Podcast appearances and mentions of julian marsh

In this impactful and inspiring episode of Unstoppable Mindset, host Michael Hingson sits down with Ronald Cocking—performer, educator, and co-founder of the Looking Glass Studio of Performing Arts—to reflect on a remarkable life shaped by rhythm, resilience, and love. Ron's journey into the performing arts began at just five years old, when his passion for tap dance ignited a lifelong commitment to dance and musical theater. From his first professional role at age 15 in My Fair Lady to founding one of Southern California's most impactful arts schools, Ron's story is one of dedication, creativity, and community.   But perhaps the most moving part of Ron's story is his 49-year partnership—both personal and professional—with the late Gloria McMillan, best known as Harriet Conklin from Our Miss Brooks. Together, they created a legacy of mentorship through the Looking Glass Studio, where they taught thousands of students across generations—not just how to act, sing, or dance, but how to live with confidence and integrity.   Ron also reflects on the legacy Gloria left behind, his continued involvement in the arts, and the words of wisdom that guide his life:   “Teach a man to fish and you feed him for a lifetime.” “To find happiness, take the gifts God has given you and give them away.”   This is more than a story of a career in the arts—it's a touching tribute to passion, partnership, and purpose that will leave you inspired.   Highlights:   00:48 – Hear how early radio at home shaped a lifetime love for performance. 03:00 – Discover why drumming and tap both trained his ear for rhythm. 06:12 – Learn how a tough studio change led to ballet, jazz, and tumbling basics. 08:21 – See the “sing with your feet” method that makes tap click for students. 10:44 – Find out how a teen chorus role in My Fair Lady opened pro doors. 13:19 – Explore the drum-and-tap crossover he performed with Leslie Uggams. 15:39 – Learn how meeting Gloria led to a studio launched for $800. 18:58 – Get the long view on running a school for 44 years with family involved. 23:46 – Understand how Our Miss Brooks moved from radio to TV with its cast intact. 32:36 – See how 42nd Street proves the chorus can be the star. 41:51 – Hear why impact matters more than fame when students build careers. 43:16 – Learn what it takes to blend art and business without losing heart. 45:47 – Compare notes on marriage, teamwork, and communication that lasts. 48:20 – Enjoy a rare soft-shoe moment Ron and Gloria performed together. 56:38 – Take away the “teach to fish” approach that builds lifelong confidence.   About the Guest:   My father was a trumpet player, thus I heard music at home often in the early 50's and was always impressed and entertained by the rhythms and beats of Big Band music… especially the drummers.  Each time I would see Tap dancers on TV, I was glued to the screen.  It fascinated me the way Tap dancers could create such music with their feet!   In 1954, at age 5, after begging my Mom and Dad to enroll me in a Tap class, my Dad walked in from work and said “Well, you're all signed up, and your first Tap class is next Tuesday.  I was thrilled and continued studying tap and many other dance forms and performing and teaching dance for all of my life.     In my mid teens, I became serious about dancing as a possible career.  After seeing my first musical, “The Pajama Game” starring Ruth Lee, I new I wanted to do musical theatre.  I got my first professional opportunity at age 15 in “My Fair Lady” for the San Bernardino Civic Light Opera Association and loved every minute of it… and would continue performing for this organization well into my 30's   I met Gloria McMillan in the late 60's while choreographing a summer musical for children.  Gloria's daughter was doing the role of Dorothy in “The Wizard of Oz”.  Then, about 3 or 4 years later I would meet Gloria again and the sparks flew.  And, yes, she was Gloria McMillan of “Our Miss Brooks” fame on both radio and television.  Wow, was I blessed to have crossed paths with her.  We shared our lives together for 49 years.   On November 4, 1974, Gloria and I opened a performing arts school together named “The Looking Glass Studio of Performing Arts”.  We would teach and manage the school together for 44 years until we retired on June 30, 2018.  We moved to Huntington Beach, California and spent 3 beautiful years together until she left to meet our Lord in heaven on January 19, 2022.   Ways to connect with Ron:   Lgsparon@aol.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi there, wherever you are and wherever you happen to be today. Welcome to unstoppable mindset. I'm your host, Mike hingson, and today we get to chat with Ron Cocking, who is Ron. Well, we're going to find out over the next hour. And Ron was married for many years to another person who is very famous, and we'll get to that, probably not as well known to what I would probably describe as the younger generation, but you're going to get to learn a lot about Ron and his late wife before we're done, and I am sure we're going to have a lot of fun doing it. So let's get to it. Ron, welcome to unstoppable mindset. We're glad you're here.   Ron Cocking ** 01:59 Thank you. I'm so glad to be here. Michael, this. I've been looking forward to this.   Michael Hingson ** 02:04 I have been as well, and we're going to have a lot of fun doing it.   Ron Cocking ** 02:08 Do you one note on that last name? It is cocking. Cocking, he comes right? Comes from a little townlet in the coal mining country of England called Cockington.   Michael Hingson ** 02:20 I don't know why I keep saying that, but yeah, cocky, no   02:23 problem.   Michael Hingson ** 02:24 Well, do you go up to the reps recreations at all?   Ron Cocking ** 02:28 Oh my gosh, Gloria. And I know you and Gloria, did do you still do it? I've it's on my schedule for September.   Michael Hingson ** 02:35 I'm gonna miss it this year. I've got a speech to give. So I was going to be playing Richard diamond at recreation. Well, I'll have to be Dick Powell another time, but I thought that you you were still doing   02:50 it. I'm planning on it cool.   Michael Hingson ** 02:53 Well, tell us about the early Ron cocking and kind of growing up in some of that stuff. Let's start with that.   Ron Cocking ** 02:59 Well, the early part of my story was when I was born just a little before television came in, before everyone had a TV in their home. How old are you now? If I maybe, you know, I am now 76   Michael Hingson ** 03:12 Okay, that's what I thought. Yeah, you're one year ahead of me. I'm 75   Ron Cocking ** 03:16 I was born in 49 and so my earliest remembrances my mom and dad and my brother and I lived with our grandfather, and we had no television, but we had this big it must have been about three to four foot tall, this big box on the floor in a very prominent spot in the living room. And that was the Sunday afternoon entertainment. I remember my family sitting around, and I listened and I laughed when they did, but I had no idea what was going on, but that was the family gathering. And just, I know we'll talk about it later, but I I just have this notion that at that time I was laughing, not knowing what I was laughing at, but I bet I was laughing at my future   Michael Hingson ** 04:02 wife, yes, yes, but other things as well. I mean, you probably laughed at Jack Benny and Amos and Andy and   Ron Cocking ** 04:09 yeah, I remember listening to all those folks, and it was just amazing. Then when television came about and my father was a trumpet player, and I loved his trumpet playing, and he practiced often at home. He would sit in his easy chair and play some tunes and scales and that sort of thing. But what captured my ear and my eyes when I went to on rare occasions when I could go to his engagements, it was always the drummer that just stuck out to me. I was mesmerized by the rhythms that they could produce. And when TV came about, I remember the old variety shows, and they often would have tap dancers like. Had a stair gene, Kelly, Peg Leg Bates and the Nicholas brothers, and I just, I was just taken back by the rhythms. It sounded like music to me. The rhythms just made me want to do it. And so I started putting that bug in my parents ears. And I waited and waited. I wanted to take tap dance lessons. And one day, my dad walks in the back door, and I said, Dad, have you signed me up yet? And he said, Yep, you start next Tuesday at 330 in the afternoon. So I was overjoyed, and I went in for my first lesson. And mind you, this was a private tap class. Total Cost of $1.25 and we had a pianist for music, no record player, live piano, wow. And so I, I rapidly fell in love with tap dance.   Michael Hingson ** 05:56 And so you did that when you weren't in school. Presumably, you did go to school.   Ron Cocking ** 06:00 Oh, yeah, I did go to school. Yeah, I did well in school, and I enjoyed school. I did all the athletics. I played little league, and eventually would be a tennis player and water polo and all that stuff. But all through the years, after school was on the way to the dance classes.   Michael Hingson ** 06:16 So you graduated, or I suppose I don't want to insult drumming, but you graduated from drumming to tap dancing, huh?   Ron Cocking ** 06:24 Well, I kept doing them both together. I would dance, and then when my dad would practice, I would beg him to just play a tune like the St Louis Blues, yeah, and so that I could keep time, so I pulled a little stool up in front of an easy chair, and one of the arms of the chair was the ride cymbal, and the other one was the crash cymbal, and the seat of the chair was my snare drum. I would play along with him. And eventually he got tired of that and bought a Hi Fi for my brother and I, and in the bedroom I had a Hi Fi, and I started to put together a set of drums, and I spent hours next to that, Hi Fi, banging on the drums, and I remember it made me feel good. One day, my mom finally said to me, you know, you're starting to sound pretty good, and that that was a landmark for me. I thought, wow, somebody is enjoying my drumming,   Michael Hingson ** 07:18 but you couldn't do drumming and tap dancing at the same time. That would have been a little bit of a challenge. A challenge.   Ron Cocking ** 07:23 No, I would practice that the drums in the afternoon and then head for the dance studio later. And in this case, I was a local boy. I grew up in Riverside California, and my first tap teacher was literally maybe two miles from our house. But that didn't last long. She got married and became pregnant and closed her studio, and then I she recommended that I go see this teacher in San Bernardino by the name of Vera Lynn. And which I did, I remember walking into this gigantic classroom with a bunch of really tall kids, and I was maybe seven or eight years old, and I guess it was kind of an audition class, but after that evening, I she put me in the most appropriate classes, one of which was ballet, which I wasn't too excited about, but they all told me, If you're going to be a serious dancer, even a tap dancer, you need to get the basic body placement from ballet classes. And I said, Well, I am not going to put any tights and a T shirt on. But they finally got me to do that because they told me that the Rams football team took ballet class twice a week at that time. Ah. Said, no kidding. So they got me, they they got you. They got me into ballet class, and then it was jazz, and then it was tumbling, and so I did it all.   Michael Hingson ** 08:43 I remember when we moved to California when I was five, and probably when I was about eight or nine, my brother and I were enrolled by my mother. I guess my parents enrolled us in a dance class. So I took dance class for a few years. I learned something about dancing. I did have a pair of tap shoes, although I didn't do a lot of it, but I, but I did dance and never, never really pursued it enough to become a Gene Kelly or Fred Astaire. Well, few of us do. I didn't dislike it. It just didn't happen. But that was okay, but it was fun to, you know, to do it and to learn something about that. And so I even today, I I remember it, and I appreciate it. So that's pretty cool.   Ron Cocking ** 09:32 Well, you would understand what I always told my students, that tap dancing is like singing a song with your feet. Yeah. And I would sing, I would say, you all know, happy birthday, right? So I would sing it, and they would sing it along, and then I'd said, then I would sing it again, and I would sing it totally out of rhythm. And they would wrinkle their nose and look at me and say, okay, so what are you doing? And I'd say, Well, you don't recognize it because the rhythm is not correct. So then I would. Would tap dance Happy birthday, and I'd say, you sing along in your mind and I'm going to tap dance it. And that would always ring a bell in their mind, like, Oh, I get it. The rhythm has to be right on the button, or the people aren't going to recognize   Michael Hingson ** 10:16 that was very clever to do.   Ron Cocking ** 10:18 Yeah, thank you. And they got it, yeah, they got it, yeah,   Michael Hingson ** 10:22 which is even, even more important. That's pretty clever. Well, so you did that, and did you do it all the way through high school,   Ron Cocking ** 10:30 all the way through high school? And I think when I was 15, I was, I think I was in the eighth grade, maybe ninth, but I was 15 and got my first chance to I was cast in a professional show for San Bernardino civic light opera Association. And the show was My Fair Lady, and it was my English and journalism teacher at the junior high who had been cast. He was a performer also, but something came up and he couldn't follow through, so he had given the association my name, and I was out in the backyard. My mom came out. Said, Hey, San Bernardino clo just called and they want, they want to see it tonight at seven o'clock. So I put on my dance clothes and went over, and the director, by the name of Gosh, Gene Bayless, came out, and he showed me a couple of steps. And he said, Yeah, let's do it together. And he said, Boy, you unscramble your feet pretty well there kid. And he he looked over into the costumers and said, measure this guy. Let's put him in the show. So I was beside myself. And long story short, I Gosh, I'm over the over the years, I my first show was at age 15 with them, and I participated, did shows with them, until I think my last show, I was about 38 years old, and that last show was anything goes with Leslie uggums, wow.   Michael Hingson ** 11:52 So what part did you play on my fair lady?   