Podcasts about Genet

ReferencesJ Pineal Res. 2017 Sep 6;63(4):e12440Nature Reviews | Cancer Reviews2019. 19 | AUGUST 2019 :pp. 439J Exp Clin Cancer Res 2022. 41, 268.Front. Genet., 11 March 2015 Sec. Cancer Genetics Volume 6 - 2015 | https://doi.org/10.3389/fgene.2015.00094 Pathol Oncol Res 2022 Aug 19:28:1610401Guerra, DJ.2026.Unpublished LecturesPorter, C. I1944. Love You Bing Crosbyhttps://music.youtube.com/watch?v=U2Ehu42-mik&si=tkpg8dJxk2TdBvQPAhlert and Turk. 1928. 1944 I'll Get By. Harry James and Orchestrahttps://music.youtube.com/watch?v=8KhO3g5kY0c&si=fXWDc4ZheJ658A1xBeethoven, LV. 1804. Symphony V. C Minor Op 67https://music.youtube.com/watch?v=q_kw904K2bw&si=qDRCnK5UVDi1-9w2

Marcel Genet, Independent Steel & Metals Consultant and Founder & Managing Director, Laplace Conseil in Neuilly, France. Marcel has been a consultant in the steel industry for 47 years, first with McKinsey & Company, where he built and led the Firm's Global Steel Practice. 1995, he founded Laplace Conseil, a boutique strategy firm, where he has predominantly worked with the scrap recycling and EAF minimill sectors. Hosted on Acast. See acast.com/privacy for more information.

durée : 01:48:13 - Les Nuits de France Culture - par : Albane Penaranda - En 2001, une version radiophonique des "Bonnes" de Jean Genet fait entendre la pièce autrement, portée par Sapho, Judith Magre et Bernadette Lafont. Une adaptation empreinte de flamenco, qui transforme ce huis clos en véritable cérémonie chorégraphiée comme une corrida. - réalisation : Rafik Zénine - invités : Sapho Chanteuse, romancière, poétesse; Bernadette Lafont Comédienne; Judith Magre Comédienne

durée : 00:01:55 - Les Nuits de France Culture - par : Albane Penaranda - Au terme de ces deux Nuits, Jean Genet se révèle loin des clichés qui ont trop longtemps figé sa légende et apparaît dans toute la complexité de son écriture. - réalisation : Rafik Zénine

durée : 00:45:51 - Les Nuits de France Culture - par : Albane Penaranda - "Jean Genet aimait beaucoup les papiers découpés de Matisse et son poète préféré était Gérard de Nerval", Lydie Dattas en 2010, raconte le Genet qu'elle a bien connu et à qui elle a consacré un livre : "La chaste vie de Jean Genet". Elle revient sur son rapport singulier à la langue et au sacré. - réalisation : Virginie Mourthé - invités : Lydie Dattas Ecrivain, poètese; Jean Genet Écrivain, poète et dramaturge français

durée : 00:17:45 - Les Nuits de France Culture - par : Albane Penaranda - Qui est cet "ennemi" auquel Jean Genet adresse toute son œuvre ? Pour le découvrir, Albert Dichy, spécialiste de l'écrivain, nous propose sa lecture des positions politiques et esthétiques, souvent radicales, d'un auteur engagé du côté des causes désespérées. - réalisation : Rafik Zénine - invités : Albert Dichy Directeur littéraire à l'Institut Mémoires de l'Edition Contemporaine (IMEC)

durée : 00:41:58 - Les Nuits de France Culture - par : Albane Penaranda - Jean Genet n'a réalisé qu'un seul film, "Un chant d'amour", court métrage muet de vingt-cinq minutes en 1950. Pourtant, le cinéma traverse toute son œuvre comme le montre cette émission qui tente de comprendre le rendez-vous manqué de Jean Genet avec le septième art. - réalisation : Rafik Zénine - invités : Albert Dichy Directeur littéraire à l'Institut Mémoires de l'Edition Contemporaine (IMEC); Edmund White Écrivain et biographe américain

durée : 01:26:05 - Les Nuits de France Culture - par : Albane Penaranda - Avec "Le Funambule" et "L'Atelier d'Alberto Giacometti", deux textes de 1957, Jean Genet interroge l'art dans sa beauté et sa fragilité. Cette création radiophonique signée René Farabet les associe sous la forme de lectures mêlant les voix des deux artistes. - réalisation : Rafik Zénine

Send us Fan MailNu live: Soul Sessions met Maira-Louise Genet In deze aflevering van Soul Session gaat psycholoog Huibrecht Boluijt in gesprek met juriste Maria-Louise Genet. Maria-Louise is als voorvechtster van het vrije woord en waarheidsvinding nog altijd actief als juriste op tal van dossiers, waarbij ze misstanden aan de kaak stelt. Ze legt uit waarom zwijgen voor haar geen optie is.Ondanks dat dit haar eerder al heel veel heeft gekost. Ze legt uit hoe we besodemieterd worden door big food en big pharma en is uitgesproken over machtsmisbruik, kindermisbruik, poppetjes in politieke functies en de rechtspraak. Ook zet ze eenvoudig uiteen hoe  onderdelen van de zogenaamde machtspyramide functioneren en hoe de machthebbers, ook in een ogenschijnlijk democratisch land, de burger en consument een schijnwerkelijkheid voorhouden. Daarbij deelt ze schokkende details.  De namen van Epstein, Wexner, Demmink, Hendriks en Dutroux komen voorbij. Over haar kinderjaren is ze open. Die waren opz'n zachtst gezegd turbulent. Het waren zware jaren voor de kleine en hooggevoelige  ziener, waarbij haar familiaire omgeving duidelijk niet zat te wachten op haar kritische vragen. Op die jaren en de gevolgen daarvan, waarbij ze opmerkt dat haar intellect haar altijd heeft gered, kijkt ze met verdriet terug. Dit open gesprek met een warme en oprechte vrouw die voorleeft hoe passie, wijsheid en rechtvaardigheid bij haar hand in hand gaan, is een aanrader voor iedereen die zich niet kan voorstellen hoe dapper het is om tegen onrecht en leugens te blijven strijden daar waar de meesten wegkijken.#huibrechtboluijt #soulsessions #marialouisegenetSupport the showWaardeer je deze video('s)? Like deze video, abonneer je op ons kanaal en steun de onafhankelijke journalistiek van blckbx met een donatieWil je op de hoogte blijven?Telegram - https://t.me/blckbxtvTwitter -   / blckbxnews Facebook -   / blckbx.tv Instagram - ...

