Podcasts about Kuleshov

In copertina: Lev Vladimirovič Kulešov Dopo la Rivoluzione russa, il cinema sovietico vive una fase di caos e rinascita: dai limiti del Comunismo di guerra ai primi cinegiornali propagandistici, fino alla NEP che riaccende la produzione. In questo episodio scopri come figure come Kuleshov, Bauer e Protazanov abbiano gettato le fondamenta del cinema sovietico, sperimentando il montaggio come linguaggio rivoluzionario. Un viaggio essenziale per capire l'evoluzione dell'industria cinematografica e l'impatto globale dell'innovazione russa sul modo di fare cinema. Learn more about your ad choices. Visit megaphone.fm/adchoices

How to make people like you? How to understand people and your own behavior? Sometimes we do something weird and then think, ‘What was the logic of my behavior?' In fact, there's always some logic, but most often it hides in certain peculiarities of your mind. We're going to tell you about ten psychological effects that affect you almost every day. TIMESTAMPS The Anchoring Effect 0:41 Deflection to the Result 1:10 The Paradox of Choice 1:39 Clustering Illusion 2:07 Pratfall Effect 2:29 The Kuleshov Effect 2:53 "Body Negative" 3:42 Survivorship Bias 4:02 Hard-to-Reach Effect 4:28 The Fear of Beauty 4:51 SUMMARY People feel it much easier to evaluate something if they have the original price (even if it's wrong) as a kind of anchor. We often judge the correctness of a decision by the final result, not by the actions taken to achieve it. This effect is often used by those ads which concentrate you only on the final result (for example, on buying).  The paradox of choice says that the more options there are, the less the possibility we'll be happy with our final choice.  Clustering Illusioт is characterized by the tendency to see a certain system in random coincidences. This especially applies to gamblers and lovers of fate signs. Perfection is repulsive, and mistakes are attractive — they make us more human. That's why you shouldn't get too upset having stumbled in front of anyone.  The effect when a viewer, after seeing two unrelated frames, unconsciously makes up a logical connection between them is called the Kuleshov effect. "Body negative" is a condition where a person thinks they're ugly, and this is why their personal life is a fail. And their whole life is a fail. Most often we judge a situation only by successful people ("survivors"), and that's why we know just one side of it. For example, we envy a businessperson who got rich selling Bengal lights, but we don't know how many businesspeople failed with them.  Even if we look at it from a human level: closed, high-status, "no-one-knows-what's-on-their-mind" people always seem more attractive than others. Some people feel excessive tension next to beautiful people: excitement, double control of one's actions, the desire to save face, and fear of comparison. Such stress doesn't arise next to an average person. Do you know any interesting psychological tricks that help in communicating with anyone? Share them in the comments! Subscribe to Bright Side : https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook:   / brightside   Instagram:   / brightgram   5-Minute Crafts Youtube: https://www.goo.gl/8JVmuC ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Adversity Kings, host Tristan Dlabik sits down with bodybuilder Lukas Lakutsin and his coach Vsevolod Kuleshov for an in-depth discussion about the world of bodybuilding. They dive into topics like training, the science behind dieting, and the mental and physical challenges of competition prep. Lukas shares his journey and future goals in the sport, while Vsevolod offers insights into coaching, performance optimization, and how to approach long-term success in bodybuilding. Whether you're a seasoned athlete or just starting out, this conversation is packed with valuable knowledge and inspiration. Tune in for an inside look at what it takes to succeed in the world of competitive bodybuilding!

Sometimes we do something weird and then think, ‘What was the logic of my behavior?' Was it there? In fact, there's always some logic, but most often it hides in certain peculiarities of your mind. The human psyche is a pro at hiding its own secrets. Scientists have been working for years to understand everything about the mind and brain, yet there's still so much left to find out. But you don't necessarily have to be an expert in psychology to understand what's going on in other people's heads and use it to your advantage. There are some psychological tips that work on a subconscious level that help you win another person's trust, get somebody's approval, and relax when you're stressed out. Watch the video till the end to understand why we always want something that is impossible to achieve and why we act one way or another! TIMESTAMPS: Who people look at when they're laughing 1:04 Constant changing of your memories 2:09 How to get any information you need 4:42 Clustering illusion 7:15 The secret of a small mirror 8:29 The Kuleshov Effect 11:28 How much time you spend in La-la Land 12:11 "Body Negative" 13:52 What 3 things you can't NOT notice 14:10 Survivorship Bias 15:30 Hard-to-Reach Effect 17:32 The Fear of Beauty 19:30 #psychologicaltricks #readpeople #psychologyhacks Music: https://www.youtube.com/audiolibrary/... SUMMARY: - After a good joke or in the middle of an interesting discussion, every person instinctively looks at the person they like the most. This is because they want to make sure that the object of their desires approves of and shares their sense of humor. - People often imagine their memories like short films or video clips. You store them somewhere in the attic of your brain, and they stay there collecting dust and never changing. But this isn't exactly true. - If you don't like the answer someone has given you, or it seems like they're not telling you the whole story, just keep staring at them. - If you have to talk to a lot of people at work, hang a small mirror behind your desk. You'll be surprised that many people will be more polite and ready to meet you halfway in negotiations. This is because nobody likes to see themselves angry or annoyed. - The effect when a viewer, after seeing two unrelated frames, unconsciously makes up a logical connection between them is called the Kuleshov effect. - Scientists from the University of California are saying that every single day people spend 30% of their time in La-la Land. - "Body negative" is a condition where a person thinks they're ugly, and this is why their personal life is a fail. And their whole life is a fail. Most often such people are attractive, and the problem is more about self-esteem than real flaws. - You can't NOT notice 3 things: food, sex, and danger - Most often we judge a situation only by successful people ("survivors"), and that's why we know just one side of it. - Roughly speaking, this is the phenomenon telling that the hard-to-reach is always more desirable. Even if we look at it from a human level: closed, high-status, "no-one-knows-what's-on-their-mind" people always seem more attractive than others. - Some people feel excessive tension next to beautiful people: excitement, double control of one's actions, the desire to save face, and fear of comparison. Such stress doesn't arise next to an average person. Subscribe to Bright Side : https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook:   / brightside   Instagram:   / brightgram   5-Minute Crafts Youtube: https://www.goo.gl/8JVmuC ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Marshall and Stan discuss the importance of cinematic perspective in storytelling, emphasizing how camera placement, movement, lighting, and color can influence the audience's emotions and perceptions. By manipulating these elements, artists can create dynamic and engaging narratives. They also touched on the contrast between continuity and dialectic approaches in film editing, using examples from classic and modern films to illustrate how these techniques enhance storytelling. Learn to Draw - www.proko.com Marshall Vandruff - www.marshallart.com Stan Prokopenko - instagram.com/stanprokopenko Show Links (some contain affiliate links): The Perspective Course - http://proko.com/perspective  Marvel's The Art of Storytelling - http://proko.com/marvel  Cody Shank - https://codyshank.com  Sergei Eisenstein - https://en.wikipedia.org/wiki/Sergei_Eisenstein  Vsevolod Pudovkin - https://en.wikipedia.org/wiki/Vsevolod_Pudovkin  The Kuleshov Effect - https://en.wikipedia.org/wiki/Kuleshov_effect  Storytelling - Draftsmen S3E32 - https://www.proko.com/course-lesson/storytelling-draftsmen-s3e32/  Storytelling Lessons from The Simpsons - https://www.proko.com/simpsons  Books: Tongue Twisters by Alvin Schwartz - https://amzn.to/46xEeup The Elements of Eloquence by Mark Forsyth - https://amzn.to/4fs9sr3  Nicholas Nickleby by Charles Dickens - https://amzn.to/4ceFCDh  The Pickwick Papers, AKA The Posthumous Papers of the Pickwick Club by Charles Dickens - https://amzn.to/3WsCxcU  A Christmas Carol by Charles Dickens - https://amzn.to/4fxI8HO Sense and Sensibility by Jane Austin - https://amzn.to/3A7yDic  Pride and Prejudice by Jane Austin - https://amzn.to/4ceFNyr  Where's Waldo by Martin Handford - https://amzn.to/3AaBA1z  Understanding Movies by Louis Giannetti - https://amzn.to/4ca5hx6  Thank You For Arguing by Jay Heinrichs - https://amzn.to/4dweyk9  Movies: Ben-Hur (1925) - https://amzn.to/3YAbeAq  The Bear (2022 - Present) - https://www.hulu.com/series/05eb6a8e-90ed-4947-8c0b-e6536cbddd5f  Peaky Blinders (2013-2022) - https://www.netflix.com/title/80002479  Toy Story (1995) - https://amzn.to/4clhAGS  M*A*S*H (1970) - https://amzn.to/3X3u2H7  The Wizard of Oz (1939) - https://amzn.to/46CgdT1  Battleship Potemkin (1925) - https://amzn.to/4ci88Ed Back to the Future (1985) - https://amzn.to/4cgTD3m  Memento (2000) - https://amzn.to/46xFfCJ Betrayal (1983) - https://www.youtube.com/watch?v=iu2iT8fj3VI  Cast Away (2000) - https://amzn.to/46B5loi  Network (1976) - https://amzn.to/3LSlFHV  The Social Network (2010) - https://amzn.to/3SFdtyj  Double Indemnity (1944) - https://amzn.to/3WuiPh4  The Hangover (2009) - https://amzn.to/3Aaxwyd  The Good, The Bad, and The Ugly (1966) - https://amzn.to/3SFuWXv Midnight Run (1988) - https://amzn.to/4dhMl0U One Hour Photo (2002) - https://amzn.to/4dw3XFY  Dr. Strangelove (1964) - https://amzn.to/4dbPXBq  Ordinary People (1980) - https://amzn.to/3SExoO9  Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on this audio-only podcast, Paul and Ben talk about YouTube's streaming issues, AI and realistic-looking video games, 2nd person shooter, SketchFest, the Kuleshov effect, the left calling the right Weird, Paul's new long-term goal, coded racism, the Prisoner finale, Truck Lorry, the assassination attempt, Trump's appearance with the NABJ, … Continue reading →

