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In Episode Six, Dave Reis speaks with internationally renowned, award-winning jazz musician and centenarian, Terry Gibbs, via Zoom from Australia! Terry Gibbs, was born Julius Gubenkon in 1924. The renowned American jazz vibraphonist and band leader is 101 years old! According to his Wikipedia page, Gibbs has performed or recorded with many of the greatest names in Jazz, including Tommy Dorsey, Chubby Jackson, Buddy Rich, Woody Herman, Benny Goodman, Alice Coltrane, Louie Bellson, Charlie Shavers, Mel Tormé, and Buddy DeFranco to name just a few. "I am the oldest bebopper alive!” proclaims 93-year-old Terry Gibbs, according to an article in Jazz Times, "This forefather of the jazz vibraphone may well be right; age-wise he beats out his closest competitors, including Roy Haynes (92), Jimmy Heath (91), Lee Konitz (90) and Sheila Jordan (89). Certainly, few musicians of any age can top his ability to whip up a storm of excitement on his instrument." The Artist Index's jazz documentarian and Jazz Podcast Series host, Dave Reis, spent nearly 26 years as a Jazz radio show host, among his many other accomplishments. He was one of the original longtime DJs who worked at the former WUSM, which became radio station WUMD, 89.3 FM, on the University of Massachusetts Dartmouth campus. Dave Reis, AKA David Domingo Reis, began as our guest on In-Focus Podcast 154 and In-Focus Podcast 181. He returns once again as the host of our first-ever ten-part jazz podcast series underwritten by the Fiber Optic Center. There is no better host for this series than Dave Reis, a walking, talking jazz encyclopedia and local legend himself. Dave grew up surrounded by and hanging around with many of the jazz greats he will be presenting his ten-part Jazz Podcast Series underwritten by the Fiber Optic Center. Podcasts are also available on your favorite media app, including Amazon Music / iHeart Radio / Libsyn / Podcast Page / Spotify / WebPlayer, and APPLE PODCASTS Please consider donating whatever you can to help and assure us in our mission to continue documenting the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!
**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary/Neo Jazz/Samba/ Be Bop/ Jazz Crackers From Jamaaladeen Tacuma, Egba, Etienne Charles, Cannonball Adderley Quintet, Orlando Valle, Nelson Ayres, "Flip" Nunez, Bobby Hutcherson, Joaquin Joe Claussell & Eddie Pomeri, Potter & Tillman, Weekend, Chris Bangs, Louie Bellson, The Christine Spero Group, Sacbe, Andrea Pozza Trio & More #originalpirates #JazzMusic #jazzfunk #jazzclub #jazzdance #neojazz #sambajazz #bebop Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**
Send us a textAn epic episode of Live From My Drum Room celebrating the 35th Anniversary of the Buddy Rich Memorial Concert on October 14, 1989 in Los Angeles, widely considered the greatest drumming event in history. My guests are the drummers and people who made it possible: Steve Gadd, Vinnie Colaiuta, Dave Weckl, Gregg Bissonette & Dennis Chambers, along with Cathy Rich who produced the show and Rob Wallis of Hudson Music (formerly DCI video) who captured it on film for all of posterity. It was the first time all of us had been together at the same time since that incredible night 35 years ago. The show aired live exactly 35 years to the day - October 14, 2024, in front of a LIVE audience of 40,000 viewers! We shared stories and memories of the event and the late Louie Bellson. (The podcast includes bonus content with Steve Gadd remembering Louie, which was not included in the livestream!) So come along for the ride and please subscribe! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!Exciting news! 100% of the proceeds from Live From My Drum Room T-shirts goes toward a newly created Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL. $25 includes shipping in the contiguous US. Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Email: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt to help support this endeavor!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom
JO JONES SEXTET “VAMP ‘TIL READY” New York, April 19, 1960Liza, You're getting to be a habit with me, Should I ?, Royal garden bluesHarry “Sweets” Edison (tp) Bennie Green (tb) Jimmy Forrest (ts) Tommy Flanagan (p) Tommy Potter (b) Jo Jones (d) JESS STACY “AND FRIENDS” New York, November 25, 1944Liza, You're getting to be a habit with me, Should I ?, Royal garden bluesJess Stacy (p) Specs Powell (d) JUAN TIZOL “AND HIS ORCHESTRA” Los Angeles, April 7, 1946Keb-Lah, The Sphinx, Zanzibar, You Can't Have Your Cake And Eat ItDick Cathcart (t), Juan Tizol (v-tb), Willie Smith (as; vo on #17), Babe Russin (ts), Arnold Ross (p), Irving Ashby (g), Ed Mihelich (b), Nick Fatool (d) “LOUIS ARMSTRONG/OSCAR PETERSON” Hollywood, CA, October 14, 1957Let's fall in love, What's new, Moon song, There's no you, Sweet LorraineLouis Armstrong (tp,vcl) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Louie Bellson (d) Continue reading Puro Jazz 27 de septiembre, 2024 at PuroJazz.
JO JONES SEXTET “VAMP ‘TIL READY” New York, April 19, 1960Liza, You're getting to be a habit with me, Should I ?, Royal garden bluesHarry “Sweets” Edison (tp) Bennie Green (tb) Jimmy Forrest (ts) Tommy Flanagan (p) Tommy Potter (b) Jo Jones (d) JESS STACY “AND FRIENDS” New York, November 25, 1944Liza, You're getting to be a habit with me, Should I ?, Royal garden bluesJess Stacy (p) Specs Powell (d) JUAN TIZOL “AND HIS ORCHESTRA” Los Angeles, April 7, 1946Keb-Lah, The Sphinx, Zanzibar, You Can't Have Your Cake And Eat ItDick Cathcart (t), Juan Tizol (v-tb), Willie Smith (as; vo on #17), Babe Russin (ts), Arnold Ross (p), Irving Ashby (g), Ed Mihelich (b), Nick Fatool (d) “LOUIS ARMSTRONG/OSCAR PETERSON” Hollywood, CA, October 14, 1957Let's fall in love, What's new, Moon song, There's no you, Sweet LorraineLouis Armstrong (tp,vcl) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Louie Bellson (d) Continue reading Puro Jazz 27 de septiembre, 2024 at PuroJazz.
Dave Clarke joined Wake Up Tri-Counties to talk about some Hog Days history. Dave talks about famous drummer Louie Bellson and his connection to Kewanee, and his connection to Kewanee.
Peruvian drummer and percussionist talks about his collaborations with Don Alias, Louie Bellson and Jaco Pastorius.
Legendary Jazz drummer Louie Bellson has a few connections to Kewanee. First of all, his father, Louie Bellson Sr. owned a music shop in Kewanee in the 1930s and 40s. Also, Louie Bellson's little sister moved to Kewanee in the 1950s and spent the rest of her life in Kewanee. But the question that our friend Dave Clarke tried to answer on this edition of Kewanee Back When was whether or not Louie Bellson ever played a show in Kewanee? We know he played several shows in Rock Falls, where he was born, and in Moline where he grew up. But did he ever play a show in Kewanee? Dave has the answer in this edition of Kewanee Back When.
