Podcast appearances and mentions of Steve Jordan

Deborah Silver is a renowned vocalist in Jazz, Country, Americana. She's been praised by none other than Quincy Jones. She's had a string of hit duets with stars like Bill Medley of the Righteous Brothers, Jack Jones and Tony Orlando. Her newest album is “Basie Rocks!” recorded with the Count Basie Orchestra, featuring songs by The Beatles, Stones, Sting, Elton John and others. Guest artists include Peter Frampton, Arturo Sandoval and Trombone Shorty. Produced by Steve Jordan, drummer for the Rolling Stones.My featured song is my reimagined version of the Dobie Gray hit “The In Crowd” from the album PGS 7 by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Deborah:www.deborahsilvermusic.com—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

This week on Living the Outdoors, Marc Drewek is joined with Steve Jordan and Bob Wolfrath to discuss all things outdoors!

In this episode of The Bandwich Tapes, I sit down with renowned bassist, composer, and producer Viktor Krauss for a thoughtful and wide-ranging conversation about his musical path, creative process, and the many collaborations that have shaped his career.Viktor Krauss is one of contemporary music's most versatile and respected bassists. He's played with an astonishing array of artists, including Lyle Lovett, Bill Frisell, Robert Plant, and Alison Krauss. Equally at home in jazz, folk, rock, and beyond, Viktor brings a deep sense of melody, texture, and feel to everything he touches. In addition to his work as a sideman, he's also released his solo projects, blending cinematic soundscapes with expressive songwriting.This episode is a must-listen for fans of genre-defying musicianship, creative collaboration, and the subtle art of supporting a song from the low end.Music from the Episode:For A Good Time (Viktor Krauss)Pipe Down (Bill Frisell)Big Shoe (Bill Frisell)Penguins (Lyle Lovett)Grit Lap (Viktor Krauss)Big Log (Viktor Krauss)Pinky Ring (Viktor Krauss)Shine On You Crazy Diamond (Viktor Krauss)Trouble With My Lover (Robert Plant & Alison Krauss)Learn more about Viktor and his work at viktorkrauss.com.Thank you for listening! If you have any feedback or questions, or just want to say hi, reach out at info@thebandwichtapes.com — and please help spread the word about the show!Theme music: "Playcation" by Mark Mundy

COLEMAN HAWKINS – “ALL AMERICAN FOUR / FIVE” New York, May 29, 1944Make believe, Don't blame meColeman Hawkins (ts) Teddy Wilson (p) John Kirby (b) Sidney Catlett (d) New York, October 17, 1944Under a blanket of blue, Beyond the blue horizonBuck Clayton (tp) Coleman Hawkins (ts) Teddy Wilson (p) Slam Stewart (b) Denzil Best (d) LESTER YOUNG / HARRY EDISON – “PRES & SWEETS” Los Angeles, November 1, 1955Pennies from Heaven, That's all, One o'clock jumpHarry “Sweets” Edison (tp) Lester Young (ts) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Buddy Rich (d) VIC DICKENSON – “QUARTET” New York, June 24, 1952Tenderly, Lion's den, In a mellow toneVic Dickenson (tb) Bill Doggett (org) John Collins (g) Jo Jones (d) MEL POWELL – “SEPTET” New York, December 30, 1953‘S wonderful, It's been so long, You're lucky to meBuck Clayton (tp) Henderson Chambers (tb) Edmond Hall (cl) Mel Powell (p) Steve Jordan (g) Walter Page (b) Jimmy Crawford (d) Continue reading Puro Jazz 15 de abril, 2025 at PuroJazz.

JAZZ AT THE PHILHARMONIC “CARNEGIE HALL” New York, September 16, 1950Norgran blues (improvisation), Lady be good, A ghost of a chance (fp out)Harry “Sweets” Edison (tp) Bill Harris (tb) Flip Phillips, Lester Young (ts) Hank Jones (p) Ray Brown (b) Buddy Rich (d) RUBY BRAFF “BRAFF !” New York, June 26, 1956As long as I live, Blue turning grey over you, If I had you, It's been so longRuby Braff (tp) Dave McKenna (p) Steve Jordan (g) Buzzy Drootin (d) COZY COLE “ALL STARS” New York, February 22, 1944Father co-operates, Just one more chance, Thru' for the nightJoe Thomas (tp) Trummy Young (tb) Coleman Hawkins (ts) Earl Hines (p) Teddy Walters (g) Billy Taylor (b) Cozy Cole (d) Continue reading Puro Jazz 08 de abril, 2025 at PuroJazz.

COLEMAN HAWKINS – “ALL AMERICAN FOUR / FIVE” New York, May 29, 1944Make believe, Don't blame meColeman Hawkins (ts) Teddy Wilson (p) John Kirby (b) Sidney Catlett (d) New York, October 17, 1944Under a blanket of blue, Beyond the blue horizonBuck Clayton (tp) Coleman Hawkins (ts) Teddy Wilson (p) Slam Stewart (b) Denzil Best (d) LESTER YOUNG / HARRY EDISON – “PRES & SWEETS” Los Angeles, November 1, 1955Pennies from Heaven, That's all, One o'clock jumpHarry “Sweets” Edison (tp) Lester Young (ts) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Buddy Rich (d) VIC DICKENSON – “QUARTET” New York, June 24, 1952Tenderly, Lion's den, In a mellow toneVic Dickenson (tb) Bill Doggett (org) John Collins (g) Jo Jones (d) MEL POWELL – “SEPTET” New York, December 30, 1953‘S wonderful, It's been so long, You're lucky to meBuck Clayton (tp) Henderson Chambers (tb) Edmond Hall (cl) Mel Powell (p) Steve Jordan (g) Walter Page (b) Jimmy Crawford (d) Continue reading Puro Jazz 15 de abril, 2025 at PuroJazz.

