Podcast appearances and mentions of Cliff Eidelman

In this Classical Conversation, Mary Claire Murphy asks composer Cliff Eidelman about the behind-the-scenes of his creative process for film scoring. Mr. Eidelman also comments on his concert discography, including a recent reinterpretation of his symphonic poem The Tempest.

“A comedy about truth in advertising.”   “Crazy People is a 1990 American black comedy film starring Dudley Moore and Daryl Hannah, directed by Tony Bill, and music by Cliff Eidelman.”   Show Links Trailer: https://www.youtube.com/watch?v=B8sgkc2E5oM   Wikipedia: https://en.wikipedia.org/wiki/Crazy_People   Just Watch: https://www.justwatch.com/us/movie/crazy-people   Socials Facebook: https://www.facebook.com/@moviewavepod   Instagram: https://www.instagram.com/moviewavepod   Letterboxd: https://letterboxd.com/moviewavepod/   Reddit: https://www.reddit.com/user/moviewavepod   TikTok: https://www.tiktok.com/@moviewavepod   Twitter (X): https://twitter.com/moviewavepod   Buy Me A Coffee: https://www.buymeacoffee.com/moviewavepod   Intro/Outro Sample Credits “Aiwa CX-930 VHS VCR Video Cassette Recorder.wav” by Pixabay “Underwater Ambience” by Pixabay “waves crashing into shore parkdale beach” by Pixabay   Movie Wave is a part of Pie Hat Productions.

Na segunda parte da nossa série sobre Jornada nas Estrelas, Gustavo e Maurício seguem Kirk e companhia de volta à Terra, na Fronteira Final, e em Terra Desconhecida, ao som de Jerry Goldsmith, Leonard Rosenman, e Cliff Eidelman.

Pappy, Josh, special guest Allie and Stevie review the rom-com classic: He's Just Not That Into You! https://www.patreon.com/spoilerspodcast Baltimore-based friends and lovers, all in their 20s and 30s, try to navigate their way through the complexities of modern relationships. Beth (Jennifer Aniston) wants commitment from Neil (Ben Affleck), who sees nothing wrong with the status quo. Gigi (Ginnifer Goodwin) is tired of waiting by the phone, while Mary (Drew Barrymore) has a slew of supportive male friends, none of whom are straight. Meanwhile, Janine has trust issues with her husband, who can't trust himself around Anna. Release date: February 6, 2009 (USA) Director: Ken Kwapis Distributed by: New Line Cinema, Warner Bros. Pictures Adapted from: He's Just Not That Into You Box office: $178.9 million Music by: Cliff Eidelman

In part two of the 39th episode of THE ARCHIVE, your host Jason Drury starts the show by playing "Poirot Variants" from the album THE FILM AND TV MUSIC OF CHRISTOPHER GUNNING (Chandos) as a tribute to the late composer who died in March 2023. Afterwards, Jason then plays a short excerpt of music from the 2005 film SHADOWS OF THE SUN for Mark Thomas, a past interview guest on the network who passed away in July 2023. The show then continues with selections from the 1978 horror film remake INVASION OF THE BODY SNATCHERS (Intrada) featuring the one and only film score by Denny Zeltin, TRIUMPH OF THE SPIRIT (Universal Polygram) by Cliff Eidelman and the controversial 1980 horror found footage movie, CANNIBAL HOLOCAUST (Coffin Records) by Riz Ortollani. Jason then ends the show with music from the 2020 film EXTRACTION (BMG Records) by Henry Jackman and Alex Belcher and a suite from the 1997 biographical drama WILDE by Debbie Wiseman from the concert album SIGNATURE (Silva Screen Records) Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin, Mike Kohutich, Scott Bordelon —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

For the past 40 years, director Nicholas Meyer has talked endlessly about “Star Trek II: The Wrath of Khan,” but he hardly ever gets to talk about “Star Trek VI: The Undiscovered Country,” the second “Trek” film he directed, and the one that reunited the Original Series cast for the last time. That's what makes this conversation so special. To mark the 30th Anniversary of “Star Trek VI” — first released on December 6, 1991 — “Enterprise Incidents” co-host Scott Mantz moderated a pre-screening conversation with director Nicholas Meyer, producer Steven-Charles Jaffe and composer Cliff Eidelman at the Skirball Cultural Center in Los Angeles, California. It was a fun and informative conversation, and we're happy to share it exclusively on “Enterprise Incidents.” You can follow Enterprise Incidents at: Facebook https://www.facebook.com/EnterpriseIncidents Twitter @enterincidents Instagram @enterpriseincidents Follow Scott Mantz @moviemantz on Twitter and Instagram Follow Steve Morris @srmorris on Twitter and srmorris1 on Instagram --- Support this podcast: https://anchor.fm/enterpriseincidents/support

A reflection on two years using Trek to boldly explore the worlds of Jews and Judaism. Joined by the one and only Dr. Adam Sniderman, we look back at what we've learned, consider favourite moments, and weigh our show against the goals and expectations we had at the start of the series. We think about how Trek and the Jewish world have each changed over the past two years--a period which encompasses most of the "New Trek" era and the entirety of the COVID-19 pandemic to date--and what that means for us going forward. We also discuss TOS The Corbomite Maneuver, and what it means to be "authentically Star Trek". The closing music is arranged and produced by Adam Sniderman, with performance from cantorial soloist Lindi Rivers, based on the Star Trek VI Suite by Cliff Eidelman, Theme From Star Trek by Alexander Courage, and traditional Jewish liturgy. This episode ends season 2 of 'Star Trek and the Jews'. -- HSHW: TOS The Corbomite Maneuver (1x10)

