Podcasts about Brentano

On Ch. 6 "Formalism and Person," in Max Scheler's most famous work, Formalism in Ethics and Non-Formal Ethics of Values (1916). Ethical Formalism is Kant: What makes something ethically correct is just something about the type of act and willing involved. Non-formalism pays attention to the content, e.g. our sentiments (a la Hume). As we've been studying on The Partially Examined Life, phenomenologists starting with Brentano sought to merge the two: Things in our experience just present themselves as intuitively praiseworthy, and this is sufficient to establish ethical obligations. We have been reading about how Scheler relies in his ethical theorizing on our experiences of sympathy and love, but we wanted to learn more about what it is about particular people that we love and respect: What is it to be a "person" in the moral sense? This book moves very slowly, so in this part he's still just distinguishing himself from Kant when it comes to saying some basic things about your relation to your own selfhood. Read along with us, starting on p. 370 (PDF p. 403). You can choose to watch this on video. To get future parts, subscribe at patreon.com/closereadsphilosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Continuing on "The Origin of the Knowledge of Right and Wrong" (1889), getting into how we measure the comparative value of things. While Brentano does observe actual practices in these areas, his phenomenology detects moral facts that can be used to cast judgments of people's actual practices, saving him from relativism. Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion. Sponsor: Learn about St. John's College at sjc.edu/pel.

On "The Origin of the Knowledge of Right and Wrong" (1889). What justifies basic moral facts? Brentano claims that right there in our experience, we can rationally sense with complete certainty that certain kinds of preferences are good ones, and others are not. This take on intuitionism is a response to Kant that (like Kant) cuts between the traditional epistemic categories of rationalism and empiricism, and Brentano's descriptive psychology kicked off the whole project of phenomenology. Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion. Sponsors: Get a $1/month e-commerce trial at shopify.com/pel. Learn about African history at historyofafricapodcast.podbean.com.

#ItalianSecrets #elkeheselmeyer #DNEWS24 #KonradAdenauer #Cadenabbia #VillaLaColina #ComerSee #PizzaMargherita Wie begann sie eigentlich, diese Liebe der Deutschen zu Bella Italia?In den 1950er Jahren entdeckte der damalige Bundeskanzler Konrad Adenauer das malerische Örtchen Cadenabbia am Comer See als seinen bevorzugten Urlaubsort. Auf Empfehlung seines Außenministers Heinrich von Brentano besuchte Adenauer 1957 erstmals die Region und residierte zunächst in verschiedenen Villen, bevor er ab 1959 regelmäßig die Villa La Collina bewohnte. Bis 1966 verbrachte er dort insgesamt 18 Aufenthalte, nutzte die idyllische Umgebung sowohl zur Erholung als auch für politische Gespräche und strategische Überlegungen.

Pet Sys Pet: uma plataforma que aproxima serviços dos tutores de pets.

Pet Sys Pet: uma plataforma que aproxima serviços dos tutores de pets.

Gelesen von Werner Seuken

Inside the Music dives into Ludwig van Beethoven's late piano and string quartet works with live CRC performances by pianist Paul Lewis and the Brentano and Emerson quartets.Sonata in A-flat Major, Op. 110Moderato cantabile molto espressivoAllegro moltoPaul Lewis [3/22/2015 performance]Quartet in E-flat Major, Op. 127AllegroBrentano Quartet [1/24/2010 performance]Bagatelles, Op. 126Andante con moto, cantabile e compiacevoleAllegroAndante, cantabile e graziosoPaul Lewis [11/12/2007 performance]Quartet in A Minor, Op. 132Heiliger Dankgesang eines Genesenen an die Gottheit, in der Lydischen Tonart: Adagio—AndanteEmerson Quartet [5/10/2007 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Als Jugendliche bekam Sibylla Vričić Hausmann einen Band mit Gedichten berühmter Frauen geschenkt. Diese starken Stimmen haben sie inspiriert – und bestärken sie bis heute, ihren Weg als Lyrikerin zu gehen. Für ihren Gedichtband „Meine Faust“ wurde sie nun mit dem Clemens Brentano-Preis 2024 der Stadt Heidelberg ausgezeichnet.

Join Pacific Mammal Research (PacMam) scientists to learn about different marine mammals each episode! We discuss a little about the biology, behavior and fun facts about each species. Have fun and learn about marine mammals with PacMam! www.pacmam.org This week: Pygmy Sperm Whale Presenters: Cindy Elliser, Katrina MacIver Music by Josh Burns Sources: https://www.fisheries.noaa.gov/species/pygmy-sperm-whale https://us.whales.org/whales-dolphins/species-guide/pygmy-sperm-whale/ https://www.acsonline.org/pygmy-sperm-whalehttps://australian.museum/learn/animals/mammals/pygmy-sperm-whale/ https://www.aquariumofpacific.org/onlinelearningcenter/species/pygmy_sperm_whale New Research • Benites-Palomino et al 2019 New bulky faced pygmy sperm whale from the late Miocene of Peru https://www.tandfonline.com/doi/abs/10.1080/02724634.2019.1728538 • Song et al 2017: Influence of air-filled structures on wave propagation and beam formation https://pubs.aip.org/asa/jasa/article-abstract/142/4/2443/853827/The-influence-of-air-filled-structures-on-wave?redirectedFrom=fulltext • Staudinger et al 2013 – Foraging ecology and niche overlap in pygmy and dwarf in US mid-Atlantic coast https://onlinelibrary.wiley.com/doi/abs/10.1111/mms.12064 • Brentano and Petry 2020 – Marine debris ingestion and human impacts in Brazil https://www.sciencedirect.com/science/article/abs/pii/S0025326X1930743X • Erwin et al 2017 – High diversity and unique composition of gut microbiomes https://www.nature.com/articles/s41598-017-07425-z

Nach der Zustimmung zum Grundgesetz am 8. Mai 1949 stimmt der Parlamentarische Rat zwei Tage später in seiner 11. Sitzung noch über die Hauptstadtfrage ab – über den, wie es hieß, "vorläufigen Sitz der Bundesorgane". Zur Abstimmung stehen Frankfurt am Main und Bonn. Frankfurt hatte sich gute Chancen ausgerechnet und schon einen Plenarsaal bauen lassen. Auch die SPD war für Frankfurt sowie einige CDU-Delegierte. Konrad Adenauer gelang es jedoch, die CDU zu einen und so eine Mehrheit für Bonn zu erreichen. Bevor es zur Abstimmung kommt, kommt es noch mal zu einer Diskussion. Die SPD möchte eine geheime Abstimmung und setzt sich damit durch. Der FDP-Politiker Hermann Schäfer erläutert aus seiner Sicht, worum es geht: Nicht um ein politisches Signal, nicht darum, einer Stadt oder einem Land eine Auszeichnung zu verleihen. Sondern wer Hauptstadt wird, habe auch entsprechende Verpflichtungen. Die Sitzung wird live im Rundfunk übertragen. Chronologie: (01:05) Hans Jesse: Einleitender Bericht vor dem Beginn der Plenarsitzung (03:50) Konrad Adenauer, Präsident des Parlamentarischen Rates, eröffnet die Sitzung (04:15) Bezugnehmend auf die Wahl des vorläufigen Sitzes der Bundesorgane beantragt Otto Greve (SPD) die Änderung der Geschäftsordnung mit dem Wortlaut "Geheime Abstimmung kann bis zur Eröffnung der Abstimmung beschlossen werden, wenn sie von zehn Mitgliedern beantrag wird." Begründung des Antrags. (05:15) Max Reimann (KPD) erhebt Einspruch gegen den Antrag von der SPD-Fraktion. Begründung. "Ich bin der Auffassung, dass jeder Abgeordnete frei hier vor der Öffentlichkeit zeigen soll, wie er steht." (06:15) Konrad Adenauer führt die Abstimmung über den Antrag der SPD durch. Der Antrag wird angenommen. Durchführung der Abstimmung über das Wahlgesetz zum Ersten Bundestag. Reporterbericht während der Abstimmung. Ankündigung des Tagesordnungspunktes 3: Wahl des vorläufigen Sitzes der Bundesorgane. (07:30) Hermann Schäfer (FDP), Berichterstattung des Ausschusses zur Wahl der Bundeshauptstadt: Die Frage nach dem Sitz der Bundesorgane sollte nicht überbewertet werden. Der Ausschuss hat die Aufgabe unter reinen Nützlichkeits- und Zweckmäßigkeitsgesichtspunkten betrachtet und nicht unter politischen. Der Ausschuss unterbreitet zwei Vorschläge für die Wahl des vorläufigen Bundessitzes: Bonn oder Frankfurt (12:50) Heinrich von Brentano stellt den Antrag, über einen Antrag von Heinz Renner (KPD, MdPR) nicht abzustimmen. Kritik an der Kommunistischen Fraktion (13:50) Konrad Adenauer ruft den protestierenden Abgeordneten Heinz Renner zur Ordnung: "Ich bitte Sie jetzt, sich der Ordnung des Hauses zu fügen. Sie haben eben genau die Ordnungsrufe dosiert. Der dritte ist fällig." Abstimmung über den Antrag von Heinrich von Brentano; Annahme. Übergang zur Geschäftsordnung; Beschreibung des Vorganges der geheimen Abstimmung (16:40) Reporterbericht während der Zettelabgabe (20:20) Auszählung der Stimmzettel (25:35) Konrad Adenauer: "Ich bitte die Zuhörer, jedes Zeichen des Missfallens und des Beifalls zu unterlassen. Das Ergebnis der Abstimmung ist folgendes: Es waren abgegeben 63 Stimmzettel. Davon war einer unbeschrieben, also ungültig, sodass 62 gültige Stimmzettel abgegeben waren. Die absolute Mehrheit beträgt demnach 32. Es haben erhalten: Bonn 33, Frankfurt 29. (26:15) Lebhafter Beifall; Glocke des Präsidenten.

Viaje comigo em AGOSTO: https://lp.sedaintercambios.com.br/carina-fragozo O que acontece com o cérebro bilíngue? As crianças se confundem? Há atraso de fala? O que é ser bilíngue? As escolas bilíngues são recomendáveis para todos? Tudo isso é muito mais neste episódio do Speaking in Brazil com Luciana Brentano, PhD no assunto. Check it out!

Inside The Music explores works of composers Joseph Haydn and Ludwig van Beethoven following the connection between the two. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores the path from Haydn to Beethoven through live CRC performances by the Jupiter and Brentano quartets featuring an interview with Misha Amory, violist of the Brentano Quartet.Haydn: String Quartet in F Major, Op. 77, No. 2Allegro moderatoAndanteJupiter Quartet [10/2/2008]Beethoven: String Quartet in F Major, Op. 18, No. 1Allegro con brioAdagio affettuoso ed appassionatoBrentano Quartet [1/24/2010]Featuring an interview with Misha Amory, violist of the Brentano QuartetDive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Quel rapport unit ces compositeurs œuvrant à Vienne au même moment mais qu'une génération sépare ? En se penchant sur quelques œuvres, on en apprend davantage sur leur admiration réciproque et leur influence.

