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8 episodes with nayeri
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2 episodes with nayeri
2 episodes with nayeri
2 episodes with nayeri
Stories are such a powerful human invention that even the fictional ones can feel completely true. Dina Nayeri is a writer of fiction and nonfiction whose work highlights just how influential the stories we tell can be – and what is at risk when the truth isn't valued. Dina speaks from her experience as a storyteller and former refugee about the importance of shaping a society that is thoughtful about language, history, culture, and truth. Then, she suggests frameworks anyone can use to think critically about what they think they know -- and questions why certain stories are more likely to be believed. For the full text transcript, visit go.ted.com/BHTranscripts
Today's book is: The Ungrateful Refugee: What Immigrants Never Tell You (Catapult, 2020), by Dina Nayeri, a book which asks “what is it like to be a refugee?” There are more than 25 million refugees in the world today. At age eight, Dina Nayeri fled Iran along with her mother and brother, and lived in the crumbling shell of an Italian hotel-turned–refugee camp. Eventually she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement. She shows us that to be a refugee is to grapple with your place in society, attempting to reconcile the life you have known with a new, unfamiliar home. All this while bearing the burden of gratitude in your host nation: the expectation that you should be forever thankful for the space you have been allowed. Nayeri offers a new understanding of refugee life, confronting dangers from the metaphor of the swarm to the notion of “good” immigrants. She calls attention to the harmful way in which Western governments privilege certain dangers over others. The Ungrateful Refugee recalibrates the conversation around the refugee experience, by sharing the real stories of what it is like to be forced to flee your home, and to journey across borders in the hope of starting afresh. Our guest is: Professor Dina Nayeri, who is the author of The Ungrateful Refugee, winner of numerous prizes including the Geschwister Scholl Preis, the Kirkus Prize, and Elle Grand Prix des Lectrices. Her essay of the same name was one of The Guardian's most widely read long reads in 2017, and is taught in schools and anthologized around the world. A 2019-2020 Fellow at the Columbia Institute for Ideas and Imagination in Paris, and winner of the 2018 UNESCO City of Literature Paul Engle Prize, Dina has won a National Endowment for the Arts literature grant, the O. Henry Prize, and Best American Short Stories, among other honors. Her work has been published in 20+ countries and in The New York Times, The Guardian, The Washington Post, The New Yorker, Granta, and other publications. She is a graduate of Princeton, Harvard, and the Iowa Writers Workshop. In autumn 2021, she was a Fellow at the American Library in Paris. She recently joined the faculty at the University of St. Andrews. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Who Gets Believed? Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You'll find them all archived here. You can support the show by downloading episodes and by telling a friend about them, because knowledge should be shared. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life
Today's book is: The Ungrateful Refugee: What Immigrants Never Tell You (Catapult, 2020), by Dina Nayeri, a book which asks “what is it like to be a refugee?” There are more than 25 million refugees in the world today. At age eight, Dina Nayeri fled Iran along with her mother and brother, and lived in the crumbling shell of an Italian hotel-turned–refugee camp. Eventually she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement. She shows us that to be a refugee is to grapple with your place in society, attempting to reconcile the life you have known with a new, unfamiliar home. All this while bearing the burden of gratitude in your host nation: the expectation that you should be forever thankful for the space you have been allowed. Nayeri offers a new understanding of refugee life, confronting dangers from the metaphor of the swarm to the notion of “good” immigrants. She calls attention to the harmful way in which Western governments privilege certain dangers over others. The Ungrateful Refugee recalibrates the conversation around the refugee experience, by sharing the real stories of what it is like to be forced to flee your home, and to journey across borders in the hope of starting afresh. Our guest is: Professor Dina Nayeri, who is the author of The Ungrateful Refugee, winner of numerous prizes including the Geschwister Scholl Preis, the Kirkus Prize, and Elle Grand Prix des Lectrices. Her essay of the same name was one of The Guardian's most widely read long reads in 2017, and is taught in schools and anthologized around the world. A 2019-2020 Fellow at the Columbia Institute for Ideas and Imagination in Paris, and winner of the 2018 UNESCO City of Literature Paul Engle Prize, Dina has won a National Endowment for the Arts literature grant, the O. Henry Prize, and Best American Short Stories, among other honors. Her work has been published in 20+ countries and in The New York Times, The Guardian, The Washington Post, The New Yorker, Granta, and other publications. She is a graduate of Princeton, Harvard, and the Iowa Writers Workshop. In autumn 2021, she was a Fellow at the American Library in Paris. She recently joined the faculty at the University of St. Andrews. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Who Gets Believed? Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You'll find them all archived here. You can support the show by downloading episodes and by telling a friend about them, because knowledge should be shared. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Today's book is: The Ungrateful Refugee: What Immigrants Never Tell You (Catapult, 2020), by Dina Nayeri, a book which asks “what is it like to be a refugee?” There are more than 25 million refugees in the world today. At age eight, Dina Nayeri fled Iran along with her mother and brother, and lived in the crumbling shell of an Italian hotel-turned–refugee camp. Eventually she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement. She shows us that to be a refugee is to grapple with your place in society, attempting to reconcile the life you have known with a new, unfamiliar home. All this while bearing the burden of gratitude in your host nation: the expectation that you should be forever thankful for the space you have been allowed. Nayeri offers a new understanding of refugee life, confronting dangers from the metaphor of the swarm to the notion of “good” immigrants. She calls attention to the harmful way in which Western governments privilege certain dangers over others. The Ungrateful Refugee recalibrates the conversation around the refugee experience, by sharing the real stories of what it is like to be forced to flee your home, and to journey across borders in the hope of starting afresh. Our guest is: Professor Dina Nayeri, who is the author of The Ungrateful Refugee, winner of numerous prizes including the Geschwister Scholl Preis, the Kirkus Prize, and Elle Grand Prix des Lectrices. Her essay of the same name was one of The Guardian's most widely read long reads in 2017, and is taught in schools and anthologized around the world. A 2019-2020 Fellow at the Columbia Institute for Ideas and Imagination in Paris, and winner of the 2018 UNESCO City of Literature Paul Engle Prize, Dina has won a National Endowment for the Arts literature grant, the O. Henry Prize, and Best American Short Stories, among other honors. Her work has been published in 20+ countries and in The New York Times, The Guardian, The Washington Post, The New Yorker, Granta, and other publications. She is a graduate of Princeton, Harvard, and the Iowa Writers Workshop. In autumn 2021, she was a Fellow at the American Library in Paris. She recently joined the faculty at the University of St. Andrews. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Who Gets Believed? Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You'll find them all archived here. You can support the show by downloading episodes and by telling a friend about them, because knowledge should be shared. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What would you do if you were given all the opportunities in the world; a great education, a well-to-do family, and you were incredibly smart? This man decides to use his advantages to ruin the lives of those around him. Find out how Hossein Nayeri almost got away with it all.Hosted by Jenna Swanson and Kelly DeVriesProduced and edited by Kelly DeVriesTheme music by Erik SwansonOpening music: The Charmer's Call by Hanu DixitJoin our Patreon at https://patreon.com/ODFMpodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/odfm--5500021/support.
What would you do if you were given all the opportunities in the world; a great education, a well-to-do family, and you were incredibly smart? This man decides to use his advantages to ruin the lives of those around him. Find out how Hossein Nayeri almost got away with it all.Hosted by Jenna Swanson and Kelly DeVriesProduced and edited by Kelly DeVriesTheme music by Erik SwansonOpening music: The Charmer's Call by Hanu DixitJoin our Patreon at https://patreon.com/ODFMpodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/odfm--5500021/support.