Ellis Tollin is a world-class performer who played on hit records, started a very successful music store in Philadelphia called Music City, which hosted countless performances by greats such as Louie Bellson, Max Roach, Art Blakey, and many more. Ellis is known as the father of the Drum Clinic, and he was also a close personal friend of Buddy Rich. This episode shines a light on his rise as a performer at the peak of the Jazz explosion, his need to pivot after arthritis made his drumming career come to an end, his involvement with the Rogers Drum Company and the Dyna-Sonic snare, and his passionate feud with William F. Ludwig. Anthony Amodeo returns to the show this week to share his extensive research that he has done on Ellis Tollin through his connections with the Tollin Family, rare interview clips, and tracking down stories from people who knew Ellis personally. Thanks for watching! **JOIN PATREON** https://www.patreon.com/drumhistorypodcast **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **I record interviews with Riverside.FM - I highly recommend it. use code DRUM to save 15%*** https://riverside.fm/?via=bart-vanderzee
Ellis Tollin is a world-class performer who played on hit records, started a very successful music store in Philadelphia called Music City, which hosted countless performances by greats such as Louie Bellson, Max Roach, Art Blakey, and many more. Ellis is known as the father of the Drum Clinic, and he was also a close personal friend of Buddy Rich. This episode shines a light on his rise as a performer at the peak of the Jazz explosion, his need to pivot after arthritis made his drumming career come to an end, his involvement with the Rogers Drum Company and the Dyna-Sonic snare, and his passionate feud with William F. Ludwig. Anthony Amodeo returns to the show this week to share his extensive research that he has done on Ellis Tollin through his connections with the Tollin Family, rare interview clips, and tracking down stories from people who knew Ellis personally. Thanks for watching! **JOIN PATREON** https://www.patreon.com/drumhistorypodcast **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **I record interviews with Riverside.FM - I highly recommend it. use code DRUM to save 15%*** https://riverside.fm/?via=bart-vanderzee
Anthony has been on a mission to discover as much as he can on the history of the legendary Covington era of Rogers Drums! Anthony and his Rogers friends are using state of the art techniques to test the species of each ply on various shells to determine the make up of the shells, and he is utilizing the research that the generation before him has compiled. This has allowed him to put together a comprehensive look at the Rogers drums that were made in the small town of Covington, Ohio between 1954 and 1968. This small town was producing some of the finest drums in the world at this point and was beloved by some of the greatest players in the world such as Buddy Rich and Louie Bellson! Here is a link to the episode about the history of Rogers Drums with Po Shy and Jeff Burke : https://youtu.be/93bfAD5w7Vo Here is Anthonys great Rogers YouTube channel: https://www.youtube.com/@rogersdrumvideos and The Rogers Facebook Groups - Rogers Drums USA: https://www.facebook.com/groups/1665871023670039 Covington Drummers: https://www.facebook.com/groups/445087259289998 Rogers Drums - Buy and Sell: https://www.facebook.com/groups/440357052700555 **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast
Anthony has been on a mission to discover as much as he can on the history of the legendary Covington era of Rogers Drums! Anthony and his Rogers friends are using state of the art techniques to test the species of each ply on various shells to determine the make up of the shells, and he is utilizing the research that the generation before him has compiled. This has allowed him to put together a comprehensive look at the Rogers drums that were made in the small town of Covington, Ohio between 1954 and 1968. This small town was producing some of the finest drums in the world at this point and was beloved by some of the greatest players in the world such as Buddy Rich and Louie Bellson! Here is a link to the episode about the history of Rogers Drums with Po Shy and Jeff Burke : https://youtu.be/93bfAD5w7Vo Here is Anthonys great Rogers YouTube channel: https://www.youtube.com/@rogersdrumvideos and The Rogers Facebook Groups - Rogers Drums USA: https://www.facebook.com/groups/1665871023670039 Covington Drummers: https://www.facebook.com/groups/445087259289998 Rogers Drums - Buy and Sell: https://www.facebook.com/groups/440357052700555 **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast
What a smile! What a sweetheart! Oh yeah, Walfredo Reyes Jr. is also a spectacular drummer/percussionist. Seeing Wally in action last month killing it with Chicago, and then meeting him afterward clinched that he's the trifecta. This time with him on Game Changers makes clear all three, even if he didn't lift a stick or slap a cajón. Wally brought his A+ game, treating us to stories about his musical royal family. From his maternal grandfather, his brilliant and accomplished father, Walfredo Reyes Sr., who played with Josephine Baker, Louie Bellson, Bobby Darin, Dionne Warwick, and Debbie Reynolds to name a few, and passed on the percussion/drummer whiz gene to his talented son, who also played with Debbie Reynolds, as well as Ricki Lee Jones, Richard Marx, Sergio Mendes, Smokey Robinson, Boz Scaggs… but we got the stories about his time with Santana, Traffic, then Steve Winwood, Lindsay Buckingham and how he got to Chicago, with a little help from his brother, Daniel, of the Zach Brown Band. We talked Wally's serendipitous twist with Chicago, this band he adores and has been a part of for 13 years - the woman he loves and met thanks to them, how the pandemic thwarted their wedding but not their marriage, their idyllic life off the beaten trail, Wally's passion for all music, his influences, heroes, side projects, his amazing kids, and perhaps a few dreams he's yet to live. I have no doubt he'll manifest them. Wally's career has run the gamut of every conceivable genre of music and he's seemingly mastered them all. As he has the gift of grace, kindness, warmth, passion, enthusiasm, and genuine charm. My heartfelt apologies for being under the weather and careless setting up the Live––last week's title still haunting the space, and after 4 hours of trying discovering there's not a damn thing I can do about it. I owe Wally big time for this, and for that drum/percussion solo, he shares with Ray Yslas in the Chicago show. Wow. Just wow! Chicago tours 8 months of the year, please do yourself a favor and don't miss them, and check out all the other cool stuff in Wally's World. For all things Walfredo: walfredoreyesjr.com I had such a great time with Wally! Come for the fun, stay for the inspiration. Walfredo Reyes Jr. Live on Game Changers With Vicki Abelson Wed, March 29, 5 pm PT, 8 pm ET Streamed Live on The Facebook Replay here: https://bit.ly/3nuQdXk
Bateristas de cool como Joe Morello, Connie Kay y Paul Motian nos ocupan hoy. Pero hay más, una segunda parte con otros grandes como Roy Haynes, Elvin Jones, Buddy Rich y Louie Bellson. Hosted on Acast. See acast.com/privacy for more information.
Welcome to a new edition of the Neon Jazz interview series with Veteran LA-based Guitarist and Composer Grant Geissman .. He opened up about his latest 2022 CD Blooz .. It's a collection of 12 original blues and jazz songs, performed by a stellar supporting cast of musicians. He was born in Berkeley, California and grew up in San Jose and at 11-years-old he began his first guitar lesson .. After his move to LA in 1973, he began playing in both Gerald Wilson's Big Band and with Louie Bellson's Big Band.. Since then he's had quite a career in music for personal projects, along with TV and Film projects .. He co-wrote music for all six seasons of Mike and Molly and all 12 seasons of Two and a Half Men .. Dig this story .. Click to listen.Thanks for listening and tuning into yet another Neon Jazz interview .. where we give you a bit of insight into the finest players and minds around the world giving fans all that jazz .. If you want to hear more interviews, go to Famous Interviews with Joe Dimino on the iTunes store, visit the YouTube Neon Jazz Channel at https://www.youtube.com/c/neonjazzkc, go The Home of Neon Jazz at http://theneonjazz.blogspot.com/ and for everything Joe Dimino related go to www.joedimino.com When you are there, you can donate to the Neon Jazz cause via PayPal https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4 or through Patreon at https://www.patreon.com/neonjazzkc - Until next time .. enjoy the music my friends ..
