Podcasts about takahata

Bienvenue pour ce huitième numéro. On a décidé d'agrandir le binôme avec un invité qui nous vient tout spécialement de notre Discord et, est potentiellement, un de nos plus fidèles auditeurs. Merci à toi Tulkas pour avoir accepté l'invitation. On ne change pas notre formule d'otaks vieillissants, au programme : News/Avis communs sur la dernière série Devil May Cry/Focus sur notre invité et pour terminer, nos recos. Bonne écoute Matane. AU PROGRAMME • [00:00] Netflix ou Netflix ? • [09:43] Sommaire. NEWS • [11:29] Love, Death & Robots - Saison 4. • [14:40] Les prédateurs sont de retour… • [18:20] À la recherche des testicules dorées - Saison 2. • [22:00] Takahata expose. • [24:44] Major Kusanagi chez Science Saru. • [29:00] Netflix no Bara. ON CAUSE DE DmC • [30:40] Nos avis garantis sans spoils sur la série. FOCUS SUR NOTRE INVITÉ • [51:22] On blablate de lui et ses passions. RECOS • [1:14:50] Du mouvement de la terre. • [1:21:17] Kinnikuman Saison 2. • [1:25:05] Win or Lose. • [1:30:35] MedakaBox. • [1:38:16] BlueBox Saison 1. • [1:43:25] Clevatess. • [1:46:38] Il est l'heure de fermer boutique. ??? • [1:50:00] Comme d'habitude, n'hésitez pas à donner vos avis, toute critique est bonne à prendre, mais surtout dans le respect. Bonne écoute.
 Pour nous suivre sur les RS : Le Discord Upcast.fr (n'hésitez pas à nous demander une invitation) Instagram : https://www.instagram.com/oyatacast X : https://twitter.com/upcastfrance BlueSky : WiP Extrait des morceaux : • Love Death & Robots: S4 - Trailer • Predator: Killer or killers - Trailer • DanDaDan: S2 - Teaser • The Ghost in the Shell - Teaser • Versaille no Bara - Trailer • Devil May Cry S1 - Trailer • Devil May Cry S1: Afterlife (Evanescence) - Ending • Patlabor S1: Sonomama no Kimi de ite (Nito Yuko) - Opening • Du mouvement de la terre S1: Kaijuu (Sakanaction) - Opening • Du mouvement de la terre S1: Aporia (Yorushika) - Ending • Kinnikuman S2: Kinnikuman Hero (Masaaki) - Opening • Win or Lose - Trailer • Medakabox S2: Believe (Minami Kuribayashi) - Opening • Bluebox S1: Same Blue (Official HIGE DANdism) - Opening Crédit générique : Titre : Sakuya2 Auteur: Peritune Source: https://soundcloud.com/sei_peridot Licence: https://creativecommons.org/licenses/by/3.0/deed.fr Téléchargement: https://www.auboutdufil.com Et aussi avec l'autorisation de mon plus grand pour la voix. ^^ Crédit de fin : Kaos Syoten · Osamu Totsuka Yoroiden Samurai Troopers "Sei Ran Hen" ℗ 1993 SUNRISE MUSIC INC. Released on: 1993-02-05

Bevor Isao Takahata im Jahr 2018 verstarb, hinterließ er mit "Die Legende der Prinzessin Kaguya" ein letztes großes Meisterstück. Die Adaption einer der bekanntesten japanischen Geschichten beeindruckt mit einem wunderschönen Zeichenstil für Hintergründe und Charaktere, der dem Wasserfarben-Tuschen-Stil Sumi-e nachempfunden ist und perfekt in animierter Form eingefangen wird. Julian hat hier sogar eine seiner absoluten Lieblingsanimationssequenzen entdeckt. Mit "Erinnerungen an Marnie" zeigt sich, dass ein Coming-of-Age-Drama den Ghibli-Zauber transportieren kann – und zugleich beweist der Film, dass Nachwuchs auch ohne die etablierten Altmeister diesen Charme bewahren kann. Und das trotz Smartphone!

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. Chiudiamo codesta rassegna con un piccolo extra ovvero una coppia di mediometraggi diretti dal maestro Takahata in cui possiamo scorgere alcuni elementi che diventeranno ricorrenti nella sua filmografia ma anche tanto divertimento e tanta allegria.

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. L'ultimo film diretto da Takahata è un amaro racconto in cui lo "straordinario" viene sfruttato per alimentare l'egoismo degli esseri umani. E a farne le spese è un'angelica creatura che non sarà mai parte di questo mondo poiché incompresa e infelice.

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. Gli Yamada sono i membri di una famiglia come tante. O forse no? Sempre pronto a parlare della società giapponese, Takahata ci narra stavolte le (stra)ordinarie vicende con protagonisti "I miei vicini Yamada".

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. Takahata racconta un'altra storia sul passato, unendola però al presente di una giovane donna che sta cercando di comprendere il senso della sua vita. Forse una "Pioggia di ricordi" è l'ideale per non dimenticare i valori dell'infanzia e per affrontare le paure verso il futuro.

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. L'era dello Studio Ghibli è iniziata e il primo film di Takahata per lo studio è uno dei suoi lavori più struggenti e talvolta crudele. "La tomba delle lucciole" non risparmia niente allo spettatore e ci offre uno spaccato storico del Giappone nel dopoguerra, unito alla triste storia di una famiglia distrutta.

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. Poco prima di lanciarsi nell'avventura dello Studio Ghibli con l'amato/odiato amico Miyazaki, Takahata offre al suo pubblico un'opera d'arte fatta film. Un racconto in cui immagini e musica si sposano alla perfezione per narrare la storia di Goshu e del suo violoncello.

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. Secondo lungometraggio di Takahata e adattamento dell'omonimo manga, "Jarinko Chie" è la storia di una famiglia disastrata in un mondo altrettanto disastrato ma dove l'amore e la gioia possono farti superare qualsiasi difficoltà. O quasi.

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. In principio fu "La grande avventura del piccolo principe Valiant". Al di là del titolo wertmulleriano, il primo film di Takahata è un'avventura fantasiosa eppure non "tipica" e capace di spingere lo spettatore verso riflessioni sulla vita, la morte, la guerra e soprattutto le debolezze dell'essere umano.

The Searchers cover My Neighbors the Yamadas from Studio Ghibli director Isao Takahata. The discussion delves into Japanese culture, Takahata's films, animation styles, Joe Hisaishi & Ghibli music, and more. Please enjoy this fun episode. If you like what you heard, please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple. Submit your mailbags to us at thesearcherspodcast@gmail.com. We'll read both on air. Follow us on Letterboxd.com if you'd like to see what we've recently watched and/or reviewed. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/

Nesse episódio falamos sobre o Studio Ghibli, um estúdio de animação japonês, criado por Miyazaki, Takahata, Suzuki e Tokuma. Trazendo reflexões sobre a vida e curiosidades sobre o estúdio. Com apresentação de Rute Lima, Eduardo Andrade, Dan Gama e com participação do aluno de designer Gabriel Froner.

In this episode, we spotlight two standout films from 1991: "Only Yesterday" directed by Isao Takahata and "JFK" directed by Oliver Stone. We delve into Takahata's beautifully introspective animation, featuring voices like Daisy Ridley and Dev Patel in the English dub, and Stone's compelling historical drama starring Kevin Costner. Join us as we discuss these cinematic gems with our special guest, Michael Tanzillo, a talented 3D animator formerly of Blue Sky Studios, who worked on such films as "Ferdinand," "Spies in Disguise," and "The Peanuts Movie". Hosted by Brad Garoon & Jake Ziegler ⁠More from Michael Tanzillo

durée : 01:29:30 - Les Nuits de France Culture - "Mon voisin Totoro", "Princesse Mononoké", "Le Voyage de Chihiro", on doit ces films d'animations incontournables aux deux génies du studio Ghibli : Hayao Miyazaki et Isao Takahata. "Surpris par la nuit" rend hommage au meilleur du film d'animation japonais dans cette émission diffusée en 2006. - invités : Hayao Miyazaki Réalisateur japonais de films d'animation; Isao Takahata Réalisateur japonais de films d'animation

Era impossibile non accompagnare l'uscita dell'ultimo capolavoro di Hayao Miyazaki con una conversazione approfondita sulla risonanza che ha e avrà su di noi, sugli spettatori e sul Cinema. Il Ragazzo e l'Airone (titolo originale "E voi come vivrete?") arriva a dieci anni di distanza dall'ultimo stupendo "Si alza il vento", film che sembrava aver definitivamente chiuso la carriera cinematografica del maestro dell'animazione. Ma l'urgenza creativa di Miyazaki è irrefrenabile, e questa opera ne è la prova.(Per chi fosse confuso dal finale dell'episodio, ne consigliamo la visione du Youtube!)Con Federico Allocca e Simone CortiRiprese Gianlorenzo Bernabò Di NegroMusica DEMONA alias Andrea Evangelista e Delio GallmannAnimazione sigla Ida CortiLogo design Chiara QuagliarellaPost-produzione audio Matteo FusiCon il sostegno di Associazione La Terza Via e GYBE StudioUn grazie a Raffaele Allocca, Elisabetta Marrocco, Riccardo Romano, Andrea Sestu

