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This week on Skip the Queue, we're stepping into the turret and turning up the tension, as we explore one of the UK's most talked-about immersive experiences.Our guest is Neil Connolly, Creative Director at The Everywhere Group, who have brought The Traitors Live Experience to life. With over 10 million viewers watching every betrayal, backstab and banishment on the BBC show, expectations for the live version were nothing short of murderous.So, how do you even begin to transform a TV juggernaut into a thrilling, guest-led experience? Let's find out who's playing the game… and who's about to be banished…Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on LinkedIn. Show references: The Traitors Live website: https://www.thetraitorslive.co.uk/Neil's LinkedIn: https://www.linkedin.com/in/neil-connolly-499054110/Neil Connolly is a creative leader of design and production teams focused on development, production and installation of live theatre, entertainment, multi-media and attractions for the themed entertainment industry worldwide.Neil began his career as a performer, writer, producer & artist in Londons alternative theatre/art scene. It was during this time Neil developed a love and passion for story telling through the platform of interactive playable immersive theatre.Having been at the vanguard of playable & immersive theatre since 2007, Neil had a career defining opportunity in 2019 when he devised, wrote & directed an immersive experience as part of Sainsbury's 150th Birthday Celebrations. Making him the only immersive theatre & game maker in the world to have HRH Elizabeth Regina attend one of their experiences.In a distinguished career spanning 20 years, Neil has brought that passion to every facet of themed entertainment in the creative direction and production of attractions such as; Handels Messiah, Snowman & The Snowdog, Peppa Pig Surprise Party, Traitors Live, The Crystal Maze Live Experience, Tomb Raider Live Experience & Chaos Karts, an AR go-kart real life battle. Other clients and activations include: Harrods, Sainsbury's, Camelot/The National Lottery, Samsung, Blenheim Palace, Land Rover and Warner Brothers.Neil has worked across 4 continents for many years with private individuals; designing, producing and delivering live entertainment on land, sea & air. A world without boundaries requires freethinking.Neil is currently working with Immersive Everywhere on creative development of show and attraction content for projects across U.K, Europe, North America & Asia. Transcriptions:  Paul Marden: This week on Skip the Queue, we're stepping into the turret and turning up the tension as we explore one of the UK's most talked about immersive experiences.Paul Marden: Our guest is Neil Connolly, Creative Director at The Everywhere Group, who've brought The Traitor's live experience to life. With over 10 million viewers watching every betrayal, backstab and banishment on the BBC show, expectations for the live version were nothing short of murderous. So how do you even begin to transform a TV juggernaut into a thrilling guest-led experience? Let's find out who's playing the game and who's about to be banished.Paul Marden: So, we're underground. Lots of groups running currently, aren't they? How did you make that happenNeil Connolly: Yeah, so now we're two floors under us. There's a lower basement and some other basement. So the building that we are in, there's a family in the 1890s who owned all of the land around Covent Garden and specifically the Adelphi Theatre.Paul Marden: Right.Neil Connolly: And they wanted their theatre to be the first theatre in the UK to have its lights powered by electricity. So they built their own private power station in this building. Like, literally like, all this, this is a power station. But unfortunately for these the Savoy had taken to that moniker, so they quickly built their important institution. The family had this building until the 1980s when the establishment was assumed through the important UK network.Neil Connolly: And then it was sat there empty, doing nothing for 40 years. And so the landlord that is now started redeveloping the building 10 years ago, added two floors onto the top of the building. So now what we're in is an eight-storey structure and we've basically got the bottom four floors. Two of which are ground and mezzanine, which is our hospitality area. And the lower two floors, which are all in the basement, are our experience floors. What we're looking at right now is, if you look off down this way to the right, not you people on audio, but me here.Neil Connolly: Off this side is five of the round table rooms. There's another one behind me and there's two more upstairs. And then I've got some Tretters Towers off to the left and I've got my show control system down there.Neil Connolly: On the floor above me, we've got the lounges. So each lounge is connected to one of the round table rooms. Because when you get murdered or banished, one of the biggest challenges that I faced was what happens to people when they get murdered or banished? Because you get kicked out of the game. It's not a lot of fun, is it? Therefore, for me, you also get kicked out of the round table room. So this is a huge challenge I face. But I built these lounge concepts where you go— it's the lounge of the dead— and you can see and hear the round table room that you've just left. We'll go walk into the room in a while. There's lots of interactivity. But yeah, super fun. Neil Connolly: But unfortunately for these the Savoy had taken to that moniker, so they quickly built their important institution. The family had this establishment until the 1980s when the establishment was considered through the important UK network.Paul Marden: Yeah. So we've got 10 million people tuning in to Traitors per episode. So this must be a lot of pressure for you to get it right. Tell us about the experience and what challenges you faced along the way, from, you know, that initial text message through to the final creation that we're stood in now.Neil Connolly: So many challenges, but to quote Scroobius Pip on this, do you know Scroobius Pip? Paul Marden: No. Neil Connolly: Great, he's amazing. UK rapper from Essex.Neil Connolly: Some people see a mousetrap and think death. I see free cheese and a challenge.Neil Connolly: There's never any problems in my logic, in my thinking. There's always just challenges to overcome. So one of the biggest challenges was what happens to people when they get murdered or banished. The truth of the matter is I had to design a whole other show, which happens after this show. It is one big show. But you go to the Lounge of the Dead, there's more interactivity. And navigating that with the former controller, which is O3 Media and IDTV, who created the original format in the Netherlands, and basically designing a game that is in the world and follows the rules of their game with some reasonable adjustments, because TV and live are not the same thing.Neil Connolly: It takes 14 days to film 12 episodes of The Traitors. Paul Marden: Really? Okay. Neil Connolly: So I was like, how do I truncate 14 days of somebody's life down into a two-hour experience and still deliver that same impact, that same power, that same punch?Paul Marden: Yep.Neil Connolly: But I knew from the beginning of this that it wasn't about time. There is a magic triangle when it comes to the traitors, which is time, space, atmosphere. And time was the thing that I always struggled with. I don't have a Scottish cattle show, and I don't have two weeks. No. So I'm like, 'Cool, I've got to do it in two hours.' So our format follows exactly the same format. We do a breakfast scene, then a mission, then a roundtable banishment, then there's a conclave where the traitors meet and they murder somebody. And I do that in a seven-day structure, a seven-day cycle. But it all happens within two hours around this round table.Neil Connolly: I'm the creative director for Immersive Everywhere. We're a vertically integrated structure in the sense that we take on our own venues. So we're now standing in Shorts Gardens in the middle of Covent Garden. So we've leased this building. We've got a lease that is for a number of years and we have built the show into it. But we also identify the IP, go after that ourselves, we capitalise the projects ourselves. We seek strategic partners, promoters, other people to kind of come involved in that journey. But because we're also the team that are licensing the product, we are also the producers and I'm the creative director for that company. So I developed the creative in line with while also getting the deal done. This is incredibly unusual because other producers will be like, 'Hey, I've identified this IP and I've got it.' Now I'm going to approach a creative agency and I'm going to get them to develop the product. And now I've done all of that, I'm going to find someone else to operationally put it on, or I'm going to find a venue to put it on in, and then I'm going to find my ticketing partner.  But we don't do that. We have our own ticketing platform, and we have our own database, so we mark our own shoulders.Neil Connolly: As well as other experiences too. Back, we have our own creative industry, we are the producers, we are the female workers. So we cast it, we hire all the front of house team, we run the food and beverage, we run the bars. The operations team is our operations team because they run the venue as well as the show at the same time. So that's what I mean. We're a vertically integrated structure, which means we do it, which makes us a very unusual proposition within... certainly within the UK market, possibly the world. It makes us incredibly agile as a company and makes us to be able to be adaptive and proactive and reactive to the product, to the show, to the market that we're operating in, because it's all under one roof.Neil Connolly: This show started January 24th, 2023. Right. It's very specific because I was sitting on my sofa drinking a lovely glass of Merlot and I had just watched... UK Traitors, Season One. Yep. Because it came out that Christmas. Immediately I was like, 'Oh my God, this is insane.' And then I got a text message that particular night from our head of licensing, a guy named Tom Rowe, lovely man. And he was like, Neil, I'm at a licensing event with some friends of mine and everyone's talking about this thing called Traitors. I've not watched it. Have you watched it? Sounds like it might be a good thing. And so I sat back and drank my Merlot. And about five minutes later, I text him back and I was like, Tom, get us that license.Neil Connolly: And then I sent him a bunch of other details of how the show in my head would work, both from a commercial standpoint, but also from a creative standpoint, because I'm a commercially minded creative. Right. So I instantly took out my notebook and I started writing down exactly how I thought the show was going to do, the challenges that we would face and being able to translate this into a live thing. But I literally started writing it that night. And then he watched the first episode on the train on the way home. And then he texted me the next morning and he was like, 'I love it.' What do we need to do? And I was like, 'Get us in the room.' Two days later, we were in the room with all three media who own the format globally.Paul Marden: Okay.Neil Connolly: So we sat down and then they came to see one of our other shows and they were like, 'Okay, we get it now.' And then that was like two and a half years of just building the show, getting the deal done and facing the myriad of challenges. But yeah, sometimes it just starts with the text message.Paul Marden: So they get to experience all the key parts of the TV.Neil Connolly: All the key beats. Like right now, I'm holding one of the slates. They're not chalkboard slates. Again, this is... Oh, actually, this is a good challenge. So in the TV show, they've got a piece of slate and they write on it with a chalkboard pen. This seems so innocuous and I can't believe I'm talking about this on a podcast.Neil Connolly: Slategate was like six months of my life. Not in its entirety, but it was a six month long conversation about how we do the slates correctly. Because we do... 48 shows a day, six days a week. And those slates will crack. They will bash. And they're kind of a bit health and safety standards. I was like, can't have them. Also, they write on them with chalk pens, white ink chalk pens. But in the TV show, you only do it once a night. Yeah.Paul Marden: And then you have a producer and a runner.Neil Connolly: They just clean them very, very leisurely and set them back for the next day. And I was like, no, I've got to do a whole bunch of roundtable banishments in two hours. So we talked a lot about material, about style, literal viewership, because if you take a seat at the table. Yeah. If you're sitting at the table here, you'll notice that we've got a raised bit in the middle. If I turn mine around, the other person on the other side can't see it. So I was like, 'Okay, cool.' So we had to do a whole bunch of choreography. But also, the room's quite dark. Yes. At times, atmospheric. Yeah. In that magic triangle time-space atmosphere. So anything that was darker, or even that black slate, you just couldn't read it. And then there was, and then I had to— this is the level of detail that we have to go into when we're designing this kind of stuff. I was like, 'Yeah, but I can't clean off these slates with the white ink because everyone will have to have like a wet cloth chamois. Then I've just got loads of chamois around my venue that I just don't need.' And so then we're like, 'Oh, let's use real slates with real chalk.' And I was like, 'No, because dust will get everywhere.' I'll get chalk just all over my table. It'll just ruin everything. It'll ruin the technology that's inside the table because there's lots of hidden tricks inside of it. Paul Marden: Is there really? Yeah, yeah, yeah.  Neil Connolly: There's loads of hidden tricks inside the table. So after a while, going through many different permutations, I sat down with Christian Elenis, who's my set designer and my art director. And we were, the two of us were nearly in tears because we were like, 'We need,' and this only happened like.Neil Connolly: I would say two, three weeks before we opened. We still hadn't solved how to do the slate, which is a big thing in the show. Anybody who's seen the show and loves the show knows that they want to come in, they want to write somebody's name on the slate, and they want to spell the name incorrectly.Neil Connolly: Everyone does it on purpose. But I wanted to give people that opportunity. So then eventually we sat down and we were like, Christian, Neil. And the two of us in conversation went, why don't we just get a clear piece of Perspex, back it with a light coloured vinyl. And then Christian was like, 'Ooh,' and I'll make it nice and soft and put some felt on the back of it, which is what I'm holding. And then why don't we get a black pen? And we were like, 'Yeah,' like a whiteboard marker. And then we can just write on it. And then A, I can see it from the other side of the table. Thing one achieved. Two. Every marker pen's got an eraser on the top of it. I don't know why everyone thinks this is important, but it is. That you can just rub out like that, and I'm like, 'There's no dirt, there's no mess, and I can reuse this multiple times, like dozens of times in the same show.' And I know that sounds really weird, but that's the level of design I'm going to need.Paul Marden: I was just about to say, and that is just for the chalkboard. Yeah. Now you need to multiply that. How many decisions?Neil Connolly: How many decisions in each game. But also remember that there are eight round tables in this building. Each round table seats 14 people. And we do six sessions a day. So first ones at 10 a. m. Then we do 12, 2, 4, 6, and 8 p. m. So we do 48 shows a day, six days a week.Paul Marden: I love the concept that these are shows. This is not this is not visitor attraction. This is theater repeated multiple times a day for multi audience is concurrently.Neil Connolly: And I've just spent five minutes describing a slate to you. Yeah. But like, I haven't even got— it's like the sheer amount of technology that is in the show. And again, theatrical, like, look above our heads. Yeah. You've got this ring light above every seat. It's got a pin light. There's also microphones which are picking up all the audio in the room, which again is translating to the lounge of the dead. Every single one of the round table rooms has four CCTV cameras. Can you see that one in the corner? Each one of them is 4K resolution. It's quite high spec, which is aimed at the opposite side of the table to give you the resolution in the TV. In the other room. Then you've got these video contents. This is constantly displaying secret information through the course of the show to the traitors when they're in Conclave because everyone's in blindfolds and they took them off. They get secret instructions from that. There's also a live actor in the room. A live actor who is Claudia? They're not Claudia. They're not pastiches of Claudia. They are characters that we have created and they are the host of The Traitor's Game. Right. They only exist inside this building. We never have them portrayed outside of this building in any way whatsoever.Neil Connolly: They are characters, but they live, they breathe— the game of Traitors, the world of Traitors, and the building that we have designed and constructed here. And they facilitate the game for the people. And they facilitate the game for the people. One actor to 14 people. There are no plants, even though everyone tries to tell me. Members of the public will be convinced that they are the only person that's in that show and that everyone else is a plant. And I'm like, no, because that would be insane.Neil Connolly: The only actor in the room is the host.Paul Marden: 14 people that can sit around this table. How many of them are in the same group? Are you with your friends or is it put together where there are other people that you won't know in the room? If you book together, you play together.Neil Connolly: Yes. Okay, so if you don't book 14 people... Ah, we also capped the number of tickets that you can purchase to eight. Right. So you can only purchase a maximum of eight tickets unless you do want a full table of 14, at which point you have to then purchase a VIP package because you are booking out a whole table for yourselves. The game doesn't work if there's less than 10 people at the table. So there has to be 10, 11, 12, 13 or 14 people sat at a round table for the show to actually happen, for it to work. By capping the number of tickets that you book for eight, then that guarantees that strangers will be playing together. And that is the basis of strangers. Yeah, yeah. Like, you need to be sat around a table with people you know, you don't know, that you trust and you don't trust. Yeah. Fact of the matter. And do you see people turning on the others in their own group? Every single time. People think genuinely, and I love this from the public, you would think that if you're turning up as a group of eight and a group of four and a group of two, that the bigger group would just pick everybody off to make sure that someone in their group gets through to the end game.Neil Connolly: I'm sure they think that and they probably plot and plan that before they arrive on site. As soon as this game starts, gloves are off and everyone just starts going for each other. We've been open nearly two months now. I have seen, like, children murdered of their mothers.Neil Connolly: Husbands murder their wives, wives murder their husbands. I've seen, like, three generations—like, we get, because it's so intergenerational, like our lowest, the lowest age that you can play this is 12. Right. And then it's upwards. I've seen three generations of family come in and I've seen grandkids murder their own nan.Neil Connolly: Absolutely convinced that they're a traitor. Yeah, yeah, yeah. 100%. Or they banish them. Like, it's just mental. I've also seen nans, who are traitors, murder their grandkids.Neil Connolly: Like, and this is in a room full of strangers. They're just like, 'No, I'm not going to go for Barbara, who I met two hours ago in the bar. I'm going to go for my own grandson. It's mental.'Neil Connolly: The very, very first thing that I always think about whenever I'm creating an experience or whenever I'm designing a show is I put myself in the position of 'I'm a member of the public.' I have bought a ticketNeil Connolly: What's the coolest thing that I am going to do for my money? What is my perceived value of my ticket over actually what is the value of that ticket? I wanted to give people the experience of knowing what it was like to be sitting in one of these chairs at this table and feeling their heart. The pounding in their chest and I mean, the pounding in their chest, that rush of adrenaline from doing nothing— from sitting in a chair and all you were doing was sitting in a room talking to people and your heart is going.Neil Connolly: Because you're either being accused of being a liar. And trying to defend against it. And trying to defend against it. Or you actually are lying and you're trying to whittle your way out of it. And that feeling is the most alive that you will ever feel. Not ever. Like, I'm sure they're... No, no, no. But, like, give people that opportunity and that experience, as well as, like, access to the world of traitors and the law and everything else. But also, it's like any other theme park ride. People go on roller coasters because the imminent fear of death is always there. Yeah. And you feel alive. You're like, you've got such a buzz of adrenaline. Whereas, arguably, we do exactly the same thing as roller coasters, but in a much more longer-drawn format and multiple times. Yeah. And people do feel alive. When people walk out of the show, you see them go upstairs to the bar, and they are... Yeah.Paul Marden: You've said to me already that you don't use the word 'immersive,' but you know, I'm, I'm, I'm sat. The company is called 'immersive' everywhere. I'm sat behind the scenes. Okay. I'm sat in the room and the room is hugely convincing. It's like the highest fidelity escape room type experience that I've ever sat in. It feels like I'm on set, yeah, yeah. Um, I can totally believe that, in those two hours, you can slip. I sat on a game. It was only a two-minute game at iApple, but I was being filmed by one of the team. But within 30 seconds, I'd forgotten that they were there because I was completely immersed in the game. I can believe that, sitting in here right now, you could forget where you were and what you were doing, that you were completely submerged in the reality of the land that you're in.Neil Connolly: Yeah, 100%. Like, the world does not exist beyond these worlds. And for some people, like, I have my own definition. Everyone's got a different definition of what immersive is. I've got my own definition. But... I can tell you right now, as soon as people enter this building, they're in the bar, they're kind of slowly immersed in that world because the bar is a themed bar. It's done to the same, like we designed and built that bar as well. But as soon as they start descending that spiral staircase and coming into the gameplay floors, into the show floors, they just forget the rest of the world exists. And especially when they sit down at this table, it doesn't matter. I'm sat next to you here, but you could be sat at this table with your loved one, strangers, whatever. The gloves come off and just nothing exists apart from the game that you're about to go through.Paul Marden: You've been open now for a couple of months. More success than you were anticipating, I think. So pre-sales went through the roof? Yes. So you're very happy with the results?Neil Connolly: Yeah, yeah, we were. Yeah, well, we still are.Neil Connolly: We were very confident before we'd even started building the show, like the literal structural build, because we did very well. But then that set expectations quite high because I had a lot of people that had bought tickets and I was like, 'OK, I need to put on a good show for these people. And I need to make sure that they get satisfaction relative to the tickets that they bought.' But I don't feel pressure. I do feel anxiety quite a lot. Creatively? Yeah. I mean, I meditate every day.Paul Marden: But you've created this amazing world and you're inviting people into it. And as a creative, you're opening yourself up, aren't you? People are walking into the world that you've created.Neil Connolly: Yeah, this was said to me. This is not something that I came up with myself, and I do say this really humbly, but it was something that was said to me. It was on opening day, and a bunch of my friends came to playtest the show. And they were like, 'Oh, this is your brain in a building.'Neil Connolly: And I was like, 'Yeah, I hadn't thought about that.' But yeah, it is my brain in a building. But also that's terrifying, I think, for everybody else, because I know what happens inside my brain and it's really quite chaotic.Neil Connolly: But, you know, this I am. I'm so proud of this show. Like you could not believe how proud I am of this show. But also a huge part of my job is to find people that are smarter than me at the relative thing that they do, such as the rest of my creative team. They're all so much smarter than me. My job is vision and to be able to communicate that vision clearly and effectively so that they go, 'I understand.' The amount of times that people on the creative team turn around to me and go, 'Neil, that's a completely mental idea.' If people are saying to me, 'No one's ever done that before' or 'that's not the way things are done.'Neil Connolly: Or we can do that, but we're going to have to probably invent a whole new thing. If people are saying those things to me, I know I'm doing my job correctly. And I'm not doing that to challenge myself, but everything that I approach in terms of how I build shows is not about format. It's not about blueprints. It's not like, 'Hey, I've done this before, so I'm just going to do this again because I know that's a really neat trick.' I go back to, 'I made the show because I wanted people's heart to pound in their chest while they're sitting in a chair and make them feel alive.'Paul Marden: Is that the vision that you had in your head? So you're articulating that really, really clearly. Is that the vision that you sold to everybody on, not maybe day one, but within a couple of days of talking about this? No, it was day one.Neil Connolly: It was day one. Everyone went, that's a completely mental idea. But, you know, it's my job to try and communicate that as effectively and clearly as I can. But again, I am just one man. My job is vision. And, you know, there's lighting design, sound design, art direction, there's game logic. We haven't even gotten to the technology of how this show works yet, or how this room works.Neil Connolly: Actually, I'll wander down the corner. Yeah, let's do that. But, like, there's other, like, lots of hidden tricks. Like, this is one of the games, one of the missions. In the world and the lore of the show, the round table is sacrosanct.Paul Marden: Yes.Neil Connolly: Traitors is the game. The game is in other people. I can do so many missions and there's loads of missions and they're really fun in this show. But the game is in other people. It's in the people sat on the other side of the room. But also I wanted to do a thing where people could interact directly with the set. And so I designed one of the missions to be in the round table itself.Neil Connolly: So there's a course of these moon dials, which you basically have to align through the course of it. And there are sensors built into the table so that they know when they're in the correct position. How you find out the correct position is by solving a very, very simple puzzle and then communicating