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Tonight's Jazz Feature is a style known as "Mainstream Jazz". It really represents a concept where young and older musicians share a common ground. Some players are adaptable and some are not . This session called "The Jo Jones Special" represents some of the old and some of the new. It was recorded in August of 1955 with the leader Jonathan "Jo" Jones on drums. A master drummer was Jo. He assembled a fine group here with Emmett Berry on trumpet, Bennie Green on trombone and Eli "Lucky" Thompson on tenor saxophone on the front line. On piano is Nat Pierce, Basie stalwarts Freddie Green on guitar and Walter Page on bass work hand in glove with Jo Jones. An honored guest on the first and last tune of this album is Count Basie himself replacing Nat Pierce. Enjoy this fine music tonight on "The Jo Jones Special".
DUKE ELLINGTON AND HIS ORCHESTRA “AND HIS MOTHER CALLED HIM BILL” New York, August 28, 1967Blood count (ct out), Upper Manhattan Medical Group, Raincheck (ct out), Lotus blossom (DE piano solo)Cat Anderson, Herbie Jones, Cootie Williams, Mercer Ellington (tp) Clark Terry (flhrn) Lawrence Brown, Buster Cooper, Chuck Connors (tb) Jimmy Hamilton (cl,ts) Russell Procope (as,cl) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Aaron Bell (b) Steve Little (d) JIMMY RUSHING “AND HIS ALL STARS” Brooklyn, NY, August 16, 1955Everyday (I have the blues), Evenin', Don't cry babyJimmy Rushing (vcl) acc by Emmett Berry (tp) Lawrence Brown (tb) Rudy Powell (as,cl) Buddy Tate (ts) Pete Johnson (p) Freddie Green (g) Walter Page (b) Jo Jones (d) BUCK CLAYTON “BUCKIN' THE BLUES” Brooklyn, NY, March 14, 1957 Buck huckles, Claytonia, The queen's expressBuck Clayton (tp) Vic Dickenson (tb) Earl Warren (as) Hank Jones (p) Kenny Burrell (el-g) Aaron Bell (b) Jo Jones (d) Continue reading Puro Jazz 27 de mayo, 2025 at PuroJazz.
DUKE ELLINGTON AND HIS ORCHESTRA “AND HIS MOTHER CALLED HIM BILL” New York, August 28, 1967Blood count (ct out), Upper Manhattan Medical Group, Raincheck (ct out), Lotus blossom (DE piano solo)Cat Anderson, Herbie Jones, Cootie Williams, Mercer Ellington (tp) Clark Terry (flhrn) Lawrence Brown, Buster Cooper, Chuck Connors (tb) Jimmy Hamilton (cl,ts) Russell Procope (as,cl) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Aaron Bell (b) Steve Little (d) JIMMY RUSHING “AND HIS ALL STARS” Brooklyn, NY, August 16, 1955Everyday (I have the blues), Evenin', Don't cry babyJimmy Rushing (vcl) acc by Emmett Berry (tp) Lawrence Brown (tb) Rudy Powell (as,cl) Buddy Tate (ts) Pete Johnson (p) Freddie Green (g) Walter Page (b) Jo Jones (d) BUCK CLAYTON “BUCKIN' THE BLUES” Brooklyn, NY, March 14, 1957 Buck huckles, Claytonia, The queen's expressBuck Clayton (tp) Vic Dickenson (tb) Earl Warren (as) Hank Jones (p) Kenny Burrell (el-g) Aaron Bell (b) Jo Jones (d) Continue reading Puro Jazz 27 de mayo, 2025 at PuroJazz.
BUCK CLAYTON “KANSAS CITY FIVE” New York, March 18, 1938Laughing at life, Good morning blues, I know that you know, Love me or leave meBuck Clayton (tp) Eddie Durham (el-g) Freddie Green (g) Walter Page (b) Jo Jones (d) BUD FREEMAN “THE BUD FREEMAN TRIO” New York, April 13, 1938Keep smiling at trouble, At sundown, My honey's lovin' arms, I don't believe itBud Freeman (ts) Jess Stacy (p) George Wettling (d) IVIE ANDERSON “PHIL MOORE ORCHESTRA” Los Angeles, September or October 1946He's tall, dark and handsome, Butter and egg man, Twice too many, Empty bed blues Ivie Anderson (vcl) acc by Karl George (tp) unidentified (tp) Willie Smith (as) 2 unidentified (reeds), Lucky Thompson (ts) Phil Moore (p,arr) Irving Ashby (g) poss. Continue reading Puro Jazz 01 de abril, 2025 at PuroJazz.
