Podcasts about tenebre

Horror in 1982: Tenebre with Troy Howarth and Nathaniel Thompson A new series where I sit down with a guest and talk about a 1982 horror film and horror in 1982 as a whole. The guests this time around Troy Howarth - writer who has written books about the likes of Dario Argento, Lucio Fulci, and Umberto Lenzi. Troy also has done numerous commentary tracks for several cult and horror films. Nathaniel Thompson - contributor to 100s of film commentaries and written several books on film.Tenebre - 1982 - Dario ArgentoAnthony FranciosaGiuliano GemmaChristian BorromeoMirella D'AngeloVeronica LarioAnia PieroniEva RobinsCarola StagnaroJohn SteinerLara WendelJohn SaxonDaria NicolodiIsabella AmadeoMirella BantiEnnio GirolamiMonica MaisaniFulvio MingozziLinks Troy Howarth Real Depravities: The Films of Klaus Kinski: Volume 1: 1948-1969 – https://www.amazon.com/Real-Depravities-Films-Kinski-1948-1969/dp/1981358463/Murder by Design: The Unsane Cinema of Dario Argento – https://www.amazon.com/Murder-Design-Unsane-Cinema-Argento/dp/1644301164Splintered Visions: Lucio Fulci and His Films – https://www.amazon.com/Splintered-Visions-Lucio-Fulci-Films/dp/1936168618/Make Them Die Slowly: The Kinetic Cinema of Umberto Lenzi – https://www.amazon.com/Make-Them-Die-Slowly-Standard/dp/B0BHMP6G4H/Nathaniel Thompson Nathaniel Thompson Books - https://www.goodreads.com/author/list/151807.Nathaniel_ThompsonMondo Digital - https://www.mondo-digital.com/Mondo Digital Facebook - https://www.facebook.com/mondodig

Gianni Donarelli"Ligeia"Fuga nelle tenebreIllustrazioni di Franco DonarelliScatole Parlantiwww.scatoleparlanti.itLigeia. Fuga nelle Tenebre è una raccolta di racconti in stile gotico e satirico. Cavalcando l'onda dei grandi autori del genere, Gianni Donarelli rielabora in modo autentico e originale tematiche come l'orrore, la morte e la passione, coadiuvato dalle preziose illustrazioni dell'artista e fratello Franco.Gianni Donarelli è nato e vive a Sora (FR). Medico-chirurgo, è attualmente in attività libero professionale in Medicina dello sport. Ligeia. Fuga nelle Tenebre è la sua prima pubblicazione.Franco Donarelli vive a Palermo. È ingegnere, autore satirico e illustratore. Ha collaborato con i quotidiani “L'Ora”, “la Repubblica” e “La Gazzetta dello Sport” ottenendo negli anni diversi riconoscimenti. È autore delle illustrazioni presenti in Ligeia. Fuga nelle Tenebre.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Dal Vangelo secondo LucaQuando furono compiuti i giorni della loro purificazione rituale, secondo la legge di Mosè, Maria e Giuseppe portarono il bambino a Gerusalemme per presentarlo al Signore – come è scritto nella legge del Signore: «Ogni maschio primogenito sarà sacro al Signore» – e per offrire in sacrificio una coppia di tortore o due giovani colombi, come prescrive la legge del Signore.Ora a Gerusalemme c'era un uomo di nome Simeone, uomo giusto e pio, che aspettava la consolazione d'Israele, e lo Spirito Santo era su di lui. Lo Spirito Santo gli aveva preannunciato che non avrebbe visto la morte senza prima aver veduto il Cristo del Signore. Mosso dallo Spirito, si recò al tempio e, mentre i genitori vi portavano il bambino Gesù per fare ciò che la Legge prescriveva a suo riguardo, anch'egli lo accolse tra le braccia e benedisse Dio, dicendo:«Ora puoi lasciare, o Signore, che il tuo servovada in pace, secondo la tua parola,perché i miei occhi hanno visto la tua salvezza,preparata da te davanti a tutti i popoli:luce per rivelarti alle gentie gloria del tuo popolo, Israele».Commento di Don Marco Sciolla, lo puoi trovare qui:- FACEBOOK https://www.facebook.com/marco.sciolla.5Podcast che fa parte dell'aggregatore Bar Abba: www.bar-abba.it

Predicazione espositiva del Pastore Jonathan Whitman di Matteo capitolo 4 versetti da 12 a 17. Registrata presso il Centro Evangelico Battista di Perugia l'8 Dicembre 2024.Titolo del messaggio: "Luce nelle tenebre"MATTEO 4 V12-1712 Gesù, udito che Giovanni era stato messo in prigione, si ritirò in Galilea. 13 E, lasciata Nazaret, venne ad abitare in Capernaum, città sul mare, ai confini di Zabulon e di Neftali, 14 affinché si adempisse quello che era stato detto dal profeta Isaia: 15 «Il paese di Zabulon e il paese di Neftali,sulla via del mare, di là dal Giordano,la Galilea dei pagani, 16 il popolo che stava nelle tenebre,ha visto una gran luce;su quelli che erano nella contrada e nell'ombra della morteuna luce si è levata». 17 Da quel tempo Gesù cominciò a predicare e a dire: «Ravvedetevi, perché il regno dei cieli è vicino».

En este episodio, exploramos un relato mitico titulado La Gran Documentalista. A través de una lectura íntima, nos sumergimos en la tragedia de Carlitos, un periodista cuya caída en desgracia lo convierte en un símbolo de burla global, y en la enigmática vida de Diógenes, poeta singular que entre versos de mondongo y encuentros sublimes, nos revela un mundo donde lo mágico y lo absurdo se entrelazan con lo cotidiano! La historia toma giros inesperados cuando Graciela, una documentalista visionaria, encuentra en Diógenes la inspiración para un proyecto que cambiará sus vidas y marcará un hito en la narrativa documental. Entre ovaciones, desapariciones y secretos inexplicables, este episodio aborda la genialidad, el fracaso y las conexiones que desafían la realidad. ¡Acompáñame en esta lectura y descubra un relato donde la fantasía, la tragedia y el humor se encuentran en un delicado equilibrio! Escrito, narrado y editado por Valdo Jiménez V. Libreria de Efectos de Sonido BBC. Musica: Dario Argento, Tenebre (1982)

Il pensiero dominante, che oggi accompagna la stragrande maggioranza della gente, è la fine dell'anno; un giorno e soprattutto una notte da festeggiare con riti diversi, ma con la costante di voler rigettare tutti i mali passati e propiziare il futuro. È sorprendente costatare come la liturgia, che la Chiesa ci propone per questo giorno, ignori completamente questa realtà. Addirittura, quasi in tono di sfida, ci fa ancora una volta riflettere sul prologo del Vangelo di Giovanni proponendoci le stesse parole con cui inizia anche la Genesi, il primo libro della Scrittura Sacra: "in principio...". Si parla di un principio senza data, quasi ci si volesse far astrarre dal tempo, ma per dirci che è stato lo stesso Dio a creare e riempire il tempo di tutto ciò che esiste, cominciando da noi uomini, creati a sua immagine e somiglianza. Siamo sollecitati perciò, a partire dalle nostre artificiose suddivisioni, a guardare al tempo in prospettiva di eternità e a riempirlo di sacro. Allora principio e fine si fondono nella continuità e noi a vivere quello spazio che ci è concesso. Il tempo senza Dio diventa un susseguirsi di istanti che consumano e bruciano il tempo perché non vissuto nella verità e nella fecondità. In questa prospettiva comprendiamo meglio l'alternanza della luce e delle tenebre, della cronaca senza significati reali e della storia che diventa sacra. Si tratta in fin dei conti o di accettare Dio come Signore della storia o di abbandonarci ai nostri calcoli umani e alle nostre penose solitudini. San Giovanni ci ricorda che venne la luce vera che illumina ogni uomo, che venne tra la sua gente, ma che i suoi non l'hanno accolta. A coloro che però l'hanno accolta ha dato il potere di diventare figli di Dio. Ecco la vera qualifica e la suprema aspirazione a cui dobbiamo tendere ogni giorno, per tutto il tempo che ci è concesso.

Nos saltamos las fronteras estilísticas establecidas para ofrecerte, de nuevo en viernes 13, una segunda entrega dedicada a las bandas sonoras del cine de terror.Playlist;(sintonía) WENDY CARLOS y RACHEL ELKIND “Title Music from A Clockwork Orange” (La naranja mecánica (A Clockwork Orange), 1972)WENDY CARLOS y RACHEL ELKIND “Main title “The Shining”” (El resplandor (The Shining), 1980)KRZYSZTOF PENDERECKI “Urenja Ewangelia” (El resplandor (The Shining), 1980)JOHN CARPENTER “Season of the witch” (Halloween III; Season of the witch, 1982)PHILIP GLASS “Helen theme” (Candyman, 1992)ENNIO MORRICONE “Regan’s theme” (El Exorcista II; El Hereje (The Exorcist II; The Heretic, 1977)JERRY GOLDSMITH “Main title” (La maldición de Damien (Damien; Omen II), 1978)PAUL GIOVANNI and MAGNET feat ANNIE ROSE “Willow’s song” (El hombre de mimbre (The Wicker Man), 1973)FABIO FRIZZI “Voci dal Nula (The Beyond Theme)” (El más allá (E tu vivrai nel terrore! L'aldilà), 1981)FRED MYROW y MALCOLM SEAGRAVE “Phantasma main title” (Phantasma, 1979)JAY CHATTAWAY “Maniac's Theme” (Maniaco (Maniac), 1981)CLAUDIO SIMONETTI, MASSIMO MORANTE y FABIO PIGNATELLI “Tenebre” (Tenebrae), 1982)TORU TAKEMITSU “Biwa Uta” (El más allá (Kwaidan), 1965Escuchar audio

Orfano e con una malformazione ai piedi, Mimì lavora come pizzaiolo nel locale di Nando, che lo ha adottato, ed è spesso bersaglio dei bulli. Un giorno incontra Carmilla, che ha una grande passione per Dracula e dice di essere la figlia di una principessa rumena.See omnystudio.com/listener for privacy information.

Oggi, Joyce risponde alla domanda "Se potessi tornare indietro e ricominciare da capo, cosa cambierei?". Le tue risposte potrebbero sorprenderti.

Il Messaggio di Oggi: “CI HA CHIAMATI DALLE TENEBRE ALLA SUA LUCE” • 1 Pietro 2 :9 • Giovanni 8: 12 • Giovanni 15 :5 • Matteo 5: 14 • Matteo 5: 16 • Efesini 2: 10 • Giovanni 15: 8 • Isaia 53: 11 • Luca 9: 24 • Filippesi 2: 6-9 • Luca 9: 23 • Giovanni 12: 24 • Romani 6: 13 • Marco 16: 15 • Marco 6: 12 • Atti 8: 5 • Atti 14: 15 • Atti 17: 23 • Galati 1: 23 • Atti 9: 5 • Atti 9: 3 • Atti 9: 20 • Isaia 7: 14 • Matteo 1: 23 • Matteo 28: 20 --Guarda Canale 245 | Tivùsat 454 | Sky 854Scopri di più su www.paroledivita.org/linkinbio

Magie potenti le maledizioni. Potete sbizzarrirvi ad inventare una maledizione su Dungeons & Dragons. Riuscirà Serus ad uscire da questa maledizione gettata dalla megera? Autore e voce: Alessandro Renzi @spaju.art Editor e voce: Matteo Manoni @matteoinmono Patreon.com/sotterraneiedragoni Instagram: @sotterraneiedragoni Questo podcast fa parte dell'universo di VOIS. Per scoprire di più, segui @vois.fm su Instagram o visita il sito https://vois.fm Learn more about your ad choices. Visit megaphone.fm/adchoices

Il principe delle Tenebre: vita e discussa morte di Miles Davis

di Massimiliano Coccia | in collaborazione con Linkiesta | Rassegna stampa del 22 08 2024 Kamala, Walz e l'inaspettata rinascita di un partito tradizionale. Dopo anni di disintermediazione politica, di leadership personalistiche e di movimenti populisti, a Chicago si celebra il ritorno alla normalità.  In collegamento con Christian Rocca da Chicago.

It's another big hitter episode but not as we know it. Over the past year I have been putting this show together, knowing that time will be short for me come spooky season. So I compiled my favourite parts from the video nasty series of the top tier,  successfully prosecuted films over on Patreon and have put them in order of my least favourite to the movie that I think is the best. All the nasties with a total of 19 guests, a silly amount of booze and the filthiest 39 movies that you ever would see.0.00 - Intro1.53 - I Spit on Your Grave (w/ Shea Mossefin)55.21 - House on the Edge of the Park1.11.46 - Tenebrae (w/ Brad Hanson)1.41.42 -  Cannibal Man aka The Week of the Killer (w/ Dan Martin)2.21.07 - The Driller Killer (w/ John Tantalon)Between the interview segments there are various clips from an incredibly important documentary which is actually an episode from the BBC series 'Open Space' in which the public made programmes under their own editorial control. It's an episode called 'Suitable for Viewing in the Home?' from 1984. This gives some detailed context to pretty much all the conversations for this episode.  