25-year-old Dorothy Arnold was the heiress of perfume importer Francis Arnold. Dorothy got a great education and graduated from the prestigious Bryn Mawr College for women, where she majored in literature. Life was going great for the young woman. That is, until the day she mysteriously disappeared on December 12, 1910… TIMESTAMPS Dorothy leaves her room 0:54 Dorothy leaves the family's home 1:33 Dorothy goes to Brentano's bookstore 2:33 Dorothy waves a farewell to Gladys and heads home 2:58 Her father was afraid of damaging his business reputation 3:50 They interviewed Dorothy's friends, acquaintances, and shop assistants 4:48 Detectives checked passenger lists of all the ships 5:20 Francis Arnold finally gave in 7:50 SUMMARY - Dorothy leaves her room and goes downstairs. She meets her mom in the main hall and tells her she's going shopping to buy a new dress for her 19-year-old sister Marjorie's debutante party. - Dorothy leaves the family's home in the posh Upper East Side of Manhattan. She takes $25 with her, or about $700 by today's rates. - On 27th Street, Dorothy goes to Brentano's bookstore where she buys a collection of funny stories and essays. Upon leaving the shop, she bumps into her friend Gladys King. - Dorothy waves a farewell to Gladys and heads home. She decides to go through Central Park on her way. At least that's what she tells her friend. - In the evening of December 12, Dorothy still hadn't arrived home. But there wasn't any immediate cause for alarm. - They suspected that someone could've abducted his daughter to demand a ransom from the well-off family. He didn't want to make things more complicated by giving publicity to this story. - He also searched the girl's room and found only one strange thing. There were burnt sheets of paper in the fireplace. He couldn't make out the text, but there were some flyers of ships carrying passengers from the US to Europe. - Six weeks after his daughter's disappearance, Francis Arnold finally gave in. He invited journalists for a press conference and assumed that she'd been attacked while on her way home through Central Park. - There's also the theory that she simply ran away. It was known that she'd been feeling particularly down about the magazine refusals. In fact, it's believed that the burnt papers in the fireplace that had been found in the early days of the investigation were letters of refusal. #dorothyarnold #mystery #brightside Music by Epidemic Sound https://www.epidemicsound.com/ Subscribe to Bright Side : https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook:   / brightside   Instagram:   / brightgram   5-Minute Crafts Youtube: https://www.goo.gl/8JVmuC Stock materials (photos, footages and other): https://www.depositphotos.com https://www.shutterstock.com https://www.eastnews.ru ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me/ Learn more about your ad choices. Visit megaphone.fm/adchoices

We have reached the end of 2023, celebrating another stellar season for the Outdoor Adventure Series Podcast.It's a pleasure to close out Season 5 by collaborating with Rick Saez, the Host of the award-winning The Outdoor Biz Podcast. Rick and I will be exchanging two episodes of each others' show. The first will drop the day after Christmas, and the second will drop the day after New Year.While 2023 has not been without its moments, we hope you end the year with your spirits lifted and are ready to take on whatever 2024 has in store.EPISODEEpisode 5053 - Rick interviews Elisabeth Brentano - The Power of Purposeful Projects: Elisabeth Brentano on Conservation and Adventure Travel.LEARN MOREFollow up with Elisabeth by Email or on her website at elisabethbrentano.com.NEXT STEPSIf you enjoy podcasts devoted to the outdoor adventure space, find us online at https://outdooradventureseries.com. We welcome likes and comments, and if you know someone who is also an outdoor enthusiast, go ahead and share our site with them, too.KEYWORDSRick Saez, The Outdoor Biz Podcast, Elisabeth Brentano, Howard Fox, Outdoor Adventure Series, Podcast Interview, OWAA#TheOutdoorBizPodcast #ElisabethBrentano #OutdoorAdventureSeries #PodcastInterview #OWAAPodcast produced using DescriptPodcast hosted by BuzzsproutShow Notes powered by CastmagicWebsite powered by PodpageNote: As an Amazon Associate, I earn from qualifying purchases.

Hey everyone, welcome back to the Outdoor Biz Podcast and Episode 408 with Elisabeth Brentano, brought to you this week by Four Wheel Campers. Elisabeth is a writer, photographer, and producer based in Southern California. Her wanderlust has taken her worldwide to capture travel and environmental stories. And as much as she loves shooting natural wonders in far-flung places, these days, she prefers road-tripping through the last remaining patches of the Wild West.   Her love for travel and nature shines through in her work for tourism bureaus, environmental nonprofits, and publishers, and she's also worked with global brands like Adobe, Marriott, and Samsung. Her goal is to push her clients to invest in more purposeful projects, and she is always looking for ways to incorporate sustainability and conservation practices into her commercial work. Brought to you this week by Four Wheel Campers You're also invited to the Four Wheel Campers Open House! November 4th! Climb into over 15 different camper models, get all of your camper questions answered, and see why FWC is such a favorite for so many outdoor enthusiasts! Here's a link register: FWC Factory Fall Open House Event — (Rain or Shine) - Four Wheel Campers Facebook​ ​Twitter​ ​Instagram​ Love the show? Subscribe, ​rate, review, and share!​ Sign up for my Newsletter ​HERE​. I'd love to hear your feedback about the show! You can contact me here: email: ​rick@theoutdoorbizpodcast.com​ Show Notes [00:00:40] Elizabeth Brentano: Writer, photographer, producer, sustainability advocate. [00:05:23] Switching from TV to blogging for success. [00:06:37] Betrayed by boss, but blessing in disguise. [00:12:12] Kind people went crazy, air travel changed. [00:14:56] Tourism industry embraces responsible recreation, non-profits. [00:16:48] Pitched project to gear company, discussed ROI. [00:22:26] Asked to join ambassador team, enthusiastic partnership. [00:25:02] Organizing media for promotional events, documenting with photos, blogs, and sharing. [00:26:43] Dan and Melanie help organize events together. [00:30:20] Improving outdoor experience with customizable truck campers. [00:33:11] Installing wildlife-friendly fencing, removing barbed wire fencing for Pronghorn and deer safety. Possible additional fire pits and previous erosion control and trash pickup efforts. March deadline. [00:37:15] Budget-friendly water filter for backpackers, highly recommended. [00:40:54] Consider impact; support brands doing real work. Follow up with Elisabeth: Email  Website    

Fala, agronautas!! Atenção para o alerta de conteúdo altamente técnico! Se você trabalha com algodão, seja na produção direta ou na cadeia, saber sobre qualidade de fibra e classificação é primordial! Mas se você é apenas um(a) curioso(a), chega mais para entender o quanto de conhecimento está envolvido em uma simples camiseta de algodão que chega até você! E para falar sobre isso, ninguém melhor que Sérgio Brentano, gerente geral do laboratório de análise de fibra de algodão da Associação Baiana dos Produtores de Algodão! Falamos desde equipamentos até a classificação e comercialização da pluma! Passamos pelos parâmetros de qualidade e como o manejo influencia em cada um deles! E é claro que não deixamos de lado o que a tecnologia e o futuro desenham para esse setor! Vem conferir e contribua com a campanha: Escancaragro com 1000 inscritos no YouTube ainda em 2023 e se inscreva agora!!

Dr. Brian Becker of Singularity As Sublimity visits the channel to talk about intentionality in Brentano, Freud, Husserl, Heidegger, and Lacan. What is it, why does it matter, and how does it impact these different thinkers? What does each of them do differently with the concept? Find out all this and more!If you get a lot out of this, then you might be interested in the Being and Time course beginning this June. Enroll today: https://theory-underground.com/courses/B&T/Subscribe to Brian Becker's channel here: https://www.youtube.com/@UCaPoOtj4zgZtWC5HunMQEnAABOUT / CREDITS / LINKSIf you want to better understand yourself and the world by asking the hardest questions, wrestling with the most complex problems, and reading the greatest thinkers in the history of philosophy and theory, then welcome. Theory Underground is for and by working class intellectuals, renegade PMCs, and adults who don't belong or see a future in anything on offer. Buy us some food or coffee:https://www.venmo.com/u/Theorypleebhttps://paypal.me/theorypleebOr become a monthly subscriber at https://theory-underground.com/donate/ Interested in getting involved? Join the Theory Underground open forum today. Most of the forums are closed until certain readings or courses have been completed, but this is the one that is open! Welcome. https://theory-underground.com/forums/forum/MAIN Help beta trial this at https://theory-underground.com/ Check out the courses, patron tiers and books, as well as events listed at these links: https://theory-underground.com/support https://theory-underground.com/eventsFollow Theory Underground on Duolingo: https://invite.duolingo.com/BDHTZTB5CWWKTP747NSNMAOYEISee Theory Underground memes here: https://www.instagram.com/theory_underground/ https://tiktok.com/@theory_underground Missed a course at Theory Underground? Wrong! Courses at Theory Underground are available after the fact on demand.https://theory-underground.com/coursesDave's first book, Waypoint, is available for free at Theory Underground in blog and audio formats. https://theory-underground.com/waypoint/ ^There you can also purchase the text for significantly cheaper than it is on Amazon.MUSIC CREDITS Logo sequence music by https://olliebeanz.com/music https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode Song: Bust Down Artist: 808 DEATH CLUB License: Creative Commons Attribution 3.0 - http://bit.ly/RFP_CClicense Also used in many videos:

Die Schweizer Autorin Yael Inokai erhält den mit 10.000 Euro dotierten Clemens-Brentano-Preis für ihren Roman „Ein simpler Eingriff“. Darin erzählt sie die Geschichte zweier Krankenschwestern, die sich gegen unheimliche Gehirnoperationen wehren. Das Buch wurde unter anderem wegen seiner präzisen Sprache und einer aufscheinenden Utopie ausgezeichnet.

Se você está buscando conhecimento para construir uma carreira sólida mesmo diante de grandes desafios, este episódio é pra você, hoje a Patricia Brentano, gerente comercial de um dos maiores portos do Brasil veio contar um pouco sobre sua carreira. Conhecida por sua paixão pela logística portuária, Patricia superou alguns desafios, e conseguiu equilibrar sua vida pessoal e profissional, mãe de três filhos ela encontrou o caminho para construir uma carreira sólida e de sucesso. #CarreiraDeSucesso #Inspiração #engenharia --- Send in a voice message: https://podcasters.spotify.com/pod/show/r-dal-molin/message

Am 08. September 1955 geht die Reise los: Kanzler Adenauer, Außenminister Brentano und ein Tross aus Experten, Unterhändlern und Technikern macht sich auf nach Moskau. Es geht um zehntausende Kriegsgefangene, die sich noch in der UdSSR befinden. Adenauers Geheimwaffe für die harten Verhandlungen: literweise Olivenöl. Davon berichtet Rolf Dietrich Keil, der als Dolmetscher damals dabei war - ihn begleiten Podcast-Hosts Martin Herzog und Marko Rösseler nach Moskau.

1955 - die Sowjetunion lädt den ersten Kanzler der Bundesrepublik, Konrad Adenauer, nach Moskau ein. Soll es um die Wiedervereinigung Deutschlands gehen? Um die noch rund 100.000 in der Sowjetunion vermuteten deutschen Kriegsgefangenen und verschleppten Zivilisten? Was steckt hinter der Einladung? Und soll der Kanzler sie annehmen?

Der Name ist Programm: Heute werden wir bei KSS gefühlsduselig: Wie der Titel der Episode - frei nach Jon Bon Jovi - verrät, geht es heute um Romantik. Wir besprechen alles von Brentano bis Bengalo und vergessen dabei nicht einen Blick in die Realität zu werfen: Was bedeutet „ramontisch“ heutzutage? Sind Strandspaziergänge und frisch gekaufte Rosen im Restaurant wirklich das a und o – oder verbirgt sich hinter der Romantik vielleicht doch noch etwas anderes? Wir verlieren uns in der Weltflucht und Dominik geht in den Wald. Allein. Hendrik findet natürlich Köln romantisch und beide sind sich einig, dass KSS den absoluten Gipfel der Romantik darstellt. Wer braucht schon „Schlaflos in Seattle“ wenn er KSS haben kann: Die Rrrrrromantik im Kopf.

The boys reunite to introduce and discuss the work of seminal phenomenological philosopher and precursor of Embodied Cognition, Maurice Merleau-Ponty. We discuss why phenomenology matters, the critique of the empiricism and intellectualism in MP's day and our own, the concept of intentionality from Aquinas, Brentano, Husserl and MP, the Cartesian Cogito as the central antagonist to MP's own thought, and the 'contextual worldy 'sense' of sensation.

Als hätten sie die Texte aufeinander abgestimmt. Clemens Brentanos "Was reif in diesen Zeilen steht" setzen den Ton der 141. Folge des Lyrikpodcast Seelenfutter: Was zählt im Leben, wenn die Stürme und Kämpfe des Lebens verwehen, was am Ende der Ernte steht: "O Stern und Blume". Sieben Jahre zuvor dichtete Adalbert von Chamisso, beginnend mit den Worten "Sterne und Blumen". Susanne Garsoffky und Friedemann Magaard sind begeister von diesem Geist der Sehnsucht. Dazu gibt es Worte von Jeremia und den Psalmen.