Stardate...2021...Jordan Courtney and Nicholas Loup watch 1991's...Star Trek VI...The Undiscovered Country. One of the two is a  Trekkie, but the other...just...doesn't...care. Beam yourself up to some classic Filmshake goodness, even if you don't know the difference between a Klingon and a Klingoff, Also, set phasers to soft, gauzy lighting because the punishment movie to kick off this episode is 1996's Anna Nicole Smith-starring Skyscraper. We thought this would just be a stupid, goofy Die Hard ripoff, and it is, but it's also a softcore pornography. There's nothing softcore about this episode's trivia battle though, as Nic boldy asks trivia questions no man (or...anyone) would know the answers to. The Prime Directive dictates you warp ten this episode into your ears. Engage!Music from this episode:"Overture" -- Cliff Eidelman "Star Trek VI Suite" -- Cliff EidelmanSupport the show (https://www.patreon.com/filmshake)

To kick off Series 9, our intrepid crew journeys back to the final frontier to learn about racism! Join us as we talk about Jay and Alex's favourite topic while reviewing Star Trek VI: The Shakespeare Quote and its score by Cliff Eidelman.

Y ya van 8 citas isleñas, en esta nueva ocasión con la incomparable compañía musical de Toto, Lee Holdridge y Cliff Eidelman, en las variopintas Dune, El pueblo del sol y Cristóbal Colón: El descubrimiento. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

Welcome to another episode of "Listen to the Film". This podcast examines a soundtrack in detail and its relationship to the film. In this episode we examine " Friday Night Lights". Explosions in the sky use their trademark emotive instrumental guitar to bring this remarkable story of the 1988 Permian Panthers to life.  All clips and music are property of Imagine Entertainment and Universal Pictures, Hip-O Select, Explosions in the sky and Cliff Eidelman. All clips are used for commentary and review.  Intro and outro track used: "Cliffsides" by Dan Lebowitz from Youtube audio library (royalty free music). Follow me on social media by searching for "Listen to the film" on Instagram, Facebook and Twitter. If you enjoy please rate, review and subscribe, it is much appreciated.  Visit:listentothefilm.com

Desgraciadamente, no pocos grandes compositores no sólo no han recibido un Oscar, sino que ni siquiera han sido nominados en la categoría de mejor score original. La lista es larga, por lo que este es el primer programa en el que les rindo un homenaje. Hablo de los siguientes músicos: Abel Korzeniowski, Angelo Badalamenti, Basil Poledouris, Carl Davis, Christopher Gordon, Christopher Young, Cliff Eidelman, Cyril J. Mockridge, David Arnold, Edward Shearmur, Harry Gregson-Williams, Jean-Claude Petit, Joe Hisaishi y Joel McNeely. ¿Las películas?Animales nocturnos – Terciopelo azul, La caza del Octubre Rojo – La mujer del teniente francés, Master and Commander - Huracán Carter, Star Trek VI - El hombre que mató a Liberty Valance, 007: Casino Royale - Las alas de la paloma, Marte - Cyrano de Bergerac, El viaje de Chihiro – Mil maneras de morder el polvo. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato

Desgraciadamente, no pocos grandes compositores no sólo no han recibido un Oscar, sino que ni siquiera han sido nominados en la categoría de mejor score original. La lista es larga, por lo que este es el primer programa en el que les rindo un homenaje. Hablo de los siguientes músicos: Abel Korzeniowski, Angelo Badalamenti, Basil Poledouris, Carl Davis, Christopher Gordon, Christopher Young, Cliff Eidelman, Cyril J. Mockridge, David Arnold, Edward Shearmur, Harry Gregson-Williams, Jean-Claude Petit, Joe Hisaishi y Joel McNeely. ¿Las películas?Animales nocturnos – Terciopelo azul, La caza del Octubre Rojo – La mujer del teniente francés, Master and Commander - Huracán Carter, Star Trek VI - El hombre que mató a Liberty Valance, 007: Casino Royale - Las alas de la paloma, Marte - Cyrano de Bergerac, El viaje de Chihiro – Mil maneras de morder el polvo. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato

Nuevo programa dedicado a un compositor y estructurado en forma de suite con algunas de sus obras más representativas. Hablo de Aaron Zigman, músico cercano en su estilo a otros grandes artistas como, por ejemplo, Cliff Eidelman o David Newman. Las películas, distribuidas cronológicamente, son las siguientes: "John Q", "El diario de Noah", "Flicka", "Un puente hacia Terabithia", "Mr. Magorium y su tienda mágica", "Sexo en Nueva York", "Destellos de genio", "La decisión de Anne", "La cruda realidad", "La última canción", "Operación escape", "Lo mejor de mí", "Wakefield" y "La cabaña". Sintonía compuesta por Curro Martín. Voz: Pablo Silicato.

Nuevo programa dedicado a un compositor y estructurado en forma de suite con algunas de sus obras más representativas. Hablo de Aaron Zigman, músico cercano en su estilo a otros grandes artistas como, por ejemplo, Cliff Eidelman o David Newman. Las películas, distribuidas cronológicamente, son las siguientes: "John Q", "El diario de Noah", "Flicka", "Un puente hacia Terabithia", "Mr. Magorium y su tienda mágica", "Sexo en Nueva York", "Destellos de genio", "La decisión de Anne", "La cruda realidad", "La última canción", "Operación escape", "Lo mejor de mí", "Wakefield" y "La cabaña". Sintonía compuesta por Curro Martín. Voz: Pablo Silicato.

