Podcasts about Gustave Flaubert

Se mire por donde se mire, nuestro realismo tiene raíces francesas. Sin ir más lejos, el máximo exponente de la novela realista fue Gustave Flaubert, que a propósito de su obra más famosa dijo: Madame Bovary soy yo.

Nauji įrašai. Pristatome Gustavo Flobero romaną „Ponia Bovari“. Vertė Sofija Čiurlionienė ir Juozas Urbšys. Išleido leidykla „Vaga“.Tai gydytojo žmonos Emos Bovari, turinčios užgintų nesantuokinių ryšių ir gyvenančios ne pagal išgales, kad išvengtų provincijos gyvenimo banalybės ir tuštumos, istorija. Joks kitas rašytojas šitaip nepažino ir neatskleidė moters pasaulio. Todėl „Ponia Bovari“ yra ne tik neginčijamas realistinio stiliaus etalonas, bet ir vienas įtakingiausių kada nors parašytų romanų. Knygos ištraukas skaito aktorė Neringa Bulotaitė.

Nauji įrašai. Pristatome Gustavo Flobero romaną „Ponia Bovari“. Vertė Sofija Čiurlionienė ir Juozas Urbšys. Išleido leidykla „Vaga“.Tai gydytojo žmonos Emos Bovari, turinčios užgintų nesantuokinių ryšių ir gyvenančios ne pagal išgales, kad išvengtų provincijos gyvenimo banalybės ir tuštumos, istorija. Joks kitas rašytojas šitaip nepažino ir neatskleidė moters pasaulio. Todėl „Ponia Bovari“ yra ne tik neginčijamas realistinio stiliaus etalonas, bet ir vienas įtakingiausių kada nors parašytų romanų. Knygos ištraukas skaito aktorė Neringa Bulotaitė.