Famously undefinable, in many ways art is an ‘I'll know it when I see it' kind of thing. It's a giant sociological concept whose tendrils snake into all our lives. In today's episode, I speak to Farah Nayeri: journalist and author of Takedown: Art and Power in the Digital Age, a fascinating overview of some of the most difficult questions currently being asked in the contemporary art world. What should we be doing about culturally valuable works from problematic artists? Are the demographics of the industry (historically a hotbed of old, straight white men) changing fast enough? How can artists tread the line between appreciation and appropriation? In today's wide-ranging conversation, we cover this and much, much more – along with a snapshot into Farah's literary tastes and recommendations. Lit with Charles loves reviews. If you enjoyed this episode, I'd be so grateful if you could leave a review of your own, and follow me on Instagram @litwithcharles. Let's get more people listening – and reading! Books mentioned in the episode: Farah's favourite book I had probably never heard of was Venice is a Fish: A Sensual Guide, by Tiziano Scarpa (2008), an intoxicating and lyrical exploration of the parts of the city traditional guidebooks won't show you. The best book she has read in the last 12 months was David Smith: The Art and Life of a Transformational Sculptor, by Michael Brenson (2022), a biography of the industry titan who helped spark a love for the plastic arts in the US ‘scene'. The book she would take to a desert island was À la recherche du temps perdu, by Marcel Proust (1913), whose translated title is In Search of Lost Time, a Bildungsroman following the life of narrator ‘Marcel', set in high-society France. The book that changed her mind was Empireland: How Imperialism Has Shaped Modern Britain, by Sathnam Sanghera (2021), which offers a fresh critique of the history of British colonialism. Finally, the book that pleasantly surprised her was The Human Stain, by Philip Roth (2000), the story of an ageing classics professor in a small New England town forced to retire amidst allegations of racism. Find Farah: Book: https://amzn.eu/d/cdIRzdf Website: http://www.farahnayeri.com/ Instagram: @nayeri.farah
On this week's show, I'm speaking to Dina Nayeri about the truth. In a growing age of false news, propoganda, smear campaigns and cancel culture, the sanctity of the truth and who gets believed is increasingly important. There is a difference between those who speak the truth, and those whose truth is believed, as sometimes it is the case that those who speak their truth are not believed, and the consequences are dire. We have seen this play out worldwide for centuries for women, refugees, people of colour and black people, among other minority and vulnerable groups especially. On this week's show, we unpack why some people are more believable than others, the role of the media, and the state's eagerness to push out certain narratives, even if they are not true. This has especially been the case recently since the increased attacks on Gaza, where news outlets have recalled harmful and incorrect statements. Dina Nayeri is the author of two novels and two books of creative nonfiction, Who Gets Believed? (2023) and The Ungrateful Refugee (2019), winner of the Geschwister Scholl Preis and finalist for the Los Angeles Times Book Prize, the Kirkus Prize, and Elle Grand Prix des Lectrices, and called by The Guardian “a work of astonishing, insistent importance.” Her essay of the same name was one of The Guardian's most widely read long reads in 2017, and is taught in schools and anthologized around the world. A 2019-2020 Fellow at the Columbia Institute for Ideas and Imagination in Paris, and winner of the 2018 UNESCO City of Literature Paul Engle Prize, Dina has won a National Endowment for the Arts literature grant, the O. Henry Prize, and Best American Short Stories, among other honors. Her work has been published in 20+ countries and in The New York Times, The Guardian, The Washington Post, The New Yorker, Granta, and many other publications. Her short dramas have been produced by the English Touring Theatre and The Old Vic in London. She is a graduate of Princeton, Harvard, and the Iowa Writers Workshop. In autumn 2021, she was a Fellow at the American Library in Paris. She is currently working on plays, screenplays, and her upcoming publications include The Waiting Place, a nonfiction children's book about refugee camp, Who Gets Believed, a creative nonfiction book, and Sitting Bird, a novel. She has recently joined the faculty at the University of St. Andrews. If you enjoyed this episode, please subscribe and consider rating and leaving a review. Also, connect with me on social media - I'd love to hear from you!www.instagram.com/readwithsamiawww.instagram.com/thediversebookshelfpod Support the show
Dina Nayeri on the Campbell Conversations.
Dr. Nayeri is the attending cardiologist at Cedars Sinai Smidt Heart Institute. He joins Dr. Cohen & Ali for a deeper dive on all things cardiology especially as they relate to current health trends. They chat about surges in vapes, medications like Ozempic, and Bronny James.
Ian Hauck, head of Adult & Reference Services for Troy Public Library, recommends four recent books. "The Good Life: Lessons from the World's Longest Scientific Study of Happiness" (Waldinger & Schulz, 2023) reports on the finding from an 80-year study that the strength of social connections is the strongest factor in happiness. "Symphony of Secrets" (Slocumb, 2023) is a fictional account of a male composer taking credit for the work of a black female composer. "Who Gets Believed?: When the Truth Isn't Enough" (Nayeri, 2023) explores the challenges that women, refugees, and others face in having their experiences believed by doctors and others. "Breasts and Eggs" (Kawakami, 2021) is a Japanese novel reflecting on motherhood and daughterhood. For more details, visit www.thetroylibrary.org. To find other libraries in New York State, see https://www.nysl.nysed.gov/libdev/libs/#Find. Produced by Brea Barthel for Hudson Mohawk Magazine.
This section of Daniel Nayeri's novel included a lot of . . . well . . . poop. So on this week's episode David, Heidi, and Sean discuss how Nayeri manages to make that topic funny and sad and profound all at once. Plus: the book's great respect for the narrator's mother. As always, happy listening! Close Reads HQ is a community-supported endeavor. Please consider becoming a free or paid subscriber! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe
Hyla Nayeri, co-founder of 437, shares her journey from starting with only 2 orders to selling out collections. She talks about how losing her production team and $30K turned out to be an opportunity to be more creative with their budget and focus on what mattered most to their audience. Hyla shares insights on meeting customers on different social media platforms, the value of in-person events, and the importance of building relationships in the industry. Additionally, she provides advice on pitching a brand as a creator or influencer and utilizing low-cost marketing strategies, offering valuable lessons on navigating challenges and building a successful brand. Follow Marianna: @marianna_hewitt Follow Hyla: @hylanayeri Follow 437: @437 Jenni Kayne: get 15% off with code MARIANNA at jennikayne.com/MARIANNA Air Up: use code MARIANNA for 15% off your purchase here Produced by Dear Media This episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct, or indirect financial interest in products, or services referred to in this episode.
Believability underpins our political, legal, and judicial systems – it's key to who we trust to make laws, enforce laws and administer justice to those who breach them. And yet our own individual subconscious (and conscious) biases heavily dictate who we choose to believe. Writer, activist and teacher Dina Nayeri experienced how where you are in the social hierarchy can change how believable others find you first hand, when she and her family fled Iran for the US as refugees. Her new book, Who Gets Believed? When the Truth Isn't Enough, examines what constitutes believability in our culture. In this week's Chops, Dina chats to Jen about why women traditionally fare badly on the believability scale, why culture can have a huge impact on how we perceive the truthfulness of others, and how that can impact particularly badly for those seeking asylum in other countries.Support this show http://supporter.acast.com/standardissuespodcast. Hosted on Acast. See acast.com/privacy for more information.