Propos recueillis au Festival des Arcs par Benoit Basirico SIROCCO ET LE ROYAUME DES COURANTS D'AIR de Benoît Chieux Au cinéma depuis le 13 décembre 2023 Musique originale composée par Pablo Pico Entretien à lire : https://www.cinezik.org/infos/affinfo.php?titre0=20231222202454 Pablo Pico compose la musique du film d'animation et du premier long métrage solo de Benoît Chieux, qu'il retrouve après le court-métrage "Cœur Fondant" (2019). L'orchestration accompagne l'action, tout en y ajoutant une dimension mélancolique, une tonalité émotionnelle liée au voyage de deux sœurs, Juliette et Carmen, transportées dans "Le Royaume des Courants d'Air", leur livre préféré. Influencé par l'animation japonaise (Takahata et Miyazaki), où les mondes invisibles sont aussi réels que tout élément visuel, le compositeur retranscrit l'âme des décors et le souffle du vent qui anime le film, notamment à travers la flûte, en harmonie avec le design sonore. Célia Kameni prête sa voix chantée à la cantatrice Selma pour un chant conçu comme une respiration, capturant le mouvement d'inspiration et d'expiration.

¡YA LLEGAMOS AL EPISODIO 80! En esta ocasión hablamos de Susurros del Corazón, la primera película para cine de Studio Ghibli que NO es de Miyazaki ni Takahata; dirige Yoshifumi Kondō. Nos clavamos recio en su protagonista y sus ganas de empezar su propia historia de vida, la importancia de salir al mundo, y debatimos sobre el romance que vemos en la película.

Die neuste Ghibli-Folge startet mit dem erfolgreichsten Ghibli- und für lange Zeit auch erfolgreichsten Anime-Film überhaupt: Chihiros Reise ins Zauberland. Der einzige Anime-Film, der den Oscar für den besten Animationsfilm erhielt, hat seine Beliebtheit nach 20 Jahren immer noch nicht eingebüßt. Ob Julians Kindheitstrauma noch Auswirkungen zeigt und weshalb Lukas sich unwohl in leeren Straßenbahnen fühlt, klären die beiden. Daneben steht Das Königreich der Katzen. Ein kurzes Spin-Off zur Figur des Barons aus The Whisper of Heart. Dessen Regisseur mit Hiroyuki Morita aber weder Miyazaki noch Takahata ist. Wo Julian die überschaubare Laufzeit und der schnelle Ablauf positiv sieht, steht Lukas nach leichter Vorfreude dem Film deswegen doch eher gleichgültig gegenüber. Vom Charisma des Barons konnten sich aber beide nicht retten.

durée : 01:29:30 - Les Nuits de France Culture - par : Albane Penaranda - "Mon voisin Totoro", "Princesse Mononoké", "Le Voyage de Chihiro", on doit ces films d'animations incontournables aux deux génies du studio Ghibli : Hayao Miyazaki et Isao Takahata. "Surpris par la nuit" rend hommage au meilleur du film d'animation japonais dans cette émission diffusée en 2006.

durée : 01:29:30 - Les Nuits de France Culture - par : Albane Penaranda - "Mon voisin Totoro", "Princesse Mononoké", "Le Voyage de Chihiro", on doit ces films d'animations incontournables aux deux génies du studio Ghibli : Hayao Miyazaki et Isao Takhata. "Surpris par la nuit" rend hommage au meilleur du film d'animation japonais dans cette émission diffusée en 2006. "Surpris par la nuit" proposait en 2006 une thématique sur le studio de films d'animation japonais Ghibli. Ce studio a su rester intègre, même en temps de crise, en s'appuyant notamment sur ses deux fondateurs et forces créatrices : Hayao Miyazaki et Isao Takahata. C'est à partir de ces deux figures que se construit cette émission produite par Olivia Gesbert sous le titre Les bons génies du studio Ghibli : Hayao Miyazaki et Isao Takahata. Il y a des expériences cinématiques qui nous enchantent au point qu'on craindrait, en essayant de traduire en mot l'effet produit, d'en corrompre la pureté. C'est le cas pour les films d'animations du studio Ghibli : de Mon voisin Totoro au Voyage de Shiiro, en passant par Pompoko ou Le Tombeau des lucioles, ce sont des films qui émerveillent autant qu'ils émeuvent. Ce qui est impressionnant c'est non seulement la faculté pour le studio japonais de sortir quasi exclusivement des chefs-d'ouvre de l'animation, mais aussi l'immense diversité des univers créés par ces ouvres : on passe du monde violent et sombre de la guerre dans leur premier film Nausicaa de la vallée du vent à l'univers à la fois enfantin et psychédélique de Ponyo sur la falaise. Les films des studios Ghibli sont des triomphes esthétiques et commerciaux sans pour autant rentrer dans une forme de conformité ou de commercialisation à outrance : il n'y a pas de Ghibli-land, pas d'inondation des marchés domestiques et étrangers d'objets dérivés de mauvaise qualité. Entre voyages au Japon et entretiens avec des spécialistes passionnés, la découverte est double : celle de l'histoire d'un studio qui a connu des difficultés aujourd'hui difficiles à imaginer, et celle d'un univers poétique auquel chaque intervenant a un rapport intime et particulier. Car c'est peut-être là le plus grand révélateur de la puissance de l'animation des studios Ghibli : ce sont des ouvres qui ne peuvent être vues et reçues que de façon intime, précieuse, comme un souvenir d'enfance qui demeure à jamais irremplaçable. L'émission donne à entendre le critique Ilang Nguyen, l'historien Xavier Kawa-Topor, les fondateurs du studio Hayao Miyazaki, Isao Takahata, leur producteur Toshio Suzuki ; ainsi que les réalisateurs Satoshi Kon et Paul Grimault. Par Olivia Gesbert Réalisation : Gaël Gillon Surpris par la Nuit - Les bons génies du studio Ghibli : Hayao Miyazaki et Isao Takahata (1ère diffusion : 24/05/2006) Indexation web : Documentation Sonore de Radio France Archive Ina-Radio France

On episode #48 of Floating Through Film, we start/continue a series that was picked by Blake, Late Studio Ghibli! After doing Early Ghibli last year (Episodes 16-20), we now come back to finish our Ghibli series with some of the films they made after Princess Mononoke. We're picking up the series with one film from Takahata, 1999's My Neighbors the Yamadas (1:38), and one film from Miyazaki, 2001's Spirited Away (56:42). We hope you enjoy! Movies We're Reviewing Next Week: Howl's Moving Castle + Tales from Earthsea Music: - Intro from My Neighbors the Yamadas (https://www.youtube.com/watch?v=FaZq1lcVpRI&ab_channel=ThatSongDude) -Break from Spirited Away (https://www.youtube.com/watch?v=Sdu3OX-0fHQ&ab_channel=JoeHisaishi-Topic) - Outro from My Neighbors the Yamadas (https://www.youtube.com/watch?v=tivg78rZSFM&ab_channel=HallothesNono) Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/)

We're back! After a number of delays, Sene and I are bringing you a concise discussion on Takahata's sprawling live action documentary. We also watched a lot of other stuff in the meantime, so we're bringing you takes on: M3gan, We're All Going to the World's Fair, Star Wars: The Clone Wars, FNaF lore, Pom Poko, Bodies, Bodies, Bodies, Saint Omer, A Picnic at Hanging Rock, The Wicker Man, Skinamarink, Puss in Boots: The Last Wish, Abbot Elementary, and...a certain Scooby-Doo "property." We're excited to be back and on a more consistent schedule going forward!TwittersLiv - @GhostGirlMusicSeneschal - @SomberAzaleasNext time: The Twelve Kingdoms

It's the holidays! Ross and Dave Babbitt of the Films(trips) podcast spent the year watching every movie from Studio Ghibli! Listen to us talk about all of them, and why directors Miyazaki and Takahata are more problematic than just being the grumpy artists most people view them as.   Yes, Ross says “Princess Mononoke” incorrectly several times. Oops. He also says Hayao Miyazaki won the third animated feature film Oscar, when he actually won the second.   Say hi on twitter @24panels @rossmaywriter   Better yet, say hi on mastodon @24panels@mastodon.scot @rossmaywriter@mastodon.social   Be sure to listen to Film(strips) https://24panelspersecond.podomatic.com/ All music by the dearly drawn Andrew Kannegiesser. Edited by Ross May.   19:45 Kiki's Delivery Service 26:00 Spirited Away 31:30 Castle in the Sky 36:00 The Tale of Princess Kaguya 41:30 The Wind Rises 51:00 The Secret World of Arrietty 56:00 Ocean Waves 59:30 Grave of the Fireflies 1:04:00 My Neighbours the Yamadas 1:06:30 Tales from Earthsea 1:13:00 From Up On Poppy Hill 1:15:00 Whisper of the Heart 1:21:00 Princess Mononoke 1:25:30 Lupin III: The Castle of Cagliostro 1:30:00 Howl's Moving Castle 1:34:00 When Marnie Was There 1:36:00 Pom Poko 1:40:00 Nausicaa of the Valley of the Wind 1:43:00 The Cat Returns 1:45:00 Porco Rosso 1:50:30 Earwig and the Witch 1:54:00 Only Yesterday 1:58:00 Ponyo 2:02:00 My Neighbour Totoro