Oliver Nelson è stato uno dei grandi arrangiatori del jazz moderno ma non bisogna dimenticare anche il suo apporto allo sviluppo del linguaggio del suo proprio strumento, il sassofono. Esordi con Louis Jordan, poi con Louie Bellson e Quincy Jones; dal 1959 leader di proprie formazioni con le quali pubblica una serie di dischi che restano nella storie del jazz dell'epoca, fra questi il sublime Blues & the abstract Truth e il successivo Straight Ahead (entrambi con Eric Dolphy); contemporaneamente arrangia per molti colleghi quali ad esempio Charles Mingus, Wes Montgomery, Sonny Rollins e molti altri; per quanto riguarda le produzioni con big band importanti saranno le pubblicazioni di Fantaboulos, Happenings, Sound Pieces, Tribute to JF Kennedy, Three dimensions, Black Brown & Beautiful e la Swiss Suite registrata a Montreux nel 1971, nonché i dischi che testimoniano il suo intenso lavoro di arrangiatore per la TV e il cinema.Maurizio Franco ripercorrerà la carriera di questo musicista con, da una parte, le radici ben piantate nel blues e, dall'altra, con uno spiccato senso del colore orchestrale.
Oliver Nelson è stato uno dei grandi arrangiatori del jazz moderno ma non bisogna dimenticare anche il suo apporto allo sviluppo del linguaggio del suo proprio strumento, il sassofono. Esordi con Louis Jordan, poi con Louie Bellson e Quincy Jones; dal 1959 leader di proprie formazioni con le quali pubblica una serie di dischi che restano nella storie del jazz dell'epoca, fra questi il sublime Blues & the abstract Truth e il successivo Straight Ahead (entrambi con Eric Dolphy); contemporaneamente arrangia per molti colleghi quali ad esempio Charles Mingus, Wes Montgomery, Sonny Rollins e molti altri; per quanto riguarda le produzioni con big band importanti saranno le pubblicazioni di Fantaboulos, Happenings, Sound Pieces, Tribute to JF Kennedy, Three dimensions, Black Brown & Beautiful e la Swiss Suite registrata a Montreux nel 1971, nonché i dischi che testimoniano il suo intenso lavoro di arrangiatore per la TV e il cinema.Maurizio Franco ripercorrerà la carriera di questo musicista con, da una parte, le radici ben piantate nel blues e, dall'altra, con uno spiccato senso del colore orchestrale.
Oliver Nelson è stato uno dei grandi arrangiatori del jazz moderno ma non bisogna dimenticare anche il suo apporto allo sviluppo del linguaggio del suo proprio strumento, il sassofono. Esordi con Louis Jordan, poi con Louie Bellson e Quincy Jones; dal 1959 leader di proprie formazioni con le quali pubblica una serie di dischi che restano nella storie del jazz dell'epoca, fra questi il sublime Blues & the abstract Truth e il successivo Straight Ahead (entrambi con Eric Dolphy); contemporaneamente arrangia per molti colleghi quali ad esempio Charles Mingus, Wes Montgomery, Sonny Rollins e molti altri; per quanto riguarda le produzioni con big band importanti saranno le pubblicazioni di Fantaboulos, Happenings, Sound Pieces, Tribute to JF Kennedy, Three dimensions, Black Brown & Beautiful e la Swiss Suite registrata a Montreux nel 1971, nonché i dischi che testimoniano il suo intenso lavoro di arrangiatore per la TV e il cinema.Maurizio Franco ripercorrerà la carriera di questo musicista con, da una parte, le radici ben piantate nel blues e, dall'altra, con uno spiccato senso del colore orchestrale.
Drummer/Composer/Arranger Louie Bellson (1924-2009) was a musician's musician. Although he was only with the Ellington for a short period, he created a huge impact in the Ellington legacy. Continue reading →
Franks Drum Shop was one of the four original drum stores in America and was a Midwest hot spot for drummers like Gene Krupa, Buddy Rich, Louie Bellson and many more as they passed through town. From 1938 to the mid 1980's, It had a world class repair shop, amazing sales floor, and a lesson program that had teachers that were absolute legends like Roy C. Knapp. Rob Cook wrote his first book in 1993 about Franks Drum Shop which originated from his life being changed by a visit to Franks as a very young man. This is a very interesting episode that his information that only someone like Rob Cook can provide! You can purchase "Franks for the Memories" on Amazon here: https://amzn.to/3RIFhiB Thanks for listening! **JOIN PATREON: www.patreon.com/drumhistorypodcast ** 30 DAY FREE DRUMEO TRIAL ** (Helps support the podcast) https://drumeo.pxf.io/c/3607735/1268414/14652
Franks Drum Shop was one of the four original drum stores in America and was a Midwest hot spot for drummers like Gene Krupa, Buddy Rich, Louie Bellson and many more as they passed through town. From 1938 to the mid 1980's, It had a world class repair shop, amazing sales floor, and a lesson program that had teachers that were absolute legends like Roy C. Knapp. Rob Cook wrote his first book in 1993 about Franks Drum Shop which originated from his life being changed by a visit to Franks as a very young man. This is a very interesting episode that his information that only someone like Rob Cook can provide! You can purchase "Franks for the Memories" on Amazon here: https://amzn.to/3RIFhiB Thanks for listening! **JOIN PATREON: www.patreon.com/drumhistorypodcast ** 30 DAY FREE DRUMEO TRIAL ** (Helps support the podcast) https://drumeo.pxf.io/c/3607735/1268414/14652
John's guest is Chris Hart, Director of Artist Relations at Remo Inc. Chris has built relationships with the world's top drummers and percussionists and in this show, you'll see why he is one of the most loved and respected figures in the Drum Industry. John and Chris discussed their history going back to when they met in 1985 working for Simmons Electronic Drums in Los Angeles. Chris shared stories and insights from his 30 years working at Remo, including Remo Belli himself promoting him to Marketing Manager of Remo's World Percussion program, meeting the legendary Louie Bellson for the first time and his relationship with him, a great Paul McCartney story, and much more. Please subscribe! https://www.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom
On this episode we talk Oklahoma music with UCO's Director of Jazz studies Brian Gorrell. Brian W. Gorrell serves as Director of Jazz Studies for the nationally respected program at the University of Central Oklahoma Jazz Lab in Edmond, Oklahoma. A former member of the Lawrence Welk Orchestra among many other professional accolades, Gorrell also serves as Advisor for UCO's Master of Music in Jazz Studies and Bachelor of Music in Jazz Performance, teaches Applied Saxophone, and directs the award winning "UCO Jazz Ensemble I". Under his direction, UCO's top jazz group has been recognized for outstanding large ensemble performances in Downbeat Magazine's 35thAnnual Student Music Awards in 2012 and again in the 39thAnnual Awards in 2016. The group also performed at the prestigious Midwest Clinic in December 2013 and notably at the Jazz Education Network (JEN) Conferences in 2012, 2013, 2017 and the upcoming conference in Reno, NV in January 2019. Most recently “UCO Jazz Ensemble 1” tied first place in the collegiate jazz ensemble division at the prestigious Monterey Next Generation Jazz Festival in March 2018 and will be featured on the main stage of the Monterey Jazz Festival in September 2018! Gorrell has also presented lectures on jazz and saxophone pedagogy at Oklahoma Music Educators Conferences, Regional North American Saxophone Alliance (NASA) Conferences and at the NASA Biennial National Conference in 2016. He also currently serves as Music Director for the Oklahoma City Jazz Orchestra. Professor Gorrell completed a bachelor's degree in Music Education from UCO in 1995 and earned a Master of Music in Saxophone Performance at Oklahoma City University studying with acclaimed classical saxophonist Gail Hall in 1998. Equally proficient on saxophones and keyboards, Gorrell has produced many album projects including "In Some Other World" (1995), "Soulmates" (1999), "In The Swing of Christmas" (2002), "Live at the UCO Jazz Lab" (2008), and as director, “Swingin' in 2012” and “Still Swingin' in 2015” with UCO's Jazz Ensemble I. A new album is also coming along in summer of 2018! In addition to the Welk Orchestra, he has performed with such diverse notables as Doc Severinsen, The Manhattan Transfer, Aretha Franklin, Louie Bellson, Phil Woods, Kris Berg and the Metroplexity Big Band, the OKC Jazz Orchestra, the Edmond Jazz Orchestra, Jay Migliori, Jay Daversa, John Daversa, Clark Terry, The Lennon Sisters, Ralna English, Patti Page, Slide Hampton, Kay Starr, Steve Allen, Jim Nabors, Ty England, Diane Schuur, Christopher Cross, The Temptations, The Four Tops, The Drifters, Gil Goldstein, Randy Brecker, Dave Douglas, John Fedchock, and many others. Gorrell has always been passionate about music education and has been aggressive in developing new programs at UCO including a Minor in Jazz Studies and Oklahoma's only Master of Music in Jazz Studies, with majors in Performance and Music Production. He founded the Oklahoma Youth Jazz Ensemble in 2012, which offers advanced jazz education to top high school students in Central Oklahoma, and in addition completed work on a Bachelor of Music in Jazz Performance degree at UCO that began in Fall 2016. The Oklahoma Jazz Educators Association has twice named him “Collegiate Jazz Educator of the Year”, and his band “Brian Gorrell & Jazz Company” have been performing regularly since 1995 throughout the Midwest. http://www.briangorrell.com https://www3.uco.edu/centraldirectory/profiles/3086 https://www.ucojazzlab.com This episode is presented by the Oklahoma Hall of Fame, telling Oklahoma's story through its people since 1927. For more information on the Oklahoma Hall of Fame go to www.oklahomahof.com and for daily updates follow them on social media www.instagram.com/oklahomahof #thisisoklahoma
John's guest is Chris Hart, Director of Artist Relations at Remo Inc. Chris has built relationships with the world's top drummers and percussionists and in this show, you'll see why he is one of the most loved and respected figures in the Drum Industry. John and Chris discussed their history going back to when they met in 1985 working for Simmons Electronic Drums in Los Angeles. Chris shared stories and insights from his 30 years working at Remo, including Remo Belli himself promoting him to Marketing Manager of Remo's World Percussion program, meeting the legendary Louie Bellson for the first time and his relationship with him, a great Paul McCartney story, and much more.