durée : 00:06:13 - Les Nuits de France Culture - par : Albane Penaranda - Avril 1947 : au théâtre de l'Athénée, Jean Genet fait entrer "Les Bonnes" sur scène sous la direction de Louis Jouvet. Un bref reportage de la RTF capte la naissance de cette pièce devenue iconique. - réalisation : Rafik Zénine - invités : Louis Jouvet Acteur français

durée : 01:33:16 - Les Nuits de France Culture - par : Albane Penaranda - En 1989, l'émission "Mardis du théâtre" revient sur une œuvre majeure de Jean Genet : "Les Paravents". À travers témoignages et archives, c'est un théâtre à la fois scandaleux, poétique et profondément politique qui nous est donné à entendre. - réalisation : Rafik Zénine - invités : Tahar Ben Jelloun Écrivain marocain de langue française; Elias Sanbar Historien, poète, essayiste, traducteur; Catherine Tasca Femme politique; Antoine Bourseiller; Christophe Bourseiller Journaliste France Inter et Transfuge ; Maria Casarès; Patrice Chéreau Metteur en scène de théâtre et d'opéra, réalisateur français; Pierre Boulez Compositeur, chef d'orchestre et pédagogue français

durée : 00:03:05 - Les Nuits de France Culture - par : Albane Penaranda - Par Albane Penaranda. Cette seconde Nuit consacrée à Jean Genet puise dans les archives de l'Ina pour parcourir et mieux connaître son théâtre, ses engagements et son rapport au cinéma, lui qui ne réalisa qu'un seul film, et donner à entendre ses textes à travers de remarquables créations sonores. - réalisation : Rafik Zénine

durée : 03:26:38 - Les Nuits de France Culture - par : Albane Penaranda - En 1986, "Le Balcon" de Jean Genet vient d'entrer au répertoire de la Comédie-Française. En voici une retransmission ainsi qu'un entretien avec le metteur en scène Georges Lavaudant, qui éclaire la portée d'une pièce devenue, au fil du temps, à la fois classique et moderne. - réalisation : Rafik Zénine - invités : Georges Lavaudant Auteur dramatique, acteur, metteur en scène

durée : 00:30:20 - Les Nuits de France Culture - par : Albane Penaranda - À sa création en 1960, "Le Balcon" de Jean Genet, mis en scène par Peter Brook, divise les critiques du "Masque et la plume". Derrière sa réputation scandaleuse, la pièce propose une mise en abyme du pouvoir et du désir, où Genet démonte les illusions du jeu social. - réalisation : Rafik Zénine - invités : Peter Brook Metteur en scène et réalisateur

durée : 01:29:49 - Les Nuits de France Culture - par : Albane Penaranda - Enfant de l'Assistance Publique, voleur et écrivain d'une grande culture, Jean Genet est insaisissable. Dans cette longue émission de 1989, au fil des témoignages se dessine un portrait choral de l'auteur, de son enfance abandonnée à la prison puis à l'écriture. - réalisation : Rafik Zénine - invités : Albert Dichy Directeur littéraire à l'Institut Mémoires de l'Edition Contemporaine (IMEC); Maria Casarès; Antoine Bourseiller; Hélène Martin Auteur

durée : 00:50:02 - Les Nuits de France Culture - par : Christine Goémé - Dans la pièce "Haute Surveillance", Jean Genet interroge les dynamiques de pouvoir et de solitude au sein d'une cellule de prison. Trois prisonniers y confrontent dans un huis-clos tendu, leurs désirs, leurs rivalités et leur rapport complexe à la culpabilité. - réalisation : Virginie Mourthé

durée : 00:47:23 - Les Nuits de France Culture - par : Albane Penaranda - Avec une écriture rigoureuse et élaborée, l'écrivain Jean Genet, voleur, marginal, ennemi des pouvoirs, s'interdit de bousculer la langue française. Cette émission permet de mieux comprendre les raisons de ce choix : écrire dans une langue que l'ordre social ne peut contester. - réalisation : Rafik Zénine - invités : Albert Dichy Directeur littéraire à l'Institut Mémoires de l'Edition Contemporaine (IMEC)

durée : 00:13:34 - Les Nuits de France Culture - par : Albane Penaranda - En 1959, sur les ondes de la RTF, Roger Blin et les comédiens des Griots présentent "Les Nègres" de Jean Genet. Ils reviennent sur la création de la pièce, à la fois parodique et tragique, et la rencontre entre un metteur en scène et une troupe de comédiens en quête de répertoire. - réalisation : Rafik Zénine - invités : Roger Blin Acteur et metteur en scène