Ron Cocking ** 11:55 I was just a chorus kid. I remember in the opening when Eliza sings, that wouldn't it be lovely? Wouldn't it be lovely? I was a street sweeper. I remember I had a broom, and there were three of us, and we were sweeping up that street and working in and around. Eliza Doolittle, of   Michael Hingson ** 12:11 course, being really spiteful. You just said a little while ago, you were beside yourself. And the thing that I got to say to that, quoting the Muppets, is, how do the two of you stand each other? But anyway, that's okay, good in the original Muppet Movie, that line is in there. And I it just came out so fast, but I heard it. I was going, Oh my gosh. I couldn't believe they did that. But anyway, it was so cute, very funny. That's great. So and then you were, you eventually were opposite Leslie UB,   Ron Cocking ** 12:39 yes, that was one of the high points talking about dancing and drumming at the same time. In fact, I used to give a drum a basic drum summer camp where I would teach tappers the basics of music notation, quarter notes, eighth notes, 16th notes. And then we would put a tap orchestra together. Everybody had their own music stand and their own drum pad. I would conduct, and we would play little pieces, and they would they would drum a rhythm, tap, a rhythm, drum, a rhythm, tap, a rhythm. And so anyway, it came full circle. One of the highlights of my dance slash drumming career was this show I did with Leslie uggums, the director had done this prior, and he knew it would work, and so so did the conductor in the entre Act. The top of the second act, the pit orchestra starts and plays like eight measures. And then there were six of us on stage, behind the main curtain, and we would play the next 16 bars, and then we would toss it back to the pit, and then toss it back to us, and the curtain would begin to rise, and we were right into the first song that Leslie uggums sang to get into the second act. Then she wanted to add a couple of songs that she liked, and she was very popular in with the audiences in San Bernardino, so she added a couple of songs, and I got to play those songs with her and and that was just so thrilling. And I with the scene finished, I had to have my tap shoes on, on the drum set. I had to hop down from the riser, and came out, brought one of my Toms with me, and played along with another featured tap dancer that kind of took over the scene at that point. So it was, it was really cool.   Michael Hingson ** 14:31 So with all this drumming, did you ever meet anyone like buddy rip?   Ron Cocking ** 14:35 No, I never met any famous drummers except a man by the name of Jack Sperling, which was one of my drumming idols,   Michael Hingson ** 14:44 Donnie Carson was quite the drummer, as I recall,   Ron Cocking ** 14:48 yeah, he did play yeah and boy, his his drummer, Ed Shaughnessy on his on The Tonight Show was phenomenal. Yeah, he's another of my favorites, yeah,   Michael Hingson ** 14:57 well, and I remember. I guess Johnny Carson and Buddy Rich played together, which was kind of fun. They   Ron Cocking ** 15:07 played together, and so did Ed Shaughnessy and Buddy Rich did a little competition on the show one time I realized, yeah,   Michael Hingson ** 15:15 right, yeah. Well, and it's interesting to see some of the performers do that. I remember once trying to remember whether what show it was on, maybe it was also a Tonight Show where Steve Martin substituted for Johnny, but he and the steel Canyon, the Steve Canyon band, came out. Of course, he was great on the band, and then flat and Scruggs or flat came out. Or which one? Yeah, which one did the banjo flat, I think, but they, but they banjo together, which was fun?   Ron Cocking ** 15:51 Oh, wow, yeah, yeah. Steve Martin is a tremendous band. He is, Whoa, yeah. I,   Michael Hingson ** 15:56 I have a hard time imagining fingers moving that fast, but that's okay, me too. I saved my fingers for Braille, so it's okay. So where did you go to college?   Ron Cocking ** 16:07 I went to for two years to Riverside City College, Riverside Community College, and then I went for two years to San Bernardino Cal State, San Bernardino, and I was majoring in English because I thought I may want to do some writing. But in the meantime, I became married, I became a father, and so I was trying to work and study and maintain a family life, and I just couldn't do it all. So I didn't quite finish a major at Cal State San Bernardino. I continued actually a nightclub drumming career. And now, now we're getting up to where this our performing arts studio began between Gloria and I.   Michael Hingson ** 16:50 So was it? GLORIA? You married first?   Ron Cocking ** 16:53 No, okay, no, Gloria was married. Gloria was a prior, prior marriage for 20 some years, or 20 years, I guess. And I had been married only two years, I think. And when we first, well, we actually met while we were both. I'll tell you the story in a minute, if you want to hear it. Sure, the first time I ever met Gloria Macmillan, I had no idea who she was, because she her name was Gloria Allen at the time that was, that was her married name that she took after the arm is Brooks TV show. Well, she took that the new name before the TV show even ended. But I was choreographing a children's summer musical, and the director came up said, hey, I want you to meet this young lady's mom. So the young lady was Gloria's daughter, her oldest daughter, Janet. And I said, Sure. So he said, This is Gloria. Allen, Gloria, this is Ron. And we shook hands, and I said, Nice to meet you. And that was it. And so the show happened. It ran for a couple of weeks, and Gloria was a wonderful stage mom. She she never bothered anyone. She watched the show. She was very supportive of her daughter. Didn't, didn't stage manage   Michael Hingson ** 18:09 whatsoever, which wasn't a helicopter mom, which is good,   Ron Cocking ** 18:12 definitely that, which was just really cool. So and so I was maybe three, four years later, so Gloria obviously knew that I could dance, because she had seen me choreographed. So I got a phone call from Gloria Allen, and I said, Okay, I remember her. She wanted to meet because she was thinking about starting an acting school and wanted someone to teach actors some dance movement. So I went over for a interview and took my little at that time, about two and a half year old, daughter, three year old, and we chatted, and oh my gosh, I just this, this beautiful woman swept me off my feet. And of course, I by the end of the conversation, I said, Gosh, you know, we talked about how we would integrate the acting and the dance, and I said, Can I have your phone number? Nope, I got the old well, we'll call you. Don't call us. And so I had to wait for a few days before I got a call back, but I got a call back, and I don't remember a lot of details, but the sparks flew really, really quickly, and we started planning our school. And if you can believe that this was 1973 when we started planning, maybe it was early 74 and we invested a whole total of $800 to get ourselves into business. We bought a record player, some mirrors, some paint, and a business license and a little shingle to hang out front. We had a little one room studio, and we. Opened on November 4, 1974 and we would close the studio on June 30, 2018 Wow.   Michael Hingson ** 20:08 Yeah. So you, you had it going for quite a while, almost, well, actually, more than 40 years. 44 years. 44 years, yes. And you got married along the way.   Ron Cocking ** 20:20 Well along the way, my my wife always said she fell in love with my daughter, and then she had to take me along with her. Yeah. Well, there you go. So we were together constantly, just running the school together. And then eventually I moved over to San Bernardino, and it was, gosh, some 1213, years later, we got married in on June 28 1987 and but nothing really changed, because we had already been living together and raising five children. GLORIA had four from a private prior marriage, and I had my little girl. So we we got all these five kids through elementary and junior high in high school, and they all went to college. And they're all beautiful kids and productive citizens, two of them still in show biz. Her son, my stepson, Christopher Allen, is a successful producer now and of Broadway shows. And our daughter, Barbara Bermudez, the baby that Gloria fell in love with. She's now a producer slash stage manager director. She does really well at big events with keynote speakers. And she'll, if they want her to, she will hire in everything from lighting and sound to extra performers and that sort of thing. And she's, she's just busy constantly all over the world, wow.   Michael Hingson ** 21:43 Well, that's pretty cool. And what are the other three doing?   Ron Cocking ** 21:47 One is a VP of Sales for it's a tub and shower company, jacuzzi, and the other one is a married housewife, but now she is a grandmother and has two little grandkids, and they that's Janet, the one that I originally had worked with in that children's show. And she and her husband live in Chino Hills, California, which is about 40 minutes from here. I live in Huntington Beach, California now,   Michael Hingson ** 22:14 well, and I'm not all that far away from you. We're in Victorville. Oh, Victorville, okay, yeah, the high desert. So the next time you go to Vegas, stop by on your way, I'll do that, since that's mainly what Victorville is probably most known for. I remember when I was growing I grew up in Palmdale, and Palmdale wasn't very large. It only had like about 20 703,000 people. But as I described it to people, Victorville wasn't even a speck on a radar scope compared to Palmdale at that time. Yeah, my gosh, are over 120,000 people in this town?   Ron Cocking ** 22:51 Oh, I remember the drive in the early days from here to Vegas in that you really felt like you could get out on the road all alone and relax and take it all in, and now it can be trafficking all all the   Speaker 1 ** 23:04 way. Yeah, it's crazy. I don't know. I still think they need to do something to put some sort of additional infrastructure, and there's got to be another way to get people to Vegas and back without going on i 15, because it is so crowded, especially around holidays, that one of these days, somebody will get creative. Maybe they'll get one of Tesla's tunnel boring tools, and they'll make a tunnel, and you can go underground the whole way, I don't know,   Ron Cocking ** 23:32 but that would be, that would be great. Something like that would happen.   Michael Hingson ** 23:38 Well, so you you started the school and and that did, pretty cool. Did, did Gloria do any more acting after our Miss Brooks? And then we should explain our Miss Brooks is a show that started on radio. Yes, it went on to television, and it was an arm is Brooks. Miss Brooks played by e vardin. Was a teacher at Madison High, and the principal was Osgood Conklin, played by Gail Gordon, who was absolutely perfect for the part. He was a crotchety old curmudgeon by any standards. And Gloria played his daughter, Harriet correct. And so when it went from radio to television, one of the things that strikes me about armas Brooks and a couple of those shows, burns and Allen, I think, is sort of the same. Jack Benny was a little different. But especially armas Brooks, it just seems to me like they they took the radio shows and all they did was, did the same shows. They weren't always the same plots, but it was, it was radio on television. So you, you had the same dialog. It was really easy for me to follow, and it was, was fascinating, because it was just like the radio shows, except they were on television.   Ron Cocking ** 24:56 Yeah, pretty much. In fact, there were a lot, there's lots of episodes. Episodes that are even named the same name as they had on the radio, and they're just have to be reworked for for the television screen,   Michael Hingson ** 25:08 yeah, but the the dialog was the same, which was so great,   Ron Cocking ** 25:13 yeah, yeah. And to see what was I going to add, it was our Miss Brooks was one of the very few radio shows that made the transition to television with the cast with the same intact. Yeah, everybody looked like they sounded. So it worked when they were in front of the camera. Yeah,   Michael Hingson ** 25:33 it sort of worked with Jack Benny, because most of the well, all the characters were in it, Don Wilson, Mary, Livingston, Dennis day, Rochester, world, yeah. And of course, Mel Blanc, yeah, oh.   Ron Cocking ** 25:49 GLORIA tells a story. She she and her mom, Hazel, were walking down the street on the way to do a radio show in the old days in Hollywood, and here comes Mel blank, he says, he pulls over. Says, Hey, where are you girls headed because I know that he probably recognized them from being at at CBS all the time, and they said, We're headed to CBS. He said, hop in. Oh, that's where I'm going. So Mel Brooks gave her a ride to the Mel Blanc, yeah, would have been   Michael Hingson ** 26:15 fun if Mel Brooks had but that's okay, Young Frankenstein, but that's another story. It is. But that's that's cool. So did they ever? Did she ever see him any other times? Or was that it?   Ron Cocking ** 26:30 No, I think that was it. That's the one story that she has where Mel Blanc is involved.   Michael Hingson ** 26:36 What a character, though. And of course, he was the man of a million voices, and it was just incredible doing I actually saw a couple Jack Benny shows this morning and yesterday. One yesterday, he was Professor LeBlanc teaching Jack Benny how to play the violin, which was a lost cause.   Ron Cocking ** 26:59 Actually, Jack Benny was not a bad view. No,   Michael Hingson ** 27:01 he wasn't violent. No, he wasn't. He had a lot of fun with it, and that stick went straight in from radio to television, and worked really well, and people loved it, and you knew what was going to happen, but it didn't matter. But it was still   Ron Cocking ** 27:16 funny, and I'm sure during the transition they there was a little bit of panic in the writers department, like, okay, what are we going to do? We got to come up with a few shows. We got to get ahead a little bit. So the writing being just a little different, I'm sure that's part of the reason why they went back and kind of leaned on the old, old script somewhat, until they kind of cut their teeth on the new this new thing called television   Michael Hingson ** 27:39 well, but they still kept a lot of the same routines in one way or another.   Ron Cocking ** 27:45 Yeah, when they work, they work, whether you're just listening or whether you're watching,   Michael Hingson ** 27:48 right, exactly what other shows made it from radio to television with the cast   Ron Cocking ** 27:53 intact? You know, I am not up on that number. I   Michael Hingson ** 27:57 know there were a couple that did. RMS, Brooks was, well, oh no, I was gonna say Abbott and Costello, but that was different, but our Miss Brooks certainly did. If   Ron Cocking ** 28:09 the Bickersons did, I forget the two actors that did that show, but that was a really, Francis   Michael Hingson ** 28:13 Langford and Donna Michi could be, but I think burns and Allen, I think, kept the same people as much as there were. Harry bonzell was still with them, and so on. But it was interesting to see those. And I'm awake early enough in the morning, just because it's a good time to get up, and I get and be real lazy and go slowly to breakfast and all that. But I watched the Benny show, and occasionally before it, I'll watch the burns and Allen show. And I think that the plots weren't as similar from radio to television on the burns and Allen show as they weren't necessarily in the Benny show, but, but it all worked.   Ron Cocking ** 28:58 Yeah, yeah. That's why they were on the air for so long?   