Hayao Miyazaki, Isao Takahata e o Toshio Suzuki, os fundadores do Studio Ghibli, marcaram a história do cinema japonês com seus mais de 20 filmes. O debate sobre o surgimento da animação e até o surgimento da palavra anime, passando pelas produções famosas da companhia, como Meu Amigo Totoro, Viagem de Chihiro e Ponyo: Uma Amizade Que Veio Do Mar.

kagayaさんをゲストに迎え、シャコパンチの話題を中心に色々話しました。Shownotes Katsushi Kagaya 140. Recurrency (Researchat.fm) … “kagayaさんをゲストに迎え、アメリカザリガニの自発性行動開始の脳研究における単一ニューロンの膜電位活動の記録とその形態染色技術の話、超高速パンチをするシャコの研究、リカレントニューラルネットワークの機械学習フレームワークであるリザバーコンピューティングについてお話をうかがいました。 (w/ mazさん)” kagayaさんの(Self-organized criticality 自己組織化臨界)SOC論文　準備電位は自己組織化臨界状態で生じる神経雪崩と呼ばれるスケールのない、冪則に従う神経活動であるという主張の論文　https://doi.org/10.48550/arXiv.2209.09075 リザバー … リザバー・コンピューティング(recurrent neural networkの機械学習法のひとつ) Researchatfm sticker リザバーハンドブック … Hands-on reservoir computing: a tutorial for practical implementation リザバーのコード … Simple Echo State Network implementations で、Echo State Network のミニマルな実装が、R、Julia、Python、MATLABのそれぞれの実装が公開されています。 Herbert Jaeger かがやさんの文章 … 超高速運動から個性そして多様性 ゆるふわ生物学のシャコパンチ回 シャコパンチ … 主にパンチして貝殻を割って食べるタイプのスマッシャーシャコの打撃運動のことをシャコパンチと言っているが、突き刺すのが得意なスピアラーシャコもパンチをする。スピアラーシャコに破られた水槽 Sheila Patek The shrimp with a kick! … Sheila Patek先生のTED テラフォーマーズ 海の牙 … 勝手に拝借失礼いたします。星野之宣先生の作品のようです。 えびボクサー … “邦題は『えびボクサー』で公式ポスターにもエビが描かれているが、実際に登場するのはシャコである。” Mantis shrimp … シャコの英語での一般の呼び方。 Roy Caldwell … シャコ界のゴッドファーザー 133. The longest self-introduction … “mazさんをゲストに迎え、自身の研究の変遷を軸に、バイオメカニクスのおもしろさを話していただきました。” ハイスピードカメラ Malcolm Burrows スピアラー・スマッシャー　…　機能的に主にこのふたつに大別される。中間タイプもいる。 水槽を割るスピアラー 自分の指が刺さっている論文 … The mechanics and neural control of the prey capture strike in the mantid shrimps Squilla and Hemisquilla 刺されたところ 顎脚 Patekさんの最初の論文 … Deadly strike mechanism of a mantis shrimp スピアラーを測った論文 … Strike mechanics of an ambush predator: the spearing mantis shrimp 空気中でパンチが遅くなる … Medium compensation in a spring-actuated system キャビテーション シャコパンチが光る動画 テッポウエビ ヨコエビ テッポウエビの2000年の論文 … How Snapping Shrimp Snap: Through Cavitating Bubbles テッポウエビの動画 Kaji-sanの論文 … Parallel Saltational Evolution of Ultrafast Movements in Snapping Shrimp Claws 「回転中心乗り越えて」 … 意味不明だったと思います。「作用点がもと回転中心だったところを乗り越えて」に訂正します。 シャコパンチの4棒リンク機構モデル 「スピード優先」 … スマッシャーは速いのですが、このリンク機構だけの説明では「フォース優先」としないと間違い。変位が小さくなるとスピード小さくなっちゃうので。 筋肉の並列構造　カニの筋肉の羽状配置 Animal Physiology: Adaptation and Environment (休憩) ザリガニをサクリファイスしていた話 … Researchat.fm ep140でお聴きになれます。 (Probability of success)(Value)/Time = PV/T Kagaya and Patek, J Exp Biol (2016) … “Feed-forward motor control of ultrafast, ballistic movements” ダーウィンが来た！ EMG … electromyography 筋電図 混合分布モデル 確率分布を混合した分布 … 「モデルの中では」と言っていますが、データでモデルを学習する段階では5個体分かれているけど、予測のときには(全体の線をひくときには)分かれてないということを言うべきでした。lme4 Stan … “Stan is a state-of-the-art platform for statistical modeling and high-performance statistical computation. Thousands of users rely on Stan for statistical modeling, data analysis, and prediction in the social, biological, and physical sciences, engineering, and business.” シャコのブラッシング、グルーミング シャコの眼 … 偏光が見える・感じられる シャコの「驚異の色覚」は幻想だった？ Kagaya and Takahata, Science (2011) … “Sequential synaptic excitation and inhibition shape readiness discharge for voluntary behavior” SKK ritualized behavior … Contests with deadly weapons: Telson sparring in mantis shrimp (Stomatopoda) meral spread … 上の論文の図版 Kagaya and Takahata, Science (2011) … “Sequential synaptic excitation and inhibition shape readiness discharge for voluntary behavior” 白眉プロジェクト 神経系はなぜ東なのか 下澤楯夫 並列構造　… e.g., 神経の束、イオンチャネルなど コオロギのセンサー　コオロギやゴキブリの仲間にある尾葉という気流感覚器 ハマホト … 浜松ホトニクス ザリガニのジャイアントニューロンと逃避行動　2本の腹髄の横断面をみると二対の巨大軸索が見える。外側と内側にそれぞれ lateral giant と　medial giant と言われるニューロンがある。それぞれ後方と前方からの脅威（水流刺激）に一発のスパイク応答を示して脅威から遠ざかる逃避遊泳を「司令」するため、コマンドニューロンとも言われた。コマンドという、ニューロン活動と行動が一対一に対応するという概念は感覚における「おばあさん細胞」のいわば運動版である。 「神経系は東」タグ mazpod.fm　… mazさんのポッドキャスト mazpod.fm Editorial Notes こちらこそ楽しく自分のお話させていただいてありがたいです。シャコやカニを食べる時、その筋肉繊維の向きを見て思い出していただければ幸いです。(kagaya) メチャクチャ楽しく聴けました。シャコ、今度日本に帰ったら食べます（違(tadasu)

Eric and Jason have now come to the part in their Takahata reviews where they have to wrestle with the whole question of how to think about magical raccoons and their even more magical testicles, as they discuss Pom Poko. There's a lot to say about the film, with its commitment to ecological themes, its oddly despairing tone and its suitability next to Takahata's other films, but wow, those testicles are just so strange. Then they discuss My Neighbors the Yamadas, a kind of polar opposite film but also famously one of Studio Ghibli's few financial failures. Does the film's unique art style and quirky commitment to magical realism work for Eric and Jason? Well, they certainly have some thoughts... --- Send in a voice message: https://anchor.fm/jason-sacks/message

Grave of the Fireflies and Only Yesterday are probably two of Isao Takahata's best known and most acclaimed films. Eric and Jason dig deep into the films and don't just talk about how effectively they work, but also into why they seem to work so well. We think it's a fascinating 75 minute discussion and hope you agree. --- Send in a voice message: https://anchor.fm/jason-sacks/message

On Episode #19 of Floating Through Film, we continue our series that was picked by Blake, Early Studio Ghibili! This week we continue the series with two more great Studio Ghibli films, Miyazaki's 1992 film, Porco Rosso (1:35), and Takahata's 1994 film, Pom Poko (23:15). We hope you enjoy! Movies We're Reviewing Next Week: Whisper of the Heart (1995) and Princess Mononoke (1997) Music: - Intro from Porco Rosso (https://www.youtube.com/watch?v=Eq2rptVvyaU&ab_channel=JoeHisaishi-Topic) - Outro from Pom Poko (https://www.youtube.com/watch?v=Uz4OLOpXKCo&ab_channel=MDM) Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/)