BUCK CLAYTON “KANSAS CITY FIVE” New York, March 18, 1938Laughing at life, Good morning blues, I know that you know, Love me or leave meBuck Clayton (tp) Eddie Durham (el-g) Freddie Green (g) Walter Page (b) Jo Jones (d) BUD FREEMAN “THE BUD FREEMAN TRIO” New York, April 13, 1938Keep smiling at trouble, At sundown, My honey's lovin' arms, I don't believe itBud Freeman (ts) Jess Stacy (p) George Wettling (d) IVIE ANDERSON “PHIL MOORE ORCHESTRA” Los Angeles, September or October 1946He's tall, dark and handsome, Butter and egg man, Twice too many, Empty bed blues Ivie Anderson (vcl) acc by Karl George (tp) unidentified (tp) Willie Smith (as) 2 unidentified (reeds), Lucky Thompson (ts) Phil Moore (p,arr) Irving Ashby (g) poss. Continue reading Puro Jazz 01 de abril, 2025 at PuroJazz.
MILT JACKSON “+ COUNT BASIE + THE BIG BAND VOL 2” Hollywood, Ca, January 16, 17 & 18, 1978 Moonlight becomes you, Blues for Joe Turner (1), On the sunny side of the street Waymon Reed, Lin Biviano, Sonny Cohn, Pete Minger (tp) Bill Hughes, Mel Wanzo, Fred Wesley, Dennis Wilson (tb) Danny Turner, Bobby Plater (as) Eric Dixon (ts,fl) Kenny Hing (ts) Charlie Fowlkes (bar) Milt Jackson (vib) Count Basie (p) Freddie Green (g) John Clayton (b) Butch Miles (d) ROB GARCIA “NATURAL BOUNCE” Astoria, NY, April 13, 2022Dark blue horse power, Gary song, Fades to blue, Sweet JoeNoah Preminger (ts) Leo Genovese (p) Kim Cass (b) Rob Garcia (d,comp) HORACE SILVER “SERENADE TO A SOUL SISTER” Englewood Cliffs, NJ:February 23, 1968Psychedelic Sally (1), Serenade to a soul sisterCharles Tolliver (tp) Stanley Turrentine (ts) Horace Silver (p) Bob Cranshaw (b,el-b-1) Mickey Roker (d) March 29, 1968Kindred spiritsCharles Tolliver (tp) Bennie Maupin (fl,ts) Horace Silver (p) Johnny Williams (b) Billy Cobham (d) Continue reading Puro Jazz 17 de marzo, 2025 at PuroJazz.
MILT JACKSON “+ COUNT BASIE + THE BIG BAND VOL 2” Hollywood, Ca, January 16, 17 & 18, 1978 Moonlight becomes you, Blues for Joe Turner (1), On the sunny side of the street Waymon Reed, Lin Biviano, Sonny Cohn, Pete Minger (tp) Bill Hughes, Mel Wanzo, Fred Wesley, Dennis Wilson (tb) Danny Turner, Bobby Plater (as) Eric Dixon (ts,fl) Kenny Hing (ts) Charlie Fowlkes (bar) Milt Jackson (vib) Count Basie (p) Freddie Green (g) John Clayton (b) Butch Miles (d) ROB GARCIA “NATURAL BOUNCE” Astoria, NY, April 13, 2022Dark blue horse power, Gary song, Fades to blue, Sweet JoeNoah Preminger (ts) Leo Genovese (p) Kim Cass (b) Rob Garcia (d,comp) HORACE SILVER “SERENADE TO A SOUL SISTER” Englewood Cliffs, NJ:February 23, 1968Psychedelic Sally (1), Serenade to a soul sisterCharles Tolliver (tp) Stanley Turrentine (ts) Horace Silver (p) Bob Cranshaw (b,el-b-1) Mickey Roker (d) March 29, 1968Kindred spiritsCharles Tolliver (tp) Bennie Maupin (fl,ts) Horace Silver (p) Johnny Williams (b) Billy Cobham (d) Continue reading Puro Jazz 17 de marzo, 2025 at PuroJazz.