Gallery Conversations: talkPOPc at galerie Jilská 14, PragueArtist and talkPOPc Founder Dr. Dena Shottenkirk speaks w/ Resident Philosopher Dr. Martin Nitsche on the Bridge between Continental and Analytic Philosophy0 - 2:09: Shottenkirk: introduction of talkPOPc's radical reforming of both art and philosophy in order to emphasize the communal role of conversation.2:10 - 3:39: Bridging Analytic and Continental philosophy3:40 - 5:49: the importance of conversation in making this bridge5:50 - 9:38: Shottenkirk asks Martin Nitsche about his book "Methodical Precedence of Intertwining: An Introduction to a Transitive-topological Phenomenology", where Nitsche writes on Husserl's refusal to have a clear divide between the subject and the object. Nitsche explains it is Husserl's argument against Brentano's reliance on Descartes.  Husserl wanted to do a philosophy of holistic experience. 9:39 -10:11: Shottenkirk asks if anyone connects Husserl to William James? Nitsche says Husserl himself did. Shottenkirk notes that the connection is obvious.10:12 - 12:00: Shottenkirk discusses gist perception which gives both objective and subjective information, arguing that the error of empiricism is a model of the object coming to the passive subject.12:05 -12:59: Nitsche talks about using the Merleau-Ponty notion of intertwining where there is no division of subject and object; even though we can speak of us being here and being separate from the world, it is secondary and not the root of perception.13:00 -13:48: Shottenkirk notes that perception has, at its root, the marriage of object and subject. The problem is how we explain experience and perception with these two married things at the beginning. There has to be a fluidity. That is also talkPOPc: a fluidity of things.13:50 -15:21: Nitsche discusses Husserl's notion of phenomenological reduction; it is not solipsistic. It is re-transiting the attention to a new domain, focusing on the intertwining of subject and object; refocusing on the gist. (Here we have a merging of the analytic philosophy notion of gist perception with the continental notion of topological intertwining)15:25 -19:40: The notion of reduction, with Nitsche introducing the notion of orientation - it is in favor of a more layered notion of experience, which is closer to the artist's experience.19:15 - 21:59: Nitsche, by using the example of touch, talks about avoiding the solipsism of orientation: when we touch our finger to our other hand we are not just subject/object. 22:00 - 24:00: Shottenkirk notes that "restriction" is not "elimination". In vision science, semantic/high-level features are strictly different from low-level features. But that view tracks the objects out there, which is a problem. If one doesn't completely divide low-level from high-level, then one can experience those low-level things as not part of a strict object/subject divide. So, when we have the experience of finger going into the hand, it is an experience even though it's not named. The range of things experienced are way larger than the things that are named. Nitsche agrees.24:01 - 28:00: Shottenkirk defines topology in general, with Nitsche then talking about topology in phenomenology. A picture of the world that is transforming. Philosophy is topology. Meaning is that thing that is always being constructed on the fly. 28:10 - 29:53:  Shottenkirk: Let's bring it back to art. Once function that art is the way we understand the world - it provides for those topological transitions: this thing can suddenly mean that thing. I'm doing the same thing, but I'm thinking about it in terms of low-level and high-level features, and the ontological construction of objects. Artists' re-structure reality.Support the show

Bettina Brentano Von Arnim (1785-1859) inspired the likes of Ludwig van Beethoven and Karl Marx, while also publishing influential writings of her own.This month, we're talking about muses–women who were drivers of creativity and inspiration. Once again, we're proud to partner with Mercedes-Benz (whose famous namesake was inspired by a young muse named Mercedes). Tune in daily for stories of women whose lives inspired work that has shaped our culture.History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, and Alex Jhamb Burns. Special thanks to Shira Atkins. Original theme music composed by Miles Moran.We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.Follow Wonder Media Network:WebsiteInstagramTwitter

Herr Künzel - von Clemens Brentano

Engelmeier, Hannawww.deutschlandfunkkultur.de, Studio 9Direkter Link zur Audiodatei

Die Literaturwissenschaftlerin Hanna Engelmeier plädiert für Lesen als Hilfe gegen die Trostlosigkeit und setzt dabei auf Rilke oder Brentano. Für ihren Essayband „Trost. Vier Übungen“ erhält Engelmeier am 22. Juni 2022 den Clemens-Brentano-Preis der Stadt Heidelberg.

Zum ersten Mal findet dieses Jahr in Aschaffenburg das Festival der Brentano-Akademie statt - mit Lesungen, Workshops, Meisterkursen und natürlich Konzerten. Julian Prégardien verrät seine Beziehung zu Aschaffenburg, Brentano und ob das Lied in seinen Augen eine Zukunft hat.

Erin Morley Staatskapelle Dresden Conductor: Christian Thielemann Semperoper Dresden 30 May 2021 Broadcast

La critica al positivismo e il ritorno al concreto. Bernhard Bolzano (1781-1848) e Franz Brentano (1838-1917) i presupposti del sistema. L'Intenzionalità. Le ricerche logiche del 1900. La validità apodittica del principio di non contraddizione. Dati di fatto e inuizione di essenza. Le essenze sono i modi tipici dell'apparire dei fenomeni. La fenomenologia intende essere scienza di Essenze e non di dati di fatto

In this episode, Adam and Eric interview Ted Rooney. Ted played the manager at Brentano's in the classic season 9 episode “The Bookstore.” If you have any questions or comments, feel free to email us at theplacetobeseinfeld@gmail.com. You can also find us on Facebook at The Place to Be: A Seinfeld Podcast, Twitter @tptbseinfeld, and Instagram @theplacetobe.podcast.

Episode 186: Kicker's Kroch & Brentano's Canoodle! This week, the squares talk about Dolly Parton and Ivan vs. The Rock and Roll Hall of Fame, sports news and Jeff vs. the Baseball Hall of Fame, Mike struggling with Star Trek Picard, Ivan's DJ gigs and his TV viewing, Jeff watched Fast 9. Sorry. His thoughts on Turning Red, Mike and Jeff talk The Adam Project on Netflix, new TV trailers, WTF is going on with DC and WB? RIP Scott Hall and William Hurt Thanks for listening, and thanks to our Clubhouse guests for stopping by! Available on Spotify and the Apple & Google Podcast apps! Anchor: https://anchor.fm/sotrt​​​​​​​​​​​​​​ Email us at sotrtpodcast@gmail.com Facebook: https://www.facebook.com/sotrtpodcast/​​

Episode 186: Kicker's Kroch & Brentano's Canoodle! This episode, the current events in Europe, the upcoming, Turning Red movie, the Jellystone cartoon and the generation gap in entertainment, Ivan watching Chicago Party Aunt, Jeff's thoughts on Ozarks, Endgame, Free Guy and Pam & Tommy, the future of the Alf franchise, other geek news, funny (?) news, and more! Thanks for listening, and thanks to our Clubhouse guests for stopping by! Available on YouTube, Spotify and the Apple & Google Podcast apps! Anchor: https://anchor.fm/sotrt​​​​​​​​​​​​​​ Email us at sotrtpodcast@gmail.com Facebook: https://www.facebook.com/sotrtpodcast/​​

The Trailblazer series continues this week with Elda Minger—author of contemporary and historical romances, including Untamed Heart, which is the first contemporary romance to feature condom use on the page. Elda talks about writing for Vivian Stephens, about writing about women's bodies, about reproductive choice and about the way romance made space for women during the 70s and 80s. She shares a collection of gorgeous stories about her life as a reader and writer (and a particularly wonderful detour as a bookseller). About the boom of category and contemporary romance in the 1980s, and about the way writing made her who she is. We are thrilled to have found Elda, and that she took time to speak with us and share her wonderful perspective on the genre with us. We can't think of a better week to share this episode with you. There's still time to buy the Fated Mates Best of 2021 Book Pack from our friends at Old Town Books in Alexandria, VA, and get eight of the books on the list, a Fated Mates sticker and other swag! Order the book box as soon as you can to avoid supply chain snafus. Thank you, as always, for listening! If you are up for leaving a rating or review for the podcast on your podcasting app, we would be very grateful! Next week, we're reading Nalini Singh's Caressed by Ice, number three (and Jen's favorite) of the Psy-Changeling series. Get it at Amazon, Apple, Kobo, B&N or at your local indie.Show NotesWelcome Elda Minger, author of over 30 romance novels, including Untamed Heart, Harlequin American Romance #12, the first contemporary romance with condoms used on page. In 1987, Elda wrote a column in RWR (the Romance Writer's Report, an RWA publication) defending the use of contraception in romance novels. Elda was selling Kathleen Woodiwiss's Shanna at the Chicago bookstore chain Kroch and Brentano's.Elda first Harlequin American Romances were edited by Vivian Stephens. In this interview with Vivian Stephens from the Browne Pop Culture Library archives, she describes the founding of RWA and her move to Harlequin.Names Elda mentioned: Harlequin editor Evelyn Grippo, Harlequin editorial director Fred Kerner, writing coach Marilyn Lowery, Mills & Boon editor Frances Whitehead, Mills and Boon editor Jacqui Bianchi,Loveswept editor Carolyn Nichols, Harlequin editor Debra Matteucci, Harlequin editor Birgit Davis-Todd, Avon editor Nancy Coffey.

Our guest on StudioTulsa is Bruce Sorrell, who joined Chamber Music Tulsa as its executive director in early 2012. He tells us about the exciting performances that CMT will present this weekend (on Friday the 22nd, Saturday the 23rd, and Sunday the 24th) by the Brentano Quartet. Long regarded as one of the nation's leading string quartets and now based at the Yale School of Music, the Brentano is celebrating its 30th season as a collective. For a complete rundown of these performances as well as show times and ticket information, please visit the Chamber Music Tulsa website.

Our guest on StudioTulsa is Bruce Sorrell, who joined Chamber Music Tulsa as its executive director in early 2012. He tells us about the exciting performances that CMT will present this weekend (on Friday the 22nd, Saturday the 23rd, and Sunday the 24th) by the Brentano Quartet. Long regarded as one of the nation's leading string quartets and now based at the Yale School of Music, the Brentano is celebrating its 30th season as a collective. For a complete rundown of these performances as well as show times and ticket information, please visit the Chamber Music Tulsa website .

Einen Schritt zurücktreten, ein wenig Abstand suchen: Das hilft oft, den Blick auf das Ganze zu bekommen. Auch der visionäre Traum verschafft einen neuen Blick auf das Leben - nicht was ist, sondern was möglich ist. Davon handeln die Gedichte "DIES" von Pessoa und "Wenn der lahme Weber träumt" von Brentano, die Susanne Garsoffky und Friedemann Magaard in der aktuellen Seelenfutter-Folge vorstellen. Dazu setzen sie Bibelworte aus Psalm und Evangelium.

Nights at White Castle....The one on Big Bend... In this episode, Mark and Adam discuss the amazing KSHE 95 hit song Nights at White Castle, along with the philosophy of mind in the Modern Era. They look at Bentham's intentions and motives in relation to criminal law, Schopenhauer's will, Freud's psychology, and a whole lot of Wittgenstein. There is also a lengthy discussion of Tolkien's eagles in The Lord of the Rings, so stay tuned for that riveting conversation. Be sure to check out KSHE 95's hilarious song here: https://www.youtube.com/watch?v=6cYHnpFuEG0 Follow us on Twitter! @UlmtdOpinions

Aus dem Elfenbeinturm heraus philosophieren – davon hielt die Philosophin Margherita von Brentano nichts. Sie engagierte sich stets auch politisch. Sie war eine der wenigen Professorinnen, die schon in den frühen 70er-Jahren an der FU Berlin lehrte.Margherita von Brentano im Gespräch mit Joachim Schickel und Werner Reutherwww.deutschlandfunkkultur.de, Sein und StreitHören bis: 19. Januar 2038, 04:14Direkter Link zur Audiodatei

Aus dem Elfenbeinturm heraus philosophieren – davon hielt die Philosophin Margherita von Brentano nichts. Sie engagierte sich stets auch politisch. Sie war eine der wenigen Professorinnen, die schon in den frühen 70er-Jahren an der FU Berlin lehrte. Margherita von Brentano im Gespräch mit Joachim Schickel und Werner Reuther www.deutschlandfunkkultur.de, Sein und Streit Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

Don't miss this fast-paced and fun episode of Leighton's Loft hosted by Leighton Sheldon of Vintage Breaks and Just Collect! Leighton and "The Threat" James Ector exchange thousands of dollars worth of cards in a major trade. Then Leighton buys a Ohtani card for more than $2,000. And finally, Leighton and Andy Bretano tell the amazing story of Vintage Break's purchase of a five-figure collection of cards from Oregon that includes some Mickeys and MJs! --- Send in a voice message: https://anchor.fm/leightons-loft/message

Jacob et Wilhelm sont nés à Hanau, en Hesse-Cassel. Les grands-parents et arrière-grands-parents étaient de confession réformée, les hommes étant traditionnellement pasteurs. Les parents Philip et Dorothea Grimm eurent neuf enfants, dont six survécurent. Dans l'ordre de naissance : Jacob, Wilhelm, Carl, Ferdinand, Ludwig et Charlotte. La maison natale des frères Grimm donnait sur l'ancienne place d'armes de la ville de Hanau près de Francfort-sur-le-Main. En janvier 1791, leur père, Philip, fut nommé bailli (Amtmann) dans sa ville natale de Steinau en Kinzig où la famille emménagea. En 1796, leur père mourut à l'âge de 45 ans. Leur mère, afin d'assurer à l'aîné toutes ses chances d'accéder à une carrière juridique envoya les deux enfants auprès de leur tante dans la ville de Cassel. Jacob fréquenta en 1802 l'université de Marbourg et y étudia le droit tandis que son frère le rejoint un an plus tard pour suivre le même cursus. Un de leurs professeurs, Friedrich Carl von Savigny, ouvrit sa bibliothèque privée aux étudiants avides de savoir et déjà férus de Goethe et Schiller. Il leur fit découvrir les écrivains romantiques Clemens Brentano, le baron Fouqué et Achim von Arnim dont les romans baroques et les Minnesänger éveillèrent chez eux l'intérêt pour les vieux contes populaires qu'ils commencèrent à collecter pour Brentano rencontré à Marbourg en 18033. Von Savigny travaillait à une histoire de l'Empire romain et se rendit à Paris en 1804 pour ses recherches. En janvier 1805, il invita Jacob à l'y rejoindre. En qualité d'aide, il se pencha pendant plusieurs mois sur la littérature juridique. À la suite de cela il décida de s'éloigner désormais des thèmes juridiques. Il rapporta, dans sa correspondance, vouloir se consacrer à la recherche sur la « magnifique littérature de l'ancien allemand » à laquelle lui et Wilhelm s'étaient déjà intéressés.