Dit zijn onze shownotes:Abonneer je gratis op onze podcast via jouw favoriete podcast-app (zoals Google Podcasts, Spotify of Apple Podcasts), dan valt de eerstvolgende aflevering van het derde seizoen automatisch in je podcastbibliotheek.Wil je ons helpen? Geef ons dan likes en recensies in jouw favoriete podcastapp en deel ons met iedereen die wel wat Ballet Kroket kan gebruiken in het leven!Welkom bij aflevering 13 van het derde seizoen van Ballet Kroket! We hebben het over alle dingen waarmee je het leven kunt vieren, versieren en verdiepen, kortom over alles op de lijn van ballet tot kroket.Je kunt onze opnames bijwonen, iedere maandagavond van 19:30 - 21 uur in Studio Kookhaven in Amsterdam Oost. Wil je erbij zijn? Aanmelden kan via de mail: alles@balletkroket.nlOngeveer 1 keer per maand maken we een heel evenement van de opname, dan is de Bar Van Dick geopend en kun je Aan Tafel Bij Lone een heerlijke vegetarische maaltijdsalade eten (E 17,50). Het eerstvolgende evenement is op maandag 15 december. Aanmelden voor opname en/of eten kan via alles@balletkroket.nlof stuur ons een DM op Instagram @balletkroket.Host Francien Knorringa las de dichtbundel Een titel hoeft niet van Wislawa Szymborska. https://libris.nl/singeluitgeverijen/a/wislawa-szymborska/een-titel-hoeft-niet/501593711#paperback-9789044549447Host Jannekee Kuijper zag de serie A man on the inside op Netflix. https://www.netflix.com/title/81677257Gids Helena Hilgerdenaar zag de musical Stoornis of my life Alex Klaasen. https://stoornisofmylife.nlGids Bart Prinsen had het over het thema van de koets in de literatuur. Hij citeert hierin uit verschillende titelsDe postkoets van Mieke en Selma, de originele Selvera's (1970) https://open.spotify.com/track/5agBRHKJzyPNF2PpelJddo?si=1d5f71a6cae944ffOorlog en Vrede van Leo Tolstoj (1869)De kales van Nicolaj Gogol, uit: De Petersburgse vertellingen (1835)Majoor Frans van A.L.G. Bosboom-Toussaint (1875)Le rouge et le noir van Stendhal, (1830)Assepoester uit Sprookjes van Moeder de GansCamera Obscura van Hildebrand (Nicolaas Beets) 1839Boule de suif van Guy de Maupassant (1880)Madame Bovary van Gustave Flaubert (1856)Lucky Luke nr. 32 De Postkoets van Morris & Goscinny (1967)Onze Adverteerders:Onze technicus Reinder Van der Put doet de nabewerking van onze opname. Daardoor klinkt deze als een klok. Een even betaalbare als onmisbare dienst voor podcastmakers. http://putintomedia.nlSeafarm, voor de lekkerste oesters. https://www.seafarm.nl/producten/oestersDe Kookhaven - te gekke locatie aan de rafelrand van Amsterdam, geschikt voor al uw culinaire uitspattingen, van private dining tot kookworkshop, van vergadering tot culinair feestje. Iedereen viert weleens een feestje dat thuis of op het werk niet past. Bespreek de mogelijkheden met uitbater Dick Ferwerda. www.kookhaven.nl. Zoek Kookhaven ook op Instagram, daar vind je alle informatie over de komende oester- en scheermes pop up.Don Ostra - oestermannen Arend Bouwmeester (de jonge), nieuwe ster Marijn en Dick Ferwerda serveren oesters en gin op geheel eigen wijze. Voor luisteraars van Ballet Kroket geldt een 99% glimlachgarantie. Neem contact op met Dick Ferwerda als je oesters wil bestellen voor pasen, dan kun je ze vlak voor pasen ophalen tijdens een oester pop up in de Kookhaven. www.donostra.nl Don Ostra is ook te vinden op Instagram. Daar is de informatie over de komende oester- en scheermes pop up te vinden.Lone Poulsen, de kok die uit het noorden kwam en private dinings en workshops verzorgt in het teken van de nordic cuisine. Je kan ook vers Deens roggebrood bij haar bestellen. En ze maakt likeur van de bladeren van je vijgenboom als je dat wil. Op evenement-dagen van Ballet Kroket kun je Aan Tafel bij Lone (E17,50). Neem contact op via: www.shecamefromnorth.comJachthaven Bouwmeester, de full service jachthaven in Amsterdam waar je van reparatie, stalling tot volledige botenbouw overal voor terecht kan. https://jachthavenbouwmeester.nlAdverteren in Ballet Kroket? Mail alles@balletkroket.nlBallet Kroket wordt op maandagavond opgenomen in Studio Kookhaven in Amsterdam. Wil je een opname bijwonen? Dat kan iedere maandagavond. Op bepaalde dagen maken we er een heel evenement van. Bijvoorbeeld op maandag 15 december 2025. Mail alles@balletkroket.nl of stuur ons een DM op Instagram @balletkroket.Kijk op onze insta: https://www.instagram.com/balletkroket/ en stuur ons een DM.Abonneer je via je favoriete podcast-app op onze podcast dan vallen de nieuwe afleveringen vanzelf in je bibliotheek.Reageren? We horen graag van je!www.balletkroket.nlalles@balletkroket.nl

Nauji įrašai. Pristatome Gustavo Flobero romaną „Ponia Bovari“. Vertė Sofija Čiurlionienė ir Juozas Urbšys. Išleido leidykla „Vaga“.Tai gydytojo žmonos Emos Bovari, turinčios užgintų nesantuokinių ryšių ir gyvenančios ne pagal išgales, kad išvengtų provincijos gyvenimo banalybės ir tuštumos, istorija. Joks kitas rašytojas šitaip nepažino ir neatskleidė moters pasaulio. Todėl „Ponia Bovari“ yra ne tik neginčijamas realistinio stiliaus etalonas, bet ir vienas įtakingiausių kada nors parašytų romanų. Knygos ištraukas skaito aktorė Neringa Bulotaitė.

Nauji įrašai. Pristatome Gustavo Flobero romaną „Ponia Bovari“. Vertė Sofija Čiurlionienė ir Juozas Urbšys. Išleido leidykla „Vaga“.Tai gydytojo žmonos Emos Bovari, turinčios užgintų nesantuokinių ryšių ir gyvenančios ne pagal išgales, kad išvengtų provincijos gyvenimo banalybės ir tuštumos, istorija. Joks kitas rašytojas šitaip nepažino ir neatskleidė moters pasaulio. Todėl „Ponia Bovari“ yra ne tik neginčijamas realistinio stiliaus etalonas, bet ir vienas įtakingiausių kada nors parašytų romanų. Knygos ištraukas skaito aktorė Neringa Bulotaitė.