Ben Flanagan attempts to make sense of a world mobilised by reaction for reaction's sake, armed with the Kuleshov effect and Elizabeth Taylor's curious performance in Identikit.

https://www.valadria.com/game-trailers-with-derek-lieu/ Does anybody read the text that I type into this box? I have no idea. Anyway here's a timecode dump from my notes, maybe this is helpful: 0:16: getting into game trailers 4:40: overflow work 5:15: charging not enough, less agency / more indie 5:15: undercharging 8:00: make fan trailers 11:00: where to post trailers / content 13:08: give advice about what you're doing 16:00: trailer categories 17:50 types of game trailers 20:42: trailer lengths 21:40: What gameplay to show? 24:56: Movie trailers 28:28: The magic of good editing 29:50: Kuleshov effect 31:03: Advanced game trailer problems 32:35: End slates 33:01: Logo Soup 33:33: Logos and branding 37:29: Spelunky 2 45:35: Game trailer courses 48:32: Anything identifiable from your game 49:56: Ice Cream Analogy 50:59: Outro Thanks for listening! Support this show by sharing, rating/writing review(s), and buying my book. I appreciate it. -Matt --- Send in a voice message: https://podcasters.spotify.com/pod/show/make-the-game/message

Andrew - founder/ceo/cto; applied his previous experience building self driving cars to e-commerce AI engine. Karim - ecommerce guru,amazon growth expert, more than 500M+ in amazon sales. Alex - sales professional with a customer-first mindset. Passionate about building up teams to help them grow and expand by removing manual work and helping make the most efficient business decisions.alexander@hyperc.com

What is the character in the film looking at? How does the object of their vision color how we interpret their countenance? In this episode of Stuff to Blow Your Mind, Robert and Joe discuss the Kuleshov effect from film theory and what studies in experimental psychology and neuroscience reveal. (01/27/2022)See omnystudio.com/listener for privacy information.

What is the character in the film looking at? How does the object of their vision color how we interpret their countenance? In this episode of Stuff to Blow Your Mind, Robert and Joe discuss the Kuleshov effect from film theory and what studies in experimental psychology and neuroscience reveal.(originally published 01/25/2022) See omnystudio.com/listener for privacy information.

Escudella i carn d'olla amb panettone. Crítica teatral de l'obra «Terra baixa (El llop», d'Àngel Guimerà. Intèrprets: Alexandra Olmo (Marta), Àlecs Guixà (Manelic), Pep Carpena (Sebastià), Jordi Ferragut (Tomàs), Blanca Lasobras (Nuri), Daniel Masalles (Mossèn), Alba Segarra (Nanda), Marc Andreu (Josep), Roser Martínez (Antònia), Toni Aguilar (Xeixa) i Tuni Salvadó (Pepa). Realització: Emili Sampietro. Il·luminació: Albert Faura. Escenografia: Enric Planas. So: Joan Gorro. Vestuari: Míriam Compte. Caracterització: Helena Fenoy i Marta Farré. Cap de producció: Bet Orfila. Cap tècnic: Arnau Planchart. Regidor: Pol Quintana. Fotografia: David Ruano. Disseny cartell: Estudi Neus Pacheco. Producció executiva: Lídia Figueras. Ajudant de direcció: Enric Cambray. Direcció: Àngel Llàcer. Teatre L'Atlàntida de Vic, Teatre Kursaal de Manresa, Teatre El Foment de Juneda, Teatre Àngel Guimerà del Vendrell, Teatre Nau Ayats d'Arbúcies, Teatre de La Passió d'Esparreguera, Teatre Principal d'Olot, Centre Cultural de Terrassa, Teatre de La Passió de Cervera, La Llotja de Lleida, Teatre Principal de Valls, Teatre Plaza de Castelldefels, Teatre Casal de Centelles, Teatre Ateneu d'Igualada, Teatre Ateneu de Tàrrega, Teatre Casal de Vilafranca del Penedès, Teatre Ateneu de Tàrrega, Espai Ter de Torroella de Montgrí, Teatre Tarragona, Teatre La Faràndula de Sabadell, Teatre Ateneu de Sant Celoni, Teatre Ateneu de Mollet del Vallès, Teatre Auditori de Castellar del Vallès , Teatre El Casal Riudomenc de Riudoms i Teatre Jardí de Figueres, del 29 d'abril al 25 novembre 2022. Teatre Municipal de Girona, Festival Temporada Alta, 26 i 27 novembre 2022. Emissió TV3: 25 desembre 2022. Programa “El llop” de TV3: Direcció de producció: Elisabet Sànchez. Producció executiva TV3. Cristian Trepat i Mario Daza. Producció executiva: Turruà Llàcer i Guillem Cabra. Coordinadora de continguts de TV3: Reyes Marimon. Producció teatral La Perla 29: Bet Orfila. Lingüista: Clara Queraltó. Cap de màrqueting: Jordi Sellas. Coordinació de guió: Nacho Díaz. Guió “El llop”: Elisenda Pineda. Redacció: Ada Ripollès. Community Manager: Marta Meya. Ajudant de càsting: Ana Sanabria. Ajudant de producció: Blanca Andreu. Auxiliars de produció: Laura Soler, Lorena Masa, Ainara Martos i Marta Soler. Director de fotografia: Marc Duran. Direcció d'art: Carol Sànchez. Estilisme: Ariadna Julià. Maquillatge i perruqueria: Carolina Capo. Grafisme: Dani Gonzàlez i Benja Villegas. Sintonia programa: Manu Guix. Etalonatge: La casa de Kuleshov. Documentació TV3: Francesc Pérez. Continguts digitals TV3: Jordi Salvat i Sònia Gonzàlez. Ajudant de realització: David Martínez. Operadors de càmera: Germán Rubies, Jordi Julià, Marc Tardiu, Germán de Santiago, Nando Gutiérrez i Alan Fábregas. Cap tècnic: Jordi Roselló. So directe: La fábrica de carbón. Muntatge: Otto Gómez (AMMAC), Luís Calvo i Núria Campabadal. Ajudant de muntatge: Miguel Gálvez. Postproducció d'àudio: La fábrica de carbón. Ajudant direcció teatral: Enric Cambray. Direcció: Àngel Llàcer i Jose Marín. TV3: 25 desembre 2022. Veu: Andreu Sotorra. Música: La cançó del lladre. Interpretació: La Troba Kung-Fú. Composició i arranjaments: Tradicional i Joan Garriga. Àlbum: Clavell Morenet, 2007.