Eric and Jason continue their chronological exploration of Isao Takahata's feature films with a look at Gauche the Cellist and The Story of Yanagawa's Canals. One is a short animated feature; the other is a long and fascinating documentary. Both are true Takahata creations and show many of the hallmarks of his best work. Join them for 50 minutes of scintillating conversation about these relatively obscure works by the anime master. --- Send in a voice message: https://anchor.fm/jason-sacks/message

On Episode #18 of Floating Through Film, we continue our series that was picked by Blake, Early Studio Ghibili! This week we continue the series with two more great Studio Ghibli films, Miyazaki's 1989 film, Kiki's Delivery Service (1:10), and Takahata's 1991 film, Only Yesterday (33:06). We hope you enjoy! Movies We're Reviewing Next Week: Porco Rosso (1992) + Pom Poko (1994) Music: - Intro from Kiki's Delivery Service (https://www.youtube.com/watch?v=pGsZdaGu654&ab_channel=m_tra) - Outro from Only Yesterday (https://www.youtube.com/watch?v=T-HQ58z-EBs&t=6s&ab_channel=zoltanek) Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/)

On Episode #17 on Floating Through Film, we continue our series that was picked by Blake, Early Studio Ghibili! This week we continue the series with two of the more well known early Studio Ghibli films, Takahata's 1988 film, Grave of the Fireflies (1:10), and Miyazaki's 1988 film, My Neighbor Totoro (21:35). We hope you enjoy! Movies We're Reviewing Next Week: Kiki's Delivery Service (1989) + Only Yesterday (1991) Music: - Intro from Grave of the Fireflies - Outro from My Neighbor Totoro Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/)

Isao Takahata is one of the two great creative forces behind the brilliant animated films of Studio Ghibli. Eric had seen a few of Takahata's films, but Jason hasn't seen any of them. So what better filmmaker to inspire a new series of podcasts than Takahata? This time Eric and Jason explore his first two standalone films, the primitive but wonderful Horus Prince of the Sun and the delightful Chie the Brat. Join the guys for 78 minutes of scintillating chat about one of the world's finest but most underrated filmmakers. If you enjoyed this pod, please rate, review and share with your friends! --- Send in a voice message: https://anchor.fm/jason-sacks/message

durée : 01:29:30 - Les Nuits de France Culture - "Mon voisin Totoro", "Princesse Mononoké", "Le Voyage de Chihiro", on doit ces films d'animations incontournables aux deux génies des studio Ghibli : Hayao Miyazaki et Isao Takhata". "Surpris par la nuit" rend hommage au meilleur du film d'animation japonais dans cette émission diffusée en 2006. - invités : Isao Takahata; Hayao Miyazaki réalisateur

