Podcast appearances and mentions of Bob Brookmeyer

Sintonía: "Harlem Joys" - Willie ´The Lion´ Smith"Stretching Out", "Now Will You Be Good", "Pennies From Heaven", "King Porter Stomp", "Ain´t Misbehavin´" y "Bee Kay", extraídas del álbum "Stretching Out" (1958)"A Blues (What´s On Your Mind)" y "Trav´lin´Light", extraídas del álbum "Kansas City Revisited" (1958)Ambos discos compilados en cd por Jazz Beat en el 2007Todas las músicas de "Stretching Out" interpretadas al saxo tenor por Zoot Sims y al trombón por Bob BrookmeyerTodas las músicas de "Kansas City Revisited" interpretadas al saxo tenor por Al Cohn y Paul Quinichette, y al trombón por Bob BrookmeyerEscuchar audio

Konzerte und Produktionen u.a. mit: Terry Gibbs Dream Band, hr-Bigband feat. Frits Landesbergen cond. by Ed Partyka, Südbahnhof, Frankfurt, März 2024 | Unter der Leitung von Dirigent und Arrangeur Ed Partyka spielte die hr-Bigband im Musiklokal Südbahnhof. Das Programm war eine Hommage an eines der erfolgreichsten Ensembles des orchestralen Jazz - die Terry Gibbs Dream Band. In der All Star Big Band der späten 50er Jahre versammelte Terry Gibbs die besten Musiker der Jazz- und Studioszene von Los Angeles, wie Mel Lewis, Frank Rosolino und Conte Candoli und Arrangeure, wie Bill Holman und Bob Brookmeyer. Mit seinem virtuosen Spiel auf dem Vibraphon stand Terry Gibbs in den Konzerten der Bigband oftmals selbst im Mittelpunkt des Geschehens. Seine Rolle hat in diesem Konzert Vibraphonist Frits Landesbergen übernommen. (Sendung vom 10.11.)

Bill Warfield, a dynamic and innovative composer, bandleader and trumpeter, has energized audiences, performers and writers for over four decades. Warfield's most recent accomplishments are two highly regarded recordings including “Mercy Mercy Mercy”, recorded on the BluJazz label by the Hell's Kitchen Funk Orchestra in 2015 and “Trumpet Story” with Randy Brecker on Planet Arts Records, recorded in 2014. These recordings are a celebration of the composer's formative musical experiences. The two groups perform Jazz selections based on the genres of funk, Latin Jazz, and Hard Bop, all arranged by Warfield. He holds an M.M. in Jazz Commercial Trumpet Performance from the Manhattan School of Music where he received the William H. Borden Award for Outstanding Accomplishment in Jazz/Commercial Music, The Carmine Caruso Award for Outstanding Musicality and Trumpet Performance and the Maynard Ferguson Scholarship. In 1990 he participated in the BMI Jazz Composers Workshop, directed by Bob Brookmeyer and Manny Albam.

GERRY MULLIGAN SEXTET “MAINSTREAM OF JAZZ” New York, January 25, 1956 MainstreamJon Eardley (tp) Bob Brookmeyer (v-tb) Zoot Sims (ts) Gerry Mulligan (bar) Bill Crow (b) New York, September 26, 1956 Elevation, Root blues [Blues at the roots]Don Ferrara (tp) Bob Brookmeyer (v-tb,p) Zoot Sims (ts) Gerry Mulligan (bar,p) Bill Crow (b) Dave Bailey (d) BRIAN LANDRUS “PLAYS ELLINGTON & STRAYHORN” Brooklyn, NY, August 6 & 7, 2023A flower is a lovesome thing, Come Sunday, The telecasters, Lotus blossom, Sophisticated lady Brian Landrus (bar,bassax,b-cl,contra-alto-cl,pic,fl,alto-fl,bass-fl)Dave Stryker (g,el-g) Jay Anderson (b) Billy Hart (d) STAN LEVEY “THIS TIME THE DRUM'S ON ME” Los Angeles, September 27 & 28, 1955Diggin' for Diz, La chaloupee (from “Tales of Hoffman”), This time the drums on me [Max is making wax]Conte Candoli (tp) Frank Rosolino (tb) Dexter Gordon (ts) Lou Levy (p) Leroy Vinnegar (b) Stan Levey (d) Continue reading Puro Jazz 20 de septiembre, 2024 at PuroJazz.

