Podcasts about Hong Kong University Press

On an August night in 1933 Harbin in then-Japanese controlled Manchuria–Semyon Kaspe, French citizen, famed concert musician, and Russian Jew, is abducted after a night out. Suspicion falls on the city's fervently anti-semitic Russian fascists. Yet despite pressure from the French consulate, the Japanese police slow-walk the investigation—and three months later, Semyon is found dead. The abduction, murder and trial catch the world's attention right as Japan is trying to win international support for the puppet state of Manchukuo—and it's the subject of Scott Seligman's latest book, Murder in Manchuria: The True Story of a Jewish Virtuoso, Russian Fascists, a French Diplomat, and a Japanese Spy in Occupied China (U Nebraska Press, 2023) In this interview, Scott and I talk about Harbin, the major players in Semyon's abduction and murder, and how the investigation and trial became an international sensation. Scott D. Seligman is a writer and historian. He is the national award-winning author of numerous books, including The Great Kosher Meat War of 1902: Immigrant Housewives and the Riots That Shook New York City (Potomac: 2020), The Third Degree: The Triple Murder that Shook Washington and Changed American Criminal Justice (Potomac: 2018), and The First Chinese American: The Remarkable Life of Wong Chin Foo (Hong Kong University Press: 2013) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Murder in Manchuria. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Macanese gastronomy is reputedly the oldest fusion cuisine in the world and has been recognised by UNESCO as an intangible cultural heritage. This tiny territory - smaller than Hong Kong, which it neighbours - also has one of the most dynamic economies in the world where some of the best chefs using the finest ingredients cook for the very rich. How does Macanese food cut through this noise?But how does a chef like Andrew - operating within a system of distinct yet connected regional Chinese cuisines - understand, embody, codify and cook a corpus that borrows so heavily from Portuguese colonial tastes and textures? And is fusion a problematic term or simply an imprecise word to describe complex alchemies involved in cooking food that lands well in a given context? ReferencesBoileau, Janet Patricia. "A culinary history of the Portuguese Eurasians: the origins of Luso-Asian cuisine in the sixteenth and seventeenth centuries." PhD diss., 2010.Das, Mukta. “One of Many Ways For Macanese Aluar” The Recipes Project, 2021Jackson, Annabel. The Making of Macau's Fusion Cuisine: From Family Table to World Stage. Hong Kong University Press, 2020.Intro and outro music: 遊子 [wanderer] by mafmadmaf.comXO Soused is a fortnightly audio newsletter. We'd be grateful if you can share XO Soused with your friends! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit andrewwongandmuktadas.substack.com

Bright on Buddhism Episode 55 - Who is Mahakasyapa? What role does he play in the texts? How does this role change over time? Resources: Ambros, Barbara R (27 June 2016), "A Rite of Their Own: Japanese Buddhist Nuns and the Anan kōshiki", Japanese Journal of Religious Studies, 43 (1): 207–250, doi:10.18874/jjrs.43.1.2016.207-250; Analayo, B. (2016), The Foundation History of the Nuns' Order (PDF), projekt verlag, ISBN 978-3-89733-387-1; Hirakawa, Akira (1993), A History of Indian Buddhism: From Śākyamuni to Early Mahāyāna, Motilal Banarsidass Publishers, ISBN 9788120809550; Lagirarde, F. (2006), "The Nibbāna of Mahākassapa the Elder", in Lagirarde, F.; Koanantakool, P.C. (eds.), Buddhist Legacies in Mainland Southeast Asia. Mentalities, Interpretations and Practices, Ecole française d'Extrême-Orient and Sirindhorn Anthropology Centre, ISBN 2-85539-655-7; Lee, S.L. (2010), Surviving Nirvana: Death of the Buddha in Chinese Visual Culture, Hong Kong University Press, ISBN 978-962-209-125-2; MacQueen, Graeme (2005) [1981–2], "Inspired Speech in Early Mahāyāna Buddhism", in Williams, Paul (ed.), Buddhism: Critical Concepts in Religious Studies, 3: The Origins and Nature of Mahāyāna Buddhism, Routledge, pp. 312–343, ISBN 0-415-33229-X; Powers, John (2016), "Buddhas and Buddhisms", in Powers, John (ed.), The Buddhist World, Routledge, ISBN 978-0-415-61044-5; Strong, J.S. (2001), The Buddha: A Beginner's Guide, Oneworld Publications, ISBN 978-1-78074-054-6; Strong, J.S. (2007), Relics of the Buddha, Princeton University Press, ISBN 978-0-691-11764-5; Tournier, V. (2014), "Mahākāśyapa, His Lineage, and the Wish for Buddhahood: Reading Anew the Bodhgayā Inscriptions of Mahānāman" (PDF), Indo-Iranian Journal, 57 (1–2): 1–60, doi:10.1163/15728536-05701001; Tsukamoto, K. (1963), "Mahākaśyapa's Precedence to Ānanda in the Rājagṛha Council", Indogaku Bukkyogaku Kenkyu [Journal of Indian and Buddhist Studies], 11 (2): 824–817, doi:10.4259/ibk.11.824 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

