Podcasts about artblog

This week on Arts to Hearts Podcast, our host Charuka Arora has the pleasure of sitting down with Paddy Johnson who is the founder of VVrkshop, a company that strives to uplift struggling artists and help them get grants, residencies and shows. Paddy is also the co-founder of the collaborative national publishing project Impractical Space, and apart from being a two-time nominee Best Critic at the Rob Pruitt Awards, she is has also won the Village Voice Web Award for best Art Blog. In this episode, Paddy talks about a lot of things, but most importantly, it is the one problem that many artists face that Paddy touches upon; the imposter syndrome. From having the self-doubts to being able to accept them and move past them, somewhere Paddy learned how to be a creative without her inner critic sabotaging her success. As an entrepreneur, she has also found interest in places she never thought she would, and it's because all of it is tied to her business, something that she is truly interested in. As we move forward, Paddy gives some valuable advice on how to set your goals as an artist. Talking about its three stages, which include networking and outreaching, Paddy instructs artists on how they should navigate their journey in the art industry. With Paddy's experience as a creative in the art industry, it's no wonder that she has established a space for fellow artists who need guidance and help in their careers. Paddy has been in the art industry for a long time, and apart from running the Netvvrk, she has also worked with galleries, curators and artists. Paddy was always great at drawing and was attracted towards the field of art, and ultimately, she found that writing about art brought her the satisfaction. She had opinions, and she was able to share them with the world on her blog. To learn more about Paddy and her thoughts on navigating in the industry as a creative, tune in to this week's podcast.   We are calling all women artists for our incredibly special “ATH Magazine Anniversary Issue”. Showcase you work to a global audience and get a chance to win 1,000 USD Art Grant: Submit your artwork . Order Arts To Hearts Magazine #4 here:  Learn how you can UNLOCK YOUR CREATIVE POTENTIAL in 2023. Sign up for our FREE Mini guide & workbook. Check out the Arts To Hearts Shop at  Join ATH directory for women artists here:  Listen and subscribe on Apple  Artist Services: 

Learn how you can UNLOCK YOUR CREATIVE POTENTIAL in 2023. Sign up for our FREE Mini guide & workbook. Check out the Arts To Hearts Shop at  Listen & Subscribe on Apple  Find more creative content & opportunities at   

Learn how you can UNLOCK YOUR CREATIVE POTENTIAL in 2023. Sign up for our FREE Mini guide & workbook. Check out the Arts To Hearts Shop at  Listen & Subscribe on Apple  Find more creative content & opportunities at 

Today we learn about Jennifer Barlow's art career, how she fell into art, how she grew her career, and where she is now with her art practice. She offers tons of advice for artists of all levels from tips about blogs to PR to growth and so much more. Enjoy!You can learn more about Jennifer on her website and Instagram. Read the blog here. Sign up for her newsletter here. Support the show

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Listen & Subscribe on Apple  Find more creative content & opportunities at 

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Anything we want to do that's important to us will face (sometimes severe) resistance. One Bible perspective calls resistance its own "god of this world"--and St. Paul himself makes the point profoundly: "The thing I most want to do I don't do." Dave Schmelzer does a dive into the insights of the most-read recent thinker on the subject, Steven Pressfiled in his seminal The War of Art. Learn from contemplatives and life coaches as well as Pressfield and see if you find help with your own resistance.Mentioned on this podcast:Steven Pressfield's The War of ArtBlog help by way of:Bodhipaksa at wildmind.orgLeo Babauta at zenhabits.netMichelle Rees at wholelifechallenge.com

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In this episode of the podcast, I talk about different ways I make money with my art blog website. I didn't have a store or anything really to sell when I started out. So I used other ways to make money doing what I love as I was creating things to sell in my store. One way was by posting as an Amazon Affiliate. I also talk about how I started selling my webcomic as a book on Amazon! Links Tom Ray's Art Podcast Website - https://www.tomrayswebsite.com Join my email list: Sign up to get a "call out for artists" when I'm booking interviews for the podcast! http://eepurl.com/g1uUSP --- Send in a voice message: https://anchor.fm/tomraysartpodcast/message Support this podcast: https://anchor.fm/tomraysartpodcast/support