JAZZ AT THE PHILHARMONIC “CARNEGIE HALL” New York, September 16, 1950Norgran blues (improvisation), Lady be good, A ghost of a chance (fp out)Harry “Sweets” Edison (tp) Bill Harris (tb) Flip Phillips, Lester Young (ts) Hank Jones (p) Ray Brown (b) Buddy Rich (d) RUBY BRAFF “BRAFF !” New York, June 26, 1956As long as I live, Blue turning grey over you, If I had you, It's been so longRuby Braff (tp) Dave McKenna (p) Steve Jordan (g) Buzzy Drootin (d) COZY COLE “ALL STARS” New York, February 22, 1944Father co-operates, Just one more chance, Thru' for the nightJoe Thomas (tp) Trummy Young (tb) Coleman Hawkins (ts) Earl Hines (p) Teddy Walters (g) Billy Taylor (b) Cozy Cole (d) Continue reading Puro Jazz 08 de abril, 2025 at PuroJazz.

Steve Jordan es un baterista con una larga trayectoria que incluye cientos de sesiones de grabación, muchas de ellas junto a algunos de nuestros artistas favoritos. Hemos recopilado para este especial sus colaboraciones junto a Donald Fagen, Spyro Gyra, The Brecker Brothers, George Benson, Boz Scaggs, David Sanborn, Herbie Hancock, Patti Austin, Jon Batiste, Alicia Keys, Rupert Holmes, David Garfield, Lyle Mays y Diana Krall.

This week's very special guest is Davell Crawford, who is also known as the “Piano Prince of New Orleans," is an acclaimed pianist, vocalist, composer, and arranger. Growing up in New Orleans, Crawford's influences run the gamut from Fats Domino to Sarah Vaughan, to Dr. John & Patsy Cline. Davell is truly a prodigy and natural entertainer, with an amazing story & remarkable natural talent. This past year, Jay Jay & Davell played together at New Orleans Jazz Fest, along with legendary drummer Steve Jordan. Tune in to hear all about how Jay Jay & Davell's friendship developed over the years, & how performing at Jazz Fest came together. Jay & Davell draw parallels between their very different musical backgrounds & upbringings, & share insight into what's to come for the both of them musically. Don't miss this conversation, only on The Jay Jay French Connection: Beyond the Music! Produced & Edited by Matthew Mallinger

This week's episode celebrates quite an amazing collaboration of musical talent and genius. We are talking about five time Grammy award winner Robert Cray, backed by the legendary Hi Rhythm Section and renowned drummer and producer Steve Jordan. BSC was there to capture an epic performance for the release of their latest album, Robert Cray and Hi Rhythm, plus an interview with Robert and Steve from a rehearsal at Royal Studios right here in Memphis.

VIC DICKENSON “VIC DICKENSON SEPTET” Brooklyn, NY, December 29, 1953Russian lullaby, Sir Charles at homeRuby Braff (tp) Vic Dickenson (tb) Edmond Hall (cl) Sir Charles Thompson (p) Steve Jordan (g) Walter Page (b) Les Erskine (d) BUCK CLAYTON “BUCK MEETS RUBY” Brooklyn, NY, July 1, 1954Just a groove, KandeeBuck Clayton (tp) Ruby Braff (cnt) Benny Morton (tb) Buddy Tate (ts) Jimmy Jones (p) Steve Jordan (g) Aaron Bell (b) Bobby Donaldson (d) JO JONES “THE JO JONES SPECIAL” Brooklyn, NY, August 11, 1955Shoe shine boy (1) Lover man (2), Georgia Mae (2)Emmett Berry (tp) Bennie Green (tb) Lucky Thompson (ts) Count Basie (p-1) Nat Pierce (p-2) Freddie Green (g) Walter Page (b) Jo Jones (d) Brooklyn, NY, August 16, 1955CaravanLawrence Brown, Rudy Powell, Pete Johnson , Emmett Berry, Buddy Tate, Freddie Green, Walter Page y Jones Continue reading Puro Jazz 08 de enero, 2025 at PuroJazz.

VIC DICKENSON “VIC DICKENSON SEPTET” Brooklyn, NY, December 29, 1953Russian lullaby, Sir Charles at homeRuby Braff (tp) Vic Dickenson (tb) Edmond Hall (cl) Sir Charles Thompson (p) Steve Jordan (g) Walter Page (b) Les Erskine (d) BUCK CLAYTON “BUCK MEETS RUBY” Brooklyn, NY, July 1, 1954Just a groove, KandeeBuck Clayton (tp) Ruby Braff (cnt) Benny Morton (tb) Buddy Tate (ts) Jimmy Jones (p) Steve Jordan (g) Aaron Bell (b) Bobby Donaldson (d) JO JONES “THE JO JONES SPECIAL” Brooklyn, NY, August 11, 1955Shoe shine boy (1) Lover man (2), Georgia Mae (2)Emmett Berry (tp) Bennie Green (tb) Lucky Thompson (ts) Count Basie (p-1) Nat Pierce (p-2) Freddie Green (g) Walter Page (b) Jo Jones (d) Brooklyn, NY, August 16, 1955CaravanLawrence Brown, Rudy Powell, Pete Johnson , Emmett Berry, Buddy Tate, Freddie Green, Walter Page y Jones Continue reading Puro Jazz 08 de enero, 2025 at PuroJazz.

Hosts Stephen Pye and Jordan Byers are back once again to discuss all the events in the EIHL and more! Steve & Jordan tackle: Puck Drop - Discussing all the events from the past week in the EIHL.Game-week sixteen review, who is winning the prediction war between the two hosts?Team Of The Week SelectionsGame-Week Seventeen predictions for this week's up and coming games.Guest this week: Andy Murray!