VIC DICKENSON “VIC DICKENSON SEPTET” Brooklyn, NY, December 29, 1953Russian lullaby, Sir Charles at homeRuby Braff (tp) Vic Dickenson (tb) Edmond Hall (cl) Sir Charles Thompson (p) Steve Jordan (g) Walter Page (b) Les Erskine (d) BUCK CLAYTON “BUCK MEETS RUBY” Brooklyn, NY, July 1, 1954Just a groove, KandeeBuck Clayton (tp) Ruby Braff (cnt) Benny Morton (tb) Buddy Tate (ts) Jimmy Jones (p) Steve Jordan (g) Aaron Bell (b) Bobby Donaldson (d) JO JONES “THE JO JONES SPECIAL” Brooklyn, NY, August 11, 1955Shoe shine boy (1) Lover man (2), Georgia Mae (2)Emmett Berry (tp) Bennie Green (tb) Lucky Thompson (ts) Count Basie (p-1) Nat Pierce (p-2) Freddie Green (g) Walter Page (b) Jo Jones (d) Brooklyn, NY, August 16, 1955CaravanLawrence Brown, Rudy Powell, Pete Johnson , Emmett Berry, Buddy Tate, Freddie Green, Walter Page y Jones Continue reading Puro Jazz 08 de enero, 2025 at PuroJazz.
VIC DICKENSON “VIC DICKENSON SEPTET” Brooklyn, NY, December 29, 1953Russian lullaby, Sir Charles at homeRuby Braff (tp) Vic Dickenson (tb) Edmond Hall (cl) Sir Charles Thompson (p) Steve Jordan (g) Walter Page (b) Les Erskine (d) BUCK CLAYTON “BUCK MEETS RUBY” Brooklyn, NY, July 1, 1954Just a groove, KandeeBuck Clayton (tp) Ruby Braff (cnt) Benny Morton (tb) Buddy Tate (ts) Jimmy Jones (p) Steve Jordan (g) Aaron Bell (b) Bobby Donaldson (d) JO JONES “THE JO JONES SPECIAL” Brooklyn, NY, August 11, 1955Shoe shine boy (1) Lover man (2), Georgia Mae (2)Emmett Berry (tp) Bennie Green (tb) Lucky Thompson (ts) Count Basie (p-1) Nat Pierce (p-2) Freddie Green (g) Walter Page (b) Jo Jones (d) Brooklyn, NY, August 16, 1955CaravanLawrence Brown, Rudy Powell, Pete Johnson , Emmett Berry, Buddy Tate, Freddie Green, Walter Page y Jones Continue reading Puro Jazz 08 de enero, 2025 at PuroJazz.
THE SOUND OF JAZZ CBS 30TH STREET STUDIOS New York, December 5, 1957Open All NightEmmett Berry, Doc Cheatham, Roy Eldridge, Joe Newman (tp) Vic Dickenson, Frank Rehak, Dicky Wells (tb) Earl Warren (as) Coleman Hawkins, Lester Young (ts) Harry Carney (bar) Count Basie (p) Freddie Green (g) Eddie Jones (b) Jo Jones (d) Pierce (arr)Wild man blues, RosettaHenry “Red” Allen (tp,vcl) Rex Stewart (cnt) Vic Dickenson (tb) Pee Wee Russell (cl) Coleman Hawkins (ts) Nat Pierce (p) Danny Barker (g) Milt Hinton (b) Jo Jones (d)I left my Baby, Dickie's Dream. Continue reading Puro Jazz 30 de diciembre, 2024 at PuroJazz.
THE SOUND OF JAZZ CBS 30TH STREET STUDIOS New York, December 5, 1957Open All NightEmmett Berry, Doc Cheatham, Roy Eldridge, Joe Newman (tp) Vic Dickenson, Frank Rehak, Dicky Wells (tb) Earl Warren (as) Coleman Hawkins, Lester Young (ts) Harry Carney (bar) Count Basie (p) Freddie Green (g) Eddie Jones (b) Jo Jones (d) Pierce (arr)Wild man blues, RosettaHenry “Red” Allen (tp,vcl) Rex Stewart (cnt) Vic Dickenson (tb) Pee Wee Russell (cl) Coleman Hawkins (ts) Nat Pierce (p) Danny Barker (g) Milt Hinton (b) Jo Jones (d)I left my Baby, Dickie's Dream. Continue reading Puro Jazz 30 de diciembre, 2024 at PuroJazz.