Movies inform much of culture, why shouldn't they inform our games? How do we use the Kuleshov effect, Formalism, and mise-en-scène at our tables? Yui joins to talk movie terms, ideas, and inspirations that we can use in our Mage games. Show Notes Comrade Yui on Letterboxd Comrade Yui on Twitter Movies mentioned! What Dreams May Come Assault on Precinct 13 Constantine Patlabor 2: The Movie The Art of Self Defense Army of Shadows Zu Warriors from the Magic Mountain No Country for Old Men Indiana Jones and the Raiders of the Lost Ark I Heart Huckabees The Last of the Mohicans Stranger than Fiction Grosse Point Blank --- Send in a voice message: https://anchor.fm/mage-the-podcast/message

Jackie and Greg take on Sergei Eisenstein's landmark silent film from 1925. Topics of discussion include Eisenstein's montage theory, the Kuleshov effect, the film's origins as a piece of Soviet propaganda, and how the Odessa Steps sequence is probably the most iconic in all of cinema.#11 on Sight & Sound's "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew Cox

Once more, it's time for a weekly dose of Stuff to Blow Your Mind and Weirdhouse Cinema listener mail... Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

What is the character in the film looking at? How does the object of their vision color how we interpret their countenance? In this episode of Stuff to Blow Your Mind, Robert and Joe discuss the Kuleshov effect from film theory and what studies in experimental psychology and neuroscience reveal. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

What is the character in the film looking at? How does the object of their vision color how we interpret their countenance? In this episode of Stuff to Blow Your Mind, Robert and Joe discuss the Kuleshov effect from film theory and what studies in experimental psychology and neuroscience reveal. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Lev Kuleshov, the Russian filmmaker and one of the first pioneers of Film theory. The Kuleshov effect influenced directors like Hitchcock. This snacky episode takes us through the contributions and effects of this Russian film theorist and filmmaker.  Email id: metaphysicallab@gmail.com/  You can follow us and leave us feedback on Facebook, Instagram, and Twitter @eplogmedia, For partnerships/queries send you can send us an email at bonjour@eplog.media   Intro Music: "Hard Boiled" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/ Outro Music: Shades of Spring by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4342-shades-of-spring License: https://filmmusic.io/standard-license See omnystudio.com/listener for privacy information.

ACT 1 Wow! A real one. Better listen if you want to hear it. Happy to answer questions, just let us know. Spoilers for act 1 right *now*: Project lists, deer, Kuleshov, Nicki Minaj!   ACT 2 Charlie and Joey talk about TWELVE MINUTES, a game that neither of them actually ended up playing. Show Notes Kuleshov Effect One of Elizabeth Bruenig's controversial tweets

I detta avsnitt: vetenskapen bakom att bränna vid mat, Max Planck under andra världskriget, Kuleshov-effekten, kolhydrats-nyheter, dinosaurie-gissningar, nobelpristagare anno 1903 samt mycket mer. Skriver gör man till poddenrimligheten@gmail.com

Thanks for listening to the first episode of the Obsessed With Movies podcast. If you enjoy this episode please subscribe and share it with a friend. I also stream on twitch! Come say hi- https://twitch.tv/koalabull Join My Discord and Talk Movies, TV, and Videos Games: https://discord.gg/2UETNucmBj

We marvel at the costumes and puzzle over the plot line of Jean Epstein’s 1924 silent film ‘Le Lion des Mogols’. See links below. Nike GO FlyEase: https://news.nike.com/news/nike-go-flyease-hands-free-shoe Cornercopia Store: https://cornercopiastore.co.uk/ Jean Epstein (director), Boris Bilinsky (costume design), The Lion of the Moguls (1924): https://www.imdb.com/title/tt0191246/ Le Lion de Mogols on the Cinémathèque française website: https://www.cinematheque.fr/henri/film/48393-le-lion-des-mogols-jean-epstein-1924/ François Albera, Albatros: Des Russes à Paris, 1919-1929 (Cinémathèque française 1995): http://www.cineressources.net/consultationPdf/web/o000/592.pdf Samantha Leroy, Jean Epstein / Fiction / France / 1924 – Autour de Film: https://www.cinematheque.fr/catalogues/restaurations-tirages/film.php?id=48393#autour-du-film Michael Organ and René Clémenti-Bilinsky (compiled by), ‘Boris Bilinsky French Metropolis Posters & Montages 1927’ (2016): https://documents.uow.edu.au/~morgan/metrojc.htm Adrian Curry, ‘Movie Posters of the Week: “Metropolis” and the posters of Boris Bilinsky’, Mubi, Notebook Column (31 August 2013): https://mubi.com/notebook/posts/movie-poster-of-the-week-metropolis-and-the-posters-of-boris-bilinsky Jean Baptiste Vanmour at Rijks Museum, Amsterdam: https://www.rijksmuseum.nl/en/rijksstudio/artists/jean-baptiste-vanmour Eugène Delacroix, Death of Sardanapalus (1827): https://www.louvre.fr/en/oeuvre-notices/death-sardanapalus Ivan Mosjoukine, National Portrait Gallery, London: https://www.npg.org.uk/collections/search/person/mp147007/ivan-mosjoukine Gert Stienissen, ‘The original Kuleshov experiment’ (2011): https://www.youtube.com/watch?v=5JTX2DD4qTQ

This week, we put on our suits and head back to the courtroom. O.J. Simpson pleads not guilty, Marcia Clark finishes questioning Kato Kaelin and Bob Shapiro continues to furrow his brow. Digressions include "Speed," the Kuleshov effect and the intentional boringness of American law. In the final ten minutes, we talk briefly about the crime scene and Marcia’s reaction to it. If you'd like to see the arraignment footage for yourself it's here.Support us:Subscribe on PatreonDonate on PaypalBuy cute T-shirtsSupport the show (http://patreon.com/yourewrongabout)

Um, dois, três... gravando! E se você tivesse muito pouco tempo para contar tudo de mais relevante que aconteceu em 2020? O cineasta Gunga Guerra fez essa escolha, mostrando que o que realmente importa pode ser dito em um minuto. Temas maiores – e polêmicos! – como a pandemia de Covid-19, o governo Bolsonaro, o descontrole do desmatamento no Brasil e o genocídio indígena figuram em seus curtas de animação, exibidos e premiados em festivais em todo o mundo. Nascido em Moçambique e naturalizado português, o cineasta vive há décadas no Brasil, e foi o turbilhão de episódios graves vividos pelo país que ele escolheu que o fez retomar a produção audiovisual, depois de anos dedicados às artes plásticas.  “Começaram a surgir ideias para fazer pequenos curtas, como se fossem pequenas crônicas e críticas. Daí aconteceu, veio um atrás do outro,” lembra Guerra, cujo primeiro curta de animação, “Infláveis”, participou do 25° Festival Internacional de Cinema de Contis, na França, em 2020. A intensidade do trabalho do cineasta não se traduz apenas em concentrar suas ideias em animações de um minuto. Também é a “provocação” que o move. Há 20 dias do fim do processo de inscrição para o 7° Festival de Nanometragem de São Paulo, Guerra trabalhou sem cessar. E tanto, que conseguiu inscrever dois curtas: “Infláveis”, eleito melhor filme do festival, e “Contagiante!!!”. “No meio dessa loucura de fazer essa animação, já veio a ideia de outra, ligada ao desmatamento e ao genocídio indígena. Eu fiquei desesperado, achando que não iria dar tempo, mas eu consegui me organizar e resolver de maneira simples. [O segundo curta] Também foi para o festival, foi selecionado, e está tendo uma carreira em outros festivais. Foram duas provocações que eu consegui fazer e que começam a me dar vontade de fazer outras, e está acontecendo”, conta. “Infláveis” também foi eleito Melhor Animação no Festival do Minuto, em São Paulo, e “Contagiante!!!” recebeu o prêmio de Melhor Nano Minuto, além de Melhores Minutos no Concurso Quarentena do mesmo festival. Curtos e internacionais A escolha por assuntos tão factuais e polêmicos também contribui para a visibilidade de suas animações em outros países. O nanocurta “(Des)matamento”, por exemplo, recebeu Menção Especial no Asia South East-Short Film Festival, além de participar dos festivais Metricamente Corto (Itália), Festival Bang Awards (Portugal) e Monthly Edition Mindie (EUA). Já “Kuleshov e o vírus” viajou para festivais no Canadá, Índia, Alemanha, Portugal e Estados Unidos.  “(Des)matamento, por exemplo, tem uma mensagem bem universal, então ele foi bem mais entendido e está tendo uma vida mais longa em outros festivais. Kuleshov [e o vírus] também, como tem muito a ver com essa questão que a gente está vivendo, de pandemia, as pessoas entendem. E o interessante dessa parte de fazer áudio e vídeo nos curtas-metragens é essa união que você pode brincar e amplificar a imagem, fazer algumas coisas de contraste com áudio”, observa o cineasta. Guerra explica que “Infláveis é uma alegoria crítica à postura de censura e ao processo de idiotização sofridos pela Educação e pela Cultura no governo de Jair Bolsonaro. Enquanto (Des)matamento constrói uma analogia entre o desmatamento e o genocídio indígena, também perpetrado pela atual gestão presidencial. Já Contagiante!!! aborda visceralmente a conduta irresponsável e genocida do atual presidente e seus seguidores [em relação à pandemia]”. Gunga Guerra se soma a tantas outras pessoas que esperam virar a página do ano que passou e ter boas novas em 2021. Mas este cineasta do minuto já avisa que mesmo as boas notícias não devem mudar a pauta de seu trabalho, que promete continuar usando seu minuto de fama para denunciar causas políticas, sociais e ambientais. “Eu espero ter uma pauta positiva, mas eu trabalho muito nessa contramão, com a crítica, eu preciso das polêmicas, das manifestações. Eu acho que isso é inesgotável, sempre vai ter protestos. Sempre vai ter questões políticas para discutir, questões raciais, questões ambientais. Meu ambiente é esse, é o que me toca. Eu coloco para fora minha revolta com as coisas que eu não gosto, que me incomodam, é o que me alimenta para fazer isso.” Resta saber agora de que temas serão feitos os 525.960 minutos de 2021.