  Conesha Monét Owens, this California native in the Bay Area, she has the  God Given the talents of all that performing arts can give, including improv and dramatic acting, dance/choreography, topped with a 5-octave vocal range in modern and classical music, it no wonder this "gifted" singer-songwriter, arranger, and thespian has been sought after by some of the industry's best, most diverse and accomplished artists and producers. Some include producers Walter Afanasieff, Patrick Leonard, Raphael Saadiq, Steve Jordan, and the great Phil Spector. Her soul-stirring vocals and electrifying stage presence have captivated audiences around the globe, earning her a dedicated following and critical acclaim from music enthusiasts and industry insiders alike. With each note she sings,  Ms Monét invites listeners on a journey of self-discovery and empowerment, reminding them of the healing power of music. Ms. Monét wowed audiences and gained recognition on season 24 of NBC's “The Voice”, by making history as one of the four first-ever super-saves. This remarkable achievement has solidified her status as a standout talent in the music industry. This showcase will be an interview and her newest release to be played on my show, enjoySupport the showMusic Artist interview

 Conesha Monét Owens, this California native in the Bay Area, she has the  God Given the talents of all that performing arts can give, including improv and dramatic acting, dance/choreography, topped with a 5-octave vocal range in modern and classical music, it no wonder this "gifted" singer-songwriter, arranger, and thespian has been sought after by some of the industry's best, most diverse and accomplished artists and producers. Some include producers Walter Afanasieff, Patrick Leonard, Raphael Saadiq, Steve Jordan, and the great Phil Spector. Her soul-stirring vocals and electrifying stage presence have captivated audiences around the globe, earning her a dedicated following and critical acclaim from music enthusiasts and industry insiders alike. With each note she sings,  Ms Monét invites listeners on a journey of self-discovery and empowerment, reminding them of the healing power of music. Ms. Monét wowed audiences and gained recognition on season 24 of NBC's “The Voice”, by making history as one of the four first-ever super-saves. This remarkable achievement has solidified her status as a standout talent in the music industry. This showcase will be an interview and her newest release to be played on my show, enjoyBecome a supporter of this podcast: https://www.spreaker.com/podcast/ladydiva-live-radio--2579466/support.

Will Lee Live on Game Changers With Vicki Abelson Head to head with the DNC, two news junkies didn't walk into a bar but did get lost in conversation and fun. It's easy when one of them is Grammy Winner, crazy talented, lovely, humble human, Will Lee. It's been a few years and a world of changes since last we spoke, this time focusing on the road to sobriety, many moons ago, what led there, the price of using, meeting Paul Schaffer, a relationship that changed his life, the two of them holding the distinction of being on Late Show With David Letterman from day one with The World's Most Dangerous Band, until the final days with the CBS Orchestra, also giving Will the world's record for the longest-running bassist on late-night television. Will talked about the original band of 4, Hiram Bullock, Steve Jordan, how and why it morphed, some standout moments… Warren Zevon's last show, Will's MacArthur Park with Jimmy Webb… his hero, Ringo, making an appearance… Beatlemania, period. Where it all started for Will, The Ed Sullivan Show, the Fab Four, all of whom Will would come to play with, even John in unique fashion. An incredible story about Paul, a Hofner, and a call from “P,” and how his Fab Faux came to be. Will's account of how he conquered Revolution #9 and playing The White Album, heretofore never heard by Beatles sound engineer and producer, Geoff Emerick. Crazily, I was there that night- the story has a bittersweet postscript. We talked about Will's new single, It's All Too Much, and his new video, Hey Shorty, and how that came to be, why he's off to Japan tomorrow and the fame he found there. I've known Will for decades… with each that passes, I adore him more. He's a rare success, who's gotten to play with just about everyone, all of his heroes, night, after night, year after year, for 33 of them, and everyone it seems, without exception, loves and respects him. It's a life well-lived filled with gratitude and appreciation, which makes it all the sweeter. He closed with The Beatles, I Will…how damn fitting, Will! For all things Will www.willlee.com Will Lee Live on Game Changers With Vicki Abelson Wednesday, 8/21/24, 5 pm PT, 8 pm ET Streamed Live on my Facebook Replay here: https://bit.ly/3SUv19Z

EDDIE CONDON AND HIS BAND: New York, December 8, 1943Pray for the lights to go out, Singin' the bluesMax Kaminsky (tp) Brad Gowans (v-tb) Pee Wee Russell (cl) Joe Bushkin (p) Eddie Condon (g) Bob Casey (b) Tony Sbarbaro (d) [ Tony Spargo (d) ] New York, December 11, 1943Back in your own backyard, All the wrongs you've done to me, You can't cheat a cheater, Save your sorrowMax Kaminsky (tp) Lou McGarity (tb) Pee Wee Russell (cl) Gene Schroeder (p) Eddie Condon (g) Bob Casey (b) George Wettling (d) BUCK CLAYTON'S BAND F/ RUBY BRAFF BUCK MEETS RUBY New York, July 1, 1954Love is just around the corner, Kandee, Just a groove (I) (no tb,ts)Buck Clayton (tp) Ruby Braff (cnt) Benny Morton (tb) Buddy Tate (ts) Jimmy Jones (p) Steve Jordan (g) Aaron Bell (b) Bobby Donaldson (d) MUGGSY SPANIER AND HIS RAGTIMERS: New York, April 22, 1944Sweet Lorraine, Lady be good, SugarMuggsy Spanier (cnt) Ernie Caceres (bar) Pee Wee Russell (cl) Dick Cary (p) Eddie Condon (g) Sid Weiss (b) Joe Grauso (d) New York, September 27, 1944Riverside blues, RosettaMuggsy Spanier (cnt) Miff Mole (tb) Pee Wee Russell (cl) Boomie Richman (ts) Gene Schroeder (p) Eddie Condon (g) Bob Haggart (b) George Wettling (d) Continue reading Puro Jazz 28 Mayo 2024 at PuroJazz.