Writer Dina Nayeri joins co-hosts V.V. Ganeshananthan and Whitney Terrell to discuss her new nonfiction book, Who Gets Believed?: When the Truth Isn't Enough, an examination of whose narratives are considered trustworthy and why, with a focus on refugees and asylum seekers. Nayeri, who was born in Iran and granted asylum to the U.S. when she was 10, talks about the case of a Sri Lankan Tamil man who sought asylum in the U.K. in 2011, and how British officials failed to believe his story of torture. She also describes her childhood feeling of performing a role in her new American home, as well as the origins of her own skepticism—and how a personal tragedy led her to reassess how much she could trust even herself. She reads from her new book. To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/ This episode of the podcast was produced by Thomas White and Anne Kniggendorf. Dina Nayeri Who Gets Believed The Ungrateful Refugee Refuge A Teaspoon of Earth and Sea Others: The Iranian Revolution at 40: Jasmin Darznik and Dina Nayeri On the Anniversary of the Republic Fiction/Non/Fiction Podcast The Drowned and the Saved by Primo Levi “In the Penal Colony” by Franz Kafka Freedom from Torture Innocence Project Fiction/Non/Fiction, Season 1 Episode 23: Jasmin Darznik and Dina Nayeri on the 40th Anniversary of the Iranian Revolution Learn more about your ad choices. Visit megaphone.fm/adchoices
In recent months, headlines around the world have blared the news of a startling new trend of activism where protesters physically attack famous artworks with paint, food, and glue. The activists are trying to draw attention to global issues of climate change and museum ethics, and agree or disagree, you can't argue that their tactics are making waves and fines or jail time aren't stopping them. This week we're re-airing a conversation that delves into this complicated issue. On October 14, two activists, Phoebe Plummer and Anna Holland, walked into the National Gallery in London and threw a can of tomato soup on Van Gogh's Sunflowers while wearing shirts that read JUST STOP OIL. The action was part of a larger cycle of disruptive occupations and direct action by environmentalists in the UK, demanding dramatic action to cut fossil fuels in the face of climate change—but the Van Gogh soup attack by far drew the most media attention. Indeed, the tactic of using attacks on artworks to get their message out has caught on with campaigners this year, with environmentalists in at least half a dozen countries making headlines with spectacular actions in museums—gluing themselves to famous pieces, spray-painting the walls around them, or throwing food at artworks. These actions have, in turn, touched off a fierce debate among observers and activists alike about the art-attack tactic. Is it the kind of desperate move needed to shock the public into action when nothing else seems to work? Or do the actions repel otherwise sympathetic observers, isolating a movement that needs to scale up dramatically? London-based art journalist Farah Nayeri is a frequent contributor to the New York Times, and the author of the recent book Takedown: Art and Power in the Digital Age, which looks at how the digitally empowered activism of the last ten years has changed what the public expects from a museum. In an essay for Artnet News responding to these new museum actions, she wrote about the long history of vandalizing art for a cause, from suffragette Mary Richardson slashing Velazquez's Rokeby Venus more than a century ago, to protests within British museums against oil giant BP's sponsorship over the last decade. This week, we're revisiting Artnet News's national art critic Ben Davis conversation with Nayeri about this history, and what the stakes of the new protests truly are.
In recent months, headlines around the world have blared the news of a startling new trend of activism where protesters physically attack famous artworks with paint, food, and glue. The activists are trying to draw attention to global issues of climate change and museum ethics, and agree or disagree, you can't argue that their tactics are making waves and fines or jail time aren't stopping them. This week we're re-airing a conversation that delves into this complicated issue. On October 14, two activists, Phoebe Plummer and Anna Holland, walked into the National Gallery in London and threw a can of tomato soup on Van Gogh's Sunflowers while wearing shirts that read JUST STOP OIL. The action was part of a larger cycle of disruptive occupations and direct action by environmentalists in the UK, demanding dramatic action to cut fossil fuels in the face of climate change—but the Van Gogh soup attack by far drew the most media attention. Indeed, the tactic of using attacks on artworks to get their message out has caught on with campaigners this year, with environmentalists in at least half a dozen countries making headlines with spectacular actions in museums—gluing themselves to famous pieces, spray-painting the walls around them, or throwing food at artworks. These actions have, in turn, touched off a fierce debate among observers and activists alike about the art-attack tactic. Is it the kind of desperate move needed to shock the public into action when nothing else seems to work? Or do the actions repel otherwise sympathetic observers, isolating a movement that needs to scale up dramatically? London-based art journalist Farah Nayeri is a frequent contributor to the New York Times, and the author of the recent book Takedown: Art and Power in the Digital Age, which looks at how the digitally empowered activism of the last ten years has changed what the public expects from a museum. In an essay for Artnet News responding to these new museum actions, she wrote about the long history of vandalizing art for a cause, from suffragette Mary Richardson slashing Velazquez's Rokeby Venus more than a century ago, to protests within British museums against oil giant BP's sponsorship over the last decade. This week, we're revisiting Artnet News's national art critic Ben Davis conversation with Nayeri about this history, and what the stakes of the new protests truly are.
Author Dina Nayeri was young when she found out that there's a stark difference between credibility and belief – and it's a disconnect at the center of her new book, Who Gets Believed?: When the Truth Isn't Enough. Nayeri's family came to the U.S. as refugees from Iran in 1979. As she tells NPR's Juana Summers, that asylum process showed her how subjective belief can be – and she explains why, for her, the meaning of believing continued to shift, through faith and vulnerability, even as she was writing the book.
As protests against the Iranian regime continue, Megan Gibson speaks to the award-winning writer Dina Nayeri, whose latest book is Who Gets Believed When the Truth Isn't Enough?They discuss the uprising in Iran since Mahsa Amini died after being arrested by the oppressive morality police, where the protests are going, Nayeri's own experiences with the morality police, and why refugees and asylum seekers are demonised by public discourse and political policies.Read more:Iran's regime won't be easily toppledHow Mahsa Amini's death set Iran on fire Hosted on Acast. See acast.com/privacy for more information.
This episode is part of a mini series exploring forced displacement as one of the many legacies of conflict. Alice interviews Dina Nayeri, an author and lecturer in creative writing at the University of St Andrews. Dina spent her early years in Isfahan in Iran, before fleeing with her mother and brother, after her mother was arrested for converting to Christianity. They ended up settling in the US, and Dina read Economics at Princeton, before embarking on a career as writer, publishing award-winning fiction and non-fiction. Much of her writing draws on her experiences as a refugee and reflects on many different aspects of displacement. Her first novel, A Teaspoon of Earth and Sea, tells the story of an Iranian girl and her family who experience separation and political oppression in post-Revolutionary Iran, and it conjures a rich imaginative space for exploring what it can be like not to flee, but always to dream of an alternative life in a different country and culture. Her second novel Refuge also revolves around the story of a young Iranian girl, who escapes to America as a child but leaves her father behind; and Dina takes the opportunity here to explore concepts of home and belonging as well as movement and separation, as experienced across many years. Turning to non-fiction, Dina's multi-award-winning book The Ungrateful Refugee: What Immigrants Never Tell You weaves her own story together with a host of other real-life refugee stories, and asks important questions about the demands that people and governments make of refugees, while shining new light on what refugees themselves experience. Dina scrutinises attitudes to refugees and asylum-seekers further in her latest book, Who Gets Believed?, which explores practices of truth-telling alongside cultures of disbelief, and underlines what inequalities persist and are enacted when we are selective (and prejudiced) about who we believe. Dina has also collaborated with photographer Anna Bosch Miralpeix to write The Waiting Place, a book which documents the struggles and dreams of ten young refugees from Iran and Afghanistan in a refugee camp in Greece. Inspired by her own understanding of what waiting in a refugee camp can be like, and also by her childhood experiences of racism and bullying in the school setting as a newly-arrived refugee, Dina uses this book as a basis for schools workshops across Scotland and beyond, teaching the importance of empathy and compassion. In discussing each of Dina's books, the podcast touches on a range of important issues, from what refugees experience, over many decades, to what host communities often expect or demand of them. We also reflect on role that storytelling habits can play in shaping how we receive and respond to stories of forced migration, and Dina reminds us how culturally diverse those habits can be - and how important is it to be open to other people's storytelling traditions. We hope you enjoy the episode. To find out more about our wider project on Visualising Forced Migration, please visit our website. If you have any questions or want to contribute to our ongoing discussions, please do get in touch. You can follow us on social media or contact us directly by emailing us at viswar@st-andrews.ac.uk. Our theme music was composed by Jonathan Young. The show was mixed by Zofia Guertin.