Alexander Kuleshov is the President of Skolkovo Institute of Science and Technology, Skoltech. Professor of Computer Science. He is a specialist in the field of information technologies and mathematical modeling. In 2006, he was elected Director of the A.A. Kharkevich Institute for Information Transmission Problems (IITP) of the Russian Academy of Sciences. At IITP, he also serves as the Chairperson of the Academic Council, the Doctorate Dissertation Council, and Information Transmission and Processing. Through the course of his academic career, he has authored and co-authored 54 studies, including four monographs. ================================ SUPPORT & CONNECT: Support on Patreon: https://www.patreon.com/denofrich Twitter: https://twitter.com/denofrich Facebook: https://www.facebook.com/denofrich YouTube: https://www.youtube.com/denofrich Instagram: https://www.instagram.com/den_of_rich/ Hashtag: #denofrich © Copyright 2022 UHNWI data. All rights reserved.

Jason Silva (@JasonSilva) would have been called a “performance philosopher” by counterculture icon Timothy Leary. Among many things, he’s a futurist, filmmaker, creator of short video series Shots of Awe, and host of the National Geographic Channel’s Brain Games and Origins: The Journey of Humankind. What We Discuss with Jason Silva: How our concepts of self are formed — often through the eyes of others — and how they affect our behavior. How top performers excel by shutting down the editorial parts of the human brain coined by Buddhists as the monkey mind. Why “unscripted” isn’t the same as “unprepared,” and how videos can be edited to elicit altered states of consciousness. How good directors help performers get out of their heads — while bad directors do just the opposite. How is day-to-day reality edited by context, similar to the Kuleshov effect demonstrated by Alfred Hitchcock? And much more! Full show notes and resources can be found here: jordanharbinger.com/451 Sign up for Six-Minute Networking -- our free networking and relationship development mini course -- at jordanharbinger.com/course! Like this show? Please leave us a review here -- even one sentence helps! Consider including your Twitter handle so we can thank you personally!

Alexander Kuleshov is the President of Skolkovo Institute of Science and Technology, Skoltech. Professor of Computer Science. He is a specialist in the field of information technologies and mathematical modeling. In 2006, he was elected Director of the A.A. Kharkevich Institute for Information Transmission Problems (IITP) of the Russian Academy of Sciences. At IITP, he also serves as the Chairperson of the Academic Council, the Doctorate Dissertation Council, and Information Transmission and Processing. Through the course of his academic career, he has authored and co-authored 54 studies, including four monographs.