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

On this episode of the NFL Players: Second Acts podcast, Saints All-Pro Cam Jordan joins Peanut and Roman for an entertaining and enlightening conversation. Cam starts off telling the guys why the 2011 Draft class he was in is the greatest in NFL history, and who he feels from that class will one day join him in the Hall of Fame. Cam shares how's worked to shed the “second base” nickname he came into the league with as the son of former Pro Bowl tight end Steve Jordan. Cam already holds the Saints all-time sack record at 117.5, but he tells the guys his new career goal which would put him among the NFL's all-time greats. Plus, with Super Bowl 59 coming to New Orleans, Cam talks about what it would mean to win the Lombardi Trophy in his home city. All that, and much more! Stay tuned! The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Radio.See omnystudio.com/listener for privacy information.

On this episode of the NFL Players: Second Acts podcast, Saints All-Pro Cam Jordan joins Peanut and Roman for an entertaining and enlightening conversation. Cam starts off telling the guys why the 2011 Draft class he was in is the greatest in NFL history, and who he feels from that class will one day join him in the Hall of Fame. Cam shares how's worked to shed the “second base” nickname he came into the league with as the son of former Pro Bowl tight end Steve Jordan. Cam already holds the Saints all-time sack record at 117.5, but he tells the guys his new career goal which would put him among the NFL's all-time greats. Plus, with Super Bowl 59 coming to New Orleans, Cam talks about what it would mean to win the Lombardi Trophy in his home city. All that, and much more! Stay tuned! The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Radio.See omnystudio.com/listener for privacy information.

On this episode of the NFL Players: Second Acts podcast, Saints All-Pro Cam Jordan joins Peanut and Roman for an entertaining and enlightening conversation. Cam starts off telling the guys why the 2011 Draft class he was in is the greatest in NFL history, and who he feels from that class will one day join him in the Hall of Fame. Cam shares how's worked to shed the “second base” nickname he came into the league with as the son of former Pro Bowl tight end Steve Jordan. Cam already holds the Saints all-time sack record at 117.5, but he tells the guys his new career goal which would put him among the NFL's all-time greats. Plus, with Super Bowl 59 coming to New Orleans, Cam talks about what it would mean to win the Lombardi Trophy in his home city. All that, and much more! Stay tuned! The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Radio.See omnystudio.com/listener for privacy information.

On this episode of the NFL Players: Second Acts podcast, Saints All-Pro Cam Jordan joins Peanut and Roman for an entertaining and enlightening conversation. Cam starts off telling the guys why the 2011 Draft class he was in is the greatest in NFL history, and who he feels from that class will one day join him in the Hall of Fame. Cam shares how's worked to shed the “second base” nickname he came into the league with as the son of former Pro Bowl tight end Steve Jordan. Cam already holds the Saints all-time sack record at 117.5, but he tells the guys his new career goal which would put him among the NFL's all-time greats. Plus, with Super Bowl 59 coming to New Orleans, Cam talks about what it would mean to win the Lombardi Trophy in his home city. All that, and much more! Stay tuned! The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Radio.See omnystudio.com/listener for privacy information.

On this episode of the NFL Players: Second Acts podcast, Saints All-Pro Cam Jordan joins Peanut and Roman for an entertaining and enlightening conversation. Cam starts off telling the guys why the 2011 Draft class he was in is the greatest in NFL history, and who he feels from that class will one day join him in the Hall of Fame. Cam shares how's worked to shed the “second base” nickname he came into the league with as the son of former Pro Bowl tight end Steve Jordan. Cam already holds the Saints all-time sack record at 117.5, but he tells the guys his new career goal which would put him among the NFL's all-time greats. Plus, with Super Bowl 59 coming to New Orleans, Cam talks about what it would mean to win the Lombardi Trophy in his home city. All that, and much more! Stay tuned! The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Radio.See omnystudio.com/listener for privacy information.

On this episode of the NFL Players: Second Acts podcast, Saints All-Pro Cam Jordan joins Peanut and Roman for an entertaining and enlightening conversation. Cam starts off telling the guys why the 2011 Draft class he was in is the greatest in NFL history, and who he feels from that class will one day join him in the Hall of Fame. Cam shares how's worked to shed the “second base” nickname he came into the league with as the son of former Pro Bowl tight end Steve Jordan. Cam already holds the Saints all-time sack record at 117.5, but he tells the guys his new career goal which would put him among the NFL's all-time greats. Plus, with Super Bowl 59 coming to New Orleans, Cam talks about what it would mean to win the Lombardi Trophy in his home city. All that, and much more! Stay tuned! The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Radio.See omnystudio.com/listener for privacy information.

On this episode of the NFL Players: Second Acts podcast, Saints All-Pro Cam Jordan joins Peanut and Roman for an entertaining and enlightening conversation. Cam starts off telling the guys why the 2011 Draft class he was in is the greatest in NFL history, and who he feels from that class will one day join him in the Hall of Fame. Cam shares how's worked to shed the “second base” nickname he came into the league with as the son of former Pro Bowl tight end Steve Jordan. Cam already holds the Saints all-time sack record at 117.5, but he tells the guys his new career goal which would put him among the NFL's all-time greats. Plus, with Super Bowl 59 coming to New Orleans, Cam talks about what it would mean to win the Lombardi Trophy in his home city. All that, and much more! Stay tuned! The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Radio.See omnystudio.com/listener for privacy information.