Early Prophets of Dark Deviant Magic & Voodoo (Siouxsie sings about sick serial killers and surveillance cameras.)Lol introduces:Nightshift as John McGeoch's Finest hour.Its Shimmering Tension - a Simmering Sizzling Juggernaut. If Budgie was forced to choose, Nightshift would be his finest hour too!Lol says,“Budgie reintroduced the ride cymbal back into the lexicon of drumming, without that ride cymbal it would be nothing! A sinister sexy cauldron swirling around.”Budgie blushes and shares his admiration for Animal and Louis Bellson!Budgie tells of,The Banshees visiting The Cure recording Pornography at RAK London. The Cure kept a well-stocked bar for visiting minstrels and wastrels!You'll always find Drummers in the Kitchen at Parties.Lol and Budgie say,Juju and Pornography go together like a Cloak and Dagger.Both recorded live in a big studio with no separation.Juju songs played live before recording, just like a new band. John McGeoch said,It's more Hitchcock than Hammer Horror. More Blood dripping on a Daisy, than Fangs biting flesh.Into The LightJohn McGeoch used a gizmo with cog wheels to bow his guitar. Budgie develops Octopus limbs.Lol says,Bands after the Banshees didn't have that tension. The drop and the twist is all. The push and pull gives the songs their strength. Juju is the sound of a band with a Coherent Narrative - they knew what they wanted. This version of The Banshees IS The Banshees. They Look and Sound like a real band with Authentic Chemistry.Budgie says, Every day arriving to record at Surrey Sound Studios, felt like a sunny morning! Lol sums it Up,To appreciate the lyrics, we don't need to know all the details. Like a movie, the Best albums reflect the times and the Cultural Situation. Juju was ahead of its time.Dedicated to: Louie Bellson (6 July 1924 – 14 February 2009)CONNECT WITH US:Curious Creatures:Website: https://curiouscreaturespodcast.comFacebook: @CuriousCreaturesOfficialTwitter: @curecreaturesInstagram: @CuriousCreaturesOfficialLol Tolhurst: Website: https://loltolhurst.comFacebook: @officialloltolhurst Twitter: @LolTolhurst Instagram: @lol.tolhurst Budgie: Facebook: @budgieofficial Twitter: @TuWhit2whooInstagram: @budgie646Curious Creatures is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.
My guests are Cathy Rich and Gregg Potter. As we approach 35 years since his passing, we discussed Cathy's Dad, the legendary Buddy Rich. Cathy shared stories about the man whom is considered by many to the greatest drummer of all time.
Ron Weinstein was the inventor of the iconic Tuxedo Bags and had a 40 year relationship with Louie Bellson. He shares the story of how he created the bags which revolutionized drum cases in the 1980's, and how his friend Louie Bellson rocketed his brand forward by attaching Louies celebrity to the brand . The best part is that Louie didn't ask for a dime and Ron tells many great stories that paint picture of how much of a gentleman the drumming legend really was. This is great drumming history that is not widely known, enjoy! Thanks to NickyMoon for sponsoring this episode - go to nickymoon.com and use code DRUMHISTORYPOD to save 10%
Ron Weinstein was the inventor of the iconic Tuxedo Bags and had a 40 year relationship with Louie Bellson. He shares the story of how he created the bags which revolutionized drum cases in the 1980's, and how his friend Louie Bellson rocketed his brand forward by attaching Louies celebrity to the brand . The best part is that Louie didn't ask for a dime and Ron tells many great stories that paint picture of how much of a gentleman the drumming legend really was. This is great drumming history that is not widely known, enjoy! Thanks to NickyMoon for sponsoring this episode - go to nickymoon.com and use code DRUMHISTORYPOD to save 10% Learn more about your ad choices. Visit megaphone.fm/adchoices
Theron and Tom head backstage to talk with Chris Anderson, a musician and executive director of Open Tone Music in Akron, about performing in India, South Africa and other countries; the lasting impact of music education; and the growth of the Amistad Caribbean Arts Camp. Chris is the founder of Open Tone Music, a non-profit organization that provides access to premier music education and performance programming for all people. Through Open Tone Music he has reached thousands of individuals in the northern Ohio area. In addition to being a successful music educator, Chris composes and performs many different styles of music. He has performed trombone with some of the best in the classical, jazz, gospel, Latin and other musical idioms. He has had the pleasure of performing with such recording artist as Clark Terry, John Fedchock, Jiggs Whigham, Jon Faddis, Nancy Wilson, Frank Wess, Louie Bellson, Aretha Franklin, Al Green, Barry Manilow, Bobby Caldwell, The Dizzy Gillespie All-Star Band featuring Slide Hampton, Phil Woods, Antonio Hart and many others. Chris is also in demand as a clinician conducting music workshops for individuals of all ages throughout the U.S., South Africa and India, and teaches at Oberlin Conservatory.