"Buia Eretica Alba" è un numero speciale della nostra Rivista OXYMORON, dedicato alla Dissidenza Spirituale, all'Eresia e all'Antinomismo in Italia. E' una silloge di oscurità e di luce, una collezione dei Manifesti dell'autentico Underground Esoterico Italiano, un Buco Nero popolato da entità che condurranno la vostra mente oltre ogni confine, verso la completa follia e la rigenerazione in una nuova, sconosciuta forma. Potrete acquistare la vostra copia a questo link: https://ilmiolibro.kataweb.it/.../683941/buia-eretica-alba/ - oppure presso la Libreria Esoterica Il Sigillo a Padova. Un'avvertenza: questo albo speciale di Oxymoron non è adatto a tutti. Se temete di smarrirvi nelle Regioni dell'Oscurità, se paventate l'Oceano delle Tenebre, allora navigate altrove. Ma se la vostra Ricerca vi ha sempre spinti verso l'Orizzonte degli Eventi, questa è la mappa che vi condurrà verso quel Punto di Non-Ritorno. Un ringraziamento speciale a Tym Frost, per aver creato la colonna sonora di Buia Eretica Alba che potete ascoltare nel video. F.T. #inundergroundwetrust --- Send in a voice message: https://podcasters.spotify.com/pod/show/libreria-il-sigillo/message

Laura Pertici approfondisce le notizie più importanti del giorno, con una lente quotidiana che mette a fuoco temi e avvenimenti in primo piano su Repubblica. Ogni mattina dal lunedì al venerdì. Seguici anche su Instagram @repubblica.it -See omnystudio.com/listener for privacy information.

Wir alle haben auf diesen Film gewartet, wie auf einen Tropfen Wasser aus Immortan Joes Festung, aber so ganz hat er unseren Durst nicht gestillt. Christian, Lucas und Christoph therapieren ihre Enttäuschung über "Furiosa: A Mad Max Saga". Shoutouts: Lonely Castle in the Mirror, Tenebre, Atlas, Star Wars: The Acolyte CUTS ist komplett unabhängig und werbefrei, deshalb brauchen wir eure finanzielle Untersützung: Ab 3€ im Monat bekommt ihr große mehrstündige Special-Folgen zu Regisseur*innen und Genres sowie Zugang zum CUTS-Discordserver, wo wir jeden Tag über Filme und anderes diskutieren: https://steadyhq.com/cuts Ihr findet CUTS natürlich auch auf Twitter und Instagram und mich auf Letterboxd. Vielen Dank an alle, die uns mit 5€ oder mehr im Monat unterstützen! Hans B., Jens Bahr, Timo Baudzus, Max Baxmann, Björn Becher, Marcel Behrmann, Max Decker, Manuel Deschmann, Maximilian Dietrich, Nikolas Ditz, Heiko Dörr, Jon Eden, Stefan Elipot, Bernhard F, István Faze, Patrick Fey, Hylia Fischer, Tobias Forner, Arne-Leonardo, Lucas Fuchs, Lisabeth Fulda, Danai Gavranidou, Timo Gerdau, Max Gilbert, Johannes Greve, Katharina Günther, Matthias Hagel, Simon Hartmann, Hadi Hawash, Leon Herrmann, Jonathan Hilgenfeld, Dominic Hochholzer, Enola Marina Hoffmann, Paul Höller, Andre Hollstein, Lukas Hoppmann, Jakob Jockers, Anette John, Melanie Juhl, Michael Kandzia, Karl Kaufmann, Martin Kleisinger, Boris Klemkow, Moritz Krien, Moritz Kunz, Thomas Kustermann, Thomas Laufersweiler, René Lehmann, Felix M, Joseph Mayr, Sebo McPowers, Yannick Mosimann, Giancarlo M. Sandoval, Mirko Muhshoff, Flamur Mula, Matthias Nauhaus, Maria Ortese, Nicolai Piuk, Wolfgang Plank, Simon Popp, Philipp R., Jessica Ring, Thomas Roth, Joscha Sauerland, Michael Schill, Jessica Schmidt, Martin Schober, Jesko Schrader, Dominik Schröder, Nils Schuckenberg, Jeremiah Schwarze, Timm Seestädt, Louis Sir-Excel-Lot, Eyk Stankiewicz, Thomas Stehle, Marius Stein, Carolin T, Basil Tardent, Martin Teichert, Valentin Tischer, Dorijan Vukovic, David Wahl, Tobias Walter, Philipp Watermann, Regula Weber, David Wieching, LoLegend Yo, Joseph Z., Florian Zeppenfeld, Stefan Ziede, & meine Oma :)

Buon Lunedì e buon inizio settimana Amici del Sigillo! Oggi scendiamo nelle Tenebre ma anche nella Luce, scoprendo infine che sono il medesimo, purissimo Vuoto, con "Iniziazione a Kali" di Daniel Odier, per il gruppo editoriale Edizioni Mediterranee. Buon ascolto, buona visione e soprattutto buona lettura! --- Send in a voice message: https://podcasters.spotify.com/pod/show/libreria-il-sigillo/message

Il 1° marzo si aprirà l’udienza dibattimentale per discutere dell’istanza di revisione del processo che ha condannato gli autori della strage di Erba. E non è forse un caso che si sia arrivati ad una possibile revisione di un processo, come questo, tra i più noti e discussi sui media. Ne parliamo con Edmondo Bruti Liberati, magistrato, ex presidente dell'Associazione nazionale magistrati, autore del libro, Delitti in prima pagina e Marco Imarisio, inviato del Corriere della sera ed autore del libro Tenebre italiane. Storia terribile ma vera dei delitti che hanno cambiato il Paese edito da Solferino.

Questo audio tract parla della bellezza del Natale, evidenziando la presenza delle luci come rappresentazione di Gesù Cristo, la Luce del mondo. Richiama l'attenzione sulla celebrazione della nascita di Cristo e sull'oscurità metaforica in cui molte persone vivono ancora a causa di comportamenti peccaminosi e del rifiuto di "venire alla luce". L'oratore sottolinea la redenzione possibile attraverso il pentimento e la fede, ammettendo il bisogno di salvezza e decidendo di vivere nella "nuova vita" provveduta da Cristo. Link:  Natale 2023 ⁠⁠⁠⁠La Nuova Nascita⁠⁠⁠⁠ - com'è centrale ⁠⁠⁠⁠Domande⁠⁠⁠⁠ ⁠⁠⁠⁠Il Discepolato⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠La Paura⁠⁠⁠⁠ - come vincerla  ⁠⁠⁠⁠Il Vangelo⁠⁠⁠⁠ - che cos'è?  ⁠⁠⁠⁠Verità & Vita⁠⁠⁠⁠  Podcast Libretto gratis - ⁠⁠⁠⁠Libertà⁠⁠⁠⁠  Libretto gratis - ⁠⁠⁠⁠Mi Connetto⁠⁠⁠⁠  Libretto gratis - ⁠⁠⁠⁠Riforma 500⁠⁠⁠⁠  Fare una Domanda -  ⁠⁠⁠⁠Speakpipe⁠⁠⁠⁠  ⁠⁠⁠⁠Catechismo Playlist⁠⁠⁠⁠  - Cibo Spirituale e Verità Biblica per la Vita Quotidiana - --- Send in a voice message: https://podcasters.spotify.com/pod/show/vera-vita-podcast3/message

Nach seinen übernatürlichen Ausflügen mit Suspiria und Inferno kehrte Dario Argento mit Tenebre 1982 zurück zu seinen Wurzeln und räumte im Giallo-Genre gehörig auf. Mehr Blut, mehr Kills, mehr Killer, mehr Style. Ob uns Tenebre gefallen hat, was Argentos Frau von ihrer Rolle hielt und was Silvio Berlusconi mit all dem zu tun hat, erzählen euch Chris, Pascal und Teresa in der neuesten Devils & Demons Episode.

Oggi a Cult: la serata "Iridi" curata da EDGE al Teatro filodrammatici di Milano per la Giornata Internazionale per l'eliminazione della violenza sulle donne e il pomeriggio "Redamare" al Teatro della Cooperativa; Anna Vivo racconta la sua libreria Zazà, specializzata in editoria per giovanissimi; Alessandro Gilioli intervista Marco Imarisio sul suo libro "Tenebre italiane" (ed. Solferino)

A group of murderous radio hosts travel around the world on the dying podcast circuit. On Episode 590 of Trick or Treat Radio we discuss Where the Devil Roams, the latest film from The Adams Family! We are also joined by friend and director Kurando Mitsutake for a longform discussion about his latest film Lion-Girl, he takes questions from listeners, and we get a glimpse of what might be on the horizon for the talented filmmaker! We also discuss dark poetry, the cultural differences between Japan and America, and how Rocky IV is actually a musical. So grab your still-beating pincushion, prepare for your nude closeup, and strap on for the world's most dangerous podcast!Stuff we talk about: RIP Roger Kastel, Empire Strikes Back, Jaws, Where the Devil Roams, Hellbender, Zelda Adams, Toby Poser, John Adams, Lulu Adams, The Deeper You Dig, The Adams Family Holiday Dinners, H6llb6nd6r, Stephen King & Richard Bauchman, the other Kubrick brother, the modern day Jacksons, films dripping with passion and creativity, family filmmaking, dark poetry, Edgar Allan Poe, HP Lovecraft, Rob Zombie, Kurando Mitsutake, Lion-Girl, Karate Kill, Go Nagai, Manga, Devilman, being young and stupid, Toei, Cleopatra Records, David Sakurai, Derek Mears, how Covid effects filmmaking, Katarina Severen, Devil Gemini, Gun Woman, Rocky IV is actually a musical, Teeel, Jim Smith, Captain Harlock, how to craft a superhero origin story, remembering your first boner, Samurai Avenger: The Blind Wolf, the job of a director to make his performers comfortable on set, doing nude scenes, Samurai Films, Shunga (spring pictures), Japanese social structure and culture, hentai, Jordan Peele, Nope, Firestone Ranch, Asami, Jenny Brezinski, the armpit of California, Damian Raven, Akira Kurosawa, General Zod, Superman II, Christopher Reeve, go to karaoke songs, Tokusatsu, Kamen Rider, Starblazers, Eric Red, Hitcher, Cohen and Tate, Tenebre, Dario Argento, Maniac Driver, Toshiyuki Imai, Rachel from the Zombie Grrlz, Suitable Flesh, Joe Lynch, Larry Fine, the tone of the poem, and Boobs Butts and Schlongs.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Dopo l'annuncio a sorpresa, Microsoft ha confezionato 30 minuti di evento dedicato esclusivamente alle terze parti, con nuovi trailer (tra gli altri) di Like a Dragon Infinite Wealth, Metal Gear Delta e Still Wakes the Deep. Nella seconda parte, invece, due chiacchiere sul lancio di Alan Wake, il nuovo tenebroso titolo a marchio Remedy che sposta un po' più in là l'asticella di questa generazione di console. Puoi ⁠⁠⁠Abbonarti Qui⁠⁠⁠ per supportare il progetto; i contenuti resteranno comunque accessibili a chiunque.

Welcome to Bad Dad Rad Dad, where Kylie and Elliott talk about the movies they watch each week while searching for better cinematic dads. In this inaugural LIFF (Lori's Incredible Film Festival) episode, they have the pleasure of watching six movies in twelve hours, curated by their good friend–host of Queer Horror Cult podcast–Lori Alex. Along the way they discuss, bad psychiatrists, iconic masks, finding a new all-time horror favourite, and thinking about when horror isn't fun.This week's movies are: Alice, Sweet Alice (1976), Bad Dreams (1988), Razorback (1984), Who Can Kill A Child? (1976), Tenebre (1982), and Angst (1983).Conversations:Alice, Sweet Alice - 4:46Bad Dreams - 10:20Razorback - 16:27Who Can Kill A Child? - 23:10Tenebre - 30:04Angst - 36:07Dads - 44:36Rad Rec - 48:24Follow along onInstagram: @baddad.raddadLetterboxd: kylieburton Letterboxd: ElliottKuss Hosted on Acast. See acast.com/privacy for more information.

Bongiorno! In this episode, the gang dip their toes into the muddy waters of vintage Italian horror. Is Giallo a flash-in-the-pan, a relic of the past, or a key component of the genre we know and love?Includes discussions of Saw X (2023), Elevator Game (2023), Blood and Black Lace (1964), The Laughing Woman a.k.a The Frightened Woman (1969), Bay of Blood (1971), Don't Torture a Duckling (1972), Deep Red (1975), Tenebre (1982), Stage Fright (1987) and more.Follow us on Instagram and Facebook.Contact us at crystal@spookybitchgang.com and scott@spookybitchgang.com.