In Episode 89 of The Cinescope Podcast, Chad and TJ Draper talk about one of their favorite movies, Star Trek VI: The Undiscovered Country! The Cinescope Podcast on iTunes Show Notes   Star Trek VI: The Undiscovered Country on Apple TV Star Trek VI: The Undiscovered Country - Director's Cut on Amazon Prime Video Star Trek VI: The Undiscovered Country soundtrack on Apple Music   Stats Released December 6, 1991 Dir. Nicholas Meyer (directed and/or wrote Star Trek II: The Wrath of Khan, Star Trek IV: The Voyage Home, Star Trek VI: The Undiscovered Country, and The Prince of Egypt) Written by Meyer, Denny Martin Flinn; story by Leonard Nimoy, Lawrence Konner, Mark Rosenthal Music by Cliff Eidelman (Christopher Columbus: The Discovery, Free Willy 3: The Rescue, The Lizzie McGuire Movie, The Sisterhood of the Traveling Pants, He's Just Not That Into You, Big Miracle) Starring William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, Kim Cattrall, Christopher Plummer, David Warner, Iman, Brock Peters, René Auberjonois Contact TJ Twitter (@tjdraperpro) ReTake Podcast Chad Twitter (@chadadada) Facebook Letterboxd An American Workplace | A Retrospective The Office Podcast Cinescope Facebook Twitter Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: TJ Draper.

Primera parte de dos dedicada a las películas de la saga Star Trek, en esta ocasión las seis primeras, con la inolvidable música de Jerry Goldsmith, James Horner, Leonard Rosenman y Cliff Eidelman.

Primera parte de dos dedicada a las películas de la saga Star Trek, en esta ocasión las seis primeras, con la inolvidable música de Jerry Goldsmith, James Horner, Leonard Rosenman y Cliff Eidelman.

Quizás sea un tópico pero es inevitable pensar que Cliff Eidelman es uno de los compositores más infravalorados en Hollywood, pese a su indudable talento. Todo empezó con poco más de 20 años con su obra maestra "Magdalene", con la que empieza el programa, que además incluye las siguientes partituras: El triunfo del espíritu, Delirios, Star Trek VI, Cristóbal Colón: El descubrimiento, Corazón indomable, Meteor Man, La novia del presidente, Liberad a Willy 3, Cosas que importan, Lizzie Superstar, Uno para todas, Qué les pasa a los hombres, Una aventura extraordinaria.

Quizás sea un tópico pero es inevitable pensar que Cliff Eidelman es uno de los compositores más infravalorados en Hollywood, pese a su indudable talento. Todo empezó con poco más de 20 años con su obra maestra "Magdalene", con la que empieza el programa, que además incluye las siguientes partituras: El triunfo del espíritu, Delirios, Star Trek VI, Cristóbal Colón: El descubrimiento, Corazón indomable, Meteor Man, La novia del presidente, Liberad a Willy 3, Cosas que importan, Lizzie Superstar, Uno para todas, Qué les pasa a los hombres, Una aventura extraordinaria.

When the Train Stops.    Clive Emerson (Darren Jacobs) is a young fugitive with a troubled past and bleak future. When the law catches up with him, he's taken into custody by U.S. Marshal Preston Booth (Michael Forest) and begins a long train trip across the American southwest back to prison. Though Booth takes a personal interest in the case when Clive insists upon his innocence, the young man ultimately resigns himself to his sad fate. But little does Clive know that the future waiting for him when the train stops isn't at all what he expects - and neither, for that matter, is Marshal Booth... In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by James Kerwin, Mike Avenaim, and Rekha Sharma to discuss the score to the short film When the Train Stops. They talk about the sarangi, what they feel this instrument represents, recording sessions, teachers and father figures, and some of the challenges in  distribution of a short film.  Chapters Intro (00:00:00)  Welcome to Melodic Treks (00:00:58)  Not What I Was Expecting (00:04:05)  Sarangi (00:06:30)  Incorporating the Sarangi (00:13:00)  A Drummer (00:17:34)  What Does the Sarangi Represent? (00:24:14)  "Don't Call Me Ma'am" (00:26:31)  "Quite a Story" (00:31:50)  Finding Rekha (00:33:53)  Short vs Feature (00:35:32)  Finding Mike and James (00:40:34)  "You Got No Rights" (00:43:41)  Closing (00:47:23) all music composed by Mike Avenaim except the opening and closing which is composed by Cliff Eidelman and taken from Star Trek VI: The Undiscovered Country.   Host Brandon-Shea Mutala   Guests James Kerwin, Mike Avenaim, and Rekha Sharma   Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Stephen Boyd (Associate Producer) Bobby Tucker (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art) Brandon-Shea Mutala (Patreon Manager)

In the second half of the episode, Luke Annand and George H. Sirois take a musical journey through the Star Trek franchise. From the Mirror Universe of Enterprise and the Original Series to the TOS films to both eras of The Next Generation to Vic's, to the Kelvin timeline and aboard the Discovery.Music Sampled in this Episode"Main Title (Aired Version)" by Jeff Russo from Star Trek: Discovery"First Contact" by Dennis McCartney from Star Trek: Enterprise"Mirror, Mirror" by Fred Steiner from Star Trek"Main Title" by James Horner from Star Trek III: The Search for Spock"Skin of Evil: Strange Readings from Vagra" by Ron Jones from Star Trek: The Next Generation"Overture" by Cliff Eidelman from Star Trek VI: The Undiscovered Country"Orchestral Suite from The Inner Light" by Jay Chattaway from Star Trek: The Next Generation"The Best is Yet to Come" by James Darren and Avery Brooks from Star Trek: Deep Space Nine"Labor of Love" by Michael Giacchino from Star Trek (09)"Sledgehammer" by Rihanna from Star Trek Beyond"The Ballad of Bilbo Baggins" by Leonard Nimoy

