedience. If you would like to support us in creating more content across our different media platforms, we would greatly appreciate any support you can give. Visit https://jesusandscience.org/#Support to learn more.

We invite you on an engaging discussion into the world of effective governance! We go deep into the heart of bureaucratic challenges, unravel the knots of red tape and formalism; and explore ways to strike a balance that improves efficiency, accountability, and adaptability. On the show: Heyang, Laiming & Niu Honglin

View this episode on youtube at youtube.com/@drjamestour By juxtaposing Isaiah’s messages to Judah and Jerusalem with present-day challenges, Dr. James Tour explores the wisdom of this adept writer and prophet poet. Isaiah unequivocally presents a critique of ritualistic practices, emphasizing the imperative for authentic faith and obedience. If you would like to support us in […]

Chris Wiley- Artist, New Yorker photography critic, and contributing editor at Frieze - talks about: His fleeing upstate to the Catskills during the pandemic, and what his relative disconnect from the art world and the city has been like since the move (though he still keeps a small apt. in the city); the differences between English and American artists in terms of academia vs. the market; his epic two-part articles on Zombie Formalism, which covered not just the movement as a market phenomenon but also what it's led to, including economic precarity and eventually what Wiley has dubbed ‘debt aesthetics;' the term from the Crypto phenomenon that Wiley applies to many artists of Zombie Formalism, ‘Walk Away Like a Boss,' to describe those who were able to earn a very solid chunk of money over their brief careers, often parking it in real estate for long-term security; how Zombie Formalist paintings were, as he put it, “'fast, fungible and friendly,' just like what currency is;” artists who have the ‘it' factor, an authenticity demonstrating they would be making their art no matter what; the great promise of a Universal Basic Income for artists, particularly in the context of a debt aesthetics that virtually forces artists to compromise their visions instead of getting to be weirdos; his current thoughts on the implications of AI, which he's been interested in for a long time, having a father who was interested in computers and science fiction when he was growing up; how and whether artists will be safe in terms of jobs and sustainability in an A.I.-dominant landscape, and how the art world isn't ready for the kind of speed with which A.I. advances will affect art; the AI-generated photography of Charlie Engman, who has been making a bizarre and prolific body of work using the platform Midjourney, despite being a ‘technophobe,' in his own words; the challenged viability of a career as an editorial photographer with the rise of A.I.; and how his article on A.I. and Charlie's work, in The New Yorker, pissed a LOT of people off, and why.

In this episode, we examine the formalist aspects of the linguistic work of Edward Sapir and Leonard Bloomfield, and see how their methods were turned into the doctrines of distributionalism by the following generation. Download | Spotify | Apple Podcasts…Read more ›

Covering Part 5 of Alain Badiou's Being and Event on “Breaking the Law,” Alex and Andrew discuss intervention and fidelity through subtraction and deduction. Guest Anna Kornbluh discusses mathematical formalism, the spontaneity of vitalism, and Marxist humanism. Kornbluh is a Professor of English at the University of Illinois at Chicago. She is author, most recently, of The Order of Forms: Realism, Formalism, and Social Space (2019) and is working on a new book that deals with immediacy and mediation.   Concepts related to Breaking the Law Digital Philosophy, States and Subjects, Being, Events, Randomness, Badiou's books Manifesto for Philosophy, Second Manifesto for Philosophy, Number and Numbers, Conditions, Concepts of Undecidability, a Subtractive Definition of Intervention, Seven Features of the Event (A-G), Critique of Speculative Leftism, ZFC's Axiom of Choice as Fidelity to the Event, Fidelity, Theory of Points, Deduction.   Interview with Anna Kornbluh Form and Formalism, Formlessness, Mathematical Formalism, Marx and Marxism, Foucault and Anarcho-Vitalism, Marxist Humanism, Spinoza and Badiou's Anti-Party, Hunger for the Signifier, Jacques Lacan, Democratic Neoliberalism.   Links Kornbluh homepage, http://www.annakornbluh.com/ Kornbluh profile, https://engl.uic.edu/profiles/kornbluh-anna/ Kornbluh, The Order of Forms: Realism, Formalism, and Social Space, https://press.uchicago.edu/ucp/books/book/chicago/O/bo44521006.html Kornbluh, Realizing Capital: Financial and Psychic Economies in Victorian Form, https://www.fordhampress.com/9780823280384/realizing-capital/