effectively to a bunch of strangers that you just met.Neil Connolly: And the sensors basically read it all. And when that all gets into position, the lights react, the sound reacts, the video content reacts, the whole room reacts to you. So I wanted to give people something tangible that they can touch and they make the room react to them. Yes, it's. I mean, I've designed, I've got background in escape rooms as well, right? Um, so I've done a lot of that kind of stuff as well. So I wanted people to feel in touch, same, but like, there's more tangible props over here. Um, yeah, that is a model box of the room that we are stood in, yeah. Also, there's an exact replica of it on the other side of it. There are very subtle differences between it, and that informs one of the missions. So that is two model boxes in this roundtable room. There's one of these in every single roundtable room. So there's 16 model boxes of the show that you're stood in on the set. And again, theatre. It's a show. But it's one of the missions, because I wanted people to kind of go, 'Oh, there's a live actor in front of me.' I'm having fun. Oh, look at all these lights and all the sound. Oh, there's a model box over here. That's in theatre land and blah, blah, blah. But that is also a really expensive joke. It's a really expensive joke. And there's other, like, lots of hidden tricks.Neil Connolly: Let's go look at backstage. Yeah, yeah, yeah, absolutely.Neil Connolly: I say backstage, like how we refer to it or how I always go. I use 'I' and 'we' very interchangeably. Like right now you're on the set. Like you're on the stage. Yes. We're just wandering around a long corridor. There are round table rooms off to either side. But like, you know, there's a green room upstairs where the actors get changed, where the front of house team are, where the bar team all are. But as soon as they go out onto the show floor, they're on stage—yes, completely. We'll very quickly have a look at the gallery—yes, show control. Hi, Robbo. Do you mind if I stand in your room for the purposes of the audio? I'm talking to the technical manager, Thomas Robson. We're recording a podcast.Paul Marden: Robbo, oh yeah, okay. My mind is absolutely blown. So you've got every single room up on screen.Neil Connolly: Yeah, so that's great. There's 164 cameras—something like that. But every roundtable room has four cameras in it. Each camera is 4K resolution. So we've got cameras on all of them. We've got audio into those rooms. That's two-way, so that if show control needs to talk directly to them, they just press a button here and they can talk directly to the room itself. Mainly just like, stop misbehaving, we're watching you.Neil Connolly: We've then got cameras into all of the lounges, all of the show spaces, all the front of house, all of the bar areas, the mezzanine and back of house. And then you've got QLab running across all of the different shows. We've got backups on all of these screens. So if one... of the computers goes down, we can very quickly swap it in for a backup that's already running. We've got show control, which is, there's a company called Clockwork Dog, who, they're an amazing company. What COGS, their show control system, is doing is pulling in all of the QLab from sound, all of the QLab from lighting, and also we built our own app. to be able to run the show. So there's a whole logic and decision tree based on the decisions that the public do through the course of the game. So yes, there is a beginning, a middle, and an end in terms of our narrative beats and the narrative story of the show that we're telling people. But also that narrative can go in. Hundreds of different directions depending on the actions and the gameplay that the people do during the course of the show. So, you haven't just learned one show— you have to learn like You have to learn a world, and you have to learn a whole game.Neil Connolly: Like, there's the server, stacks, which we had to build. You had to network and cable the entire building. So we have built an entire new attraction, which didn't exist before. And also we're pulling in information from the front of house system which is also going into the show itself because again, you put your name into the iPad when you arrive on site and then you tick a box very crucially to say, 'Do you want to be selected as a trader? Yes or No.' Because in the game, it's a fundamental rule. If you say no, you cannot be selected as a traitor by the host during traitor selection. That doesn't mean you can't be recruited.Paul Marden: By the traitors later on in the game. So you could come and do this multiple times and not experience the same story because there were so many different pathways that you could go down.Neil Connolly: But also, the game is in other people. Yes. The show is sat on the opposite side of the table to you because, like, Bob and Sandra don't know each other. They'll never see each other ever again. But Bob comes again and he's now playing against Laura. Who's Laura? She's an unknown quantity. That's a whole new game. That's a whole new show. There's a whole new dynamic. That's a whole new storyline that you have to develop. And so the actors are doing an incredible job of managing all of that.Paul Marden: Thanks, Robbo. Thank you. So you've worked with some really, really impressive leading IP, Traders, Peppa Pig, Doctor Who, Great Gatsby. What challenges do you face taking things from screen to the live experience?Paul Marden: Challenges do I face? We're wandering here.Neil Connolly: So we are in... Oh, we're in the tower.Neil Connolly: Excellent. Yep, so we're now in Traitor's Tower. Good time for you to ask me the question, what challenges do I face? Things like this. We're now stood in Traitor's Tower. Paul, let me ask you the question. Without the show lights being on, so we're just stood on a set under workers, what's your opinion of the room that we're stood in?Paul Marden: Oh, it's hugely impressive. It feels like, apart from the fact you've punched the fourth wall out of the telly, it does feel like you're on set.Neil Connolly: It's a really faithful reproduction of the set. So that's kind of one of the challenges is managing the public's expectations of what they see, do and feel on site. So that I don't change the show so that people come and play the game that they're expecting to play. But making reasonable adjustments within that, because TV and live are two very, very different things. So first and foremost was making sure that we get the format right. So the game that people play, which informs the narrative of the show and the narrative structure of the show. Breakfast, mission, round table, conclave. Breakfast, mission, round table, conclave. I've designed a whole bunch of new missions that are in this, taken some inspiration from missions that people know and love from the TV shows, whether that's the UK territory or other territories around the world. And also just other stuff is just clear out of my head. So there's original content in there. paying homage and respect to the world that they've built and allowing ourselves to also play and develop and build out that world at the same time. Other challenges.Neil Connolly: This is not a cheap project. No, no. I mean, the production quality of this is beautiful. Yeah, yeah, thank you. It is stunning. When people walk in here, they're like, 'Oh my God, this is... High end.' I am in a luxury event at a very affordable price.Paul Marden: Thank you. And then we're going back upstairs again. Yes. And in the stairwell, we've got the crossed out photos of all of those that have fallen before us.Neil Connolly: No, not quite. All of the people that are in this corridor, there's about 100 photos. These are all the people who built the show.Neil Connolly: So this is David Gregory. He's the sound designer. This is Kitty, who is Immersive Everywhere's office manager. She also works in ticketing. That is Tallulah and Alba, who work in the art department. Elliot, who's our lighting designer. So all of these people are the people who brought the show to life.Paul Marden: Amazing.Neil Connolly: And we wanted to pay homage to them because some of them gave years of their lives to building the show from literally the inception that I had in 2023. Through to now and others are the people who literally spent months of their life underground in these basements building hand-building this set and so we wanted to pay homage to them so we got all of their photos we did the iconic red cross through it yeah and we stuck them all up in the corridor just because we thought it'd be a nice thing to do.Paul Marden: You're in the business of trading and experiences and that ranges from art exhibitions to touring shows. There's always going to be a challenge of balancing innovation and profitability. What is the formula? What is the magic formula?Neil Connolly: I believe, first and foremost, going back to what I was telling you earlier about us being a collaborative organisation. We are not a creative crack that has been used for the show. We are also the producers of the show. And to make my point again, I'm a commercially minded creative. So I actually sit down with the producers and go, 'Okay, cool.' There are 112 seats in the show.Paul Marden: Yep.Neil Connolly: Therefore, how many shows do we need to do per day? How many shows do we need to do per week? How many shows do we need to do per year? Therefore, let's build out a P &L. And we build a whole business plan based around that.Paul Marden: By having everybody— that you need in the team— makes it much easier to talk about that sort of stuff. It makes it much easier for you to design things with the end result in mind. You don't have a creative in a creative agency going off— feeding their creative wants without really thinking about the practicalities of delivering on it.Neil Connolly: Exactly. So you've got to think like, literally, from the very, very beginning: you've got to think about guest flow. You've got to think about throughput. You've got to think about your capacities. Then you've got to basically build out a budget that you think— how much, hey, how much really is this going to cost? Yeah. Then you build out an entire business plan and then you go and start raising the money to try and put that on. And then you find a venue. I mean, like the other magic triangle, like the traitor's magic triangle is, you know, time, space, atmosphere. That's how you do a show. Like with my producer's hat on, the other magic triangle is show, money, venue.Neil Connolly: The truth of the matter, like I make no bones about it, I can design shows till the cows come home, but I'm always going to need money to put them on and a venue to put them in. Also, I want to stress this really important. I use the words 'I' and 'we' very interchangeably.Paul Marden: It's a team effort.Neil Connolly: You can see that in that corridor. I am not a one-man band. I am the creative director of a company. I am a cog that is in that machine, and everybody is doing... We are, as a team... I cannot stress this enough. Some of the best in the business are doing what we do. And everyone is so wildly talented. And that's just us on the producing side. That's immersive everywhere, limited. Then I've got a whole other creative team. Then we've got operations. Then we've got... It's just mad. It's just mad, isn't it? This is a job. Who would have thought, when you were at school, this was an opportunity? Not my principal or my maths teacher.Neil Connolly: So, sorry, just to balance the kind of economies of scale. That was the question, wasn't it?Paul Marden: Well, we were talking about what is the formula for making that an investment, but you know, the authority here is the effort you've put in to do this feels high, but at the same time, you have to find this thing. There is a lot of investment that goes into the front.Neil Connolly: But that comes back to creatives. Caring and I'm not saying the creatives don't, but I care. I care about building businesses. Yeah, not necessarily like building my own CV, like there's so many projects that across our desks. I'll be like, 'Yeah, that'd be really fun to work on.' But do I think that I can make that a touring product? Can it be a long-running location-based entertainment sit-down product? Can it be an art shop? Like you've kind of got a balance with what do you think is just creatively cool versus what can we do as a company that is a commercially viable and financially stable product? And so all that comes through in terms of the creative, but also in terms of the activities of how we run the building, how this model realizes. Because if you think about it, let's make Phantom of the Opera run in the West End. Yes. The show is very obvious, with many casts on a room, away, fruit team away, terrace, it's a big activity. If they haven't sold half that away, they have to use the whole show and play all those people.Neil Connolly: But if they haven't sold half that away from one of my shows... I only have to activate four of my rooms, not eight of them. Therefore, I don't have to call in four actors. I don't have to call in a bunch of the other front of house team and I can scale in the operations on the back. It's an entirely scalable process. Flexible, yeah, yeah, yeah. Oh, 100%. But also, like, we've got eight rooms here. If we decide to take this to another territory, and that territory demands a much higher throughput, then instead of eight rooms, I can do 20 rooms, 30 rooms. As long as we know that the market is there to be able to kind of get people through it.Neil Connolly: I love this show and I'm so proud of it. The main reason why I'm proud of it is when the show finishes, let's go into one of the lounges. Have you been into one of the lounges?Paul Marden: I've had a nose around a lounge.Neil Connolly: There are different shapes and sizes. We won't go into that one. We'll go into this one down here. That one, that one. It's always such a buzz when you're stood in the bar and the shows kick out, and you see tables and tables of 14 people going up into the bar.Neil Connolly: Area and before they've even gotten a drink, they will run straight over to their friends, families, strangers, whoever they were playing with in that table of 14, and instantly be like, 'Right, I need to know everything that was going on inside your head, your heart, and your soul over the last two hours of my life because this was my experience.'Neil Connolly: And they'll just go, and they'll be like, 'And this is what I was thinking.' And then I thought it was you because you did this and you touched your nose in a weird way. And then I thought you were sending secret signals. And then everyone's like, 'No, that's not what I was doing.' I was just trying to be a normal person. And they were like, 'Well, why did you say that thing?' It sounded super weird. And they're like, 'That's just what I do.' And it's just totally mental. And then they all get a drink from the bar. And we call it the bar tab chat.Neil Connolly: It's another revenue stream.Neil Connolly: I do talk about this like it's a show. And it is a show. You've walked around, do you think it's a show? Completely. I talk to established houses all the time. Like, you know, the big theatres of the land. Organisations that are national portfolio organisations who receive a lot of Arts Council funding. The thing that they want to talk to us about all the time is new audiences. They're like, 'How do I get new audiences through my door?' What can I do? And I'm like, 'Well, firstly, make a show that people want to go and see.'Neil Connolly: Again, they're like, 'But I've got this amazing writer and he's a really big name and everyone's going to come because it's that name.' And I'm like, 'Yeah, that's wicked. That's cool.' And they can all go pay reverence to that person. That's really wonderful. Whereas when you look at the attractions landscape or the immersive theatre landscape or like anything like... Squid Game, or The Elvis, Evolution, or War of the Worlds, which has also laid reality, or any of that kind of stuff, across the landscape, it is nothing but new audiences. Yeah, yeah, yeah. It is nothing but actual ticket-buying audiences.Neil Connolly: And they come from all different walks of life. And what I love is that they do come in to this experience and we hit them with this like secret theatre.Neil Connolly: And they're like, 'Oh my God.' And often it's a gateway to them being like, 'Oh, I didn't realise that.' Maybe I'll go see a Western show or maybe I will go to the National Theatre and see something. Because that's the level of archery. Because those organisations, I love them and I've worked in a few of them, but those buildings can be quite austere, even though they're open and porous, but it's still very difficult to walk through that threshold and feel a part of it.Paul Marden: Whereas coming in here, coming into an event like this, can feel like a thing that they do.Neil Connolly: Because it's the same demographic as theme park junkies. People who love going to theme parks love going to stuff like this because it's an experience, it's an otherness, it's an other nature kind of thing. Because modern audiences want to play and do, not sit and watch. But we all exist in the kind of same ecosystem. I'm not taking on the National Theatre.Paul Marden: Gosh, no. I always talk about that. I think the reason why so many attractions work together in the collaborative way that they do is they recognise that they're not competing with each other. They're competing with sitting on your backside and watching Netflix.Paul Marden: Yeah, yeah.Paul Marden: Our job for all of us is to drag people away from their screens and drag people off of their sofas to do something. And then that's the biggest challenge that we all face.Neil Connolly: I think then that kind of answers the question that you asked me earlier, which I didn't answer. And I'm very sorry.Neil Connolly: is about identifying different pieces of IP. Like, yes, we largely exist in the world of licensing IP. And how do we identify that kind of IP to be able to translate? Not just how do we do it, but like, actually, how do we identify the right thing that's going to... How do you spot the winner? Yeah, exactly. Yeah. And that is one of the biggest challenges to your point of we're talking directly to people who consume arts, culture and media and technology in a slightly more passive way, whether that's just at home and watching Netflix and then bringing that to life. In a very, very different way. If you have a very clear marketing campaign that tells people what it is that they're buying and what they're expected to see or do on their particular night out, because that's what modern people really care about, what they do with their money. Yeah. And they want to have a good night out. And I'm in the business of giving people a good night out. We also happen to be murdering a lot of people in the course of the show.Neil Connolly: Still a good night out. Still a good night out. But I'm in a place where the dead sit. Yeah, exactly. Lounge of the dead. And like, you know, this is a really cool space. Oh, it's just beautiful. You know, we've got the telephone really works. There's lots of information that comes through that. The radio works, that does different things. The TV screen on the wall, that has the actual live feed into the round table room that you've just left. And there's other little puzzles and hints and tricks in this room, which means that after you've been murdered or banished and you come to the Lounge of the Dead, you're still engaged with the game to a degree. You just don't directly influence the outcome of the game. But you're still involved in it. You're still involved in it. It's super fun. Oh, and you can have a drink in here.Paul Marden: I don't let people drink in the round table. Even more important. What's this?Neil Connolly: The dolls, the creepy dolls. What this is, this is the void. Creatively speaking, this is where all the gold goes when people win or lose it. And the creepy dolls are from the TV show. Ydyn nhw'r un gwirioneddol o'r sioe? Felly, gafodd studio Lambert, sy'n gwneud y sioe tebyg, llawer o brops o'r sioe tebyg i ni eu rhoi ar y ddispleiddio yma. Felly, mae gennych chi'r Dolls Creepy o'r lles 3 yno. Rydyn ni'n mynd i fyny. Yn ôl yma, mae'r peintiwch Deathmatch.Paul Marden: Which is from season three.Neil Connolly: And they get the quill and they write the names and got the quill upstairs. We've also got over here, the cards that they used to play the death match with. Excellent.Paul Marden: So you began your career in theatre. How did that evolve into the world of immersive live experiences?Neil Connolly: Life story. I am the son of a postman and a cook. And if you haven't noticed already, I'm from Ireland. There was no theatre in our lives, my life, when I was growing up. And I stumbled into a youth theatre. It's called Kildare Youth Theatre. And the reason why I joined that is because there was a girl that I really fancied.Neil Connolly: She had just joined this youth theatre and I was like, 'Oh, I'm gonna join that as well' and that kind of opened the world of theatre for me. At the same time, I then got spotted by this guy, his name's Vijay Baton, his real name's Om, but he converted to Hare Krishnanism in the 90s. And he set up a street theatre company in Ireland. He just taught me street theatre. So he taught me stilt walk, he taught me juggling, he taught me how to build puppets. And so I spent years building puppets with him and going around Ireland doing lots of different street theatre while I was a teenager. And doing street theatre and doing my youth theatre and then kind of all of that kind of came to a head when I had to decide what I was going to do with my life. I applied to go to drama school. And I applied to two drama schools. One was Radha. Didn't get in. Didn't even get an audition. And the other one was Rose Bruford. And they took me. And the reason why they took me— I probably wasn't even that good. But on the day that I was auditioning to get into Rose Bruford was the same day as my maths exam for my final exams at school. You call them your A-levels, we call them the leaving certificate.Neil Connolly: And while all of my friends were back in Ireland doing their maths exam, I was in an audition room pretending to be a tree or the colour black.Neil Connolly: Who knows? And they kind of went, 'Well, if I fail my maths exam, I don't get into university in Ireland.' Like, it's just a blanket thing. And so I was like, 'I literally sat across the panel' and I was like, 'eggs, basket.' And they were like, 'cool.' So they let me in based off of that. So I got a classical training. Then what happened is I came out of university. I was living with two of my friends, Natalie and Joe. And we had our own little production company called The Lab Collective. And we just started making shows. In weird ways, we joined a company called Theatre Delicatessen. Let's get away from this. Yeah, yeah, yeah.Neil Connolly: So Theatre Deli was a company set up to take over disused spaces in London and convert them into art spaces.Neil Connolly: Basically legalised squatting. It's the same as like a guardianship. But we weren't living in the buildings. We were just putting on shows and we put on art shows, we put on theatre shows. We did Shakespeare for a while. We wrote our own work and we just did lots of really, really cool stuff. And I worked in music festivals, classically trained actor. So I was trying to do shows. I did a lot of devising. I also joined an improvisation group. And kind of through all that mix, like those years at Delhi, which was making these weird shows in these weird buildings, were very, very formative years for us. The Arts Council wouldn't support the kind of work that we were making. We were like, 'Cool, how do we get space?Neil Connolly: How do we get or make money to support ourselves? And what are the shows? There's the magic triangle all over again. Space, show, money. And that's your apprenticeship, I guess, that brings you to here. Yeah, yeah, yeah. And like, again, I make no bones about it. 10 years ago, I was selling programs on the door of the Royal Festival Hall while doing all of that stuff. So in one of the Theatre Daily buildings, we did a show called Heist, which is you break into a building and steal stuff. That's what the public do.Neil Connolly: And a bunch of us did that. I mean, it's so much fun— kind of doing it. And off the back of that, somebody else basically tried to chase down the crystal maze. And then they went away, and then they called me up and they were like, 'Hey, I've got the rights. Do you want to make the crystal maze?' And I was like, 'Yeah, sounds like fun.' So I got involved with that, did that for a while. And then, from there, this is the end of a very long story. I'm so apologised. Yeah, from there, all of those different things that I've done through the course of my life in terms of operations, designing experiences, being a creative, understanding business.Neil Connolly: Building a P&L, building a budget, talking to investors, trying to convince them to give you money. All of that stuff kind of basically came together. And over the last few years, like the wildest ride is that pre-2020.Neil Connolly: We were just a bunch of people doing a bunch of weird things, making weird shows and weird attractions in kind of different ways. And then that year happened. And I don't know what happened, but literally every single major studio, film, TV production, game designer, licensor in the world, suddenly just went— brand extensions, world extensions, and they all just started calling us. And they were like, 'Hi, I've got this thing.' Can you develop it into a thing? Because I need to extend my brand or I want to build a world and extend that for the public. And we were like, 'Yeah, okay, cool.' And we were just lucky, serendipitously, to be in the right place at the right time. To be those people that people can approach. And we're always, we're very approachable.Neil Connolly: As you can tell, I talk a lot. And, you know, so the last five years, it's just been a mad ride.Paul Marden: So look, Neil, it's been amazing. I have had the most fun. Last question for you. What's next? Are you putting your feet up now because you finished this? Or on to the next? Neil Connolly: Very much on to the next thing. So we're already in production with our new show, which is called Peppa Pig Surprise Party. And that is opening at the Metro Centre in Gateshead next year. Oh, how exciting is that? It's very exciting.Paul Marden: So quite a different demographic.Neil Connolly: The demographic for Peppa Pig is two to five year olds. It's been a really fun show to design and create. To go back to a question that you asked me very early on, there is no blueprint, there is no format. I have embraced the chaos tattooed on my arm. And always when I approach things, any new show or any new creative, I am thinking of it from a ticket buying perspective: 'I have paid my money.' What is the coolest thing that I can possibly do with that money? And so therefore, I'm now looking at families and, like, what's the coolest thing that they can do for that ticket price in the world of Peppa Pig?Paul Marden: Let's come back in the new year, once you've opened Peppa Pig, let's go to Gateshead and see that. That sounds pretty awesome to me. I reckon there's a whole new episode of Designing Worlds for two to five-year-olds that we could fill an hour on.Neil Connolly: Oh yeah, 100%. It's a totally different beast. And super fun to design.Paul Marden: Oh mate. Neil, it has been so wonderful having a wander around the inside of your crazy mind.Paul Marden: If you've enjoyed today's episode, please like it and leave a comment in your podcast app. It really does make it so much easier for other people to find us. This episode was written by Emily Burrows from Plaster, edited by Steve Folland, and produced by Sami Entwistle from Plaster and Wenalyn Dionaldo. Thanks very much. See you next week.  The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