Cliff Eidelman Interview.   Jerry Goldsmith created an epic and memorable theme when he composed the 1979 film Star Trek: The Motion Picture, a theme that would become synonymous with Star Trek due to its use as the main title for the hit television series Star Trek: The Next Generation. In 1989, the theme would be used again for the film Star Trek V: The Final Frontier. Given its popularity, many Trek fans were surprised when this theme did not greet them for the 25th anniversary film of their beloved franchise. Instead of Goldsmith's bright patriotic tones, a dark and moody operatic piece with an unusual addition of male choir greeted cinema goers.  In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by Cliff Eidelman to discuss his career as a composer. We talk about his new project that was inspired by art, working with the both the London and Munich Symphony Orchestras, his vocal album, and getting the job as the composer for Star Trek VI: The Undiscovered Country. Chapters Intro (00:00:00)  Welcome to Melodic Treks (00:01:00)  Inspired by The Louvre (00:02:33)  "Untitled Piano Piece 1" (00:08:56)  Writing (00:09:38)  "Untitled Piano Piece 2" (00:12:24)  L.S.O. (00:13:17)  "Untitled Piano Piece 3" (00:19:35)  My Muse (00:21:05)  "In Your Eyes" (00:25:09)  Consistency of the Vocals (00:28:13)  How Has Your Style Changed? (00:30:45)  From Ballet to Film (00:33:48)  Munich Symphony (00:36:59)  I Gotta Gush For a Bit (00:42:10)  "Overture" From Star Trek VI: The Undiscovered Country (00:42:54)  Male Choir (00:45:33)  "Rura Penthe" From Star Trek VI: The Undiscovered Country (00:48:59)  The Captain's Theme (00:54:54)  "Clear All Moorings" From Star Trek VI: The Undiscovered Country (00:56:48)  Getting the Job (00:58:18)  Listener Questions (01:08:45)  Finding Cliff (01:24:15)  Closing (01:27:29)   Host Brandon-Shea Mutala   Guest Cliff Eidelman   Production Tony Robinson (Editor and Producer) Brandon-Shea Mutala (Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Stephen Boyd (Associate Producer) Bobby Tucker (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art) Brandon-Shea Mutala (Patreon Manager)

James Horner's Clear and Present Danger.   After the success of the 1992 film Patriot Games, a third film in the Jack Ryan series was quickly produced. With the powerful combination of star Harrison Ford, director Phillip Noyce, and composer James Horner, all of whom would return for the project, a box office smash was basically guaranteed. While different in tone, there were many similar aspects of the production that would cement this film as a classic piece of American cinema. In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by film score expert John Takis to discuss James Horner's score to the 1994 film Clear and Present Danger. We discuss its importance in Horner's career, the complexity of the film's plot, Star Trek actors, and how this score is a spiritual sequel to Patriot Games, while still standing on its own. Chapters Intro (00:00:00)  Welcome to Melodic Treks (00:01:10)  Welcome Back, John! (00:02:58)  A Horner Staple (00:04:52)  "Operation Reciprocity" (00:06:13)  The Film (00:09:04)  The Score (00:14:26)  "Main Title: Clear and Present Danger" (00:17:29)  The Jack Ryan Theme (00:20:15)  "Ambush" (00:25:58)  "Deleting the Evidence" (00:37:50)  "Greer's Funeral/Betrayal" (00:44:37)  "Blow Up Narcotics Plane" (00:50:24)  "Woodroom/Finale" (00:56:50)  Final Thoughts and Finding John (01:00:23)  Closing (01:08:44) All music composed by James Horner Intro and exit music from Star Trek VI: The Undiscovered Country composed by Cliff Eidelman   Host Brandon-Shea Mutala   Guest Jon Takis   Production Tony Robinson (Editor and Producer) Brandon-Shea Mutala (Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Stephen Boyd (Associate Producer) Bobby Tucker (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art) Brandon-Shea Mutala (Patreon Manager)

Star Trek Beyond at the Albert Hall.  Over the past several years, film scoring has started to become more mainstream and has become more of a noticeable part of a movie due to documentaries and specialty labels placing emphasis on this often overlooked art. Another special event that has occurred in some major centers is a live orchestra performing the score to a film while it is being projected to an audience. In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by Tony Robinson, host of Continuing Mission, to discuss the showing of the film Star Trek Beyond at the Royal Albert Hall, with the score provided by a live symphony. Chapters Intro (00:00:00)  Welcome to Melodic Treks! (00:01:40)  Recent Visit to the Hall (00:02:35)  "Star Trek Main Theme" (00:03:57)  "Night on the Yorktown" (00:12:55) Final Thoughts (00:27:15)  Closing (00:31:53) All music used in this episode from Star Trek Beyond composed by Michael Giacchino. Opening and closing music from Star Trek VI: The Undiscovered Country composed by Cliff Eidelman.   Host Brandon-Shea Mutala   Guest Tony Robinson   Production Tony Robinson (Editor and Producer) Brandon-Shea Mutala (Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Stephen Boyd (Associate Producer) Bobby Tucker (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art) Brandon-Shea Mutala (Patreon Manager)

As I've mentioned on the podcast, I will be ending the Scifi News podcast for the rest of the year and a bit in January 2018. While it may be the most wonderful time of the year for many, this means for me the most hectic time of the year. I need to lighten my personal work load. I have crammed lots of news items into this last show for 2017. As mentioned, here is the link to the music Cliff Eidelman produced for Star Trek Discovery before leaving the project. Moving on, what were the "BIG" 3 new items: Leapin' lizards there's a new script for Quantum Leap Twilight Zone series is bringing brought back once more More prequel Alien movie may not have an Alien in it Finally, here is the link to my survey. By filling this out, you are truly supporting me and this podcast.     

