Podcasts about cloches

Durante décadas, Armande de Polignac permaneceu praticamente ausente da história da música. O seu nome desapareceu dos programas de concerto e muitas obras sobreviveram apenas em manuscritos dispersos. Agora, os pianistas Bruno Belthoise e João Costa Ferreira recuperam a compositora num disco que inclui primeiras gravações mundiais, revelando uma figura essencial da transição entre o romantismo tardio e a modernidade musical francesa do início do século XX. Esquecida durante mais de um século, Armande de Polignac regressa agora através de um disco de Bruno Belthoise e João Costa Ferreira, dedicado a manuscritos reencontrados e primeiras gravações mundiais. Entre simbolismo, impressionismo e modernismo do início do século XX, o álbum revela uma compositora singular, cuja obra foi apagada da memória musical apesar da originalidade, da estética e da proximidade aos grandes centros artísticos franceses do início do século XX. “A música de Armande de Polignac é realmente uma coisa para descobrir”, começa por contar Bruno Belthoise. Para o pianista francês, a compositora pertence a um momento decisivo da cultura europeia, em que as mulheres começaram lentamente a conquistar espaço no universo da criação musical. “Ela fazia parte de uma família muito dedicada às artes e à música” e iniciou “muito jovem” os seus estudos musicais. Sobretudo, acrescenta Bruno Belthoise, pertenceu a uma geração que beneficiou de mudanças profundas na sociedade francesa: “Nos séculos antigos era quase impossível ser mulher compositora.” Bruno Belthoise recorda que o início do século XX coincidiu com a abertura gradual das grandes instituições musicais às mulheres. “Ela aproveitou uma dinâmica muito importante”, explica, referindo-se ao momento em que compositoras passaram a poder apresentar-se ao Prix de Rome. “Estas mulheres começaram a ser mais conhecidas no início do século XX.” Embora Armande de Polignac nunca tenha concorrido ao prémio, desenvolveu uma carreira intensa e ligada ao meio musical parisiense. “Ela dedicou a vida inteira à composição”, sublinha Bruno Belthoise. Estudou com figuras fundamentais da música francesa, entre elas Vincent d'Indy, Eugène Gigout e Gabriel Fauré. “Deixou uma obra muito importante, quase 200 obras em todos os domínios”, acrescenta. Música para piano, música de câmara, obras orquestrais, ópera e ballet fazem parte de um catálogo hoje ainda pouco conhecido. A compositora dirigiu igualmente as suas próprias obras no Théâtre du Châtelet, em Paris, e estreou a ópera Petite Sirène na Opéra de Nice. Para Bruno Belthoise, Armande de Polignac “simboliza a passagem entre a música romântica e a música moderna francesa”, num território onde convivem o impressionismo, o simbolismo e as novas linguagens do século XX. Ainda assim, a compositora acabou por desaparecer quase totalmente da memória musical europeia. “As suas obras não foram muito divulgadas, não foram muito editadas”, lamenta Bruno Belthoise. Grande parte da produção permaneceu inédita ou acessível apenas através de manuscritos. “Mesmo apesar de poder participar na programação de concertos em Paris, as mulheres não eram muito destacadas.” Ao ouvir o disco, a ausência prolongada na história da música de Armande de Polignac torna-se difícil de compreender. João Costa Ferreira descreve uma música construída sobre timbres delicados e ressonâncias quase suspensas. “Quando ouvimos Nos Jardins do Palácio do Sultão, sentimos esse universo tímbrico muito especial”, explica. O pianista português destaca ainda a importância do instrumento utilizado na gravação: “Havia um Steinway cujas características permitiam certas coisas que outros pianos não permitem.” A estética de Armande de Polignac revela uma forte influência do exotismo francês do início do século XX. João Costa Ferreira fala numa “procura por cores de países longínquos, como o mundo árabe e sobretudo o mundo asiático”. A compositora escreveu obras inspiradas na China, no Japão e nas atmosferas orientais das Mil e Uma Noites. “Ela seguia essa corrente estética modernista da procura por essas sonoridades exóticas”, acrescenta. Segundo João Costa Ferreira, essa linguagem resulta tanto do ambiente artístico parisiense como da influência directa dos mestres com quem Armande de Polignac