Hello and welcome listeners to Episode 196 of Journey with a Cinephile: A Horror Movie Podcast. In this episode, your tour guide, David Garrett Jr., is continues with his Traverse through the Threes with #18. This double feature was Talk to Me (2022) and Dead Men Walk (1943). I thought this would make an interesting double feature, but the latter was something different than expecting. Both feature the deceased coming back. Also on this episode are Mini-Reviews of Night Explorers: The Asylum (2023), Count Dracula's Great Love (1973), Project Wolf Hunting (2022), Pennywise: The Story of IT (2021) and Tenebre (1982). I hope you enjoy coming on this journey with me! Time Codes: Intro: 0:00 - 11:07 Mini-Reviews: 11:13 - 33:43 Talk to Me Trailer: 33:43 - 35:59 Talk to Me Review: 35:59 - 50:03 Dead Men Walk Trailer: 50:03 - 51:54 Dead Men Walk Review: 51:54 - 1:02:11 Outro: 1:02:17 - 1:05:23 Social Media: Email: journeywithacinephile@gmail.com Reviews of the Dead Link: https://horrorreview.webnode.com/ Facebook: https://www.facebook.com/dgarrettjr Twitter: https://www.twitter.com/buckeyefrommich Letterboxd: https://letterboxd.com/davidosu/ Instagram: davidosu87 Threads: davidosu87 Journey with a Cinephile Instagram: journeywithacinephile The Night Club Discord: Journey with a Cinephile

Horror movies and heavy metal music have almost gone hand in hand, since the real first heavy metal band, Black Sabbath- which was even named after a horror film! Horror films were a huge influence on the metal genre, from imagery on the album covers, to the lyrics, and even the sound and style of the music itself. And they continue to do so to this day. To delve a little deeper into the connection between those two, we invited two members of Incantation, one of the oldest death metal bands out there, Kyle Severn and Chuck Sherwood. So join us as we talk music, metal, and movies! Films mentioned during this episode: After Party Massacre (2011), The Beyond (1981), Beyond the Darkness (1979), Black Sabbath (1963), Blood for Dracula (1974), The Car (1977), The Church (1989), City of the Living Dead (1980), Crowley (2008), Dawn of the Dead (1978), Dead and Buried (1981), Deathgasm (2015), Death Metal (2023), Demons (1985), Don't Breathe (2016), Dr. Alien (1989), The Dungeonmaster (1984), Evil Dead (1981), Evil Dead 2 (1987), Flesh for Frankenstein (1973), Friday the 13th Part VIII: Jason Takes Manhattan (1989), From Beyond (1985), Ghoulies III: Ghoulies Go to College (1990), Ghoulies IV (1994), Hard Rock Zombies (1984), The Haunting (1963), Hellraiser (1987), History of the World Part 1 (1981), House by the Cemetery (1981), Incubus (1981), The Innocents (1961), Jaws (1975), The Legend of Hell House (1973), Make them Die Slowly (1980), Maniac (1980), Mother of Tears (2007), A Nightmare on Elm Street (1984), Night of the Demons (1988), Nightmare Beach (1989), Opera (1987), Paganini Horror (1988), Phantasm (1979), The Phantom of the Opera (1925), Phenomena (1985), Prison (1987), The Prowler (1981), Re-Animator (1985), Rock ‘n' Roll Nightmare (1987), Rocktober Blood (1984), Scanners (1981), Shock ‘em Dead (1991), Shocker (1989), Slaughterhouse Rock (1987), Suspiria (1977), Tenebre (1982), Texas Chain Saw Massacre (1974), Texas Chainsaw Massacre 2 (1986), The Thing (1982), The Town that Dreaded Sundown (1976), Traces of Death (1993), Trick or Treat (1986), Two Thousand Maniacs (1964), Videodrome (1983), Woman in Black (2012), Zombie (1979)    