Kitty Reads Lit for Peace: Flaubert – Madame Bovary plus The Next Peacelands Welcome back to Kitty Reads Literature for Peace, a quiet act of daily storytelling in a noisy world. In this episode, Kitty O'Compost reads the opening lines of Madame Bovary by Gustave Flaubert—a classic of French realism, where longing, observation, and melancholy all take root in the smallest of details. With her trademark twang and tenderness, Kitty draws out the stillness inside Flaubert's language—reminding us that literature doesn't have to shout to be powerful. These short readings are her warm-up for a much bigger report: CTRL–AI–DISARM, an upcoming series on truth, power, and peace in a transforming world. At the end of the episode, we pause for The Next Peacelands, where Avis Kalfsbeek reads a real-time list of global warzones and arms suppliers, grounding us in truth and calling us—gently but firmly—toward peace. Get the books: www.AvisKalfsbeek.com Contact Avis to say hello or let her know how to say “Peace is Here” in your language: Contact Me Here The Next Peacelands source: Armed Conflict Location & Event Data Project (ACLED) and the Stockholm Internation Peace Research Institute's Arms Transfers Database as updated on Wikipedia. Peace is Here podcast series Coming Soon!: CTRL-AI-DISARM

Nauji įrašai. Pristatome Gustavo Flobero romaną „Ponia Bovari“. Vertė Sofija Čiurlionienė ir Juozas Urbšys. Išleido leidykla „Vaga“.Tai gydytojo žmonos Emos Bovari, turinčios užgintų nesantuokinių ryšių ir gyvenančios ne pagal išgales, kad išvengtų provincijos gyvenimo banalybės ir tuštumos, istorija. Joks kitas rašytojas šitaip nepažino ir neatskleidė moters pasaulio. Todėl „Ponia Bovari“ yra ne tik neginčijamas realistinio stiliaus etalonas, bet ir vienas įtakingiausių kada nors parašytų romanų. Knygos ištraukas skaito aktorė Neringa Bulotaitė.

Nauji įrašai. Pristatome Gustavo Flobero romaną „Ponia Bovari“. Vertė Sofija Čiurlionienė ir Juozas Urbšys. Išleido leidykla „Vaga“.Tai gydytojo žmonos Emos Bovari, turinčios užgintų nesantuokinių ryšių ir gyvenančios ne pagal išgales, kad išvengtų provincijos gyvenimo banalybės ir tuštumos, istorija. Joks kitas rašytojas šitaip nepažino ir neatskleidė moters pasaulio. Todėl „Ponia Bovari“ yra ne tik neginčijamas realistinio stiliaus etalonas, bet ir vienas įtakingiausių kada nors parašytų romanų. Knygos ištraukas skaito aktorė Neringa Bulotaitė.

Nauji įrašai. Pristatome Gustavo Flobero romaną „Ponia Bovari“. Vertė Sofija Čiurlionienė ir Juozas Urbšys. Išleido leidykla „Vaga“.Tai gydytojo žmonos Emos Bovari, turinčios užgintų nesantuokinių ryšių ir gyvenančios ne pagal išgales, kad išvengtų provincijos gyvenimo banalybės ir tuštumos, istorija. Joks kitas rašytojas šitaip nepažino ir neatskleidė moters pasaulio. Todėl „Ponia Bovari“ yra ne tik neginčijamas realistinio stiliaus etalonas, bet ir vienas įtakingiausių kada nors parašytų romanų. Knygos ištraukas skaito aktorė Neringa Bulotaitė.