The Thirties and Forties were some of the first instances of aerial bombardment of civilian populations—and an indication of their destructive power. We often point to the Nazi bombing in Guernica, Spain in 1937—immortalized by Pablo Picasso—as the first instance of what happens when “the bomber gets through”, to paraphrase then-Prime Minister Stanley Baldwin. But just a few months later, across a continent, the world got a glimpse of what bombardment would look like in one of the world's most built-up and international cities of the time: Shanghai, and “Bloody Saturday”: August 14th, 1937. Paul French's Bloody Saturday: Shanghai's Darkest Day (Penguin Australia: 2018), recently republished by Penguin's Southeast Asia arm, is a short telling of what happened on that fateful day. In this interview, Paul and I talk about what happened in Shanghai on August 14th, and what it tells us about the nature of the city, the foreigners that lived there, and how the rest of the Sino-Japanese War developed. Paul French was born in London, educated there and in Glasgow, and lived and worked in Shanghai for many years. His book Midnight in Peking: How the Murder of a Young Englishwoman Haunted the Last Days of Old China (Penguin Group USA: 2012) was a New York Times Bestseller, a BBC Radio 4 Book of the Week, a Mystery Writers of America Edgar award winner for Best Fact Crime and a Crime Writers' Association (UK) Dagger award for non-fiction. Both Midnight in Peking and City of Devils: The Two Men Who Ruled the Underworld of Old Shanghai (Picador USA: 2018) are currently being developed for television. More can be found on Paul French's blog China Rhyming. In our interview, we also mention another one of Paul's works: Through the Looking Glass: China's Foreign Journalists from Opium Wars to Mao (Hong Kong University Press: 2009) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bloody Saturday. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The Thirties and Forties were some of the first instances of aerial bombardment of civilian populations—and an indication of their destructive power. We often point to the Nazi bombing in Guernica, Spain in 1937—immortalized by Pablo Picasso—as the first instance of what happens when “the bomber gets through”, to paraphrase then-Prime Minister Stanley Baldwin. But just a few months later, across a continent, the world got a glimpse of what bombardment would look like in one of the world's most built-up and international cities of the time: Shanghai, and “Bloody Saturday”: August 14th, 1937. Paul French's Bloody Saturday: Shanghai's Darkest Day (Penguin Australia: 2018), recently republished by Penguin's Southeast Asia arm, is a short telling of what happened on that fateful day. In this interview, Paul and I talk about what happened in Shanghai on August 14th, and what it tells us about the nature of the city, the foreigners that lived there, and how the rest of the Sino-Japanese War developed. Paul French was born in London, educated there and in Glasgow, and lived and worked in Shanghai for many years. His book Midnight in Peking: How the Murder of a Young Englishwoman Haunted the Last Days of Old China (Penguin Group USA: 2012) was a New York Times Bestseller, a BBC Radio 4 Book of the Week, a Mystery Writers of America Edgar award winner for Best Fact Crime and a Crime Writers' Association (UK) Dagger award for non-fiction. Both Midnight in Peking and City of Devils: The Two Men Who Ruled the Underworld of Old Shanghai (Picador USA: 2018) are currently being developed for television. More can be found on Paul French's blog China Rhyming. In our interview, we also mention another one of Paul's works: Through the Looking Glass: China's Foreign Journalists from Opium Wars to Mao (Hong Kong University Press: 2009) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bloody Saturday. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The Thirties and Forties were some of the first instances of aerial bombardment of civilian populations—and an indication of their destructive power. We often point to the Nazi bombing in Guernica, Spain in 1937—immortalized by Pablo Picasso—as the first instance of what happens when “the bomber gets through”, to paraphrase then-Prime Minister Stanley Baldwin. But just a few months later, across a continent, the world got a glimpse of what bombardment would look like in one of the world's most built-up and international cities of the time: Shanghai, and “Bloody Saturday”: August 14th, 1937. Paul French's Bloody Saturday: Shanghai's Darkest Day (Penguin Australia: 2018), recently republished by Penguin's Southeast Asia arm, is a short telling of what happened on that fateful day. In this interview, Paul and I talk about what happened in Shanghai on August 14th, and what it tells us about the nature of the city, the foreigners that lived there, and how the rest of the Sino-Japanese War developed. Paul French was born in London, educated there and in Glasgow, and lived and worked in Shanghai for many years. His book Midnight in Peking: How the Murder of a Young Englishwoman Haunted the Last Days of Old China (Penguin Group USA: 2012) was a New York Times Bestseller, a BBC Radio 4 Book of the Week, a Mystery Writers of America Edgar award winner for Best Fact Crime and a Crime Writers' Association (UK) Dagger award for non-fiction. Both Midnight in Peking and City of Devils: The Two Men Who Ruled the Underworld of Old Shanghai (Picador USA: 2018) are currently being developed for television. More can be found on Paul French's blog China Rhyming. In our interview, we also mention another one of Paul's works: Through the Looking Glass: China's Foreign Journalists from Opium Wars to Mao (Hong Kong University Press: 2009) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bloody Saturday. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Thirties and Forties were some of the first instances of aerial bombardment of civilian populations—and an indication of their destructive power. We often point to the Nazi bombing in Guernica, Spain in 1937—immortalized by Pablo Picasso—as the first instance of what happens when “the bomber gets through”, to paraphrase then-Prime Minister Stanley Baldwin. But just a few months later, across a continent, the world got a glimpse of what bombardment would look like in one of the world's most built-up and international cities of the time: Shanghai, and “Bloody Saturday”: August 14th, 1937. Paul French's Bloody Saturday: Shanghai's Darkest Day (Penguin Australia: 2018), recently republished by Penguin's Southeast Asia arm, is a short telling of what happened on that fateful day. In this interview, Paul and I talk about what happened in Shanghai on August 14th, and what it tells us about the nature of the city, the foreigners that lived there, and how the rest of the Sino-Japanese War developed. Paul French was born in London, educated there and in Glasgow, and lived and worked in Shanghai for many years. His book Midnight in Peking: How the Murder of a Young Englishwoman Haunted the Last Days of Old China (Penguin Group USA: 2012) was a New York Times Bestseller, a BBC Radio 4 Book of the Week, a Mystery Writers of America Edgar award winner for Best Fact Crime and a Crime Writers' Association (UK) Dagger award for non-fiction. Both Midnight in Peking and City of Devils: The Two Men Who Ruled the Underworld of Old Shanghai (Picador USA: 2018) are currently being developed for television. More can be found on Paul French's blog China Rhyming. In our interview, we also mention another one of Paul's works: Through the Looking Glass: China's Foreign Journalists from Opium Wars to Mao (Hong Kong University Press: 2009) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bloody Saturday. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Thirties and Forties were some of the first instances of aerial bombardment of civilian populations—and an indication of their destructive power. We often point to the Nazi bombing in Guernica, Spain in 1937—immortalized by Pablo Picasso—as the first instance of what happens when “the bomber gets through”, to paraphrase then-Prime Minister Stanley Baldwin. But just a few months later, across a continent, the world got a glimpse of what bombardment would look like in one of the world's most built-up and international cities of the time: Shanghai, and “Bloody Saturday”: August 14th, 1937. Paul French's Bloody Saturday: Shanghai's Darkest Day (Penguin Australia: 2018), recently republished by Penguin's Southeast Asia arm, is a short telling of what happened on that fateful day. In this interview, Paul and I talk about what happened in Shanghai on August 14th, and what it tells us about the nature of the city, the foreigners that lived there, and how the rest of the Sino-Japanese War developed. Paul French was born in London, educated there and in Glasgow, and lived and worked in Shanghai for many years. His book Midnight in Peking: How the Murder of a Young Englishwoman Haunted the Last Days of Old China (Penguin Group USA: 2012) was a New York Times Bestseller, a BBC Radio 4 Book of the Week, a Mystery Writers of America Edgar award winner for Best Fact Crime and a Crime Writers' Association (UK) Dagger award for non-fiction. Both Midnight in Peking and City of Devils: The Two Men Who Ruled the Underworld of Old Shanghai (Picador USA: 2018) are currently being developed for television. More can be found on Paul French's blog China Rhyming. In our interview, we also mention another one of Paul's works: Through the Looking Glass: China's Foreign Journalists from Opium Wars to Mao (Hong Kong University Press: 2009) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bloody Saturday. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The Thirties and Forties were some of the first instances of aerial bombardment of civilian populations—and an indication of their destructive power. We often point to the Nazi bombing in Guernica, Spain in 1937—immortalized by Pablo Picasso—as the first instance of what happens when “the bomber gets through”, to paraphrase then-Prime Minister Stanley Baldwin. But just a few months later, across a continent, the world got a glimpse of what bombardment would look like in one of the world's most built-up and international cities of the time: Shanghai, and “Bloody Saturday”: August 14th, 1937. Paul French's Bloody Saturday: Shanghai's Darkest Day (Penguin Australia: 2018), recently republished by Penguin's Southeast Asia arm, is a short telling of what happened on that fateful day. In this interview, Paul and I talk about what happened in Shanghai on August 14th, and what it tells us about the nature of the city, the foreigners that lived there, and how the rest of the Sino-Japanese War developed. Paul French was born in London, educated there and in Glasgow, and lived and worked in Shanghai for many years. His book Midnight in Peking: How the Murder of a Young Englishwoman Haunted the Last Days of Old China (Penguin Group USA: 2012) was a New York Times Bestseller, a BBC Radio 4 Book of the Week, a Mystery Writers of America Edgar award winner for Best Fact Crime and a Crime Writers' Association (UK) Dagger award for non-fiction. Both Midnight in Peking and City of Devils: The Two Men Who Ruled the Underworld of Old Shanghai (Picador USA: 2018) are currently being developed for television. More can be found on Paul French's blog China Rhyming. In our interview, we also mention another one of Paul's works: Through the Looking Glass: China's Foreign Journalists from Opium Wars to Mao (Hong Kong University Press: 2009) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bloody Saturday. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