On this episode of the NFL Players: Second Acts podcast, Saints All-Pro Cam Jordan joins Peanut and Roman for an entertaining and enlightening conversation. Cam starts off telling the guys why the 2011 Draft class he was in is the greatest in NFL history, and who he feels from that class will one day join him in the Hall of Fame. Cam shares how's worked to shed the “second base” nickname he came into the league with as the son of former Pro Bowl tight end Steve Jordan. Cam already holds the Saints all-time sack record at 117.5, but he tells the guys his new career goal which would put him among the NFL's all-time greats. Plus, with Super Bowl 59 coming to New Orleans, Cam talks about what it would mean to win the Lombardi Trophy in his home city. All that, and much more! Stay tuned! The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Radio.See omnystudio.com/listener for privacy information.

On this episode of the NFL Players: Second Acts podcast, Saints All-Pro Cam Jordan joins Peanut and Roman for an entertaining and enlightening conversation. Cam starts off telling the guys why the 2011 Draft class he was in is the greatest in NFL history, and who he feels from that class will one day join him in the Hall of Fame. Cam shares how's worked to shed the “second base” nickname he came into the league with as the son of former Pro Bowl tight end Steve Jordan. Cam already holds the Saints all-time sack record at 117.5, but he tells the guys his new career goal which would put him among the NFL's all-time greats. Plus, with Super Bowl 59 coming to New Orleans, Cam talks about what it would mean to win the Lombardi Trophy in his home city. All that, and much more! Stay tuned! The NFL Players: Second Acts podcast is a production of the NFL in partnership with iHeart Radio.See omnystudio.com/listener for privacy information.

“Just be who you are. Just be Mo.” That's exactly what Ms. Monét did when she took the stage in 2020 at the World Expo in Dubai. When the audience rushed the stage she discovered how powerful her performances could be and now refers to them as a ministry. Ms. Monét shares with Jeanne the thought process behind her newest single; why seeing a woman in her 50s succeed in this industry is important for so many other women; why she kept returning to regular 9-5 jobs between singing gigs; why you just have to say “no” sometimes; and why it's so important for her to continue to make her mother proud.   Born as Conesha Monét Owens, this Bay Area native was touched with the gift that only God could provide: the gift to truly move people. Given the talents of all that performing arts can give, including improv and dramatic acting, dance/choreography, topped with a 5-octave vocal range in modern and classical music, it's no wonder this "gifted" singer-songwriter, arranger, and thespian has been sought after by some of the industry's best, most diverse and accomplished artists and producers. Some include producers Walter Afanasieff, Patrick Leonard, Steve Jordan, and the great Phil Spector. Ms. Monét was one of the top 24 and first ever "Super Saves" on Season 24 of NBC's award-winning show "The Voice.” She recently released a single called “Celebrate” and is currently a radio personality for KUNV. Instagram: @THEEMSMONETX/Twitter: @MSMONETYouTube: @MSMONET50Facebook: /MONIACS

JAZZ AT THE PHILHARMONIC CARNEGIE HALL New York, September 16, 1950Norgran blues (improvisation), Lady be good, A ghost of a chance (fp out)Harry “Sweets” Edison (tp) Bill Harris (tb) Flip Phillips, Lester Young (ts) Hank Jones (p) Ray Brown (b) Buddy Rich (d) RUBY BRAFF BRAFF ! New York, June 26, 1956As long as I live, Blue turning grey over you, If I had you, It's been so longRuby Braff (tp) Dave McKenna (p) Steve Jordan (g) Buzzy Drootin (d) COZY COLE ALL STARS New York, February 22, 1944Father co-operates, Just one more chance, Thru' for the nightJoe Thomas (tp) Trummy Young (tb) Coleman Hawkins (ts) Earl Hines (p) Teddy Walters (g) Billy Taylor (b) Cozy Cole (d) Continue reading Puro Jazz 16 abril 2024 at PuroJazz.

The year is 2006 and John Mayer has just recorded a landmark album that will put his new trio on the map. Drummer/producer Steve Jordan had the great idea of bringing Willie Weeks AND Pino Palladino in to play bass on one track, with Pino adding his own accompaniment to Week's muted 8th note figure. When Sean Hurley landed the bass gig with John Mayer in 2008, he combined both bass lines! So in today's lesson, Sean is going to break it down note-for-note for you – and show you how to make it sound like TWO bass players are playing at the same time. Along with teaching you four more iconic John Mayer bass grooves.

Bettye LaVette is a music legend. Heading back out on the road this spring, Bettye is one of the foremost interpreter of songs and is one of a kind. We got to talk with Bettye about her albums, including how she approaches her interpretations as well as her fascinating and long-running career.Her most recent album LaVette! Is available now. For more information and tour dates, check out her website, or follow her on Facebook.Plus, Heidi recaps her night with U2.

Bruce maintains a peculiar kind of calendar, perhaps unique in the world, featuring the birthdays of many of the most renowned accordionists of all time. That way, when it’s time for us to put together an episode of our weekly radio program, there’s always somebody worthwhile we can celebrate on that occasion! This time around, […]

This week's episode celebrates quite an amazing collaboration of musical talent and genius. We are talking about five time Grammy award winner Robert Cray, backed by the legendary Hi Rhythm Section and renowned drummer and producer Steve Jordan. BSC was there to capture an epic performance for the release of their latest album, Robert Cray and Hi Rhythm, plus an interview with Robert and Steve from a rehearsal at Royal Studios right here in Memphis.