GERRY MULLIGAN SEXTET “MAINSTREAM OF JAZZ” New York, January 25, 1956 MainstreamJon Eardley (tp) Bob Brookmeyer (v-tb) Zoot Sims (ts) Gerry Mulligan (bar) Bill Crow (b) New York, September 26, 1956 Elevation, Root blues [Blues at the roots]Don Ferrara (tp) Bob Brookmeyer (v-tb,p) Zoot Sims (ts) Gerry Mulligan (bar,p) Bill Crow (b) Dave Bailey (d) BRIAN LANDRUS “PLAYS ELLINGTON & STRAYHORN” Brooklyn, NY, August 6 & 7, 2023A flower is a lovesome thing, Come Sunday, The telecasters, Lotus blossom, Sophisticated lady Brian Landrus (bar,bassax,b-cl,contra-alto-cl,pic,fl,alto-fl,bass-fl)Dave Stryker (g,el-g) Jay Anderson (b) Billy Hart (d) STAN LEVEY “THIS TIME THE DRUM'S ON ME” Los Angeles, September 27 & 28, 1955Diggin' for Diz, La chaloupee (from “Tales of Hoffman”), This time the drums on me [Max is making wax]Conte Candoli (tp) Frank Rosolino (tb) Dexter Gordon (ts) Lou Levy (p) Leroy Vinnegar (b) Stan Levey (d) Continue reading Puro Jazz 20 de septiembre, 2024 at PuroJazz.

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Darek Oles (Oleszkiewicz) was born on February 20, 1963 in Wroclaw, Poland. At the age of five Oles began his music education at the State Music School in Wroclaw. Piano was his first instrument, but later he played guitar, electric bass and finally at eighteen years old, he switched to accoustic bass. While in his teens he played with amateur groups, evolving in popular music styles from rock, blues, jazz-rock to straight ahead jazz. In the early 1980's, Oles participated in various jazz festivals and national competitions for young musicians. In 1983, he was the most awarded musician at the Jazz Juniors in Cracow, winning the first individual prize, first prize for jazz composition and a second prize in jazz combo category. Later that year Oles was invited by Jan Ptaszyn Wroblewski, a jazz legend in Poland, to join saxophonist's quartet on tour.In the following five years Darek Oles was working steadily with some of the best jazz bands in the country such as: Zbigniew Namyslowski Quartet, Tomasz Szukalski Quartet, Henryk Majewski Quintet, Wojciech Karolak Trio and Andrzej Jagodzinski Trio and Jan Ptaszyn Wroblewski Quartet. With those groups he recorded for Polish Jazz, Polskie Nagrania, East Wind and also for the radio and television in Poland and abroad. Darek was touring extensively in Poland, France, Germany, Czech Republic, Cuba, Mexico and performed at major festivals, concerts and jazz club venues.In 1988, Darek Oles arrived in Los Angeles with a simple plan in mind: to broaden his musical horizon. One year later he received a full scholarship from California Institute Of The Arts and began studies with the legendary bassist Charlie Haden. After graduation in 1992, he accepted a teaching position at the Institute, where he has been conducting jazz ensembles and teaching bass ever since. Since 2002 Oles has been a jazz faculty member at the University Of California in Irvine.Aside from his teaching duties, Darek Oles has been very active as a performer and became one of the most sought after bass players on the West Coast. “Oles” (his American nick-name) had the opportunity to perform and record with the greatest masters in jazz. A partial list of his collaborations include: Brad Mehldau, Billy Higgins, Pat Metheny, Joe Lovano, Eddie Henderson, Charles Lloyd, John Abercrombie, Bennie Maupin, Lee Konitz, Peter Erskine, Alan Pasqua, Bennie Wallace, Victor Lewis, Harvey Mason, Dave Grusin, Art Farmer, Horace Silver, Alice Coltrane, Ravi Coltrane, James Newton, Arthur Blythe, Lew Tabackin, Steve Kuhn, Gary Smulyan, Ronnie Cuber, Billy Hart, Kevin Hays, Munyungo Jackon, Steve Hass, Toshiko Akiyoshi, Marian McPartland, Janis Siegel, Bob Brookmeyer, Curtis Fuller, Roy McCurdy, Tom Harrell, Larry Goldings, Bill Stewart, Chris Potter, Kei Akagi, Billy Childs, Bob Sheppard, Joe LaBarbera, Bill Cunliffe, Patrice Rushen, Bennie Golson, Piotr Baron, Teri Lynn Carrington, Buddy De Franco, Terry Gibbs, Anthony Wilson Nonet and Los Angeles Jazz Quartet.Moods in Freedom on SpotifySupport the showInstagram / Twitter / Youtube / Website / BSA / View More Episodes