Longtime sax player with Basie's band, Wess was a dependable sideman and section player who was also one of the first great jazz flute players. Here, he displays his tenor sax and flute on three sessions - one with Kenny Clarke for Riverside (with Henry Coker, Charlie Fowlkes and Milt Jackson - on piano!), one for Jazztone with Urbie Green (strange bedfellows - Ruby Braff, Med Flory, Freddie Green, Sir Charles Thompson) and one track from the Joe Newman session for Vanguard with Frank Foster, Matthew Gee and Johnny Acea. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
MILT JACKSON + COUNT BASIE + THE BIG BAND VOL 2 Hollywood, CA, January 16, 17 & 18, 1978Moonlight becomes you, Blues for Joe Turner (1), On the sunny side of the street Waymon Reed, Lin Biviano, Sonny Cohn, Pete Minger (tp) Bill Hughes, Mel Wanzo, Fred Wesley, Dennis Wilson (tb) Danny Turner, Bobby Plater (as) Eric Dixon (ts,fl) Kenny Hing (ts) Charlie Fowlkes (bar) Milt Jackson (vib) Count Basie (p) Freddie Green (g) John Clayton (b) Butch Miles (d) ROB GARCIA NATURAL BOUNCE Astoria, NY, April 13, 2022Dark blue horse power, Gary song, Fades to blue, Sweet JoeNoah Preminger (ts) Leo Genovese (p) Kim Cass (b) Rob Garcia (d,comp) HORACE SILVER SERENADE TO A SOUL SISTER Englewood Cliffs, NJ:February 23, 1968Psychedelic Sally (1), Serenade to a soul sisterCharles Tolliver (tp) Stanley Turrentine (ts) Horace Silver (p) Bob Cranshaw (b,el-b-1) Mickey Roker (d) March 29, 1968Kindred spiritsCharles Tolliver (tp) Bennie Maupin (fl,ts) Horace Silver (p) Johnny Williams (b) Billy Cobham (d) Continue reading Puro Jazz 01 abril 2024 at PuroJazz.
MILT JACKSON + COUNT BASIE + THE BIG BAND VOL 2 Hollywood, CA, January 16, 17 & 18, 1978Moonlight becomes you, Blues for Joe Turner (1), On the sunny side of the street Waymon Reed, Lin Biviano, Sonny Cohn, Pete Minger (tp) Bill Hughes, Mel Wanzo, Fred Wesley, Dennis Wilson (tb) Danny Turner, Bobby Plater (as) Eric Dixon (ts,fl) Kenny Hing (ts) Charlie Fowlkes (bar) Milt Jackson (vib) Count Basie (p) Freddie Green (g) John Clayton (b) Butch Miles (d) ROB GARCIA NATURAL BOUNCE Astoria, NY, April 13, 2022Dark blue horse power, Gary song, Fades to blue, Sweet JoeNoah Preminger (ts) Leo Genovese (p) Kim Cass (b) Rob Garcia (d,comp) HORACE SILVER SERENADE TO A SOUL SISTER Englewood Cliffs, NJ:February 23, 1968Psychedelic Sally (1), Serenade to a soul sisterCharles Tolliver (tp) Stanley Turrentine (ts) Horace Silver (p) Bob Cranshaw (b,el-b-1) Mickey Roker (d) March 29, 1968Kindred spiritsCharles Tolliver (tp) Bennie Maupin (fl,ts) Horace Silver (p) Johnny Williams (b) Billy Cobham (d) Continue reading Puro Jazz 01 abril 2024 at PuroJazz.
From Sourced Network Productions, it's the Hot Jazz Network, with host, George Cole.Today on our show, we have an incredible guitarist, but he's much more than that. He's a historian. He can help you get out of a parking ticket as well. And I personally feel that his left pinky should be enshrined in the Smithsonian. He's bringing, shining a light on guitarists like Alan Roos, Eddie Lang, Freddie Green, and much, much more.Folks, you're going to love it. Here he is, Jonathan Stout.