Les frères Grimm (en allemand Brüder Grimm ou Gebrüder Grimm) étaient deux linguistes, philologues et collecteurs de contes de langue allemande : Jacob Grimm, né le 4 janvier 1785 à Hanau et mort le 20 septembre 1863 à Berlin, et Wilhelm Grimm, né le 24 février 1786 à Hanau et mort le 16 décembre 1859 à Berlin. Jacob et Wilhelm sont nés à Hanau, en Hesse-Cassel. Les grands-parents et arrière-grands-parents étaient de confession réformée, les hommes étant traditionnellement pasteurs. Les parents Philip et Dorothea Grimm eurent neuf enfants, dont six survécurent. Dans l'ordre de naissance : Jacob, Wilhelm, Carl, Ferdinand, Ludwig et Charlotte. La maison natale des frères Grimm donnait sur l'ancienne place d'armes de la ville de Hanau près de Francfort-sur-le-Main. En janvier 1791, leur père, Philip, fut nommé bailli (Amtmann) dans sa ville natale de Steinau en Kinzig où la famille emménagea. En 1796, leur père mourut à l'âge de 45 ans. Leur mère, afin d'assurer à l'aîné toutes ses chances d'accéder à une carrière juridique envoya les deux enfants auprès de leur tante dans la ville de Cassel. Jacob fréquenta en 1802 l'université de Marbourg et y étudia le droit tandis que son frère le rejoint un an plus tard pour suivre le même cursus. Un de leurs professeurs, Friedrich Carl von Savigny, ouvrit sa bibliothèque privée aux étudiants avides de savoir et déjà férus de Goethe et Schiller. Il leur fit découvrir les écrivains romantiques Clemens Brentano, le baron Fouqué et Achim von Arnim dont les romans baroques et les Minnesänger éveillèrent chez eux l'intérêt pour les vieux contes populaires qu'ils commencèrent à collecter pour Brentano rencontré à Marbourg en 18033. Von Savigny travaillait à une histoire de l'Empire romain et se rendit à Paris en 1804 pour ses recherches. En janvier 1805, il invita Jacob à l'y rejoindre. En qualité d'aide, il se pencha pendant plusieurs mois sur la littérature juridique. À la suite de cela il décida de s'éloigner désormais des thèmes juridiques. Il rapporta, dans sa correspondance, vouloir se consacrer à la recherche sur la « magnifique littérature de l'ancien allemand » à laquelle lui et Wilhelm s'étaient déjà intéressés

S08E09 Brentano - Abendständchen

Es war einmal in einem kleinen Sender in einer winzigen Großstadt zwei ungleiche Radiomator*innen. Die eine hieß Magdalena und war vorlaut und schnell und der andere hieß Hartmut und der war sehr alt und weise, aber dafür sehr langsam. Diese beiden Gefährten wichen nicht voneinander und wurden eines Tages im Märchenwald ausgesetzt. Es gab nur einen Ausweg aus diesem Themengestrüpp: Wegmoderieren, bis sich die Balken biegen. Und so begannen die Beiden Radioarchetypen ihre Reise durch das monumentale Thema Märchen. Sie stiegen hinab in die Andrswelt, tanzen sich ihre Schuhe blutig, hauen Herrn Korbes windelweich (weil er es verdient hat ?) und schlürfen sozialistische Fischsuppe. Auf ihre Aventüre begegnen ihnen die beiden Junggesellen Jacob und Wilhelm, die Magdalena und Hartmut dabei helfen, Clemens Brentano in die Tonne zu kloppen und ihn danach bis zum Zellhaufen kleinzufächern. Es ist also einiges geboten im Eisimeisimärchenland. Und nicht nur das: Herr Eisenbart hat ein ausgiebiges Telefongespräch mit der Autorin Jacinta Nandi zerschnibbelt und gleichmäßig in der Sendung verteilt. Frau Nandi bringt ihre britische Perspektive hinein in unsere kleine Provinzsendung. Hübsch! Das Thema hat unsere Autor*innen zu sage und schreibe 17 Texten inspiriert und um da mitzuhalten, gehen Eisi und Meisi in die Podcastverlängerung und packen das alles zusammen in eine dreistündige Superdupermegaausgabe. Und wenn Sie nicht sterben, dann leben sie für immer Ihr Pappy, der Redaktionspapagey Autor*innen: - Jacinta Nandi - Martin Knepper - Jone Engel - Harald Kappel - Daphne Elfenbein - Steffen Diebold - Arabella Block - Zeha Schmidtke - Jutta v. Ochsenstein - Klaus Büchner - Katja Schraml Sprecher*innen: - Verena Schmidt - Karoline Schaum - Dieter Radke - Luca Rihm - Timo Möller - Sandy Malitzki

Von einer Schrift, die nicht zu entziffern ist, das Leben des Ägyptologen Leo Buri jedoch schlagartig verändert, handelt die Erzählung „die Schrift“, für die der 37-jährige Autor Simon Sailer aus Wien am 12. März mit dem Clemens-Brentano-Preis der Stadt Heidelberg ausgezeichnet worden ist. Der Clemens-Brentano-Preis der Stadt Heidelberg ist mit einem Preisgeld von 10.000 Euro dotiert.

Dorothy Arnold was a graduate of Bryn Mawr College and the daughter of wealthy perfume importer Francis Arnold. On the morning of December 12, 1910, she left to go dress shopping for a party. She was met by acquaintances on Fifth Avenue and noticed at the Park & Tilford's store at Fifth and 27th then Brentano's Bookstore on 26th Street where she met a friend, telling that person she was heading home through Central Park. Everyone remarked that she seemed happy and cheerful. She was never seen again.This video is sponsored by PodDecks: Use Code TCNS for 10% off. https://powered-by-pod-decks.peachs.co/a/lawrence-leaseFollow us on Twitter: www.twitter.com/truecrimensLike Us on Facebook: www.facebook.com/truecrimeneversleepspodcastSupport Us By Buying Us a Coffee: www.buymeacoffee.com/tcnsDon't forget to like and subscribe! You can find the True Crime Never Sleeps Podcast on all major podcast platforms. Sources: https://www.webcitation.org/611SvvWpX?url=http://www.prairieghosts.com/arnold.htmlhttps://news.google.com/newspapers?nid=1338&dat=19650102&id=auBYAAAAIBAJ&pg=3480,362586https://timesmachine.nytimes.com/timesmachine/1914/04/10/100086478.pdfhttps://www.newspapers.com/clip/25260030/the_san_francisco_examiner/

Die Loreley ist ein Felsen am Rhein. Wer auf ihn hinaufklettert, hat einen wunderschönen Blick über die Landschaft. Der Rhein macht hier eine Biegung, man sieht das Wasser und die Wälder am Ufer. Daher ist die Loreley ein beliebter Ausflugsort, viele Touristen kommen hierher. Das hat aber auch mit der Geschichte des Felsens zu tun. Denn die Dichter Clemens Brentano und Heinrich Heine haben aus diesem Felsen eine Frau gemacht. Und diese Frau soll für zahlreiche Schiffsunglücke verantwortlich sein... Aber fangen wir von vorne an. Es gibt also diesen Felsen Loreley in Rheinland-Pfalz. Der Rhein ist hier 160 Meter breit und bis zu 25 Meter tief. Es gibt viele Kurven auf dieser Strecke. Dazu kommen noch starke Strömungen - und eben viele Felsen. Damit war und ist diese Stelle für Schiffe gefährlich. Viele Schiffe gingen hier unter - erst in der jüngeren Vergangenheit wurden einige Felsen mitten im Wasser gesprengt, sodass es nicht mehr ganz so gefährlich ist, hier mit dem Schiff zu fahren. Dennoch passieren auch heute noch Unfälle. Zum Beispiel lief 2003 ein Schiff mit 349 Passagieren auf Grund. Das bedeutet, dass das Schiff auf dem Boden des Flusses aufsetzte. Es ließ sich nicht mehr steuern und prallte nach der Kurve auf das Ufer. 41 Personen wurden verletzt, drei von ihnen schwer. 2011 dann das nächste Unglück an der Loreley, diesmal war es ein Frachtschiff, das 2400 Tonnen Schwefelsäure an Bord hatte. Zwei der vier Besatzungsmitglieder starben bei diesem Unfall. Heute wissen wir, wie solche Unfälle passieren. Wir können die Strömung berechnen, wir haben Kameras, die unter Wasser funktionieren. Aber stell Dir mal vor, wie das früher war. Wenn an einer bestimmten Stelle immer wieder Menschen starben - dann dachte man nicht an Strömungen im Wasser, sondern an Zwerge oder an Geister. Der Dichter Clemens Brentano war dann der Erste, der sich statt eines Zwerges lieber eine schöne Frau vorstellte. In seinem Buch war die Lore Lay eine Frau, die wunderschön war und sehr anziehend auf Männer wirkte. Deswegen hielten manche sie für eine Hexe oder eine Zauberin. Nur der eine Mann, den sie wirklich wollte, bekam sie nicht. Er verließ sie für eine andere Frau. Auf dem Weg ins Kloster bat sie darum, noch einmal den Rhein sehen zu dürfen. Vom Felsen aus blickte sie nach unten - und stürzte in die Tiefe. Sie starb. Die Figur der Lore Lay wird zu einer Art Sirene - sie lockt die Männer an und führt sie in den Tod. Viele Menschen denken, das ist eine uralte deutsche Sage - dabei schrieb Brentano sie im Jahr 1800. Er benutzte den Mythos um einen Felsen und schuf eine Geschichte daraus. Mein Lieblingsdichter Heinrich Heine griff die Geschichte 24 Jahre später auf und schrieb sein wohl berühmtestes Gedicht dazu. Es geht so: Ich weiß nicht, was soll es bedeuten, dass ich so traurig bin; ein Märchen aus alten Zeiten, das kommt mir nicht aus dem Sinn. Die Luft ist kühl und es dunkelt, und ruhig fließt der Rhein; der Gipfel des Berges funkelt im Abendsonnenschein. Die schönste Jungfrau sitzet dort oben wunderbar; ihr goldnes Geschmeide blitzet, sie kämmt ihr goldenes Haar. Sie kämmt es mit goldenem Kamme und singt ein Lied dabei; das hat eine wundersame, gewaltige Melodei. Den Schiffer im kleinen Schiffe ergreift es mit wildem Weh; er schaut nicht die Felsenriffe, er schaut nur hinauf in die Höh. Ich glaube, die Wellen verschlingen am Ende Schiffer und Kahn; und das hat mit ihrem Singen die Lore-Ley getan. Hier sind schöne Aufnahmen der Gegend zu sehen: Text der Episode als PDF: https://slowgerman.com/folgen/sg230kurz.pdf

Brentano Fabrics Framing the Future - Network Next Gen "Our Chicago rep @margeebrentano had a blast chatting with Tarra from @networknextgen!! Thanks for joining us, Tarra!"