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works. This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre's Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre's output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works. This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre's Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre's output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works. This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre's Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre's output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works. This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre's Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre's output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works. This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre's Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre's output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works. This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre's Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre's output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Nauji įrašai. Pristatome Gustavo Flobero romaną „Ponia Bovari“. Vertė Sofija Čiurlionienė ir Juozas Urbšys. Išleido leidykla „Vaga“.Tai gydytojo žmonos Emos Bovari, turinčios užgintų nesantuokinių ryšių ir gyvenančios ne pagal išgales, kad išvengtų provincijos gyvenimo banalybės ir tuštumos, istorija. Joks kitas rašytojas šitaip nepažino ir neatskleidė moters pasaulio. Todėl „Ponia Bovari“ yra ne tik neginčijamas realistinio stiliaus etalonas, bet ir vienas įtakingiausių kada nors parašytų romanų. Knygos ištraukas skaito aktorė Neringa Bulotaitė.

durée : 00:19:54 - Lectures du soir - " À mesure que le temps s'éloignait, je l'en aimais de plus en plus ; avec la rage que l'on a pour les choses impossibles, j'inventais des aventures pour la retrouver, j'imaginais notre rencontre, j'ai revu […] la couleur de sa figure dans les feuilles du tremble, quand l'automne les colore"

durée : 00:20:02 - Lectures du soir - " À ce moment-là, elle s'éveilla, elle sourit, les yeux encore à demi fermés, en même temps qu'elle étendait ses bras autour de mon cou et m'embrassait d'un long baiser du matin, d'un baiser de colombe qui s'éveille. "

durée : 00:19:58 - Lectures du soir - " Comment faire ? qui aimer ? qui vous aimera ? quelle sera la grande dame qui voudra de vous ? la beauté surhumaine qui vous tendra les bras ? Qui dira […] tous les soupirs des cœurs gonflés partis vers les étoiles, pendant les chaudes nuits où la poitrine étouffe ! "

durée : 00:19:54 - Lectures du soir - "Travailler, tout sacrifier à une idée, à une ambition, ambition misérable et triviale, avoir une place, un nom ? après ? à quoi bon ? Et puis je n'aimais pas la gloire, la plus retentissante ne m'eût point satisfait parce qu'elle n'eût jamais atteint à l'unisson de mon cœur. "

Dünya edebiyatının en önemli klasiklerinden birinin peşinden gidiyor bu kez ‘ben okurum'. Madam Bovary ve modern romanın kurucusu, realizm akımının öncüsü olarak kabul edilen yazarı Gustave Flaubert'in derinlemesine konuşulduğu bu bölümde, Deniz Yüce Başarır akademisyen yazar Esra Dicle'yi konuk ediyor. “Emma, bir oyunbozan mı yoksa şımarık, tatminsiz bir kadın mı?” sorusunu da içeren sohbette, 19. Yüzyılda yazılmış bu önemli esere hemen her yönden bakıyor ikili. Ve elbette romandan etkileyici bölümler de Başarır'ın sesinden bu sohbete eşlik ediyor.

durée : 00:20:02 - Lectures du soir - " Il n'y a pas longtemps que je suis né, mais j'ai à moi des souvenirs nombreux dont je me sens accablé, comme le sont les vieillards de tous les jours qu'ils ont vécus ; il me semble quelquefois que j'ai duré pendant des siècles et que mon être renferme les débris de mille existences passées. "

La fiebre del oro ha generado miles de historias y de leyendas, algunas con sustrato real, otras puramente imaginarias, todas, emocionantes. Y Luz Gabás ha viajado a mitad del siglo XIX para presentarnos a Lorién, un joven que emprende una aventura en la California de 1849 donde le espera al amor y una hazaña. Corazón de oro es la nueva novela de la autora de Palmeras en la nieve, y ganadora del premio Planeta.Nos encanta descubrir nuevas voces en el Club. Y encontrar pequeñas joyas, como el libro de relatos de una autora, Natalia García Freire, que acaba de publicar en Páginas de Espuma La máquina de hacer pájaros.Nos adentramos en el misterio de Elena Ferrante. ¿Quién se esconde detrás de esta autora?Y además, las filias y fobias de Gustave Flaubert.