Episode Notes We all want to be believed, yet not everyone is believable. Criteria for credibility reflect cultural norms and our own desires to leave what we already know unquestioned, but how do these biases affect what we hear and the choices we make? In her latest book, Who Gets Believed? When the Truth Isn't Enough, _Dina Nayeri uncovers how we listen, who we believe, and the tragic consequences of not believing others. Dina joins me in conversation as we wrestle with how we believe and how we can become better at hearing the stories that people like us and not like us tell. Dina is a winner of the UNESCO City of Literature Paul Engle Prize and a National Endowment for the Arts Literature Fellowship. Her previous book, _The Ungrateful Refugee, was a finalist for the Los Angeles Times Book Prize and the Kirkus Prize.
Why are people judged on whether or not they are compelling? Why isn't telling the truth enough? What are people really listening for when others share their truths? And how does this harm asylum seekers? Dina Nayeri joins us to share: Why our perceptions of other people's experiences impact them and us. What makes a “credible” story, and what doesn't. How her own stories shape her. Why it can be difficult to believe a messy truth. What she had to forgive herself for. The book Who Gets Believed. Today's book is: Who Gets Believed by Dina Nayeri, which asks unsettling questions about lies, truths, and the difference between being believed and being dismissed. Dina Nayeri begins with asking why are honest asylum seekers dismissed as liars? She shares shocking and illuminating case studies, as the book grows into a reckoning with our culture's views on believability. From learning the tools of persuasion and performance in her job at McKinsey to struggling to believe her troubled brother-in-law, Nayeri explores an aspect of our society that is rarely held up to the light. Who Gets Believed is a book as deeply personal as it is profound in its reflections on morals, language, literature, human psychology, and the unspoken social codes that determine how we relate to one another. Our guest is: Dina Nayeri, who is the author of novels, articles, and creative nonfiction. A former Fellow at the Columbia Institute for Ideas and Imagination in Paris, winner of the UNESCO City of Literature Paul Engle Prize, and fellow at the American Library in Paris, she has also won a National Endowment for the Arts literature grant, the O. Henry Prize, and Best American Short Stories, among other honors. Her work has been published in 20+ countries, in The Guardian, The New Yorker, Granta, and many other publications. She is a graduate of Princeton, Harvard, and the Iowa Writers Workshop. She has recently joined the permanent faculty at the University of St. Andrews. Our host is: Dr. Christina Gessler, who is a historian. Listeners to this episode may also be interested in: The American Library in Paris The Innocence Project A Teaspoon of Earth and Sea, by Dina Nayeri Refuge, by Dina Nayeri The Ungrateful Refugee, by Dina Nayeri Becoming the Writer You Already Are, by Michelle R. Boyd Welcome to The Academic Life! Join us here each week to learn from today's experts inside and outside the academy, and embrace the broad definition of what it means to live an academic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Why are people judged on whether or not they are compelling? Why isn't telling the truth enough? What are people really listening for when others share their truths? And how does this harm asylum seekers? Dina Nayeri joins us to share: Why our perceptions of other people's experiences impact them and us. What makes a “credible” story, and what doesn't. How her own stories shape her. Why it can be difficult to believe a messy truth. What she had to forgive herself for. The book Who Gets Believed. Today's book is: Who Gets Believed by Dina Nayeri, which asks unsettling questions about lies, truths, and the difference between being believed and being dismissed. Dina Nayeri begins with asking why are honest asylum seekers dismissed as liars? She shares shocking and illuminating case studies, as the book grows into a reckoning with our culture's views on believability. From learning the tools of persuasion and performance in her job at McKinsey to struggling to believe her troubled brother-in-law, Nayeri explores an aspect of our society that is rarely held up to the light. Who Gets Believed is a book as deeply personal as it is profound in its reflections on morals, language, literature, human psychology, and the unspoken social codes that determine how we relate to one another. Our guest is: Dina Nayeri, who is the author of novels, articles, and creative nonfiction. A former Fellow at the Columbia Institute for Ideas and Imagination in Paris, winner of the UNESCO City of Literature Paul Engle Prize, and fellow at the American Library in Paris, she has also won a National Endowment for the Arts literature grant, the O. Henry Prize, and Best American Short Stories, among other honors. Her work has been published in 20+ countries, in The Guardian, The New Yorker, Granta, and many other publications. She is a graduate of Princeton, Harvard, and the Iowa Writers Workshop. She has recently joined the permanent faculty at the University of St. Andrews. Our host is: Dr. Christina Gessler, who is a historian. Listeners to this episode may also be interested in: The American Library in Paris The Innocence Project A Teaspoon of Earth and Sea, by Dina Nayeri Refuge, by Dina Nayeri The Ungrateful Refugee, by Dina Nayeri Becoming the Writer You Already Are, by Michelle R. Boyd Welcome to The Academic Life! Join us here each week to learn from today's experts inside and outside the academy, and embrace the broad definition of what it means to live an academic life. Learn more about your ad choices. Visit megaphone.fm/adchoices
Why are people judged on whether or not they are compelling? Why isn't telling the truth enough? What are people really listening for when others share their truths? And how does this harm asylum seekers? Dina Nayeri joins us to share: Why our perceptions of other people's experiences impact them and us. What makes a “credible” story, and what doesn't. How her own stories shape her. Why it can be difficult to believe a messy truth. What she had to forgive herself for. The book Who Gets Believed. Today's book is: Who Gets Believed by Dina Nayeri, which asks unsettling questions about lies, truths, and the difference between being believed and being dismissed. Dina Nayeri begins with asking why are honest asylum seekers dismissed as liars? She shares shocking and illuminating case studies, as the book grows into a reckoning with our culture's views on believability. From learning the tools of persuasion and performance in her job at McKinsey to struggling to believe her troubled brother-in-law, Nayeri explores an aspect of our society that is rarely held up to the light. Who Gets Believed is a book as deeply personal as it is profound in its reflections on morals, language, literature, human psychology, and the unspoken social codes that determine how we relate to one another. Our guest is: Dina Nayeri, who is the author of novels, articles, and creative nonfiction. A former Fellow at the Columbia Institute for Ideas and Imagination in Paris, winner of the UNESCO City of Literature Paul Engle Prize, and fellow at the American Library in Paris, she has also won a National Endowment for the Arts literature grant, the O. Henry Prize, and Best American Short Stories, among other honors. Her work has been published in 20+ countries, in The Guardian, The New Yorker, Granta, and many other publications. She is a graduate of Princeton, Harvard, and the Iowa Writers Workshop. She has recently joined the permanent faculty at the University of St. Andrews. Our host is: Dr. Christina Gessler, who is a historian. Listeners to this episode may also be interested in: The American Library in Paris The Innocence Project A Teaspoon of Earth and Sea, by Dina Nayeri Refuge, by Dina Nayeri The Ungrateful Refugee, by Dina Nayeri Becoming the Writer You Already Are, by Michelle R. Boyd Welcome to The Academic Life! Join us here each week to learn from today's experts inside and outside the academy, and embrace the broad definition of what it means to live an academic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Why are people judged on whether or not they are compelling? Why isn't telling the truth enough? What are people really listening for when others share their truths? And how does this harm asylum seekers? Dina Nayeri joins us to share: Why our perceptions of other people's experiences impact them and us. What makes a “credible” story, and what doesn't. How her own stories shape her. Why it can be difficult to believe a messy truth. What she had to forgive herself for. The book Who Gets Believed. Today's book is: Who Gets Believed by Dina Nayeri, which asks unsettling questions about lies, truths, and the difference between being believed and being dismissed. Dina Nayeri begins with asking why are honest asylum seekers dismissed as liars? She shares shocking and illuminating case studies, as the book grows