Brentano Elementary School teacher Kirsten Roberts joins John Williams to talk about what makes returning to the classroom scary at this juncture of the pandemic. And she explains what she and her colleagues are doing instead to educate their students.

Brentano Elementary School teacher Kirsten Roberts joins John Williams to talk about what makes returning to the classroom scary at this juncture of the pandemic. And she explains what she and her colleagues are doing instead to educate their students.

Das Brentano-Haus ist seit mehr als 200 Jahren ein einzigartiger Erinnerungsort der Romantik in Oestrich-Winkel am Rhein. Von 1806 bis 2014 war es im Besitz der Familie Brentano. Ende 2014 wurde das Brentano-Haus vom Land Hessen gekauft. Hier kümmern sich jetzt unter anderem die Verwaltung „Staatliche Schlösser und Gärten" und das Landesamt für Denkmalpflege um die Erhaltung. Für die persönlichen Führungen durch das Haus ist Angela Baronin von Brentano zuständig. Sie vermittelt den Besuchern einen ganz persönlichen Zugang zum Geist der Rhein-Romantik. Führungen können voraussichtlich ab Dezember 2020 wieder angefragt werden.

Wolfgang Amadeus  MOZART - L'Ouverture de Don Giovanni . L'Orchestre baroque de Fribourg sous la direction de René Jacobs . HMC 90196466 . Ludwig van  BEETHOVEN - 2 lieder op 83 . Olaf Bäf & Geoffrey Parsons. DECCA 475 6011. Ludwig van  BEETHOVEN - Le Troisième mouvement du Triple concerto en ut majeur opus 56 . Pierre-Laurent Aimard, Thomas Zehetmair, Clemens Hagen et le Chamber Orchestra of Europe sous la direction de Nikolaus Harnoncourt . Warner 256460602-2.

No episódio de hoje, eu falo sobre Telmo Brentano, um engenheiro/escritor atuante, especialista e tão importante para a prevenção. Vem ouvir e conhecer sobre esse mestre no assunto! --- Send in a voice message: https://anchor.fm/r-dal-molin/message

Is there an inevitable cycle that civilization is doomed to repeat — merely reenacting the fall of Rome — or can we break free from it? The biggest hindrance to a rich culture is the rejection of empiricism. Today, you are supposed to just accept the narrative — a certain signifier of the mystic phase we are currently living in. But history shows us, again and again, that we are not doomed. Sometimes, one man is enough to turn the tide. Our guest for the evening is a returning guest, the Norwegian philosopher and editor of Sivilisasjonen: Carl Korsnes. Korsnes' magazine online: https://sivilisasjonen.no Shoutout to our top sponsors Adara Ryum, Anders Berge Christensen, Jared Fountain, Fergus Ryan and Marco Campos! The centerpiece for this conversation was a plaster copy of an ancient greek relief. On the shelf: (1) Portrait photo of Franz Brentano, (2) Cave of Apelles' illustration of Brentano's Four Phases of Philosophy, (3) View of the Agricultural Palace (2006) in Kazan, Russia The episode was hosted by Jan-Ove Tuv and produced by Bork S. Nerdrum with assistance from Sebastian Salvo and Javier Adams. Would you like to get previews, bonus material and other benefits? Become a patron: https://patreon.com/caveofapelles/ Subscribe to our newsletter. It is the only way to make sure that you receive content from us on a regular basis: https://bit.ly/2L8qCNn Podcast available on SoundCloud, iTunes, and Spotify: https://soundcloud.com/caveofapelles https://spoti.fi/2AVDkcT https://apple.co/2QAcXD6 Visit our facebook page: https://www.facebook.com/caveofapelles Make sure to subscribe to our channel over at BitChute: https://www.bitchute.com/channel/cave... For inquiries — talk@caveofapelles.com

This week Ivan and Stephen take books into the bathroom and ride rickshaws as they talk about the secondary characters from Season 9’s The Bookstore. Topics covered include Michael Costanza suing NBC in the past, that controversial episode quote from Peterman, and browsing books at Borders for hours; Seinfeldisms (from 3:05), Seinfeld News (from 4:33), episode trivia (from 14:15); secondary characters Uncle Leo in this episode (from 19:55), Resnick the Security Guard (from 24:46), Rusty and Joe the Homeless Men (from 28:48), Zach (from 34:53), Rebecca DeMornay (from 39:53), and Crichton the Brentano’s Manager (from 45:57). Where will the episode and/or any of the secondaries appear in our list of the greatest episodes and characters of all time? Listen and find out! — Sign up to our Patreon page for early access to BIDWBASC, exclusive access to bonus podcasts 'Curbcast Season 2' and ‘Season 11', as well as other bonus content! Head over to patreon.com/bidwbasc to sign up. You can also support us with a one-off donation on Paypal at paypal.me/mishmashmedia Your donations will help keep the show going. Find us on Facebook, Instagram, Reddit, Discord, and Twitter @bidwbasc. You can email us as well at bidwbascpodcast@gmail.com Listen, download, subscribe to and review us wherever you get your podcasts. Search for our unofficial Seinfeld group called Seinfeldisms on Facebook. We have teamed up with Moms on Wine Design to bring you Seinfeld themed masks. Head on over to the below link to check them out (delivery not in all countries): https://www.etsy.com/shop/momsonwinedesign/?fbclid=IwAR3kYIZ1uEpuyxtUd1s3tJ6tpi2hzmfbSdfPF5-KsEM80cGJ4-gK9h57kGQ§ion_id=29330603 — Seinfeld News Artist Carolyn Ramos is using the pandemic to create an illustration of each of Jerry’s episode girlfriends in order of appearance https://www.kpbs.org/news/2020/aug/27/san-diego-artist-drawing-every-single-seinfeld-gir/ An indie comedy film starring Jason Alexander called ‘Faith Based’ is picked up by Gravitas Ventures for distribution https://www.hollywoodreporter.com/news/faith-based-trailer-jason-alexander-stars-in-christian-film-industry-satire It is revealed that in the past Michael Costanza sued NBC for copying his likeness for the character George https://www.cheatsheet.com/entertainment/seinfeld-the-real-george-costanza-sued-nbc-for-100-million-for-copying-his-likeness.html/

Robin Ticciati, Music Director of the DSO Berlin, has just released an album that couples two tone-poems, Don Juan and Tod und Verklärung with the six songs, Op 68, often called the Brentano songs, sung by Louise Alder. As Ticciati rehearsed at Glyndebourne for the much reduced 2020 season, James Jolly caught up with him to talk about the new album.

Welcome to episode 172 of the F-Stop Collaborate and Listen podcast.  This week's episode features a photographer and videographer who has found a niche in combining her passions for story telling, writing, and photography to make a living in the landscape photography arena.Elisabeth Brentano started her career in the entertainment news space and transitioned to writing blogs for travel and food. It was in that space that she fell in love with photography. She is also very passionate about conservation issues and created a wonderful documentary film, called "In the Shadow of Lions" where she examines the balance between social media, conservation, and tourism as it relates to big cats in Africa. Elisabeth and I discuss some interesting topics, including: How she found herself in the landscape photography space. How her editing style has evolved over time. The impacts of social media on creativity and relationship building. Her documentary film, "In the Shadow of Lions." ... and more! Over on Patreon this week, join Elisabeth and I for a bonus discussion while financially supporting the podcast. We discuss her approach to gaining more authentic engagement on social media through vulnerability and honesty. I hope you enjoy our conversations! Here are the photographers that Elisabeth recommended for the podcast: 1. Melissa Groo. 2. Savannah Cummins. 3. Benjamin Everitt. 4. Joe Haeberle. Other items mentioned on the show: 1. 60-day Trial to Nature Photographer's Network. 2. My YouTube Channel. I love hearing from the podcast listeners! Reach out to me via Instagram, Facebook, or Twitter if you'd like to be on the podcast or if you have an idea of a topic we can talk about. Join the discussion over on Nature Photographer's Network! We have weekly discussions about each episode of the podcast. It's also free! We also have an Instagram page and a Facebook page for updates. Thanks for stopping in, collaborating with us, and listening. See you next week. As a reminder, you can also support the podcast by shopping at B+H for your photography gear using our Affiliate Link. 

S06E21 Brentano - Zorn und Liebe

More great books at LoyalBooks.com

Beethoven widmete einige seiner wichtigsten Werke Antonie Brentano. War sie auch die Adressatin von Beethovens nicht abgeschicktem Brief an die unbekannte "unsterbliche Geliebte"?

Sicher wissen wir, dass Antonie Brentano eine der Herzensfreundinnen Beethovens war. Immerhin widmete er ihr einige seiner wichtigsten Werke, die späten "Diabelli-Variationen" und die letzte der Klaviersonaten. Sie wiederum "erbat" sich ein Autograph seines Liedes "An die Geliebte". War sie es, wollte sie so gesehen werden? Und ist vielleicht sie die Adressatin von Beethovens nicht abgeschicktem Brief an die unbekannte "unsterbliche Geliebte"? Autor: Holger Noltze

Batemos um papo com o gerente do laboratório da ABAPA, Sérgio Brentano, que apresenta como é a estrutura do trabalho dos laboratórios de análise de fibra de algodão no Brasil, além de falar dos desafios da qualidade da fibra e as oportunidades que estão surgindo. Acompanhe!

Los orígenes de la fenomenología, de Brentano a Husserl, son abordados en las páginas de la historial intelectual del siglo XX de Peter Watson.

S06E08 Brentano - Wiegenlied

Clemens Brentano wurde 1778 in Ehrenbreitstein geboren und starb 1842 in Aschaffenburg. Der Enkel der Schriftstellerin Sophie von La Roche war einer der wichtigen Schriftsteller der deutschen Romantik. Lesung in zwei Teilen. // Gelesen von Rudolf-Jürgen Bartsch und Louis Friedemann Thiele / Produktion: WDR 2017 - www.wdr3.de

Clemens Brentano wurde 1778 in Ehrenbreitstein geboren und starb 1842 in Aschaffenburg. Der Enkel der Schriftstellerin Sophie von La Roche war einer der wichtigen Schriftsteller der deutschen Romantik. Lesung in zwei Teilen. // Gelesen von Rudolf-Jürgen Bartsch und Louis Friedemann Thiele / Produktion: WDR 2017 - www.wdr3.de

„Der Beginn der Barbarei in Deutschland“ von Bernard von Brentano erschien 1932. Das Buch war das Ergebnis zahlreicher Recherchereisen, die den Journalisten kreuz und quer durch Deutschland führten, um über die Auswirkungen der Weltwirtschaftskrise von 1929 zu berichten. 1933 verboten und verbrannt ist es nun neu erschienen und wirkt wie ein Fenster in eine Zeit, die weit weg zu sein scheint. Die Kölner Autorin Husch Josten hatte 1994 ihre Magisterarbeit über dieses lange vergessene Buch geschrieben. Im Gespräch mit Eichborn-Produktmanager Uwe Kalkowski redet sie über die Entstehungsgeschichte, über historische Hintergründe, über den Autor und darüber, was wir heute aus diesem Werk lernen können. Spoiler: Eine Menge. Zum Buch: http://bit.ly/Brentano Facebook Lübbe Audio: https://de-de.facebook.com/LuebbeAudio/ Instagram Bastei Lübbe: https://www.instagram.com/bastei_luebbe/?hl=de

Show: Kings of the Sofa Season 7, Episode 9: "Fear and Loathing in Bakersfield" Genre: Situation Comedy Run Time: 22 Minutes Rating: TV-MA (Suggestive Dialogue, Coarse or Crude Language, Sexual Situations, Violence) Summary: On a very special episode of Kings of the Sofa, CJ Lazer smokes marijuana for the first time. Concerned, the guys all attempt to help in different ways. Brent holds an intervention. Brad tries to make CJ sweat it out. Dave tries to scare CJ straight. All of their tries meet with unexpected results and teach them more than they ever bargained for about drug use. Guest starring Whoopi Goldberg.