durée : 00:21:49 - Les Nuits de France Culture - par : Albane Penaranda - Disparue en 2026, la diplomate Leïla Shahid évoque en 2010 son ami Jean Genet et le lien indéfectible qui l'unissait à la lutte palestinienne. À travers son témoignage, on revit les événements tragiques du siège de Beyrouth et du massacre perpétré dans le camp de réfugiés de Chatila en 1982. - réalisation : Rafik Zénine - invités : Leïla Shahid Ambassadrice, ex-ambassadrice de Palestine

durée : 00:46:21 - Les Nuits de France Culture - par : Albane Penaranda - Alain Veinstein propose de lire vraiment Jean Genet. Au-delà des biographies, son invité Marcelin Pleynet défend la puissance de ses romans : une œuvre radicale qui bouleverse le récit et propose une lecture sans concession de la société. Il est temps de réhabiliter l'œuvre au-delà de son auteur. - réalisation : Rafik Zénine - invités : Marcelin Pleynet Romancier et essayiste français

durée : 00:03:46 - Les Nuits de France Culture - par : Albane Penaranda - Quarante ans après la mort de Jean Genet, deux Nuits d'archives pour faire entendre sa voix et celles de ses proches, et tenter de retrouver, au-delà de la légende et du scandale, la force intacte de son œuvre. La première séquence s'ouvre sur une archive inédite de 1981. - réalisation : Rafik Zénine

Velkommen til  Klassikerstafetten – etappe 8, der klassiske litterære verk tas videre gjennom nye lesninger og samtaler. Denne gangen har Arve Kleiva fått stafettpinnen av Mazdak Shafieian, og inviterer publikum til et møte med forfatterskapet til Jean Genet, med særlig vekt på romanen Rosemiraklet.Arve Kleiva er skribent, essayist og oversetter, og har i mange år skrevet innsiktsfullt og engasjert om litteratur som utfordrer både form og innhold. I sine tekster om Genet – blant annet publisert på nettstedet kloakken.no – viser han en grundig og åpen lesning av et forfatterskap som ofte oppleves som krevende, men som rommer stor språklig kraft og menneskelig dybde.I foredraget vil Kleiva ta utgangspunkt i Rosemiraklet, en roman der Jean Genet forener egne erfaringer fra fengselsopphold med et poetisk og kompromissløst språk. Her undersøkes temaer som utenforskap, begjær, makt og frihet, og hvordan litteraturen kan gi stemme til erfaringer som sjelden får plass. Vi ønsker velkommen til en kveld med fordypning i en sentral litterær klassiker, presentert på en måte som gjør den tilgjengelig for både erfarne lesere og nye Genet-lesere.Foto: Wikimedia.English: Dr. Hans Koechler, President of the I.P.O., mright, receiving French author Jean Genet at the Imperial Hotel in Vienna (19 December 1983) in connection with a lecture organized by the International Progress OrganizationPhoto has been cropped to just Jean Genet