The Thirties and Forties were some of the first instances of aerial bombardment of civilian populations—and an indication of their destructive power. We often point to the Nazi bombing in Guernica, Spain in 1937—immortalized by Pablo Picasso—as the first instance of what happens when “the bomber gets through”, to paraphrase then-Prime Minister Stanley Baldwin. But just a few months later, across a continent, the world got a glimpse of what bombardment would look like in one of the world's most built-up and international cities of the time: Shanghai, and “Bloody Saturday”: August 14th, 1937. Paul French's Bloody Saturday: Shanghai's Darkest Day (Penguin Australia: 2018), recently republished by Penguin's Southeast Asia arm, is a short telling of what happened on that fateful day. In this interview, Paul and I talk about what happened in Shanghai on August 14th, and what it tells us about the nature of the city, the foreigners that lived there, and how the rest of the Sino-Japanese War developed. Paul French was born in London, educated there and in Glasgow, and lived and worked in Shanghai for many years. His book Midnight in Peking: How the Murder of a Young Englishwoman Haunted the Last Days of Old China (Penguin Group USA: 2012) was a New York Times Bestseller, a BBC Radio 4 Book of the Week, a Mystery Writers of America Edgar award winner for Best Fact Crime and a Crime Writers' Association (UK) Dagger award for non-fiction. Both Midnight in Peking and City of Devils: The Two Men Who Ruled the Underworld of Old Shanghai (Picador USA: 2018) are currently being developed for television. More can be found on Paul French's blog China Rhyming. In our interview, we also mention another one of Paul's works: Through the Looking Glass: China's Foreign Journalists from Opium Wars to Mao (Hong Kong University Press: 2009) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bloody Saturday. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular. Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular. Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular. Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular. Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular. Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Eika Tai's Comfort Women Activism: Critical Voices from the Perpetrator State (Hong Kong University Press, 2020) tackles the complex histories of Japanese “military sexual violence” and the activism by women in Japan, mostly since the 1990s.  Tai's contribution to scholarship on the so-called “comfort women” issue begins with a helpful overview of both the comfort women movement and also the political and social context in which that movement arose and continues today.  Part 2: Activist Narratives, includes four chapters. Chapters 3-5 look at different ways that activists in Japan―primarily Japanese women responding directly or indirectly to the testimony of survivors―have approached the “comfort women” issue.  Tai tells the stories of two or three representative activists in each of these chapters, and demonstrates how they encapsulate a particular way of being “activists in the perpetrator state.” Chapter 6 follows the same structural approach, but ties together some of the threads from previous chapters in its analysis of the transnational feminism that led to the Women's International War Crimes Tribunal in 2000.  The book's conclusion contrasts this approach with the thought of feminist scholar Ōgoshi Aiko, and introduces the idea of “Feminism against Japan's Military Sexual Violence,” the title of Chapter 7.  Because it breaks new ground in understanding not just the question of military sexual violence, but also the histories of philosophical and activist feminisms, Comfort Women Activism will be of interest to historians of East Asia, gender, social movements, and more. Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies

Eika Tai’s Comfort Women Activism: Critical Voices from the Perpetrator State (Hong Kong University Press, 2020) tackles the complex histories of Japanese “military sexual violence” and the activism by women in Japan, mostly since the 1990s.  Tai’s contribution to scholarship on the so-called “comfort women” issue begins with a helpful overview of both the comfort women movement and also the political and social context in which that movement arose and continues today.  Part 2: Activist Narratives, includes four chapters. Chapters 3-5 look at different ways that activists in Japan―primarily Japanese women responding directly or indirectly to the testimony of survivors―have approached the “comfort women” issue.  Tai tells the stories of two or three representative activists in each of these chapters, and demonstrates how they encapsulate a particular way of being “activists in the perpetrator state.” Chapter 6 follows the same structural approach, but ties together some of the threads from previous chapters in its analysis of the transnational feminism that led to the Women’s International War Crimes Tribunal in 2000.  The book’s conclusion contrasts this approach with the thought of feminist scholar Ōgoshi Aiko, and introduces the idea of “Feminism against Japan’s Military Sexual Violence,” the title of Chapter 7.  Because it breaks new ground in understanding not just the question of military sexual violence, but also the histories of philosophical and activist feminisms, Comfort Women Activism will be of interest to historians of East Asia, gender, social movements, and more. Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Eika Tai’s Comfort Women Activism: Critical Voices from the Perpetrator State (Hong Kong University Press, 2020) tackles the complex histories of Japanese “military sexual violence” and the activism by women in Japan, mostly since the 1990s.  Tai’s contribution to scholarship on the so-called “comfort women” issue begins with a helpful overview of both the comfort women movement and also the political and social context in which that movement arose and continues today.  Part 2: Activist Narratives, includes four chapters. Chapters 3-5 look at different ways that activists in Japan―primarily Japanese women responding directly or indirectly to the testimony of survivors―have approached the “comfort women” issue.  Tai tells the stories of two or three representative activists in each of these chapters, and demonstrates how they encapsulate a particular way of being “activists in the perpetrator state.” Chapter 6 follows the same structural approach, but ties together some of the threads from previous chapters in its analysis of the transnational feminism that led to the Women’s International War Crimes Tribunal in 2000.  The book’s conclusion contrasts this approach with the thought of feminist scholar Ōgoshi Aiko, and introduces the idea of “Feminism against Japan’s Military Sexual Violence,” the title of Chapter 7.  Because it breaks new ground in understanding not just the question of military sexual violence, but also the histories of philosophical and activist feminisms, Comfort Women Activism will be of interest to historians of East Asia, gender, social movements, and more. Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Eika Tai’s Comfort Women Activism: Critical Voices from the Perpetrator State (Hong Kong University Press, 2020) tackles the complex histories of Japanese “military sexual violence” and the activism by women in Japan, mostly since the 1990s.  Tai’s contribution to scholarship on the so-called “comfort women” issue begins with a helpful overview of both the comfort women movement and also the political and social context in which that movement arose and continues today.  Part 2: Activist Narratives, includes four chapters. Chapters 3-5 look at different ways that activists in Japan―primarily Japanese women responding directly or indirectly to the testimony of survivors―have approached the “comfort women” issue.  Tai tells the stories of two or three representative activists in each of these chapters, and demonstrates how they encapsulate a particular way of being “activists in the perpetrator state.” Chapter 6 follows the same structural approach, but ties together some of the threads from previous chapters in its analysis of the transnational feminism that led to the Women’s International War Crimes Tribunal in 2000.  The book’s conclusion contrasts this approach with the thought of feminist scholar Ōgoshi Aiko, and introduces the idea of “Feminism against Japan’s Military Sexual Violence,” the title of Chapter 7.  Because it breaks new ground in understanding not just the question of military sexual violence, but also the histories of philosophical and activist feminisms, Comfort Women Activism will be of interest to historians of East Asia, gender, social movements, and more. Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Eika Tai’s Comfort Women Activism: Critical Voices from the Perpetrator State (Hong Kong University Press, 2020) tackles the complex histories of Japanese “military sexual violence” and the activism by women in Japan, mostly since the 1990s.  Tai’s contribution to scholarship on the so-called “comfort women” issue begins with a helpful overview of both the comfort women movement and also the political and social context in which that movement arose and continues today.  Part 2: Activist Narratives, includes four chapters. Chapters 3-5 look at different ways that activists in Japan―primarily Japanese women responding directly or indirectly to the testimony of survivors―have approached the “comfort women” issue.  Tai tells the stories of two or three representative activists in each of these chapters, and demonstrates how they encapsulate a particular way of being “activists in the perpetrator state.” Chapter 6 follows the same structural approach, but ties together some of the threads from previous chapters in its analysis of the transnational feminism that led to the Women’s International War Crimes Tribunal in 2000.  The book’s conclusion contrasts this approach with the thought of feminist scholar Ōgoshi Aiko, and introduces the idea of “Feminism against Japan’s Military Sexual Violence,” the title of Chapter 7.  Because it breaks new ground in understanding not just the question of military sexual violence, but also the histories of philosophical and activist feminisms, Comfort Women Activism will be of interest to historians of East Asia, gender, social movements, and more. Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Anuja Pradhan and Alev Kuruoglu look at TV as a cultural force that shapes and drives consumption. Media like TV inflicts the ways in which consumers see the world.In this episode, we are joined by researcher Cagri Yalkin and students Alexandra Torpen and Fabian Frost. Producer: Karsten Prinds.REFERENCESOur guest Cagri's work on TV and Turkish soap operas:Yalkin, C. (2019). TV series: marketplace icon. Consumption Markets & Culture, 1-8.Yalkin, C., & Veer, E. (2018). Taboo on TV: gender, religion, and sexual taboos in transnationally marketed Turkish soap operas. Journal of marketing management, 34(13-14), 1149-1171.Yalkin, C. (2018). A brand culture approach to managing nation‐brands. European Management Review, 15(1), 137-149.How Dallas changed the world: Alasuutari, P. (1992). I'm ashamed to admit it but I have watched Dallas': the moral hierarchy of television programmes. Media, Culture & Society, 14(4), 561-582.Ang, I. (1985). Watching Dallas: Soap opera and the melodramatic imagination. Psychology Press.Fiske, J. (2004). Reading television. Routledge.Katz, Elihu, and Tamar Liebes. "Interacting with" Dallas": Cross cultural readings of American TV." Departmental Papers (ASC) (1990): 159.Hirschman, E. C. (1988). The ideology of consumption: A structural-syntactical analysis of “Dallas” and “Dynasty”. Journal of Consumer Research, 15(3), 344-359.TV shaping home & family life:Chitakunye, P., & Maclaran, P. (2014). Materiality and family consumption: the role of the television in changing mealtime rituals. Consumption Markets & Culture, 17(1), 50-70.Clarke, A. (2001). The aesthetics of social aspiration. in Home possessions ed. Daniel Miller, 23-45. Oxford & NY: BergLocal TVs / TV Localities:Akınerdem, F. (2020). Women's Fragile Trust: Safety, Familiarity, and Secrecy in the Marriage Show. In Television in Turkey (pp. 103-123). Palgrave Macmillan, Cham.Creeber, G. (2015). Killing us softly: Investigating the aesthetics, philosophy and influence of Nordic Noir television. The Journal of Popular Television, 3(1), 21-35.Kuipers, G. (2006). Television and taste hierarchy: The case of Dutch television comedy. Media, Culture & Society, 28(3), 359-378.Rajgopal, A. (1993) The rise of national programming: The case of Indian television. Media, Culture & Society. 15 (1). 91-111.Xu, J. H. (2007). Brand-new lifestyle: consumer-oriented programmes on Chinese television. Media, Culture & Society, 29(3), 363-376.Transnational TV consumption:Andersen, L. P., Kjeldgaard, D., & Nielsen, S. B. (2019). Utopian Noir: Borgen viewed in Denmark and the UK. In The Scandinavian Invasion: The Nordic Noir Phenomenon and Beyond. Peter Lang International Academic Publishers.Creeber, G. (2015). Killing us softly: Investigating the aesthetics, philosophy and influence of Nordic Noir television. The Journal of Popular Television, 3(1), 21-35.Hamzah, A., & Syed, M. A. M. (2013). Imagining Modernity in Contemporary Malaysia: Non-Western Soap Opera and the Negative Urban Morality. In Popular Culture in Asia (pp. 142-162). Palgrave Macmillan, London.Iwabuchi, K. (2004). Feeling Asian modernities: Transnational consumption of Japanese TV dramas (Vol. 1). Hong Kong University Press.Povlsen, K. K. (1996). Global teen soaps go local: Beverly Hills 90210 in Denmark. Young, 4(4), 3-20.Fandom:Chaturvedi, R., Singh, H. & Singh, A. (2021) Hero and Hero – Worship: Fandom in Modern India. Vernon Press: USA.Costello, V., & Moore, B. (2007). Cultural outlaws: An examination of audience activity and online television fandom. Television & New Media, 8(2), 124-143.Gray, J., Sandvoss, C., & Harrington, C. L. (Eds.). (2017). Fandom: Identities and communities in a mediated world. NYU Press.Jenkins, H. (2012). Textual poachers: Television fans and participatory culture. Routledge.Kozinets, R. V. (2001). Utopian enterprise: Articulating the meanings of Star Trek's culture of consumption. Journal of consumer research, 28(1), 67-88.Pearson, R. (2010). Fandom in the digital era. Popular Communication, 8(1), 84-95.Consuming TV / cultural products as “escape”:Halfmann, A., & Reinecke, L. (2021). Binge-watching as case of escapist entertainment use. The Oxford Handbook of Entertainment Theory, 181.Jenner, M. (2016). Is this TVIV? On Netflix, TVIII and binge-watching. New media & society, 18(2), 257-273.Jones, S., Cronin, J., & Piacentini, M. G. (2018). Mapping the extended frontiers of escapism: binge-watching and hyperdiegetic exploration. Journal of Marketing Management, 34(5-6), 497-508.Radway, J. A. (2009). Reading the romance: Women, patriarchy, and popular literature. Univ of North Carolina Press.Alev and Anuja's work mentioned during the podcast:Pradhan, A., Cocker, H., & Hogg, M. (2018). Performing identity–How British Asians acquire subcultural capital, build social capital, and gain distinction through Bollywood, music and dance. In 2018 Consumer Culture Theory Conference.Kuruoğlu, A. P., & Ger, G. (2015). An emotional economy of mundane objects. Consumption Markets & Culture, 18(3), 209-238.