Dean Brown graduated from Berklee College of Music in 1977. During that time in Boston he performed with his own groups as well as Tiger's Baku, replacing Mike Stern in that group before moving to New York around 1980 and joining Billy Cobham's band. Since 1982 Brown has been recording and/or touring worldwide with his own projects as well as with artists Marcus Miller, David Sanborn, Eric Clapton, Billy Cobham, The Brecker Brothers, Roberta Flack, Bob James, Joe Zawinul, George Duke, Victor Bailey, Bill Evans, and Steve Smith's Vital Information. As a solo artist, Brown has produced five solo CDs with his fifth solo CD "Rolajafufu" just being released in Spring 2016. His first titled "Here" (2001) on ESC Records, is his all-star debut CD featuring jazz greats Michael Brecker, Marcus Miller, David Sanborn, Billy Cobham, George Duke, Randy Brecker, Christian McBride, Don Alias, Bill Evans, Bernard Wright and many others. His second record "Groove Warrior" (2004) on ESC Records, features another all-star lineup with Lalah Hathaway, Marcus Miller, Bernard Wright, JuJu House, Poogie Bell, Schuyler Deale, Booker King, and Patches Stewart, just to name a few. His third "DBIII" (2009) [1] on the BHM label features an all-star power trio with musical greats Dennis Chambers and Will Lee. His fourth CD "Unfinished Business"(2012) featuring yet another all-star cast of musicians with Marvin "Smitty" Smith, Kirk Whalum, Dennis Chambers, Jimmy Earl, Gerry Etkins and Hadrien Feraud among others. Brown's studio guitar work can be heard on over 100 albums, including four Grammy Award winners. Records such as the Brecker Brothers' Return of the Brecker Brothers[2] and Out of the Loop,[3] Marcus Miller's The Sun Don't Lie, Billy Cobham's Warning, and Joe Zawinul's Faces and Places are just a few out of the long list. His live performances include DVDs with Marcus Miller, Billy Cobham, Gil Evans, David Sanborn, Louie Bellson, Bob James, and Steve Smith's Vital Information. Brown's compositions and arrangements are featured on albums by Les McCann, Dennis Chambers, Ricky Peterson, Steve Smith's Vital Information, and Billy Cobham. As an educator and clinician Dean conducts master classes at schools and venues at home and abroad and teaches several classes of his own curriculum at Musicians Institute in Hollywood, California since 2006. Dean has also released an instructional/live DVD with publishing giant Hal Leonard for Musicians Institute titled "Modern Techniques for the Electric Guitarist"(2008) and has had several featured instructional articles in Guitar Player Magazine (US), Guitar World (US), Gittare and Bass (G), Bass Player, Jazz Life (Jp), Big Box (I), Muzikus (Cz), Guitarist (Fr) and 20th Century Guitar magazines (US). Dean and Runfly Studios have developed and released a popular ear training iPhone/iPad app called 'Pickup Tunes' based on his teaching techniques. www.deanbrown.com www.joekelleyradio.com
En los primeros tiempos del jazz la batería se limitaba a marcar el pulso haciendo funciones de simple metrónomo. No habían solos y el baterista solía ser el músico menos preparado de cualquier banda. De esos primeros bateristas podemos mencionar a Zutty Singleton, natural de Bunkie, y Baby Dodds, nativo de Nueva Orleans, que tocó con King Oliver y con los Hot Seven de Louis Armstrong. Ambos bateristas eran de Luisiana y trabajaban con los músicos de Nueva Orleans. Dodds fue el primero en ejecutar breaks del estilo de redobles que marcaban el final de una sección del número musical y que serían el inicio del posterior desarrollo de los solos. Fue en Chicago donde la batería adquiriría una mayor relevancia, especialmente tras la fulgurante aparición de Gene Krupa. Krupa llegó a establecerse en la cumbre del período del swing con la memorable interpretación por la orquesta de Benny Goodman de la pieza Sing, Sing, Sing (With a Swing), en la que hacía un largo solo de batería. Poco más tarde Jo Jones innovó trasladando la atención desde el bombo al hi-hat, una herencia que acabarían recibiendo bateristas tan importantes como Buddy Rich y Louie Bellson. El creador del estilo moderno en la batería de jazz es, sin duda Kenny Clarke. El perfil de un bateria desde entonces será el de un músico con formación académica completa que suele poder tocar otros instrumentos, leer música y hasta hacer arreglos, y que ya no es el miembro menos preparado de la banda, sino, frecuentemente, el más conocedor. Poco más tarde Max Roach perfecciona el estilo de Clarke, aportando nuevas técnicas. Roach fue el primer baterista en tocar líneas melódicas perceptibles con su instrumento, a menudo en respuesta a los solos y ejecuciones de sus compañeros, liberando con ello a la batería de su papel de mero instrumento rítmico y ampliando su campo a los ámbitos de la armonía y la melodía; también fue Roach el primero en demostrar que el swing podía tener lugar en compases diferentes del 4/4. A partir de los 50s aparece Art Blakey, que había empezado como pianista. Blakey fue uno de los primeros bateristas en investigar las raíces africanas del jazz, y las incorporó a su estilo, de fuerte inspiración en el bop. Fue gran divulgador del mundo del jazz en los escenarios con sus famosos Jazz Messengers. Desde 1956 hasta 1967, Joe Morello cobró fama por el trabajo que hacía en el cuarteto de Dave Brubeck, en especial sus experimentos con métricas inusuales.8 . De Blakey y Roach proceden los principales bateristas de la era del hard bop, como Art Taylor, Louis Hayes, Dannie Richmond, Pete La Roca, Roy Haynes, Albert Heath y, aunque llegaría mucho más allá de los límites de ese género, Elvin Jones, tal vez el baterista más imitado de la historia junto a Max Roach. Entre los bateristas de la escena de Nueva York que desarrollaron un estilo moderno del swing destacan Buddy Rich, el ejemplo paradigmático de técnica virtuosa o Louie Bellson, que introdujo el doble bombo en la orquesta de Duke Ellington. En la Costa Oeste se desarrolla un estilo diferente: Shelly Manne es el prototipo de baterista melódico; por su parte, Chico Hamilton, miembro fundador del cuarteto de Gerry Mulligan, comenzó en el cool antes de pasarse al jazz fusión. Tony Williams alcanzó notoriedad aún siendo un adolescente, primero con Jackie McLean, y después con Miles Davis, con quien grabaría algunos álbumes que pasarían a la historia como parte del segundo quinteto clásico de Davis. Después fundó su propia banda: The Tony Williams Lifetime. Williams era capaz de competir con los mejores exponentes del instrumento, y su estilo, derivado de los de Kenny Clarke y Max Roach, era original y extremadamente potente. Entre los bateristas más importantes de la corriente principal contemporánea que surgieron desde finales de los 60 en adelante, hay que citar a Billy Hart (n. 1940), Narada Michael Walden, Victor Lewis, Eddie Gladden, Al Foster, Don Alias, Jeff Hamilton, Paul Motian, Joe LaBarbera, Elliot Zigmund, Michael Di Pasqua, el noruego Jon Christensen, el sudafricano Makaya Ntshoko o el polaco Janusz Stefanski. La llegada del jazz fusión a principios de los 70 devuelve en cierta forma la batería a sus comienzos: el énfasis en el bombo y la necesidad de marcar el primer tiempo del compás con claridad son aspectos que retoman una nueva generación de bateristas entre los que destacan el ya mencionado Tony Williams y, además, Alphonse Mouzon, Steve Gadd, Peter Erskine, Harvey Mason, Lenny White, Jack DeJohnette, Gerry Brown, Leon "Ndugu" Chancler, John Guerin, Billy Cobham o Danny Gottlieb. A partir de los 80, hay que señalar a Brian Blade, Terry Lyne Carrington, Jeff "Tain" Watts, Omar Hakim, Dave Weckl o Dennis Chambers. Hoy os vamos a hablar del único instrumento genuinamente norteamericano, la batería y hemos creído oportuno comenzar por el principio. Agarraos los cinturones que hoy vamos a escuchar a los amos del ritmo.