kagayaさんをゲストに迎え、アメリカザリガニの自発性行動開始の脳研究における単一ニューロンの膜電位活動の記録とその形態染色技術の話、超高速パンチをするシャコの研究、リカレントニューラルネットワークの機械学習フレームワークであるリザバーコンピューティングについてお話をうかがいました。 (w/ mazさん)Guest (加賀谷の研究履歴) アメリカザリガニの自発性行動開始の脳機構研究(高畑雅一lab) 行動が外部感覚刺激ではなく自発内発的に生じるとき、その開始が起こる脳内機構を調べるため、ザリガニ脳内の単一ニューロンの膜電位活動を記録、形態染色の技を卒論時から9年間継続してようやく特定のニューロンが見つかった。 シャコの超高速運動の研究(Sheila Patek lab) 神経系が身体機構を通して環境に働きかけるメカニズムの研究として、超高速パンチをするシャコを研究。 カニの行動の個性の研究(Seto Marine Biology lab) 京大白浜水族館の飼育員の原田桂太さんがカイメンで帽子をつくるカニをシャコ水槽の隣でされていて、体のわりに小さすぎる帽子をつくってるカニがいたりして、行動実験とデータ解析を計画。ベイズ統計による解析。 ソフトロボット研究(中嶋浩平 lab→國吉中嶋 lab 2022-) 科研費の新学術領域ソフトロボット学に公募班で採用されて、ソフトロボット的研究開始。中嶋さんとは京大白眉、この領域でお世話になり、現在中嶋ラボへ。 Shownotes Katsushi Kagaya maz Researchat.fm mazさん回 (ep133) … “mazさんをゲストに迎え、自身の研究の変遷を軸に、バイオメカニクスのおもしろさを話していただきました。” ゆるふわ生物学 の シャコパンチ回 カニの行動の個性の研究 ソフロボ：ソフトロボット、新学術領域ソフトロボット学 リザバー: リザバー・コンピューティング(recurrent neural networkの機械学習法のひとつ) 中嶋さんの総説 北大水泳部 kagayaさんの輝かしい水泳の記録 … 勝手に貼ってすいません！(tadasu) 北大理学部生物学科 山本貴司さん 千葉すずさん イトマンオーストラリア遠征：年に一度、全国のイトマンスイミングスクールから選抜され豪州遠征があった。 近大附属高校：近畿大学附属高等学校。当時、普通科、理数科、国際科のほか、水泳をはじめスポーツによる活動を重視するクラスもあった。 「鳥が飛ぶようにヒトは言語をつかう」Steven Pinker, Language Instinct 高畑雅一 (たかはたまさかず)： kagayaの北大在籍時の先生 アメフラシの神経：キャンデル神経科学のエリック・キャンデルのアメフラシの神経系で学習の分子機構の研究 イカの神経: ホジキンとハクスレーはじめとする活動電位の発生メカニズムの研究が念頭にありました シナプス統合作用：中枢ニューロンは、複雑な形状をもった樹状突起をもって多くの他のニューロンとシナプスを形成する。細胞でのシナプス電位の空間的時間的分布は、シナプス部位からの解剖学的距離だけでなく、三次元構造、膜・細胞質の電気的性質、電位依存型イオンチャネルによるコンダクタンス変化などの影響を受ける。シナプスでの電流が細胞内をどう拡散していくかと合わせてこれらが「神経計算の実体」に大きな影響を与える。この入出力関係(計算)を決めている諸過程をシナプス統合作用という。 ザリガニの脳：kagayaが学部4年生のときに作成したザリガニの脳の組織切片の染色像 ザリガニ論文1：Kagaya & Takahata, 2010 ザリガニ論文2：Kagaya & Takahata, 2011 細胞内記録(イントラ)：ガラス管微小電極を細胞に刺入し、主にカレントクランプで細胞内外の電位差を測る。ガラス管内に蛍光色素を充填して細胞内染色をすることが可能。 マイクロエレクトロード(ガラス管微小電極)：シャープエレクトロードともいう。クラシックな手法。パッチ電極では細胞膜を密着させるが、自然に膜がシールするのを待つ。膜が破れて細胞を破壊してしまうことも。 カレントクランプ：電流固定法。電流を固定して、電位を測る。 細胞外記録(エクストラ)：ほぼスパイク(イントラの記録の活動電位だけフィルタされた電位記録)だけの記録。電極と細胞との位置関係、その他もろもろの複雑な細胞外液の状況に依存した記録になるのでスパイクのタイミングだけをデータとすることが多い。また、近くに複数の細胞があれば複数のスパイクが混じるので一つの電極に複数のユニットが混じるのでスパイク・ソーティングする必要がある。一方、イントラではシナプス活動と同時に活動電位も記録できる。が、細胞の刺さる場所が軸索だとスパイクしか見えない。ザリガニでは樹状突起の肥厚部が主なシナプス統合部でここに刺さればシナプス活動が見える。 パッチ電極をつかったパッチクランプ イオンチャネル ルシファーイエロー 下村脩 … Researchat.fm ep112を参照 下村脩先生がクラゲを採っていた様子 … 家族とクラゲを採っていた下村先生。写真に映っているお子様の一人は伝説のハッカーTsutomu Shimomuraさんである。 下村先生のクラゲ漁の伝説 … “海岸で朝６時から夜まで毎日、家族総出でクラゲを取り続け、１７年間で８５万匹も捕獲し分析。ごく微量しか含まれないＧＦＰが光る仕組みを突き止めた。” コマンドニューロン: ザリガニコマンドニューロンのレビュー “Fifty years of a command neuron: the neurobiology of escape behavior in the crayfish” アメフラシの水管刺激によるエラの引き込み反射 光遺伝学 神経軸索：シナプス活動によって生じる活動電位は、脊椎動物の運動ニューロンでは軸索の起始部で生じる。ここは活動電位を発生するための電位依存型イオンチャネルがたくさんあって閾値が低い。脊椎動物の細胞ではシナプスからこの部位までに細胞体が介在する。一方、ザリガニなど節足動物では細胞体はこの流れから離れたところにあってシナプス統合に関与しない。よって、統合部位として肥厚した樹状突起に電極を狙って刺入してシナプス統合作用を調べることになる。シナプス統合、つまり神経計算の結果発生した活動電位は軸索を伝導する。 下行性ニューロン：脳内に細胞体と樹状突起をもっていて脳を出て胸部へと軸索を伸ばしていく。 腹髄、囲食道縦連合：梯子型神経系の腹側を通る縦連合を腹髄という。囲食道縦連合は、食道を囲んでいる縦連合。左右をつなぐ連合を横連合という。 神経計算の実体：アナログ的な神経膜電位活動の記録について、 田渕さん並木さんの比較生理2019「神経回路の自発活動パターンとその機能的役割」に詳細にまとめられています キイロショウジョウバエ：いわゆるモデル生物のひとつ。 コネクトーム HHMI Janelia デンドライトdendrite: 樹状突起のこと。 ウチダザリガニ … ウチダザリガニと染色体の話は記念すべきResearchat.fm ep1で話しています。Researchat.fmはウチダザリガニと共に始まったと言っても過言ではない。 氷冷麻酔: 昆虫ではCO2が（も？）よく使われる印象がある (maz) クチクラ：外骨格表面 おおらかな指導：先生ははじめから10年かけてもいいとは思われてはいなかった、はず。 identifiable neuron、 identified neuron 同定(可能)ニューロン: Scholapediaに期待したらまだ書かれておらず「どなたかご存命の方に書いて欲しい」というようなことが。別の個体から得られたニューロンどうしであっても生理学的、形態学的に似ていて同一視できるニューロン。運動ニューロンだと筋肉との関係で厳密な意味で同定ニューロンになる。介在ニューロン、とくに中枢のニューロンになってくると生理と形態の情報の再現性の問題で同一視しづらくなる。なお、同定ニューロンであっても個体間変異が生じる。 Leland H. Hartwell … 出芽酵母を用いた細胞周期に関する研究により、2001年度のノーベル生理学・医学賞を受賞 Leland Hartwellの動画 … 観察から細胞周期に関する因子を同定していく様の解説。 Leland Hartwellの動画 … インタビューワーはResearchat.fm ep107で紹介したBungo Akiyoshiさんの指導教官であるSue Biggins先生。 仮説生成型 vs 仮説検証型: Researchat.fm ep127のHARKingも参照。 Strong inference の翻訳 … めちゃくちゃいいので必読！kagayaさんご紹介ありがとうございます。今度これについて話したいです。(tadasu) Ronald Hoy 柳田敏雄 研究をすすめる「よりどころ」、inflection point（変曲点）: mazの脳内では横軸が時間、縦軸が成果みたいなものとして、最初はあまり成果が伸びないが途中からぐいっと上に曲がるような曲線が想像されていた【maz】 ポール・グレアム: 本人の公式ページ・英語版ウィキペディア Y Combinator ハッカーと画家 … オーム社による和書あり。 早すぎる最適化：これは Donald Knuth 博士による記述 早すぎる最適化 … ANRIの江原ニーナさんによるハッカーと画家と早すぎる最適化に関する記事 (関係ないですが、江原ニーナさんのポッドキャスト、復活希望です。) Researchatのポールグレアム回　(ep87) スケールしないことをしよう … FoundXの馬田さんによる解説記事 naoya_tさんによるポール・グレアムの日本語翻訳記事まとめ Coffee machine: いわゆる「コーヒーメーカー」だが英語版ウィキペディア記事では冒頭文（定義文）で “A coffeemaker, coffee maker, or coffee machine” と並列されており英語では同義語のようだ。 雲のツイート 自由意志:「で、ザリガニに自由意志はあるの?」ってPaul Katz氏に聞かれたのが思い出されます。 ヒトであれば内省、内観を言葉で伝えることができるが（リベットの実験）、そうでない動物では行動や生理現象を分析するにとどまる。 運動準備電位: Kornhuber & Deecke, 1965 コンフォーカル：共焦点走査型顕微鏡 ブラックホールの観測: Researchat.fm ep8でも話していました。　 スーパーカミオカンデとニュートリノの検出 スーパーカミオカンデとニュートリノの検出 重力波の初検出 シャコパンチ 冨菜雄介さん …　(関係ないですが、researchmapのIDがlobsterなのいかつすぎますね) シーラ・パテック：シャコパンチはじめ、生物と物理の境界を研究されている。kagayaのシャコパンチ研究のメンター。シーラのTED Talk The Patek Lab キャビテーション はてブ：はてなブックマーク Comparative Biomechanics:「比較」は多様な生物種を対象とするニュアンスがある。 SICB: Society for Integrative and Comparative Biology というアメリカの学会。毎年1月に年会があり 2011 Annual Meetingで Kagaya と maz はニアミスしていた。非ヒトのバイオメカニクス研究発表の場としてはこの SICB とヨーロッパの SEB (Society for Experimental Biology) が代表的と思われる【maz】 リザバー計算 (reservoir computing) 中嶋浩平さん Kohei Nakajima 京大の白眉プロジェクト シャコパンチ論文 リカレントニューラルネットワーク：回帰的神経回路網 RNN。典型的なRNNとしてはランダムにそれぞれが結合した echo state network (後述)がある。スパイクニューラルネット型もある。 Herbert Jaeger リードアウト：リザバー計算の典型的設定のパラメータチューニングはこの線形読み出し器部分だけなので学習にかかる計算コストがとても小さい。 echo state neural network：シンプルなPC上での Echo State Network (ESN) による計算の例 spiking neural network たこあし、シリコンたこあし計算機：中嶋さんの royal society interface に掲載された論文のひとつ Wolfgang Maass ブラックボックスを解剖する研究 Echo State Property: “Intuitively, the ESP states that the reservoir will asymptotically wash out any information from initial conditions.” 流体構造連成: ある物体、たとえば布みたいなものに風があたって力（いわゆる揚力や抗力）が生じて、形が変わったとする。そうすると、形が変わったことで揚力や抗力が変わるので、また変形がおきる。この繰り返しで振動的な挙動が生じたりする。このように、流れと物体変形の相互作用現象（問題）を流体構造連成 (fluid-structure interation, FSI) と呼ぶ【maz】 双子渦（カルマン渦？): 円柱などの物体の後方には、流れのスケールで決まる無次元数である Reynolds 数に応じて左右対称な双子渦や左右交互の周期的な渦放出（Kármán 渦列）ができる。このうち双子渦を利用してリザバコンピューティングをしようという発想がある (Goto et al., 2021). なお双子渦ができるのは Reynolds 数が低いときで、つまり { サイズが小さい OR 流れが遅い OR 流体の粘性が高い（ねばねばしてる）} ような状態で、具体的には40程度まで。たとえば直径 2 cm の電線を風が 1 m/s でゆっくりと吹きすぎるような場面ですら Reynolds 数は 1300 程度で、双子渦はできない。興味深いことに、上記論文では双子渦からカルマン渦に遷移する直前の Reynolds 数で最も成績がよいという結果が出ているようだ【maz】 カオス的遍歴, “Chaotic itinerancy as a dynamical basis of hermeneutics in brain and mind” 井上さんの論文: Inoue, K., Nakajima, K., & Kuniyoshi, Y. (2020). Designing spontaneous behavioral switching via chaotic itinerancy. Science advances Unconventional Computing Diagital Computing, “Towards a generalized theory comprising digital, neuromorphic and unconventional computing” 大自由度力学系 E-kagen: 鈴森康一「新学術領域研究「ソフトロボット学」 ルースカップリングとタイトカップリング … 柳田敏雄先生による一分子研究の歴史とその解説 モルフォロジカル・コンピュテーション Kunt Shmidt-Nielsen 下澤先生：下澤楯夫先生 Editorial Notes ザリガニ研究は出てから10年以上たってからのもので、あまり外で話す機会がなくなっていたので、今回紹介する機会をいただけて感謝です。シャコパンチを詳しくはまた別の機会に(？)(kagaya) ほぼ聞き役でした。シャコパンチや関連して高速運動・超高速運動の面白さみたいな話はもうちょっとしたかったけど、それやったらたぶんリザバまで行かなかったですね… (maz) kagayaさんとmazさん、お忙しい中、ご出演いただきありがとうございます。全然掘りきれていませんが、また次回よろしくお願いします(シャコとカニの個性！気になる!)。それにしてもkagayaさんのキャリアの変遷は面白すぎて今回お話できて良かったです。リザバーの部分については更なる自身での理解が必要だと思いました。完全版は+40minぐらいあるのですがまたいつか。(tadasu)