into a reckoning with our culture's views on believability. From learning the tools of persuasion and performance in her job at McKinsey to struggling to believe her troubled brother-in-law, Nayeri explores an aspect of our society that is rarely held up to the light. Who Gets Believed is a book as deeply personal as it is profound in its reflections on morals, language, literature, human psychology, and the unspoken social codes that determine how we relate to one another. Our guest is: Dina Nayeri, who is the author of novels, articles, and creative nonfiction. A former Fellow at the Columbia Institute for Ideas and Imagination in Paris, winner of the UNESCO City of Literature Paul Engle Prize, and fellow at the American Library in Paris, she has also won a National Endowment for the Arts literature grant, the O. Henry Prize, and Best American Short Stories, among other honors. Her work has been published in 20+ countries, in The Guardian, The New Yorker, Granta, and many other publications. She is a graduate of Princeton, Harvard, and the Iowa Writers Workshop. She has recently joined the permanent faculty at the University of St. Andrews. Our host is: Dr. Christina Gessler, who is a historian. Listeners to this episode may also be interested in: The American Library in Paris The Innocence Project A Teaspoon of Earth and Sea, by Dina Nayeri Refuge, by Dina Nayeri The Ungrateful Refugee, by Dina Nayeri Becoming the Writer You Already Are, by Michelle R. Boyd Welcome to The Academic Life! Join us here each week to learn from today's experts inside and outside the academy, and embrace the broad definition of what it means to live an academic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Why are people judged on whether or not they are compelling? Why isn't telling the truth enough? What are people really listening for when others share their truths? And how does this harm asylum seekers? Dina Nayeri joins us to share: Why our perceptions of other people's experiences impact them and us. What makes a “credible” story, and what doesn't. How her own stories shape her. Why it can be difficult to believe a messy truth. What she had to forgive herself for. The book Who Gets Believed. Today's book is: Who Gets Believed by Dina Nayeri, which asks unsettling questions about lies, truths, and the difference between being believed and being dismissed. Dina Nayeri begins with asking why are honest asylum seekers dismissed as liars? She shares shocking and illuminating case studies, as the book grows into a reckoning with our culture's views on believability. From learning the tools of persuasion and performance in her job at McKinsey to struggling to believe her troubled brother-in-law, Nayeri explores an aspect of our society that is rarely held up to the light. Who Gets Believed is a book as deeply personal as it is profound in its reflections on morals, language, literature, human psychology, and the unspoken social codes that determine how we relate to one another. Our guest is: Dina Nayeri, who is the author of novels, articles, and creative nonfiction. A former Fellow at the Columbia Institute for Ideas and Imagination in Paris, winner of the UNESCO City of Literature Paul Engle Prize, and fellow at the American Library in Paris, she has also won a National Endowment for the Arts literature grant, the O. Henry Prize, and Best American Short Stories, among other honors. Her work has been published in 20+ countries, in The Guardian, The New Yorker, Granta, and many other publications. She is a graduate of Princeton, Harvard, and the Iowa Writers Workshop. She has recently joined the permanent faculty at the University of St. Andrews. Our host is: Dr. Christina Gessler, who is a historian. Listeners to this episode may also be interested in: The American Library in Paris The Innocence Project A Teaspoon of Earth and Sea, by Dina Nayeri Refuge, by Dina Nayeri The Ungrateful Refugee, by Dina Nayeri Becoming the Writer You Already Are, by Michelle R. Boyd Welcome to The Academic Life! Join us here each week to learn from today's experts inside and outside the academy, and embrace the broad definition of what it means to live an academic life. Learn more about your ad choices. Visit megaphone.fm/adchoices
Why are people judged on whether or not they are compelling? Why isn't telling the truth enough? What are people really listening for when others share their truths? And how does this harm asylum seekers? Dina Nayeri joins us to share: Why our perceptions of other people's experiences impact them and us. What makes a “credible” story, and what doesn't. How her own stories shape her. Why it can be difficult to believe a messy truth. What she had to forgive herself for. The book Who Gets Believed. Today's book is: Who Gets Believed by Dina Nayeri, which asks unsettling questions about lies, truths, and the difference between being believed and being dismissed. Dina Nayeri begins with asking why are honest asylum seekers dismissed as liars? She shares shocking and illuminating case studies, as the book grows into a reckoning with our culture's views on believability. From learning the tools of persuasion and performance in her job at McKinsey to struggling to believe her troubled brother-in-law, Nayeri explores an aspect of our society that is rarely held up to the light. Who Gets Believed is a book as deeply personal as it is profound in its reflections on morals, language, literature, human psychology, and the unspoken social codes that determine how we relate to one another. Our guest is: Dina Nayeri, who is the author of novels, articles, and creative nonfiction. A former Fellow at the Columbia Institute for Ideas and Imagination in Paris, winner of the UNESCO City of Literature Paul Engle Prize, and fellow at the American Library in Paris, she has also won a National Endowment for the Arts literature grant, the O. Henry Prize, and Best American Short Stories, among other honors. Her work has been published in 20+ countries, in The Guardian, The New Yorker, Granta, and many other publications. She is a graduate of Princeton, Harvard, and the Iowa Writers Workshop. She has recently joined the permanent faculty at the University of St. Andrews. Our host is: Dr. Christina Gessler, who is a historian. Listeners to this episode may also be interested in: The American Library in Paris The Innocence Project A Teaspoon of Earth and Sea, by Dina Nayeri Refuge, by Dina Nayeri The Ungrateful Refugee, by Dina Nayeri Becoming the Writer You Already Are, by Michelle R. Boyd Welcome to The Academic Life! Join us here each week to learn from today's experts inside and outside the academy, and embrace the broad definition of what it means to live an academic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life
Why are people judged on whether or not they are compelling? Why isn't telling the truth enough? What are people really listening for when others share their truths? And how does this harm asylum seekers? Dina Nayeri joins us to share: Why our perceptions of other people's experiences impact them and us. What makes a “credible” story, and what doesn't. How her own stories shape her. Why it can be difficult to believe a messy truth. What she had to forgive herself for. The book Who Gets Believed. Today's book is: Who Gets Believed by Dina Nayeri, which asks unsettling questions about lies, truths, and the difference between being believed and being dismissed. Dina Nayeri begins with asking why are honest asylum seekers dismissed as liars? She shares shocking and illuminating case studies, as the book grows into a reckoning with our culture's views on believability. From learning the tools of persuasion and performance in her job at McKinsey to struggling to believe her troubled brother-in-law, Nayeri explores an aspect of our society that is rarely held up to the light. Who Gets Believed is a book as deeply personal as it is profound in its reflections on morals, language, literature, human psychology, and the unspoken social codes that determine how we relate to one another. Our guest is: Dina Nayeri, who is the author of novels, articles, and creative nonfiction. A former Fellow at the Columbia Institute for Ideas and Imagination in Paris, winner of the UNESCO City of Literature Paul Engle Prize, and fellow at the American Library in Paris, she has also won a National Endowment for the Arts literature grant, the O. Henry Prize, and Best American Short Stories, among other honors. Her work has been published in 20+ countries, in The Guardian, The New Yorker, Granta, and many other publications. She is a graduate of Princeton, Harvard, and the Iowa Writers Workshop. She has recently joined the permanent faculty at the University of St. Andrews. Our host is: Dr. Christina Gessler, who is a historian. Listeners to this episode may also be interested in: The American Library in Paris The Innocence Project A Teaspoon of Earth and Sea, by Dina Nayeri Refuge, by Dina Nayeri The Ungrateful Refugee, by Dina Nayeri Becoming the Writer You Already Are, by Michelle R. Boyd Welcome to The Academic Life! Join us here each week to learn from today's experts inside and outside the academy, and embrace the broad definition of what it means to live an academic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law