David Albert is the Frederick E. Woodbridge Professor of Philosophy at Columbia University, where he directs the Philosophical Foundations of Physics program. Tim Maudlin is Professor of Philosophy at NYU. Both David and Tim are renowned as leading philosophers of physics, though their work extends beyond that to the philosophy of science and metaphysics. David is a prior guest (episodes 23 and 30) of Robinson's Podcast, as is Tim (episode 46). David, Tim, and Robinson discuss the foundations of quantum theory, beginning with its historical motivation, tracking through some important concepts—superposition and the measurement problem—and then exploring some of its philosophical aspects (such as determinism, realism, the potential for backward causation, and more). Robinson's Website: http://robinsonerhardt.com OUTLINE: 00:00 In This Episode… 00:17 Introduction 2:51 What Motivated the Development of Quantum Theory? 7:05 Superposition and the Measurement Problem 31:42 John Bell's Theory of Local Beables 44:30 Formalism and Interpretation in Quantum Theory 51:52 The Einstein-Podoksky-Rosen Argument 58:26 On “Interpretations” of Quantum Theory 1:11:17 The Ghirardi-Rimini-Weber Theory of Spontaneous Collapse 1:16:19 The Many Worlds Theory 1:30:46 Determinism 1:46:29 Quantum Mechanics and Quantum Field Theory 1:48:28 Realism 1:52:15 Monism and Entanglement 1:58:19 Backward Causation 2:04:32 An Experiment to Further Foundations Robinson Erhardt researches symbolic logic and the foundations of mathematics at Stanford University. Join him in conversations with philosophers, scientists, weightlifters, artists, and everyone in-between. --- Support this podcast: https://podcasters.spotify.com/pod/show/robinson-erhardt/support

Like many of you I have been following Timothy's career for many years, getting lost in his beautiful impossible worlds. I'm naturally fascinated by good draftsmanship, but Tim's paintings go beyond that.   Apart from the privilege of peeking into his studio, filled with sketches, artworks and painting supplies, I feel grateful for his insights about inspiration and the way we look at things. Observing his work you can really see how his 35 years of tattooing translate on paper his surrealistic vision, suggesting rather than stating, making him an absolute reference in the field.    You can find Tim on Instagram and on his webshop Three Hours Past Midnight   Follow the updates on the podcast on Instagram   Learn more about Stef's Mentor Program and Webinars here

This week on the podcast I had a wonderful conversation with Valda Bailey. Valda is a UK photographer specializing in intentional camera movement (ICM) and multiple exposure work, which she often combines as part of her workflow. It was great to hear about her creative process and techniques, which we covered extensively in this episode of the F-Stop Collaborate and Listen podcast! On this week's episode, we discuss: Valda's journey as a photographer and why she has gravitated towards ICM and double/multiple exposure image-making, The role of abstraction in her photography, Lots of practical advice on the techniques of ICM and multiple exposure, including equipment choice, How to choose what to include and exclude in this type of work, Conceptually-driven work, Formalism in photographic art, And a lot more! Other topics/links discussed on the podcast this week: My article on NPN about Nature Photography as Art. Valda's Book, "We May as Well Dance." Join me over on Nature Photographer's Network. Support the podcast on Patreon. Here is who Valda recommended on the podcast this week: Doug Chinnery. Chris Friel. Graham Cooke. If you enjoyed our conversation this week, you can listen to our bonus episode over Patreon on where we discuss conceptually-based workshop learning vs. location-based workshop learning. I love hearing from the podcast listeners! Reach out to me via Instagram, Facebook, or Twitter if you'd like to be on the podcast or if you have an idea of a topic we can talk about. We also have an Instagram page, a Facebook Page, and a Facebook Group - so don't be shy! Did you also know we have listener after-parties on Twitter Spaces? This is a great opportunity to interact with other listeners, guests, and the host (when I can) regarding your thoughts on the episode. We also have a searchable transcript of every episode! Thanks for stopping in, collaborating with us, and listening. See you next week. P.S. you can also support the podcast by purchasing items through our B+H affiliate link. Visit our show notes to see Valda's work!