01 - Betoko, Trans-X - Living on Video (Betoko's Extended Vocal Mix) 02 - Sante Cruze - Something on My Mind (crazibiza remix) 03 - Jose, Kegyi - Don't Call Me Baby (Luca Debonaire Mix) 04 - Musty - Some Other Place (Original Mix) 05 - Soneec, Crazibiza, Vince Tomas - Once Again (No Hopes & Kinspin Remix) 06 - Back & EM PI - SexyBack (Club Mix) 07 - Bob Sinclar - The Beat Goes On (The Cube Guys Extended Mix) 08 - Futuristic Polar Bears - You & Me (Extended Mix) 09 - Tom Noize - Without You (Extended Mix) 10 - Dj Jon Ft. Zara Mclellan - Cruel Summer (House Dub Mix) 11 - &AL - Home With You (Original Mix) 12 - The Magician - Ready To Love (A-Trak Extended Mix) 13 - MK - Body 2 Body (Leftwing _ Kody Club Mix) 14 - Brentano feat. KDaVine - Praises Go Up (Tony Vee's Vocal OverDub Mix) 15 - Peyton feat. Eric Kupper - Jericho (Eric Kupper Gospel Degree Mix) 16 - Ferry Corsten, Nevve - Freefall (Extended Mix)

All designers face the pressure of creating something new—remaining relevant in an ever-changing design industry. In fact, it’s a common theme running through the showfloor here at NeoCon 2019. Iris Wang from Brentano has her own thoughts on this topic and shares her process with me as well the new Clear Water Collection.  --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/interiorsandsources/support

First installment of the Soulful Sundays session, enjoy.. Tracklist 1. Euphonik Ft. Audiogasmic Soundz - The Way 2. Aretha Franklin - A Deeper Love (Acapella) 3. Brentano feat. KDaVine - Praises Go Up 4. Andrea Curato, Peter Jericho - Different Kinda Love 5. Doug Gomez - Higher Luv (N'Dinga Gaba Remix) 6. Black Motion - Joy Joy (feat. Brenden Praise) 7. Dennis Ferrer - Touched the Sky (Quentin Harris Remix) (feat Mia Tuttavilla) 8. Stones & Bones Feat. Mque - Soultie (Zogri Remix) 9. Dwson - Brighter Day (feat. Jackie Queens) 10. Kaysha, Boddhi Satva & H. Baraka - Antelope (Pascal Morais Soulful Remix) 11. Paso Doble, Zano, Zulumafia- Majestic(Zulumafia Local Soul Mix)