Why are people judged on whether or not they are compelling? Why isn't telling the truth enough? What are people really listening for when others share their truths? And how does this harm asylum seekers? Dina Nayeri joins us to share: Why our perceptions of other people's experiences impact them and us. What makes a “credible” story, and what doesn't. How her own stories shape her. Why it can be difficult to believe a messy truth. What she had to forgive herself for. The book Who Gets Believed. Today's book is: Who Gets Believed by Dina Nayeri, which asks unsettling questions about lies, truths, and the difference between being believed and being dismissed. Dina Nayeri begins with asking why are honest asylum seekers dismissed as liars? She shares shocking and illuminating case studies, as the book grows into a reckoning with our culture's views on believability. From learning the tools of persuasion and performance in her job at McKinsey to struggling to believe her troubled brother-in-law, Nayeri explores an aspect of our society that is rarely held up to the light. Who Gets Believed is a book as deeply personal as it is profound in its reflections on morals, language, literature, human psychology, and the unspoken social codes that determine how we relate to one another. Our guest is: Dina Nayeri, who is the author of novels, articles, and creative nonfiction. A former Fellow at the Columbia Institute for Ideas and Imagination in Paris, winner of the UNESCO City of Literature Paul Engle Prize, and fellow at the American Library in Paris, she has also won a National Endowment for the Arts literature grant, the O. Henry Prize, and Best American Short Stories, among other honors. Her work has been published in 20+ countries, in The Guardian, The New Yorker, Granta, and many other publications. She is a graduate of Princeton, Harvard, and the Iowa Writers Workshop. She has recently joined the permanent faculty at the University of St. Andrews. Our host is: Dr. Christina Gessler, who is a historian. Listeners to this episode may also be interested in: The American Library in Paris The Innocence Project A Teaspoon of Earth and Sea, by Dina Nayeri Refuge, by Dina Nayeri The Ungrateful Refugee, by Dina Nayeri Becoming the Writer You Already Are, by Michelle R. Boyd Welcome to The Academic Life! Join us here each week to learn from today's experts inside and outside the academy, and embrace the broad definition of what it means to live an academic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism
Have you seen " Triangle of Sadness"? The movie has just swept up three major Oscar nominations - best picture, best director, and best screenplay - and its director Ruben Östlund is the guest of the CultureBlast podcast!Ruben talks about-how the 1 percent should "stop bullshitting and pay taxes"-how he filmed the vomiting scenes in " Triangle of Sadness"-how watching Michale Jackson's "Thriller" at the age of 10 made him want to become a filmmaker.And so much more. Hosted on Acast. See acast.com/privacy for more information.
On today's episode, we have a very exciting guest. We have Hyla, one of the co-founders of 437 and in today's episode, we talk about all things 437, how it started, some crazy moments, and how they transitioned from swimwear to now also having athleisure, performance-driven workout attire. We talk about 'How TF', which is the course Hyla and Adrien had made, and we also get into a little personal and fun stuff with Hyla about dating, about relationships, and then we do a little rapid fire, Q & A, questions... super playful, fun and light. There are so many amazing takeaways and I think it's going to be a super, awesome episode for you guys to listen to. Join the #HotGirlReset group hereShop my Revolve favorites hereFind Hyla here.Shop 437 here.Learn more about How TF here.STAY UP TO DATE: personal IGpodcast IGtiktokyoutubepinterestFor all business inquiries, email: lanibfit@gmail.com
On October 14, two activists, Phoebe Plummer and Anna Holland, walked into the National Gallery in London and threw a can of tomato soup on Van Gogh's Sunflowers while wearing shirts that read JUST STOP OIL. The action was part of a larger cycle of disruptive occupations and direct action by environmentalists in the UK, demanding dramatic action to cut fossil fuels in the face of climate change—but the Van Gogh soup attack by far drew the most media attention. Indeed, the tactic of using attacks on artworks to get their message out has caught on with campaigners this year, with environmentalists in at least half a dozen countries making headlines with spectacular actions in museums—gluing themselves to famous pieces, spray-painting the walls around them, or throwing food at artworks. These actions have, in turn, touched off a fierce debate among observers and activists alike about the art-attack tactic. Is it the kind of desperate move needed to shock the public into action when nothing else seems to work? Or do the actions repel otherwise sympathetic observers, isolating a movement that needs to scale up dramatically? London-based art journalist Farah Nayeri is a frequent contributor to the New York Times, and the author of the recent book Takedown: Art and Power in the Digital Age, which looks at how the digitally empowered activism of the last ten years has changed what the public expects from a museum. In an essay for Artnet News responding to these new museum actions, she wrote about the long history of vandalizing art for a cause, from suffragette Mary Richardson slashing Velazquez's Rokeby Venus more than a century ago, to protests within British museums against oil giant BP's sponsorship over the last decade. This week, Artnet News's national art critic Ben Davis spoke to Nayeri about this history, and what the stakes of the new protests truly are.
On October 14, two activists, Phoebe Plummer and Anna Holland, walked into the National Gallery in London and threw a can of tomato soup on Van Gogh's Sunflowers while wearing shirts that read JUST STOP OIL. The action was part of a larger cycle of disruptive occupations and direct action by environmentalists in the UK, demanding dramatic action to cut fossil fuels in the face of climate change—but the Van Gogh soup attack by far drew the most media attention. Indeed, the tactic of using attacks on artworks to get their message out has caught on with campaigners this year, with environmentalists in at least half a dozen countries making headlines with spectacular actions in museums—gluing themselves to famous pieces, spray-painting the walls around them, or throwing food at artworks. These actions have, in turn, touched off a fierce debate among observers and activists alike about the art-attack tactic. Is it the kind of desperate move needed to shock the public into action when nothing else seems to work? Or do the actions repel otherwise sympathetic observers, isolating a movement that needs to scale up dramatically? London-based art journalist Farah Nayeri is a frequent contributor to the New York Times, and the author of the recent book Takedown: Art and Power in the Digital Age, which looks at how the digitally empowered activism of the last ten years has changed what the public expects from a museum. In an essay for Artnet News responding to these new museum actions, she wrote about the long history of vandalizing art for a cause, from suffragette Mary Richardson slashing Velazquez's Rokeby Venus more than a century ago, to protests within British museums against oil giant BP's sponsorship over the last decade. This week, Artnet News's national art critic Ben Davis spoke to Nayeri about this history, and what the stakes of the new protests truly are.
On today's episode, I'm chatting with co-founder of luxe swim and activewear brand, 437, Hyla Nayeri. At 21, Hyla co-founded 437 alongside her best friend, Adrien Bettio, and it has since grown a cult following and has been featured on celebrities from Megan Thee Stallion, Kylie Jenner, Addison Rae, and Jennifer Lopez. 437 is a Toronto based brand that's known for its quality designs that never compromise style or fit. If you are an entrepreneur, this episode is for you. Hyla is full of value-packed knowledge and shares all her entrepreneur tips from marketing, building community, and how she grew 437 into the multimillion dollar company it is Today. She also talks on dealing with setbacks, cancel culture, finding balance, avoiding burnout, and so much more. To get Today's hot tip, Nippies Skin Lift, click HERE. To learn more about 437, click HERE. To connect with Hyla, click HERE. To connect with Siff, click HERE. To learn more about Arrae, click HERE. To learn more about Icing & Glitter, click HERE. Visit Clare at www.clare.com/dreambigger to get started. And receive 10% off your order. That's www.clare.com/dreambigger for 10% off. Produced by Dear Media
The British artist — who won the top prize at the Venice Art Biennale this year — speaks with calm eloquence about the pros and cons of being the first Black British woman to win the Golden Lion at the Venice Biennale. Hosted on Acast. See acast.com/privacy for more information.