Today’s show is Part One of our conversation with Walter Johnson on his book The Broken Heart of America: St. Louis and the Violent History of the United States published by Basic Books We’ll open with “Skin Deep” from Duke Ellington’s “Black, Brown and Beige” performed here by Louie Bellson and His All-Star Orchestra featuring …
“Proud, Loud, and Pleasing the Crowd.” This is the mantra of the Madison Scouts Drum & Bugle corps. And it’s safe to say that since 1938, the Scouts have consistently brought audiences to their feet with their entertainment-focused programs. And while the corps had won two DCI world championships, in 1975 & 1988, for some, it was the shows of the 1990s that really solidified the Madison Explorer Scouts as one of, if not the favorite corps in all of DCI. Whether you were an alum of the corps, had a friend or family member that marched the corps, or just a normal fan with or without ties to other drum corps, the Scouts of Madison, Wisconsin was the corps you were always excited to see. Fans didn’t leave their seats to get a hot dog or go to the restroom when the Green & White took the field. After winning their 2nd DCI world championship in 1988 with Latin music by Paul Hart & Ernesto Lecuona, the corps spent the next few years exploring music from musicals, big band, jazz, & jazz fusion before finding their way back to Latin and Latin jazz music in 1994. This untitled production featured Santos by Louie Bellson, Cuban Overture by George Gershwin, & Malaga by Bill Holman. The corps had slowly been creeping up the finalist rankings since their 9th place finish in 1990 and finished the 1994 season in 6th place. For the 1995 season, the Scouts once again turned to Latin music by Joaquín Rodrigo, Bill Holman, and original music by Scott Boerma, brass composer & arranger, Jeff Moore, battery composer & arranger, and Taras Nihirniak, front ensemble composer & arranger. The Madison Scouts have had many crowd-pleasing shows throughout their history; we could fill an entire season of episodes focusing on each and every one of these shows. But perhaps no Scouts’ production is more loved than the 1995 production. This show has widely been considered one of the most entertaining drum corps shows of all time and for some, is the hands-down favorite. This opinion was in fact proven scientifically accurate with fans and alums voting the 1995 show as the winner of the 2020 Virtual Drums Along the Parade, with the 1998 championship show coming in 2nd. The 1995 DCI season ended with the Madison Scouts finishing in 4th place with a score of 95.40, and winning High Brass in a three-way tie. Joining me today is composer and arranger Scott Boerma, who was the brass composer & arranger for 20+ shows over a span of 4 decades! And who without a doubt I consider to be one of the "Four Horseman of DCI Arrangers.” If there was a Mount Rushmore for DCI Music Arrangers, his face would be one of the first 3 carved. On this episode of Musicbook, we discuss the Madison Scouts’ 1995 production, “A Drum Corps Fan’s Dream: A Day in the Life of a Bullfighter.” --- Send in a voice message: https://anchor.fm/sketchbookpodcast/message
Listen to Deborah Pfingston and Michael Bruce Thompson discuss a very brief history on this amazing instrument. Not only is the history interesting, but the 'more' in our title is even 'more' :). Note that all of the music you have been listening to in these episodes has Michael on the drum throne. If you have any questions or comments for Deborah or Michael please email PennyUniversity@protonmail.com. As in Episode One, 'Who is Michael Bruce Thompson', here in Episode Two any one that we mention you can fine their information below: William Ludwig - https://www.moderndrummer.com/article/november-1982-industry-insights-a-candid-conversation-with-william-f-ludwig-jr/ Louie Bellson - https://louiebellson.info/ Def Leppard: 'Hysteria' - https://www.youtube.com/watch?v=yMzyleT2FqY Jeffrey Thomas Porcaro - Toto - https://www.youtube.com/watch?v=DQ-gfb6nUus Ted Nugent - https://www.tednugent.com/ 'Blast Beat' - https://www.youtube.com/watch?v=B4KNXi-SWWc Time Signature - https://www.libertyparkmusic.com/musical-time-signatures/ Led Zeppelin: 'Whole Lotta Love' - https://www.youtube.com/watch?v=HQmmM_qwG4k Steve Gad: https://www.youtube.com/watch?v=6L7Mv7p40DI Please listen - like - and share. Remember: be strong, wise and safe. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Kenny Smith was unquestionably born into blues royalty. He grew up in the same house where Muddy Waters once lived in Chicago, the home of the blues. Throughout his childhood, Kenny was surrounded by Muddy and his friends, which included his own father, Willie “Big Eyes” Smith (1936-2011). These same blues icons helped mold him into the person and drummer he is today and later in life asked him to provide his famous backbeat on some of the largest and most respected stages and recordings in the world. Kenny has played thousands of live performances to date and has earned the right to wear that royal blues crown. His father, Willie “Big Eyes” Smith, played drums for the Muddy Waters’ Band in the early 1960’s and then again from 1968 through 1980 and was featured on all of Muddy’s Grammy winning albums. Kenny “Beedy Eyes” Smith, one of the best known living blues drummers today, learned 99% of what he knows about drumming from his father and was also inspired by acclaimed drummers: Odie Payne, Fred Below, Earl Phillips, Louie Bellson, S.P. Leary, Francis Clay and Art Blakey, Sonny Payne, Clifton James and many others who paved the way. And with those experiences Kenny has revitalized and created new interpretations of the blues drummers as he pushes blues drumming to new innovative and tradition styles.
Falling in love with music is easy, and that was the case for a five year old boy from Venice, IL. At the age of five, Larry Brown picked up the guitar from his father and has not put it down since. Upon completing high school,Brown attended Southern Illinois University Edwardsville (SIUE) to study with legendary 7-string guitarist Rick Haydon. Through the years, he has had the opportunity to learn from jazz legends such as Pat Martino, Houston Person, Jimmy Cobb, Victor Goines, John Scofield and Russell Malone. He has also performed at some of the country’s greatest jazz festivals and venues including the St. Louis Jazz Festival, the Clark Terry Jazz Festival, The JVC Jazz Festival New York, Lima Jazz Festival (South America) as well as Dizzy’s Club Coca-Cola. Brown is a very versatile musician. He has worked as guitar chair for the plays Color Struck and High School Musical and has recorded on gospel albums with artist from the St. Louis Metropolitan area as a guitarist and an organist. Additionally, he has performed with Hamiet Bluiett, Louie Bellson, Lew Soloff, Benny Golson and Curtis Fuller. A Betty Carter Jazz Ahead Alumni, Brown just received his Masters from Northern Illinois University whee he studied with jazz notables Fareed Haque, Willie Pickens and jazz educator Ron Carter.If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.For show notes and past guests, please visit dougstonejazz.com/podcast-1Interested in sponsoring the podcast? Please fill out the sponsor formDiscover Doug’s music: dougstonejazz.com/musicInstagram: instagram.com/dougstonejazzsaxophoneFacebook: facebook.com/dougstoneBoston Sax Shop