Episode 5: A conversation with composer, Maria Schneider.►Maria Schneider website: http://www.mariaschneider.comIn this episode with Multi-Grammy Winner, NEA Jazz Master, composer and musician advocate, Maria Schneider, we discuss her new “Decades” project, Bob Brookmeyer's “tough love”, a mystical dream with Gil Evans, balancing preparation with letting go, and much more…“When you do what you love, it telegraphs”.~Maria Schneider►Key Moments:0:00 - Introductions2:58 – “Life Stuff”…Taking care of the aging. 6:40 – The vinyl experience, Maria's retrospective  “Decades” project, and life pivot points14:33 – Bob Brookmeyer ‘s “tough love”16:29 – Balancing preparation and letting go, musical risk taking, and some astrology stuff.27:00 – How do you know when a piece is finished?28:38 – Doing what you love30:55 –The insignificance and significance of a human being.34:30 –Alchemy through music.35:24 – How do you help someone to discover their greatness?40:25 – Ivan Lins story41:24 – Looking back at your musicand its evolution…44:35: Visions and intuition51:22: Following that “gut” feeling57:40: A dream with Gil Evans1:01:11: Fear of death1:06:41: A lesson from David Bowie►Follow John Daversa Online:Instagram: https://www.instagram.com/johndaversa/Facebook: https://www.facebook.com/JohnDaversaMusic/YouTube:  https://www.youtube.com/johndaversamusicWebsite: http://www.johndaversa.com  ►CreditsHost and Producer: John DaversaVideo Editing: Max NierlichVideo and Audio Capture: Dudley MerriamGraphic Design: Marcus SassevilleAdditional Graphic Design: Izzi GuzmanRecorded in Miami, FL, April 19, 2023►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon"All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)#mariaschneider #mariaschneiderjazzorchestra #jazzcomposer #thejohndaversapodcast "johndaversaSupport the show►CreditsHost and Producer: John DaversaVideo: Max NierlichAudio: Dudley MerriamMarcus Sasseville: Graphic DesignRecorded in Miami, FL►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon" All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)

The first ever host-meetup happened last week at NAMM and it just may be our best episode yet! Joined by special guest Trent Austin we discussed who NAMM is really for, if there's still room in this industry for new players, and tips and insights into the music retail industry — we even included a brand new podcast-only segment at the end!!! This is THE episode to catch if you've ever been curious about NAMM, the music trade show world, or the behind the scenes of the music retail business. Don't know much about Trent? Let's catch you up: “Renowned trumpet artist and educator, who has received many accolades and international acclaim for his stellar performances and recordings in jazz and classical music. As an in-demand pro, Trent has performed with a lengthy list of music's Who's Who, including Tony Bennett, Natalie Cole, Joe Williams, Clark Terry, Jack Jones, Bob Brookmeyer, Maria Schneider, Peter Erskine, Arturo Sandoval, Hal Galper, Dick Oatts, Marvin Stamm, Red Holloway, Jesse Davis, Dick Johnson, Kenny Werner, and Bob Wilber. For eleven years, Austin was also a featured trumpet soloist with the famed Artie Shaw Orchestra. He is currently a first-call performer in the Boston Metro and Southern New England areas as well as throughout the Midwest. Fiercely dedicated to the cause and development of music and jazz education, Trent was a trumpet professor at the University of Southern Maine for nine years and regularly provides clinics and Master Classes nationwide at various trumpet and brass conferences, including at the International Trumpet Guild Conference and other trumpet/brass conferences. Austin also maintains an active teaching studio in Kansas City, MO and worldwide online via Skype, providing trumpet and jazz improvisation lessons.” For more insights and updates, be sure to follow us on Instagram: ⁠Austin Custom Brass' Instagram ⁠Virtuosity Musical Instruments' Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠J. Landress Brass' Instagram⁠⁠⁠⁠ You can also explore more about our businesses on our websites: ⁠⁠⁠⁠Austin Custom Brass' Website Virtuosity Musical Instruments' Website⁠⁠⁠⁠ ⁠⁠⁠⁠J. Landress Brass' Website⁠⁠⁠⁠ Happy listening, friends!

Michel Petrucciani, que nos dejó un 28 de diciembre, piano solo ('Looking up', 'Brazilian like', 'Home', 'Trilogy in Blois'), en trío con Anthony Jackson y Steve Gadd, ('Training', 'September second'), con arreglos orquestales de Bob Brookmeyer ('Chloé meets Gershwin', 'Colors') y a dúo con el organista Eddy Louiss ('I wrote you a song').Escuchar audio

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durée : 00:59:15 - Nils Wogram, trombone-saxophone, l'histoire continue - par : Alex Dutilh - Root 70 reste fidèle à lui-même en ce sens que le groupe de Nils Wogram rompt une fois de plus avec les attentes. “The Pristine Sound of Root 70” sonne comme un rendez-vous actualisé entre le quartet de Gerry Mulligan & Bob Brookmeyer et celui d'Albert Mangelsdorff de la fin des années 1960.

durée : 00:59:15 - Nils Wogram, trombone-saxophone, l'histoire continue - par : Alex Dutilh - Root 70 reste fidèle à lui-même en ce sens que le groupe de Nils Wogram rompt une fois de plus avec les attentes. “The Pristine Sound of Root 70” sonne comme un rendez-vous actualisé entre le quartet de Gerry Mulligan & Bob Brookmeyer et celui d'Albert Mangelsdorff de la fin des années 1960.