The French actor, singer-songwriter and fashion icon speaks with incredible sincerity on a wide range of topics such as: Opening a museum in her father Serge Gainsbourg's Paris homeGrowing up as the shy daughter of two superstarsWorking with director Lars von Trier Hosted on Acast. See acast.com/privacy for more information.
For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people's demands for better ethics in art. But what should we, the people, do with this newfound power? With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown: Art and Power in the Digital Age (Astra Publishing, 2022) provides the necessary tools to navigate the art world. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people's demands for better ethics in art. But what should we, the people, do with this newfound power? With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown: Art and Power in the Digital Age (Astra Publishing, 2022) provides the necessary tools to navigate the art world. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people's demands for better ethics in art. But what should we, the people, do with this newfound power? With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown: Art and Power in the Digital Age (Astra Publishing, 2022) provides the necessary tools to navigate the art world. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people's demands for better ethics in art. But what should we, the people, do with this newfound power? With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown: Art and Power in the Digital Age (Astra Publishing, 2022) provides the necessary tools to navigate the art world. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people's demands for better ethics in art. But what should we, the people, do with this newfound power? With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown: Art and Power in the Digital Age (Astra Publishing, 2022) provides the necessary tools to navigate the art world. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people's demands for better ethics in art. But what should we, the people, do with this newfound power? With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown: Art and Power in the Digital Age (Astra Publishing, 2022) provides the necessary tools to navigate the art world. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices
For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people's demands for better ethics in art. But what should we, the people, do with this newfound power? With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown: Art and Power in the Digital Age (Astra Publishing, 2022) provides the necessary tools to navigate the art world. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In an unusually candid and personal conversation, the superstar Chinese artist talks about how money kills art, why he never wanted to become an artist, how his son Ai Lao may be following his footsteps and why he does laundry to relax at home in Lisbon. Hosted on Acast. See acast.com/privacy for more information.
Psychiatrist Henrietta Bowden-Jones talks to novelist Dina Nayeri about her experience of escaping Iran and seeking asylum. The author of The Ungrateful Refugee reveals why she left her homeland without her father, her "co-conspirator in life", and why that sense of loss that has always stayed with her. (Photo: Iranian American novelist Dina Nayeri during the Edinburgh International Book Festival 2019, Scotland. Credit: Roberto Ricciuti/Getty Images)
CultureBlast, the podcast series hosted by Farah Nayeri, brings you a titan of international dance: choreographer Wayne McGregor! Hosted on Acast. See acast.com/privacy for more information.
Farah Nayeri discusses her new book "Takedown: Art and Power in the Digital Age". In the book, Nayeri (a long-time culture journalist for The New York Times) addresses some of the art world's most prickly topics. Issues such as gender bias, underrepresentation, censorship and cultural appropriation are examined in the context of a more-connected world that has become passionate about issues of equality.Check out coverage of “Takedown” in the New York Times Book Review here. https://www.nytimes.com/2022/02/04/books/review/new-this-week.html
Dina Nayeri fled the Iran revolution with her family when she was 8. We're revisiting Nayeri's 2019 book, "The Ungrateful Refugee: What Immigrants Never Tell You,” and the conversation host Kerri Miller had with her about it in February 2020.
Hi Loudmouthers! I am so happy to be bringing author Dina Nayeri on the podcast today. After reading her book "The Ungrateful Refugee", I knew I had to have her on to talk about how she brings her voice out through her craft. We discuss how she got into writing, how Dina moves through genres of writing styles, and the parallels between every human experience.Learn more about Dina: http://www.dinanayeri.com/Read "The Ungrateful Refugee": https://amzn.to/3zMptTXFollow Dina:TwitterInstagramCHECK OUT THE NEW WEBSITE: http://loudmouth-podcast.com/BUY MERCH: https://loudmouth-3.creator-spring.com/Follow Me:Instagram: https://www.instagram.com/loudmouthpod/ Twitter: https://twitter.com/loudmouth_podGmail: loudmouthpod1@gmail.comPatreon: https://www.patreon.com/loudmouthpod--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/appSupport this podcast: https://anchor.fm/loudmouthpod/support
El yerbero Felipe Flores Rodríguez, nayeri (cora) del pueblo de Rosamorada, de El Nayar, Nayarit nos habla sobre su interesante trabajo y su experiencia. Visite nuestro sitio en www.japsun.com
This week we hear the story of Dina. She is an Iranian refugee who has had contrasting experiences of living abroad. She discusses the way in which she has been both brutalised and embraced in her adopted countries and her experience of racism in the UK. Life in Iran Dina grew up in Iran during the mid ‘80s. It was a time of https://www.britannica.com/event/Iranian-Revolution (revolution) and, as a result, she had “a tumultuous childhood”. There were, however, positive memories of that period too. Dina remembers the time spent together as a family, at her grandparents house. With her grandfather's rambling stories and her grandmother's epic feasts. It was a happy time. A magical experience Yet, at 6 years old, Dina had the chance to travel to the UK. Her aunt, Who lived in London, was getting married. The plan was for Dina to spend a few months in London and then return to Iran after the wedding. Dina reflects on the “storybook houses” she saw in London and she speaks with great excitement about being able to eat fresh bananas for the first time. The confectionery of the UK was something she also appreciated. She describes Maltesers as “a miracle of culinary perfection.” She says being in London was “magical because it was so Western…so foreign”. During this time, Dina's mother would convert to Christianity..... http://ourvoicespodcast.com/ (check out the Our Voices website for the rest of this article) We're also on https://www.facebook.com/ourvoicesinthenhs (Facebook), https://twitter.com/OurVoices14 (Twitter) and https://www.instagram.com/ourvoicespod/ (Instagram) A https://fascinateproductions.co.uk/ (Fascinate) Production Support this podcast
In the latest CultureBlast episode,Turkish-British Elif talks about her diplomatic mother, who took her around the world, and her storyteller grandmother, a healer who read coffee cups and melted lead at her home in Ankara. She discusses the taboos around sex in Turkey, where women are sometimes likened to a certain vegetable, and the excesses of identity politics in the West. Hosted on Acast. See acast.com/privacy for more information.
Die Schriftstellerin und Geschwister-Scholl-Preisträgerin plädiert für mehr Solidarität mit Flüchtlingen. Außerdem: Historische Hintergründe des Streits zwischen der EU und Polen und Gedanken zur Kultur des Protestantismus.