estudou. “Vê-se claramente a influência dos seus pares e da sua época”, observa. A tradição impressionista francesa, marcada por Debussy e pelas Exposições Universais de Paris, atravessa muitas destas obras. Ainda assim, as referências nunca surgem como mera imitação. Há ecos de Fauré, Debussy ou mesmo de certas escolas russas, mas a escrita mantém sempre uma identidade própria. Bruno Belthoise enquadra essa diversidade no ambiente cultural extremamente aberto do início do século XX. “Era tudo aberto no início do século XX”, afirma. “Tchaikovsky chegou a Paris no fim do século XIX, Gustav Mahler no início do século XX. Essa convergência era importante para desenvolver a imaginação dos compositores.” Na escrita pianística, Bruno Belthoise identifica “uma mistura entre romantismo e modernismo”, associada a um trabalho particularmente sofisticado sobre a ressonância sonora. “Da maneira francesa, havia realmente este desenvolvimento do piano através das ressonâncias do instrumento”, explica. “Mas também a parte russa desenvolveu muito a escrita para piano.” Para João Costa Ferreira, interpretar estas partituras implica uma experiência rara no mundo contemporâneo da música clássica: tocar obras praticamente sem memória auditiva acumulada. “Hoje em dia, quando interpretamos Chopin ou Beethoven, temos todas as referências auditivas dessas obras”, explica. “Aqui criamos uma interpretação a partir do nada.” Esse desafio tornou-se central no percurso artístico dos dois pianistas. “Sentimos que estamos a descobrir algo pela primeira vez”, afirma João Costa Ferreira. “Propor uma primeira escuta, uma primeira interpretação de algo que nunca foi ouvido, pelo menos nos últimos cem anos, é muito estimulante.” Bruno Belthoise partilha a mesma visão. “Procurar repertório diferente é importante para nós”, diz. “Descobrir obras novas é uma coisa muito estimulante.” Esse trabalho de redescoberta já levou os dois pianistas a explorar repertórios esquecidos de compositores como José Vianna da Motta, Fernando Lopes-Graça ou Gabriel Fauré. Mas este disco surge também de uma dimensão pessoal. Bruno Belthoise revela que a ideia do projecto nasceu de “duas influências diferentes”. A primeira foi o pianista francês Laurent Martin, figura central na recuperação de compositoras francesas esquecidas. “O Laurent Martin gravou muitos discos e interpretou muitas vezes compositoras francesas”, recorda Bruno Belthoise. “Ele confiou-me uma quantidade de partituras dela, perguntando-me se eu estaria interessado em trabalhar a obra de Armande de Polignac para a fazer conhecer”. Essa transmissão entre músicos revelou-se decisiva para o projecto. Laurent Martin, conhecido pelo trabalho de investigação em torno do romantismo francês e das compositoras esquecidas, funcionou como verdadeiro impulsionador da redescoberta de Armande de Polignac. A segunda influência surgiu em Lisboa, através de uma descoberta inesperada. Um manuscrito de Cloches, ligado à família Assis de Barros, apareceu nas mãos de Bruno Belthoise graças ao investigador João Pedro Mendes dos Santos. “Foi exactamente como um arqueólogo”, admite o pianista francês. “Esse manuscrito surgiu completamente sem preparação e caiu nas minhas mãos.” A descoberta revelou uma ligação pouco conhecida entre Armande de Polignac e Portugal. “Ela tinha uma ligação particular à família Assis de Barros e visitou Lisboa várias vezes”, explica Bruno Belthoise. O disco inclui ainda várias obras para piano a quatro mãos, formação que exige uma relação muito específica entre intérpretes. “Tocar a quatro mãos é uma coisa de que gosto imenso”, afirma Bruno Belthoise. “É um pequeno exercício de equilibrismo.” A proximidade física obriga a reinventar gestos, movimentos e respirações. “É muito importante ensaiar juntos”, acrescenta. “Não podemos fazer piano a quatro mãos sem esse trabalho comum.” Para João Costa Ferreira, essa construção colectiva faz parte da própria identidade artística do duo. “Este desafio é completamente diferente do que gravar o grande repertório canónico”, afirma. Depois da edição do álbum, seguem-se agora concertos em Lisboa, Tavira, Madeira e França. Bruno Belthoise interpretou igualmente obras para piano solo de Armande de Polignac em Saint-Leu-la-Forêt, no Val-d'Oise, no passado 30 de Maio.