durée : 00:59:31 - Banzzaï du lundi 13 novembre 2023 - par : Nathalie Piolé -

Selections from two great LPs featuring Brookmeyer playing valve trombone with a rhythm section (including future composer John Williams on piano!) and a blended group using some of Jimmy Giuffre's musicians - Jimmy Raney, Jim Hall, Bill Crow and Osie Johnson --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Tonight is a concert presentation of the "Second Great Gerry Mulligan Quartet" before a rapt and enthusiastic French audience in Paris in June 1954. The first edition of the Mulligan pianoless Quartet had trumpeter Chet Baker on the front line with baritone saxophonist Mulligan and was one of the most popular and talked about combos of it's time. Due to a variety of circumstances the Baker & Mulligan Quartet ended and after a time Mulligan reassembled the group with valve trombonist Bob Brookmeyer on the front line with Mulligan plus a new rhythm section with the great Red Mitchell on bass and the shamefully underrated drum master Frank Isola. They were booked to play in Paris and were welcomed like a liberating army. Both Mulligan and Brookmeyer were also great composers along with being two of the leading voices on their horns so it was a perfect fit. These concert recordings are tonight's Jazz Feature and demonstrate how fresh and new this band still sounds after so many years. Check it out tonight and you'll be glad you did.

This week, guest-host Nate Chinen talks to Maria Schneider, winner of multiple Grammy Awards for her big band jazz compositions, including the song “Sue (Or in a Season of Crime),” which she composed with David Bowie. In the interview, Maria discusses her two mentors Gil Evans and Bob Brookmeyer and the wisdom that helped her find her voice as an artist. She also talks about her tools for composing, what it means to “trust your enthusiasm,” and her unforgettable collaboration with David Bowie.  After the interview, Nate and co-host Isaac Butler explain how to respect the inner logic of your work. They also talk about how artists can borrow wisdom from other art forms. In the exclusive Slate Plus segment, Maria explains why most of her music isn't available on streaming services.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, guest-host Nate Chinen talks to Maria Schneider, winner of multiple Grammy Awards for her big band jazz compositions, including the song “Sue (Or in a Season of Crime),” which she composed with David Bowie. In the interview, Maria discusses her two mentors Gil Evans and Bob Brookmeyer and the wisdom that helped her find her voice as an artist. She also talks about her tools for composing, what it means to “trust your enthusiasm,” and her unforgettable collaboration with David Bowie.  After the interview, Nate and co-host Isaac Butler explain how to respect the inner logic of your work. They also talk about how artists can borrow wisdom from other art forms. In the exclusive Slate Plus segment, Maria explains why most of her music isn't available on streaming services.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, guest-host Nate Chinen talks to Maria Schneider, winner of multiple Grammy Awards for her big band jazz compositions, including the song “Sue (Or in a Season of Crime),” which she composed with David Bowie. In the interview, Maria discusses her two mentors Gil Evans and Bob Brookmeyer and the wisdom that helped her find her voice as an artist. She also talks about her tools for composing, what it means to “trust your enthusiasm,” and her unforgettable collaboration with David Bowie.  After the interview, Nate and co-host Isaac Butler explain how to respect the inner logic of your work. They also talk about how artists can borrow wisdom from other art forms. In the exclusive Slate Plus segment, Maria explains why most of her music isn't available on streaming services.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, guest-host Nate Chinen talks to Maria Schneider, winner of multiple Grammy Awards for her big band jazz compositions, including the song “Sue (Or in a Season of Crime),” which she composed with David Bowie. In the interview, Maria discusses her two mentors Gil Evans and Bob Brookmeyer and the wisdom that helped her find her voice as an artist. She also talks about her tools for composing, what it means to “trust your enthusiasm,” and her unforgettable collaboration with David Bowie.  After the interview, Nate and co-host Isaac Butler explain how to respect the inner logic of your work. They also talk about how artists can borrow wisdom from other art forms. In the exclusive Slate Plus segment, Maria explains why most of her music isn't available on streaming services.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, guest-host Nate Chinen talks to Maria Schneider, winner of multiple Grammy Awards for her big band jazz compositions, including the song “Sue (Or in a Season of Crime),” which she composed with David Bowie. In the interview, Maria discusses her two mentors Gil Evans and Bob Brookmeyer and the wisdom that helped her find her voice as an artist. She also talks about her tools for composing, what it means to “trust your enthusiasm,” and her unforgettable collaboration with David Bowie.  After the interview, Nate and co-host Isaac Butler explain how to respect the inner logic of your work. They also talk about how artists can borrow wisdom from other art forms. In the exclusive Slate Plus segment, Maria explains why most of her music isn't available on streaming services.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Jazz Session No.315 from RaidersBroadcast.com as aired in June 2023, featuring a classic album, “Introducing Roland Kirk”, released in 1960, from the multi-sax playing legend Rahsaan Roland Kirk. TRACK LISTING: Same Feeling, Different Song - Average White Band; Just the Two of Us - Grover Washington Jr. & Bill Withers; Untitled Original 11386 - John Coltrane; Wallering - The Cecil Taylor Quartet; The Call - Rahsaan Roland Kirk; Spirit Girl - Rahsaan Roland Kirk; Panspermia - Whiskey Moon Face; East StreetToodle-O - Steely Dan; The Girl from Ipanema - Getz/Gilberto; August Day Song - Bebel Gilberto; I'll Buy That Dream - Harry James & His Orchestra, ft. Kitty Kallen; No One But Me - Jimmy Rainey, ft. Bob Brookmeyer; Bill Bailey Won't You Please Come Home - Chris Barber; Someday Sweetheart - The Charleston Chasers; Soul Station - Rahsaan Roland Kirk; Jack the Ripper - Rahsaan Roland Kirk; Enneagram - Egg; On Day One - Pat Metheny Unity Group; Play a Simple Melody - Bing Crosby; Nobody Know When You're Down and Out - Nina Simone.      