In this episode Bill talks with his friend, Navy Veteran and former drummer for the Ayron Jones Band, Bobby Jimmi. We talk about growing up in the church and watching his Dad and family play music, his Dad as a drummer, joining the Navy and still wanting to punch his recruiter, how visiting Israel impacted his life, fun stories in the Navy and dating, duty days with the drum pad, and playing with bands in the Seattle music scene. We also talk about getting to play with Ayron Jones, maxing credit cards to support his sister and her graduation, his first try-out for Ayron, receiving his Dads death bed blessing to go pursue his dreams in music, getting to play with the Rolling Stones and chop it up with Mick Jagger and Steve Jordan, playing the tin roof circuit with country artist Denver Massey, plus so much more. **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.**Please SUBSCRIBE, click the notification bell, leave a comment or a like, and share this episode! --- Send in a voice message: https://podcasters.spotify.com/pod/show/cmspn/message

Skol Stories is back with former Vikings Darrin Nelson and Steve Jordan!

Welcome back to Skol Stories presented by 3M - The official science partner of the Minnesota Vikings.  Tonight, Steve Jordan and Darrin Nelson join Mark Rosen and Pete Bercich in studio to look back on their shared rookie experience, the genius of Jerry Burns, the evolution of the Vikings organization, and the current Vikings team.  All of this and more is in this edition of Skol Stories presented by 3M - The official science partner of the Minnesota Vikings.See omnystudio.com/listener for privacy information.

EP #10: On the latest Off the Edge with Cam Jordan pod, it's fireside chat time with Cam. During his bye week, Cam shares his adventures at the EA Sports F1 Showrun in Las Vegas. He also takes us inside the bye week life of an NFL player that, for him, included introducing his son “Tank” to the cold tub. Cam recaps his bittersweet Week 10: the bitter being the Saints loss to the Minnesota Vikings, but the sweet being his pre-game interaction with his dad and Vikings Ring of Honor inductee Steve Jordan…who showed his support through sporting Cam's Jordan 1s. Cam also reacts to Jets coach Robert Saleh saying sacks are an overrated stat, and gives his picks - as of now - for MVP and Defensive Player of the Year. Cam also weighs in on whether Oakland Raiders interim coach Antonio Pierce deserves the job permanently.  1:11 - Cam on going to Las Vegas for EA Sports F1 Showrun event  2:54 - Cam on linking up with his dad Steve Jordan before the game Sunday  4:55 - Cam on Saints inability to contain Josh Dobbs in loss to Vikings  8:10 - Cam on taking his son's reaction to getting in the cold tub for the first time 9:25 - Cam on his mid-season DPOY and MVP picks  11:31 - Cam reacts to Robert Saleh's comments on sacks being an overrated stat 15:10 - Cam on whether Raiders interim coach Antonio Pierce deserves the job full time  17:36 - Cam on prioritizing family time during a bye week  *NOTE: Time codes are approximate The Off the Edge with Cam Jordan podcast is a production of the NFL in partnership with iHeart RadioSee omnystudio.com/listener for privacy information.

EP #10: On the latest Off the Edge with Cam Jordan pod, it's fireside chat time with Cam. During his bye week, Cam shares his adventures at the EA Sports F1 Showrun in Las Vegas. He also takes us inside the bye week life of an NFL player that, for him, included introducing his son “Tank” to the cold tub. Cam recaps his bittersweet Week 10: the bitter being the Saints loss to the Minnesota Vikings, but the sweet being his pre-game interaction with his dad and Vikings Ring of Honor inductee Steve Jordan…who showed his support through sporting Cam's Jordan 1s. Cam also reacts to Jets coach Robert Saleh saying sacks are an overrated stat, and gives his picks - as of now - for MVP and Defensive Player of the Year. Cam also weighs in on whether Oakland Raiders interim coach Antonio Pierce deserves the job permanently.  1:11 - Cam on going to Las Vegas for EA Sports F1 Showrun event  2:54 - Cam on linking up with his dad Steve Jordan before the game Sunday  4:55 - Cam on Saints inability to contain Josh Dobbs in loss to Vikings  8:10 - Cam on taking his son's reaction to getting in the cold tub for the first time 9:25 - Cam on his mid-season DPOY and MVP picks  11:31 - Cam reacts to Robert Saleh's comments on sacks being an overrated stat 15:10 - Cam on whether Raiders interim coach Antonio Pierce deserves the job full time  17:36 - Cam on prioritizing family time during a bye week  *NOTE: Time codes are approximate The Off the Edge with Cam Jordan podcast is a production of the NFL in partnership with iHeart RadioSee omnystudio.com/listener for privacy information.

EP #10: On the latest Off the Edge with Cam Jordan pod, it's fireside chat time with Cam. During his bye week, Cam shares his adventures at the EA Sports F1 Showrun in Las Vegas. He also takes us inside the bye week life of an NFL player that, for him, included introducing his son “Tank” to the cold tub. Cam recaps his bittersweet Week 10: the bitter being the Saints loss to the Minnesota Vikings, but the sweet being his pre-game interaction with his dad and Vikings Ring of Honor inductee Steve Jordan…who showed his support through sporting Cam's Jordan 1s. Cam also reacts to Jets coach Robert Saleh saying sacks are an overrated stat, and gives his picks - as of now - for MVP and Defensive Player of the Year. Cam also weighs in on whether Oakland Raiders interim coach Antonio Pierce deserves the job permanently.  1:11 - Cam on going to Las Vegas for EA Sports F1 Showrun event  2:54 - Cam on linking up with his dad Steve Jordan before the game Sunday  4:55 - Cam on Saints inability to contain Josh Dobbs in loss to Vikings  8:10 - Cam on taking his son's reaction to getting in the cold tub for the first time 9:25 - Cam on his mid-season DPOY and MVP picks  11:31 - Cam reacts to Robert Saleh's comments on sacks being an overrated stat 15:10 - Cam on whether Raiders interim coach Antonio Pierce deserves the job full time  17:36 - Cam on prioritizing family time during a bye week  *NOTE: Time codes are approximate The Off the Edge with Cam Jordan podcast is a production of the NFL in partnership with iHeart RadioSee omnystudio.com/listener for privacy information.