Ce week-end, c'est Pâques !

Les cloches viennent de partir de Rome...Mais nous, en ce dimanche de Pâques, et encore plus fort que le facteur qui sonne toujours 2 fois, nous avons décidé de vous sonner 3 fois les cloches ! Voici Tina Arena, reprenant cette vieille chanson rendue célèbre par Edith Piaf et les Compagnons de la chanson : « Les trois cloches ». Ecoutez Le tube de la matinale avec Vincent Perrot du 05 avril 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Tu veux que je te raconte l'histoire des cloches qui rendent fou? Alors attrape ta brosse à dents, ton dentifrice, et c'est parti!

Spring is finally starting to show itself in Richard's garden this week, with early sowings going into the ground, the greenhouse warming up, and both the allotment and kitchen garden shaking off winter. From experimenting with early carrots to juggling seedlings on every available surface, and finishing with a fascinating conversation about soil health and wool‑based fertilisers, it's been a week full of momentum and inspiration. In the Allotment Richard began the week with a touch of gardener's guilt after a rare day away at a photography show. But despite that, the allotment is progressing well. Cloches and black membrane have been warming the soil, creating ideal conditions for the first early carrots of the year. As he explained, “when you have consistently same soil… the carrots don't fork” — the reason behind his decision to grow them in concrete tubes filled with fresh compost. Parsnips also went in, earlier than he would normally attempt, but with the hope of an early harvest. Around the site, spring is unmistakably arriving: nettles, gooseberries, blackberries and even the neighbour's plot are showing signs of life. Compost continues to be added to empty beds, and Richard reflected on the ongoing debate about whether spring or winter is best. As he put it, “adding compost to the soil is a good thing… when the beds are empty is when we add the compost”. Green manures are still doing their job too, being chopped and dropped to feed the soil before a layer of compost goes on top. In the Kitchen Garden Back home, the mix of frosty mornings and warm afternoons has created perfect conditions for more sowing. Carrots and parsnips have gone in again under cloches, acting as a backup to the allotment. Richard also shared how his polyculture experiment is progressing. It's a learning curve, but already proving interesting: “You really do have to think about what you're sowing and where and when those plants are going to be ready for harvesting.” The veggie pods are now filled with lettuce, spring onions and cut‑and‑come‑again salads — a setup he has relied on for years. Indoors, tomatoes, courgettes, pumpkins and more are filling every available space, with cold frames warming up ready for the next wave of seedlings. Inside the greenhouse, watering has become a daily reminder. As Richard noted, “a greenhouse doesn't get rain on the inside” — something many gardeners forget at this time of year. Recipe of the Week This week's dish was a bright, seasonal plate of purple sprouting broccoli with lemon butter and orzo. Quick, simple, and a perfect way to celebrate one of the best crops of early spring. Interview: Eddie from Traditional Garden Growers In the podding shed, you welcomed Eddie from traditional Garden Growers — a grower with a passion for soil science and regenerative methods. His journey from Harper Adams to market gardening, and now to producing natural fertilizers, made for a fascinating conversation. One standout moment was his explanation of wool pellets. Older farmers used belly wool and daggings on their veg patches, and Eddie has revived that tradition in a modern form. As he explained, wool pellets: Increase water‑holding capacity Boost microbial activity Release nutrients slowly Provide natural nitrogen and potassium He also introduced other products: Power Plant Pellets — digestate‑based rocket fuel for hungry crops Thatcher's Mulch — pelletised straw that expands into a weed‑suppressing, moisture‑retaining mulch Compost Booster — a brown‑matter solution for slimy, green‑heavy compost heaps It was a brilliant discussion on soil health, sustainability, and making the most of undervalued natural resources. If you would like to support this podcast then please consider becoming a member of our supporters club or use some of affiliate links below for items you might be buying. We might get a little commission

https://rootsandall.co.uk/podcast/episode‑193‑growing‑under‑protection/In this episode, I'm joined by Beth Gregg, founder of Claverton Cloches, who's on a mission to revive the beauty and practicality of Victorian cloche gardening. We talk about cloches of all shapes, sizes, and materials, how they can extend the growing season and protect crops, and explore the history, design, and sustainability behind them — and why sometimes the smallest structures can make the biggest difference in the garden. Benny's Insect of the Week: Daffodil Dung Fly About Beth Gregg is a passionate advocate of cloche gardening and the founder of Claverton Cloches. Her love affair with the romance of the English garden, particularly the ingenuity of historic kitchen gardens, led her to explore the power of the humble cloche as both a practical and beautiful growing tool. In her own garden, Beth uses cloches extensively to extend the seasons and create microclimates. She ripens chillies and tender crops outdoors in lieu of a greenhouse, overwinters flowers for early cutting in late spring, and protects delicate young plants from frost, wind and hungry garden visitors. For her, cloches are not ornamental extras, but transformative tools - simple structures that can dramatically improve yield, resilience and timing in the garden. Inspired by antique Victorian designs, she went on to found Claverton Cloches in 2020, reviving traditional cast-iron and glass forms for modern gardeners who value both beauty and productivity. Her work celebrates the quiet practicality of historic garden craft, and the idea that functional objects in the garden can, and should, be deeply beautiful. You can explore Claverton Cloches at www.clavertoncloches.com Please support the podcast on Patreon And follow Roots and All: On Instagram @rootsandallpod On Facebook @rootsandalluk On LinkedIn @rootsandall If you liked this week's episode with Beth you might also enjoy this episode from the archives: Episode 142: Growing Under Cover with Niki Jabbour Canadian gardener and author Niki Jabbour joins Sarah to share her deep‑dive wisdom on using crop covers, season‑extending techniques and protected structures to grow productive, weather‑resilient vegetable gardens — even in challenging climates. From practical crop‑cover strategies to prolonging your growing year, this episode is full of hands‑on insight for gardeners looking to get more from their space.  Episode 193: Growing Under Protection Horticultural expert Guy Deakins joins Sarah to explore what "protected growing" really means — how to create successful micro‑climates in the garden, the benefits and pitfalls of sheltered environments, and how protection can boost plant health and productivity. It's a thoughtful complement to our discussion about cloches and ways of supporting plants through design and environment. 