Recordings made by one of the greatest versions of the Basie band for Verve in January, 1956. Featuring arrangements by Ernie Wilkins, Neal Hefti, Joe Newman, Frank Wess and Frank Foster and solos by the two Franks, Newman, Thad Jones, Bill Hughes, Henry Coker, Benny Powell, Bill Graham, Marshall Royal and the great rhythm section of Basie, Freddie Green, Eddie Jones and Sonny Payne. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
Great studio recordings all featuring Lester Young on tenor sax, Dickie Wells on trombone and Jo Jones on drums, with either Buck Clayton or Bill Coleman on trumpets, Count Basie, Joe Bushkin, Ellis Larkins, Rodney Richardson, Freddie Green, Walter Page, and John Simmons. Recordings for Vocalion, Commodore, Signature and Keynote. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
Three blues-based sessions by the great Kansas City vocalist accompanied by his swing era brethren - Emmett Berry, Pat Jenkins, Lawrence Brown, Vic Dickenson, Henderson Chambers, Rudy Powell, Ben Richardson, Sammy Price, Pete Johnson, Clarence Johnson, Freddie Green, Roy Gaines, Walter Page, Aaron Bell, Marlowe Morris, Jo Jones --- Support this podcast: https://anchor.fm/john-clark49/support
Does the Great American Songbook endure because the songs themselves are timeless or because musicians give them a fresh spin? San Francisco–based jazz guitarists Mimi Fox, Nick Rossi, and Paul Mehling weigh in! Join us for a lively roundtable discussion on acoustic jazz standards and making jazz accessible to all kinds of listeners. Support the show:Leave a review on Apple Podcasts (This helps other guitarists find the show and helps us. We really appreciate it!)Additional resources:Mimi Fox's websiteNick Rossi's websitePaul Mehling/The Hot Club of San Francisco's websiteWatch Mimi Fox perform “Blackbird” for Acoustic Guitar Sessions and learn to play her jazzy arrangement of “America the Beautiful.”Paul Mehling plays “Minor Swing” in this Acoustic Guitar Session. If you're feeling inspired to play like Django Reinhardt, check out Mehling's gypsy-jazz lesson, “Learn the La Pompe Manouche Style in 6 Easy Steps.”Nick Rossi teaches the rhythm of Harlem Swing greats Freddie Green, John Trueheart, Bernard Addison, Morris White, and Al Casey in this video lesson. And learn the Nick Lucas classic “Picking the Guitar” here.The Acoustic Guitar Podcast theme music is composed by Adam Perlmutter and performed for this episode by Mimi Fox.This episode is hosted by Nick Grizzle and Mimi Fox, produced by Tanya Gonzalez, and directed and edited by Joey Lusterman. Executive producers are Lyzy Lusterman and Stephanie Campos Dal Broi.The Acoustic Guitar Podcast is produced by the team at Acoustic Guitar magazine, including:Publisher: Lyzy LustermanEditor: Adam PerlmutterManaging Editor: Kevin OwensSenior Editor: Blair Jackson Creative Director: Joey LustermanDigital Content Director: Stephanie Campos Dal BroiDigital Content Manager: Nick GrizzleMarketing Services Manager: Tanya Gonzalez Special thanks to our listeners who support the show on Patreon.Support the show
AL COHN “THE NATURAL SEVEN” – New York, February 3, 1955 Doggin’ around, Jump the blues away, Jack’s kinda swing, The natural thing to do, A.C. meets Osie Joe Newman (tp) Frank Rehak (tb) Al Cohn (ts,arr) Nat Pierce (p) Freddie Green (g) Milt Hinton (b) Osie Johnson (d) CARL […]
The Basie Bunch .. recordings for Vanguard in 1957 featuring Buck Clayton, Emmett Berry, Vic Dickenson, Benny Green, Earl Warren, Lucky Thompson, Nat Pierce, Hank Jones, Freddie Green, Kenny Burrell, Walter Page, Aaron Bell, Jo Jones, and on one number, Basie himself! --- Support this podcast: https://anchor.fm/john-clark49/support
Lucky Thompson - sides recorded by the great and largely forgotten tenor sax man from 1944-54 with Hot Lips Page, Dizzy Gillespie, Charlie Parker, Freddie Green, Clark Terry, Slim Gaillard, Marshall Royal, Buck Clayton, Karl George, Dickie Wells, Urbie Green, Milt Jackson, Al Haig, Willie Smith, Howard McGhee . . --- Support this podcast: https://anchor.fm/john-clark49/support
The Retrogressive . . Bob Brookmeyer's albums Traditionalism Revisited and Kansas City Revisited from 1958 and 1959, featuring tunes associated with Louis Armstrong, King Oliver, Bix Beiderbecke, Jelly Roll Morton, Count Basie and Billie Holiday . .with Jimmy Giuffre, Jim Hall, Zoot Sims, Al Cohn, Paul Quinichette, Harry "Sweets" Edison, Hank Jones, Nat Pierce, Charlie Persip, Eddie Jones, Freddie Green and Big Miller --- Support this podcast: https://anchor.fm/john-clark49/support
Pianist Count Basie was asked to select a group of his favorite musicians for an impromptu jam session style recording. He selected the players wisely and chose trumpeter Harry "Sweets" Edison, alto saxophone masters, Benny Carter and Willie Smith and tenor giants Stan Getz and Wardell Gray and the herald of the modern clarinet, Buddy DeFranco,. In the rhythm section of course Basie chose guitarist Freddie Green, his right hand man for many years. On bass, the reliable John Simmons and the fiery Buddy Rich on drums. Basie is replaced on the lengthy ballad medley by pianist Arnold Ross and on the final "Blues For The Count" , Basie switches to organ while Ross stays on piano. The format is simple as the set opens on a high level with "Apple Jam". The ballad medley follows with everyone displaying their wares on a group of standard songs. Then the exciting "lady be Good". This standard by the Gershwin Brothers was often used in jam sessions and is one of the high points here. The final "Blues For The Count" is self explanatory. All of this took place in Los Angeles on August 18,1953 under the wise supervision of the great impressario Norman Granz. Sit back and enjoy master musicians in an informal setting playing their best.