Are you creating amazing podcast content but feeling like you're not reaching enough people? Today we're covering the essential world of podcast repurposing, revealing how to strategically transform your long-form and short-form content to expand your reach and grow your business. Join us as Felly Day shares actionable insights on maximizing your podcast's impact, from leveraging guest episodes and optimizing for SEO to building your email list and even pitching yourself for other shows. This week, episode 213 of Podcasting Unlocked is about growing your audience and business with content repurposing! Felly Day is a Content Strategist and Feel Good Marketing Mentor. She manages her content repurposing agency, Felly Day VA, from her laptop while balancing 1:1 clients and traveling. Her team focuses on repurposing content to build your omnipresence and cut your conversion time in half. She is also the host of The Unprofessional Entrepreneur podcast.In this episode of Podcasting Unlocked, Felly Day is sharing the importance of strategically repurposing your content and actionable steps you can take right now to make your short form content longer. Felly and I also chat about the following: Deciding on the core content you can keep coming back to.Leveraging your guest appearances on other shows for content.Why adding context is crucial for effective repurposing.Choosing the platforms to focus on that work best for you and your business.Be sure to tune in to all the episodes to receive tons of practical tips on turning your podcast listeners into leads and to hear even more about the points outlined above. Thank you for listening! If you enjoyed this episode, take a screenshot of the episode to post in your stories and tag me! And don't forget to follow, rate and review the podcast and tell me your key takeaways!Learn more about Podcasting Unlocked at https://galatimedia.com/podcasting-unlocked/ CONNECT WITH FELLY DAY:WebsiteInstagramThe Unprofessional Entrepreneur podcastCONNECT WITH ALESIA GALATI:InstagramLinkedInWork with Galati Media! Work with Alesia 1:1Proud member of the Feminist Podcasters Collective.