From the New French Extremity to some old Italian Sleaze, good, clever Loathsome Things is here to make everything nice for you, our sweet, sweet babies! From the guy that mostly did hardcore porn with a splattering or horror-porn crossover films, comes a film that advanced the boundaries of gore and showed us that the most potent strains of marijuana in history looks surprisingly exactly the same as 1970s euro-lady pubes. That's right, it's schlocky, it's exploitative, it's unfortunate, and it's all set to Goblin's most perplexing soundtrack, it's the 1979 horror cinema experience from the cum-soaked mind of Joe D'Amato lovingly and alternately known as Beyond the Darkness, Buio Omega, Buried Alive, In Quella Casa Buio Omega, House 6: El Terror Continua, and Zombi 10. Tune in to learn all this information and so much more in this most absurd episode of Loathsome Things: the official horror movie podcast of 1970s bush-centric European stag films! If you would like to recommend a movie, tell us what kind of wine comes in that kind of bottle, or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!   Transcript Josh  Body of a *****. Body three times. Pain and torture. First body in a bed. Body growing dead body in a crypt body. Hell fire dipped. Body ringing bell body into hell. Always be a taker. Meet your maker. No one's life you save robs some in your grave. It's loathsome things, a horror movie podcast with be the Josh and he the John. John. How are you on this most horrific of?  John  I'm hell be.  Josh  Dipped dipped hell fire dipped.  John  Hell be doing whatever the **** it was. Somebody actually wrote a rhyme to go along with whatever they said in Italian.  Josh  I know, I know. Like someone's job was to come up with a little, like set of rhyming couplets to to go with whatever was actually. Supposed to be there.  John  Man, I would love to see this movie in Italian with English subtitles.  Josh  Ohh man yeah that would be good. You could also do what I did. I watched the movie that this is a remake of in Italian without subtitles.  John  Ohh, that's even better. Yeah, the third eye, right?  Josh  The third eye? Yeah, it's it's real confusing when you have no idea what. People are saying.  Josh  So, John, what are we?  Josh  Even talking about.  John  Oh my God, I'm so glad you asked. Because this time around. We shall be talking about. We're going to talk about a little Italian schlock exploitation film that was directed by a fine fellow named occasionally named Joe Di Amato.  Josh  Some types named Joe Demon.  John  1970 nines. Delightful and absolutely delicious. I don't know what I'm talking about. I'm a moron beyond the darkness.  Josh  Also known by other names. A lot of other names, some of them. Some of them just just out of nowhere. That thing, but yeah, it was the whole thing. Apparently the director, Joe D'amato, was friend with Mino Guerini, who directed the third eye. And one day they were hanging out. Just spit balling ideas and he was like, hey, what if I remade your movie but made it sleazier?  John  It's an interesting film. It's gonna be fun to talk about. I liked the I was excited to hear that Goblin did the soundtrack, or as they mistakenly referred to. Them the goblins. But except for a few bits, overall, the soundtrack is terrible.  Josh  Yeah, it's if you have ever had your manager pop in a VHS tape so you could watch a training video on your first day on the job, then you know what this movie sounds.  John  Like please contact the HR department if you have any issues with other employees.  Josh  There are times where the soundtrack's really cool, like they'll purposefully hit these flat notes to like, reflect what's going on, like like it's entertaining at times and other times just very irritating.  John  When I make my movie, I'm going to have the entire soundtrack be done live with a guy with a French horn who just makes fart noises.  Josh  Yeah, I I want. I want my life soundtrack to be done by someone with a severe anxiety disorder that wasn't given their medicine today and they have to like. They're always trying to catch up with what's going on, like, Oh my God, I can't believe this is happening to me. The soundtrack I want.  John  They have to play it on a hooter.  Josh  Of course, Goblin to they did the soundtrack for the original dawn of the dead phenomena, Suspiria and Tenebre. So lot of lot of good Italian movie horror movies with that, and by a lot I mean mostly just those that I listed. They also had a song in Shaun of the Dead.  John  Yeah, that's true. And just in case you really enjoyed this music, in which case, by the way, you're an idiot. It was also used in the films the other Hell and Hell of The Living Dead, because in Europe all horror films are of the Living dead.  Josh  And one thing that was cool. So the actor in here, Frank Astolfi, who plays clever, sweet, good Iris actually was reunited with this soundtrack whenever she starred in the other hell.  John  Wonderful. The amazing franca stoppi. Veteran of the Women's Prison series of films and also a little a little number known in English as dog lay afternoon or in its native Italian bestiality or something like that.  Speaker 5  Good it is what you think it is if.  Josh  If, if you're if you're.  Josh  Catching on to to a like a a niche like a specific what? What what's happening here? So I want to go into a little bit about Joe D'amato. Joe D'amato is the king of 1970s and 80s Italian sleaze cinema. He has 199 directing credits to his name and about 100 and 21120 of those are just straightforward *********** videos.  John  Gotta love it.  Josh  This is one of his most famous horror movies, along with Anthropophagus and the semi sequel to that absurd, this came out. This film came out during his horror **** over crossover era, which included Papaya love, goddess of the cannibals, orgasmo. Arrow, Emmanuel and the white slave trade ****** Knights of the Living Dead and poor no Holocaust.  John  **** in a that is fantastic. By the by the way, and Trump of Vegas and that absurd are those movies are.  Josh  Yes, they they rock. This guy like while while he was mostly about the the ******* and portraying the penetration and stuff like that he when his in his ***** she was like we need to really like push the boundaries of what's allowable as far as gore is concerned and. Boy, does he ever. And it is fantastic. Like this isn't the kind of movie that you would expect to watch and think ohh wow, this contributed to the artistry of horror. Cinema but it. Actually does and it's amazing also very.  John  Yes, yes, yes, on all counts. The it's funny because he I was reading a little bit about it and said that he he was kind of down on his own ability to build suspense. In other words, he couldn't do it. So he went ahead and just did the extreme. Shock value instead, and he's very proud of that which he damn well ought to be.  Josh  Yeah, yeah, I like that. He's like, I don't feel confident in my ability to build suspense, so I'm just gonna not try.  John  You got to know your strengths. I like that the.  Josh  Like what if?  John  Ohh yeah, go ahead. Well, I was gonna say.  Speaker 5  No, no, you.  John  It was a. The film was released in 87, called in Inquiry a Casa built Omega to try to to try to pass it off as being related to the Evil Dead series, which it of course was not at all, and then it was released in Italy as Lacasa and. Macasa do way I guess as you would. Today in Spain, the movie was marketed as being a sequel to the House franchise. Therefore, House 6 and then El Terror, or El Perro continua, and then in Mexico it was billed as being part of the.  Josh  Zombie franchise it was listed as Zombie Ten. Oh my God. Yeah, this is. That's one of my favorite things about this era of horror movies is like. It's just nonsense. They're like, what if we just said it was part of another thing? And I I honestly think that's beautiful. I I love it because it just creates such a tangled mess of history to try to a.  John  Not it wasn't. Wasn't Fulci's zombie build as? Night of the Living Dead sequel wasn't that I think so, yes, yeah. It's all complete ********. No one gave any *****. I love Italians. They just lie and they don't give a damn. I was looking for the Napolitano Pizza house. Is it this direction C?  Josh  Thank you.  John  Where am I? There's no pizza restaurant here.  Josh  Let's see Joe's other directing credits include Ator, the Fighting Eagle famous from mystery science.  Speaker  Right.  John  Theater 3, yes.  Josh  The Devil's wedding night, the crawlers. Black Cobra woman paradiso, blue blue, ****** climax. Super Climax sex penitentiary cop sucker cop. Sucker two and zombie 5.  John  Oh, my God. Get it together. OK.  Josh  Yeah, famously in the 1990s he was resistant to the change from film to video in the pornographic **** ***********. And he was like, yeah, it just doesn't feel as good. But I guess I'll do it. He also didn't like the fact. People wanted *********** to just portray a lot of extreme sex. He really wanted it, which is funny when you. Watch this movie. He was like, yeah, but what about the story element? Don't want the story element of *********** anymore.  John  What about the art?  Josh  So, yeah, this movie stars Kieran Kantor as Frank. Kieran Kantor would go on to be in some ****, but not much.  John  Yeah, basically just a bunch of soft **** or not a whole lot of. What was the other like? What do you say? Monreale Monreale, who plays Anna.  Josh  And spoiler alert, she's awesome. Oh no, she also plays Elena.  John  She plays her sister. Yeah, she's Christ. She was she was in full. She's the beyond, which is absolutely ******* **** ***. I love that moon. She's the lady with the whited out eyes.  Josh  Also, she was in full cheese. The Sweet House of horrors.  John  That I have not seen it sounds delightful.  Josh  Yeah, I know. That's what is you doing in here?  John  She was and Dario Argento. Argentos the Stendahl syndrome, so a definite veteran of some classic horror, even outside of this fine piece of film.  John  This fine pizza.  John  Which I'm so glad was shot on 16 millimeter film, apparently because if it had it been shot on video, it would have looked bad.  Josh  So a lot happens in this movie. John, do we need to warn? I mean, there's a yeah. There's a dead baboon. That was kind of upsetting. I forgot about that.  John  Yeah, that was upsetting. There was some possible well hints. More at necrophilia, probably in the Italian version. Straight up necrophilia. Yeah, there was a lot of dancing around, some really terrible things. If you're not a fan of of using actual pig body parts to make your gore scenes, then this is not the movie for you. If you don't like to see.  Josh  Grown men breastfeed. This is probably not gonna be the one for.  John  You, Jesus Christ. Yes, I forgot. Forgot about the breast. Feeding their nursemaid.  John  Oh my God.  Josh  This movie is ridiculous. There's also if you're offended by the naked female Bush, then this movie is not gonna be for you.  John  Yeah, you better get whipped. The hedge trimmers out because this one goes for it, yeah.  Josh  Ohh some some very homage to Herschel Gordon Lewis dismemberment so. So just be prepared for that before you view it, which you may have already done. Because we told you 2 two weeks ago.  John  In 2023, the the It's kind of you'd be kind of hard pressed to find the effects believable, but if you're squeamish and you're not somebody that you know, if you just react to that stuff, period, then yeah, this this movie might be a little tough for you to watch.  Josh  Yeah, I liked that there was. There was a a fake arm, just like the one in dance mapu, but the IT was. Like, oh, the one in dance mapu. Actually does look better than this. One nice technology advanced that's right, moving right along.  Josh  Yeah, you couldn't see through.  Josh  The one in dance mafoo.  John  Ohh yeah, I also wanted to mention which I thought was hilarious, that the reason Francastel Papi got the role. Toby was because another actress agreed to play Iris, sight unseen, read the script and was like no. And Frank Estopa, I was like.  John  Well, **** yeah, I'll do it.  John  Nice because she's awesome. What a trooper. Kick us off. Alright, well, the movie starts with a weird looking European red van truck driving through the woods while we listen to pretty awful goblin music. It's very 70s, of course, the guys driving along in his obscenely loud truck and he arrives at what I would describe as a ship house. He gets, gets out and meets a swarthy other douche, and then they work together to lift a very heavy box inside the van. Then Jordi Ouche leaves. He gets back in his van because it looked like he was wearing jordash jeans. If I was, if I wasn't mistaken, OK.  Josh  Just wondering where that was coming, Jordan?  John  So he drives away and we cut to a hazy filtered shot of a Crone, putting needles in voodoo dolls. While that are basically, you know based on a picture of the main character and what I'm assuming is his girlfriend, which of course it is and. Another lady with weird lips is sitting there watching this happen, and she's obviously loving it, so that's that's setting up something. They the the girlfriend, as it turns out, is in the hospital, ****** ** and moaning and she is doing a lot of gasping and then sort of red lines. Except I don't know what that meter is that's regulating her heart. I looks like something else entirely, but whatever.  Josh  I think it I think it's measuring whether or not her makeup needs to be replaced.  John  There's some lady in there who I thought was a nurse, but she like. Very not too worried, gets up and says. Nurse and then a doctor comes in and gives her an Ivy shot of some sort, and then she moans a lot and calls for Frank. So that's the red. That's the jordache. So meanwhile, Frank arrives at a Chateau and opens the little gate drives in. Suddenly the box. That he carries inside by himself is really not that heavy anymore, which I thought was interesting. He brings it into the Chateau and unpacks what turns out to be a dead male baboon. Which looked like a dead male baboon. It was pretty disgusting, not not disgusting, but little disturbing. He doses it with some sort of amber juice in this giant syringe that he has. And then while this is going on, the lady with the lips is snooping as he. Leaves that room and heads upstairs into the Chateau. Back at the hospital, the dying lady wants makeup as as you do, and the nurse deftly applies man makeup on with might. Might as well be a house painting brush. She's just like. Ah, there you go. It's so great back again at these chitter lips picks up. She picks up after douche cause he's he's made a mess in his bedroom, you know, cause he's a he's a naughty boy who's, like 30, she tells Frank. That the hospital called and then naked and tan Frank comes out. Grabs like with his clothes holding his junk, which I don't know why shy after what happens later, but he grabs his regular clothes and calls lips a stupid idiot for not telling him sooner.  Josh  You stupid idiot.  John  Back at the hospital, Frank Frank rushes in. He runs into. The best character in the movie, a random old person. With a funny.  Josh  Hey, where'd you get your license?  Josh  I I want to know what the original like was that what it was supposed to be in the original, or I can't imagine.  John  God only knows he's great. He he gets to, he gets to Anna's bedside, and he tenderly makes out with her to death. Back at the back at.  John  The ship, yeah.  John  In a very ornate bedroom, apparently Frank is the King of Italy. Uhm, he mopes. He's like sitting at this little desk or, you know, bedside, dresser or whatever. Just moping over these two horrible photos like one of of two people, another, neither of which look like her. And then a big portrait of himself. And he's just like, moping and then lips comes in and. You know, I mean, it's perfectly understandable. He's he's having a hard time. His girlfriend just died. So she whips it tight out and breastfeeds him. And it's extremely sexual and very strange.  Josh  Yeah, yeah. She's just, like, cooing at him and telling him that everything's gonna be OK and saying her own name over and over to him, she's like, it's OK. Sweet, Sweet Iris is gonna make everything good for you.  John  And he's like.  Josh  So bizarre this is the point. Whenever I first watched the movie I. Ohh I have to show John.  John  Doing it now we're back at or we're we're at at the Funeral Home and she's in her casket and Frank goes to visit her and he juices her with the amber hoist that he gave the baboon. While for no reason. The mortician who had just left. In the other room peeks back in to spy on the guy. What what reason? He's just sitting there, looking at her. He doesn't look weird or anything, and the dude peeks back in just in time to see him inject the juice into her neck. Then it's her funeral. There's a bunch of very serious Italian people in the background are a bunch of half naked Italian guys who are, like, working on something I don't. I think it was a mistake that they left that in the shot or something.  Josh  They're probably working on the *********** in the background.  John  I was like, are those people naked? What is going on?  Josh  Back there I didn't notice. I'll have to go back.  John  And watch it again.  Josh  It's ohh no.  John  It's so weird.  John  They they lower her casket with two ropes into this really narrow hole. That's like super deep. And then they show, like her parents, you know, mourning her mother has a gargantuan cold sore on her lip. Then her dad's there and a super hot blonde lady who looks just like her named Ellen's dad after the funeral, begs the priest essentially to do all The Dirty work. Because he can't handle, it's too much for him so he could bail and his wife can leave Italy. The daughter is gonna stick back though, and and complete her school. The mortician is is very conspicuously snooping on the proceedings. Now we're back at the cemetery. It's at night, and there's there's George Douche digs. Anna, who, by the way, is suddenly like, 6 inches below the surface, like, somehow the. And there's roses on top of her casket, which are clean, even though he just dug her up. He takes her and wraps her up in like a blanket and takes her and and then he drives the the van and spots a hitchhiker out in the middle of ******* nowhere. Who's like, hey, stop. And he just drives away.  Josh  But much to his. Misfortune, his tiny red van gets a flat tire. He has to stop. He changes the tire. There's some police officers in a station wagon. They offer him help. He's like, Nah. And then they drive along, he gets back in his van and ohh the the British hitchhiker from earlier is now in the passenger seat. She's just invited herself into his car and is offering him high-powered weed. Which she then begins to roll a joint and we can all see that it is **** tobacco. Just it's just so obvious. It is if you've ever rolled tobacco and you got the like Bally, **** or something, you know what this is? It's not weed. Weed does never look like this.  John  No, it looks like if somebody took the world's smallest sheet of brown paper and ran it through the world's smallest paper shredder, yes.  Josh  And she's just going on and on about how like she even says that this stuff is worth its weight in gold and how like it's gonna, like, really, like, knock your **** out or whatever. She she rolls it up. She takes a. Passes it to him and he's like, no, thank you. And then she just passes out, like she cannot handle her ****. There's also a thing that's supposed to be suspense, which Joe D'amato has said he cannot do about like Anna's hand flopping in through the little window and him like. Her not seeing it and him trying to hide it, it does nothing. It's stupid. Yeah, I love how they tried to set it up by having him notice that the glass window that took effort to move just opens on its own for some reason. Yeah, I love how jiggly Anna's body is, too. It is just. It's another case of the very bouncy cars of yore.  John  It's that it's that brown juice.  Josh  Yeah, that jiggly brown juice. Uh, back at home, Frank unloads Anna's body and dissects her while the hitchhiker is still asleep in the van. Anna's ***** can be seen prominently and look remarkably similar to the **** tobacco that is keeping this whole situation afloat. There's some great skin cutting and gut pulling scene. This is done with the aforementioned pigskin and guts from the slaughterhouse. It looks real good, but apparently they like. Soaked the pig guts in red dye because like it is just staining her skin in a very not normal blood way, but it still looks great and there's like this whole scene where it's like she's lying naked on the table and you can see this like this pink foldy lip incision running down her body. And it's like, wow, that looks really gross.  John  Yeah, yeah, they did a good job with that as impress.  Josh  Yeah, and she almost did a really good job of looking dead and not like giggling at being tickled or like breathing and stuff like that. Every once in a while, you're like, oh, I saw you. I saw you. But you know.  John  She does a pretty good job for for someone who has to basically do nothing on camera.  Josh  And then then Frank Yanks out Anna's heart. He kisses it and then takes a big old chunky bite out of it, which causes blood to spurt out of the ventricles. It's so stupid. It's really stupid and amazing. Yeah, but yeah, it's real dumb. And it doesn't make any sense with the type of stuff that happens later in this movie, much less the stuff that has already happened.  John  And he's like, semi orgasmic when he. Does it too.  Josh  Oh yeah, he's super into it. Also, that heart is enormous.  John  It's like the size of his skull. I read that they used to sheep's heart and I just was looking at. That and going. I don't think that's a. Real heart that looks.  Josh  Plastic. I don't know. I don't know. Then he he pulls out his copper tubes, which he gets all heated up and shoves them just right up into Anna's nostrils. And then he vacuums out annae's guts. I guess her brain. Through the nose and it comes out as the chicken Mcnugget pink slime that we all saw on YouTube back in the day.  John  A watermelon smoothie.  Josh  So apparently all you do is you just shove a copper tube into each one and you start pushing air through one end and everything from the body just comes out the other tube in a nice like protein shake style.  John  Cleans it, right?  Speaker 5  Yeah, it's good you don't have.  Josh  To do anything. At the time, Nope. You ain't gotta blend it. Up it's fine.  John  No prep work at all.  Josh  At this point, the hitchhiker wakes up flops her way around the whole place, finds Frank doing this horrible thing with a dead body, screams, and then Frank goes and grabs her to get her.  John  To to get her.  Josh  And then he grabs a giant pair of like horse nail Clippers or something. And then while she is screaming and struggling for her life, he. Carefully and precisely proceeds to rip her fingernails off of her hand while she's screaming and struggling, and then after he gets the fingernails off of one hand, he smothers her to death. What's going on there, bro?  John  It makes no sense. And her screams are agonizing.  John  Ohh man yes.  Josh  And it's like that scene that is like the most. Italian horror movie scene I've ever watched in my life. He's like, ah, yes, you're screaming here. Let me torture your fingernails. I'm so strong.  Speaker 5  Then I'll smother you to death.  Josh  He stashes her body in the tiny van, which we can now see is about four feet tall. It it's really an amazing Little Feat of engineering. We see that Iris has witnessed the whole thing. She looked sternly at him. Then helps him dress Anna's body in a nice gown, paints her fingernails red, and they put her in the Lucy Desi twin bed up against each other. Situation the the next morning the the baboon guy shows back up. His client is interested in the baboon, he says, and he wants to. He wants to buy it back from from Frank and so he can sell it for a bunch of money. Frank's like, no, I don't need money. I don't do this for this. This is my hobby guy. That's right. He's he's. Yeah, he does. Taxidermy. Lots of taxidermy everywhere.  Speaker 5  It's so stupid.  Josh  It's so stupid and it turns out that it's just to let the funeral guy sneak into the house. We see him sneaking in through a back room. He doesn't find the Hitchhiker's body, but he does find some blood. He finds her necklace and then he gets back in. The funeral guy pays paid the the baboon guy the baboon. Guys like hell. What was the deal with that? And he's like, hey, why don't you go **** ***? Guy Frank sees that someone snooped it. It turns out that Iris hid the body. The two of them go into the bathroom now together after, like, saying. Mean things to each other to dispose of the body. They start taking all of her clothes off. She's a large woman, yeah. Iris starts hacking off body parts just like she's got. She's got this big butchers axe and she's just like looking around trying to figure out where to even begin. And then she just like, it's like, all right, I'm going to start over here and starts hacking away over here. Has a breathing mask on and he starts filling the bathtub with acid from. Bottles of what you would assume is port wine because it's a green glass bottle with the rope.  Josh  Stuff on the outside.  Speaker 5  It's like a.  John  Tea and tea bottle.  Josh  And they have five of. Them he just keeps.  Josh  Pouring more and more acid into the bathtub and he like the scene. Goes on forever. So she's she's chopping off the head. She like she. You see it? She like hangs. It's like dangling. She's got it from the hair. She flings it in there. So it's this horrible flesh eating acid and she's just chunking body parts into it without any regard for the splash.  John  No regard for the splash. She has no body protection on of any kind. He's wearing a giant rubber apron and gloves and that stupid mask, and she's just going.  Josh  They did a great job. It's it's one of those situations where, like they had the the actor like, move her head over to the side so that you don't see it in the shot anymore. Cause now it looks like she's like her head is gone. Same thing with her arm. They're just chopping off bits. It's real good, but it goes on forever. And at first, you're like, wow, this is taking too long. And then after a. While you're like this. Is ******* amazing.  John  I mean afterwards they have real carnage on the floor and she's like. Scooping up chunks of meat and like hip sockets and just blood like actual animal blood, you could tell just by looking at it. It's really disgusting and she's like basically cleaning up the carnage that she left behind and just, you know, and then the meantime, like dumping it all into this bathtub. Yeah, it's ******* great. I loved this scene. I love when the the cheesy skull with the eyeball still in it. Like floats up to the surface of the tub.  Josh  So much eyeball stuff in this movie, I didn't mention it earlier, but the part that the hitchhiker walked in on was when he was like, shoving a fake eye into Anna's empty eye socket. And she's.  Speaker 5  Like, it's so good.  John  Oh my God. And then so then. Let's buries the. Loopy remains of the hitchhike Chris and then and then afterwards they're in the they're in the kitchen slash. Eating table, whatever he's sitting at the table, she's washing up, like cleaning the bucket out from. You know this, this burial or dumping or whatever. And then without washing her hands or anything, she pours 2 bowls of disgusting soup. And then while she's doing and then she sits down and starts eating it like she's. Some kind of like cave woman. Just it's just like like basically just taking hands full of it and justice rubbing it across her face, hoping some will get in her mouth. And Frank is is is clearly like in his mind, he's seeing the gore from the scene earlier and then he can't take it, he gets up and barfs. What I can only describe his heavy cream. It's like, what the hell did this guy just drink a Fort like a pint of heavy cream for breakfast?  Josh  He up Chuck some half and half.  John  So it's so disgusting.  Josh  And she's still got, like, her arms are covered in, like, the black chunky water from the burial and. When did she have time to cook the slop? Is it implying that they're eating the hitchhiker like I don't understand?  John  That's what I kind of thought it. But then I'm like, but they they don't show or save anything. They threw it all in the in the splashy acid. So I don't, I don't know. It was great though.  Josh  It it is great and it doesn't make any sense because we just saw him kiss and take a chump out of a heart after like dissecting someone and yanking on the guts and stuff. So why is he now, like sickened by? It doesn't make sense.  John  He is an aversion to sue. So now we're at we're at. Anna's bed side. And he's moping again. And you know, whenever whenever Frank's moping, you can count on Mama lips to come in and and calm him down. So she sits next to him and starts feeling him up. Basically, she's like sticking your hands up under his. V next sweater. And then she dips, trowel and is like digging in for the happy ending and saying things like. Iris knows how to take care of him, doesn't she? So she's yeah, she strokes him out of his sadness, I guess. And then I guess I'm assuming he ****** his pants and then had to go change his pants. But anyways, back at the Funeral Home, we're in a back office and it's ******* filthy. It's a place. Like, what is going on? He's got, like, a looks like a bookshelf. Behind him and on one of the shelves is a casket. What a cool guy. So where this guy shows up and it's like he's hired a Private Eye to appear. Without any pay, go, go, research and provide this mortician Frank's entire life story, and then what he does, the guy like whips his wallet. He's like, here you go. Good work now.  Josh  He he pays him like you pay a bell, man.  John  It gives him a tip. And then we see Frank, who, who's dressed up like marathon man. He's like jogging through town and then suddenly he's in the mountains. And I mean the setting is beautiful. And then yeah, oh, what do you know, he's just happens to be jogging behind some hot girl who looks like she's never run a step in her life. She's like, first of all, she's not sweating at all, and she she can't. I mean, she could barely run in a straight line. And then, wow, she had twisted her ankle, and he's gonna have to help her, you know? So he he. He wants her to wait. You know, cuz he's going to go to the to the pharmacy. And get some liniment but. Then he realizes it would just be easier to carry her to his house. Where he rubs white cream on her ankle and she asks him if he's a doctor. Wow, you're really.  