"The Tale of the Princess Kaguya" analysis & discussion podcast. Welcome to our 23rd podcast on the films by Studio Ghibli. This time we're looking at Isao Takahatas magnum opus and swan song, his final movie which is an adaptation of the Tale of the Bamboo Cutter. Join us as we explore this feminist and existentialist take on the classic story. Your hosts today are: Nyard, PlatonSkull, Hipster_Cthulhu and Voice-Flower Discord: https://discord.gg/n8puKa4 Patreon: https://www.patreon.com/nausicaast MP3 Download: https://nausicaast.libsyn.com/ Spotify: https://open.spotify.com/show/34MmVkEL5041HH4iaXZ2Ts Youtube: https://youtu.be/H-2zgCdaSIc   Sources: Online: - Interview by Den of Geek: https://www.denofgeek.com/movies/isao-takahata-interview-the-tale-of-the-princess-kaguya/ - Polygon article: https://www.polygon.com/animation-cartoons/2020/5/30/21275363/isao-takahata-studio-ghibli-animation-innovation-japanese-art-princess-kaguya - 25yearslatersite article: https://25yearslatersite.com/2021/04/15/the-false-promise-of-beauty-in-the-tale-of-the-princess-kaguya/ - My Huang Opinion article: https://myhuangopinion.wordpress.com/2018/04/27/princess-kaguya-isao-takahata/ - Interview by Indiewire: https://www.indiewire.com/2014/12/immersed-in-movies-isao-takahata-talks-the-tale-of-the-princess-kaguya-swan-song-123737/ Video: - Documentary "Isao Takahata and his Tale of the Princess Kaguya": https://itunes.apple.com/us/movie/isao-takahata-and-his-tale-of-the-princess-kaguya/id953064686 - David J Bradley - Princess Kaguya, Ukiyo-e and Class: https://www.youtube.com/watch?v=0ELgusSyfhw Paper: - Susan Napier "'I've seen this Place Before:' Memory, Exile and Resistance in The Tale of Princess Kaguya" in The Japanese Journal of Animation Studies Vol 21 no 1 - Mio Bryce and Jason Davis "The Tale of the Princess Kaguya" in Resilience Journal - Paul Jackson "Changing of the Seasons: Isao Takahata's The Tale of Princess Kaguya" in Metro Magazine 185

Nadie esperaba que una leyenda de la animación japonesa como Isao Takahata fuera a interesarse en hacer una película sobre Nono-chan, una popular tira cómica acerca de los avatares de una familia común y silvestre, inserta en un barrio, en una ciudad, en un mundo que —en principio— dista enteros de los ambiciosos escenarios de fantasía que Hayao Miyazaki, su colega y socio, había diseñado para Ghibli durante la década de los 90. En efecto, al lado de Porco Rosso o La Princesa Mononoke, Mis vecinos los Yamada parecen livianos, simples y hasta desechables. Pero es cosa de mirar con detención: todo lo que hace de Takahata un artista de alcance universal esta ahí, atrapado en medio de esos desayunos, salidas a comprar, chascarros, ataques de rabia, almuerzos, finales de día, peleas por la televisión y en fin, la construcción de una épica familiar, el relato de un viaje inmenso que se va trenzando de manera imperceptible, día tras día, tarde tras tarde, junto a los tuyos. De eso y más se habla en este podcast.

Invité : François Rieux Au programme de cette année 2013 :  Hollywood & l'ère des franchises : Iron Man 3, Hunger Games 2, Fast and Furious 6... L'anomalie Gravity : le succès de l'originalité ou du sensationnel ? La Vie d'Adèle d'Abdellatif Kechiche : une Palme d'Or évidente ou politique ? Retour sur la belle édition du Festival de Cannes 2013 Le Loup de Wall Street, Gatsby, Django Unchained : la grande année de Leonardo DiCaprio Recommandations : Cartel - Director's Cut (Ridley Scott), Le Royaume des rêves et de la folie (Mami Sunada).

The Tale of Princess Kaguya is yet another masterpiece from Studio Ghibli, and boy are there many. This one has the distinction, however, of being conceived and written by Isao Takahata, Mayao Hiyazaki's partner in crime. This was the only film Takahata got to make with Studio Ghibli, and the work spanned decades due to his-- creative -- management style. But in the end, the film was gorgeous, and delved into what it means to be human, and all of the emotions and expectations that go along with it. Sarah will explore the history of the original fairy tale: The Tale of the Bamboo Cutter, as well as the development of the film. Also, since a Japanese nursery rhyme forms the emotional thesis of the film, our game time tests Sarah's knowledge of our common nursery rhymes. DO YOU KNOW YOURS? Historical & Production Links: https://theculturetrip.com/asia/japan/articles/the-tale-of-the-bamboo-cutter-the-history-of-the-folktale/ https://en.wikipedia.org/wiki/The_Tale_of_the_Princess_Kaguya_(film) https://myhuangopinion.wordpress.com/2018/04/27/princess-kaguya-isao-takahata/ Psychology Links: https://medium.com/@tomhenell/the-difference-between-passion-skill-and-talent-229cacab8a3 morethanabody.org https://thekittycats.wordpress.com/2015/02/20/the-tale-of-princess-kaguya-nursery-rhyme/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week, Tim interviews two prolific players and thinkers of Weiss Schwarz: Phillip McKay and Ken Takahata. Ken has consistently placed top 8 in large Weiss Schwarz tournaments over the past five years, including the North American Online Springfest in 2021. Phillip won two of the first international Weiss Schwarz events and wrote Make Marika Great, one of the most read blogs about WS strategy. In a wide ranging interview, Ken and Phillip talk about their experiences playing early Weiss. They talk about the exact moment they think Weiss changed from what it was into it's modern form. We also touched on card design, damage charts, deck building and so much more! You can check out Ken's videos with Team TxC here: https://www.youtube.com/c/TeamTxCTCG/ If you want to read Phillip's blog, check out Make Marika Great here: https://makemarikagreat.wordpress.com/ Check out our written work at wildwildweiss.wordpress.com You can find us on Youtube at https://www.youtube.com/channel/UC7qS-5yXS8psYSIFJIRFDxQ/ We stream games via Twitch!: https://www.twitch.tv/wildwildweiss

On Episode 60 of The Chills at Will Podcast, Pete has the pleasure to speak with the talented writer Andrew Liu. The two talk about Andrew's poetry, which is multifaceted and inspired by so many disparate people and art and experiences and traditions. Andrew speaks to both the cerebral and emotional in his poetry and its connections to the idea of the muse, the Kaguya tradition, writing about paradox, and so much more.     Andrew Liu is a 2020 MFA graduate of CSU Long Beach's Creative Writing - Poetry program. He is published in two student magazines: East Los Angeles City College's Milestone and CSU Long Beach's Riprap. You can read his MFA thesis, California Metaphysics, which collects some of his best poems, on CSULB's thesis database (https://www.proquest.com/docview/2455809945/C36DDE5A65C748F1PQ/1). You can also view a recording of a virtual reading of selected poems organized by Andrew Liu and his friend Jesse Tovar on Youtube: https://youtu.be/duw83IwH5fk.  Show Notes and Links to Andrew Liu's Work   Andrew Liu's Cal State Long Beach Thesis-California Metaphysics   Andrew performs on Jan 8, 2021: My Place Cafe Events   At about 3:15, Andrew talks about growing up in the San Gabriel Valley, learning English as a second language, and the eventual eclipsing of Taiwanese by English; he also talks about his “contentious” relationship with languages and the precarious Taiwanese    At about 9:45, Andrew talks about his linguistic history and how it might affect his writing; in addition, this leads to his discussion of language as a barrier and an enhancer of imagery   At about 12:00, Andrew hones in on how he saw himself as a poet through his varied interests as a child, as well as through help from Ms. Burkhart and the YAWP (Young Aspiring Writers Program)   At about 13:30, Andrew discusses writers who have given him “chills at will,” including Edgar Lee Masters, whose work connected to Andrew's ruminations on identity   At about 17:30, Andrew comments on the times at which when he saw himself apply the form to the imagination, including community college as an freeing and formative experience    At about 22:00, Andrew talks about the hierarchy of “manly” vs. “unmanly,” gay vs. straight, childhish vs. “grown up” and how his work plays on these opposites   At about 27:00, Andrew talks about the tropes of the “manchild” and the patriarchal control that shrugs and says, “boys will be boys” and how he writes to combat these as forms of protest   At about 30:00, Andrew talks about writing in the “surreal” time of Trumpism   At about 31:00, Andrews draws connections between childhood and adulthood, and his view of the fluidity of the two   At about 32:25, Andrew talks about the search for his writer's autonomy and a transformational experience in hearing a high school classmate's commanding performance, as well as his response poem in 12th grade in a “classics slam” to Ha Jin's poem, “Ways of Talking”   At about 36:00, Andrew discusses inspirations for his thesis poetry collection-”California Metaphysics”   At about 39:00, Andrew talks about muses in his writing, particularly the problematic ways in which it is often used   At about 41:00, Andrew talks about his appreciation of Kaguya, particularly The Tale of the Princess Kaguya and the triumphs, resolve, and tragedies of Princess Kaguya; he connects the passivity and activity of the princess and its connection to his view of the muse    At about 44:15, Andrews reads an excerpt from “Ossified Landscape w/ Faceless Girl, alt. Kaguya”   At about 46:30, Pete and Andrew discuss the idea of Takahata and others “interpreting” the traditional and ancient Kaguya storyline, and Andrew talks about his concerted use of parentheses in his poem   At about 52:05, Pete and Andrew discuss The Eternal Sunshine of the Mind, and its role as one of Andrew's favorite movies and connections to Andrew's work, specifically “Ossified Landscape…”   At about 54:40, Pete details craft successes from Andrew and asks Andrew for feedback; Andrew discusses erasure and identity and the ephemerality, with regard to the two movies mentioned above, as well as Jeremy Renner's Arrival, based on Ted Chiang's short story “Story of your Life”   At about 1:03:00, Andrew talks about ephemerality as seen in art, as well as his use of the moon as a symbol in his work   At about 1:07:55, Andrew connects the “paradise myth” to Danez Smith's epic poem, “summer, somewhere”   At about 1:09:00, Pete and Andrew discuss Andrew's poem “ ‘C' for California” after Andrew reads it; Andrew talks about the poem as part of the academic tradition of poetry and the influence of Stand Up Poetry, pioneered by Andrew's Cal State Long Beach mentor, Charles Harper Webb; the conversation then delves into nature's connections to Andrew's and other literature   At about 1:22:15, Andrew talks about future projects and the potential for his thesis You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Spotify, Stitcher, and Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. This episode and other episodes are featured on “The Chills at Will Podcast” YouTube Channel. This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode is “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.