John Wei’s book Queer Chinese Cultures and Mobilities: Kinship, Migration, and Middle Classes (Hong Kong University Press, 2020) studies queer cultures and social practices in China and Sinophone Asia. Young queer people in Asia struggle under the dual pressures of compulsory familism and compulsory development, that is, to marry and continue the family line and to participate successfully in the neoliberal development of Asia. Compulsory development often necessitates migration for education and work. Wei explores how queer people grapple with kinship, home, and developing queer communities under these conditions. Using his training in film and media studies, he analyzes films by queer Chinese-language filmmakers and discusses the creation of gay communities in cafes, queer film clubs, online social media platforms, and mobile social media. Thoroughly grounded in theory, Wei contributes new metaphors of stretched kinship and gated communities to understand movements of queer cultures and social practices. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter @LDickmeyer. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

John Wei’s book Queer Chinese Cultures and Mobilities: Kinship, Migration, and Middle Classes (Hong Kong University Press, 2020) studies queer cultures and social practices in China and Sinophone Asia. Young queer people in Asia struggle under the dual pressures of compulsory familism and compulsory development, that is, to marry and continue the family line and to participate successfully in the neoliberal development of Asia. Compulsory development often necessitates migration for education and work. Wei explores how queer people grapple with kinship, home, and developing queer communities under these conditions. Using his training in film and media studies, he analyzes films by queer Chinese-language filmmakers and discusses the creation of gay communities in cafes, queer film clubs, online social media platforms, and mobile social media. Thoroughly grounded in theory, Wei contributes new metaphors of stretched kinship and gated communities to understand movements of queer cultures and social practices. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter @LDickmeyer. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