Der aus den Vereinigten Staaten stammende Posaunist, Tubist, Arrangeur, Lehrer und Bandleader Ed Partyka erzählt über sein Leben mit der Big Band Musik. Ausgehend von seinen musikalischen Wurzeln in Chicago bis hin zur Studienzeit mit Bob Brookmeyer in Europa erwartet uns ein ganz besonderer Ausflug in die Welt des Jazz.

Angel Subero is a Venezuelan trombonist who attended the Conservatorio Itinerante in Caracas, Venezuela, where he studied with the legendary Michel Becquet. After coming to the United States in 2001, he attended  Boston Conservatory, where he studied with Lawrence Isaacson, and New England Conservatory of Music, where he studied with Douglas Yeo. He also studied with John Rojak at the Aspen Music Festival. Subero has performed with numerous orchestras, including the Boston Symphony Orchestra, Boston Pops Esplanade Orchestra, Boston Ballet, Pittsburgh Symphony, American Composers Orchestra, the Venezuela Symphony, Simon Bolivar Symphony, and the Boston Modern Orchestra Project, to name a few. He has worked with such conductors as John Williams, Seiji Ozawa, Kurt Masur, Sir Colin Davis, Christoph von Dohnanyi, Keith Lockhart, and Robert Spano, among many others. In the realms of jazz, Latin and commercial music, Subero has appeared with artists such as Bob Brookmeyer, Aretha Franklin, Slide Hampton, Jim McNeely, Claudio Roditi, Danilo Perez, Chris Botti, and many more.

Duke Ellington: Take The A-Train; Henk Kraaijeveld: Saidja's Song; Bob Brookmeyer, Stan Getz, Herbie Hancock, Ron Carter, Gary Burton, Elvin Jones: Misty; Lee Konitz, Brad Mehldau, Charlie Haden, Paul Motian: I Fall In Love Too Easily; Johnny Smith: Tenderly; John … Lees verder →

Uno de los músicos más representativos e innovadores respecto al subestilo del jazz llamado cool o west coast jazz fue el saxofonista barítono Gerry Mulligan. Su carrera comenzó a mediados de los años 40 y ya desde el principio despuntó como un gran arreglista y un excelente ejecutante en su instrumento, el saxo barítono. En esta primera parte veremos parte de su carrera inicial, desde sus primeros pinitos en la orquesta del batería Gene Krupa o la banda de Claude Thornhill. Su momento clave para darle un lugar privilegiado en la historia del jazz llegó con su participación en las sesiones de Birth of the Cool, compartiendo protagonismo con Gil Evans y el mismísimo Miles Davis. También nos fijaremos en su primer cuarteto como líder, en el que integró a un joven y prometedor trompetista llamado Chet Baker y con el que grabó unos cuantos discos considerados también imprescindibles para comprender el avance y perfeccionamiento del cool jazz. Cuando Baker abandono la nave, entró otro importante instrumentista, Bob Brookmeyer, un trombonista con el que Mulligan se entendió a la perfección En este primera parte nos quedaremos en sus colaboraciones a mitad de los 50 con otros músicos, como Thelonious Monk o la cantante Annie Ross, reservando para el segundo episodio otras colaboraciones y sus interesantes aportaciones al mundo de la big band. Bienvenidos al maravilloso mundo de este "fresco" del pelo rojo, uno de los más elegantes e imaginativos creadores del jazz moderno: Gerry Mulligan.

El 28 de diciembre de 1962, nació en Orange, al sur de Francia, Michel Petrucciani, pianista de jazz que nos dejó con solo 36 años. Le recordamos hoy, que hubiera cumplido 60, con grabaciones en solitario, en trío con Steve Gadd y Anthony Jackson, con Bob Brookmeyer, con Stéphane Grappelli o con Eddy Louis de sus composiciones 'Looking up', 'Brazilian like', 'Training', 'September second', 'Chloé meets Gershwin', 'Colors', 'I wrote you a song', 'Little peace in C for you' y 'Home'. Escuchar audio

La tercera entrega de trombón nos acerca a la décadas después de los 60. Frank Rosolino, Urbie Green, Al Grey, Bob Brookmeyer, Jimmy Cleveland, Delfeao Marsalis, Albert Mangelsdorf son algunos de los instrumentistas claves que escuchamos. Hosted on Acast. See acast.com/privacy for more information.