Magic to Make the Sanest Man Go Mad. While the crew of the USS Discovery has a party to let off steam, Harry Mudd boards the ship in an attempt to sell it and the spore drive technology to the Klingons. To give himself time to figure out Discovery's secrets, he uses a time crystal to initiate a temporal causality loop, repeating the same 30 minutes over and over. But he doesn't anticipate the perceptiveness of one crewmember—Lieutenant Paul Stamets—who, due to his recent brush with tardigrade DNA, exists outside the normal timeline. In this episode of The Edge, host Amy Nelson is joined by Ken Tripp of Standard Orbit to discuss the seventh episode of Star Trek: Discovery, “Magic to Make the Sanest Man Go Mad.” In our news segment, Mike Schindler and Brandon-Shea Mutala explore Into the Unknown the new EP by Star Trek VI: The Undiscovered Country composer Cliff Eidelman. Chapters Intro (00:00:00) News: Into the Unknown (00:01:05) “Magic to Make the Sanest Man Go Mad” (00:21:44) Money (00:24:28) Mudd (00:30:40) Burnham's Vulnerability (00:36:42) Ash Tyler Is a Cutie (00:39:58) Lorca (44:15) Shipping Burnham and Tyler (00:49:50) Disco Party (00:53:17) Final Thoughts (00:57:44) Closing (01:01:19) Hosts Mike Schindler, Brandon-Shea Mutala, and Amy Nelson Guest Ken Tripp Production Michael Schindler (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Lisa Slack (Associate Producer) Tom Puleo (Associate Producer) Shoaib Mirza (Associate Producer) Richard Rutledge (Associate Producer) Richard Marquez (Production Manager) Brandon-Shea Mutala (Patreon Manager)

On this week’s Star Trek Discovery talk, we discuss the startling revelations Anthony Rapp announced this week, and of course, go into our thoughts regarding this week’s new episode, “Magic to Make the Sanest Man Go Mad.” We discuss Cliff Eidelman’s unused Star Trek Discovery themes, available to listen here: https://io9.gizmodo.com/listen-to-this-short-album-of-unused-star-trek-discove-1819950947

On this week’s Star Trek Discovery talk, we discuss the startling revelations Anthony Rapp announced this week, and of course, go into our thoughts regarding this week’s new episode, “Magic to Make the Sanest Man Go Mad.” We discuss Cliff Eidelman’s unused Star Trek Discovery themes, available to listen here: https://io9.gizmodo.com/listen-to-this-short-album-of-unused-star-trek-discove-1819950947

"We will not be the instigators of full scale war on the eve of universal peace!" Even though “Star Trek: The Next Generation” was entering its fifth season and Star Trek V: The Final Frontier had underperformed, Paramount wanted to bring back the original crew of the Enterprise for one last hurrah to celebrate the 25th anniversary of the franchise. To write and helm the film, they turned to the man who arguably made the best film thus far, Star Trek II: The Wrath of Khan. Nicholas Meyer co-wrote it and ended up directing it as well, making a film that stands out as one of the high points of the franchise. Join us – Pete Wright and Andy Nelson – as we continue our Star Trek series with Meyer's 1991 film Star Trek VI: The Undiscovered Country. We talk about what this film means for the original crew and how it works as their final send-off. We look at the Shakespeare elements, along with other nods to world history, and discuss them in context of this universe – does it make sense for other races to be quoting ancient Earthlings – versus in context of us as viewers of the film. We dig deep into the scene when Spock double mind melds Kim Cattrall's Valeris, how well that scene works for us and why. We discuss the context of the world at the time Meyer and team wrote and made this film and how well that connection benefits the story. We discuss Cliff Eidelman's music and why it works so well, even if he largely stays away from the themes already built into the series. And we talk about the fantastic Klingon makeup done throughout the film and why we think it works so well. It's a film that stands out as Pete's favorite of the franchise and one well worth talking about. Definitely check this one out. It's well worth it. Then tune into the show! The Next Reel – when the movie ends, our conversation begins. Film Sundries Watch this film: iTunes • Amazon • Hulu Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

"We will not be the instigators of full scale war on the eve of universal peace!" Even though “Star Trek: The Next Generation” was entering its fifth season and Star Trek V: The Final Frontier had underperformed, Paramount wanted to bring back the original crew of the Enterprise for one last hurrah to celebrate the 25th anniversary of the franchise. To write and helm the film, they turned to the man who arguably made the best film thus far, Star Trek II: The Wrath of Khan. Nicholas Meyer co-wrote it and ended up directing it as well, making a film that stands out as one of the high points of the franchise. Join us – Pete Wright and Andy Nelson – as we continue our Star Trek series with Meyer’s 1991 film Star Trek VI: The Undiscovered Country. We talk about what this film means for the original crew and how it works as their final send-off. We look at the Shakespeare elements, along with other nods to world history, and discuss them in context of this universe – does it make sense for other races to be quoting ancient Earthlings – versus in context of us as viewers of the film. We dig deep into the scene when Spock double mind melds Kim Cattrall’s Valeris, how well that scene works for us and why. We discuss the context of the world at the time Meyer and team wrote and made this film and how well that connection benefits the story. We discuss Cliff Eidelman’s music and why it works so well, even if he largely stays away from the themes already built into the series. And we talk about the fantastic Klingon makeup done throughout the film and why we think it works so well. It’s a film that stands out as Pete’s favorite of the franchise and one well worth talking about. Definitely check this one out. It’s well worth it. Then tune into the show! The Next Reel – when the movie ends, our conversation begins. Film Sundries Watch this film: iTunes • Amazon • Hulu Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