Em tempos que talvez nem possam ser outra coisa senão uma pura efabulação, um desvio, uma desordem dessas para as quais nos viramos quando os sonhos se põem a lutar contra o mundo, chegávamos a um desses textos onde parecia que o intuito, todo o esforço em que alguém se empenhou, passava por “escrever páginas e páginas, enchê-las de pedras, de erva, de floresta, de céus, de movimentos das pessoas na rua, de vozes, de casas, do passado, do hoje, de quadros, de estátuas, de rios e de ondas e de copos e de frascos e de gesso branco no meu ateliê e de nuvens, criança deitada na liberdade…” (Alberto Giacometti). Seria um modo de um tipo vestir o mundo como uma segunda pele, resvalar consistentemente entre as coisas, ser de tal modo substantivo que deixava de se considerar um indivíduo. A solidão estava dispersa, absorta. Mas agora que os poetas também se consideram personagens essenciais da beleza publicitária, talvez até mais no momento em que se julgam separados da restante massa de gente, apenas vinculados a uma suposta autonomia das formas artísticas, regulando-se por outras leis num mundo que se encontra em todos os seus aspectos prostituído, é bom lembrar aquilo que notou Barthes, vincando como toda a publicidade dos produtos de beleza se baseia numa espécie de representação épica da intimidade. Num tempo em que os indivíduos se vêem transformados em seres abstractos, o modo como cada um enfatiza a sua realidade íntima, engrandecendo-a para costurar a mitologia patética de si mesmo, é assim que o discurso consegue alcançar a superfície, andar a par dessa superfície viva que é a pele, onde se organizam as miragens galopantes deste tempo, um discurso inteiramente absorvido pelas aparências, por fazer funcionar essa ordem de representações. Seres que são coisas, mas sem qualquer substância. Talvez por isso, naquele breve romance com esse título, Perec diz-nos que o inimigo passou a ser invisível… “Ou melhor, estava neles, tinha-os apodrecido, gangrenado, destruído. Eram os tansos da história. Pequenos seres dóceis, reflexos fiéis de um mundo que escarnecia deles. Estavam enterrados até ao pescoço num bolo de que nunca teriam mais do que migalhas.” Não damos já com esse orgulho dos monstros, que caíam nas zonas mais inesperadas “para revelar a entristecidos burgueses que a sua vida de todos os dias tem de raspão assassinos sedutores, ardilosamente guindados até ao seu sono, que eles atravessam por uma qualquer escada de serviço que não rangeu, armada em cúmplice” (Genet), e isto de modo a fazer explodir de aurora as sugestões dos seus crimes, como segredos entre os quais a língua se recompõe e parece respirar de novo, fazendo-se entender por gestos de tal modo vivos, e encarniçados, que parecem a um tempo absurdamente espontâneos e longamente premeditados. A partir de um certo momento o mal é a única forma de clareza que nos resta, e tem do seu lado toda a razão, toda essa razão que foi votada a uma existência clandestina por aqueles que quiseram livrar-se das suas próprias consciências. Bataille diz-nos que o interesse da obra de Genet não se deve à sua força poética, mas ao ensinamento que resulta das suas fraquezas. “Existe nos escritos de Genet qualquer coisa de frágil, de frio, de friável, que não detém necessariamente a admiração, mas que suspende a harmonia. A harmonia, o próprio Genet a recusaria, se por um erro indefensável lha quiséssemos aplicar. Esta comunicação que se esquiva, quando o jogo literário faz dela a exigência, pode deixar uma sensação de fingimento, e pouco importa se o sentimento de uma falta nos reenvia à consciência da fulguração que é a comunicação autêntica. Na depressão, resultante destas trocas insuficientes, em que se mantém uma divisória embaciada que nos separa, leitores, daquele autor, tenho a seguinte certeza: a humanidade não é feita de seres isolados, mas de uma comunicação entre eles; jamais nos damos, nem que seja a nós próprios, senão numa rede de comunicação com os outros: estamos mergulhados na comunicação, encontramo-nos reduzidos a essa comunicação incessante da qual, mesmo no fundo da solidão sentimos a ausência, enquanto sugestão de múltiplas possibilidades, como a espera de um momento em que ela se resolve num grito que outros ouvem. Porque a existência humana apenas é em nós, nesses pontos em que periodicamente se estabelece, linguagem gritada, espasmo cruel, riso louco, onde a harmonia nasce de uma consciência enfim partilhada da impenetrabilidade de nós mesmos e do mundo.” E se algum dos ditos ‘poetas' nos segue, convinha que fixasse pelo menos isto, para nunca o esquecer: “jamais nos damos, nem que seja a nós próprios, senão numa rede de comunicação com os outros…, jamais nos damos, nem que seja a nós próprios, senão numa rede de comunicação com os outros”. Mas, hoje, tudo parece invertido, como se submetido a uma radiância de astros de luto, de tal modo que mesmo o desejo e o prazer estão novamente inscritos no quadro das formas de profanação e degradação íntima, por todo o lado vemos essa pressão de uma moral que se impõe em todos os aspectos da vida e leva a que as relações sexuais sejam “tematizadas como práticas altamente problemáticas, traumatizantes, das quais se arrisca sempre, ao aventurar-se nelas, sair-se ferido e, portanto, em relação às quais seria preciso estabelecer os processos necessários para poder obter uma reparação” (Geoffroy de Lagasnerie). Neste episódio entrelaçámos uma série de fios das conversas que vimos mantendo, e contámos com os impulsos e as sugestões de Maria Leonor Figueiredo, que além de ter desenvolvido estudos no campo literário e artístico, mantém desde há muito um compromisso com as lutas políticas deste tempo, e assinou na rede anticapitalista um conjunto de intervenções importantes sobre tantos destes temas. Em “a nova (des)ordem sexual: consentimento, trauma e identidade”, refere que, se falar mais sobre trauma trouxe conquistas inegáveis, e deu legitimidade a experiências antes silenciadas, criando novas formas de reconhecimento, por outro lado, também trouxe uma armadilha, que se prende com a transformação do trauma em identidade política. “A centralidade do trauma é também sintoma de uma época que transformou o sofrimento em capital simbólico e, portanto, em poder. Neste contexto, o espaço político tende a organizar-se em torno da competição por reconhecimento individual. O trauma deixa de ser uma experiência que exige transformação colectiva e passa a ser um selo de autenticidade.” Neste momento parece decisivo assinalar que, num esforço para compreender a metamorfose contemporânea das questões sexuais, não podemos perder de vista como, até há algumas décadas, esteve em campo uma forma de pensar a sexualidade como força de desestabilização, como energia capaz de corroer instituições, códigos e