Escape, Agency and Cat Parades Welcome to our 15th podcast on the films by Studio Ghibli. Today we're talking about an odd one. The first Ghibli spin-off movie as well as the second movie not directed by Miyazaki or Takahata. It is of course: The Cat Returns. On the cast today are: Nyard, PlatonSkull, Hipster_Cthulhu Watch it on YouTube: https://youtu.be/t6YMWxIEfko Discord: https://discord.gg/JGMdtZ Patreon: https://www.patreon.com/nausicaast Our sources: Web: Slap Happy Larry - Cat Returns Storytelling Notes https://www.slaphappylarry.com/cat-returns-storytelling-notes/ STEVEM - Returning To The Cat Returns https://www.youtube.com/watch?v=AtzmhrxWLvc Weird Stray Cat Outside (The Cat King??) https://www.youtube.com/watch?v=KY9Hbv6ywQE Paper: Andrea Germer and Shiro Yoshioka - "Romantic Love and the ‘Housewife Trap': A Gendered Reading of The Cat Returns"

Welcome to our 13th podcast on the films by Studio Ghibli. This time we have some disagreements over the 1999 Takahata movie My Neighbors the Yamadas. The hosts of this cast are: Nyard, PlatonSkull, Hipster_Cthulhu and TheThunderer. Join our Discord server: https://discord.gg/n8puKa4 Support us on Patreon: https://www.patreon.com/nausicaast Sources: Not much.. French analysis article on the movie: https://www.kanpai.fr/culture-japonaise/mes-voisins-yamada-analyse French interview with Takahata: Isao Takahata: Un point de vue extérieur sur le monde* Codelli, Lorenzo Positif; Apr 2001; 482; Performing Arts Periodicals Database pg. 33 Another interview: https://search-proquest-com.proxy01.its.virginia.edu/docview/233258434/fulltext/1094B899D7C7403APQ/1?accountid=14678 Article about some of the things on the bluray commentary: http://www.cineoutsider.com/reviews/bluray/m/my_neighbours_the_yamadas.html  

Welcome to our 8th podcast on the films by Studio Ghibli. This time we're talking about an odd one out: Ocean Waves! On the cast this time are: Tassu, TheThunderer, Hipster_Cthulhu and Me, Nyard. Discord: https://discord.gg/n8puKa4 Patreon: https://www.patreon.com/nausicaast Our Sources: There isn't much but here's a great Beyond Ghibli video: https://www.youtube.com/watch?v=YYXBWucnot8

Welcome to our 9th podcast on the films by Studio Ghibli. This time we're talking about a ballsy movie: Pom Poko, directed by Isao Takahata. On the cast this time are: Tassu, Hipster_Cthulhu, PlatonSkull and Me, Nyard. Discord: https://discord.gg/n8puKa4 Patreon: https://www.patreon.com/nausicaast Our Sources: Borlik, Todd Andrew. "Carnivalesque Ecoterrorism in Pom Poko." Resilience: A Journal of the Environmental Humanities, vol. 2 no. 3, 2015, p. 127-133. Project MUSE muse.jhu.edu/article/614504. “Countryside.” The Book of Yokai: Mysterious Creatures of Japanese Folklore, by Michael Dylan Foster and Shinonome Kijin, 1st ed., University of California Press, 2015, pp. 172–200. JSTOR, www.jstor.org/stable/10.1525/j.ctt14btg72.13. Accessed 28 Apr. 2020. Foster, Michael Dylan. “The Folkloresque Circle: Toward a Theory of Fuzzy Allusion.” The Folkloresque: Reframing Folklore in a Popular Culture World, edited by Michael Dylan Foster and Jeffrey A. Tolbert, University Press of Colorado, Boulder, Colorado, 2016, pp. 41–63. JSTOR, www.jstor.org/stable/j.ctt17mvkfh.6. Accessed 28 Apr. 2020. Foster, Michael Dylan. “HAUNTING MODERNITY: Tanuki, Trains, and Transformation in Japan.” The Monster Theory Reader, edited by Jeffrey Andrew Weinstock, University of Minnesota Press, Minneapolis; London, 2020, pp. 330–357. JSTOR, www.jstor.org/stable/10.5749/j.ctvtv937f.21. Accessed 28 Apr. 2020. Hadl, Gabriele. “Nature, Media and the Future - Unnatural Disaster, Animist Anime and Eco-Media Activism in Japan.” Routledge Handbook of Japanese Media, Routledge, 2018, pp. 336–362. LEVI, ANTONIA. “The Werewolf in the Crested Kimono: The Wolf-Human Dynamic In Anime and Manga.” Mechademia, vol. 1, 2006, pp. 145–160. JSTOR, www.jstor.org/stable/41510884. Accessed 28 Apr. 2020. MARRAN, CHRISTINE L. “Beyond Domesticating Animal Love.” Mechademia, vol. 6, 2011, pp. 39–50. JSTOR, www.jstor.org/stable/41511570. Accessed 28 Apr. 2020. Ortabasi, Melek. "(Re)animating Folklore: Raccoon Dogs, Foxes, and Other Supernatural Japanese Citizens in Takahata Isao's Heisei tanuki gassen pompoko." Marvels & Tales, vol. 27 no. 2, 2013, p. 254-275. Project MUSE muse.jhu.edu/article/524100. “Miyazaki and Takahata Anime Cinema.” Frames of Anime: Culture and Image-Building, by TZE-YUE G. HU, Hong Kong University Press, Aberdeen, Hong Kong, 2010, pp. 105–136. JSTOR, www.jstor.org/stable/j.ctt1xw9xb.13. Accessed 28 Apr. 2020. Philosophy Tube - Climate Grief https://www.youtube.com/watch?v=CqCx9xU_-Fw

Welcome to our 10th podcast on the works by Studio Ghibli. This time we're talking about a surprising little thing: A short-film/music video directed by Hayao Miyazaki for the song "On Your Mark" by Chage & Aska. The crew this time is small consisting of PlatonSkull, TheThunderer and Nyard. Discord: https://discord.gg/n8puKa4 Patreon: https://www.patreon.com/nausicaast Our Sources (Only very little this time): - The "On Your Mark" Wikipedia entry (welp thats what we had to resort to) - The Interview that is also printed in "Starting Point" (in a better translation) http://www.nausicaa.net/miyazaki/oym/interview_oym.txt

Welcome to our 11th podcast on the films by Studio Ghibli. This time we're talking about the first cinematic feature not directed by Takahata or Miyazaki: Whisper of the Heart, also known as Mimi wo Sumaseba. On the cast this time are: PlatonSkull, Hipster_Cthulhu and Me, Nyard. Discord: https://discord.gg/n8puKa4 Patreon: https://www.patreon.com/nausicaast YouTube Sources: Depression ≠ Creativity - Whisper of the Heart | Renegade Cut https://www.youtube.com/watch?v=gUepLaeFxzw Why Whisper of the Heart is a Masterpiece https://www.youtube.com/watch?v=GKUbnqZKd6E Whisper of the Heart | The Tragedy of Kondō https://www.youtube.com/watch?v=CPbk2zf4-zQ Whisper of the Heart: How Does It Feel to Be an Artist | Video Essay https://www.youtube.com/watch?v=NyNvOVvYb84 Online Sources: Nausicaa.net Whisper of the Heart FAQ http://nausicaa.net/miyazaki/mimi/faq.html ANN Review by Michael Toole https://www.animenewsnetwork.com/review/whisper-of-the-heart/blu-ray-dvd/.81175 Rediscover: Whisper of the Heart by Trevor Link https://spectrumculture.com/2012/09/10/rediscover-whisper-of-the-heart/ The Studio Ghibli Retrospective: ‘Whisper of the Heart' by Christopher Runyon http://moviemezzanine.com/studio-ghibli-retrospective-whisper-of-the-heart/ Eulogies by Miyazaki and Takahata http://www.nausicaa.net/miyazaki/kondo/eulogy-miyazaki.html http://www.nausicaa.net/miyazaki/kondo/eulogy-takahata.html News report about Kondo's funeral http://www.nausicaa.net/miyazaki/kondo/news-sankei.html Book Sources: Miyazaki - Starting Point