Composer Cliff Eidelman takes time to talk about his recent score for Big Miracle. We discuss in detail the importance of the composer/director relationship. We also focus on how to make sure the score to a family film doesn't seep into saccharine and schmaltzy territory. As you can hear from the opening intro that Big Miracle is nothing of the sort but instead is a grand sounding score with well balanced emotions. Cliff is a great guy who was part of FMM's recent composer signing. Enjoy this terrific interview!

In the latest of our occasional bonus episodes, we’re joined by film Composer, Orchestrator and Arranger, Adam Langston, as he guides us through the Star Trek movie scores and discusses how Jerry Goldsmith and James Horner have influenced his own work on Hollywood fare such as The Promise, Alien: Covenant and 10,000 BC. We also chat Trump’s unsanctioned use of the ‘Air Force One’ theme, how to pronounce Michael Giacchino’s name, Leonard Rosenman’s (possibly) high opinion of himself and of course, the work of Cliff Eidelman and Dennis McCarthy as well. And this is only Part 1 of our journey into the music of Trek, Adam will return next year to talk the scores of the various television series. Make sure you subscribe so you don’t miss it.   As usual you can find SPOCKLIGHT on: TWITTER - @spocklightpod INSTAGRAM – @spocklightpod FACEBOOK – https://www.facebook.com/spocklightpod/ EMAIL - spocklightpod@gmail.com Please Follow, like, share and all that good stuff.   You can find more information about Adam Langston and his music here: http://www.adamlangston.com/ Credit for our wonderful theme music goes to the incredibly talented, Adam Johnston’s, you can find more of his work at - https://adamjohnstonuk.bandcamp.com/ Our beautiful artwork was created by Stephen Trumble, see more at http://www.stephentrumble.com/

Star Trek VI and Cliff Eidelman. One of the youngest composers to score a feature film, Cliff Eidelman was only 22 when he wrote for Magdalene. Since then, he has amassed an impressive body of work—from film to concert hall. He has written a number of scores including Triumph of the Spirit (1989), Christopher Columbus: The Discovery (1992), Crazy People (1990), Untamed Heart (1992), Leap of Faith (1992), Now and Then (1995), If These Walls Could Talk (1996), Witness Protection (1999), An American Rhapsody (2001), Ocean Men: Extreme Dive (2001), The Sisterhood Of The Traveling Pants (2005), Open Window (2006), and Big Miracle (2012), which was Eidelman’s fifth collaboration with director Ken Kwapis. In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by Matthew Rushing of The Orb, The 602 Club, and Literary Treks to reflect upon Eidelman's career, from his composing credits to his solo album. We also take a look at some of his work conducting scores by other composers, and conclude with the soundtrack for Star Trek VI: The Undiscovered Country, in recognition of the 25th anniversary of the film. Chapters Intro (00:00:00) Eidelman's Bio (00:08:42) "Discovery at Sea" (Christopher Columbus: The Discovery) (00:16:46) "Lost" (Untamed Heart) (00:26:35) "Prologue" (Sisterhood of the Traveling Pants) (00:33:54) "Bam Bam is Gone/A Prayer" (Big Miracle) (00:40:04) My Muse (00:44:36) "Watching for the Willows" (My Muse) (00:45:27) "Hey Little Baby Girl" (My Muse) (00:47:01) "Adagio" (Alien 3 E. Goldenthol) (00:52:25) "Adagio" (Alien 3 E. Goldenthol; conducted by C. Eidelman) (00:54:07) "The Emperor Arrives" (Star Wars: Return of the Jedi J. Williams) (01:00:46) "Introduction" (The Firebird Suite I. Stravinsky) (01:07:15) "Neptune, The Mystic" (The Planets G. Holst) (01:08:48) "Spacedock/Clear All Moorings" (Star Trek VI: The Undiscovered Country) (01:11:48) "Spock's Wisdom" (Star Trek VI: The Undiscovered Country) (01:15:44) "The Death of Gorkon" (Star Trek VI: The Undiscovered Country) (01:19:23) "The Trial/Morally Unjust Evidence" (Star Trek VI: The Undiscovered Country) (01:24:08) "Escape from Rura Penthe" (Star Trek VI: The Undiscovered Country) (01:28:19) "Mind Meld" (Star Trek VI: The Undiscovered Country) (01:33:01) "The Battle for Peace" (Star Trek VI: The Undiscovered Country) (01:38:09) * All music composed by C. Eidelman unless otherwise noted Host Brandon-Shea Mutala Guest Matthew Rushing Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Charlynn Schmiedt (Executive Producer) Norman C. Lao (Associate Producer) Bobby Tucker (Associate Producer) Richard Marquez (Production Manager)