John Wei’s book Queer Chinese Cultures and Mobilities: Kinship, Migration, and Middle Classes (Hong Kong University Press, 2020) studies queer cultures and social practices in China and Sinophone Asia. Young queer people in Asia struggle under the dual pressures of compulsory familism and compulsory development, that is, to marry and continue the family line and to participate successfully in the neoliberal development of Asia. Compulsory development often necessitates migration for education and work. Wei explores how queer people grapple with kinship, home, and developing queer communities under these conditions. Using his training in film and media studies, he analyzes films by queer Chinese-language filmmakers and discusses the creation of gay communities in cafes, queer film clubs, online social media platforms, and mobile social media. Thoroughly grounded in theory, Wei contributes new metaphors of stretched kinship and gated communities to understand movements of queer cultures and social practices. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter @LDickmeyer. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Wei’s book Queer Chinese Cultures and Mobilities: Kinship, Migration, and Middle Classes (Hong Kong University Press, 2020) studies queer cultures and social practices in China and Sinophone Asia. Young queer people in Asia struggle under the dual pressures of compulsory familism and compulsory development, that is, to marry and continue the family line and to participate successfully in the neoliberal development of Asia. Compulsory development often necessitates migration for education and work. Wei explores how queer people grapple with kinship, home, and developing queer communities under these conditions. Using his training in film and media studies, he analyzes films by queer Chinese-language filmmakers and discusses the creation of gay communities in cafes, queer film clubs, online social media platforms, and mobile social media. Thoroughly grounded in theory, Wei contributes new metaphors of stretched kinship and gated communities to understand movements of queer cultures and social practices. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter @LDickmeyer. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Wei’s book Queer Chinese Cultures and Mobilities: Kinship, Migration, and Middle Classes (Hong Kong University Press, 2020) studies queer cultures and social practices in China and Sinophone Asia. Young queer people in Asia struggle under the dual pressures of compulsory familism and compulsory development, that is, to marry and continue the family line and to participate successfully in the neoliberal development of Asia. Compulsory development often necessitates migration for education and work. Wei explores how queer people grapple with kinship, home, and developing queer communities under these conditions. Using his training in film and media studies, he analyzes films by queer Chinese-language filmmakers and discusses the creation of gay communities in cafes, queer film clubs, online social media platforms, and mobile social media. Thoroughly grounded in theory, Wei contributes new metaphors of stretched kinship and gated communities to understand movements of queer cultures and social practices. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter @LDickmeyer. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Wei’s book Queer Chinese Cultures and Mobilities: Kinship, Migration, and Middle Classes (Hong Kong University Press, 2020) studies queer cultures and social practices in China and Sinophone Asia. Young queer people in Asia struggle under the dual pressures of compulsory familism and compulsory development, that is, to marry and continue the family line and to participate successfully in the neoliberal development of Asia. Compulsory development often necessitates migration for education and work. Wei explores how queer people grapple with kinship, home, and developing queer communities under these conditions. Using his training in film and media studies, he analyzes films by queer Chinese-language filmmakers and discusses the creation of gay communities in cafes, queer film clubs, online social media platforms, and mobile social media. Thoroughly grounded in theory, Wei contributes new metaphors of stretched kinship and gated communities to understand movements of queer cultures and social practices. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter @LDickmeyer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to our 9th podcast on the films by Studio Ghibli. This time we're talking about a ballsy movie: Pom Poko, directed by Isao Takahata. On the cast this time are: Tassu, Hipster_Cthulhu, PlatonSkull and Me, Nyard. Discord: https://discord.gg/n8puKa4 Patreon: https://www.patreon.com/nausicaast Our Sources: Borlik, Todd Andrew. "Carnivalesque Ecoterrorism in Pom Poko." Resilience: A Journal of the Environmental Humanities, vol. 2 no. 3, 2015, p. 127-133. Project MUSE muse.jhu.edu/article/614504. “Countryside.” The Book of Yokai: Mysterious Creatures of Japanese Folklore, by Michael Dylan Foster and Shinonome Kijin, 1st ed., University of California Press, 2015, pp. 172–200. JSTOR, www.jstor.org/stable/10.1525/j.ctt14btg72.13. Accessed 28 Apr. 2020. Foster, Michael Dylan. “The Folkloresque Circle: Toward a Theory of Fuzzy Allusion.” The Folkloresque: Reframing Folklore in a Popular Culture World, edited by Michael Dylan Foster and Jeffrey A. Tolbert, University Press of Colorado, Boulder, Colorado, 2016, pp. 41–63. JSTOR, www.jstor.org/stable/j.ctt17mvkfh.6. Accessed 28 Apr. 2020. Foster, Michael Dylan. “HAUNTING MODERNITY: Tanuki, Trains, and Transformation in Japan.” The Monster Theory Reader, edited by Jeffrey Andrew Weinstock, University of Minnesota Press, Minneapolis; London, 2020, pp. 330–357. JSTOR, www.jstor.org/stable/10.5749/j.ctvtv937f.21. Accessed 28 Apr. 2020. Hadl, Gabriele. “Nature, Media and the Future - Unnatural Disaster, Animist Anime and Eco-Media Activism in Japan.” Routledge Handbook of Japanese Media, Routledge, 2018, pp. 336–362. LEVI, ANTONIA. “The Werewolf in the Crested Kimono: The Wolf-Human Dynamic In Anime and Manga.” Mechademia, vol. 1, 2006, pp. 145–160. JSTOR, www.jstor.org/stable/41510884. Accessed 28 Apr. 2020. MARRAN, CHRISTINE L. “Beyond Domesticating Animal Love.” Mechademia, vol. 6, 2011, pp. 39–50. JSTOR, www.jstor.org/stable/41511570. Accessed 28 Apr. 2020. Ortabasi, Melek. "(Re)animating Folklore: Raccoon Dogs, Foxes, and Other Supernatural Japanese Citizens in Takahata Isao's Heisei tanuki gassen pompoko." Marvels & Tales, vol. 27 no. 2, 2013, p. 254-275. Project MUSE muse.jhu.edu/article/524100. “Miyazaki and Takahata Anime Cinema.” Frames of Anime: Culture and Image-Building, by TZE-YUE G. HU, Hong Kong University Press, Aberdeen, Hong Kong, 2010, pp. 105–136. JSTOR, www.jstor.org/stable/j.ctt1xw9xb.13. Accessed 28 Apr. 2020. Philosophy Tube - Climate Grief https://www.youtube.com/watch?v=CqCx9xU_-Fw