Josh  Good at that.  John  It's like with he just put.  John  And he, he like, kisses her hand and stuff like it's obvious that he's he's, you know, he's down to clown. Because apparently the handy that he just. Andy, that lips gave him earlier wasn't enough, so he he goes somewhere in the house to get he's on a gauze run and he stops. Of course, cause he has to visit dead Anna for a second. I don't know if he's like to get it up or whatever. And then and then jangle the jogger with the ankle calls for him. Calls for him, so he hides Hannah real quick, like, flips the bedspread up over her. She's like, like, weighs like £80.00, so he can kind of hide her under a bedspread. And then he he wraps her ankle. And you know, it's getting all good and she's. Like, oh, wait until you finish wrapping the ankle. So then they get into the bed right next to Anna, where the the matching twin beds with velvety blankets, and they start getting all feely and Frank pulls the bedspread down so he can look at Anna and kind of touch her or whatever so he can get the full corpse ***** and the jogger sees her. And for some reason this is upset by this. I don't know why. Freaks the **** out. So Frank bites a hole in her neck, which kills her, and then he eats it.  Josh  Whatever, it's so good.  John  So he's in some sort of strange orgasmic.  Speaker 5  Daze. He's just.  John  Blood on him. And the lips walks in, of course, because she's always there at the key moment, takes the jogress and tosses her into. That dude has a ******* crematorium in his basement.  Josh  She she hadn't.  Josh  Thought about that at the after the first one, she was like, all right, look, I can't chop up another body.  John  That was too much work, I thought, chopping up a body was going to be no big deal. How silly of me to forget that you have a crematorium in your taxidermy station. So they just they just toss the jogger into the crematorium thing and, uh, fire it up and then she does this cool, like scrunching up thing like she's. Yeah, it's great I call. Oh, yeah, I called it the taxidermy torium. And then, yeah, so it's amazing. But anyways, lips now has suggested that. She just she just she suggests that Frank get rid of Anna because you know, because she wants all the attention basically, but also because the, you know, it's crazy. And the odds of keeping a weirdly preserved dead body in your bedroom is probably. Not a good idea so. She says it's for his safety and she's like.  John  Forget about her. She's dead.  John  And we're alive. But Frank's not having it. He's going to keep her in her own room. She's getting all dressed up because, you know, they're going to have guests or whatever. Then the cops show up and she immediately puts on her nursemaid. Get up with an apron again because she can't have guests. You know, with the police to know that you're having guests. I didn't understand that.  Josh  There was a lot of her walking back and forth in a room, taking a gown off, putting a gown back on. It was like.  John  I don't think.  John  The cops care. They're just looking for a missing jogger. So she's kind of, you know, they're they're asking a bunch of questions outside and frank. Answering their questions, but obviously being vague and then she's a little bit more kind of aggressive, like pushing back and then they're like, you know, well, we could get a we could get a warrant, but we would really like to search the place if we could. And she's like, sure come on in. So they they go straight to the taxidermy torium. They're like looking around and the guys like, oh, these are these are amazing. What is this? It's like some taxidermied animal I didn't even. Catch what it was.  Josh  It's like a bird or.  John  Something. Yeah, like a bird.  Josh  Or a squirrel like it was. Just one he's like ooh.  John  And she's like, ohh well here, let me wrap that for you so you can take it home for free.  John  She just puts a piece of paper.  Josh  Like ohh here. Yeah, you wouldn't wanna.  Josh  Touch that. That's so weird.  John  Oh my God. And then the cops are like, well, you know, I think I've. Seen enough and they leave.  Josh  And yeah, whatever, and and then.  John  That was so strange. And then we we cut to a dinner table. She's back in her her gown or dress or whatever the ****. There's all these weird people in that in like leader hose and and **** sitting around the table and and then there's this woman who has a full on mustache. Like just rocking the stash? Like where no one's going to mention this, OK, Italy. And they're like, EZ, what the fathers spread, that you got the and she she brings in this suckling pig or piglet. It's really small, I don't know. And they're all sitting there and they ask about Frank.  Josh  Know Liz Wizard the Frank Carini?  Josh  They're all drinking like they've got like these, these tiny little cordial cups full of cranberry juice. I assume they're there's even this one, like, whenever the pig comes out there like and he's like alright, I know when people want me to do a thing and he like he goes to carve the pink but it like leaves the pig all the way in the middle of the table. So he's having to, like, reach all the way over with the fork and knife, and it's real awkward. And meanwhile, Frank is just moping outside. And then yeah, they call for him. He comes in. He doesn't say ****, but then Iris announces that they're going to get married.  John  What the **** was that? Where I'm like, how? How many times do I have to watch this movie and, you know, to go back and see the part where they talk about getting married because they don't? They never talked about it. This is literally the only scene in which that gets mentioned.  Josh  And we don't know who these people are. It seems like they're her friends, but she's the maid. I don't know what's happening.  John  It's it's butcher, Baker linguine maker.  Josh  Nice. Ohh man.  Josh  So that he just leaves while everyone's like mid cranberry juice toast and they're like ohh he must be feeling weird. I don't know. I got a little French in there. He goes to Anna's bedside and begins to cry and profess his forever love for her, and then goes for a jog. For some reason, yeah. At this point, the funeral guy is back. He's sneaking into the house again. Iris, all of the guests are gone. Iris is just **** face drunk. Honestly, the best job I've ever seen of a person in a movie. Stumbling around after waking up drunk like I was like, wow, that is, that is exactly what it looks like.  John  Her hair's all messy. It's great.  Josh  Yeah, she just can't really do a straight line. All good, she thought she heard someone. She's so she's. Stumbling around the house looking for Frank. It doesn't matter that she's drunk. Meanwhile, the funeral guy has found the one ugly, dingy poor people. Part of the house. It's like some basement or something where the ceiling is like 6 feet high. And it's all painted like ****, and he's, like, looking through stuff, and he finds Anna's body in a in a closet. It falls out like in the movie pieces, but this did come out before the movie pieces. I'm sure there are other movies that this coping, but I was like, hey. Just like in.  Josh  Then he he takes a photo.  Josh  Of the body laying on the floor and scoots out and then we see him developing the photo somewhere else.  John  Now we're in his his personal black room, yeah.  Josh  Ohh, it's so ******.  John  And why did she fall face first out of the dresser and land on her back?  Josh  She standing up in there?  John  It gets better.  Josh  It does, Iris then tells Frank to get rid of his gross doll. He slaps her. She tells him he'll be sorry. Then he leaves and goes to a discotheque.  John  As one do.  Josh  Yeah, he finds the one hoochie in the whole place. She's on the dance floor, surrounded by only men who are also dancing by themselves. No one is dancing together. None of these ***** Italian dudes are trying to approach her, and she is just doing the thing where you swing. Their ***** left and right as hard as possible. It's the most deliberate attempt for male attention I've ever seen. So he's just watching like a creep. He ends up bringing her home where she spends a good deal of time washing her **** in 1970s green water. John, you lived in the 70s, right? Why was the water always green?  John  Well, you see. In in France, what they would do is instead of having water run through the plumbing, they would use absinthe and then what you would do is put a little filter over the faucet head with sugar cubes in it. So as the absinthe passed through, it turned green.  Josh  That makes sense. That makes sense. I I I would assume in Ireland what it was is the pipes were made out of Clover.  John  That's exactly correct. Yes, the pipes were made of Clover and and so then you would. Then you would have boxes of Lucky Charms. I don't know. What I'm talking about?  Josh  There it is. That was good. I liked it. You stuck the. So yeah, so she's just in the bathtub washing her ****. Meanwhile, someone pulls up to the house in a taxi. Opens the door. It's Elena and his twin sister. Uh, iris is just. **** like she has no ******* idea what's up. She is just done with expressions. Yeah, she's lost. Frank sees this from the top of the stairs. She goes he he goes and he bullies. This is such a weird movie. He goes to to the discotheque. In the bathroom, he's. Like, hey, you have to leave now. I'll take you home. But you have to leave. And she's like, I'm not leaving until you put your come on me. And he's like, no, no, no. You have to leave. I'm gonna drive you home. And that's what happens. He like like. Smuggles her out the back, drives her home. This guy that just kills people. He's like, yeah. I'll take you home. It's going to be fine. So yeah, it's. Just that that happens and.  John  So well, you have to understand that he he felt sorry for her because she had very dirty ****.  Josh  So while while he's driving disco hoochie home. Iris is now left alone in the house with Anna. And So what she decides to do is she's going to. Move annas body into a spooky spot. Cut off the lights and then do a spooky voice at Elena like.  Josh  Woo the house is.  Josh  Jesus Christ, and to her credit, this is entirely effective and Elena cannot handle her ****. So she, like, backs up everywhere. Also, there's an amazing like giant bronze like furnace in the side of the room. I don't know what's going on. But that thing was ******* awesome. I need one of those.  John  Is that is that the thing that's covered in what looks like jade or something like? What the hell was that?  Josh  Like, like, shiny green.  John  Like wow, that is, it was a time machine.  Josh  You must have done so good in fascist Italy in this.  Josh  House time machine. I just come.  Josh  And so, yeah. So Elena is, like, spooking her way through the house. And then, like, I think she sees Anna's body propped up in the chair. And then she she turns around, and there's Iris in the shadows holding a knife the wrong way. Like they're they're. All sorts of different ways that you can hold the knife in a minute. Don't imagine any of those this is. The wrong way to.  John  Yeah, this is one step short of carrying it by the blade. I like when Elena's going through the House and she's got a candle to light her way and the way they they decided to shoot that was to hit her with a flashlight so that it would look like her. Candle was lighting the way when it's so clear that someone behind.  John  The camera is.  John  Just dosing her with a flashlight. It's like, yeah, why not?  Josh  So the very sight of Iris in the darkness with the knife is enough to cause her to collapse into a coma. Yeah, apparently she's done. Yeah, yeah, she she goes full blown, comatose, and then I. Chris very slowly comes up like it's it's hard. Like we're like, OK, she just wanted to scare the **** out of her, I guess. But no, she comes up to her very slowly and is like just step out because he can't build tension for ****. Joe Tomato knows this about himself after watching this movie, he cannot build. Mentioned for ****. So she just very slowly comes up to stab her. And then at the last second, I guess ******* frank, like, really took that hoochie home fast. She must live near by, that turns out.  John  She lives right.  Josh  Next door, Jesus in his in his like like isolated estate in the Italian countryside. He's just, like, got her back and and then drove back home real quick. I guess he knew that this was gonna be a problem. And so, just as she's bringing the knife down to stab Elena, he grabs her arm. He's suddenly there. And now they're fighting. ** *** she stabs him in the penis.  John  In the brown Jenkins.  Josh  Yeah, she separates the Frank from the beans. And he, like, does the whole. But then it's still good to keep fighting. So, so part of him getting stabbed in the penis as he falls back and, like sits in Anna's dead lap, the chair folds over there. He's, like, sprawling out on top of her.  John  He bites Iris's cheek off. He gives her a 50% Chelsea Grin.  Josh  She rips out his eye and more eyeball stuff. Yeah, and then he stabs her in the heart, which, which I'm sure Joe was like, ohh man, this is going to be really symbolic and help add to the tension.  Speaker 5  I'll teach them about suspense.  Josh  And then so Iris is now dead. He's stabbed her in the heart. Then he walks over to make sure that Elena's heart is beating. It is, and then he picks her up and carries her away. Later or something? Funeral Guy is now snooping around again. He just he can't get his fill of this situation.  Speaker 5  Is a new obsession.  Josh  We don't really know what his motive is either. He's just like looking for it. He he's snooping around, he finds Frank. Frank is still covered in blood. There's just blood all over his, like, dripping down out of his eye and and Frank is Manning the furnace and and Frank is, like, just conscious enough to, like, see the funeral guy and then pass out himself. And so the funeral guys like, oh, that's that's convenient. He looks in the furnace, he sees that there are bodies being burned. He he then sees Anna's body on the table and we find out this is in fact what he was here for, so he he picks up Anna's body. He drives. He puts the body in his car, drives away as he's driving off the property. We see he has the the photo that he took of Anna's body on the floor, and he drops it on the on the driveway, leaving the thing which is weird like it. Now we see what he wanted was Anna's body. Why he took the photo instead of just taking her body then we will never know. No, but he he he takes takes the body out. The photo he brings her body to the priest that presided over the funeral. They're talking about it. There's something about money being exchanged that didn't make sense. I guess I I think what we're supposed to get from it is that they found out that her body had been exhumed. And her parents paid him extra to get the body back or something like that, yeah. But it's super not clear. And then he he puts, he puts her body into the casket and him and the priest are talking. And then he slowly starts screwing the casket closed, and at this very moment with the coffin, shut the lid. Off and we see it's not Anna. In fact, it was Elena, and she's now flinging her arms and and just Jack Jaw opening her mouth in the most horrific, torturous expression ever screaming, screaming, flinging around, screaming, freeze frame. On her screaming face, it says the end, the end credits roll the goblin training video. Music plays movie over.  John  Oh my God. Ah, not never a dull moment.  Josh  No, no, many a confusing moment, but not dull.  John  Ohh yeah yeah yeah. Like like all Italian 70s or 90% of it makes no ******* sense. No idea.  Josh  I'm guessing there maybe there is a criticism of like the the wealthy Italian families. Like maybe this was playing into some stereotypes that I just don't know about.  John  Yeah, cause he's he like, inherited that fortune.  Josh  Right.  John  So he's just some spoiled rich kid who gets blow. He's from his nursemaid. I don't know what.  Josh  Yeah, that's right, the that's the the private investigator was like, yeah, I found out he's. Let's see here. He's like, ohh. OK. Here's a here's a tenner.  John  I couldn't have figured that out myself. He lives like *** **** castle.  Josh  So so John, yeah. But before we, before we. Dive into the things let's do the ratings.  Speaker 5    Josh  On a scale of 0 to 5, lonesome thing zero being this movie, doesn't it deserve to exist? And five, being that this is a masterpiece that other movies should be trying to emulate, and none of them ever will successfully rise to the occasion of, how would you rate Joe Demattos beyond the darkness parentheses? 1979.  John  I I don't know why I chose to do this 50. What four or five movies into the show, but it is. I decided to like break down into a comprehensive rating system, so like my first question is it horror 5? Yes, it's horror. It's straight up. Did I enjoy it? I gave it a.  John  3.5 you know?  John  OK, I enjoyed it. You know, overall production quality 2.5 pretty.  Josh  Yeah, that's that's yeah. But that's in.  Josh  The middle right? Yeah, yeah.  John  Effects, effects and makeup. I'm gonna give it a 4.5 because. Loved it. Atmosphere, which I think is important in horror films. I'm going to give it a 2.8 because the atmosphere is.  Josh  OK, OK. Yeah, yeah.  John  Terrible in that film. It's not scary at all. It's place and horror, I think is another important category. I gave it. A 3.8 because I think it is. It does have its place, but most people, and if they're not. Horror fans won't know about this, but if you study horror, particularly the 70s, this film does have its place and it is well deserved writing and acting. I gave it A2 and I think I was being generous. Overall, divided by what was that seven? I believe it comes out to 3.44, which is probably pretty damn close to what I would have come up with. Anyway, had I been purely subjective, which it's all purely subjective.  Josh  Right. Yeah. Fantastic.  Josh  I gave it a 3.4. What the ****? I.  Josh  I I I mean, I agonized over that 3.4 I I was like oh man. But I need to I need to move these numbers here. Alright so so my my rubric is 1. So in each of these it's a number between .0. 1 so it's like on a 10 scale. And then I just add them all together. So is it a horror movie? I gave it a .8 like so. That's a that's a 8 out of 10. Basically I enjoyed it. I gave it a nine technical horror. I gave it A7. You know, there's some some ways in which it like it wasn't scary and that, but but the actual. Effects were just phenomenal and and and really good technical film. I gave it a .2. Yeah, artistry and contribution. I gave it 8 and all at like .8 point 9, point 7.2 and .8. That's a 3.4. We've got good rubrics.  John  They're actually pretty and and quite similar in in certain respects. Now, to be fair, like so.  Josh  We both gave this 3 point a 3.4 and. A 3.44. This is not a 3.4 out of five movie it is. It is not nearly a what? That's almost A7. Of 10 it's not, but it is definitely a 3.4 out of five loathsome things, like on on our scale. That's where it belongs.  John  That's right. We we will not be included in the Pantheon, but if you're going based entirely on our our mentality, which you know we all know about that by now, then yeah, I think a 3.4 ish 3 point. Yeah, I think that's fair. I like that. We were off by 4-1 hundredths of.  John  A point, yeah, yeah.  Josh  Yeah. So that is a 6.84 out of 10 loathsome things. That's way, way high.  John  This movie sucked ***.  Josh  This movie is terrible, but I just enjoyed it so much.  John  I I mean, I could. I could watch it as soon as we're done recording again and love it just as much.  Josh  So we've got like the other ones like a a muck train and and the pit this is like in those that vein of movies where it's just ridiculous. But this was just way better than those.  John  It is it is it? It it's almost an actual movie.  Josh  Yeah. So so Joe D'amato. Rest in ***********. You you made something that we really enjoyed, even though it was like sleazy as ****. There's so much like. Unlike just like, yeah, let's get some **** in here. Let's, let's show the whole Bush like. We're going for it, but. But I mean it it it's just one of the only movies I've ever seen that transcends the sleaze into just. Absurdly amazing nonsense.  John  Yeah, it it really. It really is a blast to watch. It's so ridiculous. It's such so 70s. It's it's great.  Josh  Whenever whenever I saw the suckling and I was like, oh, I'm gonna have to tell John about this. And then when I. Talked to you about it? I was like, hey, have you heard of this movie? You've seen it. You're like, no, I. Haven't I was like.  Josh  Ohh yeah, it's gonna be so good. This is why we do this podcast. It's movies like this.  John  Ohh yeah absolutely. Yeah, I saw the cover. Maybe it looked vaguely familiar, but I didn't know. About this movie not at yeah.  Josh  And then I didn't even realize it until I was like going through it like the the goblin element. I was like ohh God John's gonna like this like, but it's all so terrible.  John  I know I'm. I'm like, oh, I'm gonna pinch a link on this and then it starts, starts good, starts strong for a good solid 8 or 9 seconds and then. Man, it just devolves into like training video stuff like you said. Yeah, that's it's that. Remember to turn your badge in at the end of the day.  Josh  You are required to wear the T-shirt and we will charge you for the T.  John  We will be leaving the bathroom doors open as a safety feature.  Josh  Remember, your manager is your friend.  John  If you encounter a homeless person washing their testicles in the sink.  Josh  Ohh, you get the idea. Yeah, yeah, if. A guy is hiding a baseball bat in his pants approach. Him from a distance. Please watch tape two to figure out what to do if you come across a pile of magazines covered and come.  John  And please grab a gluten free bagel on your way out the door.  Josh  Oh Barnes in problems. Good. All right. So yeah, yeah, a 6.84 any anything that you want to like, zoom in on and and and like, pay a special attention to or a favorite moment. Something that that made this a gym for you.  John  I mean the. The God there's. There were a lot. That's that's true. The the whole dismemberment scene was just classic. It was it was just pure. Pure Italian schlock. I mean that's that's what you you come for that and you have it. And yourself, Sir?  Josh  Ohh man I I just. All, all of the stuff with Iris, I mean, she's. The movie is about Frank, but it she is just such a great, weird villain. She's not even the villain, he's the villain. It's like he's the bad guy of the movie, but she's just so good and she eats up the screen every. Time she's on it. Your eyeball, like I could see why his career in softcore core *********** got started, but then didn't like finish because like, yeah, he's got, like, the eyes, he's got the hair, the jaw, like he's handsome. But your eyeballs just slip right off of him like he he could blend into a crowd of pretty people, but like the instant that she's on camera, you're like, whoa, what is she doing?  John  She's got a look. She just has that. There's just a look to her. He he has a look. What I would describe as a young Billy Joel.  John  So there you go with that.  Josh  So yeah, it was good. I loved it. If you can handle the problems, it's got some problems, but it's it's much easier to watch than some of the other weird stuff we've seen.  John  Yeah, yeah, it this this falls. Firmly in the place of horror.  Speaker 5  Yeah, you're you're good there.  Josh  Speaking of other things that things that we've watched, Sean, what about have you been watching anything else or consuming any other media or or doing any other cool things?  John  Hey, just the usual listening to a lot of audio books at work, horror audiobooks currently listening to a book called The Shoemakers Magician, which is written by an author out of Chicago named Cynthia Pelayo. She just won the Bram Stoker Award last night for her poetry, which is cool. And I guess is what like as long as I'm and it's a great book, by the way, it's it's about a woman who's, like, kind of obsessed with folklore, with old horror movies. And her husband is a homicide detective who is investigating a bunch of weirdly cult related murders. It's it's really interesting. And it's a nice mix of elements. So anyways, that's that's really the main one. The rest of this stuff is like I haven't seen any really horror movies or anything like that. I don't know. How about you?  Josh  It's a new. Movie The the directors name is DW Medoff it it's his feature film debut, it's called Pollen. It's.  John  Oh yeah, yeah.  Josh  Yeah, it's, it's good. It's super low budget and it it's kind of a I, I don't know if you're familiar with the mumble core idea of movies, it's very mumble core, very, very low budget like it you. You can see it in there. And it and it doesn't pull itself all the way out of the the low budget slums of like. Where it could be. Rated But it it it gets a little. Bit out of there. There's actually some some meat on the bones and it's it's an interesting watch. In some ways. It's kind of problematic. It would probably be better if. It was written and directed by a a woman because it's very much like a **** **** and me too, and a status quo in the workplace type of deal. I'd recommend watching it. I think it's only available for rent, so I would recommend y'all go out there, throw a few dollars on it, give a a new upcoming creator a a little, a little extra spending cash for and encouragement for their next project. It's it's good like they're they're trouble. I'm not, I'm not. Qualified to to say whether or not it portrays things like that in a good way, so it's very possible that the. Like did his research had, like, consultants, that made sure that this was done the right way? It's just like they're little parts of me. That's like I suspect maybe this. Could have been done. Better, but I don't know, but it was enjoyable to watch.  John  Well, I I I I hadn't seen it and I. Mean saw that it was. Out there and it looked interesting. So yeah, now I'll definitely watch it.  Josh  Yeah, it's really good. And so my TV just died, right? Right. Right before our we recorded our last episode. And I got a replacement. And I actually. It, like the old one, was 4K, but it was one of those like, not really 4K things. And this one is actually 4K with the O LED. And the first thing that we watched on, well, the first thing I watched on it was a old system of a down music video which looked like trash because it was from like 2004. And then we watched King of the Hill. So it was like we're not really doing this TV justice. So we watched Ant-Man. And it's ******* gorgeous on this TV. It like, I'm gonna try to watch as much as possible on there. I'm gonna have to see if I can get my headphones on there, because watching stuff on a really actually high quality screen TV is amazing. It's it's a game changer for real, yeah. Yeah, like with that other TV, like when we got it. And watch stuff on. It I was like ohh neat. It's big and then. With this one I'm like. Ohh look I can see. Stuff moving and ah, it's good. Yes, that's it's.  John  Yeah, it's a totally different experience when some when something shot in 4K it it, it looks different. I mean it. The motion tracks different and you know the the the the level of clarity is is like like it's yeah. Like you do see a lot of things you wouldn't see otherwise, but it's just. It's almost like you're looking through a damn window.  John  Yeah. Yeah, yeah, that's.  Josh  And sometimes some of the things even look a little bit weird, like like on old British TV shows where, like it, it's got like that weird blurry effect. It kind of does that sometimes, but it's still good. I'm still getting used to it. Sometimes I kind of hate it, but most of the time it's very rad. And what are we watching? Next time, John.  John  Now, next time we're watching a movie that is heavily influenced by the Texas Chainsaw Massacre, which is fine with me if you pull it off, it's a A I believe it's an Indonesian film called Maccabe. And it's directed by Timo Jazz Zanto or something like that. I can't pronounce his name. He did some of the VHS stuff. He did my my personal favorite VHS film, the one with the Crazy murder cult that summons a demon.  Josh  I see, yes.  John  I love that film. He made that. We also made some of. Those like super high violence tower type movies, you know, like he kind of got in on that thing you. Know where the. Guys are that kind of world. He did some. Of that stuff too.  Josh  Was was he involved in, like the raid redemption?  John  He might have been. I can't remember the connection I'll have. I'll look it up for the next for the for when we recorded. But the movie itself is it's like a bunch of young people in a van and. They basically you're out in the middle of nowhere and it breaks down and they get taken to this house, which in this case is like this big Gothic kind of mansion, and it's run by this matriarch and her weird family. And yeah, it turns out that they're just like, murderous cannibals. And it is ******* over the top and amazing.  Josh  Oh yes, I haven't looked up anything about it, but that that sounds ******* great. Do we there? Have you seen it recently? Are there anything that we can warn our fans about?  John  Well, it's extremely violent and the violence is.  Speaker    John  Is yes, it's over the top, but it is. It is pretty, you know. I mean it's very graphic like it's, you know, there's insane amounts of blood and stuff like that, but it's just and and and then the situations that the violence is presented in are are pretty intense. I mean, so it's it's a very unflinching movie which is kind of his thing. But he's a he's kind of a gonzo guy, but it's a lush film. So, yeah, it's gonna be a lot of fun.  Josh  I'm looking forward to it and I hope you, our listeners are looking forward to it as well. We will be releasing the episode where we cover that in two weeks. So do watch it cautiously so that you can keep up with us because we're so good at what we do.  John  Ohh we are state-of-the-art and in the meantime I'm sorry that you all have to take a bath in Chianti. Acid. 