In this episode, I'm joined by the incredible Felly Day, founder of FD Studio and content repurposing specialist for podcasters. Felly takes us behind the scenes of her experience inside Dreamium, where she transformed her done-for-you services into a full-blown offer ecosystem and finally started feeling excited (and confident) about selling again.Before Dreamium, Felly was feeling disconnected from her retainer offer, unsure about her pricing, and frustrated that her suite didn't flow. But through deep work on her signature offer, Repurposing Unlimited, and the creation of complementary offers like The Remix and Repurposing Limited, she found her groove and her positioning. Felly shares how she used the Offer Blueprint, market research, and iterative design to develop offers that are easier to sell, better to deliver, and truly aligned with how she wants to work.If you've ever felt stuck in service-mode, overwhelmed by your offer suite, or unsure how to price and structure what you do, this episode will show you what's possible when you pause and do the strategic work.What You'll Learn in This EpisodeHow Felly went from a disjointed service suite to a strategic offer lineupWhy confidence in your delivery system makes marketing easierThe importance of validating structure, pricing, and delivery with real clientsHow Dreamium supported her to refine, evolve, and scale her done-for-you offersWhat it really takes to build an ecosystem (not just a bunch of random offers)"Once I stopped trying to make my offers look like everyone else's and actually structured them for how I work best, everything clicked" – Felly DayConnect with Felly:https://fellyday.com/https://www.instagram.com/fellyday/https://www.threads.com/@fellyday ::Follow + Connect with Mehttps://www.instagram.com/ceels.lockley/https://www.threads.net/@ceels.lockley ::Free MasterclassLearn more about the different types of offers and map out your offer ecosystem:https://ceelslockley.co/the-line-up::Join my CommunitySign up to my free monthly events for service pros, Sisters of Service:https://ceels-lockley.myflodesk.com/sisters-of-service ::Work with meJoin my group program for service providers who want to design a profitable offer suite over 6 months:https://ceelslockley.co/dreamiumCreate an industry-leading offer ecosystem with me 1:1: https://ceelslockley.co/main-event-experience