Michael Hingson ** 29:02 Yeah, so what other kind of acting did Gloria do once? So you guys started the school   Ron Cocking ** 29:10 well after she well, when we started the school, we found ourselves, you know, raising five children. And so I continued playing nightclub gigs. I had one, one nightclub job for like, five years in a row with two wonderful, wonderful musicians that were like fathers to me. And Gloria actually went to work for her brother in law, and she became a salesperson, and eventually the VP of Sales for a fiberglass tub and shower business down here in Santa Ana. So she drove that 91 freeway from San Bernardino, Santa Ana, all the time. But in,   Michael Hingson ** 29:47 yeah, you could do it back then, much more than now. It was a little better   Ron Cocking ** 29:51 and but in, but twist in between, she managed. Her mom still did a little bit of agency. And she would call Gloria and say. Want you to go see so and so. She did an episode of perfect strangers. She did an episode with Elliot of the guy that played Elliot Ness, stack the show Robert Stack the show was called Help Wanted no see. I guess that was an in but wanted, anyway, she did that. She did a movie with Bruce Dern and Melanie Griffith called Smile. And so she kept, she kept her foot in the door, but, but not, not all that much she she really enjoyed when John Wilder, one of her childhood acting buddies, who she called her brother, and he still calls her sis, or he would call her sis, still. His name was Johnny McGovern when he was a child actor, and when he decided to try some movie work, he there was another Johnny McGovern in Screen Actors Guild, so he had to change his name to John Wyler, but he did that mini series called centennial, and he wanted Gloria for a specific role, to play a German lady opposite the football player Alex Karras. And they had a couple of really nice scenes together. I think she was in three, maybe four of the segments. And there were many segments, it was like a who's who in Hollywood, the cast of that show   Michael Hingson ** 31:28 does that was pretty cool.   Ron Cocking ** 31:32 But anyway, yeah, after Gloria finished armas Brooks, she became married to Gilbert Allen, who, who then became a Presbyterian minister. So Gloria, when you said, Did she continue acting? There's a lot of acting that goes on being a minister and being a minister's wife, and she would put together weddings for people, and that sort of thing. And she did that for 20 years. Wow. So she Gloria was a phenomenon. She did so many things. And she did them all so very well, in my   Speaker 1 ** 32:04 opinion. And so did you? Yeah, which is, which is really cool. So you, but you, you both started the school, and that really became your life's passion for 44 years. Yes,   Ron Cocking ** 32:16 we would get up in the mornings, go do a little business, come home, have a little lunch, go back about 132 o'clock, and we would normally crank up about four after the kids get out of school, and we would teach from four to nine, sometimes to 10. Go out, have some dinner. So yeah, we pretty much 24/7 and we had had such similar backgrounds. Hers on a national radio and television scale, and mine on a much more local, civic light opera scale. But we both had similar relations with our our moms after after the radio tapings and the TV things. GLORIA And her mom. They lived in Beverly Hills, right at Wilshire and Doheny, and they had their favorite chocolate and ice cream stops. And same thing for me, my mom would take me there, two doors down from the little studio where I was taking my tap classes. There was an ice cream parlor, haywoods ice cream. And that was, that was the the lure, if you go in and if you do your practicing, Ronnie, you can, I'll take it for an ice cream so that I did my practicing, had plenty of little treats on the way, so we had that in common, and we both just had very supportive moms that stayed out of the way, not, not what I would call a pushy parent, or, I think you mentioned the helicopter, helicopter, but it   Michael Hingson ** 33:37 but it sounds like you didn't necessarily need the bribes to convince you to tap dance, as you know, anyway, but they didn't hurt.   Ron Cocking ** 33:46 No, it didn't hurt at all, and it was something to look forward to, but I I just enjoyed it all along. Anyway, I finally got to to really showcase what I could do when I was cast as the dance director in the show 42nd street. Oh, wow. And I was lucky. We were lucky. San Bernardino clo was able to hire John Engstrom, who had done the show on Broadway. The earlier version that came, I think it was on Broadway in the mid or to late 70s. He had worked side by side with Gower Champion putting the show together. He told us all sorts of stories about how long it took Gower to put together that opening dance. Because everything in the opening number you you see those steps later in the show done by the chorus, because the opening number is an audition for dancers who want to be in this new Julian Marsh show. So the music starts, the audience hears, I know there must have been 20 of us tapping our feet off. And then a few seconds later, the curtain rises about two and a half feet. And then they see all these tapping feet. And then the main curtain goes out, and there we all are. And. I my part. I was facing upstage with my back to the audience, and then at some point, turned around and we did it was the most athletic, difficult, two and a half minute tap number I had ever done, I'll bet. But it was cool. There were five or six kids that had done it on Broadway and the national tour. And then during that audition, one more high point, if we have the time, we I was auditioning just like everybody else. The director had called and asked if I would audition, but he wasn't going to be choreographing. John Engstrom was so with there was probably 50 or 60 kids of all ages, some adults auditioning, and at one point, John pulled out one of the auditioners, and he happened to be one of my male tap dance students. And he said, Now I want everybody to watch Paul do this step. Paul did the step. He said, Now he said, Paul, someone is really teaching you well. He said, everybody that's the way to do a traveling timestamp so and that, you know, I'll remember that forever. And it ended up he hired. There were seven myself and seven other of my students were cast in that show. And some of them, some of them later, did the show in Las Vegas, different directors. But yeah, that, that was a high point for me.   Speaker 1 ** 36:19 I'm trying to remember the first time I saw 42nd street. I think I've seen it twice on Broadway. I know once, but we also saw it once at the Lawrence Welk Resorts condo there, and they did 42nd street. And that was a lot of that show was just a lot of fun. Anyway,   Ron Cocking ** 36:39 it's a fun show. And as John said in that show, The chorus is the star of the show.   Speaker 1 ** 36:45 Yeah, it's all about dancing by any by any definition, any standard. It's a wonderful show. And anybody who is listening or watching, if you ever get a chance to go see 42nd street do it, it is, it is. Well, absolutely, well worth it.   Ron Cocking ** 37:00 Yeah, good. Good show. Fantastic music, too. Well.   Michael Hingson ** 37:03 How did you and Gloria get along so well for so long, basically, 24 hours a day, doing everything together that that I would think you would even be a little bit amazed, not that you guys couldn't do it, but that you did it so well, and so many people don't do it well,   Ron Cocking ** 37:21 yeah, I don't know I from, from the the first time we met, we just seemed to be on the same wavelength. And by the way, I found out as time went by, Gloria was like Mrs. Humble. She wasn't a bragger, very humble. And it took me a while to find out what an excellent tap dancer she was. But when we went to the studio in the early days, we had, we just had one room. So she would teach actors for an hour, take a break. I would go in teach a tap class or a movement class or a ballet class. I in the early days, I taught, I taught it all. I taught ballet and jazz and and and and   Michael Hingson ** 38:01 tap. Well, let's let's be honest, she had to be able to tap dance around to keep ahead of Osgoode Conklin, but that's another story.   Ron Cocking ** 38:09 Yeah. So yeah, that. And as our studio grew, we would walk every day from our first studio down to the corner to a little wind chills donut shop wind chills donuts to get some coffee and come back. And about a year and a half later, after walking by this, this retail vacant spot that was two doors from our studio, we said, I wonder if that might be, you know, something for us, it had a four lease sign. So, long story short, we released it. The owner of the property loved knowing that Gloria Macmillan was that space. And so luckily, you know when things are supposed to happen. They happen as people would move out next to us, we would move in. So we ended up at that particular studio with five different studio rooms. Wow. And so then we can accommodate all of the above, acting, singing classes, all the dance disciplines, all at the same time, and we can, like, quadruple our student body. So then we made another move, because the neighborhood was kind of collapsing around us, we made another room and purchased a building that had been built as a racquetball club. It had six racquetball courts, all 20 by 40, beautiful hardwood. We made four of them, five of them into studios, and then there was a double racquetball racquetball court in the front of the building which they had tournaments in it was 40 by 40 we moved. We made that into a black box theater for Gloria. And the back wall of the theater was one inch glass outside of which the audiences for the racquetball tournaments used to sit. But outside the glass for us, we had to put curtains there, and out front for us was our. Gigantic lobby. The building was 32,000 square feet. Wow, we could it just made our heart, hearts sing when we could walk down that hallway and see a ballet class over here, a tap class over there, singers, singing actors in the acting room. It was beautiful. And again, it was just meant for us because it was our beautiful daughter, Kelly, who passed away just nine months after Gloria did. She's the one that said, you guys ought to look into that. And I said, Well, it's a racquetball court. But again, the first moment we walked in the front door, you start. We started thinking like, whoa. I think we could make this work. And it worked for another 20 years for us and broke our hearts to basically rip it apart, tear the theater down, and everything when we were moving out, because we we couldn't find another studio that was interested in in coming in, because they would have had to purchase the building. We wanted to sell the building. Yeah. So anyway, of all things, they now sell car mufflers out of there.   Michael Hingson ** 41:02 That's a little different way, way. Yeah, social shock, did any of your students become pretty well known in the in the entertainment world?   Ron Cocking ** 41:11 I wouldn't say well known, but a lot of them have worked a lot and made careers. Some of our former students are now in their 50s, middle 50s, pushing 60, and have done everything from cruise ship to Las Vegas to regional some national tours, even our son, Christopher, he did the national tour of meet me in St Louis with Debbie Boone, okay, and he's the one that is Now a successful producer. He's his latest hit. Well, his first, what can be considered legitimately a Broadway hit show was the show called shucked, and it opened about two years ago, I think, and I finally got to go back to New York and see it just a month before it closed. Very hilarious. Takes place in Iowa. The whole show is built around a county in which everybody that lives there makes their living off of corn, making whiskey. And it is a laugh, way more than a laugh a minute. But anyway, we had one of Gloria's acting students who was hired on with a Jonathan Winters TV sitcom called Davis rules. It ran for two seasons, and here he was like 16 or 17 years old, making, I think it was. He was making $8,000 a week, and he was in heaven. He looked like the Son he played, the grandson of Jonathan Winters and the son of Randy Quaid and so he, yeah, he was in heaven. And then after that, he did a very popular commercial, the 711 brain freeze commercial for Slurpee. The Slurpee, yeah, and he made the so much money from that, but then he kind of disappeared from showbiz. I don't know what he's doing nowadays,   Speaker 1 ** 43:00 but it's, it's, it's interesting to, you know, to hear the stories. And, yeah, I can understand that, that not everybody gets to be so famous. Everybody knows them, but it's neat that you had so many people who decided to make entertainment a career. So clearly, you had a pretty good influence on a lot of, a lot of kids.   Ron Cocking ** 43:20 Yes, I over the years, Gloria and I felt like we had 1000s of children of our own, that they that we had raised together. It's really a good feeling. And I still get phone calls. We got a phone call once a few years back from from one of our students who had been trying to crack the nut in New York, and she called us like 530 in the morning, because, of course, it was Yeah, but she had just signed her first national tour contract and was going to go out with the show cabaret. So fortunately, we were able to drive up to Santa not let's see, it's just below San San Jose. The show came through San Jose, and we got to see her up there. But those kinds of things are what made us keep teaching, year after year, all these success stories. Of course, we have former students that are now lawyers. Those are actors. Well, we   Michael Hingson ** 44:17 won't hold it and we understand, yeah and they are actors, by all means. How many teachers did you have in the studio when you had the big building?   Ron Cocking ** 44:26 Gosh, at one time, we had 10 or 12 teachers, teaching vocal teachers, two or three ballet teachers, jazz teachers, and you both taught as well. And we both continued teaching all through that time. We never just became managers, although that's that was part of it, and mixing business with art is a challenge, and it takes kind of a different mindset, and then what an unstoppable mindset you have to have in order to mix business with performing, because it's too. Different sides of your brain and a lot of patience and a lot of patience. And guess who taught me patience? Uh huh, Gloria Macmillan.   Michael Hingson ** 45:09 I would Conklin's daughter, yes, and I'll bet that's where she learned patience. No, I'm just teasing, but yeah, I hear you, yeah. Well, I know Karen and I were married for 40 years, until she passed in November of 2022 and there's so many similarities in what you're talking about, because we we could do everything together. We had challenges. Probably the biggest challenge that we ever had was we were living in Vista California, and I was working in Carlsbad, and the president of our company decided that we should open an office, because I was being very successful at selling to the government, we should open an office in the DC area. And so we both got excited about that. But then one day he came in and he had this epiphany. He said, No, not Virginia. I want you to open an office in New York. And Karen absolutely hated that she was ready to go to Virginia and all that.   