Aux origines de Nuuk : l'aventure des Frères moraves au cœur du Groenland - La Tchéquie face à un des effondrements de la natalité les plus rapides d'Europe - Redécouvrir les sons des cloches de Bohême et de Moravie volées par les nazis

Aux origines de Nuuk : l'aventure des Frères moraves au cœur du Groenland - La Tchéquie face à un des effondrements de la natalité les plus rapides d'Europe - Redécouvrir les sons des cloches de Bohême et de Moravie volées par les nazis

This week on the Veg Grower Podcast, I've been dodging rain showers, running a greenhouse heating test, answering listener questions, and getting the allotment ready for the season ahead. Despite the soggy conditions, there's still plenty happening both in the kitchen garden and down on the plot. Kitchen Garden: Cloches, Weeds & a Diesel Heater Test We've had tiny breaks in the weather — just enough to dash outside and get a few jobs done. Most of my time has been spent clearing weeds and preparing the beds for the cloches that will really come into their own throughout March. Cloches help warm the soil and give early sowings like carrots and beetroot a head start. I also ran a dummy test of my new diesel heater in the greenhouse. It was a Christmas gift I've been itching to try, and despite the temporary extension lead setup, it worked surprisingly well. The greenhouse heated up quickly, and it's given me a good idea of how to position it properly once I finally get those two trees removed and can run proper electrics down to the shed. A few tweaks are needed — especially around exhaust placement and raising the heater off the ground — but it's a promising start. Listener Question: What Veg Can You Grow While Heavily Pregnant? I received a lovely email from Tanya, who is 36 weeks pregnant and looking for easy, tasty crops to grow. I suggested things like radishes, tomatoes, kale, rhubarb and beetroot — but I also put the call out to listeners who have grown veg during pregnancy to share their experiences. If that's you, get in touch and I'll pass your tips on to Tanya. She also sent a photo of her chilli plants, which had some marks on the leaves. My first thought was spider mite, but after checking my own seedlings indoors, I discovered a greenfly outbreak. A simple blast of water from a spray bottle cleared them off — not my favourite method, but effective for now until the plants can move outside where ladybirds can help. Down on the Allotment: Lighter Evenings & Straw Bale Gardening The evenings are noticeably lighter now — not quite enough for after‑work gardening, but we're getting there. The allotment is still saturated, so I focused on tidying, checking beds, and clearing weeds. I also noticed my hazel sticks had been disturbed, though thankfully none seem to be missing. This week I mulched my garlic and onions with straw to help lock in moisture for the months ahead. I also started conditioning a new straw bale bed, something I trialled successfully last year. With regular watering and high‑nitrogen feed (I use urea), the bales break down into a warm, nutrient‑rich growing medium. It's a great way to turn problem areas into productive beds with fewer weeds. Recipe of the Week: Cheesy Leek, Kale & Potato Bake This week's recipe is a comforting, late‑winter favourite: a cheesy leek, kale and potato bake. It's simple, warming, and perfect for using the leeks we're sowing this month and potatoes from storage. You'll find the full recipe on the website. Beekeeping Update with Mark Mark from Buzz Into Beekeeping joined me for our monthly update. We talked about what bees are doing right now — clustering for warmth, taking cleansing flights on mild days, and beginning to collect early pollen as the queen starts laying again. It's a crucial time for beekeepers to ensure colonies have enough stores and are ready for spring expansion.

La cheffe d'orchestre et compositrice Vítězslava Kaprálová, telle qu'en elle-même - Redécouvrir les sons des cloches volées par les nazis : l'étonnant projet de la Radio tchèque

La cheffe d'orchestre et compositrice Vítězslava Kaprálová, telle qu'en elle-même - Redécouvrir les sons des cloches volées par les nazis : l'étonnant projet de la Radio tchèque

Transition politique et controverses - Cloches disparues : un projet sonore - Cendrillon, le film culte des Tchèques à Noël

Transition politique et controverses - Cloches disparues : un projet sonore - Cendrillon, le film culte des Tchèques à Noël

Ce matin sur Skyrock, Difool nous présente Tatiana et Pierre, un couple à cran à cause du bruit des cloches de l'église !