Have you been curious about the shelf life of the Remix? I sat down with 2 time purchaser Colie James to talk about all the ways she's used her first Remix over the last year.Not only did she ditch Instagram, she also changed up her offer suite post Remix. But that didn't stop her from using the 100 custom content ideas we'd provided for her.Meet Colie:Colie James is a Disney-loving family filmmaker, Workflow & Automations Guru, and the host of the Business-First Creatives podcast. With 12+ years in the creative space, Colie believes every creative deserves to build a business that is sustainable and profitable, and no one should quit their 9 to 5 only to work 24/7 [in their business].The truth—automated systems can save us all from being overworked and overwhelmed.https://coliejames.com/podcastConnect with Felly:fellyday.com/remixthreads.net/@fellyday

Listen as I break down 2 carousel posts on Instagram for 2 very different coaches. One is a functional health coach and the other focuses on life and business. Both have content full of juicy nuggets that I dive into and expand on all the different content they could be making based off of a first read through of their content.The Remixed Content:Lindsay: https://www.instagram.com/p/DH_vAdDJDc_/Kristina: https://www.instagram.com/p/DH_HRNbTMYF/This is my second live Remix on the podcast. If you want to hear the first, scroll back to episode 100, where I remixed content for an SEO expert and an operations assistant.Book your Remix today: fellyday.com/remixConnect with Felly: instagram.com/fellyday

Episode Show Notes Here: https://sociallyausome.com/post/168-how-to-repurpose-like-an-adhd-ceo-ft-fellySummaryStruggling to stay consistent with content because ADHD keeps hijacking your plans? In this episode, repurposing strategist Felly Day shares a remix method that turns one core idea into dozens of posts—without burnout. This ADHD-friendly strategy is built for creators who want visibility without the chaos.

I really love trying new things for my business, whether that's Reels, or AI or something else fun and shiny! And I REALLY love chatting to people who've managed to master something new so, in this episode, I chat with Felly Day all about using Threads for business. Felly has been using Threads consistently and has seen great success in attracting clients and getting people to sign up for her programs. It blew my mind how she approaches content repurposing. We discussed her experiences, what's been effective, and what she's noticed about the platform. It was a really interesting conversation and I'm excited to give Threads another go myself. If you're curious about marketing your business on Threads, you'll find this episode super helpful. Key Takeaways: Threads is a great platform for "train of thought" marketing, allowing for quick, unfiltered sharing of thoughts and ideas. Engagement on other people's posts can be just as important, if not more so, than your own original posts. Don't be afraid to include links to sales pages in your Threads content. Authenticity and transparency are key on Threads – share your journey and build trust with your audience. Threads can be a valuable tool for repurposing content and validating ideas. Episode Highlights: 03:54 Train of Thought Marketing on Threads 07:25 Sales and Lead Generation Strategies on Threads 08:57 Engagement and Interaction on Threads 16:33 Balancing Multiple Platforms and Content Repurposing About the Guest: Felly Day runs a content repurposing agency. You can find her on Threads and Instagram as @‌FellyDay and on her website at FellyDay.com Mentioned in the Episode: Liz Mosley's Instagram: @‌lizmmosley. Building Your Brand Podcast Instagram: @‌buildingyourbrandpodcast. Podcast production by Lucy Lucraft: http://lucylucraft.co.uk . End Credits: I would love to hear what you think of this episode, so please do let me know on Instagram where I'm @‌lizmmosley or @‌buildingyourbrandpodcast, and I hope you enjoy the episode! This episode was written and recorded by me and produced by Lucy Lucraft (http://lucylucraft.co.uk). If you enjoyed this episode, please leave a 5* rating and review!

Wel am ddiweddglo yn Skopje! Camgymeriad hollol anarferol Joe Allen yn rhoi gôl ar blât i Ogledd Macedonia, cyn i David Brooks fanteisio ar ddau gamsyniad amddiffynnol gan y tîm cartref i achub gêm gyfartal oedd perfformiad Cymru yn ei haeddu. Hyn i gyd wedi'r cloc basio 90 munud!Felly, mae record ddiguro Craig Bellamy fel rheolwr yn parhau, a Chymru yn gyfartal ar frig y grŵp gyda Gogledd Macedonia wedi dwy gêm. Digon i'r 'ogia drafod, ac yn rhoi amser i Owain "ro'n i'n barod i gwffio" Tudur Jones setlo lawr.

Di episode kali ini gw ngobrol dan mencoba mengetahui sosok nicko felly sarjono yang merupakan seorang drummer tetapi memprioritaskan pekerjaan. Itu tidak menjadi halangan dalam bermusik. Mau tau seperti apa ceritanya? Dengerin sampai habis!

Felly Day is the owner of a Content Repurposing Agency doing things a bit…unprofessionally. Felly is big on ditching the "white picket fence" narrative and helping you create a life that provides real happiness by working smarter, not harder. That's where repurposing comes in, she loves to dig through your content and pull out all the little nuggets worth repeating.

In this episode of Salesy with Meghan, we're joined by the incredible Felly Day, founder of a Content Repurposing Agency that does things a bit… unprofessionally (in the best way). Felly is all about ditching the cookie-cutter, "white picket fence" narratives and empowering entrepreneurs to live a truly authentic life.By helping business owners work smarter, not harder, Felly digs into existing content to uncover hidden gems and shows you how to leverage them effectively. From breathing new life into your posts to making your message go the extra mile, this conversation is packed with actionable advice for scaling your content strategy.Key Takeaways:What is Content Repurposing?: Felly explains how repurposing can save time, energy, and stress while keeping your content strategy fresh and impactful. You don't always need to create from scratch—sometimes the best ideas are already there.Finding Hidden Gold in Your Content: From long-form blog posts to bite-sized social media snippets, Felly shares tips for identifying and reusing the most valuable pieces of your existing content.Ditching the Hustle Culture: Felly's approach focuses on sustainability and enjoyment. Instead of chasing trends or burning out, learn how to make the most of what you already have.Breaking Free from the Perfection Trap: Felly encourages listeners to embrace an imperfect approach prioritizing progress over perfection. Your audience connects with authenticity, not flawless execution.Repurposing as a Growth Tool: Scaling your business doesn't have to mean working harder—it can mean working smarter. Repurposing lets you maximize your efforts, reach new audiences, and maintain consistency without doubling your workload.About Felly Day:Felly Day owns a Content Repurposing Agency, where she helps entrepreneurs make the most of their existing content to build a life that brings them real happiness. Felly's passion lies in pulling out the small, overlooked nuggets of value from your work and showing you how to amplify them across platforms. You'll usually find her vibing with a 90s R&B playlist, a cup of tea, and a bottle of water by her side.Links:Instagram: @fellydayWebsite: FellyDay.comTurn 1 into 10 PodcastFinal Thoughts:Felly reminds us that building a business isn't about working harder—it's about creating strategies that allow for freedom and flexibility. Repurposing your content isn't just a tactic; it's a mindset shift that helps you create sustainable success. Whether you're a seasoned entrepreneur or just starting, this episode offers insights to make your content—and your life—work better for you.GRAB BUYER PSYCHOLOGY TODAY >>> Meghanlamle.com/buyers-psychologyLinks:InstagramLinkedinBlog If you are struggling with signing clients on sales calls, grab the 10k sales script to help you sign clients today. Click here.Support the show!