Slaughter special Vi tar ut varsin femtiolapp från Vargtimmen-kontot och överraskar varandra med mer eller mindre imponerande loppisfynd. Tomas anför slackereposet Reality Bites som bakgrunden till hans stora tålamod med Ethan Hawke och Lars frågar sig om inte Dan Höijers spökhistoria om konfirmationsprästen som stänger in ungdomar i källaren bland ruttnande lik egentligen hör den österrikiska folklivsforskningen till. Om detta vet vi mycket lite. Dan Höijer, sms:a oss! Vi sms:ar inte dig. Men – vi finner också utrymme att prata om: Ringu, Hypnosia, Nominon, Incinerator, Lenny Blade, Bewitched, The Boxer's Omen, Switchblade Romance, Sveriges ruggigaste spökhistorier, Hans Arnold, Kastlösa prästgård, tunnelbanetåget Silverpilen, Gröna Lund, Låt den rätte komma in, Eli Roth, Aftershock, sleaze, exploitation, Quentin Tarantino, James Wan, Från andra sidan, Fragile, Frailty, Jaume Balagueró, Rec, Calista Flockheart, Ally MacBeal, Harrison Ford, The Others, Johan Theorin, Lena Endre, Dumplings, Masters of Horror, Three Extremes, Fruit Chan, Chan Wook Park, Cut, Takashi Miike, Box, Cannes-festivalen, Constantine, Francis Lawrence, DC Comics, Peter Stormare, Keanu Reeves, A Real Friend, One Film to Keep You Awake, Alfons Åberg, Leatherface, Max Schreck, Texas Chainsaw Massacre, Enrique Orbitzu, The Ninth Gate, The Baby's Room, Blame, Spectre, 10 Cloverfield Lane, Matt Reeves, John Ajvide Lindqvist, Let Me In, Apornas planet, Batman, JJ Abrams, The Blair Witch Project, The Cloverfield Paradox, Hynek Pallas, Johan Theorin, På stort alvar, psykogeografi, Spökvandring, Utgrävningarna i Rälla ödekyrka, HP Lovecraft, Att fånga ål och annat, Den svarta släden, Daybreakers, Willem Dafoe, Sam Neill, Bilar, Harry Kane, Jake Busey, Starship Troopers, Dario Argento, Adrien Brody, Giallo, Tenebre, Hellraiser II, små rackarns bilar, Beck, Overlord och Magnus Jäverling. Patreon-lyssnare avnjuter som vanligt dubbel speltid där samtalet fortsätter om skräcksynt och olika bra låtar inom och strax utanför den genren. Nostalgi, löst tyckande och akademisk analys.  