durée : 00:13:33 - Rachmaninov, Elgar - Royal Philharmonic Orchestra, Vasily Petrenko - Le chef Vasily Petrenko continue son exploration du répertoire russe. Spécialiste de Rachmaninov, il enregistre son impressionnante symphonie chorale les Cloches. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:13:33 - Rachmaninov, Elgar - Royal Philharmonic Orchestra, Vasily Petrenko - Le chef Vasily Petrenko continue son exploration du répertoire russe. Spécialiste de Rachmaninov, il enregistre son impressionnante symphonie chorale les Cloches. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Aujourd'hui je vous propose un épisode un peu différent de d'habitude. Nous n'allons pas répondre à une question mais nous intéresser à un phénomène vieux comme l'humanité : les signaux ! Car oui, à bien y réfléchir les Hommes répondent depuis toujours à des alertes ! Autrefois elles étaient collectives et sacrées. Aujourd'hui plus individuelles et personnalisées. Et justement, c'est ce qui est intéressant. L'évolution de ces signaux racontent notre propre évolution, celle de nos sociétés ; et ce, de la communauté médiévale aux notifications digitales.Commençons par les origines : la cloche, la voix du village.Au Moyen Âge, elle est avant tout un instrument religieux, bien entendu. Mais pas que. C'est aussi et surtout un outil de cohésion sociale.En France, on estime qu'au XVe siècle, plus de 40 000 clochers rythmaient la vie des campagnes. Leur son résonnait à des kilomètres à la ronde, marquant les heures de prière, mais aussi les fêtes, les incendies ou les dangers imminents.Et ces sons n'étaient pas choisis au hasard : chaque tonalité transmettait un message précis.La cloche appartenait souvent à l'Église, mais aussi aux seigneurs locaux : c'était donc un symbole d'autorité. Dans un monde sans horloge, sans journaux et sans électricité, elle représentait le premier système de communication de masse.Le signal sonore unissait le village ; il façonnait un temps commun et imposait un rythme collectif.Ensuite, avec la Révolution industrielle, tout va changer. Le signal devient mécanique et change de nature.Le XIXe siècle fait naître la sirène d'usine, le sifflet du contremaître, le télégraphe et le code Morse. Inventé en 1837, ce dernier permet de transmettre des messages à distance sous forme de points et de traits : le signal devient donc langage.Les usines, elles, adoptent des systèmes sonores pour encadrer le travail : entrée, pause, fin de journée. C'est l'ère de la discipline mécanique.On le voit, le signal ne symbolise plus le sacré, mais la productivité et la sécurité.Et puis, apparaissent les premières sirènes municipales à la fin du XIXe siècle, pour alerter en cas d'incendie ou d'accident. Et pendant la Seconde Guerre mondiale, le pays met en place un réseau national d'alerte : aujourd'hui encore, plus de 4 500 sirènes sont testées chaque premier mercredi du mois.Le signal s'est alors industrialisé, standardisé, codifié. Il n'unit plus une communauté spirituelle : il coordonne une société moderne.Puis, une nouvelle fois tout va changer. A la fin du XXe siècle, le signal devient numérique et personnel. Le téléphone, d'abord fixe, puis mobile, introduit une alerte privée : la sonnerie ne s'adresse plus à tous, mais à une seule personne.Avec le SMS, puis les notifications, l'information se dématérialise et se multiplie. Aujourd'hui, plus de 85 % des Français possèdent un smartphone : chacun reçoit donc ses propres alertes en temps réel.Mais contrairement aux signaux mécaniques, ces notifications ne cherchent plus à contraindre, mais à accompagner.Elles servent à prévenir un rendez-vous, signaler un colis, alerter d'un retard ou d'un changement. Elles sont devenues des outils pratiques, conçus pour simplifier la vie quotidienne.Le signal numérique n'interrompt plus : il informe intelligemment.Ainsi, du clocher médiéval à l'écran tactile, le signal a suivi l'évolution des sociétés : de la prière au travail, et du travail à la mobilité.Aujourd'hui, grâce à la technologie, il se met au service de chacun, non pour interrompre, mais pour accompagner. Et s'il a changé de forme, sa fonction reste la même depuis mille ans : nous relier à ce qui compte... Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

La prostitution désormais imposable en Tchéquie après un revirement de jurisprudence - Redécouvrir les sons des cloches volées par les nazis : l'étonnant projet de la Radio tchèque - « Tomíčkovi » : le célèbre livre du dessinateur Bedřich Fritta sur l'enfance à Terezín enfin publié en Tchéquie

La prostitution désormais imposable en Tchéquie après un revirement de jurisprudence - Redécouvrir les sons des cloches volées par les nazis : l'étonnant projet de la Radio tchèque - « Tomíčkovi » : le célèbre livre du dessinateur Bedřich Fritta sur l'enfance à Terezín enfin publié en Tchéquie

durée : 00:28:36 - Rachmaninov et l'orchestre (3/4) : De "L'Île des morts" aux "Cloches" : l'accomplissement - par : Christian Merlin - Serge Rachmaninov est passé à la postérité pour son génie de pianiste et les tubes écrits pour son instrument. Au risque d'oublier qu'il fut aussi un orchestrateur de premier ordre, et que ses symphonies, poèmes symphoniques et opéras recèlent des trésors trop méconnus. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

 In this week's episode, we spotlight the adorable and surprisingly ancient Scots Dumpy chicken. Fiona and Hugh Osborne from English Country Life join us to talk about the changing seasons and the many fall tasks on the homestead. We share our recipe for an absolutely delicious Apple and Sausage Breakfast Bake, and throw in some retail therapy with wire garden cloches. Grubbly Farms - click here for our affiliate link.https://www.anrdoezrs.net/click-100963304-15546963Pre and Probiotic and Vitamin and Electrolyte Powders!Naturewise Silkie & Layer Ornamental Feed: https://nutrenaworld.com/products/naturewise-silkie-and-ornamental-layer-feed/?utm_source=_coffeewithchickenladies&utm_medium=_podcast&utm_campaign=_poultry_nutrena_naturewise_silkie-ornamental-layer_mofu_launchBright and Early Coffee - use code CWTCL15 for 15% off of any bagged coffee. K Cups always ship free!https://brightandearlycoffee.com/Omlet Coops- Use Our Affiliate Link and COFFEE10 code for 10% off!https://tidd.ly/3Uwt8BfChicken Luv -  use CWTCL50 for 50% off your first box of any multi-month subscription!https://www.chickenluv.com/Breed Spotlight is sponsored by Murray McMurray Hatcheryhttps://www.mcmurrayhatchery.com/Metzer Farms Waterfowlhttps://www.metzerfarms.com/Nestera UShttps://nestera.us/cwtclUse our affiliate link above for 5% off your purchase!Apple and Sausage Breakfast Bakehttps://coffeewiththechickenladies.com/farm-fresh-egg-recipes/apple-and-sausage-breakfast-bake/CWTCL Websitehttps://coffeewiththechickenladies.com/CWTCL Etsy Shophttps://www.etsy.com/shop/CoffeeWChickenLadiesAs Amazon Influencers, we may receive a small commission from the sale of some items at no additional cost to consumers.CWTCL Amazon Recommendationshttps://www.amazon.com/shop/coffeewiththechickenladiesSupport the show