Speaker 1 ** 46:15 But the problem for me was it was either move to New York or take a sales territory that didn't sell very much anymore. The owner wasn't really willing to discuss it, so we had some challenges over that, but the marriage was strong enough that it that it worked out, and we moved to New Jersey, and Karen made a lot of friends back there, but, you know, we always did most everything together. And then when the pandemic occurred, being locked down, it just proved all the more we just did everything together. We were together. We talked a lot, which is, I think one of the keys to any good marriages, and you talk and communicate.   Ron Cocking ** 46:56 Yes, in fact, when after we closed the studio in 2018 it took us a few more months to sell our home, and then when we moved down here, it was only about, I don't know, I don't know if it was a full year or not, but the pandemic hit and but it really didn't bother us, because we had, we had been working the teaching scene for so many years that we basically Were done. We basically walked out of the studio. We did. Neither of us have the desire to, well, let's continue in at some level, no, we cherished our time together. We have a little porch out in front of our home here, and it gets the ocean breeze, and we would sit for hours and chat. And oddly enough, not oddly, one of our favorite things to do, we have a website that we went to that had, I think, every radio show of armas Brooks ever made. And we would sit listen to those and just laugh. And, in fact, Gloria, there are some. She said, You know what? I don't even remember that episode at all. So yeah, that that was an interesting part. But yeah, Gloria and I, like your wife and you really enjoyed time together. We never talked about needing separate vacations or anything if we wanted to do something. We did it   Speaker 1 ** 48:16 together, yeah, and we did too. And you know, for us it was, it was out of desire, but also was easier for us, because she was in a wheelchair her whole life. I was I'm blind. I've been blind my whole life. And as I tell people, the marriage worked out well. She read, I pushed, and in reality, that really is the way it worked, yeah, yeah. Until she started using a power chair. Then I didn't push. I kept my toes out of the way. But still, it was, it was really did meld and mesh together very well and did everything   Ron Cocking ** 48:49 together. That's fantastic. I'm proud of you, Michael, and it really   Michael Hingson ** 48:53 it's the only way to go. So I miss her, but like, I keep telling people she's somewhere monitoring me, and if I misbehave, I'm going to hear about it. So I got to be a good kid,   Ron Cocking ** 49:04 and I'll hear I'll get some notes tonight from the spirit of Gloria McMillan too. I prayed to her before I went on. I said, please let the words flow and please not let me say anything that's inappropriate. And I think she's guided me through okay so far.   Michael Hingson ** 49:20 Well, if, if you do something you're not supposed to, she's gonna probably hit you upside the head. You know, did you two ever actually get to perform together?   Ron Cocking ** 49:30 Oh, I'm glad you asked that, because, well, it had been years since I knew that she was a darn good tap dancer. In fact, I had a tap dancing ensemble of of my more advanced kids, and if they wanted to dedicate the extra time that it took, we rehearsed them and let them perform at free of charge once they made it to that group, they they did not pay to come in and rehearse with me, because I would spend a lot of time standing there creating so. So we were doing a performance, and we wanted to spotlight, I forget the exact reason why we wanted to spotlight some of Gloria's career. Talk about radio a little bit. And I said, Gloria, would you do a little soft shoe routine? And because we had invited a mutual friend of ours, Walden Hughes, from the reps organization, and he was going to be the guest of honor, so I talked her into it. At first she wasn't going to go for it, but we had so much fun rehearsing it together. And it wasn't a long routine, it was relatively short, beautiful music, little soft shoe, and it was so much fun to say that we actually tap danced together. But the other times that we actually got to work together was at the old time radio conventions, mostly with reps, and that's really when I got to sit on stage. I was kind of typecast as an announcer, and I got to do some commercials. I got to sing once with Lucy arnazza. Oh, life, a life boy soap commercial. But when Gloria, Well, Gloria did the lead parts, and oh my gosh, that's when I realized what a superb actress she was. And if I don't know if you've heard of Greg Oppenheimer, his father, Jess Oppenheimer created the I Love Lucy shows, and so Gloria loved Jess Oppenheimer. And so Greg Oppenheimer, Jess Son, did a lot of directing, and oh my gosh, I would see he came in very well prepared and knew how the lines should be delivered. And if Gloria was not right on it, he would say, No, wait a minute, Gloria, I want you to emphasize the word decided, and that's going to get the laugh. And when he gave her a reading like that man, the next time she went through that dialog, just what he had asked for. And I thought, Oh my gosh. And her timing, after watching so many armist Brooks TV and listening to radio shows. GLORIA learned her comedic timing from one of the princesses of comedy timing is Eve Arden, right? They were so well for obvious reasons. They were so very similar. And if you have time to story for another story, do you know have you heard of Bob Hastings? He was the lieutenant on McHale's navy. McHale's Navy, right? Yeah. Well, he also did a lot of old time radio. So we went up to Seattle,   Michael Hingson ** 52:32 our two grandkids, Troy Amber, he played, not Archie. Was it Henry Aldridge? He was on,   Ron Cocking ** 52:40 I think you're right. I'm not too up on the cast of the old time radio show. Yeah, I think you're right. But anyway, he was there, and there was an actress that had to bow out. I don't know who that was, but our grandsons and Gloria and I, we walked in, and as usual, we say hi to everybody. We're given a big packet of six or eight scripts each, and we go to our room and say, Oh my gosh. Get out the pencils, and we start marking our scripts. So we get a phone call from Walden, and he said, hey, Ron Bob. Bob Hastings wants to see Gloria in his room. He wants to read through he's not sure if he wants to do the Bickersons script, because he you know, the gal bowed out and right, you know, so Gloria went down   Michael Hingson ** 53:23 couple of doors, coming   Ron Cocking ** 53:26 Yes, and she so she came back out of half an hour, 40 minutes later, and she said, well, that little stinker, he was auditioning me. He went in and she went in and he said, Well, you know, I don't know if I want to do this. It doesn't seem that funny to me. Let's read a few lines. Well, long story short, they read the whole thing through, and they were both, they were both rolling around the floor. I'll bet they laughing and so and then jump to the following afternoon, they did it live, and I was able to watch. I had some pre time, and I watched, and they were just fantastic together. I left after the show, I went to the green room, had a little snack, and I was coming back to our room, walking down the hall, and here comes Bob Hastings, and he says, oh, Ron. He said, Your wife was just fantastic. So much better than the other girl would have been. So when I told GLORIA That story that made her her day, her week. She felt so good about that. So that's my Bob Hastings story. Bob Hastings and Gloria Macmillan were great as the Bickersons.   Speaker 1 ** 54:29 Yeah, that was a very clever show. It started on the Danny Thomas show, and then they they ended up going off and having their own show, Francis Langford and Donna Michi, but they were very clever.   Ron Cocking ** 54:42 Now, did you realize when now that you mentioned Danny Thomas? Did you realize that Gloria's mom, Hazel McMillan, was the first female agent, talent agent in Hollywood? No, and that's how you know when the. They moved from from Portland, Oregon, a little city outside of Portland. They moved because Gloria's mom thought she had talent enough to do radio, and it wasn't a year after they got here to LA that she did her first national show for Lux radio at the age of five. That was in 1937 with with Edward G Robinson. I've got a recording of that show. What's what show was it? It was a Christmas show. And I don't remember the name of the of it, but it was a Christmas show. It was Walden that sent us. Sent   Michael Hingson ** 55:33 it to us. I'll find it. I've got it, I'm sure.   Ron Cocking ** 55:35 And so, yeah, so, so Gloria was a member of what they called the 500 club. There was a group of, I don't know, nine or 10 kids that by the time the photograph that I have of this club, it looks like Gloria is around 12 to 14 years old, and they had all done 500 or more radio shows. Wow, that's a lot of radio show. There's a lot of radio So Gloria did, I mean, I got a short my point was, her mom was an agent, and when Gloria was working so consistently at armas Brooks, she said, Well, I'm kind of out of a job. I don't need to take you. GLORIA could drive then. And so she came back from the grocery store, Ralph's market near Wilshire and Doheny, and she came back said, Well, I know what I'm going to do. I ran into this cute little boy at the grocery store. I'm going to represent him for television. And she that's, she started the Hazel McMillan agency, and she ran that agency until she just couldn't anymore. I think she ran it until early 1980s but she, my god, she represented people like Angela Cartwright on the Danny Thomas show and Kathy Garver on, all in the family a family affair. Family Affair. Yeah. Jane north. Jane North went in for Dennis the Menace. He didn't get the role. He came back said, Hazel, I don't think they liked me, and they didn't. They didn't call me back or anything. Hazel got on that phone, said, Look, I know this kid can do what you're asking for. I want you to see him again. He went back and they read him again. He got the part, yeah,   Michael Hingson ** 57:21 and he was perfect for it.   Ron Cocking ** 57:22 He was perfect for that part was, I'm sorry.   Michael Hingson ** 57:27 It's sad that he passed earlier this year.   Ron Cocking ** 57:29 Yeah, he passed and he had, he had a tough life, yeah,   Michael Hingson ** 57:36 well, you know, tell me you, you have what you you have some favorite words of wisdom. Tell me about those.   Ron Cocking ** 57:45 Oh, this goes back to the reason why I came across this when I was looking for something significant to say on the opening of one of our big concert programs. We used to do all of our shows at the California theater of Performing Arts in San Bernardino, it's a really, a real gem of a theater. It's where Will Rogers gave his last performance. And so I came across this, and it's, I don't know if this is biblical, you might, you might know, but it's, if you give a man a fish, you feed him for a day. If you teach a man to fish, you feed him for a lifetime. And that's what I felt like Gloria and I were trying to do. We wanted to teach these kids as as professionally. We treated our students as they were, as if they were little professionals. We we expected quality, we expected them to work hard, but again, Gloria taught me patience, unending patience. But we knew that we wanted them to feel confident when the time came, that they would go out and audition. We didn't want them to be embarrassed. We want we wanted them to be able to come back to us and say, Boy, I felt so good at that audition. I knew all the steps I was and I and I read so well it was. And thank you. Thank you. Thank you. And so that aspect of it, we felt that we were feeding them for a lifetime, but we also were creating all of these arts patrons, all these lovers of the arts, 1000s of kids now love to go to musicals and movies and plays because they've kind of been there and done that at our studio. And so anyway, that's and whether, whether or not it was their confidence in show business or whether it was their confidence we've had so many calls from and visits from parents and former students saying, Boy, I just was awarded a job. And they said my my communication skills were excellent, and I owe that to Gloria. I was on the beach the other day, and I looked over and there was this young man and his wife. I assumed it was his wife. It was they were setting. Up their beach chairs, and I looked and I say, Excuse me, is your name Brandon? And he said, No, but he said, Is your name Ron? And I said, Yes. He said, No, my name is Eric. And I said, Eric puentes. And so we reminisced for a while. He took tap from me. He took acting from Gloria, and he said, you know, he was sad to hear of Gloria's passing. And he said, You know, I owe so much to Gloria. I learned so much about speaking in front of groups. And he is now a minister. He has his own church in Redlands, California, and he's a minister. And of all the billion people on the beach, he sits next to me. So that's one of those things when it's supposed to   Michael Hingson ** 1:00:41 happen. It happens. It does. Yeah, well, and as we talked about earlier, you and Gloria did lots of stuff with reps, and I'm going to miss it this time, but I've done a few, and I'm going to do some more. What I really enjoy about people who come from the radio era, and who have paid attention to the radio era is that the acting and the way they project is so much different and so much better than people who have no experience with radio. And I know Walden and I have talked about the fact that we are looking to get a grant at some point so that we can train actors or people who want to be involved in these shows, to be real actors, and who will actually go back and listen to the shows, listen to what people did, and really try to bring that forward into the recreations, because so many people who haven't really had the experience, or who haven't really listened to radio programs sound so forced, as opposed to natural.   Ron Cocking ** 1:01:46 I agree, and I know exactly what you're saying. In fact, Walden on a couple of at least two or three occasions, he allowed us to take some of Gloria's acting students all the way to Seattle, and we did some in for the spurred vac organization Los Angeles, we did a beautiful rendition of a script that we adapted of the Velveteen Rabbit. And of all people, Janet Waldo agreed to do the fairy at the end, and she was exquisite. And it's only like, I don't know, four or five lines, and, oh my gosh, it just wrapped it up with a satin bow. And, but, but in some of our kids, yeah, they, they, they were very impressed by the radio, uh, recreations that they were exposed to at that convention.   Speaker 1 ** 1:02:37 Yeah, yeah. Well, and it's, it is so wonderful to hear some of these actors who do it so well, and to really see how they they are able to pull some of these things together and make the shows a lot better. And I hope that we'll see more of that. I hope that we can actually work to teach more people how to really deal with acting from a standpoint of radio,   Ron Cocking ** 1:03:04 that's a great idea. And I know Walden is really sensitive to that. He Yeah, he would really be a proponent of that.   Michael Hingson ** 1:03:10 Oh, he and I have talked about it. We're working on it. We're hoping we can get some things. Well, I want to thank you for being here. We've been doing this an hour already.  