I read from felly to FEMA.     National Suicide Prevention Hotline 800-273-TALK Text TALK to 741741   The Trevor Project https://www.thetrevorproject.org/get-help/   Trans Lifeline 877-565-8860   SAGE LGBT Elder Hotline 888-234-SAGE   American Foundation for Suicide Prevention https://afsp.org/lgbtq-mental-health-and-suicide-prevention/     It seems like some or a lot of felt is made from wool but there are other kinds too. https://en.wikipedia.org/wiki/Felt https://www.wikihow.com/Make-Felt https://www.youtube.com/watch?v=JnHr4DfY8U8     The word of the episode is "felt".     Use my special link https://zen.ai/thedictionary to save 30% off your first month of any Zencastr paid plan.    Create your podcast today! #madeonzencastr     Theme music from Jonah Kraut https://jonahkraut.bandcamp.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube   "The Dictionary - Letter B" on YouTube   "The Dictionary - Letter C" on YouTube   "The Dictionary - Letter D" on YouTube   "The Dictionary - Letter E" on YouTube   "The Dictionary - Letter F" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     https://linktr.ee/spejampar dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://www.threads.net/@dictionarypod https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

Welcome back, friends! On this episode of Content Magic, I'm thrilled to introduce you to Felly Day. Felly is also Canadian but now lives in France and she's the founder of a content repurposing agency. She helps other entrepreneurs expand their reach without creating all new content. We chat about what repurposing actually means (it's not just copying and pasting), the intention behind each piece of content you share, how to use Threads in your content strategy as well as how Felly uses differnent lenses when repurpusing content for her clients. We also get into the use of AI and ChatGPT and the ever-evolving role it plays in creating (and repurposing) content. Whether you're struggling to manage your content across multiple platforms or curious about the potential of AI in content creation, this episode is packed with actionable insights and inspiration. 00:00 Worked remotely to move permanently to Mexico.05:25 Desperate for work, started repurposing content.09:23 Agency framework: content, platforms, intentions, client-driven.10:32 Use angles to adapt content for platforms.13:51 Copy-pasting content across platforms hurts engagement.19:56 Use call out posts to attract followers.21:46 Repurpose content for LinkedIn in 2025.25:07 Human-edited clips offer better authenticity.27:02 Monthly content repurposing changed to weekly selection.CONNECT WITH ME!Instagram: @lindsaysmithcreativeWebsite: lindsaysmithcreative.caFree community call: Content & CoffeeCONNECT WITH FELLY!Instagram: @fellydayWebsite: fellyday.comFreebie: Turn one post into 10!Show mixed and edited by: Cardinal Studio

Welcome back to The Blogging and SEO Show! This week, I'm joined by learning specialist and CEO of Entrepreneur Academic, Lauren Dewey.Lauren Dewey is a Learning Specialist and CEO of Entrepreneur, Academic. After nearly eight years working in higher education, she started Entrepreneur, Academic to support business owners, coaches, and service providers scale their impact and income through high quality curriculum development. Lauren can help bring your expertise to life through a signature online course, a group program or masterclass, or the creation of a suite of workshops or masterclasses! She believes in building sustainable, scalable business models that prioritize quality programs while getting paid for your expertise. Connect with Lauren:Grab her free masterclass here.Download her course creation checklist here.Visit her website here.In this episode, we're diving into the fascinating world of adult learning and how understanding these concepts can transform your blog, content strategy, and even your offers.We discuss:What adult learning really is and how it influences how your audience consumes and retains information.Why every blog post educates your audience, even when it doesn't feel like it—and how to structure your content for maximum impact.The pitfalls of you-centric content and how to make your stories resonate with your audience's lived experiences.Why redundancy in your messaging is key to keeping your brand memorable (and why this isn't just a sales tactic but a proven learning theory).How to avoid creating "boring professor" content while keeping your personality alive in your blogs and courses.Ways to reimagine your content for social media, emails, and more—because blogging doesn't exist in a silo!We also explore how learning preferences (not learning styles!) influence content creation and why courses that focus on transformation—not just information—have higher success rates.Finally, Lauren shares actionable tips for auditing your offers and creating content that gets people off to stop scrolling and into action.Resources mentioned:Repurposing with Felly from FDStudio here.Book a free SEO consultation here.More Ways to Learn & Connect with Me:Blog: www.thecommamamaco.com/blogInstagram: @‌commamama.coDon't forget to follow and subscribe to the show to be notified when new episodes are available! Go ahead and subscribe to the newsletter and get inbox notifications and access to exclusive deals for my listeners - Get on the list.

Welcome back to The Blogging and SEO Show! This week, we're diving into what makes blogging so unique compared to other forms of content creation, like social media posts, email newsletters, and even podcasting. Blogging isn't just about SEO or dropping random thoughts; it's a versatile, long-form content tool that can serve multiple purposes in your marketing funnel.We'll discuss:The difference between blogging, social media, and copywriting (and why each serves its own purpose).How blogging builds on your SEO foundation—think of SEO as laying the groundwork and blogging as designing the house.Repurposing content effectively and tailoring it for your blog vs. other platforms (special shoutout to Felly Day from FT Studio for her repurposing expertise!).The role of blogs in educating and engaging your audience, helping them see your expertise while meeting them where they are in their journey.Why SEO-optimized blogs continue working for you long after you hit publish (unlike that Instagram post buried in your feed).Plus, we explore how blogging can meet readers at different stages—whether they're discovering you for the first time, seeking education, or ready to convert—and why it's a long-term investment in your business success.Resources mentioned:Repurposing with Felly from FDStudio here.Book a free SEO consultation here.More Ways to Learn & Connect with Me:Blog: www.thecommamamaco.com/blogInstagram: @‌commamama.coDon't forget to follow and subscribe to the show to be notified when new episodes are available! Go ahead and subscribe to the newsletter and get inbox notifications and access to exclusive deals for my listeners - Get on the list.

Are you leaving content opportunities on the table because you're not repurposing the content you already have? In today's episode, Felly Day joins us to share the value of repurposing and why it's a crucial component to intentional marketing for business owners. Listen in as she not only shares common mistakes and practical strategies, but also walks us through her CPIA framework to effectively repurpose your content.Today's episode is brought to you by my Content Organization Hub! If you are drowning in a sea of post its trying to keep track of all your content ideas or maybe you're struggling to remember what you posted on which platform and when, I totally get it.That's why I created the content organization hub for air table for just 9. You can finally put an end to content chaos. Imagine having all your marketing content in one central location. Easily linked, perfectly organized, and ready to go whenever you are. Grab the Content Organization Hub and get 10% off with code PODCAST!Buy Now >>Mentioned in this EpisodeTurn 1 into Ten Private PodcastFelly's Angles Episode on The Unprofessional EntrepreneurConnect with FellyWebsite: fellyday.comInstagram: instagram.com/fellydayPodcast: fellyday.com/podcast

If you feel like you can never get off the endless treadmill of creating content, then you need Felly Day. Her Content Repurposing Strategy is all about making the most out of what you create, getting multiple posts out of one piece of content! Freeing up our time whilst still serving our followers loads of top-notch content? We'll take 5, please.  This pod swap was one of the last episodes from RE: The Podcast, it aired May 2024 and the show aired their finale 2 months later in July. Connect with the hosts: Ellie: https://www.instagram.com/theenthusiastandco Rachel: https://www.instagram.com/rachelemmawaring Connect with Felly: fellyday.com instagram.com/fellyday

Lil Felly is a Kenyan rapper, songwriter, and entrepreneur from Madiwa (Eastleigh Section 3), Nairobi. He is the Owner/Founder of Young DreaMer EntertainMent and is recognized for his clever punchlines, wordplay, and conscious rap that delivers knowledge to his listeners. Felly focuses on conscious and mainstream hip-hop, aiming to both educate and entertain, drawing inspiration from artists like Tupac and Lil Wayne. He is currently working on his debut album titled God is The Greatest. This interview was featured on Season 14, Episode 09 of the Ado Veli Podcast, which is also the 348th episode in total. Get Ado Veli 1st Service tickets here

In Episode 60 of Brewing Up Creativity, Danielle is joined with the Feel-Good Marketing Mentor and Content Repurposing Agency owner, Felly Day to talk about building an omnipresence and successful business through repurposing content online to avoid the feelings of stress and burnout.  This weeks pod swap is courtesy of Brewing Up Creativity hosted by Danielle Labonte. The episode aired Nov 2022. Connect with Danielle: daniellelabontedesigns.com instagram.com/brewingupcreativity Connect with Felly: instagram.com/fellyday fellyday.com

In this episode, I chat with my friend Felly Day, the owner of a content repurposing agency, and she shares insights on content repurposing and building a repurposing strategy. She emphasizes the importance of transforming content and avoiding copy-pasting. Felly also discusses the shift in content creation over the years and the need for intentionality in content strategy. She provides tips on repurposing content and shares the benefits of having a content hub. This episode is a pod swap with Beyond the Systems hosted by Samantha Whisnant. It was aired in Mar 2024. Connect with Sam: systemswithsam.com/services instagram.com/systemswithsam Connect with Felly: Turn 1 Post into 10 private pod: fellyday.ck.page/lead Instagram.com/fellyday fellyday.com

Are you ready to amplify your podcast's impact without doubling your workload? In today's very special takeover episode, you'll discover how you can repurpose your podcast content like a pro! Our guest host, Felly Day, will guide you through the art of squeezing every drop of value from your podcast episodes. Felly shares her famous CPF framework, revealing secrets to choosing the right content, platforms, intentions, and angles that will skyrocket your reach and engagement. Plus, examples of how the CPF framework works and turns a single episode into multiple pieces of content. Whether you're looking to educate, sell your offers, or nurture your audience, Felly's strategies will help you transform your podcast into a content goldmine! Felly is the owner of a Content Repurposing Agency doing things a bit…unprofessionally. After living as an expat in Mexico for 3 years while running both sides of her business, she relocated to the south of France to plan her wedding with the Frenchman and restructure her business in the lead up to married life. She's also the host of the Unprofessional Entrepreneur podcast.Topics covered in this episode:What is content repurposing, and how can it transform your podcast content?What is the CPF Framework?Which episodes should you choose when repurposing your podcast content?Why should you be selective about the platforms you use for repurposing your podcast content?How can you turn one podcast episode into ten pieces of content?Mentions and links from the episode:The Turn 1 into 10 private podcast: Learn to DIY your content repurposing strategy with FDStudio's signature frameworkEpisode 156 The No 1 Reason Why You Should Number Your Podcast Episode TitlesConnect with Felly:WebsiteInstagramSign up The Remix: A taste of repurposing. Send us 10 links to your existing content, and we'll send back 100 custom content ideas that are ready for you to start creating.Listen to the Unprofessional Entrepreneur podcastConnect with Rosemarie

This week, I brough on an honest to god Marketer. Someone who went to school and worked in corporate as a marketer and has brought that into the world of online business. Join myself as Kierra as we discuss the different types of data, using data and being a faceless brand in 2024. Connect with Kierra: Take her Launch Quiz: https://quiz.tryinteract.com/#/66623c4d464dd20015d2ff37 https://www.instagram.com/klc.thestudio/ Come find Felly: fellyday.com/services instagram.com/fellyday

I've been saying since the beginnning of the year that I would either invest in Linkedin or Pinterest Management. I wanted a new marketing platform that I could be 100% hands-off. Well in this episode of the Unprofessional Entrepreneur, I share the steps I went through to find a Pinterest manager, the calls I had and what were the deciding factors of why I chose House of Ivy to pin for FDStudio. Check out my Pinterest Manager: https://www.instagram.com/houseofiveypinterest/ https://houseofiveypinterest.com/ Come find Felly: fellyday.com/services instagram.com/fellyday

Send us a Text Message.As a blog content writer and SEO, I want you to get the most out of your content and show up across platforms — which is why I invited Felly from FDStudio to share everything she knows about content respurposing and why it gives such a boost to your SEO.More About Felly:Felly Day is the owner of a Content Repurposing Agency doing things a bit…unprofessionally. After living as an expat in Mexico for 3 years while running both sides of her business, she's relocated to the south of France to plan her wedding with the Frenchman and restructure her business in the lead up to married life.Learn how to turn one post into ten here.Book your Blog VIP WeekReady to start your blog and work with TCM? Grab your spot here.More Ways to Learn & Connect with Me: Blog: www.thecommamamaco.com/blog Instagram: @‌commamama.co Don't forget to follow and subscribe to the show to be notified when new episodes are available! Go ahead and subscribe to the newsletter and get inbox notifications and access to exclusive deals for my listeners - Get on the list.