EP #10: On the latest Off the Edge with Cam Jordan pod, it's fireside chat time with Cam. During his bye week, Cam shares his adventures at the EA Sports F1 Showrun in Las Vegas. He also takes us inside the bye week life of an NFL player that, for him, included introducing his son “Tank” to the cold tub. Cam recaps his bittersweet Week 10: the bitter being the Saints loss to the Minnesota Vikings, but the sweet being his pre-game interaction with his dad and Vikings Ring of Honor inductee Steve Jordan…who showed his support through sporting Cam's Jordan 1s. Cam also reacts to Jets coach Robert Saleh saying sacks are an overrated stat, and gives his picks - as of now - for MVP and Defensive Player of the Year. Cam also weighs in on whether Oakland Raiders interim coach Antonio Pierce deserves the job permanently.  1:11 - Cam on going to Las Vegas for EA Sports F1 Showrun event  2:54 - Cam on linking up with his dad Steve Jordan before the game Sunday  4:55 - Cam on Saints inability to contain Josh Dobbs in loss to Vikings  8:10 - Cam on taking his son's reaction to getting in the cold tub for the first time 9:25 - Cam on his mid-season DPOY and MVP picks  11:31 - Cam reacts to Robert Saleh's comments on sacks being an overrated stat 15:10 - Cam on whether Raiders interim coach Antonio Pierce deserves the job full time  17:36 - Cam on prioritizing family time during a bye week  *NOTE: Time codes are approximate The Off the Edge with Cam Jordan podcast is a production of the NFL in partnership with iHeart RadioSee omnystudio.com/listener for privacy information.

EP #10: On the latest Off the Edge with Cam Jordan pod, it's fireside chat time with Cam. During his bye week, Cam shares his adventures at the EA Sports F1 Showrun in Las Vegas. He also takes us inside the bye week life of an NFL player that, for him, included introducing his son “Tank” to the cold tub. Cam recaps his bittersweet Week 10: the bitter being the Saints loss to the Minnesota Vikings, but the sweet being his pre-game interaction with his dad and Vikings Ring of Honor inductee Steve Jordan…who showed his support through sporting Cam's Jordan 1s. Cam also reacts to Jets coach Robert Saleh saying sacks are an overrated stat, and gives his picks - as of now - for MVP and Defensive Player of the Year. Cam also weighs in on whether Oakland Raiders interim coach Antonio Pierce deserves the job permanently.  1:11 - Cam on going to Las Vegas for EA Sports F1 Showrun event  2:54 - Cam on linking up with his dad Steve Jordan before the game Sunday  4:55 - Cam on Saints inability to contain Josh Dobbs in loss to Vikings  8:10 - Cam on taking his son's reaction to getting in the cold tub for the first time 9:25 - Cam on his mid-season DPOY and MVP picks  11:31 - Cam reacts to Robert Saleh's comments on sacks being an overrated stat 15:10 - Cam on whether Raiders interim coach Antonio Pierce deserves the job full time  17:36 - Cam on prioritizing family time during a bye week  *NOTE: Time codes are approximate The Off the Edge with Cam Jordan podcast is a production of the NFL in partnership with iHeart RadioSee omnystudio.com/listener for privacy information.

EP #10: On the latest Off the Edge with Cam Jordan pod, it's fireside chat time with Cam. During his bye week, Cam shares his adventures at the EA Sports F1 Showrun in Las Vegas. He also takes us inside the bye week life of an NFL player that, for him, included introducing his son “Tank” to the cold tub. Cam recaps his bittersweet Week 10: the bitter being the Saints loss to the Minnesota Vikings, but the sweet being his pre-game interaction with his dad and Vikings Ring of Honor inductee Steve Jordan…who showed his support through sporting Cam's Jordan 1s. Cam also reacts to Jets coach Robert Saleh saying sacks are an overrated stat, and gives his picks - as of now - for MVP and Defensive Player of the Year. Cam also weighs in on whether Oakland Raiders interim coach Antonio Pierce deserves the job permanently.  1:11 - Cam on going to Las Vegas for EA Sports F1 Showrun event  2:54 - Cam on linking up with his dad Steve Jordan before the game Sunday  4:55 - Cam on Saints inability to contain Josh Dobbs in loss to Vikings  8:10 - Cam on taking his son's reaction to getting in the cold tub for the first time 9:25 - Cam on his mid-season DPOY and MVP picks  11:31 - Cam reacts to Robert Saleh's comments on sacks being an overrated stat 15:10 - Cam on whether Raiders interim coach Antonio Pierce deserves the job full time  17:36 - Cam on prioritizing family time during a bye week  *NOTE: Time codes are approximate The Off the Edge with Cam Jordan podcast is a production of the NFL in partnership with iHeart RadioSee omnystudio.com/listener for privacy information.

Mike Hoss interviewed Saints executive vice president & general manager Mickey Loomis about their 24-17 victory over the Bears. Loomis evaluated the progression of the Saints' offense. He previewed their upcoming matchup against the Minnesota Vikings. Loomis praised the improvement of New Orleans' OL. Steve Jordan, the father of Saints legendary DE Cam Jordan, joined Hoss and Loomis to discuss Cam's extension with New Orleans. Jordan remembered the birth of free agency in the NFL as a former TE with the Vikings. Jordan talked about his relationship with legendary former Vikings coach Bud Grant. He also reviewed his career in Minnesota.