A 10h, ce vendredi 15 août 2025, les GG : Barbara Lefebvre, prof d'histoire-géographie, Bruno Poncet, cheminot, et Emmanuel de Villiers, entrepreneur, débattent de : Faut-il interdire les cloches des églises la nuit ?

Et si vous visitiez les usines et les ateliers d'entreprises qui portent le savoir-faire français ? Elles ouvrent leur portes au public. Dans ce numéro, Pierre Herbulot vous emmène à la fonderie de cloches Cornille Havard, à Villedieu-les-Poêles. Toutes les cloches de Notre-Dame de Paris viennent de là. La fonderie allie le savoir-faire ancien et les techniques modernes. Ecoutez L'angle éco avec Pierre Herbulot du 01 août 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Et si vous visitiez les usines et les ateliers d'entreprises qui portent le savoir-faire français ? Elles ouvrent leur portes au public. Dans ce numéro, Pierre Herbulot vous emmène à la fonderie de cloches Cornille Havard, à Villedieu-les-Poêles. Toutes les cloches de Notre-Dame de Paris viennent de là. La fonderie allie le savoir-faire ancien et les techniques modernes. Ecoutez L'angle éco avec Pierre Herbulot du 30 juillet 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Et si vous visitiez les usines et les ateliers d'entreprises qui portent le savoir-faire français ? Elles ouvrent leur portes au public. Dans ce numéro, Pierre Herbulot vous emmène à la fonderie de cloches Cornille Havard, à Villedieu-les-Poêles. Toutes les cloches de Notre-Dame de Paris viennent de là. La fonderie allie le savoir-faire ancien et les techniques modernes. Ecoutez L'angle éco avec Pierre Herbulot du 30 juillet 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

L'album "Back in Black" d'AcDc a 45 ans.L'occasion de vous rediffuser mon épisode où j'abordais "Hells Bells". Episode diffusé initialement le 23/07/2020. *Dernier épisode de la saison, avant un format de l'été un peu différent, on laisse de côté cette fois-ci les lives acoustiques, et on part dans l'Ouest américain déguster une reprise "à la cool" d'Ac/Dc, l'occasion de revenir sur les 2 groupes du jour et sur une partie de leur discographie.

Andrés Amorós dedica un cuarto programa a este pianista ruso muy respetuoso con la labor de los compositores. Andrés Amorós dedica este programa a las interpretaciones que Sviatoslav Richter realizó de Brahms y Debussy. Se subraya la filosofía del pianista ruso, que se consideraba a sí mismo un mero ejecutor al servicio de la obra, mostrando un respeto absoluto por la partitura y el compositor, por encima de cualquier lucimiento personal. Esta actitud le diferencia de otros virtuosos y define su enfoque artístico. En su acercamiento a Johannes Brahms, Richter exhibía una afinidad particular, prefiriéndolo incluso a Schumann. Su interpretación del Scherzo del Concierto para piano nº 2 es un ejemplo de su fuerza controlada y su renuncia al sentimentalismo. Richter aborda a Brahms con la potencia y la hondura requeridas, pero siempre manteniendo una sobriedad y una fidelidad extremas al texto musical. La selección de Claude Debussy demuestra la enorme versatilidad del pianista. Richter era capaz de adaptarse a estilos muy diferentes, recreando las atmósferas y el color del impresionismo francés. Se escuchan fragmentos de Cloches à travers les feuilles y L'Isle Joyeuse, piezas en las que el pianista logra evocar el misterio y la alegría jubilosa con una claridad y una técnica prodigiosas, sin perder la esencia etérea de la música. Finalmente, se destaca la figura de Richter como un artista único y enigmático, alejado de los circuitos comerciales y de la autopromoción. Su dedicación a la música por encima de todo queda reflejada en anécdotas como la creación de su propio festival en un granero en Francia, buscando la acústica y el ambiente perfectos. Se le recuerda como un intérprete puro más que como una estrella del piano.

durée : 00:03:23 - Le "like", ici Lorraine - Hugo Gautraud, lycéen thionvillois et campanologue (expert ès cloches) depuis deux ans. Il partage sa passion sur YouTube. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:01:37 - Gros Plan FB Gascogne

Préparez-vous à découvrir une pépite de l'actualité !

Ce jeudi 7 novembre, des cloches qui ont sonné tant de fois durant les Jeux olympiques de Paris 2024, ont fait leur entrée dans la cathédrale Notre-Dame de Paris, qui sera bientôt réouverte au public.