We don't want to get wrapped up in forms and structure without the power of God at work in them. It is the power of Christ that we want you to experience today.

Here Paul describes a form of godliness without the power of Christ. We need structure, but if that's all there is, we're missing the main point, which is Christ and his power. We want you to have him and that power at work in your life.

Anna Kornbluh talks about presentism, the anachronistic historical practice of studying the past with contemporary frames of understanding. While some orthodoxies might consider it to be tantamount to historical heresy, presentism can be a powerful tool in building histories of anti-establishment struggles, such as women's and workers' rights movements. The conversation also focuses on the work of the V21 Collective, a research collective that Anna organizes, which applies presentist methods to Victorianist scholarship. Anna Kornbluh is Professor of English and Director of Graduate Studies at University of Illinois, Chicago. Her research and teaching focus on the novel, film, and critical theory, especially marxism, psychoanalysis, structuralism, and formalism. She is the author of The Order of Forms: Realism, Formalism, and Social Space (University of Chicago 2019), Marxist Film Theory and Fight Club (Bloomsbury “Film Theory in Practice” series, 2019), and Realizing Capital: Financial and Psychic Economies in Victorian Form (Fordham UP 2014). Her current research concerns impersonality, objectivity, mediation, and abstraction as residual faculties of the literary in privatized urgent times. She is the founding facilitator of two scholarly cooperatives: V21 Collective and InterCcECT. Image: © 2022 Saronik Bosu Music used in promotional material: ‘Past has not Passed' by James Blackshaw. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Anna Kornbluh talks about presentism, the anachronistic historical practice of studying the past with contemporary frames of understanding. While some orthodoxies might consider it to be tantamount to historical heresy, presentism can be a powerful tool in building histories of anti-establishment struggles, such as women's and workers' rights movements. The conversation also focuses on the work of the V21 Collective, a research collective that Anna organizes, which applies presentist methods to Victorianist scholarship. Anna Kornbluh is Professor of English and Director of Graduate Studies at University of Illinois, Chicago. Her research and teaching focus on the novel, film, and critical theory, especially marxism, psychoanalysis, structuralism, and formalism. She is the author of The Order of Forms: Realism, Formalism, and Social Space (University of Chicago 2019), Marxist Film Theory and Fight Club (Bloomsbury “Film Theory in Practice” series, 2019), and Realizing Capital: Financial and Psychic Economies in Victorian Form (Fordham UP 2014). Her current research concerns impersonality, objectivity, mediation, and abstraction as residual faculties of the literary in privatized urgent times. She is the founding facilitator of two scholarly cooperatives: V21 Collective and InterCcECT. Image: © 2022 Saronik Bosu Music used in promotional material: ‘Past has not Passed' by James Blackshaw. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Anna Kornbluh talks about presentism, the anachronistic historical practice of studying the past with contemporary frames of understanding. While some orthodoxies might consider it to be tantamount to historical heresy, presentism can be a powerful tool in building histories of anti-establishment struggles, such as women's and workers' rights movements. The conversation also focuses on the work of the V21 Collective, a research collective that Anna organizes, which applies presentist methods to Victorianist scholarship. Anna Kornbluh is Professor of English and Director of Graduate Studies at University of Illinois, Chicago. Her research and teaching focus on the novel, film, and critical theory, especially marxism, psychoanalysis, structuralism, and formalism. She is the author of The Order of Forms: Realism, Formalism, and Social Space (University of Chicago 2019), Marxist Film Theory and Fight Club (Bloomsbury “Film Theory in Practice” series, 2019), and Realizing Capital: Financial and Psychic Economies in Victorian Form (Fordham UP 2014). Her current research concerns impersonality, objectivity, mediation, and abstraction as residual faculties of the literary in privatized urgent times. She is the founding facilitator of two scholarly cooperatives: V21 Collective and InterCcECT. Image: © 2022 Saronik Bosu Music used in promotional material: ‘Past has not Passed' by James Blackshaw. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fredric Jameson is one of the most important Marxist literary critics. We are joined by Anna Kornbluh to discuss his theory of postmodernism and particularly his work on psychoanalysis and Marxism. We analyze Jameson's incredible essay "Pleasure: A Political Issue" which looks at the relationship between psychoanalysis and Marxism. This conversation gets at the heart of the Marxism-psychoanalysis relationship, what the stakes are, what psychoanalysis offers to Marxist analysis and more. Anna Kornbluh's research and teaching interests center on Victorian literature and Critical Theory, with a special emphasis in formalism, Marxism, psychoanalysis, and theory of the novel. She is the author of The Order of Forms: Realism, Formalism, and Social Space (University of Chicago 2019), Marxist Film Theory and Fight Club (Bloomsbury "Film Theory in Practice” series, 2019), and Realizing Capital: Financial and Psychic Economies in Victorian Form (Fordham UP 2014).