De onde surgem nossos desejos? Para desejar algo é preciso saber que esse algo existe, e é por isso que o cinema, a literatura e principalmente a propaganda são fábricas de desejos. Dos pelos femininos à vontade de uma bebida gelada, contamos histórias de como a propaganda nos apresentou soluções - logo depois de inventar o problema.Este é mais um episódio do Escuta Essa, podcast semanal em que Denis e Danilo trocam histórias de cair o queixo e de explodir os miolos. Todas as quartas-feiras, no seu agregador de podcasts favorito, é a vez de um contar um causo para o outro.Não deixe de enviar os episódios do Escuta Essa para aquela pessoa com quem você também gosta de compartilhar histórias e aproveite para mandar seus comentários e perguntas no Spotify, nas redes sociais, ou no e-mail escutaessa@aded.studio. A gente sempre lê mensagens no final de cada episódio!...NESTE EPISÓDIO•⁠ ⁠O filósofo Slavoj Zizek diz que o cinema ensina a desejar em seu filme "O Guia Pervertido do Cinema".•⁠ ⁠A Gillette passou a vender para o público feminino em 1915 após uma bem sucedida campanha de marketing.•⁠ ⁠Listerine passou a ser usado para o hálito após a marca popularizar o termo "halitose".•⁠ ⁠Diamantes passaram a ser associados a alianças após uma campanha de marketing da De Beers.•⁠ ⁠Madame Bovary é um romance de 1856 escrito por Gustave Flaubert.•⁠ ⁠"Bovarismo Brasileiro" é uma coletânea de ensaios da psicanalista Maria Rita Kehl.•⁠ ⁠"Ilustríssima Conversa" é um podcast de entrevistas da Folha de S. Paulo.•⁠ ⁠A Coca-Cola mudou completamente a imagem do Papai Noel com suas propagandas.•⁠ ⁠"A Costa do Mosquito" é um filme de 1986 sobre um inventor que resolve se isolar da civilização....AD&D STUDIOA AD&D produz podcasts e vídeos que divertem e respeitam sua inteligência! Acompanhe todos os episódios em aded.studio para não perder nenhuma novidade.

durée : 00:17:24 - Les Midis de Culture - par : Marie Labory - Cette réinvention théâtrale du chef-d'œuvre de Gustave Flaubert redonne vie à Emma Bovary. Sur une piste de cirque où se mêlent vidéo, théâtre et musique pop et kitsch, Christophe Honoré tente de bousculer notre regard sur ce grand roman du XIXe siècle - réalisation : Laurence Malonda - invités : Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O; Vincent Bouquet Journaliste et responsable d'édition du site Sceneweb

durée : 00:42:56 - La 20e heure - par : Eva Bester - C'est dans "Bovary Madame" et non "Madame Bovary", nouvelle création de Christophe Honoré jouée au théâtre de Vidy, que Ludivine Sagnier réinterprète, plus qu'interprète, l'héroïne éperdue de liberté du roman de Gustave Flaubert. - invités : Ludivine SAGNIER - Ludivine Sagnier : Actrice française - réalisé par : Lola COSTANTINI Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

¿Sabías que en 1857 Gustave Flaubert fue a juicio por su novela Madame Bovary?, ¿en qué país del mundo se come pulpo crudo?, ¿qué ciudad tiene solo 37 días soleados al año?, ¿qué pasó con la muñeca maldita que investigó la Inquisición en México? En este capítulo hablamos de: El efecto Werther, Madame Bovary, Tarántulas fritas, Jugo de ojo de oveja, El Conjuro y la muñeca maldita mexicana, Las ciudades con menos sol del mundo, Y más datos tormentosos en el Banquete del Doctor Zagal.See omnystudio.com/listener for privacy information.

durée : 00:19:53 - Lectures du soir - "Je voudrais faire des livres où il n'y eût qu'à écrire des phrases, si l'on peut dire cela, comme pour vivre, il n'y a qu'à respirer de l'air."

durée : 00:20:09 - Lectures du soir - "T'aperçois-tu que je deviens moraliste ? Est-ce un signe de vieillesse ? je tourne certainement à la haute comédie, j'ai quelques fois des prurits atroces d'engueuler les humains ! "

durée : 00:19:21 - Lectures du soir - "La poésie n'est point une débilité de l'esprit, mais ses susceptibilités nerveuses en sont une, cette faculté de sentir outre-mesure est une faiblesse… "

durée : 00:20:15 - Lectures du soir - "Je suis d'une tristesse de cadavre, d'un embêtement démesuré, ma sacrée Bovary me tourmente et m'assomme."