hierarquias. Em Barthes, o amor aparecia como um discurso marginal, uma fala que não encontrava lugar na linguagem dominante, e em Foucault, a sexualidade era inseparável das redes de poder que a produzem, classificam e administram, mas, depois da orgia, Baudrillard foi dos primeiros a dar-se conta de que o desejo começava já a dissolver-se numa cada vez mais acelerada e indiferente circulação de signos. O recuo actual não consiste, como tantas vezes se repete, num simples retorno à moral conservadora clássica, a um reconvir do puritanismo. O que se verifica é algo mais subtil: uma transformação da própria lógica da libertação sexual em dispositivo de controlo. A partir dos anos 60 e 70, a esquerda ocidental assumiu a descriminalização, a despatologização, a ampliação dos direitos sexuais como parte integrante do seu horizonte emancipatório. O combate contra a repressão jurídica e médica — contra a polícia dos corpos, contra o tribunal das perversões — era inseparável de uma crítica mais ampla ao capitalismo disciplinar. Mas, como mostrou Foucault, a sexualidade nunca foi apenas aquilo que o poder reprime, mas passava também por aquilo que o poder produz, organiza, incentiva a confessar. O paradoxo instala-se quando a energia crítica que denunciava a vigilância se converte ela própria em instância vigilante. A esquerda, que outrora suspeitava das categorias fixas e das identidades rígidas, passou a investir numa taxonomia minuciosa das posições subjectivas, numa ontologia de micro-identidades que exigem reconhecimento permanente. O gesto que visava libertar o desejo de normas opressivas transformou-se, assim, num gesto de reinscrição normativa: o comportamento desviante deixa de ser perseguido em nome da moral religiosa ou familiar, mas passa a sê-lo em nome de uma moral da protecção, da segurança, do dano potencial. A linguagem do pecado vê-se substituída pela linguagem do trauma e a figura do pecador pela do agressor, enquanto a denúncia pública, a exclusão simbólica, a penalização social, passam a engendrar uma nova forma de recriminação e regulação punitiva. Não se trata de negar a existência real de abusos ou violências, mas de observar como o campo sexual, que fora pensado como laboratório de liberdade, se converteu em campo privilegiado de policiamento discursivo. E se a suspeita generalizada se instala como norma, a ambiguidade, que foi sempre constitutiva do desejo e da busca pelo prazer, bem como o jogo de sedução, que sempre comportou risco e assimetria, são submetidos a protocolos quase administrativos. Neste ponto, Baudrillard ajuda-nos a compreender esta mutação, notando como a sexualidade contemporânea não tem sido tanto reprimida como hiperexposta, saturada de imagens, convertida em espectáculo permanente. A pornografia deixa de ser marginal e infiltra-se na publicidade, na moda, na política. O erotismo, que supõe distância, espera, segredo, é absorvido pela transparência obscena de uma visibilidade total. Ora, quanto mais visível se torna o sexo, mais rarefeito se torna o desejo. A proliferação de signos sexuais não intensifica a experiência, mas, pelo contrário, neutraliza-a. A esquerda, que deveria ter articulado uma crítica a esta mercantilização integral, preferiu muitas vezes alinhar com uma ética da exposição e da denúncia que coincide, paradoxalmente, com a lógica capitalista da transparência e da gestão de riscos. Se tudo deve ser explicitado, nomeado, regulado, é porque tudo deve ser integrado num sistema de cálculo. A sexualidade, que outrora escapava à contabilidade, passa a ser quantificada em consentimentos, protocolos, declarações prévias. E se ainda quisermos falar de amor, se nos atrevermos a isso, podemos virar-nos para Erich Fromm, que nos desafiou a pensar o amor como arte, sublinhando como este sentimento, guindado a uma razão idealizadora, implica desde logo sair do narcisismo, reconhecer a alteridade irredutível do outro. Ora, o que se observa hoje é uma derrota dessa dimensão exigente: sacrificado à lógica do consumo, o amor vende seja o que for, adapta-se, estende-se como justificação para que sejam reinvindicados todos os caprichos e apetites. O amor que foi sempre difícil, hoje conta com a conveniência e o infinito desdobramento das aplicações de encontros, algoritmos de compatibilidade, mercados de afinidades, beneficiando dos modelos preditivos para nos proteger dos nossos erros e fornecer uma escolha optimizada. E, com isto, o outro surge já como mero elemento de validação, como aquele ser-espelhar que deve confirmar, consolidar a narrativa que temos sobre nós próprios. A ideia de ser transformado pelo outro, de ser compelido a um radical desvio face a si mesmo, e ao contexto, esse perigo ou vertigem já nem se colocam. Nos seus fragmentos sobre o discurso amoroso, Barthes mostrava como o amante fala numa língua minoritária, desajustada, vulnerável. Hoje, essa vulnerabilidade é frequentemente lida como fraqueza, dependência, falha de autonomia. A cultura contemporânea exalta a auto-suficiência, a gestão emocional, o empoderamento individual. O amor, que implica risco de perda e exposição ao sofrimento, torna-se ameaça à integridade narcísica, sendo de preferir a circulação incessante de experiências breves, intercambiáveis, as dinâmicas poliamorosas, onde a substituição rápida protege contra o investimento profundo. Com tudo isto, o puritanismo contemporâneo não se funda já na proibição do prazer, mas na sua gestão e programação até dissolver o desejo pelo outro e focalizar cada vez mais na relação que o indivíduo mantém consigo mesmo, na sua capacidade de satisfazer as suas projecções e de se auto-validar. A sexualidade já não pode, assim, representar qualquer efeito transgressivo, uma vez que passou a estar pautada pela proliferação jurídica. Assim, os aparelhos de vigilância conseguem delimitar o aceitável, estigmatizar o excesso, sancionar o desvio. Ao reivindicar protecção absoluta, segurança total, reconhecimento permanente, temos vindo a permitir o reforço de uma ordem normativa infinitamente minudente, em que cada relação é enquadrada de antemão reconhecendo um potencial litígio, tomando-se cada gesto como susceptível de ser entendido como uma agressão, e devendo estar submetido ao escrutínio moral público. Aos poucos, o desejo retrai-se ou converte-se em cálculo, preferindo-se cada vez mais o semelhante, o compatível, o previsível. O outro é convocado para legitimar uma imagem de si que já está pronta. Entre o puritanismo progressista e o hedonismo administrado, o amor torna-se ele mesmo a fachada para uma indústria de produtos culturais e experiências programadas. E a esquerda, ao abandonar a crítica radical das formas de poder que atravessam o desejo, assiste e promove esta lógica de controlo que domina no mesmo sentido todo o espectro político.