First recordings led by the great tenor saxophonist Lucky Thompson n 1945-47. All done on the West Coast and featuring Karl George, J.J. Johnson, Rudy Rutherford, Freddie Green, Bill Doggett, Dodo Marmarosa, Jackie Mills, Benny Carter, Neal Hefti, Barney Kessel and others --- Support this podcast: https://anchor.fm/john-clark49/support
Comenzamos a analizar el trayecto de la guitarra en esta aventura del jazz lo cual nos llevará siete episodios. En la primera entrega rendimos homenaje a los guitarristas de blues (precursores) Robert Johnson, LeadBelly, Big Bill Bronzy y a los pioneros del jazz Johnny St Cyr y Lonnie Johnson. La magia de la seccion rítmica de Freddie Green en el swing, Eddie Lang y Eddie Condon en Chicago y la revolución de Charlie Christian en swing y bop, entre otros
SOUND OF JAZZ – Columbia recording studio, New York , December, 1957 COUNT BASIE Dickie’s dream, I left my baby Emmett Berry, Doc Cheatham, Roy Eldridge, Joe Newman (tp) Vic Dickenson, Frank Rehak, Dicky Wells (tb) Earl Warren (as) Coleman Hawkins, Lester Young (ts) Harry Carney (bar) Count Basie (p) Freddie Green (g) Eddie Jones […]
En este episodio hablamos acerca de Freddie Green, de su importancia en el género del Jazz, de algunos de los detalles que marcaron su vida, su vida como sideman con Count Basie, y de su estilo único de acompañamiento en la guitarra Jazz, y su aportación a la música en el mundo.
"Good Morning Blues" (1937) Count Basie and His Orchestra: 1936 - 1938. The Classics Chronological Series (Classics, Ed. 1990) Count Basie, Buck Clayton, Ed Lewis, Bobby Moore, Eddie Durham, George Hunt, Dan Minor, Earl Warren, Jack Washington, Herschel Evans, Lester Young, Freddie Green, Walter Page, Jo Jones, Jimmy Rushing, Lloyd "Skippy" Martin, Harry "Buster" Smith. El tema es una composición de Eddie Durham, Count Basie y Jimmy Rushing. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? Count Basie nació en 1904. Su padre era cochero; su madre, que era lavandera, le enseñó a tocar el piano. Aunque nació en Red Bank, New Jersey, es uno de los representantes principales del sonido Kansas City. En el año 1929 ya estaba grabando junto a Bennie Moten. En los años 30 su orquesta, junto con las de Duke Ellington y Benny Goodman, es una de las máximas representantes del swing. Entre 1936 y 1940 actuó ininterrumpidamente en giras y actuaciones en salas de concierto o de baile, grandes hoteles y restaurantes. En la orquesta que grabó este tema en agosto de 1937 hay grandes músicos como Jimmy Rushing (que es quien canta), Lester Young, Buck Clayton, Freddie Green o Jo Jones. El tema es un clásico en cualquier recopilación de Count Basie. He elegido la incluida en la serie The Classics Chronological, pero podrían haber sido otras muchas como The Complete Decca Recordings. En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=23849 Más información sobre Count Basie https://www.tomajazz.com/web/?s=count+basie&submit=Search http://countbasie.com/home/ Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
Black Root Red Tree Medicine Clan Teachings part 1 is a discussion recorded at Basu Farms in Pembroke, IL between Dr. Freddie Green and Chief Keith Horse Looking Sr. about the The White Buffalo Calf Woman (the bringer of the "Seven Sacred Rites") of the Native American Lakota tribal people. Audio recorded and edited by Yakira Levi.