Welcome back to the CINEMATIC SOUND RADIO TOP 10. This week’s theme was voted on by you last week on Twitter. We’ll save the favourite love themes Top 10 program for another day. On the program today, and in celebration of STAR TREK’s 50th anniversary, which was on September 8th, you will hear my favourite STAR TREK cues (and a few honourable mentions) featuring the music of Ron Jones, Jerry Goldsmith, Michael Giacchino, Joel Goldsmith, James Horner, Cliff Eidelman and more. This show also marks the premiere of David Concina’s new CINEMATIC SOUND RADIO TOP 10 theme. It quite different from the themes he’s written for me in the past. I love it! https://soundcloud.com/user-970634922/cinematic-sound-radio-top-10-theme Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

On this week's episode of CINEMATIC SOUND RADIO we'll be listening to the film, TV and video game music of STAR TREK, which first aired on network TV on September 6, 1966. During this very special program you are going to hear two hours of new and old music from the various STAR TREK films, TV series and video games.First up you're going to hear brand new music by Michael Giacchino from the third film in the rebooted STAR TREK film franchise, STAR TREK BEYOND.Our weekly video game selection comes from Chad Seiter's 2013 score to STAR TREK THE GAME.Our film music vault selection will be music from the two-part STAR TREK THE NEXT GENERATION episode called THE BEST OF BOTH WORLDS featuring music by Ron Jones.We will have four re-recordings for you starting with music from Fred Steiner's score to the classic STAR TREK episode MIRROR, MIRROR. You also hear a new recording Jerry Goldsmith's "The Enterprise" from STAR TREK: THE MOTION PICTURE. And you'll hear two recordings from album called SYMPHONIC STAR TREK featuring music from STAR TREK VI: THE UNDISCOVERED COUNTRY by Cliff Eidelman and STAR TREK GENERATIONS by Dennis McCarthy.I'll be featuring individual selections from Jerry Goldsmith's START TREK INSURRECTION and James Horner's STAR TREK III: THE SEARCH FOR SPOCK.And you'll hear a suite from Jerry Goldsmith's last STAR TREK score to STAR TREK NEMESIS. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

Five Film Favorites with John Tenuto. John Tenuto has been a sociology professor for 20 years, most of those at the College of Lake County in Grayslake, Illinois. He and his wife, Maria Jose, have become experts on Star Trek through personal research and the friendships they have cultivated with talent from both behind and in front of the camera. Their research on Star Trek's production history, Star Trek library archives, and Star Trek's cultural influences have been featured on numerous radio stations, television shows, and newspapers including USA Today, BBC Radio, WGN News, and the Chicago Tribune—not to mention many podcast episodes right here on Trek.fm. In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by John Tenuto to discuss the scores, composers, and behind-the-scenes information on the Star Trek films. We talk about the music that played at the Tenuto wedding, what part of Titanic inspired Michael Piller when writing Star Trek: Insurrection, the budget for film scores, Cliff Eidelman's influence on and Giacchino's additions to the franchise, and John's five favorites from the films. We also find out whom John would choose to compose for Star Trek 2017. Chapters Intro (00:00:00) "Nimbus III" (excerpt from Star Trek V: The Final Frontier, composed by J. Goldsmith) (00:02:23) Meeting John (00:03:13) Motivations and Intentions (00:06:47) Star Trek's Footprint (00:09:08) The Soundtrack of John's Life (00:10:52) Overlap (00:14:20) Insurrection and the Ba'ku Band (00:15:25) The Budget for the Music for Star Trek II (00:19:52) Holst was More Expensive than Goldsmith (00:26:20) Eidelman's Influence on Goldsmith (00:29:58) Goldsmith Returns for Star Trek V (00:33:17) 2009 and Beyond (00:38:08) John's Five Favorite Film Tracks (00:41:46) "Enterprising Young Men" (excerpt from Star Trek, composed by M. Giacchino) (00:42:33) "The Mirror" (excerpt from Star Trek: Nemesis, composed by J. Goldsmith) (00:44:50) "The Battle For Peace" (excerpt from Star Trek VI: The Undiscovered Country, composed by C. Eidelman) (00:48:43) "The Ba'ku Village" (excerpt from Star Trek: Insurrection, composed by J. Goldsmith) (00:52:41) "Genesis Countdown" (excerpt from Star Trek II: The Wrath of Khan, composed by J. Horner) (00:58:02) John's Composer of Choice for Star Trek 2017 (01:03:16) "Enterprise Clears Moorings" (excerpt from Star Trek II: The Wrath of Khan composed by J. Horner) (01:07:33) Host Brandon-Shea Mutala Guest John Tenuto Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Charlynn Schmiedt (Executive Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)

On this week’s episode of CINEMATIC SOUND RADIO we’ll be playing music from superhero and comic book film and television scores. We’ll open the show with Henry Jackman’s new score to the brand new Marvel Cinematic Universe film CAPTAIN AMERICA: CIVIL WAR.Our John Williams album of the week is SUPERMAN IV: THE QUEST FOR PEACE. Williams supplied the film with three new themes while Alexander Courage wrote the rest of the score.Our re-recording of the week is a recording by the Cincinnati Pops Orchestra called SUPERHEROES conducted by John Morris Russell. We’ll feature three selections; A TV Show Medley, a new concert work called “The Launch (Conduktor’s Theme)” by Pete Anthony and Alan Silvestri’s CAPTAIN AMERICA: THE FIRST AVENGER end credits.Our video game score of the week will feature Michael Giacchino and Chris Tilton’s unreleased score to THE INCREDIBLES: RISE OF THE UNDERMINER.You’ll also hear selections from Danny Elfman’s DARKMAN, Christopher Young’s GHOST RIDER, David Newman’s THE SPIRIT, Graeme Revell’s MIGHTY MORPHIN POWER RANGERS: THE MOVIE, Brain Tyler’s MARVEL STUDIOS FANFARE: SUITE, Cliff Eidelman’s THE METEOR MAN and James L. Venable’s unreleased score to POWERPUFF GIRLS: THE MOVIE.Cinematic Sound Radiohttp://www.cinematicsound.netWROCK Radiohttp://www.wrockradio.comCinematic Sound Radio Fanfare and Theme by David Coscinahttps://soundcloud.com/user-970634922Bumper voice artist: Tim Burdenhttp://www.timburden.comAlso available through Podtyranthttp://www.podtyrant.com