Movies inform much of culture, why shouldn't they inform our games? How do we use the Kuleshov effect, Formalism, and mise-en-scène at our tables? Yui joins to talk movie terms, ideas, and inspirations that we can use in our Mage games. Show Notes Comrade Yui on Letterboxd Comrade Yui on Twitter Movies mentioned! What Dreams May Come Assault on Precinct 13 Constantine Patlabor 2: The Movie The Art of Self Defense Army of Shadows Zu Warriors from the Magic Mountain No Country for Old Men Indiana Jones and the Raiders of the Lost Ark I Heart Huckabees The Last of the Mohicans Stranger than Fiction Grosse Point Blank --- Send in a voice message: https://anchor.fm/mage-the-podcast/message

Jamie Powell was born in Fairmont, West Virginia 30 miles south of the Mason Dixon Line to a family of farmers and factory workers. Her Appalachian roots encouraged a culture of reuse, repurposing, patching and stitching. She has an interest in exploring the boundaries of what paintings can be through a highly experimental process of dying, braiding, weaving, stitching and staining raw canvas.    Intimate feminine domestic gestures become grand moments in her paintings. Oversized and out of control bows pull away from the stretcher.... the braided canvas falls to the floor. These paintings become physical three-dimensional objects. The scale references the body, the size of a head, the torso, or outstretched arms. Influences range from Robert Rauschenberg to Jessica Stockholder, from Arte Povera to Pattern and Decoration movements, from Formalism to Feminism.    She has exhibited extensively over the last twelve years including: Soil Gallery in Seattle, David & Schweitzer and Fresh Window in Brooklyn, Freight + Volume and Morgan Lehman in New York. She has received grants from the Geraldine R. Dodge Foundation, Vermont Studio Center and Pratt Institute. She is a faculty member at Pratt Institute and a Teaching Artist for the Studio in a School Foundation as well as co-teaches the Lincoln Center Summer Intensive Boot Camp.    In this most recent body of work Jamie has returned to her rural roots exploring landscape with a deepening dive into spirituality, where she is mining the personal while surfing the ethereal.     Currently, she lives and works in Queens, New York.        LINKS:  jamielpowell.com www.instagram.com/jamielinnpowell Shout Outs:  Artist: Laura Mosquera: https://lauramosquera.com/home.html Artist: Barbara Friedman: https://barbarafriedmanpaintings.com/ Artist/Gallerist: Julie Torres: https://artspiel.org/artists-on-coping-julie-torres-labspace/ http://labspaceart.blogspot.com/   I Like Your Work Links:   Exhibitions Studio Visit Artists I Like Your Work Podcast Instagram Submit Work Observations on Applying to Juried Shows Studio Planner

In this episode I coverWhat does it mean to say Justice requires the proper mix of law and equity?Let me tell you about my friend @TheOGPianoGeekWhat do Thomas Jefferson and Alexander Hamilton have to do with equity?What's at stake in the battle between traditional judicial process and critical process?What branch of government best expresses the will of the people?Is legal formalism purely logical and devoid of judicial “policy making?Has Congress failed people of color and other traditionally marginalized groups?What is the difference between Critical Race Theory and Critical Process?Why do I liken the asymmetrical model of critical process to a poker chip? --- Support this podcast: https://anchor.fm/searchingforpoliticaliden/support