Recorded live at the Pavilion, Fire Island pines direct to HiFi VHS tape

Recorded on HiFi VHS live at the Pavilion

Recorded on HiFi VHS tape. Full set availalable on mixcloud Pine Pavilion Recordings

My guest again this week is author Maya Cantu who returns for the third and final part of our conversation about her fascinating book: Greasepaint Puritan — Boston to 42nd Street in the Queer Backstage Novels of Bradford Ropes. In this episode we focus on Ropes' 1934 novel, Go Into Your Dance, the third in his evocative backstage trilogy which also includes 42nd Street (the source material for both the classic film and the stage musical), and Stage Mother, (a sort of proto version of Gypsy). All three of these novels were heavily inspired by Ropes' actual experiences as a dancer and performer on Broadway and in Vaudeville during the 1920s. To a great extent Go Into Your Dance is a roman á clef of the star dancer & legendary showman George White and his scandals, both professional and personal, including his long-standing relationship with Broadway star Ann Pennington, fictionalized by Ropes as "Ted Howard," who rises from messenger boy to dancer to one of the most powerful figures on Broadway, and his indispensable collaborator, "Nora Wayne." Ted Howard's series of "Town Talk" revues become major competition for "Lane's Frivolities" (Ziegfeld Follies), and along the way he interacts with figures from what Maya and I dub the "Bradford Ropes Literary Universe" such as producer/director, "Julian Marsh," dance director, "Andy Lee," and "the Wilson Brothers," a thinly disguised version of the Shuberts). Of perhaps greatest interest are the two gay chorus boys, Arthur and Bobby, who befriend Ted when he joins the chorus of Marsh's musical "Sweet Sally," and play a crucial role in the plot of this remarkable novel. Maya and I also discuss the major themes that tie these novels together, as well as her remarkable six-year journey in unearthing and re-discovering the life and work of Bradford Ropes. If you missed the first two episodes in this series you may want to catch up with those before listening to this one. May Cantu is a dramaturg and historian who teaches on the Drama Faculty of Bennington College and is also the author of American Cinderella on the Broadway Musical Stage: Imagining the Working Girl from “Irene” to “Gypsy”. Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as longtime members Kelly Allen and Elizabeth Troxler., whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Play Pause Support the PodcastDownloadShare var srp_player_params_677258bf6079d = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_677258bf6079d = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-677258bf6079d"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-677258bf6079d"); } Party Favorz returns with our much-anticipated annual release: Gay Anthems For A New Generation 2023! This compilation celebrates iconic modern Gay Pride anthems and their importance to the LGBTQ+ community. The 2023 selection revitalizes legendary anthems from the past half-century, presenting them in an updated format for today's dancefloors. We bring you the most emblematic, compelling songs that echo the universal messages of love, unity, resilience, and defiance within our community. Kicking off this collection, we've selected the ever-resilient anthem, "I Will Survive" by Gloria Gaynor. It's featured in an exquisite, previously unexplored version - Eric Kupper's House remix, offering a gentle start before escalating into high-energy beats. The list also highlights Whitney Houston's timeless hit, "I Will Always Love You" in a Julian Marsh remix, and Diana Ross' empowering track "I'm Coming Out," remixed by Barry Harris. Each song carries significant meaning for our community, often becoming soundtracks to personal stories of love, acceptance, and identity. Other standouts include Lizzo's "Everybody's Gay" and Miley Cyrus' "Flowers," showing the continual evolution of queer music. Toni Braxton's heart-wrenching "Un-Break My Heart" and CeCe Peniston's classic "Finally," both in revamped remixes, add to the rich tapestry of our anthems. To ensure these powerful messages resonate with listeners, we've chosen remixes that retain the essence of each anthem while injecting a modern energy, making these tunes relatable to the current LGBTQ+ generation. The curation of these modern Gay Pride anthems of 2023 was a challenging task due to the abundance of choices, but we are confident we've selected the most impactful tracks that resonate globally. Our goal was to craft a collection that honors the past while embracing the future, mirroring the continual progress within our community. So, turn up the volume, let the music inspire you, and remember: these songs aren't just anthems; they're a testament to our journey, resilience, and pride. Stay tuned for the release of volume 2 of the 2023 Gay Anthems For A New Generation collection, filled with more modern Gay Pride anthems to soundtrack your celebrations. Enjoy and keep the pride alive! Album: Gay Anthems for a New Generation 2023 Vol. 1Genre: House, Future House, EDM, CircuitYear: 2023Total Time: 03:11:22 1. Gloria Gaynor - I Will Survive 2020 (Eric Kupper Remix) 2. Whitney Houston - I Will Always Love You (Julian Marsh Remix) 3. Diana Ross - I'm Coming Out (Barry Harris 2018 Remix) 4. Lizzo - Everybody's Gay (Barry Harris Remix) 5.

Play Pause Support the PodcastDownloadShare var srp_player_params_67724d0869018 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_67724d0869018 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-67724d0869018"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-67724d0869018"); } Party Favorz returns with our much-anticipated annual release: Gay Anthems For A New Generation 2023! This compilation celebrates iconic modern Gay Pride anthems and their importance to the LGBTQ+ community. The 2023 selection revitalizes legendary anthems from the past half-century, presenting them in an updated format for today's dancefloors. We bring you the most emblematic, compelling songs that echo the universal messages of love, unity, resilience, and defiance within our community. Kicking off this collection, we've selected the ever-resilient anthem, "I Will Survive" by Gloria Gaynor. It's featured in an exquisite, previously unexplored version - Eric Kupper's House remix, offering a gentle start before escalating into high-energy beats. The list also highlights Whitney Houston's timeless hit, "I Will Always Love You" in a Julian Marsh remix, and Diana Ross' empowering track "I'm Coming Out," remixed by Barry Harris. Each song carries significant meaning for our community, often becoming soundtracks to personal stories of love, acceptance, and identity. Other standouts include Lizzo's "Everybody's Gay" and Miley Cyrus' "Flowers," showing the continual evolution of queer music. Toni Braxton's heart-wrenching "Un-Break My Heart" and CeCe Peniston's classic "Finally," both in revamped remixes, add to the rich tapestry of our anthems. To ensure these powerful messages resonate with listeners, we've chosen remixes that retain the essence of each anthem while injecting a modern energy, making these tunes relatable to the current LGBTQ+ generation. The curation of these modern Gay Pride anthems of 2023 was a challenging task due to the abundance of choices, but we are confident we've selected the most impactful tracks that resonate globally. Our goal was to craft a collection that honors the past while embracing the future, mirroring the continual progress within our community. So, turn up the volume, let the music inspire you, and remember: these songs aren't just anthems; they're a testament to our journey, resilience, and pride. Stay tuned for the release of volume 2 of the 2023 Gay Anthems For A New Generation collection, filled with more modern Gay Pride anthems to soundtrack your celebrations. Enjoy and keep the pride alive! Album: Gay Anthems for a New Generation 2023 Vol. 1Genre: House, Future House, EDM, CircuitYear: 2023Total Time: 03:11:22 1. Gloria Gaynor - I Will Survive 2020 (Eric Kupper Remix) 2. Whitney Houston - I Will Always Love You (Julian Marsh Remix) 3. Diana Ross - I'm Coming Out (Barry Harris 2018 Remix) 4. Lizzo - Everybody's Gay (Barry Harris Remix) 5.