Mike Hoss interviewed Saints executive vice president & general manager Mickey Loomis about their 24-17 victory over the Bears. Loomis evaluated the progression of the Saints' offense. He previewed their upcoming matchup against the Minnesota Vikings. Loomis praised the improvement of New Orleans' OL. Steve Jordan, the father of Saints legendary DE Cam Jordan, joined Hoss and Loomis to discuss Cam's extension with New Orleans. Jordan remembered the birth of free agency in the NFL as a former TE with the Vikings. Jordan talked about his relationship with legendary former Vikings coach Bud Grant. He also reviewed his career in Minnesota.

One of this year's most pleasant surprises has been the first album of original material since 2005 from The Rolling Stones - Mick, Keith, Ronnie, Steve and on this album, Charlie and even Bill. Producer/songwriter/musician and friend of the show Michael Carpenter has spent a long time dissecting the Stones recorded catalogue and joins me today to go track by track through Hackney Diamonds and unpack this fascinating album - the impact of Steve Jordan on the band, whether it's fair to compare a new Stones album to their 70s hey day, how they balance contemporary and traditional production, Jagger's ageless vocals, mature lyrical perspectives and the guest appearances by Elton John, Lady Gaga, Stevie Wonder and Paul McCartney.

We welcomed Grammy Award-winner Steve Jordan to the show on September 20, 2023. Steve has served as a drummer, musical director, producer... working with the Rolling Stones, Saturday Night Live, David Letterman and more. Enjoy this interview as we discuss these stops on his vast career, and more! Make the Grand Ole Opry part of YOUR Nashville experience! With at least three shows every week, there are plenty of opportunities to see The Show That Made Country Music Famous -- plus, take the Opry Backstage Tour while you're there, and you'll get to stand in the world-famous circle where so many country greats have performed. Plus, you'll get access to the limited-time "Famous Friends: Guests of the Grand Ole Opry" exhibit at the Acuff House. Thanks for listening to the Coffee, Country & Cody podcast from WSM Radio! Download the official WSM Radio App (for Apple or Android devices) to hear WSM in digital clarity, plus two additional streaming stations -- Opry Nashville and Route 650 -- as well as thousands of hours of archived programming. And now you can hear WSM on iHeartRadio as well!

Thanks for the shout out Shawn! “Too Hot To Hold,” written by legendary drummer/producer Steve Jordan and performed by Shawn Jones, is now available for pre-sale. “When I heard this killer track, I knew I wanted to accept the challenge to record it, and I only hope we've done it justice.”— Shawn Jones Shawn Jones is gearing up for the release of his brilliant new full-length studio album “In My Blood,” which will be physically released this fall and accompanied by supporting digital singles. This untraditional creative approach to this album release will give Shawn's live show fans a chance to hear and own the 11-song album before it is digitally made available to the general public in the Spring of 2024. https://shawnjonesmusic.com

Arwen Lewis welcomes to her show international music artist, Shawn Jones! Shawn performs LIVE in studio and debuts his new single - - - “Too Hot To Hold,” written by legendary drummer/producer Steve Jordan and performed by Shawn Jones, is now available for pre-sale. “When I heard this killer track, I knew I wanted to accept the challenge to record it, and I only hope we've done it justice.”— Shawn Jones Shawn Jones is gearing up for the release of his brilliant new full-length studio album “In My Blood,” which will be physically released this fall and accompanied by supporting digital singles. This untraditional creative approach to this album release will give Shawn's live show fans a chance to hear and own the 11-song album before it is digitally made available to the general public in the Spring of 2024. “Too Hot To Hold” is now available for pre-sale and will be available on all major streaming platforms on September 8, 2023. Fans can stay up-to-date with Shawn Jones' latest news and updates by visiting his official website and social media links below. For more information or to schedule an interview with Shawn, please contact DNT Entertainment. Pre-Save “Too Hot To Hold” HERE: https://ffm.to/shawnjones_toohottohold www.shawnjonesmusic.com www.facebook.com/OfficialShawnJones The Arwen Lewis Show Host | Arwen Lewis Executive Producer | Jeremiah D. Higgins Producer - Sound Engineer - Richard “Dr. D” Dugan https://arwenlewismusic.com/ On Instagram, Follow Arwen Lewis Here: @thearwenlewisshow @arwenlewis www.thejeremiahshow.com On Instagram @jeremiahdhiggins https://linktr.ee/jeremiahdhiggins

New Orleans Saints defensive end Cameron Jordan absolutely deserves his ish to finish his career with just one team: the Saints. His father, Steve Jordan did it with the Minnesota Vikings and Cam's openess of wanting to follow in his dad's footsteps has been a positive influence for other players like Alvin Kamara.The Saints could consider trading for Los Angeles Chargers running back Austin Ekeler, but they shouldn't do it unless the price is perfect. North Dakota State University (NDSU) offensive lineman Cody Mauch is a players to keep an eye on in this year's NFL Draft.JOIN SUBTEXT: https://joinsubtext.com/lockedonsaintsFollow & Subscribe on all Podcast platforms… 

New Orleans Saints defensive end Cameron Jordan absolutely deserves his ish to finish his career with just one team: the Saints. His father, Steve Jordan did it with the Minnesota Vikings and Cam's openess of wanting to follow in his dad's footsteps has been a positive influence for other players like Alvin Kamara. The Saints could consider trading for Los Angeles Chargers running back Austin Ekeler, but they shouldn't do it unless the price is perfect. North Dakota State University (NDSU) offensive lineman Cody Mauch is a players to keep an eye on in this year's NFL Draft. JOIN SUBTEXT: https://joinsubtext.com/lockedonsaints Follow & Subscribe on all Podcast platforms…