durée : 00:58:35 - Ciel Caraïbes - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat
UMA HISTÓRIA DO HEAVY METAL O heavy metal é um dos gêneros musicais mais populares, principalmente entre os jovens socialmente desajustados, com toda a sua fúria dá voz para aqueles que não conseguem gritar. Para falar sobre a história do gênero recebemos a youtuber Iasmin Dias e o historiador Ricardo arruda.Na bancada: Bruno, Laiz e VictorBang your head!Jabá do BemFeed História: página de Instagram administrada pela Ana Carolina Stobbe que busca aplicar a linguagem jornalística à comunicação histórica, aproximação a academia do público geral.Você pode encontrar o Feed História nos links abaixo:Instagram: https://www.instagram.com/feedhistoria/Conheça o trampo da IasminInstagram: https://www.instagram.com/diasiasmin/Youtube: http://bit.ly/IasminDiasCanalLinks e ReferênciasMetal Maestro: The Main Subgenres of Metal (link: https://youtu.be/lmiY714bbWc)Loudwire: Who Really Invented Heavy Metal? (link: https://youtu.be/fdFN7AqU1BY)Thrash Theory: Before Black Sabbath: How Psychedelic Rock Became Metal (link: https://youtu.be/Cuc0V_FRGNE)OK Spaghetti: Birth of Heavy Metal: 1955 drum solo by double-bass pioneer Louie Bellson (link: https://youtu.be/boNDmD9QrPk)Metal: A Headbanger's Journey (link: https://www.youtube.com/watch?v=Mv-yrawbSgw) - só encontrei legendado em espanhol =/Global Metal (link: https://www.youtube.com/watch?v=odnmyO2mR4I)Metal Evolution (link: https://www.youtube.com/watch?v=odnmyO2mR4I)CHAPPLE, Steve; GAROFALO, Reebee. Rock & Indústria: história e política da indústria musical. Lisboa: Editorial Caminho, 1989.COPE, Andrew L. Black Sabbath and the rise of heavy metal music. Farnham: Ashgate Publishing Limited, 2010.DAVIS, Erik. Led Zeppelin IV.Rio de Janeiro: Cobogó, 2015.FAST, Susan. In the houses of the holy: Led Zeppelin and the power of rock music. New York; London: Oxford University Press, 2001.FENERICK, José Adriano; MARQUIONI, Carlos Eduardo. Revoluções do álbum branco:vanguardismo, Nova Esquerda e música pop. ArtCultura, Uberlândia, v. 17, n. 31, p. 21-37, jul.-dez. 2015. Disponível em: http://www.artcultura.inhis.ufu.br/PDF31/5_As_revolucoes_ do_Album_branco.pdf. Acesso em: 06 ago. 2018.FENERICK, José Adriano; MARQUIONI, Carlos Eduardo. Sgt. Pepper´s Lonely Hearts Club Band: uma colagem de sons e imagens. Fênix: Revista de História e Estudos Culturais, Uberlândia, v. 5, ano V, n. 1, p. 1-21, jan.-mar. 2008. Disponível em: http://www.revistafenix. pro.br/PDF14/Artigo2JoseAdrianoFenerick.pdf. Acesso em: 02 fev. 2016.FRIEDLANDER, Paul. Rock and roll: uma história social. 7. ed. Rio de Janeiro: Record, 2012.GILMORE, Mikal. Ponto final: crônicas sobre os anos 1960 e suas desilusões. São Paulo: Companhia das Letras, 2010.MACAN, Edward. Rocking the classics: English progressive rock and the counterculture. New York; Oxford: Oxford University Press, 1997.MILES, Barry. London Calling: a countercultural History of London since 1945. London: Atlantic Books, 2010.MOLINA, Sérgio. Música de montagem: A composição de música popular no pós-1967. São Paulo: É Realizações, 2017ROSZAK, Theodore. El nacimiento de una contracultura: reflexiones sobre la sociedad tecnocrática y su oposición juvenil. Barcelona: Editorial Kairós, 1981.SHUKER, Roy. Vocabulário de música pop. São Paulo: Hedra, 1999.SIMONELLI, David. Working Class Heroes: Rock Music and British society in the 1960s and 1970s. Plymouth: Lexington Books: 2013.SOUSA, Rainer Gonçalves (Org.). Nas trilhas do rock: experimentalismo e mercado musical. Goiânia: Kelps, 2018.WALL, Mick. Led Zeppelin: quando os gigantes caminhavam sobre a Terra. São Paulo: Lafonte, 2009. WALSER, Robert. Running with the Devil: power, gender, and madness in heavy metal music. Middletown: Wesleyan University Press, 1993.Rolê CulturalDeathgasm (Longa Metragem)Satan Rise Media (Documentário)Until the Light Take Us All (Documentário)Michael Moynihan e Didrik Søderlind: Lords of Chaos: The Bloody Rise of the Satanic Metal UndergroundMetal: A Headbanger's Journey (Documentário)Nanowar of Steel: Feudalesimo ou Libertà (Canção)Barraca do BeijoMateus ou MatheusCarolina, namorada do RicardoPais e Irmão do RicardoDráuzio VarellaAvô da IasminNamorado da IasminGastão MoreiraFernanda Lira (Crypta)Eliete FariasTrilha SonoraAs músicas estão listadas na ordem que aparecem ao longo do episódioZeca Baleiro: Heavy Metal do Senhor [abertura]Black Sabbath: Sympton of the UniverseBlack Sabbath: Black SabbathLed Zeppelin: Achilles Last StandLed Zeppelin: Wearing and TearingDeep Purple: FireballDeep Purple: BurnJudas Priest: Breakin the LawJudas Priest: Living After the MidnightMotörhead: OverkillMotörhead: OrgasmatronIron Maiden: Runnig FreeIron Maiden: Rime of the Ancient MarinerHelloween: Heavy Metal (Is the Law)Helloween: Perfect GentlemanMetallica: Ride the LightningMetallica: Master of PuppetsMegadeth: Holy Wars…The Punishment DueVenom: Black MetalVenom: Countess BathorySepultura: Refuse/ResistSepultura: Roots Bloody RootsFuror Gallico: Canto d'InvernoNanowar of Steel: Norwegian Reggaeton [encerramento]Contato: cliohistoriaeliteratura@gmail.comConheça a nossa campanha de financiamento no CatarseGostou desse podcast? Quer ajudar o Clio a produzir mais e melhores conteúdos? Entre em https://www.catarse.me/clio e conheça a nossa campanha de financiamento coletivo no Catarse, a partir de R$ 5,00 você já ajuda o Clio a se manter no ar e produzir mais conteúdos para vocês.Financiadores desse episódio: Beatriz Gomes, Cristina Lima, Gabriel Bastos, Gui Aschar, Paula Guisard, Rosana Vecchia, Suzana AthaydePara todos vocês, nosso muito obrigado!Você pagou aquele bendito boleto e tá com cashback? Não vai usar e não vai fazer falta? Então por que não apoiar esse projeto de comunicação e educação histórica?Clique em https://app.picpay.com/user/cliohistoriaeliteratura e ajude o Clio a se financiar e produzir cada vez mais e melhores conteúdos para todos e todas.Siga o ClioCast nas redes sociaisInstagram: https://www.instagram.com/cliohistoriaeliteratura/Twitter: https://twitter.com/cliohistelitFacebook: https://www.facebook.com/cliohistoriaeliteratura/
On this episode of the Minnesota Drummer Podcast, I had the opportunity to talk with Ollie Manley, who has been entrenched in and enhanced the Minnesota drumming scene since the 1960s. Playing up to 300 gigs a year since the 60s, Ollie made a name for himself as a quiet drummer with a light touch, which has constantly kept him working. Now in his 80s, he is still playing out with over 50 performances a year and offers advice to aspiring working drummers. Ollie paints a historical image of the hopping local music scene from the 1960s through the 1980s. We chat about his time at Dahlgren’s/Floyd Thompson’s Drum Shop where he rebuilt and repaired equipment for touring drummers like Louie Bellson, Art Blakey, John Bonham, and Jeff Porcaro. While at the shop, he made Medicine drums for different tribes and mastered the processes of rolling calf skin. And he even explains to us how to repair a Vistalite shell. We briefly talk about the history of the Martin Fleet Foot Pedal, which eventually became the DW 5000, and how he would convert pedals to chain-drive before being the norm. There is so much in this episode that there isn’t enough room to put it all in this summary, so please take a listen to this fascinating episode. I feel privileged to know Ollie and I’m thrilled to have you learn a bit about his drumming history.