The one platform I talk about all the time but don't use myself: Linkedin. This week, I'm joined by Jen Hartmann, founder of Neat the Agency, to discuss how she signs the majority of her clients and attracts speaking opportunities through Linkedin marketing. We cover the direction that Neat is heading through business acquisitions and then get into the types of content that do and DON'T work to bring in clients to your services on Linkedin. Connect with Jen: As CEO and founder of NEAT, Jen's worked with companies of all sizes – including local startups and billion-dollar companies— to launch new products, boost brand awareness, and drive website traffic through innovative marketing strategies customized to your unique business. In her down time, she explores Louisville with her fiancé and bernese mountain dog, trains for half marathons and is (obviously) tasting new bourbon! Come find Felly: fellyday.com/services instagram.com/fellyday

Another week, another bonus pod from us. All because this - to coin a phrase - is not normal. Welsh Labour, the democratic world's most successful election-winning machine, has relied on party discipline and a phenomenal campaign machine to win every general election for a century. Its ability to close ranks is legendary, especially during contested elections.So how does the Welsh Labour leader and First Minister of Wales end up losing a vote of no confidence in the Siambr, in the middle of a UK-wide general election? To explain this and the other highlights and lowlights of the first two weeks of the election period, the Hiraeth team are back behind the mics. The team:Matthew Hexter: https://twitter.com/hexter101Ceri Davies: https://twitter.com/cerithevikingRichard Martin: https://twitter.com/mimosacymru As always, you can find the latest from us @hiraethpod on most social media, including Twitter/X here: twitter.com/HiraethPod We hope you find this podcast interesting and useful. Please do send feedback, it's always great to hear what our audience thinks. Thank you for listening to the podcast. If you have enjoyed it, please leave us a nice rating or comment on your podcast app or on YouTube and, if you are able to do so, please consider supporting our work from just £3/month on Patreon: www.patreon.com/hiraethpod

If you feel like you can never get off the endless treadmill of creating content, then you need Felly Day. Her Content Repurposing Strategy is all about making the most out of what you create, getting multiple posts out of one piece of content! Freeing up our time whilst still serving our followers loads of top-notch content? We'll take 5, please. 

Send us a Text Message.Are you a VA or service provider who's ever dreamed of running your own thriving agency? Well buckle up, because you're about to hear the wild story of Fellt Day, an "unprofessional entrepreneur" who took her business from Craigslist gigs to a full-blown content repurposing agency.In this episode, Felly spills all the juicy details on her rollercoaster scaling journey - from getting her start as a general Virtual Assistant making $10/hr on Craigslist, to rapidly scaling to a 16-client agency with 5 team members (that promptly "imploded" on her

In this episode, I chat with my friend Felly Day, the owner of a content repurposing agency, and she shares insights on content repurposing and building a repurposing strategy. She emphasizes the importance of transforming content and avoiding copy-pasting. Felly also discusses the shift in content creation over the years and the need for intentionality in content strategy. She provides tips on repurposing content and shares the benefits of having a content hub. We also chat about overcoming perfectionism and trying new platforms. More about Felly Day:Felly Day is the owner of a Content Repurposing Agency doing things a bit…unprofessionally. After living as an expat in Mexico for 3 years while running both sides of her business, she's relocated to the south of France to plan her wedding with the Frenchman and restructure her business in the lead-up to married life. Felly is big on ditching the "white picket fence" narrative and helping you create a life that provides real happiness. You can usually find her with a cup of tea, a bottle of water and a 90s R&B playlist banging in the background.Takeaways: Content repurposing involves transforming original content into new pieces for different platforms.Avoid copy-pasting content and instead focus on transforming it to maintain impact.Intentionality is key in content strategy, focusing on what your audience needs to hear and what leads them closer to your offer.Having a content hub, such as an organized database of all your content, can help with repurposing and resharing content.Overcome perfectionism and try new platforms, giving them an honest go for at least 30 days.Connect with Sam Whisnant:Website: https://www.systemswithsam.com/services Instagram:  https://www.instagram.com/systemswithsam/ ​​Connect with Felly Day:Turn 1 post into 10: https://fellyday.ck.page/leadmag Instagram: https://www.instagram.com/fellyday/ Get 100 pieces of repurposed content in the Remix [affilliate link]: https://samwhizbiz--fellyday.thrivecart.com/remix/6579a5066d6d1/ 

TRYSTAN & EMMA DYDD GWENER 2302Tesni Evans gafodd air gyda Trystan & Emma fore Gwener. Cafodd hi sialens i gael tatŵ gydag enw band Y Cledrau ar ei choes! Wnaeth hi dderbyn y sialens tybed?Prif leisydd Main vocalistFfyddlon FaithfulYmwybodol Aware COFIO DYDD SUL 2502A miwsig Y Cledrau oedd i'w glywed yn y cefndir yn fanna. Gobeithio, on'd ife, bod y band yn gwerthfawrogi tatŵ Tesni. Mae hi'n flwyddyn naid sef y flwyddyn pan mae dau ddeg naw, neu naw ar hugain, o ddyddiau ym mis Chwefror. Mae'n debyg bod y siawns o gael eich geni ar y dyddiad hwnnw yn un ymhob 1,461. Un o'r mil a hanner rheini yw Elin Maher (pron. Mahyr). Felly faint yn union yw oed Elin nawr?Gwerthfawrogi To appreciateY gwirionedd The truthAr bwys Wrth ymylGwneud yn fawr Making the most Cyfoedion PeersAi peidio Or notSbo I supposeTrin To treatTynnu sylw To draw attentionRHYS MWYN DYDD LLUN 2602Elin Maher oedd honna, sydd ychydig bach yn hŷn na thair ar ddeg oed mewn gwirionedd! Ar raglen Rhys Mwyn clywon ni bod y Beatle enwog, George Harrison, wedi treulio amser yng ngwesty Portmeirion pan gafodd sengl y Beatles 'Get Back' ei rhyddhau ar Ebrill 11 1969. Rheolwr Safle Portmeirion, Meurig Rees Jones, sy'n sôn yn y clip nesa ‘ma am sut daeth e ar draws bwydlen oedd wedi ei harwyddo gan George Harrison ar y diwrnod hwnnw. Rhyddhau To releaseArwyddo To signYr arbenigwr The expertY cysylltiadau The connectionsAnhygoel IncredibleAmrywiaeth VarietyYmchwil ResearchAtgofion MemoriesDROS GINIO DYDD MAWRTH 2702Hanes diddorol George Harrison ym Mhortmeirion yn fanna ar raglen Rhys Mwyn. Sut dysgoch chi Gymraeg - ar-lein, wyneb yn wyneb neu'r ddwy ffordd? Pa ffordd ydy'r mwya effeithiol tybed? Cafodd llythyr ei gyhoeddi yn Golwg yn dweud ei bod yn bwysig cael gwersi Cymraeg wyneb yn wyneb yn dilyn twf dysgu ar-lein yn ystod y cyfnod clo. Jennifer Jones fuodd yn trafod hyn ar Dros Ginio a chafodd hi sgwrs gydag Alison Roberts o'r Alban, ond sydd nawr yn byw yng Nghymru, yn sôn am sut aeth hi ati i ddysgu'r iaithEffeithiol EffectiveWyneb yn wyneb Face to faceCymuned CommunityAnghonfensiynol UnconventionalCARYL PARRY JONES DYDD MAWRTH 2702Alison enillydd gwobr Dysgwr y Flwyddyn yn Eisteddfod Genedlaethol Llŷn ac Eifionydd 2023, ac mae hi wedi dysgu Cymraeg yn anhygoel on'd yw hi, o feddwl nad ydy hi erioed wedi bod mewn dosbarth Cymraeg! Beth sy'n gwneud bwyty da? Llio Angharad, sy'n sgwennu am deithio a bwyd ar y gwefannau cymdeithasol, fuodd yn trafod hyn efo Caryl Parry Jones ddydd Mawrth wythnos diwetha Gwefannau cymdeithasol Social media Hynod o bwysig Extremely importantCrafu To scratchY goleuo The lighting Swnllyd Noisy(H)wyrach EfallaiALED HUGHES DYDD MERCHER 2802Caryl a Llio yn trafod beth sy'n gwneud bwyta da yn fanna. Dych chi'n cytuno â nhw? Pawlie Bryant o Santa Barbara fuodd yn sgwrsio efo Aled Hughes ddydd Mercher diwetha. Mae Pawlie yn gerddor ac mae e newydd sgwennu ei gân gynta yn Gymraeg! Does dim llawer o amser ers i Pawlie ddechrau dysgu Cymraeg a gofynnodd Aled iddo, pryd oedd y tro diwetha iddo ymweld â Chymru… Cerddor MusicianO'r blaen PreviouslyY Deyrnas Unedig The UKDinesydd CitizenSylweddolais i I realisedSwyddogol OfficialDeunaw 18

Content repurposing expert Felly Day joins the Employee to Boss Podcast today to teach us some tips and tricks about content repurposing.  Content repurposing, as Felly says, is not just copying and pasting the same post across multiple platforms - its more than that!  As a full-time digital nomad running a dual business, Felly created Felly Day Studio to help ambitious coaches, consultants and service providers grow your empire with powerful and impactful thought leadership content that builds trust with your audience and grows your bottom line. Action Steps: Look at your messaging foundations Really get clear on your ideal audience Do market research to make sure that you stand out! Instagram: https://www.instagram.com/fellyday Website: Fellyday.com Podcast: https://www.instagram.com/unprofessionalentrepreneur/ Connect with me, Hayleigh Hayhurst: Website: https://www.espressopodcastproduction.com/ Watch the Podcast Videos on YouTube: https://youtube.com/@hayleighhayhurst2129?si=xuAef9AghhOJfhnA Instagram: https://www.instagram.com/espressopodcastproduction/ TikTok: https://www.tiktok.com/@espressopodproduction How to be an Unforgettable Guest course: https://hayleigh-s-school-2cca.thinkific.com/courses/great-guesting-how-to-be-an-unforgettable-podcast-guest Use my favorite business resources: Edit your podcast with Descript: https://www.descript.com?lmref=KkInCQ If you are a small business owner like me, you need a CRM. Sign up for Dubsado: dubsado.com/?c=espresso ConvertKit — ConvertKit is the go-to marketing hub for creators that helps you grow and monetize your audience with ease.: https://convertkit.com?lmref=gBnOLg Try Audible Premium Plus for free: www.audibletrial.com/QyNjxo Music: John Kiernan. www.johnkiernanmusic.com

Host Pauly Shore gets back to his MTV roots, when he sits down to talk with popular bands, influencers and comedians new and old, about a variety of topics, in a funny and always unpredictable talk show at Jam in the Van! Learn more about your ad choices. Visit megaphone.fm/adchoices

Cuttin' It Fine Radio Show Episode 60 Roast Beatz

If you're not repurposing your content, you're missing a trick. In today's ep, Felly Day, repurposing content expert, teaches us how we can 10x our visibility, growth and sales by repurposing our content like a pro.FIND FELLY ONLINE: fellyday.cominstagram.com/fellydayWORK WITH KATIE HERE: https://www.katiebambrick.com/work-with-me Free selling on stories Masterclass: https://www.katiebambrick.com/sell-out-masterclassInstagram: https://www.instagram.com/katiebambrickcoachingRemember to subscribe to the podcast so you never miss an episode and leave a rating (we're only interested in 5 stars round here - lol jk, but srsly).