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To leave a comment, to get a loose transcript of this podcast, or to eyeball the cool art and the support links I mention in it, head on over to the original post on my blog.To see a photo of the No Fear Mudra on O'Keeffe's bedroom wall go here and look carefully to the left of the fireplace.To learn more about the sacred eastern hand gestures called Mudras pop over here.Want my free Writing Tool Kit for Artists? Subscribe here and get it free. No spam, no Amway. No ads. No selling your name to other companies. Just one post a month. Thanks for your support.Want help succeeding WITHOUT Twitter, Instagram, or FaceBook? Check out my podcast Bye Bye Facebook: How Artists Can Thrive Without Social Media.New York Magazine article mentioning Clement Greenburg's critique of O'Keeffe's MOMA show.Come on over to The Charmed Studio Blog to check nearly 100 other supportive posts and podcasts for authentic, heart-centered artists like you.To read or listen to the post/podcast I mentioned on How To Recover From a Harsh Art Critique, head ovah here.Press this to magically transport over to my Writing Coaching for Artists Page.And remember, you are an artist, therefore you are brave and amazing! Thanks for listening. 

Kon'nichiwa ✨! Hey Leute, in dieser Folge geht es wie angekündigt um das Lager⛺ vor zwei Wochen. Ich habe wie eine Art Blog gemacht und vorher und nachher aufgenommen

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Call for solo exhibits:  SHOWNOTES: Listen & Subscribe on Apple Find more creative content & opportunities at 

As in the sea, so in the studio.In this ARTish WORDS episode, Cornwall painter and educator TARA LEAVER shares what the sea has taught her and how it provides a roadmap for the artist journey. Using three simple words “I don't know” followed by one word “just,” Tara works her way through things that initially seem daunting, as in: “I don't know” what I will paint today, so I will “just” go in and clean my brushes.Tara insists that she is not a superhero or even unusually brave; rather, she is just someone who wants all the bounty of what the sea—and an artist life– have to offer. Move closer to thing you are afraid of and you just might discover your own magical sea cave.Mentioned:Swimming Lessons for Artists, Or What Your Comfort Zone Doesn't Teach You, by Tara Leaver (read) Happy Artist Studio, membership art courses (explore)Find Tara:Tara's Art Website:  taraleaverart.com Tara's Art Blog:  taraleaver.com/blog Happy Artist Studio (artist membership) happyartiststudio.comInstagram: @taraleaverart   Pinterest:  www.pinterest.com/taraleaver Find Me, Kristy Darnell Battani:Website:    https://www.kristybattani.comInstagram:  kristybattaniartFacebook:  kristybattaniartDid you enjoy this episode? If so, please take a moment to leave a rating and a comment: https://lovethepodcast.com/artishplunge Music:"Surf Guitar Madness," Alexis Messier,Licensed by PremiumBeat.comSupport the show (https://www.buymeacoffee.com/artishplunge)Support the show (https://www.buymeacoffee.com/artishplunge)

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To read or listen to An Artists' Guide to Writing Clearly go here. To subscribe to The Charmed Studio go here, and bless your heart. :)For a transcript go here.