What makes BTS so successful? It's a question with no simple or single answer. Join Kayla and Bethany as they discuss the multitude of components that have contributed to the rise and popularity of BTS worldwide, regardless of linguistic  and geographical barriers. Let us know what you think has led to the rise of BTS! We hope you enjoy! Thank you so much for listening and for your support!  Patreon: www.patreon.com/stanningbts PayPal: www.paypal.me/stanningbtspodcast   Follow our Social Media! Facebook: Stanning BTS Twitter: @stanningbtspod Instagram: @stanningbtspodcast   Sources: Youtube video “Psychologist analyzes why BTS is so Popular” by Psychologist watches  https://www.youtube.com/watch?v=26IaIL_RLOE  Youtube video “How BTS Became a Huge Moneymaker for South Korea” by CNBC https://www.youtube.com/watch?v=vpNlwap2YoQ  CNN article “How a boyband from South Korea became the biggest in the world” https://www.cnn.com/2019/06/01/asia/bts-kpop-us-intl/index.html  TIME article “The Mastermind Behind BTS Opens Up About Making a K-Pop Juggernaut” by Raisa Bruner https://time.com/5681494/bts-bang-si-hyuk-interview/  Billboard article “BTS' Most Political Lyrics: A Guide to Their Social Commentary on South Korean Society” by Tamar Herman https://www.billboard.com/articles/columns/k-town/8098832/bts-lyrics-social-commentary-political  The Diplomat article “BTS and the Global Spread of Korean Soft Power” by Wantanee Suntikul https://thediplomat.com/2019/03/bts-and-the-global-spread-of-korean-soft-power/  NPR’s Cod Switch Podcast episode “How the South Korean Government Made K-Pop a Thing” https://www.npr.org/sections/codeswitch/2015/04/13/399414351/how-the-south-korean-government-made-k-pop-a-thing  Wikepedia page on the Korea wave https://en.wikipedia.org/wiki/Korean_Wave  Kim, E. M., & Ryoo, J. (2007). South Korean culture goes global: K-Pop and the Korean wave. Korean social science journal, 34(1), 117-152. http://www.kossrec.org/wp-content/uploads/2015/04/kssj최종PDF수정5.pdf   Find the PDFs of these papers for free on our Patreon: www.patreon.com/stanningbts Lie, J. (2012). What is the K in K-pop? South Korean popular music, the culture industry, and national identity. Korea Observer, 43(3), 339-363. Jung, S. (2010). Korean masculinities and transcultural consumption: Yonsama, Rain, Oldboy, K-Pop idols (Vol. 1). Hong Kong University Press. Aisyah, A. (2017). Korean-English Language Translational Action of K-Pop Social Media Content: A Case Study on Bangtan Sonyeondan’s (BTS) Official Twitter. 3L: Language, Linguistics, Literature®, 23(3).

Civility and Its Development: The Experiences of China and Taiwan, 2018, Hong Kong University Press

Dramatic protests in Hong Kong this month, over a draft law that would permit extraditions to mainland China, underscore broader fears amongst Hong Kong residents that their city is losing its distinctive legal and political characteristics, that were supposedly to be preserved under Chinese rule, according to the principle of “One Country, Two Systems”.  A critical juncture in Hong Kong’s fascinating history appears to be fast approaching, with ramifications extending far beyond the city itself.  In this special two-part episode, Neysun Mahboubi discusses with Hong Kong University law professor, and former dean, Johannes Chan the development of Hong Kong’s hybrid legal system, before and after the British handover of Hong Kong to China in 1997, and the challenges now before it.  The episode was recorded on April 6-7, 2019. Johannes Chan is Professor of Law and former Dean (2002-2014) of the Faculty of Law at the University of Hong Kong.  In his academic work, he specializes in human rights, constitutional law, and administrative law, and has published widely in these fields.  His most recent book, Paths of Justice (Hong Kong University Press, 2018), illuminates how Hong Kong’s legal system works in practice by drawing on key cases and Professor Chan’s own legal practice.  To this date, he remains the only Honorary Senior Counsel appointed (2003) by the Chief Justice of the Court of Final Appeals in Hong Kong.  Professor Chan also has served as a visiting professor at a number of universities in Europe, the United States, and Asia, including as the Bok Visiting International Professor at the University of Pennsylvania Law School (2014), and the Herbert Smith Freehills Visiting Professor at Cambridge University (2015). Sound engineering: Shani Aviram and Neysun Mahboubi Music credit: "Salt" by Poppy Ackroyd, follow her at http://poppyackroyd.com

The Taiwan Strait Crises of 1954-55 and 1958 occurred at the height of the Cold War. Mao’s China bombarded Nationalist-controlled islands, and U.S. President Eisenhower threatened the use of nuclear weapons. These were dramatic events, and it can be a difficult to disentangle military and political posturing from the real concerns of the three involved powers. Using newly available sources, Pang Yang Huei reexamines the Taiwan Strait Crises and concludes that China, Taiwan, and the United States were much more aware of each other’s concerns than previous studies have indicated. Strait Rituals: China, Taiwan, and the United States in the Taiwan Strait Crises, 1954-1958(Hong Kong University Press, 2019) traces the role of ritual, symbols, and gestures in the tacit communication between Beijing, Taipei, and Washington. Ultimately, this detailed history contributes to a better understanding of the history of the Asia-Pacific region during the Cold War. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter (@LDickmeyer). Learn more about your ad choices. Visit megaphone.fm/adchoices