Hear the behind the scenes results from rebranding my original podcast from Felly's Fishbowl to the Unprofessional Entrepreneur. The numbers are a great indicator but I also dive into how my energy feels and how I believe the numbers are a direct result of THAT. It was so much deeper than just a name change that's for sure. Come find me online: fellyday.com instagram.com/fellyday instagram.com/unprofessionalentrepreneur --- Send in a voice message: https://podcasters.spotify.com/pod/show/felly-day/message

On this episode I am sitting down with Felly, owner of Felly Day VA who is the owner of a content repurposing agency and describes herself as a feel-good marketing mentor. Felly helps business owners build marketing foundations that sell and then she works to spread that message across the internet! Felly focuses on marketing with your energy, and finding alternative ways that work for business owners and repurposing the rest. She works with all sorts of service-based business owners to help them build their businesses unprofessionally.   MENTIONED: The Social Herd Content Membership (sign up here)   Hangout With Felly: Felly's Website Felly's Instagram   SHOWNOTES BRANDED COWGIRL INSTAGRAM BRANDED COWGIRL FACEBOOK GROUP SPONSOR/ADVERTISE WITH BRANDED COWGIRL BE A GUEST GET IN TOUCH: Podcast@SarahElrod.com

Thanks for listening ❤️

Meet my internet friend Bri and the creator of Feminine Sales. I feel like Bri is the yin to my yang as I essentially teach feminine marketing. In this episode, we talk all about what it means to create feminine sales and how Bri is doing business differently from most sales coaches you'll meet online. And if you loved this episode, don't forget to rate and review the show! Where to find Bri: Instagram: instagram.com/feminineenergysales/ Podcast: https://open.spotify.com/show/7wU4dRgPQPVkVfszY1DSki Where to find Felly: https://www.instagram.com/fellyday/ https://www.instagram.com/fellysfishbowl/ www.fellyday.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/felly-day/message

On this episode of Felly's Fishbowl, Sari shares the best platforms for email marketing and DIYing a funnel. We also get a little into different funnels and why funnels get a bad rep. Have a listen and let us know how you feel about funnels and what ones you're using in your business. Links to recommended Email Marketing Platforms: Affiliate link for Kartra: https://fellyday.krtra.com/t/8BrmCIUjc1lF Affiliate link for Convertkit: https://convertkit.com?lmref=23rQpg Where to find Sari online: https://www.instagram.com/sarikossoff/ https://www.sarikossoff.com/freebie Where to find Felly: https://www.instagram.com/fellyday/ https://www.instagram.com/fellysfishbowl/ www.fellyday.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/felly-day/message

Tune into hear from my good friend Abigail on how she shows up unapologetically online. In this episode, we touch on topics like self-sabotage, Instagram content and sharing your authentic self. If you liked this episode, share it with a friend. That's how this show continues to grow. Don't forget to like, rate, review and subscribe! Where to find Abigail online: https://www.instagram.com/authenticallyabigail/ https://authenticallyabigail-af8f.mykajabi.com/embodysixfigurepower Links for Felly: instagram.com/fellyday instagram.com/fellysfishbowl fellyday.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/felly-day/message

Content repurposing doesn't mean copy + paste. It's so much more! Listen in and learn how repurposing content can make your life so much easier in this episode. Find Felly on Instagram @fellyday, fellyday.com, and tune into her Podcast Felly's Fishbowl Loved this episode? Share it on Instagram and tag us @themomsonamission

On this episode of Felly's Fishbowl, I'm sharing all about what Should Marketing is, how to identify if you're stuck in a toxic cycle of marketing from a place of should and 2 simple steps you can take today to break the routine. Should marketing is damaging to your business for so many reasons and I never want my clients or listeners to fall into the habit of doing something because they think they should. You should love the content you create and your audience can tell when you don't. The lead magnet mentioned in the episode, 10 Alternative ways to Market: fellyday.kartra.com/page/market Follow me on Instagram @fellyday and @fellysfishbowl Everything else can be found on my website fellyday.com And don't forget to rate, review and subscribe to show because that's how I can help more people just like you. --- Send in a voice message: https://podcasters.spotify.com/pod/show/felly-day/message

Consistent, helpful content is the key to growing your business online. It's how your ideal customer gets to know who you are and how you can help them, it's a fantastic way to prove you know what you're talking about in your industry, it shows people what it would be like to work with you, and it encourages them to take that next step - to book in for your service or buy your product. So why do we procrastinate on content creation? Why do we post & ghost on socials? Why do we neglect our email lists? Usually, it's because we feel like we don't have enough time to create new content, we don't know what to say, or we don't think we're very good at it. Content creation feels like a big job - it's time-consuming, there are so many places that we feel like we need to show up on these days, and it's really hard to keep coming up with new content! Here's the good news - you don't actually need to create new content every day. There's a much easier way to show up consistently online, and my guest today is here to teach you how to do it! Content Repurposing Agency Owner Felly Day helps ambitious service providers and coaches create a sustainable business, grow through digital marketing and build a life on their own terms in a way that feeds their spirit. Felly specialises in helping her clients create a core content strategy that embodies their own energy, vision and dreams, and she believes that marketing success comes from creating messaging that is distinctly you. If you've already got content you've created previously, you can use that in multiple ways to build brand awareness and sell out your offers. Don't burn yourself out constantly trying to create new content. Sales and success don't come from sharing the newest and trendiest stuff! In fact, most of your audience needs to hear the same thing over and over again before they're familiar with it, truly understand it, relate to it and decide to take action and buy! Tune in as Felly and I talk about what content repurposing is and how it can benefit your business, the difference between content repurposing and content redistribution, and the easiest way to get started repurposing your content! Download Felly's free resource Repurpose to your email list fellyday.kartra.com/page/repurpose Connect with Felly at her website, or on Instagram --- Ready for more ease & flow in your business next year? Check out The Simpler Business Mastermind - we start January 1, 2023! --- Enjoyed this episode? Please subscribe, rate, and review us on Spotify, Apple Podcasts, or your favourite podcast platform! --- Bring more ease to your business: Learn the 3 simplest ways to streamline your business growth with Marissa's FREE audio class at https://www.marissaroberts.com/ --- Tired of people asking to "pick your brain"? Turn brain pickers into paying clients with Marissa's FREE scripts at https://www.marissaroberts.com/resources --- Follow Marissa on Instagram: https://www.instagram.com/marissarobertsofficial Chat about Simpler Business with Marissa on Facebook: https://www.facebook.com/thesimplerbusinesspodcast

Isn't it beautiful when blokes just care? Once again our golden generation bails us out of cricketing dystopia in ways “everyday” Australians understand. Forget our systemic sleepwalk into decline, what we really want to know is: who is the alpha? The answer is neither Cummins nor JL, and may surprise you. Elsewhere, blokes continue the eternal quest for social capital, but this time they're thieving real capital (allegedly), according to Victoria Police. In the old days, focused work on the chest and triceps would do the trick. Nowadays you apparently need bulk sheets to be loved. Separately, Chris Gayle made 95 red in some wheelie bin shit in Dandenong. The PMs XI played, numbers were ascribed to names, and we refuse to know anything about the West Indies. The Strikers are WBBL champions after the Sixers crumbled, begging the question: was there simply too much sun? At least the Sixers still engender safety - the NSW men are weaker than ever and we argue the nation should be concerned. Other countries are playing some cricket, too, and they're given due respect on this show (about 90 seconds), before the show eventually gives way to material that matters: what strategies exist for minors in team tubs when there's a bloke called “Felly”? Get TGC hoodies, t-shirts, caps, and bucket hats at our brand spanking new website: gradecricketer.com/shop. Sign up to Patreon for a 10% or 20% discount using a special code at patreon.com/gradecricketer Check out our Patreon for exclusive content every single week at https://www.patreon.com/gradecricketer including #AskTGC Fridays and the exclusive audio from all of our YouTube videos.  For the first time ever, Budgy Smuggler will be hosting a site wide discount. ● 20% off all orders of $200 or more ● Runs from 9am Monday 21st of November and ends Midnight Monday 28th November ● 5x $100 Golden Ticket Vouchers drawn randomly each day. The Smuggling Community is going to be all over this - so get on board while it's hot. The team at T20 Stars is offering a Black Friday sale with 30% off on all of the T20 Stars range online at t20stars.com. The promo to use is BlackFriday30. Unbelievable value! Also, for every order over $100 the customer will receive a complimentary Shane Watson signed cricket ball. We are delighted to once again link up with Ponting Wines. Use the code GETAFEW at pontingwines.com.au for 20% off! The boys are of course dressed by Budgy Smuggler, too (in some way, shape or form). You can follow The Grade Cricketer on Facebook, Instagram and Twitter: https://www.facebook.com/gradecricketer https://www.instagram.com/thegradecricketer/ https://twitter.com/gradecricketer   Learn more about your ad choices. Visit megaphone.fm/adchoices

Breaking down the top 4 reasons I recommend you build an omnipresence to grow your brand. And don't forget to enter the giveaway to attend a private marketing workshop with Felly in December! Check out our Service Guide and apply to work with FDVA today! Find me on Instagram @fellydayva and @unprofessionalentrepreneur⁠ Find out more about Felly Day on the website: fellyday.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/felly-day/message

A deep dive into my journey in this online space. How I found out about becoming a Virtual Assistant, my struggles with transitioning to mentorship and an introduction to my Fish inside the Fishbowl. And don't forget to enter the giveaway to attend a private marketing workshop with Felly in December! Check out the 10 Alternative Ways to Market workbook Find me on Instagram @fellyday and @unprofessionalentrepreneur Find out more about Felly Day on the website: fellyday.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/felly-day/message

A breakdown of what a Content Repurposing Agency is and what it looks like to work with us! And don't forget to enter the giveaway to attend a private marketing workshop with Felly in December! Check out our Service Guide and apply to work with FDS today! Find me on Instagram @fellydaystudio and @unprofessionalentrepreneur Find out more about Felly Day on the website: fellyday.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/felly-day/message

Felly is an artist who grew up in Connecticut but has since made Los Angeles his home. Finding success with his music he has been able to travel, tour, and work with some of the greats. We had a fun conversation about life, how he started and where he's going. This is his experiment.Support him on Instagram @fellyGet 20% OFF @manscaped + Free Shipping with promo code EXPERIMENT at MANSCAPED.com!

Dear Diary, Today we peel back the pages of Felly's diary. In this episode, we talk all content repurposing, feel-good marketing, and overall building your brand recognition. In this episode, Felly shares her journey with us as well as some tips to get you on the right track to attracting your clients through marketing that matches your energy.  Love, Demi.   What We Cover: Who is Felly and how she became a feel-good marketing mentor How marketing has shifted in the past couple of years in the coaching industry What does it mean to have your business omnipresent online The reality of being on every social media platform when you're just starting How to start and grow your email marketing  The difference between repurposing your content vs re-uploading your content How to repurpose content and why you should do it Why you must repeat your message over and over again The best place to start when it comes to your marketing and should you have ads The importance of brand consistency How to choose which platform to create content on Is Instagram dying down and is TikTok is taking over How to market with your energy What does offer embodiment mean and how to use it to sell  Building offers that feel good and match your energy  How to market your business when you're not confident Connect with Felly: Instagram | Agency IG    Let's Connect: Youtube | Instagram  

Today's episode is a quickie and it's jam packed with great tips to set you up for email marketing success in 2022. Now, If you ever thought email marketing was dead, think again because my guest, Felly Day is here to teach you why email marketing is still the most powerful tool you have at your disposal. Plus, she'll share some copywriting tips and strategies to ensure that those emails you pour your heart into actually get opened and read. I invited Felly to the show because I want you to build a coaching business you are truly proud of, which is the commitment of this show. So, before we dive in, let me share a bit about Felly.. Felly started her business as a VA in 2019 so that she could pursue her dreams of digital nomad life. By Feb 2020, her business had scaled into a full content agency and from there she started mentoring and teaching on the side. Felly is a gifted writer who values connection and it shows. And now, let's talk about email marketing, shall we? Connect with Felly: Instagram: info@fellyday.com Connect with Me: Instagram: @dallastraversbizmentor Free Quiz: www.dallastravers.com/quiz