https://www.nytimes.com/live/2021/09/17/business/economy-stock-market-newshttps://www.wsj.com/livecoverage/elizabeth-holmes-trial-theranoshttps://www.cnbc.com/2021/08/28/elizabeth-holmes-plans-to-claim-at-trial-that-ex-boyfriend-and-theranos-business-partner-abused-her.htmlhttps://www.msn.com/en-us/news/crime/hossein-nayeri-gets-life-in-prison-for-abduction-torture-of-newport-beach-man/vi-BB1ayyxKhttps://www.latimes.com/socal/daily-pilot/news/story/2020-11-03/hossein-nayeri-of-newport-beach-gets-life-without-parole-in-kidnap-mutilation-case-victim-decries-sick-acthttps://www.ocregister.com/2021/05/27/man-gets-12-years-for-his-role-in-kidnapping-torture-of-newport-beach-dispensary-owner/https://heavy.com/entertainment/2020/03/hossein-nayeri/https://www.msn.com/en-us/news/crime/hossein-nayeri-gets-life-in-prison-for-abduction-torture-of-newport-beach-man/vi-BB1ayyxKSOCIAL MEDIA: @thebfdpodcastEMAIL: thebfdpodcast@gmail.com
#8: Hyla Nayeri and Adrien Bettio are best friends and at just 20 years old, they founded 437 by investing a few thousand dollars each. In just a few short years, it's generated multimillion dollar revenue figures and been featured in major publications like Cosmopolitan. Today, myself and Mayfair's Creative Director Kaylee chat with them to dive into the inception of the business and the gap they sought to fill in swimwear. The two reveal what it's like creating and growing a business with your best friend, how they handled being made fun of for starting their business and their mindset entering into a super competitive industry. We also announce our Mayfair x 437 collaboration coming out on July 26th and the process we went through to bring this amazing vision to life! #MAYFAIRWORLD Get In Touch With Hyla and Adrien: Follow 437 on Instagram HERE Follow Hyla on Instagram HERE Follow Hyla on Instagram HERE Shop 437 HERE Resources & Stuff We Mentioned: Hyla is currently reading “The E-Myth” by Michael Gerber. Adrien is currently reading “The Happiness Advantage” by Shawn Achor. Sam is currently reading “Ego Is The Enemy” by Ryan Holiday. MERCH Mark your calendars for July 26th to shop The Mayfair Group x 437 swimwear and apparel drop! Want More From Mayfair? Follow Sam on Instagram HERE Follow The Mayfair Group on Instagram HERE Shop The Mayfair Group HERE TEXT 81247 for exclusive updates! By signing up via text, you agree to receive recurring automated promotional and personalized marketing text messages (e.g. cart reminders) from Mayfair Merch at the cell number used when signing up. Consent is not a condition of any purchase. Reply HELP for help and STOP to cancel. Msg frequency varies. Msg & data rates may apply. View Terms {http://attn.tv/mayfairmerch/terms.html} & Privacy {https://attnl.tv/legal/p/Vii} This podcast is produced by Nikki Butler Media
CultureBlast, the new podcast series hosted by Farah Nayeri, is back with another superstar guest -- Nan Goldin! In her first-ever podcast, Nan makes revelations about her campaign against the Sackler family, makers of OxyContin (a painkiller she became addicted to); her experience of male brutality; and her true feelings about Instagram. Hosted on Acast. See acast.com/privacy for more information.
Refugees are modern Scheherazades. They trade their story for another chance at life. The sultan is an indifferent asylum officer behind her desk, a well-meaning charity worker or a hostile native citizen. But so much truth goes untold. The exhausting expectations of gratitude, the long wait that douses your inner fire, the battle for dignity and the big impact of small acts… Iranian American novelist Dina Nayeri lifts the veil in The Ungrateful Refugee, her first memoir, weaving her personal story with reporting in Greek refugee camps. 02:18 Why she made the move from fiction to nonfiction05:07 How the refugee experience has changed from the 80s07:30 A culture of disbelief in immigration offices09:54 When refugees become storytellers to security guards14:18 How culture changes storytelling17:21 What you lose when you wait21:51 How womanhood and refuge interplay24:19 Why do we make a difference between political refugees and economic migrants?26:46 Stop asking what refugees can do for us28:45 Why dignity matters31:21 What are we entitled to as human beings? Why aren't others?33:16 Rawls' original position and American exceptionalism36:54 The US president changed, not the system38:53 What individuals can do to help40:19 Gratitude is private44:09 Political engagement is assimilation46:17 Outro
Daniel Nayeri intrigues listeners from start to finish with his powerful autobiographical novel for children, a finalist for both the Audie Award and the National Book Award. Host Jo Reed and AudioFile’s Emily Connelly discuss Nayeri’s patchwork of compelling stories woven from Persian history and myth, and stories from his own childhood. Listeners go back and forth in time, hearing of his early childhood in Iran, their escape, his time as a refugee in Italy, and starting over with his mother and sister in Oklahoma. Nayeri’s story was made to be listened to. Read the full review of the audiobook on AudioFile’s website. Published by Listening Library. Find more audiobook recommendations at audiofilemagazine.com AudioFile is hosting a webinar at 12 ET on May 6th featuring children’s and teen audiobooks to inspire conversations around immigration in schools and at home. Join to hear live readings and discussions with narrators Priya Ayyar, Marisa Blake, and Anthony Rey Perez, and Kirsten Cappy of I’m Your Neighbor Books. Sponsored by Dreamscape Audio. Register here. Support for AudioFile's Behind the Mic comes from PENGUIN RANDOM HOUSE AUDIO, dedicated to producing top-quality fiction and nonfiction audiobooks written and read by the best in the business. Visit penguinrandomhouseaudio.com/audiofile now to start listening. Learn more about your ad choices. Visit megaphone.fm/adchoices
Dina is a novelist and also the author of the non-fiction book ‘The Ungrateful Refugee'. In this episode, she speaks about her childhood in war-torn Iran, refugee hostels in Rome and eventually in Oklahoma, why many refugees feel the need to show why they were a good investment, the nature of storytelling and more.
Deep-dive interviews with personalities from the world of culture hosted by Farah Nayeri Hosted on Acast. See acast.com/privacy for more information.
This week on the podcast Samantha speaks with 437 (@437) founders Adrien Bettio and Hyla Nayeri. The two best friends tell their story of how they started their business out of college, totally self funded. They share some of their dreams (hint: many of them weren't realistic!) and also their successes that they never thought possible. This young and authentic duo really have leveraged what they know, that being the market they are selling to, Instagram and their friendship to build a brand now swooned after by many publications, style gurus and celebrities. To learn more about The Fit Fatale visit the site HERE To learn more about 437 visit the site HERE To connect with Samantha click HERE To connect with 437 click HERE To connect with Adrian click HERE To connect with Hyla click HERE To check out BASD use code TFF20 for 20% off and visit the site HERE
This week on the podcast Samantha speaks with 437 (@437) founders Adrien Bettio and Hyla Nayeri. The two best friends tell their story of how they started their business out of college, totally self funded. They share some of their dreams (hint: many of them weren't realistic!) and also their successes that they never thought possible. This young and authentic duo really have leveraged what they know, that being the market they are selling to, Instagram and their friendship to build a brand now swooned after by many publications, style gurus and celebrities. To learn more about The Fit Fatale visit the site HERE To learn more about 437 visit the site HERE To connect with Samantha click HERE To connect with 437 click HERE To connect with Adrian click HERE To connect with Hyla click HERE To check out BASD use code TFF20 for 20% off and visit the site HERE
In this episode of the Fiction/Non/Fiction podcast, Iranian-American novelists and memoirists Jasmin Darznik and Dina Nayeri talk to hosts V.V. Ganeshananthan and Whitney Terrell about the 40th anniversary of the Iranian Revolution. How has the country changed in four decades, and what is it like to write about the preceding and subsequent history? Guests:Jasmin DarznikDina Nayeri Readings for the Episode:Jasmin DarznikThe Good Daughter: A Memoir of My Mother's Hidden LifeSong of a Captive Bird***Dina NayeriA Teaspoon of Earth and SeaRefugeThe Ungrateful Refugee: What Immigrants Never Tell YouThe ungrateful refugee: ‘We have no debt to repay', April 4, 2017, The Guardian Others: Forugh Forrokhzad Learn more about your ad choices. Visit megaphone.fm/adchoices
From besties to biz partners this week's WDII guests are the powerhouse babes behind 437 Swimwear. Bailey and Jacci are chatting with Founders and BFF's Hyla and Adrien to chat about how these two girls in their early twenties started a revolutionary swimwear brand that is taking over the gram and the globe. You'll love what they have to say about body inclusivity, eating pizza in a bikini and proving doubters wrong. Plus, B & Jac are recapping their recent Vegas trip and sharing all the embarrassing details. ---------- Follow along at @whatdayisitpodcast Get social using #whatdayisitpodcast Don't forget to creep the hosts @baileyjst and @jaccirai Questions, comments, feedback? Email us whatdayisitpodcast@gmail.com ---------- Huge thank you to our sponsors who make this podcast possible! Coal & Canary - Canadian made, small batch candles made with vegetable and soy wax for playful personalities. Take 20% OFF when you use code WDII at coalandcanary.com Learn more about your ad choices. Visit megaphone.fm/adchoices
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