Black Root Red Tree Medicine Clan Teachings part 2 is a discussion recorded at Basu Farms in Pembroke, IL between Dr. Freddie Green and Chief Niko Shoot Away about the Inipi (Rite of Purification) also known as the sweat lodge Ceremony of the Native American Lakota tribal people. Audio recorded and edited by Yakira Levi.
"The Man I Love" Billie Holiday Billie Holiday, Buck Clayton, Harry Edison, Earle Warren, Lester Young, Jack Washington, Joe Sullivan, Freddie Green, Walter Page, Jo Jones. El tema es una composición de George e Ira Gershwin. El tema se grabó el 13 de diciembre de 1939. © Pachi Tapiz, 2021 Más información acerca de Billie Holiday en Tomajazz https://www.tomajazz.com/web/?s=billie+holiday&submit=Search Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
From January 1, 1953, Live from Birdland, NBC Radio presented Basie's All Stars. William James "Count" Basie (August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. https://en.wikipedia.org/wiki/Count_Basie
Kansas City 6 plus one or two . . live and rehearsal recordings made by Buck Clayton, Lester Young, Count Basie, Freddie Green, Walter Page and Jo Jones with guests Benny Goodman, Charlie Christian and Leonard Ware. 1938-40. --- Support this podcast: https://anchor.fm/john-clark49/support
Tim Allen and Freddie Green (on Love is a Pill NZ Tour) Interview by Sebastian Rice-Walsh and Rutene Rickard on Radio One 91fm Dunedin
Tim Allen and Freddie Green (on Love is a Pill NZ Tour) Interview by Sebastian Rice-Walsh and Rutene Rickard on Radio One 91fm Dunedin
When the big band era went bust, Count Basie held on longer than most - not disbanding until late 1949, at which point he tried out several combos playing a mix of swing, bebop and R&B before finally settling on this Octet with arrangements by Neal Hefti and others. Featuring among others Clark Terry, either Buddy De Franco or Marshall Royal on clarinet, Wardell Gray on tenor, either Serge Chaloff or Rudy Rutherford on bari sax, Basie, Freddie Green and Buddy Rich! --- Support this podcast: https://anchor.fm/john-clark49/support
This focus is on two albums recorded by Big Joe Turner in the late 50's for Atlantic. Coming off his success as a senior rock and roll singer ("Shake Rattle and Roll was 1954), Turner returned to his KC roots to sing blues and standards with two all star groups including Coleman Hawkins, Lawrence Brown, Pete Brown, Pete Johnson, Freddie Green, Walter Page, Ernie Royal and Vic Dickenson. --- Support this podcast: https://anchor.fm/john-clark49/support
For ikke så mange år siden fandt man en skat i USA. Skatten bestod i en stribe optagelser fra radioudsendelser med jazz i 1930ne - af en teknisk kvalitet, som var fuldt ud på højde med tidens pladeindspilninger, og hvad mere var – de havde næsten ikke været spillet, så også bevaringstilstanden var helt på toppen, fortæller Radio Jazz studievært Tom Buhmann. Ganske mange af optagelserne var med Count Basies historiske 1936-40 orkester med alle legenderne, Lester Young og Herschal Evans på tenorsax, Harry Edison og Buck Clayton på trompet, basunisterne Dickie Wells, Benny Morton og Vic Dickenson og så The All American Rhythm Section med Basie ved klaveret, Freddie Green på guitar, Walter Page ved bassen og Jo Jones bag trommerne - samt sangerne Jimmy Rushing og Helen Humes. Der er tale om et så omfattende og usædvanligt materiale, at billedet af Basie's 1930er orkester på flere punkter skal tegnes om. Sendt i Radio Jazz i 2019 Der er mere jazz på www.radiojazz.dk
Fascinated by music, sound and audio technology since building a crystal radio set as a lad, Michael Pettersen is the Director of Corporate History at Shure Incorporated. Employed by Shure since 1976, he is a contributing author to the 1,550 page reference tome "Handbook for Sound Engineers" as well as the sole author of numerous pro audio technical papers. In his personal life, Michael is a professional musician, published composer of choral arrangements, co-author of a biography about jazz guitarist Freddie Green and a notorious raconteur.