In our (canonical) 100th episode, we discuss one of the most iconic and influential Hindi films of all time, Mehboob Khan’s 1957 epic Mother India.  Show Notes: 100 Baby (https://24.media.tumblr.com/tumblr_may8yjnxBU1qd0d77o1_500.gif) ! Thank you to the Alberta Podcast Network, Audioboom, all of our past guests, all of our listeners, and especially Paul Matwychuk (https://t.umblr.com/redirect?z=https%3A%2F%2Ftwitter.com%2FMyelbow&t=YmI0YTYwN2RiYWJlYzZlZTczNjAwNjc0ZGQxYmZmYTM4NjdlODIyNiw5MzEyMTdlZTU5YjM4YmE1YWE4MDRiYzFlMzdhMDc0NzQzYTE2YWZj&ts=1595990603) ! Mishima: A Life in Four Chapters (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FMishima%3A_A_Life_in_Four_Chapters&t=MjljNTZiMGE3NTdhODRhMjY5MTE4NGIwOWNlNTgxYmIzOWZlOTk2MSw5NzEzODgzOTM4NGMwNWIzYTFlNjVlMzNiNzkwMTk3ZmU4ODYxYzI4&ts=1595990603) thank you A.J. Devlin (https://t.umblr.com/redirect?z=https%3A%2F%2Ftwitter.com%2Fajdevlinauthor&t=ODQ3NjJiZjgwMGE2ZWIxODgwYWM3NmE4MjlkYjJlZDU3ZGJmMDg0ZiwwMmYwMzk0NTJhMDg0NTM2ODBiNjZmOTc4MjM2ZWM3NmU1ZDk4NDQz&ts=1595990603) ! Our favourite episodes, biggest podcasting regrets, and reflecting on the podcast thus far Mother India (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FMother_India&t=MjYzMjgyZDc2YjQ3NGE4NGZmYTg0YTAzMGZjNmI1MmM5ZGE1NDYzMiwwNGRkYmMzM2Q3MzJlMjNkNjk0ZDM1MzZhOWI3NTBjYzFmMjRlMDVl&ts=1595990603) Our experiences with the film in university (INTERVAL (“O Janewalo Jao Na (https://t.umblr.com/redirect?z=https%3A%2F%2Fyoutu.be%2FCXY48iyL8os&t=OGMwZjA2OTdlZmNiM2RmYmJiYjg5MGIwNTZkYTZlOGYyMzczNDZkMiw1MWYwOTg4MTk0NTFhMjY2ZjlkZjM2YTZhZGMxM2NiZDQ4Y2Q5NWE2&ts=1595990603) ” from Mother India) Katherine Mayo’s Mother India (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FMother_India_%28book%29&t=ZGVhMjdhMWMyNTdmOWEzZWEwMmY5NDRhMGJiYWZkZWNhNjBjNjkzMywxOWU5MjllYjk2YjU4MmM3MWEwZTg1ZjQxNzE4ZTdjY2Q5MTYwZjAz&ts=1595990603) Fellini was nominated for 12 Oscars and won four Songs: “Matwala Jiya Dole Piya (https://t.umblr.com/redirect?z=https%3A%2F%2Fyoutu.be%2FP1wia1UrXcw&t=ODhmNDc5MDE0YTUwOGYyYzU0NTI0MjVkZGE2YjAyZDdjMDgyZjNkOSwyYWYwNmRkNGNlNThiYjNkYjE1MmUyYWI0OThlZTgzMTVlYzQ1NDky&ts=1595990603) ,” “O Gaadiwale (https://t.umblr.com/redirect?z=https%3A%2F%2Fyoutu.be%2FL2Egfdz1mOE&t=NjU5Yzk1ZGFiN2Q4NjMwMTdjODY0MDdiZjkwYzc1ODlkOGVkMWEzMCw1OTdiMWM5MGI0MWE2MjYzZGJhMGZmZWU1YjU1YjAxY2JlNWNmOTBh&ts=1595990603) ,” “Duniya Mein Aaye Hain (https://t.umblr.com/redirect?z=https%3A%2F%2Fyoutu.be%2FRjYhUk6M0iM&t=ODk2NDA4NTQzZjFmNGE5NjkzZGYxYjEzODMwZDRlYmE4MTA2NjQ3OSxjZjBmYTBlNGFjYmYwM2VlYjA4YWEyNzQ2YjI5MTQ3NDFlNzI2OWY5&ts=1595990603) ,” “Dukh Bhare Din Beete Re Bhaiya (https://t.umblr.com/redirect?z=https%3A%2F%2Fyoutu.be%2FSmPzpWQ5v_E&t=NDMwZWM2NTc4MzZlM2MyZTZjZmRjMDkxZmRmMjA1NDM2YjIyNjIzNixiMDQ2YmE2YTI1ZTY4MmI5YzE1NmQyOTFmZmQzZGY5NWNjOTQzZWFj&ts=1595990603) ,” “Ghunghat Nahin Kholoongi (https://t.umblr.com/redirect?z=https%3A%2F%2Fyoutu.be%2FHgxzXkuHfu0&t=NjM5YWM0NzkxOGZkYzZkMDgzMDE3M2MxNzZhNjBhZThjMDJhOTcwMyw0ZjlkODFkNzg5N2Y4ZTgzM2MxZjgwODk1NDcyNTgwYWI5N2QyZmNm&ts=1595990603) ,” and “Na Main Bhagwan Hoon (https://t.umblr.com/redirect?z=https%3A%2F%2Fyoutu.be%2FTfyFkhkiZOY&t=MGFhZTU0MzVlNWFmYmNiM2MxYTcyOGZhZjg5MWYyODA2M2I2YTkyNSxhMWFlZGY2MWFkZGZmN2ZmOThhNTY1YWUwZTA0NTMyOTkxZjY4YmI2&ts=1595990603) ” Soviet montage (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FSoviet_montage_theory&t=NGNiM2YwMDk3ODA3ODcxZjViZTNlM2U2Y2ZmNTMwY2Y1ZjNjOTc3NSxlMjdjNDczYWQ0YjJmYWJlZjYxMjRlMGJiYTk1ZjBhODE4MjhiYzk3&ts=1595990603) and Constructivism (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FConstructivism_%28art%29&t=Nzg2MWE0ZjEwODIzMjA3NTBkYTRlOTA1NTJiNGM3NTIwOWY3NWFmZSxiZmI5M2Y1Y2RiZWU4M2IwODAzN2Y3ODM3NmNjMTc3YjQ2MWIxOTQ4&ts=1595990603) (we were kind of conflating the two movements, they are different but related) and the Kuleshov effect (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FKuleshov_effect&t=YmI3YWM3YTllNGJkMWVhZDkzNDMxZjg1YjIzYjY5ZjU4Mzc0YzJlYywyY2QzMGQ3NTBmNzI3NDhkYjg4MDJmYTI1OWI1NDQzN2VlODUyMTcy&ts=1595990603) D.W. Griffith (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FD._W._Griffith&t=YWNmOWE0M2JhNTcxODhhNTY1NzhmNjAxNzg3MTY5NTQ2NmE3MjVkOSw1MDJlYWQzNjY4YzU0NGQ1Y2E4MTE2OTU2MWRhNDk3ODlmNzY3MWU4&ts=1595990603) and Gone With the Wind (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FGone_with_the_Wind_%28film%29&t=MGMwOWJlODJiNjlhZjY5NmQ1OWVhYmE2OTczY2RiZWRjYjgwMWJkNSxkMTIzMzBlZjA4MDJkMzBlZTUzZDk1YmU4ZDJmNjMxZjkyYmVkOGE0&ts=1595990603) NEXT TIME: a filmmaker’s first time Bollywood is For Lovers is a member of the Alberta Podcast Network (http://t.umblr.com/redirect?z=https%3A%2F%2Fwww.albertapodcastnetwork.com%2F&t=NDQyYzdjYjRlOGIyNGQ2ZDQ0ZWEwODhkMDc4YmVkOTkxNWI4MDIzOSxXNjlpbllzdw%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F164148376836%2Fepisode-45-one-man-army-corps-martial-arts&m=1) Listen to The Well Endowed Podcast (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.thewellendowedpodcast.com&t=ZDlmMDY1OTBhMzc4NzRjY2E4NDMzMTNlZGU5NmY5M2RhMmJjMWM2OSw1OWYxYTJlNmI5M2Y3ZjA1NWNiZTM2ODE3YWNiNGNhYjg1MDU2MTRj&ts=1595990603) Check out Taproot Edmonton (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.taprootedmonton.ca&t=MzA3NDEwODEwOGI3Y2E5ODMwN2UwZjZmOTRlN2EyZTYyMTFjMTFhMSw1MTU1Y2VmYTBjMTRhZWZhZDE5NzVlODk4MzYwNWRmMzYzYzMyYjk4&ts=1595990603) Find us on Apple Podcasts (https://t.umblr.com/redirect?z=https%3A%2F%2Fitunes.apple.com%2Fca%2Fpodcast%2Fbollywood-is-for-lovers%2Fid1036988030%3Fmt%3D2&t=ZjgzNGMxZjg3M2QxMzExOWNjZmEwNDNlYTI5MjQwZTc4ZTQ5YTdlOCxmQndaMG5Bbg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F171952253521%2Fepisode-59-the-queen-of-hearts-rani-mukerji&m=1) ! and Stitcher (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.stitcher.com%2Fpodcast%2Fmatt-bowes%2Fbollywood-is-for-lovers&t=N2Y5OGM5NjA3NTNjMzIxOGViYmRlYzBiNWU2M2QxYmFiMjVlZWY3ZixKY0ptWWNPWA%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F175489644186%2Fepisode-65-anushka-sharmas-clean-slate-nh10&m=1) ! and audioBoom (https://t.umblr.com/redirect?z=https%3A%2F%2Faudioboom.com%2Fchannel%2Fbollywood-is-for-lovers&t=ZjA1YzM0NDg0NzE2MTU0MWQ2MWRlMjlmNDRmNzhlNWM3OThhNmVjMCxKY0ptWWNPWA%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F175489644186%2Fepisode-65-anushka-sharmas-clean-slate-nh10&m=1) ! and iHeartRadio (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.iheart.com%2Fpodcast%2F270-Bollywood-is-For-Lovers-28344928%2F&t=ZjVlNDM2ZGExNTUxZTgyMzNjOTM2NGQ2YTk5NjIyZTI0ZDA3YmE4NSxKY0ptWWNPWA%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F175489644186%2Fepisode-65-anushka-sharmas-clean-slate-nh10&m=1) ! and Spotify (https://t.umblr.com/redirect?z=https%3A%2F%2Fopen.spotify.com%2Fshow%2F1m38Hxx8ZFxTJzadsVk5U3&t=NzgwYWU4ODkzMGZiZTA3YTBkMTI0MjFkZDA1OTRkNWRhZjMyMmY1OCxKY0ptWWNPWA%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F175489644186%2Fepisode-65-anushka-sharmas-clean-slate-nh10&m=1) ! and Google Podcasts (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.google.com%2Fpodcasts%3Ffeed%3DaHR0cHM6Ly9hdWRpb2Jvb20uY29tL2NoYW5uZWxzLzQ2OTg2OTAucnNz&t=ZDlmNTdmNTcyMjEwNGU4ZjI2YTk2MWUwMTg1OGVlMTdiOGZkNzVhMSxiYjdUdTJOMQ%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F176471010811%2Fepisode-66-hugs-not-drugs-munna-bhai-mbbs&m=1) ! Thank you to Becca Dalke (https://t.umblr.com/redirect?z=http%3A%2F%2Fdalkedesigns.ca%2F&t=MTQyYWRlOGM1ZWUxNGEwNjRmOTdmODhmNmYyN2I5NjYzYjQ1ZDFjOCxFYXZHMEEwNQ%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F182930725656%2Fepisode-76-started-from-the-bottom-rockstar&m=1) for the artwork! #Bollywood, #MotherIndia, #MehboobKhan, #Nargis, #SunilDutt, #RajendraKumar, #RaajKumar, #KanhaiyaLal, #Podcast, #BollywoodPodcast, #FilmPodcast, #HindiCinema, #AcademyAwards, #Oscars, #BestForeignLanguageFilm

No episódio de hoje, Rogério de Moraes fala sobre Vice (Adam McKay, 2018), filme que usa muito bem o efeito Kuleshov para a construção da narrativa. Quer saber mais? Quer mandar sua dica, sugestão ou reclamação? Email: rapidaopodcast@gmail.com Facebook: https://www.facebook.com/rapidaopodcast/ Instagram: https://www.instagram.com/rapidaopodcast/ Twitter: https://twitter.com/rapidaopodcast --- Send in a voice message: https://anchor.fm/rapidao/message

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.06.16.155796v1?rss=1 Authors: Grigoryan, R., Goranskaya, D., Demchinsky, A., Ryabova, K., Kuleshov, D., Kaplan, A. Abstract: In this study, we have created an 8-command P300 tactile BCI with two stimuli types, running on a minimally modified consumer Braille display and tested it on 10 blind subjects and 10 sighted controls. Blind subjects have demonstrated 27% higher median accuracy than sighted controls (p

"It is one part staggered flashback, one part semi-Kuleshov effect, and one part vivid memory."   Welcome to the episode where we finally hit our stride. We've got a whole five chapters to cover, two of which are flashbacks, and the answers to questions the readers might not have known to ask are revealed. Agency, the head versus the heart, and overcoming deep trauma, it's all on the table. Be warned, the feels are strong with this episode, and there is so much to talk about that there will be an entire extra episode covering them and the book as a whole.  More than just taking about a book we love, we also take a moment to start unpacking what it means to be a fan of something in the age of author access, and how we do our best to review and analyze something in light of that. Spoilers for chapters 13-17.   #BlackLivesMatter #PrideMonth   The New Century Multiverse books and audio dramas can be found on: https://www.newcenturymultiverse.com   Intro is "Moonrise" by Chad Crouch Outro is "Stronger" by The Score   Greg is @MightyGregDoge on Twitter Toby is @TJungius on Twitter