Edward Miskie is an American actor, musical theatre performer, creator and producer. The vast amount of performances are well-documented, highlighting shows like Pulitzer u/s in Newsies at The John Engeman Theatre, Evelyn Oakleigh in Anything Goes at Sharon Playhouse, Bill Austin in Mamma Mia at The Palace Theatre, Father in Ragtime at Park Playhouse, and Julian Marsh in 42nd Street at Mill Mountain Theatre. He is also the author of "Cancer, Musical Theatre and Other Chronic Illnesses" - a book highlighting the roller coaster ride of surviving a rare Non-Hodgkin's Lymphoma, and the humor, hard times and friendships that came with it, coming full circle back to his love - the theatre. 01:44 - How did you get started? 07:31 - I can do this for real... 12:35 - Theatre should be live-streamed 21:12 - An ounce of behavior is worth a pound of words 28:45 - Bullies are bullsh** 30:58 - Dramatic weight shift, and re-recognizing yourself 37:20 - Making money to do work vs doing work to make money 48:33 - Non-Hodgkin's Lymphoma, and the inspiration of the book 56:35 - There's a saying about friends 57:43 - The book, and the episodic version 1:01:00 - Lightning round

Mary and Steven are back! And they have some director notes Julian Marsh himself would have had an over the top fit over in this week's episode of From The Top! Show Notes for 42nd Street. Steven nitpicks the details of production life and how it's portrayed in all the shows variations, while Mary brings comedic relief showing just how this show holds a mirror up to show life in all it's crazy. Then they hold their own heated audition process with a QuikCast, and of course, enter their magical land called "What If" and flip this show on its head. So get ready to sweat, laugh, and bring the heat as our dynamic duo return to the show. Happy Listening! FOLLOW US! For all the latest content and fun things to come, subscribe, hit that like button, and follow. Also TAP THE BELL BUTTON up above so you never miss an episode of your favorite MUSICAL THEATRECAST AND REVIEW. https://linktr.ee/fromthetoppodcast https://www.instagram.com/fromthetop_podcast/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/podcastfromthetop/message

For only the second time in my career, I'm doing back to back shows at the same theater. First there was Anne of Green Gables this past summer and now there's 42nd Street here at the Goodspeed Opera House. It's a show I've done before a few years back and in the same role as well, only this time there's a lead producer who's working to bring this production (and hopefully its cast) to Broadway. It has Carina-Kay Louchiey as the young starlet Peggy Sawyer and Max von Essen as the hard-nosed director Julian Marsh. I'm in the role of Pat Denning, playing opposite one of my favorite leading ladies of Broadway... Kate Baldwin, who plays the veteran actress Dorothy Brock, joins the podcast to talk about this current production of 42nd Street and why it means so much to the both us. Then we take a surprisingly candid and unvarnished look at her career and why she was told she'd probably never have one in theater. We also discuss the ways we performers often compare ourselves to others and how to handle those times when someone else books the show instead of us. Learn more about WINMI Podcast at whyillnevermakeit.com  Subscribe to WINMI and get Bonus Episodes on Supercast  Donate to the making this podcast and its production efforts   MAESTRA, founded by Georgia Stitt As Kate mentions in this episode, she and Georgia Stitt have worked together for years. And it was back in 2017 that MAESTRA MUSIC was formed by this composer/lyricist and music director to give support, visibility, and community to the women who make the music in the musical theater industry. Their membership is made up of female-identifying, non-binary, and gender non-conforming composers, music directors, orchestrators, arrangers, copyists, rehearsal pianists and other musicians who are an underrepresented minority in musical theater. It was back in Season 4 that Stitt came on this podcast to talk about her career and this wonderful organization.   FINAL FIVE QUESTIONS WITH KATE BALDWIN In addition to our main conversation, Kate answered the five final questions on topics that we only briefly touched on in this episode. She shares her definition of "making it" as well as what annoyed her most about some singers (riffing). She also discusses music directors, her early days in Thoroughly Modern Millie, and the importance of going where you are loved. Read it all on the WINMI Blog. Follow Kate: Website | LinkedIn 

Two weeks ago we started preview performances for 42nd Street here at Goodspeed Opera House in Connecticut. I've been so grateful to continue on at this theater after the successful run of the Anne of Green Gables musical. And so far audiences have been loving 42nd Street and the plethora of talented tap dancers on the stage. During these previews we have continued to rehearse and make the show the best can be, not to mention understudy rehearsals as well (I'm covering the role of Julian Marsh). And I even had to go back to New York City for an in-person audition (though I didn't get a callback), all the while coming down with an actual cold, though not Covid thankfully.  So I come to you today asking for a bit of patience and understanding at the lack of a new episode this week. certainly one reason why I'll never make it is my own inconsistent time management. Sometimes there aren't enough hours in the day, and then sometimes there isn't enough productivity in those hours. But as with everything I continue to grow and learn and am thankful for listeners like you who are on that same journey with me. There are some great guests coming up like singer songwriter Elaine Romanelli, dancer and actor Ricky Schroder, as well as lyricist and playwright Joe DiPietro from Broadway's Memphis and Diana the Musical. So enjoy your week and I'll be back next Monday with a brand new episode of Why I'll Never Make It.  Check out past episodes on your podcast app or at whyillnevermakeit.com.

Cine en la Fundación: Los orígenes del cine musical (IX). Presentación de "La calle 42" (1933) de Lloyd Bacon. Javier Ocaña. La calle 42 (Forty Second Street, 1933, EE. UU.) de Lloyd Bacon, con Warner Baxter, Bebe Daniels, Ruby Keeler y Dick Powell (85') El productor musical Julian Marsh, en horas bajas tanto económica como personalmente, decide montar un último espectáculo antes de retirarse. Los problemas empiezan cuando queda claro que la financiación de la obra depende no solo de la presencia de la actriz Dorothy Brock, sino también de su interés amoroso por uno de los productores. Con el sonido, llegó al cine el musical. La calle 42 es uno de los primeros exponentes del género, pero su importancia va mucho más allá de su condición pionera: las poderosas coreografías de Busby Berkeley, filmadas con exquisito sentido de la plasticidad, apuntarían las enormes posibilidades de un cine basado en la música y el movimiento. El sábado se proyecta el vídeo de la presentación del día anterior. Explore en canal.march.es el archivo completo de Conferencias en la Fundación Juan March: casi 3.000 conferencias, disponibles en audio, impartidas desde 1975.

Julian Marsh - Days And Nights (Extended Mix)

Russ doesn't live in the Springfield area anymore, but he was a mainstay on the Muni stage during much of the 1980s. He made his Muni debut as James in Shenandoah in 1979. Later that summer he played Billy Bigelow in Carousel. Russ played such roles as Frank in Show Boat, Lieutenant Cable in South Pacific, Buddy Plummer in Follies and Juan Perón in the first production of Evita in 1985. His last role at Muni was Julian Marsh in 42nd Street in 1988. Russ also directed two productions for Muni, The Student Prince in 1983 and Seven Brides for Seven Brides in 1986. Russ now resides in Louisville, Kentucky. Want to get involved in this project? Email history@themuni.org.

Julian Marsh - Optimista (Original Mix) ... available on all streaming and music purchase websites and apps!

Koomar Beat - Nobody Never Before (Julian Marsh Original Mix)Here's an original swing house song I wrote just for fun! Available on all music streaming platforms and for purchase from all major music sites including Beatport.comhttps://www.beatport.com/release/nobody-never-before/3436100

Here's an original deep house song I wrote with a "floating" pino line. Available on all music streaming platforms and for purchase from all major music sites including Beatport.comhttps://www.beatport.com/release/take-me-away/3410031

I had a simple idea for this song, a sax line that never repeats ... thus rambling. Available on all streaming platforms and major music purchase websites including Beatport.com. https://www.beatport.com/release/saxy-rambling/3415475

Another original song I wrote with a early 90's vibe, perfect for a relaxing summer's day. Available on all music streaming platforms and for purchase from all major music sites including Beatport.com. https://www.beatport.com/release/the-sea-of-life/3379958

A layback Balearic song I wrote. Available for purchase from Beatport and other major download sites. https://www.beatport.com/release/these-lovely-days/3319240

I wrote this song after having a conversation with my friend Carlos Olivella, who then agreed to be the voice on the track. Carlos works as a Spanish "Broadway" performer and as a TV actor. Not You (Tu No) is available for purchase on Beatport and other music music download sites: https://www.beatport.com/release/not-you-tu-no/3317518

1999 T-Dance in 2021 Recorded: March 6. 2021 Podcast 130 1.Tina Arena - Now I Can Dance (Paul's Bumpy Train Ride Mix) 2.OMD - Pandora's Box (Steve Anderson's Abstract Mix) 3.D:Ream - Shoot Me With Your Love (D:Reamix) 4.Vic Moore - Breathe (Extended Mix) 5.Pet Shop Boys - New York City Boy (Almighty Mix) 6.Diddy - Give Me Love (Diddy's Vocal Mix) 7.Staxx - Joy (Mondo's Pussycat Mix) 8.The Kinky Boys - The Only Way Is Up (Almighty Definitive Mix) 9.Whitney Houston - The Greatest Love Of All (Club 69 Mix) 10.Lighthouse Family - High (Vocal 12Inch) 11.Our Tribe Ft Franke Pharoah - Love Come Home (Hot Tracks Remix) 12.Cher - Love Is the Groove (Jimmy's Club Mix) 13.Shania Twain - From This Moment on (Mutt Lange's Uptempo Mix )

Dolly Parton - I Still Believe (Julian Marsh Mix)

The Youngbloods - Get Together (Julian Marsh Mix)

Neil Diamond - Brother Love's Travelling Salvation Show (Julian Marsh Mix)

Today: “Times” reporter Dan Carden joins us to talk about the stories he put out in print and online, including an update on primary elections. Julian Marsh, Executive Director of the Gary Housing Authority joins us to discuss the collaboration with FAITH Community Development Center to spearhead the COVID-19 Food Relief Initiative. The drive-up food giveaway will take place every Thursday in June. And we revisit a conversation with Sascha Gee Burns of the LaPorte County Waste District as she shares information on how residents can properly dispose of large items during this time of spring cleaning.

A song I wrote and produced that I thought I would share. I hope you have a glorious day!

May 16, 2020. Recorded during the Covid-19 Quarantine. Hopefully, listening will put a smile on your face! 1.Shapeshifters ft Kimberly Davis - Second Chance (Club Mix) 2.The Vision ft Andreya Triana - Mountains (Extended Mix) 3.Melba Moore - Pick Me Up I'll Dance (Dubplate Disco Remix) 4.Jasper Street Co ft Byron Stingily & Norma Jean - Paradise (Mark Knight & Michael Gray Remix) 5.Mark Knight ft Laura Davie & The Melody Men - If It's Love (Extended Mix).com 6.Doug Strahm - Freedom Rings (Julian Marsh Dub Mix) 7.House Gospel Choir - Salvation (Extended Mix) 8.Rafael Starcevic & Liu Rosa Feat. Amannda - Freak (Thiago & Julian Marsh Funky House Remix) 9.Julian Marsh ft Gavin Sheppard - Follow That Star (Piano House Mix) 10.Adelphi Music Factory - Feel Right Now Power (Extended Mix) 11.Sophie Lloyd ft Dames Brown - Raise Me Up (Alan Dixon 12 Version) 12.Loods - Walking Away(Extended Mix) 13.South Soul Symphony - Let Me Show You (Jay Vegas Remix) 14.Moogy Bee - Disco'77 (Original Instrumental Mix) 15.Barbara Mason - Another Man (Eric Kupper Mix) 16.Judy Garland x Eric Kupper - The Man That Got Away (Eric Kupper Extended Mix)