With the BFI's Dario Argento season happening during the month of May, host Ygraine chats all things Maestro of Terror with Michael Blyth. They discuss Tenebre (1982) and Deep Red (1975). Theme: Afraid of Me by Cadaver Club

Terror beyond belief.Tenebrae (lit. '"darkness"', also known as Tenebre) is a 1982 Italian giallo film written and directed by Dario Argento. The film stars Anthony Franciosa as American author Peter Neal, who – while in Rome promoting his latest murder-mystery novel – becomes embroiled in the search for a serial killer who may have been inspired to kill by his novel. 00:00 Intro20:24 Horror News 49:37 What We've Been Watching1:11:07 Film Review2:34:17 Name Game2:39:47 Film Rating2:40:26 OutroPodcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/horrorhangoutFacebook - https://www.facebook.com/horrorhangoutpodcastTwitter - https://twitter.com/horror_hangout_Website - http://www.hawkandcleaver.com​​​Ben - https://twitter.com/ben_errington​​​Colin - https://www.instagram.com/colingcooper/Bath Bomb - https://www.indiegogo.com/projects/bath-bomb#/Audio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

Hello and welcome listeners to Episode 182 of Journey with a Cinephile: A Horror Movie Podcast. In this episode, your tour guide, David Garrett Jr., is continuing his Traverse through the Threes with #5. The Featured Reviews are Evil Dead Rise (2023) and The Crying Woman (1933). This features women in prominent roles as the possessed or the ghostly entity. Also on this episode are Mini-Reviews of Tenebre (1982), Paranoiac (1963), The Offering (2022) and An Angel for Satan (1966). I hope you enjoy coming on this journey with me! Time Codes: Intro: 0:00 - 2:38 Mini-Reviews: 2:44 - 23:31 Evil Dead Rise Trailer: 23:31 - 26:03 Evil Dead Rise Review: 26:03 - 35:22 The Crying Woman Trailer: 35:22 - 36:45 The Crying Woman Review: 36:45 - 44:46 Outro: 44:52 - 47:19 Social Media: Email: journeywithacinephile@gmail.com Reviews of the Dead Link: https://horrorreview.webnode.com/ Facebook: https://www.facebook.com/dgarrettjr Twitter: https://www.twitter.com/buckeyefrommich Letterboxd: https://letterboxd.com/davidosu/ Instagram: davidosu87 Journey with a Cinephile Instagram: journeywithacinephile

Anche questa volta il FREKTEAM è pronto a consigliarvi (e sconsigliarvi) un sacco di opere bellissime.Ospite della puntata: MARTERIO!Cosa stai aspettando!Schiaccia play!EVVIVA!

Learn Italian With Books | Italian Book Club EP.16 - L'ingegno e le tenebre | Italiano In 7 Minuti Ep. 101 *Il materiale aggiuntivo di questa lezione ➫ ⁠https://www.notion.so/Italian-Book-Club-EP16-L-ingegno-e-le-tenebre-2f5803898b064eab8cef93c3cba45633?pvs=4 *Leggi qui perché il mio lavoro è gratis e lo sarà per sempre ➫ ⁠⁠https://bit.ly/PerchéGratis⁠⁠ *Non perdere la Newsletter più amata dagli studenti della lingua italiana ✉️ ➫ ⁠⁠https://bit.ly/2SRQhkG⁠⁠ *Non perdere nessun aggiornamento, segui il canale Telegram ✈️  ➫ ⁠⁠https://t.me/s/italianoin7minuti⁠⁠ *Segui il podcast su Anchor

 DownloadWelcome to episode 313 of LOTC!! This week the crew is back with their journey through the 1980's, where they are ranking their top five horror movies of each year. 1982 was another year of some heavy hitting cult classics as well as some of the most entertaining horror movies of the 1980's. Bill The Butcher was on vacation during the recording but no worries as Pearl and GregaMortis recorded his top five films and inserted them into the episode, so with this we are joined by Brian Scott aka Horror Movie Fanboy on Twitter. Brian brings such a big energy for this episode that we know you the listeners will enjoy. Did our list's lineup with yours? Who's list matched yours? Let us know, comment below, we would love to hear from you all. Sit back, turn up the volume and get your favorite snacks and beverages and take the journey with us through Land Of The Creeps!!HELP KEEP HORROR ALIVE!TOP 5 LIST'S :DAVE :5. NEW YORK RIPPER4. NEXT OF KIN3. CREEPSHOW2. POLTERGEIST1. THE THINGBILL :5. TENEBRE4. HALLOWEEN 33. CREEPSHOW2. SLUMBER PARTY MASSACRE1. THE THINGBRIAN : 5. PIECES4. HALLOWEEN 33. FRIDAY THE 13TH PT 32. POLTERGEIST1. THE THINGPEARL : 5. CAT PEOPLE4. SWAMP THING3. CREEPSHOW2. THE ENTITY / AMITYVILLE 2: THE POSSESION1. POLTERGEISTGREG :5. THE THING4. POLTERGEIST3. HALLOWEEN 32. FRIDAY THE 13TH PT 31. THE ENTITYAMAZON LINKS FOR PURCHASES OF TOP 5 FILMSNEW YORK RIPPERPIECESCAT PEOPLETHE THINGTENEBRENEXT OF KINHALLOWEEN 3SWAMP THINGPOLTERGEISTCREEPSHOWTHE ENTITYAMITIYVILLE 2SLUMBER PARTY MASSACREBRIAN SCOTT LINKS :FACEBOOKTWITTERLand Of The Creeps TwitterLOTC Links :Land Of The Creeps InstagramGregaMortisFacebookTwitterLand Of The Creeps Group PageLand Of The Creeps Fan PageJay Of  The Dead's New Horror Movie PodcastYoutubeInstagramEmailLetterboxdHaddonfield HatchetTwitterDr. ShockDVD Infatuation TwitterDVD Infatuation WebsiteFacebookHorror Movie PodcastJay Of The Dead's New Horror Movies PodcastYouTube ChannelLetterboxdDVD Infatuation PodcastThe Illustrated Fan PodcastBill Van Veghel LinkFacebookLetterboxdPhantom Galaxy PodcastTwisted Temptress LinkLetterboxdLOTC Hotline Number1-804-569-56821-804-569-LOTCLOTC Intro is provided by Andy Ussery, Below are links to his social mediaEmail:FacebookTwitterOutro music provided by Greg Whitaker Below is Greg's Twitter accountTwitterFacebookLespecial FacebookLespecial Website

Get ready to smash your head through some glass, spray a lot of blood, and worship Beelzebub because this week we're doing a triple feature with some of Dario Argento's best work!Learn all about this Italian horror filmmaker and the bloody footprint he left behind on cinema forever. He is the reason we have slasher movies today!!!!New episodes every Thursday on Spotify and Apple Podcasts.