LAST 4 DAYS LEFT TO SUBMIT:  Call for Artists: Listen & Subscribe on Apple Get Episode transcripts at Find more creative content & opportunities at

What's the significance of the Magdalena Abakanowicz sculpture 80 Backs? Sacred space Different figures – all with the same form 80 Backs and zero heads Check out these insights and much more at LadyKflo's Art Blog. https://www.ladykflo.com/80-backs-by-magdalena-abakanowicz/   Checkout her socials too: https://www.instagram.com/ladykflo/ https://www.pinterest.com/Ladykflo https://twitter.com/ladykflo

How does Ana Mendieta's Flowers on Body both subvert and epitomize feminist art? – Outsider gets inside the earth – Culture and nature without gender – Breaking binaries and boundaries Check out these insights and more with a click to LadyKflo's Art Blog: https://www.ladykflo.com/flowers-on-body-silueta-series-by-ana-mendieta/ Here are her socials too: https://www.instagram.com/ladykflo/ https://www.pinterest.com/Ladykflo https://twitter.com/ladykflo

Why does the mural Ancient Mexico: Conquest to 1930 by Diego Rivera matter? Invaders, Animals, & a Sun God A Marxist makes his mark on Mexico Technique trumps complexity For more insights on this and many other masterpieces, check out LadyKflo's Art Blog. https://www.ladykflo.com/category/masterpieces/ Listen to the LadyKflo podcast wherever you get your podcasts. Click her socials too: https://www.instagram.com/ladykflo/ https://www.pinterest.com/Ladykflo https://twitter.com/ladykflo

Brandi Spering resides in Philadelphia, where she writes, sews, and paints. Favoring non-fiction and poetry above else, her writing tends to sway between both, carrying a little over each time. Spering's first book, This I Can Tell You is available through Perennial Press. Other works can be found in super / natural: art and fiction for the future, Schuylkill Valley Journal, Forum Magazine, Artblog & more. In this episode, we talk about the process of beginning and finishing her first book, writing as a kind of therapy in juxtaposition with loss and trauma, the malleability of memory, and her hopes for the future. --- Support this podcast: https://podcasters.spotify.com/pod/show/ongoingness/support

Natalie Sandstrom interviews Katie Samson, Director of Education at Art-Reach, in part 1 of a new three-part Artblog Radio series on the topic of Cultural Accessibility.

Today Door is looking at "I See Red: Target" by Jaune Quick–to–See Smith, executed in 1992. It's the first work on canvas by a Native American artist accessioned by the National Gallery of Art in Washington, D.C.The transcript for the episode is available here.References“I See Red: Target,” 1992 “Coyote's Ransom,” Third Text, Erin Valentino, 2008“'It's like we don't exist': Jaune Quick-to-See Smith on Native American artists,” The Guardian, Nadja Sayej, 2020 “Denadagohvgee (I Will See You Again),” National Gallery of Art Blog, Shana Condill, 2020 “Orange Car Crash Fourteen,” Andy Warhol, 1963“Target, Johns (English),” [audio recording] 

On this 23 minute long episode of Artblog Radio, Morgan and Roberta check-in for the second time to discuss current events, Philadelphia arts & culture, and what's going on here at Artblog!

Morgan and Roberta check in with a 37-minute Artblog Radio conversation. They share how they're coping, discuss a new Artblog community project, and talk Philadelphia's community-based art scene.

In this episode of Artblog's Latinx Heritage Month series, documentary filmmaker Kristal Sotomayor discusses her forthcoming film “Expanding Sanctuary.” The film explores the work by activists at the South Philly organization Juntos.

Artblog's very first live podcast recording took place June 20 at the amazing Tattooed Mom on South Street, with Wit López talking with Conrad Benner of StreetsDept.com.

Beth Heinly wears a lot of hats. (And sometimes funny noses, eyebrows and glasses.) In addition to being a performance artist (see her Friday, March 29 at Final Fridays at the PMA), Beth is one of Artblog's "Ask Artblog" columnists. And, of course, she creates the weekly comics series, "The 3:00 Book," now in its fifth year of continuous postings on Artblog! Morgan and Roberta caught up with Beth at the Blue Jay Diner recently and asked her how she does it all. The interview is 25:05 minutes long.