David Robert Jones (8 January 1947—10 January 2016), known professionally as David Bowie, is one of the most influential artists of the 20th century. Fueled by a range of musical styles, Bowie often projected a variety of personalities depending on which project he was working on and where his musical interests lay at the moment. From Glam Rock, to Disco and everything in between — he achieved massive success with his art that affected millions of lives with each evolving iteration.  Since his death in 2016, Party Favorz has received many requests to create a Legacy set featuring his work. Given the substantial output and variety of his catalog that literally goes back to 1969 — it was near impossible to do any justice to the legacy Bowie has left us — until now. There's no doubt he would have gravitated toward the current electronic movement and even began remixing his work in the early 90s.  That being said, with a variety of music styles and the ability to capture the true magic of his work — it is near impossible to recreate.  Nevertheless, I persisted and pulled off something special for hardcore fans (such as myself) that at the very least extracts multiple highlights of his career even if it's not all-encompassing. Frankly, a good portion of his catalog would be near impossible to translate to the dance floor. I have to admit, the Julian Marsh remix of "Space Oddity" and 7th Heaven remix of "Rebel Rebel" are spectacularly executed, as well as several others. I cannot deny the emotions that overwhelm me when I listen to his music as it brings back a flood of memories — some good, while others, not so much. It just proves that Bowie's music will stand the test of time. It is with much love and respect that Party Favorz honors David Bowie with his own tribute to dance music. Some may consider this tribute blasphemy but there's no doubt this would have been his next act. RIP Ziggy. Album: David Bowie: Let's Dance [Remixed & Reimagined] Genre: Dance, Club Year: 2019 Total Time: 02:03:07 1. Let's Dance (DJ Ernani Remix) 2. Ashes To Ashes (Party Favorz Re-Edit) 3. Love Is Lost (Extended Hello Steve Reich Mix) 4. Fame (V's Bumpy Way To The Top Edit) 5. Cat People (Putting Out The Fire) (Disconet Remix) 6. Jump They Say (Brothers In Rhythm 12'' Remix) 7. Starman (Metrophonic Remix) 8. This Is Not America (Italobros Remix) [with Pat Metheny] 9. Under Pressure (Julian Marsh Mix) [with Queen] 10. Just For One Day (Heroes) (Extended Version) [vs. David Guetta] 11. DJ (eSQUIRE Remix) 12. Blue Jean (House Remix) 13. Space Oddity (Julian Marsh Soulful Mix) 14. Hallo Spaceboy (Pet Shop Boys Extended Mix) 15. Fashion (Edge Remix) 16. Absolute Beginners (Digital Visions Re-Edit) 17. Sound + Vision (808 State '1991' Remix) 18. Modern Love (Edge Remix) 19. Rebel Never Gets Old (7th Heaven Remix) 20. China Girl (Digital Visions Re-Edit) 21. Young Americans (Select Mix) 22. Golden Years (Cygnet Remix) 23. Heroes (PINEO & LOEB Remix)

David Robert Jones (8 January 1947—10 January 2016), known professionally as David Bowie, is one of the most influential artists of the 20th century. Fueled by a range of musical styles, Bowie often projected a variety of personalities depending on which project he was working on and where his musical interests lay at the moment. From Glam Rock, to Disco and everything in between — he achieved massive success with his art that affected millions of lives with each evolving iteration.  Since his death in 2016, Party Favorz has received many requests to create a Legacy set featuring his work. Given the substantial output and variety of his catalog that literally goes back to 1969 — it was near impossible to do any justice to the legacy Bowie has left us — until now. There's no doubt he would have gravitated toward the current electronic movement and even began remixing his work in the early 90s.  That being said, with a variety of music styles and the ability to capture the true magic of his work — it is near impossible to recreate.  Nevertheless, I persisted and pulled off something special for hardcore fans (such as myself) that at the very least extracts multiple highlights of his career even if it's not all-encompassing. Frankly, a good portion of his catalog would be near impossible to translate to the dance floor. I have to admit, the Julian Marsh remix of "Space Oddity" and 7th Heaven remix of "Rebel Rebel" are spectacularly executed, as well as several others. I cannot deny the emotions that overwhelm me when I listen to his music as it brings back a flood of memories — some good, while others, not so much. It just proves that Bowie's music will stand the test of time. It is with much love and respect that Party Favorz honors David Bowie with his own tribute to dance music. Some may consider this tribute blasphemy but there's no doubt this would have been his next act. RIP Ziggy. Album: David Bowie: Let's Dance [Remixed & Reimagined] Genre: Dance, Club Year: 2019 Total Time: 02:03:07 1. Let's Dance (DJ Ernani Remix) 2. Ashes To Ashes (Party Favorz Re-Edit) 3. Love Is Lost (Extended Hello Steve Reich Mix) 4. Fame (V's Bumpy Way To The Top Edit) 5. Cat People (Putting Out The Fire) (Disconet Remix) 6. Jump They Say (Brothers In Rhythm 12'' Remix) 7. Starman (Metrophonic Remix) 8. This Is Not America (Italobros Remix) [with Pat Metheny] 9. Under Pressure (Julian Marsh Mix) [with Queen] 10. Just For One Day (Heroes) (Extended Version) [vs. David Guetta] 11. DJ (eSQUIRE Remix) 12. Blue Jean (House Remix) 13. Space Oddity (Julian Marsh Soulful Mix) 14. Hallo Spaceboy (Pet Shop Boys Extended Mix) 15. Fashion (Edge Remix) 16. Absolute Beginners (Digital Visions Re-Edit) 17. Sound + Vision (808 State '1991' Remix) 18. Modern Love (Edge Remix) 19. Rebel Never Gets Old (7th Heaven Remix) 20. China Girl (Digital Visions Re-Edit) 21. Young Americans (Select Mix) 22. Golden Years (Cygnet Remix) 23. Heroes (PINEO & LOEB Remix)

Play Pause Support the PodcastDownloadShare var srp_player_params_677258c020dc4 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_677258c020dc4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-677258c020dc4"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-677258c020dc4"); } David Robert Jones (8 January 1947—10 January 2016), known professionally as David Bowie, is one of the most influential artists of the 20th century. Fueled by a range of musical styles, Bowie often projected a variety of personalities depending on which project he was working on and where his musical interests lay at the moment. From Glam Rock to Disco and everything in between — he achieved massive success with his art that affected millions of lives with each evolving iteration.  Since his death in 2016, Party Favorz has received many requests to create a Legacy set featuring his work. Given the substantial output and variety of his catalog that goes back to 1969 — it was near impossible to do any justice to the legacy Bowie has left us — until now. There's no doubt he would have gravitated toward the current electronic movement and even began remixing his work in the early 90s.  That being said, with a variety of music styles and the ability to capture the true magic of his work — it is nearly impossible to recreate.  Nevertheless, I persisted and pulled off something special for hardcore fans (such as myself) that at the very least extract multiple highlights of his career even if it's not all-encompassing. Frankly, a good portion of his catalog would be near impossible to translate to the dance floor. I have to admit, the Julian Marsh remix of "Space Oddity" and the 7th Heaven remix of "Rebel Rebel" is spectacularly executed, as well as several others. I cannot deny the emotions that overwhelm me when I listen to his music as it brings back a flood of memories — some good, while others, not so much. It just proves that Bowie's music will stand the test of time. It is with much love and respect that Party Favorz honors David Bowie with his own tribute to dance music. Some may consider this tribute blasphemy but there's no doubt this would have been his next act. RIP Ziggy. Album: David Bowie: Let's Dance [Remixed & Reimagined]Genre: Dance, ClubYear: 2019Total Time: 02:03:07 1. Let's Dance (DJ Ernani Remix) 2. Ashes To Ashes (Party Favorz Re-Edit) 3. Love Is Lost (Extended Hello Steve Reich Mix) 4. Fame (V's Bumpy Way To The Top Edit) 5. Cat People (Putting Out The Fire) (Disconet Remix) 6. Jump They Say (Brothers In Rhythm 12'' Remix) 7. Starman (Metrophonic Remix) 8. This Is Not America (Italobros Remix) [with Pat Metheny] 9. Under Pressure (Julian Marsh Mix) [with Queen] 10. Just For One Day (Heroes) (Extended Version) [vs. David Guetta] 11. DJ (eSQUIRE Remix) 12. Blue Jean (House Remix) 13. Space Oddity (Julian Marsh Soulful Mix) 14. Hallo Spaceboy (Pet Shop Boys Extended Mix) 15.

Calum Scott - No Matter What (Julian Marsh Mix)

Hi all, this is a podcast of some of my favorite soulful house, disco house and Jackin' house music. I hope you like my music choices. Enjoy... 1. David Morales & Janice Robinson - Freedom (David Morales Epic Mix) 2. Ben Smethurst & Barbara Tucker - Don't Wanna Lose Your Love (David Morales Def Mix) 3. Shapeshifters & Kimberly Davis - Life Is A Dancefloor (Club Mix) 4. Michael Gray - 24 7 People (Yam Who Extended Remix) 5. Bob Sinclar & Dimitri From Paris ft Byron Singily - Love Is The Answer (Club Edit) 6. Kevin McKay - Feel It (Original Mix) 7. Musique - Keep On Jumpin (Antoine Clamaran Original Mix) 8. Lenny Fontana & Shirley Lites - Fire (Saturday Night Disco Club Mix) 9. Adelphi Music Factory - Jingo vs Javelin Calling Out Your Name (Extended Mix) 10. Jack's On - Relight My Fire (Richard Grey Extended Edit) 11. David Penn & Kevin McKay - Hallelujah (Extended Mix) 12. Thommy Davis & Tracy Hamli - Isn't It A Shame (David Harness & DJ Spen Remix) 13. Mousse T ft Sharon Phillips - Maybe in May (The Reflex Revision)

Peter Paul & Mary - Leaving On A Jet Plane (Julian Marsh Mix)

The Stone Poneys ft Linda Ronstadt - Different Drum (Julian Marsh Mix)

A refeshed look back at an late 1980's acid house track ... "It Take Two"

This beautiful cover of Pure Imagination is sung by my fellow Cariffian Gavin Sheppard. Ta Gav!

Doris Day - Everybody Loves A Lover (Julian Marsh Mambo Mix). In 2011, when I was asked to remix Heaven Tonight for Doris Day, her record company offered me any song from her catalog to remix. I chose Everybody Loves A Lover and gave it a Mambo styling.

Doris Day - Heaven Tonight (Julian Marsh Remix) In honor of the passing of a truly great actress and signer I admired all of my life I would like you to hear a remix I was honored to have done in 2011.

If you know me, then you know that I prefer my music happy and uplifting. I gotta say, this is some seriously happy stuff (at 134 bpm and higher). Uplifting, melodic vocals... the kind of trance you'd cry over (depending on your state of mind LOL). These tracks take me back to the late 90s / early 00s when I would play music for (and with) my San Francisco family. So not only is this mix for Roy, but it is also for my brother, Gregory Cox Byfield. I have to credit the blending of the two Red 5 remixes to super-dj Julian Marsh, who brilliantly did it over 20 years ago... and I still think it's amazing. Tracklist: 1) Can't Live A Day (Tiesto) / Avalon 2) You're Beautiful (Original) / Madagascar 3) Seven Cities (Armin van Buuren Vocal) / Solarstone 4) Outlaw (Space Brothers) / Olive 5) Club For Life '98 (Solar Power) / Chris & James 6) Toca Me (Club) / Fragma 7) Everytime (Mike Koglin) / Lustral 8) Honey (Chicane Club) / Billie Ray Martin 9) Lift Me Up (Striking Man & THK Club) / Red 5

The Beatles - The Long And Winding Road (Julian Marsh Mix)

This podcast includes just about all my remixes I’ve produced since my last postcast 2 years ago. Donations are gladly accepted at:https://djjulianmarsh.podomatic.com/ using the Paypal button. The podcast includes the following remixes: 1 Lady Gaga - La Vie En Rose (Julian Marsh Mix) 2 Whitney Houston - Didn't We Almost Have It All (Julian Marsh Mix) 3 Madonna - Holiday (Julian Marsh Tropical Mix) 4 Blondie - Heart Of Glass (Julian Marsh Mix) 5 Jimmy Cliff - I Can See Clearly Now (Julian Marsh Tropical Mix) 6 Alaska - A Quien Le Importa (Julian Marsh Mix) 7 Yazoo - Don't Go (Julian Marsh Mix) 8 Martin Garrix ft Bebe Rexha - In The Name Of Love (Julian Marsh Mix) 9 Lady Gaga - Million Reasons (Julian Marsh Epic Mix) 10 Edith Piaf - No Regret (Julian Marsh Epic Mix) 11 Cher - One Of Us (Julian Marsh Mix) 12 The Hollies - He Ain't Heavy He's My Brother (Julian Marsh Mix) 13 Mariah Carey & Boyz II Men - One Sweet Day (Julian Marsh Mix) 14 Atlantic Starr - Always (Julian Marsh Mix) 15 John Denver - Sunshine On My Shoulders (Julian Marsh Mix) 16 Whitney Houston - I Will Always Love You (Julian Marsh Mix) 17 Loren Allred - Never Enough (Julian Marsh Mix) 18 Lady Gaga - I'll Never Love Again (Julian Marsh Mix) 19 Harry Styles - Sign Of The Times (Julian Marsh Mix) 20 Gladys Knight - Neither One Of Us (Wants To Be The First To Say Goodbye) (Julian Marsh Mix) 21 Whitney Houston - All At Once (Julian Marsh Mix) 22 Luis Miguel - Besame Mucho (Julian Marsh Mix) 23 David Bowie - Life On Mars (Julian Marsh Mix) 24 Neil Diamond - Holly Holy (Julian Marsh Mix) 25 Judy Garland - Somewhere Over The Rainbow (Julian Marsh Mix)