Send us a textWelcome to Celebrate Creativity - Episode 447 - The Perfect WordWelcome to this podcast episode. Today, get ready to hear more meet a writer who took being a perfectionist to a whole new level - possibly hear about him for the very first time. His name is Gustave Flaubert, and he's not just another author from history—he's a rebel who changed how stories are told forever.So, why should you care about him?Imagine a writer who spent years on a single book. Gustave Flaubert was obsessed with finding the one perfect word for every sentence, often screaming his writing out loud to make sure it sounded just right. This crazy-intense effort is why his main accomplishment, a novel called Madame Bovary, is so famous. When it came out, it caused a massive scandal! People were so shocked by his story of a bored woman trying to find excitement in her life that he was actually put on trial.But there's another reason he's so interesting. Flaubert suffered from epilepsy. This illness made his life incredibly difficult and private, but it also gave him a unique view of the world. It's a powerful and inspiring story of a person who took his own personal struggles and turned them into some of the most beautiful and honest writing the world has ever seen.So, stick around as we continue our look into the life of Gustave Flaubert.Support the showThank you for experiencing Celebrate Creativity.

durée : 00:19:54 - Lectures du soir - "Je me suis reconnu plus petit et j'ai mis toute ma raison dans l'observation de ma nature, de son fond et de ses limites surtout."

Send us a textWelcome to Celebrate Creativity - Episode 439 -  An Uneasy MindLet me start with an example of my creative - if if that is what you wanna call it - approach to Gemini - I figured out what I wanted to say, my situation, and give Gemini a place to start with. I knew that Gustav Flaubert and Lord Byron lived approximately at the same time, but I was not exactly sure which came first chronologically.  So I looked them up Gemini and got Lord Byron was Born: January 22, 1788 and died April 19, 1824 - whileWell now I guess you could say that I'm speaking as me here I guess you could say that is true with me personally I may have the tendency to have a seizure but I haven't had a seizure for decades but then I can take well anticonvulsants and the medication's seem to have Gustave Flaubert was born about 30 years later on December 12, 1821 and died may 8, 1880.  So chronologically, this episode and the one afterwards will be about Lord Byron.  I then typed the following prompt into GeminiI am doing a podcast where I am planning several episodes about writers who it is believed suffered from epilepsy - such as Edgar Allan Poe, Dostoyevsky - definitely - Agatha Christie - of course there are other notable figures who are believed to have suffered from epilepsy. From what I understand there is not definite proof that dickens had epilepsy, but he did take great care en describing the symptoms and actions of people with epilepsy. First - and it may require several episodes to cover all the writers - could you describe the role of epilepsy in the life of Lord Byron?And Gemini replied - The role of epilepsy in the life of Lord Byron is a fascinating and often debated topic. While some historical accounts and figures (like Nietzsche) suggested he suffered from epilepsy, modern interpretations of the available evidence tend to be more nuanced, suggesting that if he experienced seizures, they were likely occasional convulsions rather than chronic epilepsy.Support the showThank you for experiencing Celebrate Creativity.

durée : 00:20:12 - Lectures du soir - " J'éprouve une répulsion invincible à mettre sur le papier quelque chose de mon cœur. Je trouve même qu'un romancier n'a pas à exprimer son opinion sur quoi que ce soit. Est-ce que le bon Dieu l'a jamais dite, son opinion ? "

durée : 00:19:49 - Lectures du soir - " Août 1870 : Es-tu à Paris ? Au milieu de cette tourmente ? Quelle leçon reçoivent les peuples qui veulent des maîtres absolus. France et Prusse s'égorgeant pour des questions qu'elles ne comprennent pas. Nous voilà dans de grands désastres. "

durée : 00:19:59 - Lectures du soir - " On ne sait jamais soi-même ce qu'on fait ni ce qu'on vaut. Tu as les qualités du trop vrai, du trop bien observé et du trop bien entendu. Tu en as d'autres ! Des facultés d'intuitions, de grandes visions, de vraie puissance, qui sont bien supérieures ! "

durée : 00:20:07 - Lectures du soir - " J'ai beaucoup rêvé et très peu exécuté. Le sens du grotesque m'a retenu sur la pente des désordres. Je maintiens que le cynisme confine à la chasteté."

durée : 00:19:53 - Lectures du soir - " Le mot pignouf a sa profondeur, il a été créé pour le bourgeois exclusivement, n'est-ce pas ? Sur cent bourgeoises de province, quatre-vingt-dix sont pignouflardes, et même avec de jolies petites mines qui annonceraient des instincts délicats."