Temporada 2 | Episódio 4: Este episódio faz parte da temporada Observando Cinema e vamos conhecer quem foi Lev Kuleshov, um dos mais antigos (e pertinentes) teóricos do cinema. Graças à sua teoria (o Efeito Kuleshov), você já caiu em muita pegadinha de trailer, quer ver só? Além disso, é por causa dele que nós, público, alteramos o filme que vemos. Não entendeu nada? Sem problema, ao final do episódio vai estar tudo mais claro! Oi, eu sou a Lully! Talvez você me conheça do YouTube, eu já faço conteúdo pra internet sobre cinema há 9 anos Me encontre nas redes sociais: no Twitter e Instagram sou @lullylucky Assine o podcast pra receber notificação dos próximos episódios Material original publicado em 16 de dezembro de 2015: https://www.youtube.com/watch?v=1yEqfyJBOIk --- Send in a voice message: https://anchor.fm/labcine/message

En esta función damos un vistazo a la cinta "El Camino: A Breaking Bad Movie", una breve semblanza a la serie original, el efecto Kuleshov, como la edición hace más activa la participación de la audiencia y como nuestros fracasos no deben marcar el futuro que queremos para nuestra persona. Sinopsis: 00:34 | Análisis: 04:36 | Conclusión: 11:36 Te recordamos que puedes enviarnos tus comentarios, ideas y/o sugerencias al correo: contacto@butacaintrovertida.com

(10:21) A lawless world with so many unbreakable rules. Ian McShane as a Devil, why he didn't work in Pirates 4, Blackbeard lighting his beard on fire, how many people has John Wick killed, comparing JW to 80's Slasher icons, how quickly he becomes mythical, John Wick as Michael Jordan on the Wizards, Chapter 3 introducing fanboy assassins, Is that a first in movies?(27:29) Chapter 1 plot, Steven Seagal vs John Wick, On Deadly Ground vs Glimmerman vs TimeCop vs Die Hard baddies,(32:54) the whole series as a video game or graphic novel, Call of Duty! Duck Hunt joke! The Punisher failings, Desperado as a Charismatic Frank Castle(37:42) Tom Cruise vs Keanu Reeves, humor within action, forget John Wick is suppose to be old since Keanu looks so young, a prequel in 20 years called John Wick: The Impossible Task(44:01) Violence in movies, what our Dad taught us, University of Miami showcase, Venezuela documentary, censoring us to violence & shootings,(51:21) The positives of glorifying serial killers, does the film endorse pencil murders, guns as a drug, Chapter 2 problems, Where's John Leguizamo???, What's his mission?, Luis Buñuel, the Kuleshov effect(1:08:45) Appreciation for Keanu, Judo & Aikido, Derek Kolstad, Tasmanian Continental(1:24:58) Eva Longoria, Kingsman vs John Wick, Sandra Bullock as his dying wife, neurotic men in cars getting coffee, Where's Monica Bellucci when you need her?, Charlize Theron, Love V vs. Love Triangle explained,(1:30:29) Intense debate on Blood Oaths, no more Microsoft AI commercials with Common, Ruby Rose letdown, acting while Mute, Rinko Kukuchi, Pencil death, Boban fight, 76ers!!! Dennis Rodman, Terrell Owens peripheral vision(1:42:20) "Not an ad" Ad for Champagne-flavored gummy bears, terrible marketing, saving people from Malaria through purchases, Jordani!, John Wick action scenes like a never-diminishing drug, would have stayed for 30+ more minutes(1:54:52) Chapter 4 pitch, Crossover ideas, an all-female High Table, Halle in Monster's Ball 2, Keanu as Mr. Franchise, Speed 2 based off a dream, Craig T. Nelson playing Donald Trump in Devil's Advocate & living in Trump's actual apartment(2:05:06) Tom Cruise as head of LA Continental, Chapter 4 pitch, Crossover between John Wick and...

------------------Support the channel------------ Patreon: https://www.patreon.com/thedissenter PayPal: paypal.me/thedissenter ------------------Follow me on--------------------- Facebook: https://www.facebook.com/thedissenteryt/ Twitter: https://twitter.com/TheDissenterYT Dr. Nick Chater is Professor of Behavioural Science at Warwick Business School. He works on rationality and language using a range of theoretical and experimental approaches. He has over 200 publications, has won four national awards for psychological research, and has served as Associate Editor for the journals Cognitive Science, Psychological Review, and Psychological Science. He was elected a Fellow of the Cognitive Science Society in 2010 and a Fellow of the British Academy in 2012. Dr. Chater is co-founder of the research consultancy Decision Technology, and is on the advisory board of the Cabinet Office's Behavioural Insight Team (BIT). He's also the author of “The Mind is Flat: The Illusion of Mental Depth and The Improvised Mind”. In this episode, the conversation revolves around the main topics of Dr. Chater's book, The Mind is Flat. We talk about the many illusions that compose our minds, from the way we interpret other people's behavior and our own, to the attribution of desires, motivations and goals to it. We also discuss how our cognition works, and how our perceptual systems process information. Other topics include the lack of correspondence between our representations and the things outside in the world; how we interpret emotions; the issue about preferences and personality; why we still need our mental illusions to function properly; and if AI systems can also acquire them, namely emotions and consciousness. Time Links: 01:06 The basic premise of “The Mind is Flat” 05:33 We are like fictional characters 09:59 The problem with stories and narratives 13:58 The illusions our minds create (about motives, desires, goals, etc.) 17:44 The distinction between the conscious mind and brain activity 22:34 Does dualism make sense? 27:11 Is modularity of mind a useful approach? 31:21 How our perceptual systems work 41:49 How we represent things in our minds 44:57 The Kuleshov effect, and the interpretation of emotions 52:05 About preferences and personality 55:42 Why do we need our mental illusions? 59:10 The importance of our imagination 1:01:31 Can AI systems produce the same illusions (emotions, consciousness)? 1:04:53 Follow Dr. Chater's work! -- Follow Dr. Chater's work: Faculty page: https://tinyurl.com/y8qzc2pw The Mind is Flat: https://tinyurl.com/ybmyxakr Twitter handle: @NickJChater -- A HUGE THANK YOU TO MY PATRONS: KARIN LIETZCKE, ANN BLANCHETTE, JUNOS, SCIMED, PER HELGE HAAKSTD LARSEN, LAU GUERREIRO, RUI BELEZA, MIGUEL ESTRADA, ANTÓNIO CUNHA, CHANTEL GELINAS, JIM FRANK, JERRY MULLER, FRANCIS FORD, AND HANS FREDRIK SUNDE! I also leave you with the link to a recent montage video I did with the interviews I have released until the end of June 2018: https://youtu.be/efdb18WdZUo And check out my playlists on: PSYCHOLOGY: https://tinyurl.com/ybalf8km PHILOSOPHY: https://tinyurl.com/yb6a7d3p ANTHROPOLOGY: https://tinyurl.com/y8b42r7g

A grocery store contains fruit, vegetables, meat, bread, and other items that can expire. In order to keep these items in stock, the store must be aware of how much food has been sold and what has gone bad. When a food item is low in stock, the store needs to order more of that The post Afresh: Grocery Store Software with Volodymyr Kuleshov appeared first on Software Engineering Daily.

We scope out Jennifer Lawrence in “The Hunger Games” and discuss: Camerawork, why so much handheld; Katniss as a character; Set design; Kuleshov effect; and other such stuff and things and stuff. “Political language… is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.“ – […] The post Ep 72: “The Hunger Games” (2012) appeared first on The Pestle.