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Heute mit Ed Partyka. Der Bassposaunist und Tubist ist seit 2021 musikalischer Leiter des ZJO. Er ist aber nicht nur Arrangeur und Komponist, sondern auch passionierter Coach für angehende Musikerinnen und Musiker. Heute sprechen wir mit Ed Partyka über seine Lehrtätigkeit.

Lasse Lindgren works as a jazz musician, trumpet player, composer, rehearsal leader, bandleader and lecturer. Ever since Louis Armstrong's unique trumpet voice captured my ear at the age of five, I have tried in different ways to express myself with my own individual voice on the trumpet, an instrument I was given at the age of eight. I was born in 1962 in Gothenburg, Sweden. I studied at the music departments of the high schools of Ljungskile 1980–81 and Ingesund 1981–83 and at the Royal College of Music in Stockholm 1984–86. Lasse Lindgren worked busily as a freelance jazz-and-lead trumpeter during his years as a music student and in the years following during the ‘80s when he lived in Stockholm. The first band under Lasse's own leadership was called “Outfront” and this was followed by another that among its activities toured with valve-trombonist and composer Bob Brookmeyer. Lasse then started a family and moved to Sandviken, working as jazz-and-lead trumpeter with Sandviken Big Band 1989–1997. He also performed in the same role with Bohuslän Big Band 1991–1997 and in the following years with the Danish Radio Big Band (later “Jazz Orchestra”) 1997–2000. In recent years he has diversified and let go of the world of employment in order to pursue his more personal dreams. The Lasse Lindgren Constellations come in a wide variety of settings and possibilities. Learn more about Lasse: www.lasselindgren.se Learn more about Ullvén Mutes: www.lasse-ullven.com Learn more about Bob Reeves Brass: www.bobreeves.com

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Mace Francis is a big band composer that hails from Western Australia, he has a new recording out called "Isolation Emancipation." He will be talking to us about how he got into composing for big band, how his studies with legendary composer Bob Brookmeyer has shaped  him as a composer and how it has guided him as artistic director of  WAYJO,  the Western Australian Jazz Youth Orchestra.We will also feature a track that  friend to the podcast Elly Hoyt has kindly given us access to,  it is called "Speaking in Code" written by another friend of the show and amazing composer Nat Bartsch.  Then to finish the podcast we will hear a new track from my latest recording which is out September the 5th 2022. The recording is called “In the Blood” and the track is “Another Green.”Please be sure to give us a review on what ever platform you listen in on and please purchase any music that you hear and love on this podcast to support the artist.CheersDavid GaleaLinks: Mace Francis

The Retrogressive . . Bob Brookmeyer's albums Traditionalism Revisited and Kansas City Revisited from 1958 and 1959, featuring tunes associated with Louis Armstrong, King Oliver, Bix Beiderbecke, Jelly Roll Morton, Count Basie and Billie Holiday . .with Jimmy Giuffre, Jim Hall, Zoot Sims, Al Cohn, Paul Quinichette, Harry "Sweets" Edison, Hank Jones, Nat Pierce, Charlie Persip, Eddie Jones, Freddie Green and Big Miller --- Support this podcast: https://anchor.fm/john-clark49/support

GEORGE RUSSELL  JAZZ IN THE SPACE AGE – New York, December 29, 1959 Dimensions, Waltz from outer space Jimmy Buffington, Paul Bley, Howard Collins out, Marky Markowitz (tp) Bob Brookmeyer (v-tb), Hal McKusick (as) Charlie Persip (d)             HANK MOBLEY ROLL CALL – Englewood Cliffs, NJ, November 13, 1960 My […]

Esta noche el segundo de dos programas dedicados al saxofonista Stan Getz, lo escucharemos junto a Bob Brookmeyer, Chick Corea, Abbey Lincoln y su ultimo concierto en duo con Kenny Barron.   STAN GETZ: BOB BROOKMEYER AND FRIENDS – New York, May 25, 1964 Skylark Bob Brookmeyer (v-tb) Stan Getz (ts) Herbie Hancock (p) Ron […]

This week on Jazz Unlimited with Paul Anthony we revisit an archive edition done in 2001. We'll feature Central, New York native and bassist Tom Brigandi and his group, guitarist Kenny Burrell, drummer Cecil Brooks III, solo piano from Oscar Peterson from a release of all HIS original tunes, well known Miami Pianist Eddie Higgins, tenor saxophonist Carlos Garnett and and we'll end with a couple of legends, baritone saxophonist Gerry Mulligan and trombonist Bobby Brookmeyer and their pianoless quartet. All This week on Jazz Unlimited with Paul Anthony. l

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Scott Robinson is well known as a saxophonist playing the entire family of saxes from contrabass to sopranino. Recently it's his baritone sax with Maria Schneider Orchestra as well as Bob Brookmeyer, Toshiko Akiyoshi and others that attracted attention.