Cliff Eidelman. Sometimes to get a break you need a few things to go in your favor. Cliff Eidelman had more than a few things go the right way for him. Fortune was indeed smiling on this relatively unknown composer when he landed the job of scoring Star Trek VI: The Undiscovered Country. In this episode of Melodic Treks we look at how Cliff managed to land this prestigious assignment and how a sequence of events worked in his favor. We also delve into his work prior to Star Trek, including his first movie score, composed at the age of just 22. Still, what happened after Star Trek may surprise you despite the score being a rounding success his career did not follow a path most would have assumed.   Host Colin Higgins   Editor and Producer Colin Higgins   Associate Producers Become one! Support Trek.fm and Melodic Treks at the $25/month level or higher! Visit patreon.com/trekfm   Chapters Magdalene (3:00) Early Break (7:30) The Discovered Country (11:08) Dodging Holst (18:50) Post Star Trek (23:16) Closing (31:07)   Support the Network! Become a Trek.fm Patron on Patreon and help us keep Star Trek talk coming every week. We have great perks for you at http://patreon.com/trekfm   Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact   Visit the Trek.fm website at http://trek.fm/   Subscribe in iTunes: http://itunes.com/trekfm

On the program today you are going to hear a three hour plus program dedicated to music written for anything but film, TV and video games by film, TV and video game composers. It is not uncommon place for film composers to cross over and dabble in the concert hall. Many of the greatest Golden Age film composers actually got their start in the concert world – Erich Wolfgang Korngold, for instance, wrote many operas and symphonies years before scoring such films as THE ADVENTURES OF ROBIN HOOD and THE SEA HAWK. Others like John Williams, James Horner, Miklos Rozsa, Danny Elfman, Cliff Eidelman, Bernard Herrmann – just to name a few – have also written spectacular and challenging music to be enjoyed away from the silver screen. This is actually CINEMATIC SOUND RADIO’s third CONCERT MUSIC BY FILM COMPOSERS program. This is our first since 2006. On the show today you will be hearing classical works by such composers as Andrew Pearce, Christopher Gordon, Lee Hodridge, Robert Folk, Elliot Goldenthal, Jerry Goldsmith, James Seymour Brett and more.

On the program today you are going to hear a three hour plus program dedicated to music written for anything but film, TV and video games by film, TV and video game composers. It is not uncommon place for film composers to cross over and dabble in the concert hall. Many of the greatest Golden Age film composers actually got their start in the concert world – Erich Wolfgang Korngold, for instance, wrote many operas and symphonies years before scoring such films as THE ADVENTURES OF ROBIN HOOD and THE SEA HAWK. Others like John Williams, James Horner, Miklos Rozsa, Danny Elfman, Cliff Eidelman, Bernard Herrmann – just to name a few – have also written spectacular and challenging music to be enjoyed away from the silver screen. This is actually CINEMATIC SOUND RADIO’s third CONCERT MUSIC BY FILM COMPOSERS program. This is our first since 2006. On the show today you will be hearing classical works by such composers as Andrew Pearce, Christopher Gordon, Lee Hodridge, Robert Folk, Elliot Goldenthal, Jerry Goldsmith, James Seymour Brett and more.

On the program today you are going to hear a three hour plus program dedicated to music written for anything but film, TV and video games by film, TV and video game composers. It is not uncommon place for film composers to cross over and dabble in the concert hall. Many of the greatest Golden Age film composers actually got their start in the concert world – Erich Wolfgang Korngold, for instance, wrote many operas and symphonies years before scoring such films as THE ADVENTURES OF ROBIN HOOD and THE SEA HAWK. Others like John Williams, James Horner, Miklos Rozsa, Danny Elfman, Cliff Eidelman, Bernard Herrmann – just to name a few – have also written spectacular and challenging music to be enjoyed away from the silver screen. This is actually CINEMATIC SOUND RADIO’s third CONCERT MUSIC BY FILM COMPOSERS program. This is our first since 2006. On the show today you will be hearing classical works by such composers as Andrew Pearce, Christopher Gordon, Lee Hodridge, Robert Folk, Elliot Goldenthal, Jerry Goldsmith, James Seymour Brett and more.

TJ and Clark Douglas before and after Episode 14 of The MovieByte Podcast. They talk about Joseph being out on Jury Duty and general prep for the podcast episode, the fact that Clark has not yet seen Taken 2, film scores and John Williams, more soundtrack discussion, Sherlock Holmes score, Snow White and the Huntsman Score, films being dark and gritty, The Avengers, the Batman Trilogy, which was better, film criticism and writing, The Matrix Trilogy, Cloud Atlas, the MovieByte approach versus the Movieology approach, Star Trek geekery, Star Trek IV and Leanard Rosemenman’s score, I Am Spock, Star Trek II: The Wrath of Kahn, First Contact, Star Trek VI: The Undiscovered Country and Cliff Eidelman’s score, the fifth Star Trek film and Shatner’s ego, fighting god and winning, and finally, JJ Abram’s Star Trek and Michael Giachino’s score.