Lady Gaga - I'll Never Love Again (Juilan Marsh Remix)

Lady Gaga - La Vie En Rose (Julian Marsh Mix)

The Hollies - He Ain't Heavy He's My Brother (Julian Marsh Mix)

Cher - One Of Us (Julian Marsh Mix)

Alaska - A Quien Le Importa (Julian Marsh Mix)

Luis Miguel - Besame Mucho (Julian Marsh Mix)

Loren Allred - Never Enough (Julian Marsh Mix) from The Greatest Showman

Whitney Houston - Didn't We Almost Have It All (Julian Marsh Mix)

Barbara Streisand - People (Julian Marsh Mix)

Atlantic Starr - Always (Julian Marsh Mix)

Mariah Carey & Boyz II Men - One Sweet Day (Julian Marsh Mix)

Blondie - Heart Of Glass (Julian Marsh Mix)

Yazoo - Don't Go (Julian Marsh Mix)

Gladys Knight - Neither One Of Us (Wants To Be The First To Say Goodbye) (Julian Marsh Remix)

Harry Styles - Sign Of The Times (Julian Marsh Mix)

Whitney Houston - All At Once (Julian Marsh Mix)

Neil Diamond - Hollly Holy (Julian Marsh Mix)

This week on KC Closeup, a look ahead at the upcoming "Star Wars Week" (May the 4th be with you, fans!). To celebrate, Friends of the River is going to set the Guiness World Record for the " Largest Lightsaber Battle." Dubbed "The Battle 4 KC", proceeds will go to benefit Children's Mercy Hospital to help fight Cystic Fibrosis. Stefan White joins us - with lightsaber in hand - to discuss the battle and how a love for a movie universe can help fight CF. In the second half of the show, Matthew J. Taylor calls in to talk about the musical 42nd Street, which runs May 2-7 at the Kauffman Center for the Performing Arts. 42nd Street is one of Broadway's enduring musicals and Matthew plays Julian Marsh, the director of the musical with-in the musical. Get tickets now if you can!

Jimmy Cliff - I Can See Clearly Now (Julian Marsh Tropical Mix)

John Denver - Sunshine On My Shoulders (Julian Marsh Mix)

Whitney Houston - I Will Always Love You (Julian Marsh Mix)

David Bowie - Life On Marsh (Julian Marsh Remix)

Creedence Clearwater Revival - Proud Mary (Julian Marsh Mix)

The Zombies - Time Of The Season (Julian Marsh Mix)

Queen - I Want To Break Free (Julian Marsh Mix)

Freddie Mercury & Montserrat Caballe - The Golden Boy (Julian Marsh Mix)

Freddie Mercury - I Was Born To Love You (Julian Marsh Mix)

Creedence Clearwater Revival - Have You Ever Seen The Rain (Julian Marsh Mix)

Julian Marsh ft KRC - Birds (Deep Mix)

Edith Piaf - No Regret (Je Ne Regrette Rien) (Julian Marsh Epic Mix)

Patsy Cline - Crazy (Julian Marsh Deep Soulful Mix)

Queen and David Bowie - Under Pressure (Julian Marsh Mix)

Westlife - Flying Without Wings (Julian Marsh Mix)

Lady Gaga - Million Reasons (Julian Marsh Epic Mix)

Madonna - Like A Virgin (Julian Marsh Soulful Mix)

Madonna - Holiday (Julian Marsh Tropical Mix)

The Go Go's - We Got The Beat (Julian Marsh Mix)

Judy Garland - Somewhere Over The Rainbow (Julian Marsh Mix)

I hope you enjoy this collection of original remixes. 1 Freddie Mercury & Montserrat Caballe - The Golden Boy (Julian Marsh Mix) 2 David Bowie - Starman (Julian Marsh Mix) 3 Julian Marsh ft KRC - Birds (Deep Mix) 4 Carly Simon - You're So Vain (Julian Marsh Soulful Mix) 5 Carole King - You've Got A Friend (Julian Marsh Soulful Mix) 6 Elton John - Tiny Dancer (Julian Marsh Tropical Mix) 7 Koomar Beat - Blue Sky (Julian Marsh Mix) 8 Jeannette Bayardelle - Rehab (I Choose Life) (Julian Marsh Mix) 9 Westlife - Flying Without Wings (Julian Marsh Mix) 10 The Go Go's - We Got The Beat (Julian Marsh Mix) 11 The Cure - Just Like Heaven (Julian Marsh Mix) 12 The Zombies - Time Of The Season (Julian Marsh Mix) 13 The Doors - Light My Fire (Julian Marsh Soulful Mix) 14 Patsy Cline - Crazy (Julian Marsh Deep Soulful Mix)

I hope you enjoy this collection of original remixes. Please donate at wwww.julianmarsh.com to help make future podcasts possible. 1 Queen and David Bowie - Under Pressure (Julian Marsh Mix) 2 Robert Palmer - Addicted To Love (Julian Marsh Mix) 3 Creedence Clearwater Revival - Proud Mary (Julian Marsh Mix) 4 Madonna - Like A Virgin (Julian Marsh Soulful Mix) 5 Eric Alan - My Favorite Sin (Julian Marsh Mix) 6 Sirpaul - Black Leather (Julian Marsh Mix) 7 Kylie Minogue - All The Lovers (Julian Marsh Mix) 8 Michael Mott ft Ben Fankhauser - Gone (Julian Marsh Extended Mix) 9 Aaron Paul - I Don't Care (Julian Marsh Mix) 10 Aaron Paul - PnP (Julian Marsh Mix) 11 The Turtles - Happy Together (Julian Marsh Soulful Mix)

Well, here is my latest podcast and its back to what I love most, it's ultra camp and contains some old classics reborn for 2015. Highlights for me are brand new cover of Fleetwood Mac classic Sara by Stereolove from Melbourne but also Proud Mary by Julian Marsh, cool cover of Like A Prayer by Cassey Doreen and Sugar by Maroon 5. I hope you enjoy Tits. Peace and love and glitter to you all. Hugs Doug Full Playlist as follows 1 What I Did For Love (Extended Mix) David Guetta ft Emile Sande 2 Proud Mary (Julian Marsh Mix) Creedence Clearwater Revival 3 Something New (Robin Schulz Remix) Axwell Λ Ingrosso 4 Sugar (Cahill Extended Mix) Maroon 5 5 The Nights (Extended Mix) Avicii 6 With You (Me & My Toothbrush Remix) Sons Of Maria 7 The Heart Wants What It Wants (Dave Aude Extended Mix) Selena Gomez 8 Sultan + Shepard ft Tegan & Sara - Make Things Right (Extended Mix) Spinnin' Records 9 Let In The Sun (Monsieur Adi Remix) Take That 10 Like A Prayer (Club Extended Mix) Cassey Doreen 11 True Love Survivor (2015 Future Classic Club Mix) Freemasons (feat SOLAH) 12 Divine Inspiration - The Way (Put Your Hand In My Hand) - North 2 South Remix 13 Sara (Pete Bellis Remix) Stereolove feat. Sara Loera 14 I'm Gonna Get You (Rich B & Phil Marriott Club Mix) Jessica Sutta 15 Love Me Like You Do (Funk3d Pop Club Mix) Ellie Goulding 16 Only The Lonely (Fred Falke Club Mix) Indiana 17 Doing It (Westfunk Remix) Charli XCX (feat Rita Ora) 18 Woman Power (Dave Aude Club Remix) Ono 19 Heaven's Eyes (Cutmore Club Mix) Holly Johnson

This is a very special Podcast that features only remixes that I have produced myself. I hope you enjoy the Podcast. Please donate at wwww.julianmarsh.com to help make future podcasts possible. 1 Creedence Clearwater Revival - Have You Ever Seen The Rain (Julian Marsh Mix) 2 Queen - I Want To Break Free (Julian Marsh Mix) 3 The Byrds - Turn Turn Turn (Julian Marsh Mix) 4 Fleetwood Mac - Go Your Own Way (Julian Marsh Mix) 5 Lady Gaga - Gypsy (Julian Marsh Mix) 6 A Flock Of Seagulls - I Ran (Julian Marsh Epic Mix) 7 David Bowie - Space Oddity (Julian Marsh Epic Mix) 8 Boston - More Than A Feeling (Julian Marsh Epic Mix) 9 Eagles - Hotel California (Julian Marsh Mix) 10 Depeche Mode - Enjoy The Silence (Julian Marsh Mix) 11 Peter & Gordon - A World Without Love (Julian Marsh Mix)

This is a very special Podcast that features only remixes that I have produced myself. I hope you enjoy it. Please donate at wwww.julianmarsh.com to help make future podcasts possible. 1 M People - How Can I Love You More 2014 (Julian Marsh Soulful Mix) 2 Ari Gold - Love Goddess (Julian Marsh Mix) 3 Elton John - Can You Feel The Love Tonight (Julian Marsh Euphoric Mix) 4 Freddie Mercury - I Was Born To Love You 2014 (Julian Marsh Mix) 5 Kris Searle - Beautiful Liar (Julian Marsh Mix) 6 Love Inc ft Simone Denny - You're A Superstar 2014 (Julian Marsh Mix) 7 John LePage Feat. Marshall J Pierce - I Believe In You (Julian Marsh Mix) 8 Lon Miller - Real Love (Julian Marsh Epic Mix) 9 RexKwondo - Baker Street (Julian Marsh Soulful Mix)

This is a very special Podcast that features only remixes that I have produced myself. I hope you enjoy it. Please donate at wwww.julianmarsh.com to help make future podcasts possible. Celine Dion - Love Me Back To Life (Julian Marsh Mix) Markus Riva - We Dance For Reason (Julian Marsh Euphoric Mix) Anything But Monday - 99 Bottles Of Beer (Julian Marsh Mix) Village People - Let's Go Back To The Dancefloor (Julian Marsh Let's Go Mix) Massive Ego - Sound Of The Download (Julian Marsh Mix) Orion286 Starring John G - I Never Thought (Julian Marsh Mix) Kristy Love - All Over The World (Julian Marsh Euphoric Mix) Ray Isaac - Who I Am (Julian Marsh Euphoric Mix) Ray Guell - Haunting Visions (Julian Marsh Mix) The Stereo Flow feat. Susan Z - Goodbye (Julian Marsh Mix) Robin Fox - I See Stars 2013 (Julian Marsh Mix)

If you enjoy this podcast please donate any amount at all on my website to help pay for this and future podcasts www.julianmarsh.com ... Thank you. 1 Village People - Let's Go Back To The Dancefloor (Julian Marsh Original Mix) 2 Karin Nagi vs Julian Marsh - Use It Up And Wear It Out (Julian Marsh Mix) 3 Lady Bunny - Take Me Up Higher (Julian Marsh Euphoric Mix) 4 Cheryl Barnes - All I Want To Do Is Make Love To You (Julian Marsh Original Mix) 5 David Noakes ft Shena - Little Sister (Julian Marsh Mix) 6 Miss Autumn Leaves - Know Right Now (Julian Marsh Mix) 7 Zedd ft Foxes - Clarity (Shreddie Mercury Remix) 128 8 Agnetha Faltskog - Dance Your Pain Away (Cahill Club Mix) 128 9 Avicii Feat. Aloe Blacc - Wake Me Up (Extended Mix) 10 Empire Of The Sun - Alive (Extended Mix) 120 11 Karin Nagi - Testify To Love (Julian Marsh Morning Radio Mix)

If you enjoy the music in this podcast, please donate any amount at www.julianmarsh.com. Thank you.

If you enjoy this podcast, please donate at www.julianmarsh.com.