Welcome to our 12th podcast on the films by Studio Ghibli. This time we're talking about a big one. The second biggest one arguably. It is of course Mononoke-Hime. With me today are PlatonSkull, Xiff, Tsukiya and Hipster_Cthulhu.   Discord: https://discord.gg/n8puKa4 Patreon: https://www.patreon.com/nausicaast Plenty of sources this time. Videos: Hayao Miyazaki's Cosmologics https://www.youtube.com/watch?v=JecQgONaMtU Digging Deeper into "Princess Mononoke" https://www.youtube.com/watch?v=m2IEPGQqYUo Princess Mononoke - Teaching Environmentalism to Children | Renegade Cut https://www.youtube.com/watch?v=uC9yw7FHGaE The Philosophy of Miyazaki – Wisecrack Edition https://www.youtube.com/watch?v=es8iacHu1PA Antagonist or Hero? The complexity of Lady Eboshi - Princess Mononoke (1997) https://www.youtube.com/watch?v=r5naJ07xOCc Princess Mononoke: Style and Substance https://www.youtube.com/watch?v=fSN45qBFUO4 Princess Mononoke: Cyclicity, and the Importance of Character Motive https://www.youtube.com/watch?v=Lr4ZfGWbqSM Princess Mononoke (1997) - Movies with Mikey https://www.youtube.com/watch?v=rLibXEawkTI Lady Eboshi is Wrong By Innuendo Studios https://vimeo.com/357117766 Books: "Anime from Akira to Howl's Moving Castle", by Susan J. Napier "Miyazakiworld", by Susan J. Napier "Turning Point", by Hayao Miyazaki "From Utopia to Apocalypse", by Peter Paik "Princess Mononoke: Understanding Ghibli's monster princess", by Rayna Denison Papers/Articles/Journals: "Animated Nature: Aesthetics, Ethics, and Empathy in Miyazaki Hayao's Ecophilosophy", by Pamela Gossin "MODERNITY'S RESCUE MISSION: Postcolonial Transactions of Disability and Sexuality", by EUNJUNG KIM and MICHELLE JARMAN "'See with Eyes Unclouded' Mononoke-hime as the Tragedy of Modernity", by Kristen L. Abbey

Welcome to our fifth podcast. This time we analyze "Kiki's Delivery Service", directed by Hayao Miyazaki. Your hosts this podcast are: Hipster_Cthulhu, Miki, Roggol and Nyard. Discord: https://discord.gg/n8puKa4 Patreon: https://www.patreon.com/nausicaast   Online Sources: Tradition and Modernity in Kiki's Delivery Service: https://actar.wordpress.com/2011/11/26/tradition-and-modernity-in-kikis-delivery-service/ Miyazaki's Haunted Utopia: The Ghost of Modernity in 'Kiki's Delivery Service': https://www.popmatters.com/miyazakis-haunted-utopia-ghost-modernity-kikis-delivery-service-2495410503.html Kiki's Delivery Service - Renegade Cut: https://www.youtube.com/watch?v=HbsJJQDKyck   Other Sources: Miyazaki - Starting Point Susan Napier - Miyazakiworld Jonathan Ellis (2010) The art of anime: Freeze-frames and moving pictures in Miyazaki Hayao's Kiki's Delivery Service, Journal of Japanese and Korean Cinema, 2:1, 21-34, DOI: 10.1386/jjkc.2.1.21_1

Welcome to our sixth podcast. This time we analyze "Only Yesterday" or Omoide Poroporo, directed by Isao Takahata. Your hosts this podcast are: Hipster_Cthulhu, Nyard, Juubes and PlatonSkull. Discord: https://discord.gg/n8puKa4 Patreon: https://www.patreon.com/nausicaast Online Sources: Collection of Impressions: http://www.nausicaa.net/wiki/Only_Yesterday_(impressions)/ Justin Sevakis on Only Yesterday: http://www.animenewsnetwork.com/review/only-yesterday/.98868 Two Great Videos by Replay Value: https://www.youtube.com/watch?v=v2RXEDsZAeY https://www.youtube.com/watch?v=g8m2t7zFVqs Concious Movie Reviews Only Yesterday: https://www.beyond50radio.com/Conscious_Movie_Reviews-Only_Yesterday.html Video about Isao Takahata by Any-Mation: https://www.youtube.com/watch?v=5Ef78Lwd_Ok AV Club article: https://film.avclub.com/the-studio-ghibli-classic-only-yesterday-finally-gets-a-1798186715 Article "Mono No Aware as Mise-En Scene": http://www.thecine-files.com/current-issue-2/articles/mono-no-aware-as-mise-en-scene/ Feminist Articels on Only Yesterday: http://helloflo.com/hannah-rimm-only-yesterday/ https://www.themarysue.com/feminism-of-studio-ghibli/    

On the August 23, 2018 episode of /Film Daily, /Film editor-in-chief Peter Sciretta is joined by weekend editor Brad Oman and writer Hoai-Tran Bui to read some responses in the Mail Bag and talk about the latest film and tv news, including Death Note 2, Top Gun 2, The Happytime Murders, Wonder Woman 1984 composer, and the DC Universe.   You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it). In The Mail Bag: Yesterday we asked you to write in to suggest which filmmakers you'd like to see as Funko POP figures. First up Peter asks Brad: What directors would you like to see as Pop figures?   Rob M from Maryland would “love to see a Wes Craven pop wearing a Freddy sweater while holding a scream mask.  Or Peter Jackson with a one ring necklace.” Jordan F from Toledo OH: “I would love to see a Quentin Tarantino funko pop. With the huge forehead and slicked back brown hair in a pulp fiction black suit.” Kolin S from San Jose, CA: You gotta have a Coen Brothers 2 pack  and Alejandro G. Iñárritu Alfonso Cuarón  Maybe a 3 amigos 3 pack with those two and Guillermo Del Toro   Eric S from Grand Prairie, TX: “Tim Burton is distinguishable enough to have his own Funko Pop.” Carl M from Christchurch New Zealand: “How about Peter Jackson (New Zealand dominating hollywood) and David Lynch and Christopher Nolan” Scott A: “I have a director you definitely overlooked. I think after Alfred Hitchcock, Stanley Kubrick is an obvious next choice. Distinctive features, a huge fan following, and a filmmaker that truly impacted cinema, I think it's a great option if his estate would ever sign off of the idea.” Ivan H suggests a Japanese masters series Kurosawa, Ozu, Miyazaki, & Takahata. Aaron from Kentucky: “One person that immediately sprang to mind was John Carpenter. I believe he has a unique look that would translate well to the toy and enough of a cult following to make for a popular Funko Pop.  Another director who would look good as a Funko Pop is Spike Lee. Put him in some wild colors and add the glasses and it will fly off shelves!  And finally, I'd like to see a Funko Pop to honor the late great Stanley Kubrick. He has a unique look and made so many great films that it's a no brainer he should be honored with his own figure.” Josh in Charlotte NC: “The following distinctive-looking directors would make great figures no matter the style.   Tim Burton David Lynch Clint Eastwood Ridley Scott Francis Ford Coppola Stanley Kubrick Akira Kurosawa David Cronenberg Chris Nolan Quentin Tarantino James Cameron John Woo Peter Jackson Steven Soderbergh Ron Howard Coen Brothers Spike Lee Oliver Stone Woody Allen Ed Wood”   In The News: HT: Netflix is Developing a ‘Death Note' Sequel Brad: ‘Top Gun: Maverick' Taking Jon Hamm and Ed Harris to The Danger Zone HT: ‘The Happytime Murders' Early Buzz: This Could Be the Worst Movie of the SummerPeter asks everyone “what do you think is the worst movie of the year so far that you've seen?” Brad: Hans Zimmer Composing ‘Wonder Woman 1984' Score HT: DC Universe to Launch Its Own Daily Show Hosted By Kevin Smith All the other stuff you need to know:   You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes.   /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com.   You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (RSS).   Please feel free to send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air.   Please rate and review the podcast on iTunes, tell your friends and spread the word!   Thanks to Sam Hume for our logo.