Artblog contributor Matt Kalasky speaks with Daniel Park and Arianna Gass (via telephone!) of the team of "Obvious Agency," a multi-media game and interactive experience group. The "Obvious" team comes from theater and performance backgrounds and works to immerse people in fun activities in galleries and museums. The podcast comes to us through the courtesy of The Galleries at Moore's radio station, TGMR. The interview is 26 minutes long.

New contributor and friend of Artblog, Wit López speaks with multi-disciplinary artist Heather Raquel Phillips about documenting people of color in the leather community and turning the camera on herself.

Listen to this great podcast captured from WURD radio and appearing here with permission. WURD talk show host Stephanie Renee speaks with Imani Roach about the Artblog Art Writing Contest in this peppy ten-minute audio. Then click the links in the post for information on how to apply and get details about the cash prizes! C'mon, apply! Contest ends at Midnight, Oct. 31, 2018.

Though still in her early-30s, local renaissance woman Lauren NeFesha has already lived many lives. Now this former fashion student (and nationally-ranked boxing champion) is making a name for herself as a songwriter and mosaic artist. She chats with Artblog's Imani Roach about speaking up for the most marginalized among us and allowing curiosity to be her guide without judgement. What do a mosaic and a boxing match have in common? Listen to find out. Imani interviewed Lauren at Moore College of Art and Design's TGMR radio station on March 16th, 2018; the podcast is 33 minutes long.

Kara Springer works at the intersection of sculpture, photography and language to activate bodies in space. Born in Barbados and raised in Ontario, Canada, this former industrial designer grounds her minimalist aesthetic with careful attention to history and geography. Springer speaks with Artblog's Imani Roach about diaspora, legibility and her current installation at The Galleries at Moore — Ten Days Before Freedom, a Hymnal. What can perilous landscapes teach us about the nature of built space? Listen to find out. Imani interviewed Kara at Moore College of Art and Design's TGMR radio station on February 26th, 2018; the podcast is 34 minutes long.

The Fabric Workshop and Museum, founded in 1977 by arts visionary Marion “Kippy” Boulton Stroud, is celebrating its 40th birthday with a major retrospective exhibit. Process and Practice: 40 Years of Experimentation hilights archived ephemera from the institution's famed artist-in-residence program that has been preserved for decades in “artist boxes.” Artblog's Imani Roach spoke with Susan Lubowsky Talbott, the Museum's Executive Director, about exhibiting “failures,” engaging the public, and her legacy. What was the most surprising thing she discovered in those artist boxes? Listen to find out. Imani interviewed Susan at the Fabric Workshop and Museum on January 9th, 2018; the podcast is 30 minutes long.

You've probably seen Kelli Morgan around town, presenting her research, working with students, moderating conversations with artists, and generally staying busy as PAFA's first Winston & Carolyn Lowe Curatorial Fellow for Diversity in the Fine Arts. Now she's heading off on a new adventure as Associate Curator of American Art at the Indianapolis Museum of Art at Newfields. Artblog's Imani Roach spoke with the Detroit native on the eve of her departure about her unconventional path to museum work and her fresh vision for curating the American canon. Listen to hear her advice for aspiring young curators and much more. Imani interviewed Kelli at Moore College of Art and Design's TGMR radio station on January 3rd, 2018; the podcast is 39 minutes long.

Wit Lopez is a fiber artist, performer and independent curator whose work encourages audiences to touch, manipulate and even wear it. Artblog's Imani Roach spoke with this former theater kid about accessibility, performing for the camera and confronting their body as a spectacle. Can marginalized artists use humor to subvert their relationship to art institutions? Listen to find out. Imani interviewed Wit at Moore College of Art and Design's TGMR radio station on December 12th, 2017; the podcast is 34 minutes long.

Carolyn Lazard uses the experience of chronic illness to explore themes of intimacy, labor and living in relation to others. With a background in video art, Lazard develops her ideas across a range of media including photo, performance, sculpture and the written word. Artblog's Imani Roach spoke with her about returning to her Southeastern PA roots and how disabled artists are changing the pace of institutions. Is there such a thing as JOMO (Joy Of Missing Out)? Listen to find out. Imani interviewed Carolyn at Moore College of Art and Design's TGMR radio station on October 12th, 2017; the podcast is 41 minutes long.