Tonight on Jazz After Dark: Duke Ellington with Ivie Anderson on vocals, Benny Carter, Arnett Cobb , Erroll Garner, Ella Fitzgerald, Sonny Stitt, Wes Montgomery, Vince Guaraldi Trio, Don Ellis, Zoot Sims with Bob Brookmeyer, Claude Bolling Big Band, and Benny Carter and the American Jazz Orchestra.

Grammy-nominated composer, Miho Hazama is one of the most promising and talented composers/arrangers of her generation. Miho developed her signature jazz chamber orchestra “m_unit” while still a graduate student at the Manhattan School of Music. In fact, that is where I first met Miho when we overlapped, navigating jazz studies and all New York has to offer. Watching her career go from strength to strength since then has been an utter joy. In 2019, she took up a post as the chief conductor of Danish Radio Big Band, following in the footsteps of Thad Jones, Bob Brookmeyer and Jim McNeely. Besides DR Big Band, Miho has worked as a conductor with Metropole Orkest and the WDR Big Band, and she is also the Associate Artistic Director of the New York Jazzharmonic. She just recorded a new album with the Danish Radio Big Band called "Imaginary Visions", which comes out on Edition Records on 24 September 2021. Miho was quarantining in Japan ahead of concert dates when we caught up after not having seen one another for nearly ten years. Show Notes: Tracks played: - I Said Cool, You Said…What - Home - Mingle-Mangle Goody Bag - Your Scenery Story - Mimi's March - On That Side The Danish Radio Big Band Welcomes Miho Hazama to Denmark Jazz Composers Present.com Imaginary Visions is released on 24 September 2021 on Edition Records Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of "The Insider", a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the music biz and the artists who inspire them.

Grammy-nominated composer, Miho Hazama is one of the most promising and talented composers/arrangers of her generation. Miho developed her signature jazz chamber orchestra “m_unit” while still a graduate student at the Manhattan School of Music. In fact, that is where I first met Miho when we overlapped, navigating jazz studies and all New York has to offer. Watching her career go from strength to strength since then has been an utter joy. In 2019, she took up a post as the chief conductor of Danish Radio Big Band, following in the footsteps of Thad Jones, Bob Brookmeyer and Jim McNeely. Besides DR Big Band, Miho has worked as a conductor with Metropole Orkest and the WDR Big Band, and she is also the Associate Artistic Director of the New York Jazzharmonic. She just recorded a new album with the Danish Radio Big Band called "Imaginary Visions", which comes out on Edition Records on 24 September 2021. Miho was quarantining in Japan ahead of concert dates when we caught up after not having seen one another for nearly ten years. Show Notes: Tracks played: - I Said Cool, You Said…What - Home - Mingle-Mangle Goody Bag - Your Scenery Story - Mimi's March - On That Side The Danish Radio Big Band Welcomes Miho Hazama to Denmark Jazz Composers Present.com Imaginary Visions is released on 24 September 2021 on Edition Records Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of "The Insider", a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the music biz and the artists who inspire them.

Welcome to a new edition of the Neon Jazz interview series with Veteran Jazz Percussionist & Composer Tom Nazziola .. He opened up about his new 2021 CD Distant Places where he tavels through time and geography featuring the premiere recording of 12 works and a stellar lineup of musicians .. Over the years, his music has been featured on virtually every medium in the world of composition. From “live film music” to choral and orchestral pieces, his work has been performed in France, Ireland, Slovenia, Guatemala, Croatia, and throughout the United States .. He has also played with Rufus Reid, Dave Liebman, Bob Brookmeyer, George Russell, Terrance Blanchard and so many others .. Enjoy the story ..  Click to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Listen to each show at https://www.mixcloud.com/neonjazzkc. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/If you like what you hear, please let us know. You can contribute a few bucks to keep Neon Jazz going strong into the future. https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4

Nel 1960, per la prima volta in un decennio, Getz non risulta il sax tenore dell'anno nel referendum del mensile Down Beat: la consultazione questa volta ha premiato John Coltrane, il sax tenore che fa parte del gruppo di Miles Davis. Getz sente vacillare il suo trono e capisce che deve rientrare negli Stati Uniti. Non è che sia stato lontano moltissimo, ma nei due anni e mezzo della sua assenza molti cambiamenti cruciali sono intervenuti nella scena del jazz e nel pubblico, a cominciare dall'irruzione del free jazz. Getz deve rimontare la china. Quando nel novembre del '61 si esibisce al Village Gate di New York con Steve Kuhn al piano, John Neves al contrabbasso e Roy Haynes alla batteria, Getz è alle soglie dell'uscita del suo album con Bob Brookmeyer, che contribuirà a rilanciare la sua popolarità, e a qualche mese dall'incisione di Jazz Samba, che si tradurrà in un clamoroso successo: ma lo Stan Getz che si esibisce al Gate è ancora uno Stan Getz che si sta battendo per tornare in cima, per riaffermare il suo ruolo di grande star, è uno Stan Getz che non fa prigionieri. Pubblicato dalla Verve nel 2019, Getz at the Gate è stato ricavato da una registrazione realizzata dalla stessa Verve, e poi dimenticata nei suoi archivi per decenni: evidentemente la Verve aveva preso in considerazione l'idea di pubblicare un live, che poi però, dopo l'exploit di Jazz Samba, in quegli anni non avrebbe avuto senso: ma un live che fa felici noi oggi.