E ftuar në “Live From Tirana” me Ronaldo Sharkën, ka qenë gazetarja e Top Channel Alma Demiraj. Ajo ka folur më shumë mbi rastin tronditës të transmetuar së fundmi, ku një dhurues sperme danez, i cili pa vetëdije mbarte një mutacion gjenetik që rrit ndjeshëm rrezikun e kancerit, ka qenë donator për të paktën 197 fëmijë në të gjithë Europën, ku bën pjesë dhe Shqipëria e Kosova…

En este nuevo episodio de Grandes Maricas de la Historia, nos adentramos en la vida incendiaria y lírica de Jean Genet, el escritor, ladrón, preso y amante que convirtió la marginación en arte y la homosexualidad en resistencia. Abandonado al nacer, criado en hospicios, y perseguido por la ley desde adolescente, Genet no solo sobrevivió: reinventó la literatura con un lenguaje feroz, erótico y desobediente. Os guiamos por las calles de la Francia de entreguerras, los correccionales del horror, los prostíbulos, los escenarios del Théâtre de l'Athénée y las trincheras de la revolución. Exploramos cómo su homosexualidad fue núcleo creativo y político, cómo sus amores, desde el acróbata marroquí Abdallah Bentaga hasta marineros y presos, fueron el centro mismo de su escritura y cómo su deseo fue, ante todo, un acto de insurrección. Desde El diario del ladrón hasta Las criadas, pasando por su compromiso con los Panteras Negras y los Palestinos, este episodio reivindica a Genet como una figura clave de la cultura queer y de la lucha contra todas las opresiones. Y sí, también hablamos de por qué se negó a lavar su imagen, de cómo Sartre intentó canonizarlo, y de por qué sigue siendo incómodo incluso hoy. Un episodio para los que no encajan. Para los que no se rinden. Para los que, como Genet, escriben con sangre y aman sin pedir perdón. Las músicas de este episodio: https://open.spotify.com/playlist/0ACAg4KoAX1gmHj60op2wn?si=d32b441880ec4a63

Waardeer je onze video's? Steun dan Café Weltschmerz, het podium voor het vrije woord: https://www.cafeweltschmerz.nl/doneren/In de 76e aflevering van De Andere Tafel ontvangt presentator Pieter Sturman Magdalena Dzambo en Maria Louise Genet. Dzambo is slachtoffer van de MRNA-prikken en heeft afgelopen week een diagnose ontvangen naar aanleiding van Amerikaans onderzoek waarin hersenschade is vastgesteld. Ondertussen is de 7e prikronde van de covid-prikken gestart waarvoor Genet samen met stichting Voorwaarheid 9 oktober aanstaande de zoveelste rechtszitting voert waarin gevraagd wordt de goedkeuring van deze prikken in Nederland in te trekken. Voor meer info over de rechtszaak zie ook https://videowaarheid.nl/video/willdofreedom-update-cbg-zaak/---Deze video is geproduceerd door Café Weltschmerz. Café Weltschmerz gelooft in de kracht van het gesprek en zendt interviews uit over actuele maatschappelijke thema's. Wij bieden een hoogwaardig alternatief voor de mainstream media. Café Weltschmerz is onafhankelijk en niet verbonden aan politieke, religieuze of commerciële partijen.Wil je meer video's bekijken en op de hoogte blijven via onze nieuwsbrief? Ga dan naar: https://www.cafeweltschmerz.nl/videos/Wil je op de hoogte worden gebracht van onze nieuwe video's? Klik dan op deze link: https://bit.ly/3XweTO0

Welcome to the cypher! Audio Nuggets is where you will find a symbiotic force; both the heaviness of the air to breathe, and the light of freedom of liberation. Where human consciousness is alive. Each voice has a moment to spotlight their IT; their shine; their journey; their truth; their gold. We are honored to be joined by Tewabech Genet Stewart for this episode, From Termination to Adoption to Repair: What I Carry For Love.Tewabech Genet Stewart is an award-winning leader, strategist, and advocate dedicated to abolishing the harmful system of family separation. With more than 22 years inside Florida's family policing system, she now uses her voice and experience to expose the truth: the system is a modern form of enslavement and must be abolished because it is not grounded in truth, not aligned with science, and defies common sense. Genet has developed a seven-step framework to build a new system. One that strengthens families and is aligned with biblical principles. This episode asks us to look unflinchingly at the stories we inherit and the systems we live inside. She takes us into the tender and the difficult: how family and belonging can be bound up with control, how silence can be both protection and harm, how sacrifice and suffering often make our own lives possible.This is a conversation that unsettles easy notions of care. It is also a conversation that refuses to let us look away from the costs of the current family policing system—the way families are broken apart, the way racism shapes who gets to parent their children, and the ways we may cling to benefit even as we condemn injustice. This episode calls us toward a deeper reckoning: to repair what has been inherited, to imagine abolitionism not as absence but as a new form of presence, and to confront what we might be most afraid to lose in the pursuit of liberation. To connect with Genet directly, you can visit tewabechgenet.com.This show is part of the SafeCamp Audio podcast network. Learn more at SafeCampAudio.org.

Dr. Alemu Beeftu, Founder and President of Gospel of Glory, has traveled globally for decades, training and equipping Christian leaders to foster sustainable societal changes for the kingdom of God. Dr. Beeftu has a passion for training pastors, business professionals and politicians to develop national leadership infrastructures. He presently concentrates on transformational leaders of various ages, who have the calling, gifting, and character to foster sustainable societal change for the Kingdom of God. Dr Beeftu earned a BA from Biola University and a Masters and Doctoral Degree in Curriculum Design and Community Development from Michigan State University. With more than 40 years of experience in these and related fields, Dr. Beeftu has become an accomplished and sought-after leadership trainer. He has also continued to provide leadership worldwide for the body of Christ for over fifty-five years. He, his wife Genet and their family make their home in Corinth, Texas. To learn more about Dr Beeftu and his ministry, see goglory.org You can find his latest book, "Divine Dialogues," anywhere books are sold. Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

durée : 01:00:10 - Les Grandes Traversées - par : Nedjma Bouakra - Dans une forêt sombre du Morvan, le jeune Jean Genet surgit au détour d'un bloc de granit : vêtu d'une pèlerine noire, l'enfant de l'Assistance publique porte un collier d'os qui porte son numéro de matricule. Plongée dans l'enfance de l'un des grands poètes français du XXe siècle. - réalisation : Angélique Tibau - invités : Albert Dichy Directeur littéraire à l'Institut Mémoires de l'Edition Contemporaine (IMEC); Bertrand Ogilvie psychanalyste et professeur de philosophie émérite à l'Université de Paris 8; Emmanuelle Lambert Écrivaine française; Thierry Bert Délégué général de l'Union Sociale pour l'Habitat; Eric Labayle; Frédéric Chauvaud Historien, professeur émérite d'histoire contemporaine à l'Université de Poitiers, spécialiste de la justice et du corps; Yves Pagès Écrivain et éditeur