S04E11 Brentano - Am Sophientag

DJ Brentano gave up his day job and became a DJ, its something that he wanted to do for many years, from the first time I met him in the year 2000 it was his dream. He never gave up and kept at it, today he is doing it full time. He produces his own music and he mixes other music for his sets on radio stations and in clubs. Join us for an inspirational journey into the heart and mind of this awesome world class DJ from South Africa, Durban.  Transcription: Interviewer: Welcome to LifeShot, broadcasting from the United Kingdom. We are interviewing today DJ Brentano, from South Africa. He DJs for radio stations like KISS FM Australia, Durban Youth radio and other radio stations around the world, including Ibiza Radio. So here we go, an interview with DJ Brentano, telling us how he got into it. And he may just inspire you to go out and do what you love doing. Interviewer: Welcome everyone to LifeShot podcast. Today we have an exciting show, we have DJ Brentano on the line. DJ Brentano, how are you doing? [00:00:46] Interviewee: Mister Grove, I'm well, thanks. And yourself? Interviewer: You know. It's good to talk to an old friend. Long time, bro! Interviewee: Yeah man. Makes my heart happy speaking to you. Interviewer: I've known you for... I'd like to say 18 years, I think. It might be about that long. Interviewee: I think it is. Interviewer: 2001. I think we met in 2001, didn't we? Interviewee: 2000, 2001, yeah. You walked into your mum's place of work with an audio CD. And I was like "Who is this dude with the audio CD?". Interviewer: It's brilliant, 18 years I've known you. I wanted to get you on the show. I think you have an inspiring story. Your story is not finished. You are still on a journey, of course. But I think your journey is something that can inspire other people. Especially in the country where you are from. And all over the world, of course. Tell us who you are, for the listeners who don't know DJ Brentano. Tell us a bit about you and what you are doing right now. [00:02:05] Interviewee :I am a DJ producer. I make dance music. I am currently just releasing singles, with a label called TR Records, out in Rome. That's my focus for now, just putting out good music and following my dreams. Interviewer: Not everyone can do that, right? Everyone should do that. Interviewee: I think everyone can. People are just afraid of the unknown. I think that's what it is. Interviewer: So fear draws people back, you think? Interviewee: Definitely, it's the only thing. Interviewer: Since I've known you, you've always wanted to be a DJ. And it took you a while to get there. Certainly in the last few years now, you have gained a success. But you never gave up. I take my hat off to you, because you really pushed it and you kept going. So tell us a bit about that. Interviewee: You want to know why I started or where I started? Interviewer: I just want to get a glimpse of your tenacity to not give up. [00:03:42] Interviewee: Firstly, my first focus was actually football. I have always loved music and I have always been into music, but my first love was soccer. I played football. And I only had a dream to play in the UK, that was my only focus. And when that dream died, I broke my leg when I was coming out to the UK. I had to change focus in terms of my dream. Because I couldn't continue on that path of being a soccer player, I had broken my leg. So the next talent I had was DJing and I knew I enjoyed it, I loved it. And I said, "I am going to do this until I die". I think that was the decision for me. I just decided that I will die doing this thing. I watched a documentary recently, and they said that DJs only peak in Ibiza at the age of 45. I mean, Carl Cox is in his 50's, he is almost 60 years old. And he still rocks crowds in Ibiza and worldwide. The thing is, I studied all of that and I knew that the goal was reachable. I saw the timelines and figured it out. if I put time and effort and research into it, I can definitely make it happen. And networking was also key. Interviewer: And that takes a bit of work, doesn't it? I think a lot of people are not willing to put that effort into doing that. [00:05:44] Interviewee: It is frustrating, because you are going into the unknown, you don't know what to expect. You just know "I want to reach the top". How are you going to get there? You have no clue. You don't know how you are going to get there in terms of the obstacles, in terms of the setbacks. Things like that. You just know "My destination is there and I will meet people along the way. Some people will help me reach it, some people will slow down the process. But eventually, I will get there". Interviewer: You mentioned networking, it is an interesting thing. What did you do with networking? Did you say "I want to connect with this guy on social media"? Or did you actually approach people at shows? How did you actually network? [00:06:35] Interviewee: I found people who were passionate about the same things as me. Like yourself and the crew that we used to have with Remixd and Spin the Flava crew. Everybody was in the industry that I wanted to be in. So I became friends with them and learned what I could from everybody in an organic way. Not in a forceful way, but just letting the process take control. Interviewer: It's inspiring to hear that, because if you just keep pushing, keep networking, do your research. And that is something that you just said now, it's quite interesting. It takes a bit of effort, but you put the research in: How do people do it? What are the keys to their success? And then you follow that as much as you can. Or maybe that's a recipe for success. It doesn't always work for everyone, but it definitely helps. [00:07:39] Interviewee: I think the hunger plays an important role. Because the hunger for success and the hunger to make this work, I recall not having the equipment for DJing. What I would do, I would download the notes about the DJing. Find out about beat structures, whatever it had to do with DJing, I would find out about it. The equipment, even if I didn't have it, I knew about it. So that was also important. The hunger and the drive. Every time people spoke to me, it was "Hey, are you still DJing? Is the DJ thing still happening?". Interviewer: I lived in Port Elisabeth and I really wanted to get into music production. And this is before I knew you. So this is in the 90's. And I had a Ford Sierra. And I saw this keyboard that I really wanted. It was a Roland JX305. So it was one of those workstation keyboards. And that is the same price as my car. So I am like "I am going to sell my car and I am going to get that keyboard and I will start making music". And that's what I did. Is it something like that that you've done? That you have sacrificed things to get what you need? [00:09:05] Interviewee: Yes! And it's a funny thing. I remember that story of yours. I remember it and it was key to me doing something in my life when I went to Dubai. I sold my car and I went to Dubai and I went to every club in Dubai. And I gave them a profile and I met with promoters, with club owners, with everybody in the industry. And by the time I left Dubai, I had a licensing agreement with one of the biggest record companies in dance music, which is TR Records. Interviewer: Amazing. Interviewee: Yeah! So thank you for selling your car and following your dreams. [laughs] Interviewer: And cars are very important when you are in South Africa. You have to get around, it's a big country, right? So it has not always been like this for you. We've set the scene now, it's DJ Brentano, he is a successful worldwide DJ. Playing in KISS FM in Australia, and I am not even sure where else you play, in other stations around the world. Maybe you can mention a few. [00:10:18] Interviewee: Ibiza. I play on Pure Ibiza Radio. Every week I am on the local station, which is Durban Youth Radio, that is actually still around. Interviewer: East coast radio? Interviewee: East coast radio, I don't think the style that I play is specific to their audience. I think it's a bit different. Mine is a deep soulful house, which is really a niche, if I might say. And dance music, because you have electro and the commercial stuff. Mine is just there, you know? I'm not sure if it is underground, but it finds a nice balance. Interviewer: So it's almost commercial but a little bit underground at the same time. We've set the scene now, you are at this point successful in many people's eyes, but I am sure that there are different levels of success that you are going to attain. But it has not always been like that. Can you just tell us a bit about your upbringing and the neighbourhood you grew up in and I will ask you a bit more about your family in a minute. But just tell us about the neighbourhood that you grew up in. [00:11:56] Interviewee: I grew up in a place called Greenwood Park. I did my primary school in Greenwood Park. And I then moved to a place called Bonella in Mayville. Which was one of the first communities that was integrated after Apartheid. So we had colored people living with Indian people and black people. And a few white people, but very few white people. And that's where I grew up. Interviewer: What was it like to live in a racially mixed Apartheid designated area? The opportunities, I suppose, at the time... You grew up near the tail end of Apartheid. So as a young teenager coming out of that, I think you were just experiencing the democratic South-Africa of the early 90's. But was it still difficult for you to shake that off and then move forward? How did you overcome that mindset, of "This is where we are from" and you are looking at the privilege at the other side of the fence? How did you deal with that, internally? [00:13:19] Interviewee: I think it wasn't that difficult, I was probably thirteen years old. Kids are kids. So whether you are colored, white, Indian, black, the kids were cool. I think it was more the parents that had the issues, because of the systems, the Apartheid systems. I would say there was some teasing, but nothing really hectic. Guys would say "Oh, you are a white guy", or give you a nickname, stuff like that. But nothing hectic. I was going to say, everybody was more or less on an even plain field in our community. Because there were teachers, doctors, nurses. Professionals, who lived in the community. So everybody was more or less on an even plain field, in terms of lifestyle and economic ways. Which makes things better to get together socially, to integrate. Interviewer: So your mum and dad, have they given you inspiration to follow this dream? [00:14:39] Interviewee: Yeah, I think parents would be the hardest people to convince that you want to do music as your career and as your dream. And I actually had a real job. I had a really good job, earning really good money. And one day, something just said to me "You know what, that is enough". And I walked into my boss' office and said "I am not doing this". And I told my parents afterwards. And we really had a fight. They were like "How could you do something like this? Are you sure? Is this really what you want to do?". And I said "Yeah, I have been thinking about this for quite a while". And it has fuelled my ambition in a way, not getting full support. It fuels your passion and your hunger to succeed. Which I think was necessary. I think you need opposition and doubters and that is what I found in my parents. Not that they didn't support me, just out of concern. And I will tell you more about my dad. My dad is a guitar player, son of a pastor, also plays the banjo. A very religious man, prays every single day. For us, for the community. But also keeps a balance in growing us up, he would sacrifice going to church on a Sunday to go and play football for the club, for the local soccer club. Or if you are involved in any instrumental activities, he would make sure that he got involved. He is definitely a pillar of strength. Interviewer: He helped to shape your character, which is awesome. I think that part of what makes you strong or what makes you go and get it is the probably the way you were brought up, a little bit. So credit to your mum and dad for being good parents. Supporting you, giving you that good character, where you say "Yes, I am driving for this, I am going for this. I am not taking 'no' for an answer. I am just going for it". Which is awesome. I don't know where you live at the moment, but you live in the Durban area, what are the opportunities like for people in their 20's now, do you see a shift going on? Are people getting frustrated? Or is there an opportunity at the moment for people in South Africa to do something different? What do you think? [00:17:58] Interviewee: I think that everybody with a cell phone has an opportunity. That's how small the world has become. Somebody in rural South Africa could create an app that could change the world. You don't need anybody, just a cell phone and the internet and you could do whatever you want. You could contact the biggest celebrity in the world on Instagram, on Facebook. I think people just limit themselves. But a cell phone and the internet is everything you need. You have the same opportunities. Interviewer: Yeah, that's a good point, actually. So some people might make an excuse like "I don't have the capital to start up" or something. But I think what you are saying is "You have internet, you have a mobile phone. Do a little bit of research, start learning how to do things. Contact people and network", right? Interviewee: Yeah, everybody around the world does the same thing. Interviewer: Yeah, it's a much smaller world, like you say, because of the internet. How did you overcome the fear? When you gave in your resignation that day, something must have driven you to that point and you overcame that fear by saying "I'm just going to try this, I'm just going out on a limb here". Tell us a bit about that little journey, that you took. [00:19:27] Interviewee: That journey actually started the day I started working at a cooperate company. I realized when I started my business, "I can't do this". But it took me five years to get the courage to walk into the boss' office and say "I'm done, I can't do this anymore". Interviewer: Because you had a stable income, and you are like "Well, life's a bit cushy right now, don't know if I want to give up just yet". Interviewee: Yeah, I decided that I wanted to leave a legacy. And I didn't see myself leaving a legacy sitting at a day-job. That was it. That's all I decided. It took me five years to get the courage to just go and say "No, I'm done". Interviewer: Better late than never. Now you are here where you are, this is your job. Tell us what you do on the daily. Is there a practice that you do every day that keeps you sharp and keeps you creative? What do you do? [00:20:46] Interviewee: Yeah, definitely, On a daily, I work on the software that I produce music on. So every day, I make sure that I at least have a structure of a new song with it. It's just adding drums or keys or synths, I make sure I try and learn in terms of production and stuff. And then also search out new music, see what's happening on the scene in terms of the dance music, culture and stuff. Where I want to be, who is actually doing what I would like to be doing. So I check up on them, what are their moves and stuff. So that is my daily routine. And I try to spend a lot of time in the studio. Like you know, back in the day, I was always in the studio. Even if I wasn't involved. But I would always watch and try and learn. And I still do that. I go into the studio a few times a week, even if it is a hip-hop recording, or whatever, I go in just trying to stay sharp and keep up with the times. Interviewer: So you are hanging out with guys who have their own studio, they might be recording some hip-hop album, or whatever, you just go in and watch what is going on? Interviewee: Yeah. And just take numbers, "Who are you? What are you doing?". And that's how I think we can build up bands and our networks. Interviewer: At the moment, how do you market yourself? Do you have people doing that or do you have to market yourself at the moment? [00:22:35] Interviewee: No, I have to market myself. So I do little videos, I do animation videos. I taught myself a bit of animation. So that is part of my daily routine, I spend a little time on that. Put out a little video. Things like that. It helps being at TR Records, because they license my music and they will do a little marketing. They are obviously in the international market and in Europe and the States. Locally, I struggle a bit. But I am making hit way. It's taking a minute, but I am making some hit way. Interviewer: So you'll find some parts to break through locally there. Are you traveling a bit? Do you have any plans coming up for travel? [00:23:33] Interviewee: Yes, at the moment, the record label is setting up a European tour. So I am waiting on them to release my single and then give me tour dates. Interviewer: Are you coming to see us in the UK? Interviewee: Definitely, I want to do some shows out there. Interviewer: We are going to connect to you in the UK some time. Carvin H Goldstone is coming soon. Interviewee: You told me, you didn't give me the date. We are actually leaving tomorrow morning on the MSE for a week. And then we are back on the MSE on the 18th. Interviewer: Is there something that you do, not related to music? Do you exercise, do you walk on the beach? Do you take your dog out? Do you cycle? Anything like that that you do, that is disconnected, that gives you a bit of calm, or something? [00:24:31] Interviewee: I play a bit of basketball every now and then. And also the ocean, I love the ocean. So I am always swimming and going to the beach. But not as much since they saw a bull shark. So I won't be swimming as much. Interviewer: You obviously DJ in front of crowds, maybe at night clubs or venues or on ships. So there may be some people that know you and follow you. Not necessarily from gig to gig, but I think that people would recognize you and see you at the gig and talking to you afterwards. Is there a sense of mentorship, now that you have gotten to this place? Where you see "Those people, they want to be a little bit like me", how do you deal with that? How do you intend taking that forward? [00:25:33] Interviewee: I do realize it and I try and engage each person on a personal level. So each interaction. But I also speak to younger kids who want to get into DJing, like in my community. I have recently been approached by Boston Media College, to come and speak to the kids who want to get into dance music and production and stuff like that. I just chat in different situations as they come. Interviewer: If a young person would come up to you, would you encourage them? "I want to become a DJ". From your particular point of view, would you encourage that or would you say "First get your university degree and then DJ"? I am not saying which way is wrong or right, I'm just asking what you think. [00:26:39] Interviewee: It would depend, I think I can pick up the hunger. And I've done it in different ways, so if I realize you really want this and this the only thing you want, I would definitely encourage you to follow your dreams, do your research, set a goal. If a DJ or a potential DJ says to me that they want to be the best DJ, I think that's more than enough. That is it. I think that's the starting point and the ending point. If you want to be the best, I can help you and show you the ropes. That's all you need. Interviewer: And people who are really persistent and don't give up on that and would follow it through. They would be the ones who succeed. Interviewee: At anything. Interviewer: Yeah, at anything, really. It doesn't have to be anything in particular, but if you really focus your mind on "That's what I want to do". [00:27:45] Interviewee: Also write it down and read it out to yourself. Write it down and read it out to yourself on a daily. And it will happen. Interviewer: Did you do that? Interviewee: Yeah, I did. And my dad has been telling me to do that for years. And eventually when I did, I started seeing the doors open. Interviewer: I have a whiteboard next to me here and I've taken it down since, but I had this saying that was "Don't ever take shortcuts". So it talks about "Always see it through to the end. Don't try and get shortcuts on things, do it properly". And it really helped me, because my personality is to do things as quickly as you can, get them done no matter what. And cut corners if you need to. And it doesn't always help me. I could do stuff and then it fails and then I give up, because I am trying to cut corners. But if I don't cut corners, it might actually go better. So I've learned a lot. Let me just reiterate. I think what you are saying is; write your goal on a piece of paper, put it somewhere where you see it every day and that is going to help you through it. It's going to say "This is what I want to do, this is where I want to get". [00:29:15] Interviewee: Definitely, some days you don't feel like doing it. And when you see that, it changes something in your mind, and you realize "This is what I want". Even if you don't want it as much, you end up wanting it passionately, after reading it. Interviewer: Creativity is something that is key to your work. What do you do when you hit a writer's block, in a way? You try to write a song, but it's not happening. What do you do? [00:29:53] Interviewee: I just keep going. My first single - the one with The Nudes, Infatuation - took about three or four years to actually get to where I wanted it. I think just be consistent, know that you want the best. Interviewer: Are you saying that song took you a few years to perfect? Interviewee: Yes. Because I had given it to a writer who wrote for it and we were supposed to get into the studio, that person delayed for another year and a half, almost two years. Then I had to give it to a new writer, which I did. They wrote and came into the studio, back and forth, back and forth. But eventually, that song gave me a deal with TR Records. It was worth it. Interviewer: So my personality probably would have been "Oh, this is not working. Let's just try a new one". That's me. So there are probably good things about my character and really good things about yours. Pushing through and saying "I'm not giving up on this thing. This song is good, I know that I just need something on top of it to make it work". Interviewee: The world needs people like you, though. Because shortcuts are what we need. Interviewer: We need a few shortcuts, right? Why do you do what you do? [00:31:56] Interviewee: Why do I do what I do? It makes me feel alive, like I am worth something. Everyone wants to feel worthy, feel valuable, to their fans, their family, to their communities. I found that this showcases a bit of value to the people around me. And I enjoy it, I like it. Interviewer: You enjoy it and you feel valued when you do. And you feel like you are giving value to other people. And then leads me on to my next question. Do you think your music helps people and can help people? What can your music do for people? [00:32:54] Interviewee: I try and put a message in each song. Not necessarily my own message, but sometimes the writer's. When they have written a song, I sit down with them and I hear the story behind the song. I kind of co-write, so there is always an underlying message. I have a song called 'Freedom', which speaks about following your dreams. I am not sure if you have heard it. And my next one is 'Praises go up', I try and keep an inspirational theme, almost. The first song is called 'Infatuation', it's talking about a girl that likes a guy, because of the looks and now she has moved on to better things. Each song does have a message and at the same time it's fun and it's dance music. So you can listen to it for the message or you can listen to it just for the vibe. That's what I want to put out through the music. Just good vibes, good messages. Interviewer: And music is very important to many South African communities. I noticed that when I started to integrate with races besides my race, the white race. And like I say, we grew up just like young teenagers coming out of that separation. We didn't ask to know about it, I must admit, when I was 10, 11, 12 years old. I didn't know anything about Apartheid, necessarily. We just didn't realize it. And then Mandela got released and I started to hang out with people of different colour and I was intrigued by their love for music. And just how music was so important to them. Everybody would have a HiFi stereo at home and it would be pumping music. And as much as they could, they would have a system in their car, that had a big bass. Music was everywhere. And people were dancing. And I think that music is something that frees up people and gives them - like you say - a good vibe. If people listen to music, it gives them a bit of a boost and happiness. That's amazing. Has it changed since then or is it still similar? Is it important to people in those communities? [00:35:38] Interviewee: Definitely, 100%. I think that's where the music actually lives, in those communities. Now it has become more commercialized where you have venues, showcasing artists in the locations and the former disadvantage communities. It has very much become an industry, which makes a lot of money. But the actual vibe at people's houses and stuff, it still goes on. People play their music loudly, neighbours, party until late. It's part of our culture. Interviewer: Next time we have a chat, I'd like to get into that a little bit more, about how music is so important to many South Africans, like we mentioned. Since I've left, I've been in the UK since 2010, I was really impressed. People who don't know me, I am a music producer as I mentioned that earlier. I was really impressed by the quality of music, since I have been away. And I want to talk about that the next time we get together, about how the opportunities are abounding within the music industry. Like you say, there is a lot of money and it's more commercial now. Maybe we could talk about how that could be of benefit to many people out there. But as an ending note, DJ Brentano, if you were to speak to your younger self, your 20-year-old self - not that you are that old - what advice would you give him? You have just come out of school, you are two years out of school, you are searching for what to do, what would you say to him? [00:37:41] Interviewee: I would say "Follow your heart and don't listen to anybody. Follow your heart, it is going to show you the right way". Interviewer: My mum used to say that to me, "Just do what your heart says". I'm like, "What does that even mean?". I just realized, your heart does actually have a brain, I think. Your heart tells you something, doesn't it? And your head is telling you something. If your heart says "Do it", follow it. Interviewee: Do it, yeah. Interviewer: I love it. My man, it has been a privilege talking to you. Interviewee: Thank you, Mister Spin. It's lovely, man. Interviewer: We'll definitely connect again. Interviewee: Yeah, I will try to get up there, we must do some shows there. Interviewer: You know what, I might just quit my job and do it. Interviewee: And follow your dreams. Interviewer: Yeah, definitely, I'm looking forward to round two, so I want to speak to you in a few months' time, maybe two years. Let's say not more than two years. We'll have another chat, see where you are and let's get more people inspired to follow their dreams, listen to your heart and take it forward. It has been really good having you on the show. I wish you all the best. Interviewee: Thanks, Clint! Interviewer: Adios! Interviewee: Peace, bro.