Una de las cintas más emotivas y mejor desarrolladas presentadas en el pasado Festival Internacional de Cine en Guadalajara es la de Esmeralda, una señora que debe reencontrar razón para vivir y lo hace gracias a un peculiar personaje en la película Cría Puercos.  Para hablar de esta cinta es que platicamos con Ehécatl García, director y guionista de esta hermosa cinta en donde tocaremos temas como la construcción de escenas hasta el sensacional recurso de la escuela rusa (con carnitas) del Efecto Chulechov (descendiente legítimo del efecto Kuleshov). La transmisión empezará este Martes 3 de Abril a las 8 PM, tanto en YouTube como en Facebook Live como en Periscope. Audio descargable disponible acá.  Pueden encontrar nuestra reseña sobre la cinta en audio o video.  También pueden suscribirse y seguir este y otros episodios en Spotify,  iTunes, Pocket Cast, Player.fm, Spreaker, Soundcloud, Stitcher, TuneIn, Acast, Poddirectory, iVoox, Hearthis.at , Mixcloud, iVoox y Overcast.  Productora Ejecutiva: Blanca LópezProductor Ejecutivo: SotoCo-Productor: Jaime Rosales Co-Productor: Román RangelCo-Productor: Titus BondiCo-Productor: Juan EspírituCo-Productor: Enrique VázquezCo-Productor: Mauricio GonzálezAgradecimiento especial a nuestros Patreons: Álvaro Vázquez, Daniel Krauze,  Fernando Teodoro, Edith Sánchez, Alejandro Alemán, Fernando Alonso, Luis Macías y Christian Guisa.Ellos reciben versiones especiales del programa con extras no disponibles para los mortales comunes y corrientes. En este caso un adelanto de cómo podría ser el audio libro de voz de la misma autora. ¿También quieren contenido extra? Apóyenos en Patreon y lo recibirán. 

Welcome to Dev Game Club, where we are having our fourth and final discussion about 2001's quirky Western-built Japanese-style RPG Anachronox. We talk quite a bit about the specifics of the end of the game, with a diversion into ION Storm, and then talk about our takeaways. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Through to the end! Podcast breakdown: 0:42 Anachronox! Issues covered: that final battle, splitting up the party, Rho Bowman's adventure on Democratus, Stiletto Anyway's adventure on Democratus, Tim mansplains Star Wars to Brett, we do no work in figuring out the Elementor, Paco's adventure makes a mockery of the military, locks and keys through a million variations, Paco's minigame, party variety, why have unique levels for party members, end of the credits sequence, replayability as an issue in early 2000s games, ION Storm history, splitting off to be a rebel developer, how did this get made, game development rock stardom, Brett's film nerddom, going to Limbus and getting historical and religious context for the whole Chaos/Order thing, character design on Limbus, going to talk to Rowdy, circularity in the story, facial animation system, splitting up the party, heist movie, long car chase scene and Fatima's death, Kuleshov effect, what can and should games notice about player behavior, the final battle, how the Elementor crosses over or whether it does, area effect abilities, post-battle walk out scene, letting your freak flag fly, keeping players guessing, focus on writing and characters, being more playful, humor in games. Games, people, and influences mentioned or discussed: Aaron Evers, Legend of Zelda, Tomb Raider, Star Wars, Return of the Jedi, Tom Hall, Quake, Warren Spector, Deus Ex, ION Storm, Daikatana, John Romero, Unreal, Image Comics, DC Comics, Marvel Comics, Todd MacFarlane, Jim Lee, Rob Liefeld, Eidos Interactive, EA, Gathering of Developers, Masters of DOOM, New York Times Magazine, id Software, Epic Megagames, Peter Lorre, M., Fritz Lang, Dark Crystal, Time Machine, Die Hard, Sly Cooper (series), Max Payne, Metal Gear Solid (series), Reservoir Dogs, Star Trek, Moby Dick, Christopher Nolan, Batman, Jeff Green, Computer Gaming World, MaasNeotekProto. Links: Computer Gaming World issue where Jeff Green talks about the company and game Next time: Interview...? (If not, see the Twitter account) @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com

What questions do you want your audience asking at any given time? Waaaaaaaaaay back in DZ-05, Stu and Chas examined how shifting narrative point of view (i.e. what the audience knows in relation to the characters on screen) heightens emotions in any given scene. We've now taken that micro idea and applied it to the macro: how can deciding what the audience knows and when in relation to the characters organise your story? Are whole sequences or even acts driven by the audience following a character, feeling concerned about a character, empathising with a character or being absorbed in the irony of knowing more than all the characters interacting on screen. To tackle this topic, Stu and Chas dive in to films that make very conscious structural choices in relation to narrative POV, namely: GET OUT, DUNKIRK and the underrated German film THE LIVES OF OTHERS (with honourable mentions to LA CONFIDENTIAL and MANCHESTER BY THE SEA). Wait till the end to hear poor Stu's mind absolutely blown in relation to the Kuleshov effect. As always: SPOILERS ABOUND Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3. Special thanks to our Patreon supporters. If you would like more Draft Zero episodes more often, click here! EPISODE LINKS DRAFT ZERO Related Episodes DZ-05: Shifting audience point of view and heightened emotions DZ-10: Midpoint Reversals and The Ride DZ-21: Scene Transitions and the Hook INTRODUCTION LA Confidential [@ 6m 21s] Manchester by the Sea [@ 10m 57s] GET OUT written & directed by Jordan Peele [@ 19m 57s] Vimeo: Get Out - Alternate Ending Jordan Peele on the Nerdist Podcast and on The Movie Crypt podcast Jason Blum on the Nerdist Podcast Find it on Just Watch DUNKIRK written & directed by by Christopher Nolan [@ 50m 15s] Vox: The sound illusion that makes Dunkirk so intense Find it on Just Watch THE LIVES OF OTHERS written & directed by Florian Henckel von Donnersmark [@ 1hr 31m 00s] Find it on Just Watch WRAP UP [@ 2hr 11m 32s] The Kuleshov effect Please send feedback to ask at draft-zero.com, via our web form or twitter @draft_zero! We are @chasffisher and @stuwillis on twitter. Please considering rating or subscribing to us on Apple Podcast! or sharing us on the Social Medias! We like finding new listeners. Thanks to Khrob and Joakim for being patrons. They're good people.

NöroBlog Podcast'in 10. Bölümünde sinirbilim ve sinemayı, bir başka deyişle nörosinemayı konuştuk. Sinirbilim teknikleri sayesinde tüm insanları etkileyebilen filmler yapmak mümkün mü? Propaganda filmleri ve nöromarketing bu işin neresinde? Nörosinema nasıl gelişti? Kuleshov etkisi nedir? Gelecekte nörosinema nereye doğru gider, etik ihlaller nerede başlar? Karşınızda tüm bunları konuştuğumuz NöroBlog Podcast bölümümüz. İyi izlemeler, iyi dinlemeler...    

NöroBlog Podcast'in 10. Bölümünde sinirbilim ve sinemayı, bir başka deyişle nörosinemayı konuştuk. Sinirbilim teknikleri sayesinde tüm insanları etkileyebilen filmler yapmak mümkün mü? Propaganda filmleri ve nöromarketing bu işin neresinde? Nörosinema nasıl gelişti? Kuleshov etkisi nedir? Gelecekte nörosinema nereye doğru gider, etik ihlaller nerede başlar? Karşınızda tüm bunları konuştuğumuz NöroBlog Podcast bölümümüz. İyi izlemeler, iyi dinlemeler...

This week Alex and Jonathan head to Russia and look at three legendary and formative filmmakers with Sergei Eisenstein's Battleship Potemkin (1925), Lev Kuleshov's Po Zakonu (1926), and Andrei Tarkovsky's Stalker (1975). We talk the various forms and uses of montage, the Kuleshov effect, and filmmaking outside the bounds of traditional film technique. Skip to: 6:40 - Battleship Potemkin 29:09 - Po Zakonu 44:58 - Stalker 1:08:24 - Overall 1:23:02 - Coming Attractions Coming Attractions: Oldboy (2003) - on Netflix The Host (2006) - on Netflix The Good the Bad the Weird (2014) - on Netflix For more information visit the blog: thefilmlings.wordpress.com/2017/08/01/russian-ruminations

In this full-episode preview of the fifth episode of Slate's Conspiracy Thrillers Movie Club, Sam Adams is joined by Matt Zoller Seitz, the editor in chief of RogerEbert.com and TV critic for New York, to talk about The Parallax View. They discuss the film’s famous brainwashing scene and the Kuleshov effect, the strange character of protagonist Joe Frady, and what makes a true paranoid thriller. To listen to the full episode and learn more about this Slate Plus members-only Movie Club, visit Slate.com/thrillers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this preview of the fifth episode of Slate's Conspiracy Thrillers Movie Club, Sam Adams is joined by Matt Zoller Seitz, the editor in chief of RogerEbert.com and TV critic for New York, to talk about The Parallax View. They discuss the film’s famous brainwashing scene and the Kuleshov effect, the strange character of protagonist Joe Frady, and what makes a true paranoid thriller. To listen to the full episode and learn more about this Slate Plus members-only Movie Club, visit Slate.com/thrillers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episodio 15 - Outlast 2 - Little Nightmares - Kuleshov Presentaciones, noticias, manqueando y despedida. Tema musical: Mick Gordon (feat. Omega Sparx) - I'm Back (to Rise) https://youtu.be/6JapDyUwAu8 En este episodio participamos: Alan, DIego, Kaiser, Kuleshov, Samu, Smaeh y Solid. Retraso Squad somos: Alan @Alaneyav - Diego @graphmotion - Fosforo - Joserra @RamondeGutier - Kaiser @kaiser9724 - Samu @Samuelrc1992 - Smaeh @SMAEKILLER - Solid @Solidbilbao - Spore @Sporeinitiative CONTACTO: Email: retrasosquad@gmail.com Twitter: @RetrasoSquad Telegram: https://t.me/retrasoclub Youtube: Retraso Squad