The Basie Band of the 1950s was sometimes called "The Atomic Band" as one of their hit records had a photo of an atomic bomb blast on it. It was recorded in 1957 and called "Basie Plays Hefti" (Count Basie plays the arrangements of Neal Hefti). This album heard tonight is basically the same band with a few minor personnel changes. It was recorded on May 31,1959 during a one-nighter at the Americana Hotel in Miami, Florida for the Disc Jockey Convention. The band played to a packed house and dance floor starting at 2am and went on until breakfast time, hence the title. The personnel was full pf Basie regulars. The two Franks, Wess (tenor and flute) and Foster (tenor) plus the great Billy Mitchell also on tenor saxophone.. Trumpets: Thad Jones, Joe Newman, Wendell Culley and Snooky Young. Trombones were Al Grey, Henry Coker and Benny Powell, The rhythm section beginning with Basie at the piano, Freddie Green on guitar, Eddie Jones on bass and the amazing Sonny Payne on drums. A great inspired performance by the Basie crew and well recorded to boot. Basie basics tonight!
In An Encyclopedia of South Carolina Jazz and Blues Musicians, Benjamin Franklin V documents the careers of South Carolina jazz and blues musicians from the nineteenth century to the present. The musicians range from the renowned (James Brown, Dizzy Gillespie), to the notable (Freddie Green, Josh White), to the largely forgotten (Fud Livingston, Josie Miles), to the obscure (Lottie Frost Hightower, Horace "Spoons" Williams), to the unknown (Vince Arnold, Johnny Wilson).
Frank Sinatra saved Bruce's life before Troy's wife runs out of gas; plus Great gigs and Freddie Green's guitar style.Support the show (https://www.patreon.com/GuitarWank)
Even though he had been first and foremost as one of the world's finest Jazz drummers since 1934, Jo Jones didn't make his first recording under his own name until this date in August 1955. Tonight The Jazz Show celebrates what would have been Jo's 102nd Birthday. Jo or as he was known later in life as "Papa Jo" died at age 73 on September 3,1985. He was really the forerunner of Modern Jazz drumming.He did away with the "four on the floor" reliance on the bass drum and used the hi-hat cymbal (operated with the foot) to keep time and also the large "ride" cymbal and it gave the rhythm section room to breathe and be dynamic rather than just pound out a beat. This is a fine date with all of Jo's favorites including the great Lucky Thompson on tenor saxophone, trombonist Bennie Green...both modernists rooted in deep swing. Underrated trumpeter Emmett Berry is on board. The rhythm section is unbeatable...Freddie Green on guitar, Walter Page on bass, Nat Pierce on piano and of course Jo Jones on drums. Count Basie replaces Nat Pierce on the two wonderful takes of the old standard "Shoe Shine Boy". The Jo Jones Special Septet garnered some of the highest ratings when it was released in 1955 and it is still a classic today. Happy 102nd Birthday Papa Jo!
Welcome to Show 108! This time out, we welcome Jessica Brown from Anjelsyndicate.org to talk about recent events in mmo and console gaming. Along the way we learn about Count Basie, Freddie Green, Duke Ellington and find out there is such a thing as military intelligence. See you online, Julie Whitefeather and Fran Kosac
La orquesta de Count Basie cambió para siempre el rumbo de la música norteamericana y, por supuesto, del jazz. Y no sólo fue por la manera en que la dirigía, sino porque tuvo el ojo para incluir en ella a futuros gigantes del género como Lester Young, Buck Clayton y Freddie Green. Sin embargo, para llegar a la cumbre, Basie tuvo que superar muchos obstáculos. Este episodio presenta la pieza Tickle Toe, grabada en 1940 y compuesta por Lester Young, quien nos deja escuchar su saxofón, que desde entonces ya emocionaba a todo el que lo escuchaba. Clásicos del jazz con breves anécdotas de los músicos que marcaron la historia del jazz, escritas y producidas por Memo Man, desde México DF para el mundo.
Composer and saxophonist John Altman joins Alyn Shipton to pick the best records by saxophonist Al Cohn. As well as his solos albums and his lengthy association with fellow tenorist Zoot Sims, the programme covers Cohn's work with Joe Newman and Freddie Green, and as an arranger for Gerry Mulligan's Concert Jazz Band.
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