durée : 01:01:18 - Les Grandes Traversées - par : Nedjma Bouakra - Pendant la Seconde Guerre mondiale, Jean Genet parcourt le monde. Prostitué ou soldat, les poches vides, il entame une dérive vagabonde de 8 500 km à travers l'Europe. Il traverse l'Allemagne hitlérienne dont il s'étonne qu'elle puisse être "à la fois la police et le crime". - réalisation : Angélique Tibau - invités : Albert Dichy Directeur littéraire à l'Institut Mémoires de l'Edition Contemporaine (IMEC); Bertrand Ogilvie psychanalyste et professeur de philosophie émérite à l'Université de Paris 8; Emmanuelle Lambert Écrivaine française; Agnès Vannouvong Romancière. ; Yves Pagès Écrivain et éditeur; Melina Balcázar Docteure en littérature à la Sorbonne Nouvelle et traductrice

durée : 01:01:36 - Les Grandes Traversées - par : Nedjma Bouakra - Auteur clandestin, Genet fascine et fait sensation dans le gratin parisien. Cocteau, Sartre, Giacometti, Matisse et plus de quarante-cinq artistes et auteurs demandent une grâce présidentielle définitive. Mais Jean Genet souhaite-t-il être sauvé ? - réalisation : Angélique Tibau - invités : Abdellah Taïa Écrivain et cinéaste marocain d'expression française; Olivier Neveux Professeur d'histoire et d'esthétique du théâtre à l'Ecole Normale Supérieure de Lyon.; Albert Dichy Directeur littéraire à l'Institut Mémoires de l'Edition Contemporaine (IMEC); Bertrand Ogilvie psychanalyste et professeur de philosophie émérite à l'Université de Paris 8; Emmanuelle Lambert Écrivaine française; Antoine d'Agata Photographe; Agnès Vannouvong Romancière.

durée : 00:58:41 - Les Grandes Traversées - par : Nedjma Bouakra - Celui qui fut l'écrivain le plus retranché de son temps fut aussi, durant ses vingt dernières années, l'un des plus présents sur la scène politique de Chicago à la Goutte d'Or, des camps de réfugiés palestiniens de Sabra et Chatila au Liban aux ghettos noirs des États-Unis. - réalisation : Angélique Tibau - invités : Hadrien Laroche Écrivain, philosophe; Emmanuelle Lambert Écrivaine française; Albert Dichy Directeur littéraire à l'Institut Mémoires de l'Edition Contemporaine (IMEC); Agnès Vannouvong Romancière. ; Khadim Jihad Hassan

Michel Onfray "L'autre collaboration. Les origines françaises de l'islamo-gauchisme" (Plon)Au lendemain de la tragédie du 7 octobre, Michel Onfray s'est demandé pourquoi des millions de citoyens français avaient salué un grand jour pour le peuple palestinien. Son livre gravite autour de la question suivante : quel rôle ont joué les philosophes du XXe siècle dans la construction de cette effrayante passion triste qu'est le consentement au sadisme des bourreaux contre des victimes innocentes.Preuves à l'appui, Michel Onfray revient aux sources intellectuelles de l'antisémitisme de la gauche radicale avec Marx, Alain, Sartre, Beauvoir, Deleuze, Foucault, Derrida, Genet, Jean-Luc Nancy, Roger Garaudy, Lacoue-Labarthe, Alain Badiou…Musique: Gérard Manset « Quand on perd un ami »Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Items are disappearing—and the accusations fly thick and fast. While Cyrus takes the lead in a rescue mission, Genet and Kyler sniff out clues to the culprit.

Picture a sneaky, slinky shadow darting through the African savanna, a nocturnal ninja with a knack for nabbing prime real estate on the move. This crafty critter isn't just scampering through the grass—it's catching rides on the biggest beasts around, like a furry freeloader hitching a lift on a living tank. With a face like […]

Genet and Harold whip up a cake, but a hair-raising mishap shows them something unexpected about listening and faith.

Welcome to Trilith Institute Talks!     In this episode of Trilith Institute Talks, host Hunter Barcroft is joined by acclaimed Cinematographer Darren Genet, known for his work on shows like The Vampire Diaries, CSI Miami, and Outer Banks, to discuss his career journey from still photography to cinematography. Film students Jane and Davis also join the conversation to explore the relationship between directors and cinematographers and how to create their own opportunities in the film industry. Darren shares his insights on the importance of hard work, understanding the why behind cinematic choices, and making thoughtful creative decisions that contribute to storytelling. The episode provides a wealth of practical advice for aspiring filmmakers on how to navigate the industry and master their craft behind the camera.        Episode Timestamps     00:00 Introduction to Trilith Institute Talks 00:17 Meet Darren Genet: Cinematographer Extraordinaire 01:22 Darren's Journey: From Miami to Hollywood 06:16 Jane's Path to Filmmaking 09:52 Davis' Leap into the Film Industry 10:49 Making Your Own Luck in Filmmaking 12:03 The Importance of Passion and Persistence 16:57 The Role of a Dolly Grip and Career Growth 25:22 Balancing Career and Personal Creative Pursuits 30:04 Global Reach of MBS Equipment Company 30:29 Film vs. TV: Unique Storytelling Approaches 31:37 Expressing Personal Taste in Cinematography 33:10 Challenges of Shooting and Directing Simultaneously 35:08 The Importance of Collaboration on Set 36:11 Film School: A Safe Space to Fail 36:53 Building Chemistry Between DP and Director 44:23 Practical Examples of Cinematic Choices 55:56 Adapting to Established Show Styles 01:00:06 Balancing Personal Projects and Professional Obligations 01:01:43 Closing Remarks and Podcast Information     About Trilith Institute Support The Next Generation of Storytellers Take A Professional Education Course Get Involved With Trilith Institute Contact Us Follow Us On Social Media! Trilith Institute Talks Instagram Trilith Institute Instagram Trilith Institute Facebook Trilith Institute LinkedIn