In this episode, I chat with with Anthony McGill, principal clarinetist with the NY Philharmonic.  We have a great conversation about attention and presence, in both practice and performance. Among other things, we discuss his journey to the NY Phil, the importance of absolutely loving music in choosing it as a career, how to nurture focus and make practice more efficient, and how to work towards having more flow in performance. Anthony elaborates on: His musical path, from the Southside of Chicago to the NY Phil The various institutions he attended – the Merit School, the Interlochen Academy, and the Curtis Institute How important the community that surrounds us is as we develop as musicians/artists/people How to nurture focus: The importance of how loving what you do is in fostering focus The quote that really articulated that concept for him How focus starts from figuring out if you truly love what you do Cultivating quality presence, awareness, and curiosity in the practice room are the keys to solid focus How to make practice efficient How he primes and prepares for a practice session How wanting to practice, having a plan, being aware, and being methodical are at the core of a good practice session How he “tricks” himself to practice (which is similar to the trick I talk about in this blog entry: https://www.mindoverfinger.com/blog/commit-to-ten) How listening to music is important Focus in performance: How to work towards flow and overcome mistakes How important it is to develop our public speaking and self-marketing skills Why we should develop an interest in a hobby outside of music   MORE ABOUT ANTHONY: Website: http://www.anthonymcgill.com/ Find some YouTube videos about Anthony HERE Instagram: https://www.instagram.com/mcgillclarinet/ Facebook: https://www.facebook.com/Mcgillab/   Biography Clarinetist Anthony McGill is one of classical music's most recognizable and brilliantly multifaceted figures. He serves as the principal clarinet of the New York Philharmonic — that orchestra's first African-American principal player — and maintains a dynamic international solo and chamber music career. Hailed for his “trademark brilliance, penetrating sound and rich character” (The New York Times), as well as for his “exquisite combination of technical refinement and expressive radiance” (The Baltimore Sun), McGill also serves as an ardent advocate for helping music education reach underserved communities and for addressing issues of diversity, equity, and inclusion in classical music. McGill was honored to take part in the inauguration of President Barack Obama, premiering a piece written for the occasion by John Williams and performing alongside violinist Itzhak Perlman, cellist Yo-Yo Ma, and pianist Gabriela Montero.   McGill's 2018-19 season includes performances of concertos by Bolcom, Copland, Mozart, and Strauss with the New York Philharmonic, Los Angeles Chamber Orchestra, Tallahassee Symphony, Vermont Symphony, and Austin Symphonic Band. He will also collaborate together with soprano Miah Persson in a performance of Schubert's “The Shepherd on the Rock” together with Iván Fischer and the New York Philharmonic. Additional performances include a collaboration with the Dover Quartet for the Philadelphia Chamber Music Society and a recital with soprano Julia Bullock for the Metropolitan Museum of Art, along with collaborations with the Brentano Quartet for Princeton University and a tour of Asia with the Chamber Music Society of Lincoln Center.   McGill appears regularly as a soloist with top orchestras around North America including the New York Philharmonic, Metropolitan Opera, Baltimore Symphony, San Diego Symphony, and Kansas City Symphony. As a chamber musician, McGill is a favorite collaborator of the Brentano, Daedalus, Guarneri, JACK, Miró, Pacifica, Shanghai, Takacs, and Tokyo Quartets, as well as Emanuel Ax, Inon Barnatan, Gloria Chien, Yefim Bronfman, Gil Shaham, Midori, Mitsuko Uchida, and Lang Lang. He has led tours with Musicians from Marlboro and regularly performs for the Chamber Music Society of Lincoln Center and the Philadelphia Chamber Music Society. Festival appearances include Tanglewood, Marlboro, Mainly Mozart, Music@Menlo, and the Santa Fe, Seattle, and Skaneateles Chamber Music Festivals.   In January 2015, McGill recorded the Nielsen Clarinet Concerto together with Alan Gilbert and the New York Philharmonic, which was released on DaCapo Records. He also recorded an album together with his brother Demarre McGill, principal flute of the Seattle Symphony, and pianist Michael McHale; and one featuring the Mozart and Brahms Clarinet Quintet with the Pacifica Quartet that were both released by Cedille Records.   A dedicated champion of new music, in 2014, McGill premiered a new piece written for him by Richard Danielpour entitled “From the Mountaintop” that was commissioned by the New Jersey Symphony, Kansas City Symphony, and Orchestra 2001. McGill served as the 2015-16 Artist-in-Residence for WQXR and has appeared on Performance Today, MPR's St. Paul Sunday Morning, and Mr. Roger's Neighborhood. In 2013, McGill appeared on the NBC Nightly News and on MSNBC, in stories highlighting the McGill brothers' inspirational story.   A graduate of the Curtis Institute of Music, McGill previously served as the principal clarinet of the Metropolitan Opera and associate principal clarinet of the Cincinnati Symphony Orchestra. In-demand as a teacher, he serves on the faculty of the Juilliard School, the Curtis Institute of Music, Bard College's Conservatory of Music, and the Manhattan School of Music. He also serves as the Artistic Advisor for the Music Advancement Program at the Juilliard School, on the Board of Directors for both the League of American Orchestra and the Harmony Program, and the advisory council for the InterSchool Orchestras of New York.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/   Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/

1. Circles (Intro) - Adam F, 2. It's My Time - Atjazz & Julian Gomes, 3. Hold Tight (Re-Tide Remix) - Change, 4. Girl's Groove - Moodena, 5. Everybody Loves the Sunshine (Opolopo & Gabriele Piso Remix) - Roy Ayres, 6. Life Lessons - Mark Francis ft Kia Stewart, 7. After the Storm (George North Mix) - HyperSoul-X, Ma-B & Lulu B, 8. Moving On - Dj Disciple ft The Real Shakar, 9. Freedom - The Nudes & Brentano, 10. In the Spirit of Love - Brian Christopher, 11. My Soul is a Witness (Keytronik's Oh Yeah Mix) - Jasper St. Co. & Karizma, 12. Push the B-Line On - Let's Go Closer

It was a pleasure to chat with Leigh Mesh for the podcast!  Leigh is the MET Orchestra Associate Principal Bass and teaches bass at Bard College.  This is a fun and wide-ranging conversation with a ton of great advice throughout. About Leigh Mesh: Leigh Mesh, Associate Principal Bass, joined the Metropolitan Opera Orchestra in 1993. A graduate of the Curtis Institute of Music, he has taught master classes at the New World Symphony in Miami, the Cincinnati Conservatory, the Juilliard School and the Manhattan School of Music. Mr. Mesh has performed regularly at the Verbier Music Festival, and with the MET Chamber Ensemble, the Caramoor Virtuosi, and the Brentano and Tokyo String Quartets. He lives with his wife and two children in New York, and pursues cycling and skiing whenever he can. Mr. Mesh is an exclusive artist for Thomastik-Infeld Strings. Links to Check Out: Leigh Mesh teaching and performing Brahms Symphony No. 2 on the New World Symphony's MUSAIC site Leigh's MET Orchestra page more about the Bard College bass program Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Robertson & Sons Violins For more than four decades, Robertson & Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. D'Addario Strings This episode is brought to you by D'Addario Strings! Check out their Kaplan strings, which have versatility and control throughout the dynamic spectrum, rich tonal color palette, superb bow response, and beautiful balance. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Subscribe to the podcast to get these interviews delivered to you automatically!

S01E06 Brentano - Simphonie

Lisa Brentanos Beitrag zum Preacher Slam im Zeitfenster-Gottesdienst am 8. September 2017. Das Thema lautete: Essen ist fertig!

Zu Beginn ein wunderbares Schlaflied von Clemens Brentano. Fast könnte man meinen, 'Der kleine Prinz' sei gemeint; doch der wurde erst hundert Jahre später verfasst. Ob der Franzose Antoine de Saint Exupéry auch deutsche Gedichte gekannt hat?

23. Juli 1836: das Datum eines von vielen Briefen des großen Romantikers Clemens Brentano an Emilie Lindner, Schweizer Malerin, von ihm umschwärmt, belagert - sie hat den Romantiker durchschaut. Autorin: Carola Zinner

Professor Grant Gillett presents his play, "The soul and things themselves - being conscious is being in it"

Titre : Légendes et archives de la Bastille (2e édition) / par Frantz Funck-Brentano ; avec une préface de M. Victorien Sardou Auteur : Funck-Brentano, Frantz (1862-1947) Éditeur : Hachette (Paris) Date d'édition : 1898 Contributeur : Sardou, Victorien (1831-1908). Préfacier Sujet : Prisons -- France -- Paris (France) Format : 1 vol. (XLVIII-277 p.) : pl. ; In-16 Source : Bibliothèque nationale de France, département Philosophie, histoire, sciences de l'homme, 8-LK7-31299 (A)

VIDEO: The Brentano Quartet Plays Schubert and Adolph Franz Schubert's short, hectic life was full of "what ifs" -- unfinished sketches, abandoned works and fragmentary thoughts. Many of these leftovers were quite extraordinary despite their obvious limitations. Among them is the Quartettsatz in C minor, a piece whose first movement Schubert completed in 1820 but whose Andante he abandoned for unknown reasons. Sensing its value, the Brentano String Quartet commissioned the New York composer Bruce Adolph to write a response in his own style, and he responded with Fra(nz)g-mentation, a dense yet witty homage to the original. During a recent visit to New York the Brentano played the two works back to back in the WQXR Cafe. “This Quartettsatz is a piece we’ve played a lot and really love,” explained Mark Steinberg, the Brentano’s first violinist. “We wondered a lot why he didn’t finish the quartet because I think it’s as great as the other late quartets. Then I found out he had started a second movement and I thought it would be so nice to play that in a concert and give this piece the kind of scope that another Schubert quartet might have.” Steinberg and his fellow quartet-mates didn’t want to ask a living composer to simply mimic Schubert, so they asked Adolph to write music in his own style that would "make the piece more complete in a sense." The commission became the backbone of "Fragments," a project celebrating the Brentano’s 20th anniversary season, which runs through 2012. Along with Schubert, the group took abandoned pieces by Bach, Shostakovich, Haydn and Mozart, and commissioned several composers to write individual responses to them. Along with Adolphe, Charles Wuorinen, John Harbison, Stephen Hartke and Vijay Iyer contribute to the project, joining an older work by Sofia Gubaidulina. “We really wanted to create a dialogue between the past and the present and that’s a major theme of the program,” said Steinberg. Several venues contributed to the commissioning project, including Carnegie Hall, where the Brentano will perform the pieces over two concerts, the first taking place on Thursday night. “Fragments” is just the latest in a series of grand conceptual projects that the Brentano have undertaken over the quartet’s 20-year history, including “Bach Perspectives,” a 2003 venture in which they commissioned 10 contemporary composers to write responses to Bach's magisterial Art of Fugue. Steinberg believes that by pairing new and old pieces, the quartet can help provide context for seemingly foreign contemporary sounds. “The variety of styles that’s around right now makes it difficult to get inside the language of one composer if you don’t know them well,” he said. “So having something that’s linked to the past, that provides a way in. The best way to approach music is through other music.” Video: Amy Pearl; Sound: Edward Haber; Text: Brian Wise  

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. According to the Brothers Grimm, the seventeenth-century Italian book titled The Tale of Tales by Giovan Battista Basile was the first and most important collection of oral fairy tales. This book contains the first versions of famous tales such as Cinderella and Sleeping Beauty. The Grimms believed that "The Tale of Tales," written in the Neapolitan dialect, echoed the original myths of the Italian people who, according to the Grimms, were closer to ancient history. Clemens Brentano, another fundamental representative of German Romanticism, held that Basile's book had primarily a literary character and was not just a transcription of oral tales. Both the Grimms and Brentano rewrote some of Basile's most beautiful fairy tales according to their opposite poetic views. This talk examines the adaptations of Brentano and the Grimms and sheds light on why these fundamental tales (e.g., Cinderella) matter today, why their “spell” still seems natural and immutable, and what they may say about the future of storytelling.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. According to the Brothers Grimm, the seventeenth-century Italian book titled The Tale of Tales by Giovan Battista Basile was the first and most important collection of oral fairy tales. This book contains the first versions of famous tales such as Cinderella and Sleeping Beauty. The Grimms believed that "The Tale of Tales," written in the Neapolitan dialect, echoed the original myths of the Italian people who, according to the Grimms, were closer to ancient history. Clemens Brentano, another fundamental representative of German Romanticism, held that Basile's book had primarily a literary character and was not just a transcription of oral tales. Both the Grimms and Brentano rewrote some of Basile's most beautiful fairy tales according to their opposite poetic views. This talk examines the adaptations of Brentano and the Grimms and sheds light on why these fundamental tales (e.g., Cinderella) matter today, why their “spell” still seems natural and immutable, and what they may say about the future of storytelling.

Eigentlich hätten sie wissen können, dass es nicht gut gehen würde miteinander. Trotzdem gaben sich Sophie Mereau und Clemens Brentano am 29. November 1803 das Ja-Wort. Dichter trifft Dichterin, das Ergebnis war eher prosaisch. Autor: Armin Strohmeyr

23.06.1836: das Datum eines von vielen Briefen des großen Romantikers Clemens Brentano an Emilie Lindner, Schweizer Malerin, von ihm umschwärmt, belagert. Das Portrait, das die Künstlerin dafür von ihm malte verrät allerdings - sie hat den Romantiker durchschaut.