Jacke continues his journey through the list of the 25 Greatest Books of All Time with a look at Flaubert's "perfect novel," Madame Bovary (1856-57). Telling the story of the bored wife of a provincial doctor who enters into a series of infidelities, Flaubert's debut caused an immediate sensation - and changed the way we've come to view both novels and novelists. In this episode, Jacke talks about the book and its impact; passes along three Madame Bovary tidbits from Mike Palindrome (who is currently slow-reading the novel as part of the Bluesky Together project); and revisits his experience with Madame Bovary in Tibet, which first ran in 2017. Special Announcement: The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠John Shors Travel⁠. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠historyofliterature.com⁠. Or visit the ⁠History of Literature Podcast Tour itinerary⁠ at ⁠John Shors Travel⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠gabrielruizbernal.com. Help support the show at ⁠patreon.com/literature ⁠or ⁠historyofliterature.com/donate ⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gustave Flaubert (1821 - 1880)Translated by Tomás de C. DuránLa soñadora Emma, una joven de provincias casada con Charles Bovary, quien la ama pero es incapaz de comprenderla y satisfacerla, buscará la realización de sus sueños en otros amores, pasionales, platónicos..., pero ninguno de ellos logrará calmar su desesperada ansiedad y sus románticas inquietudes. La publicación de Madame Bovary (1856) provocó el escándalo de la burguesía francesa, esclava de mil prejuicios, y el proceso judicial que siguió contribuyó a un éxito editorial sin precedentes. Flaubert veía así cómo su obra servía más para satisfacer el morbo que para deleitarse en el caudal narrativo que contenía. Hoy, Madame Bovary es considerada el auténtico pórtico de la modernidad literaria. (Summary by Phileas Fogg)

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On va célébrer, le 12 décembre prochain, le bicentenaire de la naissance de l'écrivain rouennais Gustave Flaubert. Belle occasion de revenir sur une jeunesse tourmentée, romantique, et sa vocation pour les Lettres.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Welcome to the 200th episode of Sarah's Bookshelves Live with a very special celebration with both co-hosts: Susie (@NovelVisits) and Catherine of Gilmore Guide to Books. Today, they are answering listener-submitted questions all about their reading journeys, their podcast journeys, and some about their pre-podcast blogging days! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Their early reading lives. The most surprising things about their reading history. Susie's secret endeavor! How much they talk about books in their day-to-day lives. What their friends outside of the book world think about what they do. Would Susie or Catherine ever want to do an author interview? How their feelings about the podcast have changed over the years. Topic Highlights Key Moments in Their Reading Lives [1:59] A few of the questions answered: Have you always been a reader, and do you have a distinct memory of when you truly fell in love with reading? [2:11]  Was there a time in your life when you were not reading very much? [6:34]  What parts of your reading tastes have changed dramatically over the course of your reading life and what parts have stayed consistent? [10:56]  Currently, what is your reading “why”? What's the primary reasoon you read? [29:35] Their Professional Reading Journeys [34:17] A few of the questions answered: Why did you start your blogs? [34:26]  Is there anything you miss from the time when you only blogged? Anything you don't miss? [40:35]  What is your relationship like off mic? [44:49]  How has social media changed your reading life? [53:04] Anything you wish you had known about podcasting before you got involved? [1:03:13]  Books Mentioned Dick and Jane Reading Collection  [2:41] Ant and Bee and the ABC  (1950) [4:31]  The Secret of the Old Clock by Carolyn Keene (1930) [4:59] Kristy's Great Idea (The Baby-Sitters Club, 1) by Ann M. Martin (1986) [5:02]  Goodnight Moon by Margaret Wise Brown (1947) [5:29]  The Interestings by Meg Wolitzer (2013) [9:47]  Double Love (Sweet Valley High, 1) by Francine Pascal (1983)  [16:09]  Great Expectations by Charles Dickens (1861)  [16:49]  Tell Me Lies by Carola Lovering (2018)  [17:42]  Normal People by Sally Rooney (2019)  [17:43]  Bitter Sweet by Hattie Williams (2025)  [17:44]  Madame Bovary by Gustave Flaubert (1857) [18:46]  Middlemarch by George Eliot (1872) [18:54]  Out of Africa by Isak Dinesen (1937) [19:17]