Woodwind player Brian Landrus's new album, For Now, comes out on May 15, 2020. In this interview, Landrus talks about making an album with strings; how upheaval in his personal life led to the music on For Now; the influence of Bob Brookmeyer on his writing; a future big band project; and more. / / / I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album. Theme music by The Respect Sextet Logo by Dave Vrabel Intro voice: Chuck Ingersoll Follow The Jazz Session on Twitter, Instagram and Facebook. Subscribe to my twice-monthly newsletter.

Woodwind player Brian Landrus's new album, For Now, comes out on May 15, 2020. In this interview, Landrus talks about making an album with strings; how upheaval in his personal life led to the music on For Now; the influence of Bob Brookmeyer on his writing; a future big band project; and more. / / / I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album. Theme music by The Respect Sextet Logo by Dave Vrabel Intro voice: Chuck Ingersoll Follow The Jazz Session on Twitter, Instagram and Facebook. Subscribe to my twice-monthly newsletter.

L'album originario, ristampato dalla MatchBall con lo stesso titolo, uscì nel '57 ma conteneva brani incisi da Getz nell'estate del '53 (a cui la ristampa aggiunge diversi bonus dalle stesse sedute). Nel '53 il sassofonista, allora ventiseienne e già una figura di primo piano, forma un nuovo gruppo, con Bob Brookmeyer al trombone a valvole, John Williams al pianoforte, Teddy Kotick al contrabbasso e Frank Isola alla batteria. Il quintetto ha un ingaggio al Tiffany di Los Angeles, mentre in un altro club della città, The Haig, tiene banco il "quartetto senza pianoforte" di Gerry Mulligan con Chet Baker: siamo nella fase in cui si afferma il west coast jazz e i due gruppi si scambiano visite e si ascoltano a vicenda con interesse (non a caso l'anno successivo Brookmeyer e Isola saranno nel meraviglioso quartetto di Mulligan che trionfa alla Salle Pleyel a Parigi). A metà del '53 il quintetto di Getz ha poi un lungo ingaggio in un altro locale di Los Angeles, Zardi's, durante il quale ha modo di ampliare il proprio repertorio e di mettere a punto il materiale che viene inciso nel corso dell'estate.

Darcy is composer and bandleader raised in Vancouver, based in Brooklyn NY. He studied with Bob Brookmeyer at the New England Conservatory and since the early 2000s has led his own big band, Darcy James Argue's Secret Society, an eighteen piece ensemble that focuses on his original compositions. The group has released several albums and their 2009 debut “Infernal Machines” was nominated for a grammy. This weekend Secret Society will be doing four sets at the Jazz Gallery in NYC and Darcy stopped by to talk about what he's been up to.

Tonight's Jazz Feature was the last recording of one of tenor saxophonist Stan Getz' finest bands. This was a truly magical band that included Getz and valve trombonist Bob Brookmeyer, they both exhibited a genuine 6th sense and blended and played together so well. The band for this session was re-united for a series of concerts and this recording done in Los Angeles on November 9,1954. There was only one change in personnel and that was bassist Bill Anthony who replaced the original bassist, Teddy Kotick. This band was together for a major part of 1953 and recorded extensively then re-united in 1954. The band consisted of Getz and Brookmeyer and a wonderful pianist from Vermont named Johnny Williams, The aforementioned Bill Anthony was on bass and a wonderful drummer who was a model of lightness and taste named Frank Isola. They recorded 6 tunes here, four standards and one Basie blues and an original by Brookmeyer and that was the end of what was arguably one of Stan Getz' best bands and for some people, one of the finest Jazz groups ever! The sound was cool and the music was hot!

This is a fine straight forward set from the mid-50s that is led by one of the most original guitarists to come up in that era from the late 40s to the 50s and beyond. The set is not music that is re-inventing the wheel or pushing the envelope but it has it's own kind of basic swing, melodic invention and creativity. Guitarist Raney appears here with his musical soul-mate, valve trombonist Bob Brookmeyer and these two very talented and musical gentlemen combine forces in this wonderfully unpretentious disc recorded in New York in 1956. A wise selection of standards that are well chosen and two original compositions each by Raney and Brookmeyer make up the 8 selections. The stellar rhythm section consists of Dick Katz on piano, Teddy Kotick on bass and Osie Johnson on drums for the first 4 tunes and Katz is replaced on the final 4 by the venerable Hank Jones. Jimmy Raney and Bob Brookmeyer were great friends and they make music that reflects this fact. Enjoy!