Artblog recently hosted a lively panel discussion on the Future of Art Writing in conjunction with our 3rd annual New Art Writing Challenge. Our dynamic panelists included artist and Bmore Art contributor, Alexandra Oehmke, performer organizer and writer, Catherine Rush and writer and theater-maker Carlos Roa. The panel was held on Wednesday, October 4th, 2017 at the Galleries at Moore and moderated by Matt Kalasky; the podcast is 76 minutes long.

Artblog's Imani Roach spoke with artist Lane Speidel about their experiences as an early childhood educator and curator of Make A Space For Me, a performance series for trans, non-binary, and gender non-conforming artists, makers, thinkers and audiences. In their own artistic practice, Lane uses performance to re-establishing control over their body in the face of personal trauma and the daily demands of life under capitalism. Across all platforms of their work, safety is a paramount concern— proper grammar, less so. Find out why! Imani interviewed Lane at Moore College of Art and Design's TGMR radio station on Sept. 21st, 2017; the podcast is 50 minutes long.

Artblog's Imani Roach and Roberta Fallon talked with Taji Ra'oof Nahl about his complex art practice that includes collaboration at its core. Nahl ran his own gallery in Old City from the late 1980s to 2010, where he showed, among others, Terry Adkins' work. Taji was a friend of Adkins, and their practices both involve music, found objects, and researching under-known African American historical figures. In the interview Nahl tells Imani and Roberta about discovering the Colonial-era polymath, Benjamin Banneker, who became the subject of his installation in 'Unlisted,' the big multi-curator, multi-artist show at Icebox Project Space in 2016. We interviewed Taji Nahl at Moore College of Art and Design's TGMR radio station on Sept. 14, 2017, and the podcast is 37 minutes long.

Earlier this year, I was invited to curate a week of content on Curate This, the peppy new online arts publication whose mission -- like Artblog's mission -- is to tell the whole wide world that the Philadelphia art scene has great art and artists. Curate This, started by writers/artists Amanda Wagner and Julius Ferraro, is now almost one year old, and I sat down with them recently to talk about how their publication is coming along and what they're excited about. Curate This is a platform for artists and writers to speak their minds about issues involved in the arts (yes, there is some complaining).

At the Barnes Foundation, Nari Ward's direct engagement with issues of race, culture, and class in contemporary America makes for an interesting counterpoint to the African art collected by Dr. Barnes (and by the Penn Museum) in the early 20th century. Finally, the three shows of contemporary photography, textiles, and architecture that fill the first floor of the PMA's Perelman Building leave us with lots of questions about the “Africa” in “Creative Africa.” Just how fixed is regional or even national identity for both artists and artworks that circulate widely thanks to the global art market? What makes African art African?

2016 Pew Fellow Tiona McClodden makes documentary films and videos and sculptural environments. She's also made music videos and her work is political, exploring gender, race and under-known history. In our talk she tells me about selecting Philadelphia as a place where community she found a community of black working artists. The interview was recorded live at the Galleries at Moore's radio booth on July 7, 2016.

Roberta interviews Pap Souleye Fall about his unique body suits, stitched up while he is wearing them. Pap is also a wonderful maker of sculptural installations, and he's a dancer. Give a listen!

Jamar Nicholas wears a number of hats, as do many artists. He's a teacher -- he teaches narrative storywriting at Drexel and has taught at Moore College of Art and Design and Arcadia University; he is Fine Arts Curatorial and Administrative Assistant at Arcadia University Art Gallery, and he makes his art -- drawings of narratives that become comic books about superheroes, like the Hip Hop Cop Detective Boogaloo, which ran -- daily -- in the Philadelphia Metro in 2015.