Episodio 15 - Outlast 2 - Little Nightmares - Kuleshov Presentaciones, noticias, manqueando y despedida. Tema musical: Mick Gordon (feat. Omega Sparx) - I'm Back (to Rise) https://youtu.be/6JapDyUwAu8 En este episodio participamos: Alan, DIego, Kaiser, Kuleshov, Samu, Smaeh y Solid. Retraso Squad somos: Alan @Alaneyav - Diego @graphmotion - Fosforo - Joserra @RamondeGutier - Kaiser @kaiser9724 - Samu @Samuelrc1992 - Smaeh @SMAEKILLER - Solid @Solidbilbao - Spore @Sporeinitiative CONTACTO: Email: retrasosquad@gmail.com Twitter: @RetrasoSquad Telegram: https://t.me/retrasoclub Youtube: Retraso Squad

Después de unos cuantos episodios plagados de videojuegos, toca hablar un poquito de cine y series (eso si, hay tiempo para hablar del efecto Kuleshov). Empezamos con el anime Prison School, con un toque picanton y plagado de cachondeo. Seguimos con las risas para plasmaros nuestras primeras impresiones sobre Guardianes de la Galaxia Vol. 2. Continuamos en el universo Marvel, pero en el de las series, con la reciente Iron Fist. Y acabamos de nuevo en Netflix, con la recomendación de Por 13 razones.

Después de unos cuantos episodios plagados de videojuegos, toca hablar un poquito de cine y series (eso si, hay tiempo para hablar del efecto Kuleshov). Empezamos con el anime Prison School, con un toque picanton y plagado de cachondeo. Seguimos con las risas para plasmaros nuestras primeras impresiones sobre Guardianes de la Galaxia Vol. 2. […]

Jason Silva (@JasonSilva) would have been called a "performance philosopher" by counterculture icon Timothy Leary. Among many things, he's a futurist, filmmaker, creator of short video series Shots of Awe, former host of the National Geographic Channel's Brain Games and current host of Origins: The Journey of Humankind. "In the information age, you don't teach philosophy...you perform it." -Timothy Leary "Everything I do is a response against meaninglessness." -Jason Silva The Cheat Sheet: How our concepts of self are formed -- often through the eyes of others -- and how they affect our behavior. How top performers excel by shutting down the editorial parts of the human brain coined by Buddhists as the monkey mind. Why "unscripted" isn't the same as "unprepared," and how videos can be edited to elicit altered states of consciousness. How good directors help performers get out of their heads -- while bad directors do just the opposite. How is day-to-day reality edited by context, similar to the Kuleshov effect demonstrated by Alfred Hitchcock? And so much more... Want three free rides up to $10 each? Download the free Lyft app today and enter promo code AOCPODCAST in the payment section! Whether you're a lady or a gent, you don't need to know what MicroModal fabric is to enjoy the comfort of MeUndies; you just need to wear them -- support this show (and yourself) with MeUndies here for 20% off! Free yourself from typing notes, reports, and documents by going with the transcriptionists we trust here at AoC: TranscriptionOutsourcing.net -- 99% or higher accuracy guaranteed! Does your business have an Internet presence? Now save a whopping 50% on new webhosting packages here with HostGator by using coupon code CHARM! Find out more about the team who makes The Art of Charm podcast here! Show notes at https://theartofcharm.com/603/ HELP US SPREAD THE WORD! If you dig the show, please subscribe in iTunes and write us a review! This is what helps us stand out from the crowd and help people find the credible advice they need. Review the show in iTunes! We rely on it! http://www.theartofcharm.com/mobilereview Stay Charming!

We discuss Bollywood’s next leading man, heartthrob Varun Dhawan and three films that showcase his exceptional range. Show Notes: · Varun Dhawan (https://en.wikipedia.org/wiki/Varun_Dhawan), is he a dreamboat or a heartthrob? · Is there Bollywood Dirty Dancing (https://en.wikipedia.org/wiki/Dirty_Dancing)? (Apparently Pooja Bhatt’s Holiday (https://en.wikipedia.org/wiki/Holiday_(2006_film)) is a remake of DD) · Nepotism in Bollywood Student of The Year (https://en.wikipedia.org/wiki/Student_of_the_Year) (listen to us discuss it here: https://audioboom.com/boos/4467740-episode-4-bollywood-the-next-generation?t=0), Humpty Sharma Ki Dulhania (https://en.wikipedia.org/wiki/Humpty_Sharma_Ki_Dulhania) (which we discuss here: https://audioboom.com/boos/4467733-episode-12-bollywood-s-sweetheart-alia-bhatt?t=0), and Dilwale (https://en.wikipedia.org/wiki/Dilwale_(2015_film)) (here: https://audioboom.com/boos/4467734-episode-9-dilwale-bajirao-mastani-with-juliet-franklin?t=0) As an intertextual (https://en.wikipedia.org/wiki/Intertextuality) star · Main Tera Hero (https://en.wikipedia.org/wiki/Main_Tera_Hero) · The plot doesn’t matter · Songs: “Besharmi Ki Height (https://youtu.be/IFYJNLZT_B0)” “Galat Baat Hai (https://youtu.be/coQ95u7w_18)” · Four colour comics (https://en.wikipedia.org/wiki/Four_Color) · His bulge (https://www.buzzfeed.com/andreborges/people-really-think-that-varun-dhawan-has-a-boner-in-this-in?utm_term=.pi611j1wXj#.prORR5ROM5) (INTERVAL (“Palat Tera Hero Idhar Hai (https://youtu.be/9vkcYxbGdTE)” from Main Ter Hero) · Badlapur (https://en.wikipedia.org/wiki/Badlapur_(film)) · Erin forgot she had seen this film before · A bleak noir (https://en.wikipedia.org/wiki/Film_noir) · A transformative performance · The Nawazuddin Siddiqui Memorial Award for Enduring Police Brutality · Credits song: “Jee Karda (https://youtu.be/VAJK04HOLd0)” · Kuleshov effect (https://en.wikipedia.org/wiki/Kuleshov_effect) · The title’s double meaning · Consumed by grief and revenge · Dishoom (https://en.wikipedia.org/wiki/Dishoom) · A fictional Arabian rogue nation · Buddy cop dynamics and action · The credits song, “Jaaneman Aah (https://youtu.be/w_M_9T-_qM0)” and the opening title song, “Toh Dishoom (https://youtu.be/OCZTqrm2QJA)” · The Arabian club banger: “Sau Tarah Ke (https://youtu.be/PIyf0hMc498)” NEXT TIME: We are joined by The Movie Jerks (http://www.themoviejerks.ca/) to discuss the unfortunately titled Jism and Jism 2 Find us on iTunes (https://itunes.apple.com/ca/podcast/bollywood-is-for-lovers/id1036988030?mt=2)! and Stitcher (http://www.stitcher.com/podcast/bollywood-is-for-lovers)! and audioBoom (https://audioboom.com/channel/bollywood-is-for-lovers)! Follow us on Twitter (https://twitter.com/BollywoodPod)! Like us on Facebook (https://www.facebook.com/BollywoodIsForLovers/)! #VarunDhawan #MainTeraHero #NargisFakhri #IleanaDCruz #Badlapur #NawazuddinSiddiqui #HumaQureshi #Dishoom #JohnAbraham #JacquelineFernandez #SaqibSaleem #AkshayeKhanna #Bollywood #BollywoodPodcast #BollywoodIsForLovers

Graeme Duffy is not only one of the top improvisers in Vancouver, he's an actor and, it turns out, a fellow alumnus of Oak Bay high school. We bond over that and Duffy talks about kissing Colin Mochrie on the lips twice, being a bad waiter, Lev Kuleshov, and we see how he stacks up in the list of things improvisers should do besides improvising.

Cody Clarke, Jenna Ipcar, and Alex Hiatt discuss two of Alex's most popular essays for the site, take a quick break for a movie joke by comedian Anthony Kapfer, do an Old New Borrowed Blue, and then close the show with questions from the mailbag.