Notre Dame de Paris avance un petit peu plus vers sa grande réouverture prévue le 8 décembre. Les huit cloches du Beffroi Nord, sévèrement touchées par les flammes il y a cinq ans, ont fait leur retour dans la cathédrale hier matin. Restaurées et nettoyées depuis un an, elles ont été bénies hier au pied de Notre-Dame, en plein cœur du chantier. Antoine Bienvault a assisté à cette cérémonie pour Europe 1.

Notre Dame de Paris avance un petit peu plus vers sa grande réouverture prévue le 8 décembre. Les huit cloches du Beffroi Nord, sévèrement touchées par les flammes il y a cinq ans, ont fait leur retour dans la cathédrale hier matin. Restaurées et nettoyées depuis un an, elles ont été bénies hier au pied de Notre-Dame, en plein cœur du chantier. Antoine Bienvault a assisté à cette cérémonie pour Europe 1.

Send us a Text Message.Welcome to a very special 'Legacy: Life Reflections' episode of The Good Listening To Show. Please welcome to The Clearing Louis Vause, who was 'Passed the Golden Baton' to be in the Show by none other than Charlie Higson."Louis Vause is a reminder of a different era, when Musicians lived exuberant near chaotic lives. They devoured all the music they encountered and then they let in re-emerge, coloured effortlessly with their own personality. Ivan Hewitt The Daily Telegraph, Review of Louis Vause's "Midnight in Havana"Join us for a remarkable journey through the extraordinary creative life of Louis Vause, a multifaceted and highly versatile artist known for his extraordinary talents as a pianist, composer, teacher and writer. How does one overcome initial reluctance and fear to become a master of their craft? Louis shares his incredible story of transformation, from his early days with iconic figures like Mark Bedford and Terry Edwards, to the personal challenges he faced, including a liver transplant. Discover how saying "yes" to unexpected opportunities led to a thrilling and sometimes chaotic life filled with artistic achievement.Louis has also very generously gifted one of his original Piano tracks from his brand new Album "Paris Sketches", written in tribute to both his daughter Melody & to his 'Clearing', sketching on the St Martin's Bridge close to  in the Cafe Paris "Demanche: Les Cloches de Paris"Ever wondered what it's like to grow up on a boat and in multiple flats across London and Edinburgh? Louis Vause recounts his uniquely adventurous upbringing and the whimsical yet grounding routines that shaped his chaotic but organized life. Hear about nostalgic memories from working at Lily White's to profound moments at a Parisian café with his daughter Melody. Louis's tales of spontaneous adventures, like a cycling trip to Morocco at age 16, and inspirations from childhood readings of Enid Blyton, offer a vivid glimpse into the life of an eternal seeker of meaningful connections and experiences.Delve into revolutionary teaching practices in music that challenge traditional methods, focusing on playing by ear and improvisation to nurture children's musicality. We explore Louis's reflections on his legacy, the therapeutic nature of music, and his desire to be remembered as a good father. Revel in the celebration of literary accomplishments, nostalgic performances, and quirky artistic obsessions that make Louis's story a heartfelt blend of admiration, resilience, and creative passion. Tune in for a captivating conversation filled with wisdom, humor, and inspiration.Tune in next week for more stories of 'Distinction & Genius' from The Good Listening To Show 'Clearing'. If you would like to be my Guest too then you can find out HOW via the different 'series strands' at 'The Good Listening To Show' website. Show Website: https://www.thegoodlisteningtoshow.com You can email me about the Show: chris@secondcurve.uk Twitter thatchrisgrimes LinkedIn https://www.linkedin.com/in/chris-grimes-actor-broadcaster-facilitator-coach/ FaceBook Group: https://www.facebook.com/groups/842056403204860 Don't forget to SUBSCRIBE & REVIEW wherever you get your Podcasts :) Thanks for listening!

The Victorian era gave the horticultural world one of the most charming designs for the cloche, or cold frame - a charm that's being renewed by the wonderful Beth Gregg.Arthur Parkinson hails Beth as the ‘Goddess of Cloches' through her faithful revival of those original designs with Claverton Cloches. In this week's ‘grow, cook, eat, arrange', learn what earns the cloche its spot in any garden, and how Beth breathes new life into an oft-overlooked apparatus.In this episode, discover:Beth's embrace of Victorian cloche design, and how Claverton Cloches channelled the charm of that eraWhy cloches are wonderful for protecting seedlings from not only harsh temperatures, but brisk windsThe inspiration for Claverton's different designs, and exciting future with their new garden hoseBeth's appearance at this year's Chelsea Flower Show, sharing the joys of her handiworkOrder Sarah's book - A Year Full of Flowers: https://bit.ly/2TWHJczOrder Sarah's new book - A Year Full of Veg: https://www.sarahraven.com/products/sarah-ravens-a-year-full-of-vegClaverton Cloches: https://www.clavertoncloches.com/https://www.instagram.com/clavertoncloches/Get in touch: info@sarahraven.comShop on the Sarah Raven Website: http://bit.ly/3jvbaeuFollow Sarah: https://www.instagram.com/sarahravensgarden/