The Taiwan Strait Crises of 1954-55 and 1958 occurred at the height of the Cold War. Mao’s China bombarded Nationalist-controlled islands, and U.S. President Eisenhower threatened the use of nuclear weapons. These were dramatic events, and it can be a difficult to disentangle military and political posturing from the real concerns of the three involved powers. Using newly available sources, Pang Yang Huei reexamines the Taiwan Strait Crises and concludes that China, Taiwan, and the United States were much more aware of each other’s concerns than previous studies have indicated. Strait Rituals: China, Taiwan, and the United States in the Taiwan Strait Crises, 1954-1958(Hong Kong University Press, 2019) traces the role of ritual, symbols, and gestures in the tacit communication between Beijing, Taipei, and Washington. Ultimately, this detailed history contributes to a better understanding of the history of the Asia-Pacific region during the Cold War. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter (@LDickmeyer). Learn more about your ad choices. Visit megaphone.fm/adchoices

The Taiwan Strait Crises of 1954-55 and 1958 occurred at the height of the Cold War. Mao’s China bombarded Nationalist-controlled islands, and U.S. President Eisenhower threatened the use of nuclear weapons. These were dramatic events, and it can be a difficult to disentangle military and political posturing from the real concerns of the three involved powers. Using newly available sources, Pang Yang Huei reexamines the Taiwan Strait Crises and concludes that China, Taiwan, and the United States were much more aware of each other’s concerns than previous studies have indicated. Strait Rituals: China, Taiwan, and the United States in the Taiwan Strait Crises, 1954-1958(Hong Kong University Press, 2019) traces the role of ritual, symbols, and gestures in the tacit communication between Beijing, Taipei, and Washington. Ultimately, this detailed history contributes to a better understanding of the history of the Asia-Pacific region during the Cold War. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter (@LDickmeyer). Learn more about your ad choices. Visit megaphone.fm/adchoices

The Taiwan Strait Crises of 1954-55 and 1958 occurred at the height of the Cold War. Mao’s China bombarded Nationalist-controlled islands, and U.S. President Eisenhower threatened the use of nuclear weapons. These were dramatic events, and it can be a difficult to disentangle military and political posturing from the real concerns of the three involved powers. Using newly available sources, Pang Yang Huei reexamines the Taiwan Strait Crises and concludes that China, Taiwan, and the United States were much more aware of each other’s concerns than previous studies have indicated. Strait Rituals: China, Taiwan, and the United States in the Taiwan Strait Crises, 1954-1958(Hong Kong University Press, 2019) traces the role of ritual, symbols, and gestures in the tacit communication between Beijing, Taipei, and Washington. Ultimately, this detailed history contributes to a better understanding of the history of the Asia-Pacific region during the Cold War. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter (@LDickmeyer). Learn more about your ad choices. Visit megaphone.fm/adchoices

The Taiwan Strait Crises of 1954-55 and 1958 occurred at the height of the Cold War. Mao’s China bombarded Nationalist-controlled islands, and U.S. President Eisenhower threatened the use of nuclear weapons. These were dramatic events, and it can be a difficult to disentangle military and political posturing from the real concerns of the three involved powers. Using newly available sources, Pang Yang Huei reexamines the Taiwan Strait Crises and concludes that China, Taiwan, and the United States were much more aware of each other’s concerns than previous studies have indicated. Strait Rituals: China, Taiwan, and the United States in the Taiwan Strait Crises, 1954-1958(Hong Kong University Press, 2019) traces the role of ritual, symbols, and gestures in the tacit communication between Beijing, Taipei, and Washington. Ultimately, this detailed history contributes to a better understanding of the history of the Asia-Pacific region during the Cold War. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter (@LDickmeyer). Learn more about your ad choices. Visit megaphone.fm/adchoices

The Taiwan Strait Crises of 1954-55 and 1958 occurred at the height of the Cold War. Mao’s China bombarded Nationalist-controlled islands, and U.S. President Eisenhower threatened the use of nuclear weapons. These were dramatic events, and it can be a difficult to disentangle military and political posturing from the real concerns of the three involved powers. Using newly available sources, Pang Yang Huei reexamines the Taiwan Strait Crises and concludes that China, Taiwan, and the United States were much more aware of each other’s concerns than previous studies have indicated. Strait Rituals: China, Taiwan, and the United States in the Taiwan Strait Crises, 1954-1958(Hong Kong University Press, 2019) traces the role of ritual, symbols, and gestures in the tacit communication between Beijing, Taipei, and Washington. Ultimately, this detailed history contributes to a better understanding of the history of the Asia-Pacific region during the Cold War. Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter (@LDickmeyer). Learn more about your ad choices. Visit megaphone.fm/adchoices

First in a series on Rabban Bar Sauma, covering his life from miracle-baby through cave-bound monk and on to pilgrim, with ambassador to the cities of western Europe not far behind. This episode takes us from Yuan China to Jerusalem, or perhaps not quite that far. If you like what you hear and want to chip in to support the podcast, my Patreon is here, my Ko-fi is here, and Paypal is here. I'm on Twitter @circus_human, Instagram @humancircuspod, my website is www.humancircuspodcast.com, and I have some things on Redbubble at https://www.redbubble.com/people/humancircus. Sources:  The History of Yaballaha III Nestorian Patriarch and of his Vicar Bar Sauma Mongol Ambassador to the Frankish Courts at the End of the Thirteenth Century, translated by James A. Montgomery. Columbia University Press, 1927.The Monks of Kublai Khan, translated by Sir E. A. Wallis Budge. The Religious Tract Society, 1928.Nestorian Tablet: Eulogizing the Propagation of the Illustrious Religion in China, with a Preface, composed by a priest of the Syriac Church, 781 A.D. https://sourcebooks.fordham.edu/eastasia/781nestorian.asp Jackson, Peter. The Mongols and the Islamic World. Yale University Press, 2017.Jackson, Peter. The Mongols and the West: 1221-1410. Pearson Longman, 2005. Keevak, Michael. The Story of a Stele: China's Nestorian Monument and Its Reception in the West, 1625-1916. Hong Kong University Press, 2010.Rossabi, Morris. Khublai Khan: His Life and Times. University of California Press, 1988. Rossabi, Morris. Voyager from Xanadu: Rabban Sauma and the First Journey from China to the West. Kodansha International, 1992. Learn more about your ad choices. Visit megaphone.fm/adchoices