There's still time to celebrate Giallo January! And what better way to spend it than with master of horror, Dario Argento. And we can't talk about Suspiria or The Bird with the Crystal Plumage again, can we? No, no. We covered those in our Top 10 Horror Films of the 1970s episodes. So here are three more titles, just dripping with blood red Italian horror!After witnessing the murder of a psychic, a pianist cannot shake his obsession to unravel the mystery of who was responsible, despite becoming a target himself. Get ready for arm wrestling, fiendish child artwork, a creepy animatronic doll, and a brutal, gruesome finale, in Deep Red, aka Profondo Rosso (1975)!To promote the release of his latest novel, an American author travels to Italy on a book tour, where a killer is using his work as a template in a series of ghastly murders. We hope that you don't mind a few twists along the way, because this ending is well worth the wait! Things get more than a little messy in Tenebrae (1982).And then from there, Jennifer Connelly teams up with Donald Pleasence, in the role of an entomologist, as they use Jennifer's ability to communicate with insects to uncover the identity of a mad killer in scenic Switzerland. If you thought the first two movies had enough false finishes, you have to see this ending to believe it! Time for maggot, mad ape, and monster child mayhem in Phenomena (1985)!

Halloween season rolls along at full speed here on Let's Taco ‘Bout! I couldn't be more excited to share this week's episode with you! On this week's episode, I am joined by Heather Wixson, managing editor of Daily Dead, contributor to Fangoria Magazine, and panelist on the In Search of Darkness documentaries. Heather is on the show to help promote her new book, Monsters, Makeup & Effects: Volume 2, an awesome look at the geniuses behind many of the screen creatures and gore effects we have come to love over the years. We chat about how Heather came to love movies, where horror factors into the equation, and the adventures her passion for writing has taken her on. We then dive into this week's featured movie, Dario Argento's Tenebrae!You can find Heather online on Twitter @thehorrorchick, and purchase her book, Monsters, Makeup & Effects: Volume 2, at aminkpublishing.com!Follow Fat Dude Digs Flicks across social media:Facebook - Fat Dude Digs FlicksInstagram - FatDudeDigsFlicksTwitter - FatDudeFlicksTikTok - FatDudeDigsFlicksLetterboxd - FatDudeFlicksSubscribe to this podcast on Apple Podcasts, Stitcher Radio, Spotify, or wherever you get your podcasts. Search for Fat Dude Digs Flicks and click on that subscribe button. Please take a second to rate and review the show, while you're at it!Subscribe to the Fat Dude Digs Flicks YouTube channel and send a thumbs up or two my way!If you'd like to contact me for any recommendations, questions, comments, concerns, or to be a future guest, you can send an email to FatDudeDigsFlicks@gmail.com.And now the call to action:The fight for Women's Reproductive Rights continues. If you are interested in supporting a woman's right to choose, please look into the following organizations:Planned ParenthoodCenter for Reproductive RightsPathfinder InternationalNational Women's Law CenterNARAL Pro-Choice AmericaReligious Coalition for Reproductive ChoiceEquality NowEvery Mother CountsGlobal Fund For WomenHelp protect, defend, and support our LGBTQ+ brothers, sisters, and non-binary spiritual siblings by checking out:GLAADTrans LifelineThe Trevor ProjectThe Center of Excellence for Transgender HealthGender DiversityHuman Rights CampainIt Gets Better ProjectThe Transgender Law CenterFORGEGLSENThe Matthew Shepard FoundationPride FoundationTransgender Legal Defense and Education FundTrans Women of Color CollectiveTrans Youth Equality FoundationNational Center For Transgender EqualityTrue Colors FundThe Trans Culture DistrictGun violence in the United States has reached epidemic proportions. Join the fight for better gun laws and regulations by looking into or contributing to:Coalition to Stop Gun ViolenceEverytown for Gun SafetyThe Brady CampaignNewtown Action AllianceMoms Demand Action for Gun Sense in AmericaAmericans for Responsible SolutionsLaw Center to Prevent Gun Violence Support the show

Following last year's series talking about the American titans of horror — Tobe Hooper, John Carpenter, Wes Craven, and George A. Romero — Split Picks centers in on another country renowned for its horror films: Italy. First up is Dario Argento, a master of giallo, gore, and guts. Argento has directed some of the most iconic films, scenes and shots in all of horror. His most famous works include Suspiria, Deep Red, Inferno, and Tenebre. With Bennett Glace and Steve Collins, Split Picks wrestles with Argento's 1992 film The Stendhal Syndrome, arguably his last great film and one full of controversy. [Editor's note: This episode discusses graphic sexual assault and violence presented in the film.] In the starring role is Dario's daughter Asia Argento, who plays detective Anna Manni in pursuit of a serial rapist and murderer loose in the city. But she begins to experience Stendhal Syndrome as she interacts with artwork in museums, which draws her in to paintings, all while the suspect she is chasing begins to hunt her. This is the first of a two-part episode, with Pt. 2 about Argento's The Phantom Of The Opera arriving tomorrow.

Following last year's series talking about the American titans of horror — Tobe Hooper, John Carpenter, Wes Craven, and George A. Romero — Split Picks centers in on another country renowned for its horror films: Italy. Here is the second episode discussing Dario Argento, a master of giallo, gore, and guts. With Bennett Glace and Steve Collins, Split Picks voyages into the caves to talk about Argento's 1998 adaptation of The Phantom Of The Opera with his daughter Asia again in the starring role. Popular opinion says this is the point where Argento's career took a pivot for the worst, but Bennett Glace argues that it stands tall with Argento's best films. Argento has directed some of the most iconic films, scenes and shots in all of horror. His most famous works include Suspiria, Deep Red, Inferno, and Tenebre. His later works are often disregarded as a director past his prime, but almost all of his films have moments worth revisiting. Listen as Split Picks talks about rats, strange romantic chemistry, and what constitutes a bad film.

This week, Andrew is taking a baby break, so Scotty is joined by a special guest, Stanley of Stanny Boy Reviews! (https://youtube.com/channel/UCBzaA6id3HHiBMoNXQQQdOQ) First Scotty asks Stanley about his history with horror movies, his favorite horror movies, and what type of movie really scares him.  Then, they go searching for a murderer in Rome as they discuss Dario Argento's “Tenebrae”. Stay tuned until the end of the episode to hear who Scotty's next special guest is, and what movie she's choosing for them to watch!“Tenebrae”, also known as “Tenebre” or “Unsane”, is considered by many to be the definition of a giallo, which is a a genre of Italian film know for its mix of mystery and horror elements. Directed by the master of Italian horror, Dario Argento, it's about an American author, Peter Neal (played by Anthony Franciosa) who travels to Rome to promote his book, only to get caught up in a murder mystery inspired by his own novels.Follow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/

Moving into the slasher subgenre, Joe makes Nick watch the iconic 1982 Giallo Tenebrae, a tense, violent, stylish whodunnit by the Italian Master of Horror, Dario Argento. Next episode Monday 8-1-22. Sources / Further Reading: https://en.wikipedia.org/wiki/Tenebrae_(film)?wprov=sfti1https://en.wikipedia.org/wiki/Giallo?wprov=sfti1https://www.imdb.com/title/tt0084777/The Last Drive-In Season 4 Episode 5 https://hauntedmtl.com/vision/tldi-s4e5-slaughterhouse-tenebrae/

PJ is back in the studio but he didn't actually see the movie. Brent, Cameron and Chris were going to record an episode and PJ was able to make it over! So now PJ gets to be in YOUR position as the HVH listener as we tell him all about Hobgoblins and at the end he will say if he would watch the movie after hearing about it or pass it by. It got hype this week as character actors are discussed, an OD question is asked, Cameron's kids have an existential crisis upstairs, we find out just how shady Chris can be and the movies Slaughterhouse and Tenebre are constantly referenced, even though we didn't watch them for this episode. We hope you enjoy the show! All Our Links - https://linktr.ee/homevideohustlepodcast Support The Show On Patreon - https://www.patreon.com/homevideohustle Watch Us On YouTube - https://www.youtube.com/channel/UCfN67zqLBcbJNJw1cHI0Hlw Get HVH Merch - https://www.teepublic.com/user/hvhpodcast Music By: Trade Voorhees - http://tradevoorhees.com/ Promo: The Superiority Complex Podcast - https://superioritycomplex.podbean.com/ Age Of Radio Website - https://www.ageofradio.org/homevideohustle/ Be sure to check out untidyvenus.etsy.com and use promo code "HUSTLE" to get 15% off some bomb artwork! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Italian progressive rock band Goblin found unexpected success throughout the mid to late 1970s as one of their country's premiere film score creators—crafting music that helped shape the sound of horror films to this day. However, stereotyping and creative tensions caused the group's line-up of members to change frequently and even breakup in the following decades. On this episode of Scored to Death Radio, host (and author) J. Blake Fichera continues his detailed exploration into Goblin's complicated history and their extensive TV & film work—this time focusing on the years 1980 through 2001, and playing selections from their scores for Tenebre, Phenomena, The Church, and more. Purchase both SCORED TO DEATH books by going to scoredtodeath.com —— This episode is brought to you by APM Music. APM is a top-tier music source for production and creative needs - consistently adding new music and new genres, offering an unmatched catalog via simple licensing. Visit APM Music at apmmuisic.com —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya & Eric Marvin. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

In 2022, a group of middle-aged podcasters set out to make an exciting episode with some highly anticipated films, but when their reclusive, elderly former co-host catches them in the act, the hosts find themselves fighting for their lives. On Episode 509 of Trick or Treat Radio we welcome back the vulgar guru of horror, MZ and the always knowledgeable and intelligent Arkham Josh to discuss X from director Ti West, and the latest film from Kurando Mitsutake, Maniac Driver! We dig into the extensive shared knowledge of our guest co-hosts to have an in depth discussion about 70s horror and Giallo films. So grab your 16mm camera, slip on your black gloves, and strap on for the world's most dangerous podcast!Stuff we talk about: Reunion, purified in the waters of Lake Minnetonka, summer squatters, don't check the attic, loose wires, Dr. Do-Little, old ladies, peaches and plums, boogie down, Tiger Lily Records, Strawberries Records, Steve Drake Band, Mariah Carey, Dance Singles on Vinyl, record companies as tax scams, ghost apps, “boy class”, May the 4th, X, Ti West, The House of the Devil, Mia Goth, Jenny Ortega, Kid Cudi, Brittany Snow, women's lib in the 70s, criss-crossing trajectories, dual roles for actors, Pearl, 4:3 aspect ratio, Chekhov's Crocodile, In A Valley of Violence, Lars Von Trier, Nymphomaniac, montage of penises, pinky violence, Kurando Mitsutake, Maniac Driver, Japanese Giallo, Zoom In: Sex Apartments, Nikkatsu erotic films, Diabolik DVD, The Sadness, a different take on the giallo tropes, black gloved killers, gel colored lights, Mario Bava, Dario Argento, Tenebre, Lucio Fulci, Cat in the Brain, The Bird With the Crystal Plumage, Strip Nude For Your Killer, Terror at the Opera, Phenomena, Sleepless, Keith Emerson, Stelvio Cipriani, sleazy af films, Taxi Driver, Goblin, indoor plumbing, the pizza discussion in the green room, Patreon Takeover with Linus - The Vegan King of Wales, The Batman, Bizarro Ravenshadow, Heart+Knife, Sex Porn and Cocaine, digging deeper into depravity, the helmeted hero, and a dark sleazy treat.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show (https://www.patreon.com/trickortreatradio)