Easter for me has always been a time for gathering with family, for eating copious amounts of chocolate, for egg hunts and as a child for going to church with my grandmothers. This is the same in much of the English speaking world, but what goes on for Easter in France?In this episode I chatted to Alex Ganipeau from the French Hack about her memories of Pâques when she grew up in France. There are some traditions that are particular to France, such as the Cloches de Pâques, the Easter bells which depart France on Good Friday and fly to Rome to be blessed by the Pope, then returning to France on Easter Sunday dropping Easter eggs, candy and presents for all the children. The church bells all ring out in every French village on Easter Sunday and the kids start looking for eggs! Alex and I also talk about the pagan origins of the Easter traditions and other special ways it is celebrated in France.For tourists travelling through France across Easter, it is important to note that Good Friday is not a public holiday in France but Easter Monday is.For anyone interested in the Normandy Retreat as mentioned in this episode, email janehiscock@chateaudujonquay.com for details.**Louise Prichard is the host of the Loulabelle's FrancoFiles podcast.**Other Loulabelle's links:FrancoFile Fix on YouTubeLoulabelle's FrancoFiles Spotify Playlist Loulabelle's FrancoFiles InstagramLoulabelle's FrancoFiles website

Ce week-end, c'est la fête de Pâques ! Dans cet épisode, découvrez pourquoi nous avons l'habitude d'offrir (et de savourer) des œufs, des poules, des cloches et des lapins en chocolat à cette occasion. Bonne dégustation... et n'oubliez pas de vous abonner au podcast Culture G !

Part 3 of the Veggie Patch Retrospective wraps up with 4 more short segments about gardening for edible food crops. Master Gardener Volunteer, Teresa Golden, continues to provide advice to the beginner and experienced gardener about how to tend a successful vegetable garden. The first segment focuses on root crops including beets, carrots, radishes, onions, turnips, parsnips, potatoes, among others. The category gets its name because their edible roots grow under the soil. Knowing the growing season of the specific crop you are growing i s one key to success. They tend to be directly sown into the soil but proper spacing is also very important. Consistent watering is also key as is storing them properly once harvested. Next is all about garden maintenance and tools. Maintenance revolves around weeding, watering, and fertilizing.  Make sure to water the soil, not the plants. One way to control weeds is to mulch, but whatever you do, don't let the weeds got to seed to prevent an even bigger challenge in the future. Adding organic matter (like compost) is the preferable way to fertilize but if you do use supplemental chemical fertilizers, make sure to read the labels and apply them correctly. The right tools can make garden maintenance easier so listen in to learn the best tools for the job. The segment on extending the gardening season focuses on various ways to keep the soil warm.  Cloches, cold frames, row covers, low tunnels and high tunnels are all discussed. Hopefully, this discussion can help you decide which approach might work best for you. Finally, the Veggie Patch series ends with a segment about putting your garden to ‘bed' for the winter. Once your crops are harvested, this involves pulling all dead or unproductive plants and either composting them (if they don't have seeds) or discarding them. Remove all cages and supports, making sure to clean them before storing them for the winter. Testing your soil pH in the fall will inform you of any needed amendments (like compost). This is a great time to sanitize, oil, and sharpen your garden tools for the next season. We hope this series gives you the confidence to start and nurture your home vegetable garden. Host: Teresa Golden Photo by: Teresa Golden Production Support : Linda Aydlett, Deven Connelly, Teresa Golden, Xandra Powers, Annie Scibienski Resources

Chimène Badi était l'invitée du jour des Grosses Têtes. Après "Chimène chante Piaf", premier album de reprise en hommage à Edith Piaf, sorti début 2023, le second s'apprête à sortir. Pour l'occasion, Chimène Badi interprète en live dans le Grand Studio "Les 3 cloches". Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.

Débat entre la députée Céline Misiego (POP/VD) , Marc Renaud, membre de l'exécutif de Saint-Blaise (NE) et Claude-Michael Mevs, membre de la Guilde des Carillonneurs et Campanologues de Suisse.

Plongez dans le passé fascinant de l'une des merveilles architecturales les plus emblématiques au monde avec notre série de 14 épisodes sur la construction de Notre-Dame de Paris !

This week, we continue Kingdom Hearts Dream Drop Distance with the first Disney world, La Cité des Cloches. We go into the world The Hunchback of Notre Dame where we meet Quasimodo, Phoebus, Esmerelda, and Frollo. Get to grind rails and fight a Wargargoyle as we see that both stories don't really interact with each other and show different fates for the characters.

durée : 01:28:54 - Cloches de tous les pays, unissez-vous ! - par : François-Xavier Szymczak - Ce tour d'horizon de quelques cloches musicales se termine avec Big Ben qui retentit dans le Carillon de Westminster de Louis Vierne, ou les cloches du matin qui concluent L'Amour sorcier de Manuel de Falla.

durée : 01:28:15 - Cloches germaniques - par : François-Xavier Szymczak - « Biiim, baaam, biiim, baaam » : ainsi chantent les enfants dans la Troisième Symphonie de Mahler, et les cloches résonnent dans nombre d'autres partitions germaniques comme Parsifal de Richard Wagner.

Pour obtenir le fichier PDF visite https://www.francaisauthentique.com/se-faire-sonner-les-cloches/