ReferencesFront. Genet 2015. 11 March Sec. Cancer Genetics . Volume 6 -Nature Reviews Genetics 2019. volume 20:657–674.Journal of Neurochemistry. 2019.151, Issue: 6:676-688Hypertension. 2018. Volume 72, Number 3Journal of Neuroinflammation 2020. 17,Article number: 15 Tartini, G. 1739-1741. Various Violin Concertihttps://open.spotify.com/album/3l2hknOjPdgD3WNxqPoGrF?si=bOmGO0nbRtWpfMJ2qtUtawLennon/McCartney 1966. "For No One" on Revolver (lp)https://open.spotify.com/track/1kDkaFlmkdEZiVUogaP9OZ?si=82292716f8f642eb

Today on AirTalk, U.S. President Donald Trump meets with Ukrainian President Volodymyr Zelenskyy today to flesh out the details of a minerals deal. We have a White House correspondent here to tell us what they know about what Trump calls a 'very big' deal. Why are birthrates declining and what will be the long-term societal impacts of a smaller population of kids? Experts in sociology and demography weigh in. Chef Genet Agonafer has been making Ethiopian food for Angelenos for 25 years at her restaurant 'Meals by Genet.' Today, she's here to share her story and cuisine with us for Food Friday. Today on AirTalk: What we know about the US-Ukraine minerals deal (0:15) Why are birthrates falling worldwide, and what are the long-term effects? (12:26) Food Friday: LA chef shares her legendary Ethiopian food (37:24)

Staging Sovereignty: Theory, Theater, Thaumaturgy (Columbia University Press, 2024) explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Author Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty's modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet. Arthur Bradley is professor of comparative literature at Lancaster University. His most recent book is Unbearable Life: A Genealogy of Political Erasure (Columbia, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Staging Sovereignty: Theory, Theater, Thaumaturgy (Columbia University Press, 2024) explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Author Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty's modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet. Arthur Bradley is professor of comparative literature at Lancaster University. His most recent book is Unbearable Life: A Genealogy of Political Erasure (Columbia, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Staging Sovereignty: Theory, Theater, Thaumaturgy (Columbia University Press, 2024) explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Author Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty's modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet. Arthur Bradley is professor of comparative literature at Lancaster University. His most recent book is Unbearable Life: A Genealogy of Political Erasure (Columbia, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

durée : 00:03:16 - Le Regard culturel - par : Lucile Commeaux - Après avoir inspiré Artaud et Genet, l'empereur romain Héliogabale et sa mythologie sulfureuse se retrouvent au cœur d'un récit drôle et enlevé signé Guillaume Lebrun et paru aux éditions Christian Bourgois.

Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This week we cover the our last topic of the Washington administration, Citizen Genet and the issue of neutrality.

Ms. Holt has an interesting way of helping Genet solve an algebra problem. Will they discover the harmony of patience and perseverance?Become a supporter of this podcast: https://www.spreaker.com/podcast/discovery-mountain--2408141/support.

Is there an easy way to convert an email into an audio file? Why can't I back up my files using both iDrive and iCloud? Why aren't banks using proper two-factor authentication methods? Plus, Sam Abuelsamid talks about the Cadillac CELESTIQ display and how manufacturers are leaning in more to software-driven features. FTC fires a warning shot at eight companies over 'Right To Repair' violations. Goldman Sachs: AI is overhyped, wildly expensive, and unreliable. This is the fastest object ever made by humans, and it's not slowing down. Toll of Snowflake hack widens with theft of AT&T text, calling data. Micah from the Airplane Geeks podcast calls in to ask if there's a proper lightning to USB-C adapter that he can use with his Shure microphone, which has a lightning connection and no USB-C connection. Dan emails the show asking for alternatives to Amazon Echo devices for his parents, who aren't very tech-savvy, that can stream music throughout the home on various devices. Sam Abuelsamid joins Leo and Mikah on the show this week. Sam talks about the Cadillac CELESTIQ displays that are showing up in newer Cadillac vehicles and how car manufacturers are utilizing more software-driven features in their vehicles. Genet writes in, wondering what it means to "Sign In with Apple" on various websites and if it's safe to use this. Miakh explains how "Sign In with Apple" works. Patch has a 2015 MacBook Pro, and the battery is nearing its end of life, which is affecting some of its laptop functions. What can he do about the battery issues? Jay writes in, wondering if there's an app that can translate an email into an audio file for his mother. Charles calls in with a follow-up to Jay's question and suggests using Siri's VoiceOver function on the iPhone / iPad to do exactly what Jay is looking for. Ken is wondering why he's getting errors when trying to backup his files through both iDrive and iCloud, as he's trying to back up his files to multiple locations. Mel is in the market for a new computer for general computing needs, such as email and document writing, and is wondering what Mikah and Leo would recommend. Aaron has a simple question for the Tech Guys: why do the banks continue to avoid using 2FA applications like Google Authenticator? Hosts: Leo Laporte and Mikah Sargent Guest: Sam Abuelsamid Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Show notes and links for this episode are available at: https://twit.tv/shows/ask-the-tech-guys/episodes/2033 Download or subscribe to this show at: https://twit.tv/shows/ask-the-tech-guys