In this The Heart of The Story with Gary Metivier we take you inside the world of a legendary composer and drummer. Louie Bellson made history with his music. Now, a young man with incredible talents of his own, is making sure the music and the message stay alive. A professional drummer and master teacher himself, Josh Duffee gives us a performance you won't soon forget. Produced By Ryan Beintema @rbp7 Executive Producer/Host Gary Metivier http://metiviermedia.com/ Find us on facebook https://www.facebook.com/metiviermedia/ Original Score by Roger Metivier Thanks to our sponsor for this story-- Petersen Plumbing and Heating https://www.petersenplumbing.com/ Quad City Bank and Trust https://qcbt.bank/ and Ridgecrest Village https://www.ridgecrestvillage.org/ Special thanks to Josh Duffee https://www.facebook.com/Josh-Duffee-All-Things-Music-342218379968691/
MOTR was LIVE with Billy Cobham, master drummer and percussionist, composer, producer, educator, clinician and creative visionary. We discussed his ‘Art of the Rhythm Section' Retreat, the culmination of Billy’s life’s work, turning 75 soon, how Louie Bellson inspired him to use ‘Four Sticks,' and breaking down one of his drum solos. For more information and to register today for the retreat, go to www.billycobhamretreat.com To see Billy on tour, go to www.billycobham.com Thanks for listening! The MOTR Show is the audio podcast for Musicians On The Record with David Ward. Subscribe now to be updated on the latest episodes! See the MOTR Music and Tech Gear I Use and Recommend. https://www.amazon.com/shop/influencer-6860b8b4 You can also watch all our interviews on our YouTube channel: http://www.youtube.com/c/MusiciansOnTheRecord?sub_confirmation=1 and our website at www.MusiciansOnTheRecord.com See More MOTR! -On Facebook: https://www.facebook.com/MusiciansOnTheRecord/ -On YouTube: http://www.youtube.com/c/MusiciansOnTheRecord?sub_confirmation=1 -On Instagram: https://www.instagram.com/musiciansontherecord/ -On Twitter: https://twitter.com/davidwardMOTR -On the Web: www.MusiciansOnTheRecord.com See all my drum covers on my Dave Damage Drums YouTube channel http://bit.ly/DaveDamageDrumsNever miss another MOTR Interview again! Sign up for our free newsletter at http://bit.ly/MOTRNewsletter ************************************** Music: http://www.purple-planet.com DISCLAIMER: This podcast description contains affiliate links. As an Amazon Associate, I earn from qualifying purchases.
Don Menza was born and raised in Buffalo, New York, where he began playing tenor, saxophone when he was 13. He worked with so many artists, the Maynard Ferguson Orchestra, Stan Kenton, Buddy Rich, Elvin Jones as well as Louie Bellson, and many more, he composed "Groovin' Hard" and "Time Check" and his son Nick Menza was drummer for the heavy metal band Megadeth. This year Don reached the amazingly active age of 83. When I heard he was appearing at CID in Ptui I had to go along!
We are back with season three’s artist feature. This time around we highlight Sonny Payne (Count Basie, Harry James, Frank Sinatra, Erskine Hawkins). Payne is simultaneously one of the most influential yet underrated big band drummers in jazz history. When asked to list the most influential big band drummers a typical response might be: Buddy Rich, Papa Jo Jones, Gene Krupa, Louie Bellson, Mel Lewis, Ed Shaughnessy, Chick Webb, etc. However, when many musicians, including some of the aforementioned drumming greats, are asked to name influential drummers Payne is at the top of the list. Combining innate musicality with bombastic setups and unparalleled showmanship Payne became the blueprint for which all future Basie drummers were compared. Harold Jones, who replaced Payne after his departure in 1965, unapologetically said that he took everything he could from Sonny during his time with the Basie band. Butch Miles, a fifteen-year Basie veteran, echoed that all drummers were told to emulate Payne’s playing as the definitive versions of the Basie catalogue. Phil and Jon discuss Payne’s playing style, his sound, his gear, and then listen to excerpts from their favorite recordings. Phil’s Picks: Shiny Stockings from Ella and Basie! Cute – from Basie Plays Hefti Whirlybird – from The Dynamic Basie Orchestra One O’Clock Jump – from Breakfast Dance and BBQ Jon’s Picks: Jumpin at the Woodside – Live at the Sands (Before Frank) I’ve Got You Under My Skin – Sinatra at the Sands All of Me - Sinatra at the Sands One O’Clock Jump - Sinatra at the Sands Join us every Monday for the best interviews and topical discussion in the drumming podcast idiom! We’re available on ITunes, Google Play Podcasts, Stitcher, and everywhere you listen to your favorite music and podcasts. Subscribe today! If you listen via Itunes please stop by the Drummer’s Weekly Groovecast home page inside of ITunes and leave us a 5-star review. We’d greatly appreciate it and it helps other people looking for our content find us a bit more easily. Lastly please visit our website at www.drummersweeklygroovecast.com You can listen to all of our shows, interact with our social media accounts, view our videos, and contact us through our email form. Share us with your friends!
Let’s talk about music! What has music got to do with aging? I don’t know about you but I love music! I’ve been a fan of music, especially live music my entire life. Do you enjoy music? What genre do you love? Who’s your favorite band? Do you have a particular song that reminds you of an event or time in your life? Your first dance? Your first kiss? It all started for me in middle school when I joined the band. Yes I was a band geek and I still am at heart. Somehow I decided I wanted to play drums. I’m sure this drove my parents crazy but they supported me anyway. I took lessons and even bought and drum kit. All throughout High School in the mid to late 70’s (remember I’m a Baby Boomer) I was fortunate enough to be friends with the best musicians in our High School band. In fact two of my best friends from that era, Sal who plays saxophone and all woodwind instruments and Alex who plays trombone, are living their dreams as professional musicians to this day. They also teach music! They are enormously talented but work really hard at it too! I have incredible respect for them and anyone who makes music their profession.Now what was actually cool is that our High School marching band was one of the best in the state of California at the time. We regularly competed in parades where we were judged against other bands from all over and we did really well often winning the competitions. We performed at the halftime shows on the field during our football games. We even marched in the Rose Parade in 1979!Not only was I able to play in the Marching Band but I was able to learn many different types of percussion and was able to participate in the Orchestra, the jazz band and the pep band which allowed me to learn to play many different styles of music. Looking back on it it was pretty amazing growing up playing music live in front of so many different audiences.Can you relate? Did you play an instrument growing up? What was your experience with music either playing or being in the audience?My friends Alex and Sal and I also traveled to Los Angeles and Hollywood to see live jazz played by some of the greatest performers of our time. My favorites were the jazz drummers Buddy Rich and Louie Bellson. They were amazing showmen! Back then we also got to see amazing jazz bands playing at Disneyland too! Around that time in high school I also fell in love (thanks to Alex) with progressive rock music - Emerson Lake & Palmer, Yes, Pink Floyd, Genesis, Supertramp, Jethro Tull, Kansas. The list goes on. I loved the sophistication of the music. It was almost orchestral! I was always playing their albums and trying to play along with their music on my drum kit. What type of music did you love growing up? Rock? Heavy Metal? Pop? Country? Jazz? Did you have a favorite band?With so much musical influence in my life I knew I wanted to see all of these great bands and musicians play music as much as possible and as often as I could. Living Southern California there were so many venues to see live music between Orange County, Los Angeles and Hollywood. But how could I afford to see all the live music I wanted, the bands that I loved? Concert tickets were costly and I didn’t really have a job back then.I also wondered if I would be considered cool, part of the in crowd, if I didn’t go to these concerts with my friends. How would I feel if my friends went to the concerts and I didn’t get to go too?I still remember asking my parents if I could go see KISS in concert when I was around 14 or 15 years old and they said no. I still have a resentment toward them to this day for that even though I’ve seen KISS a few times since. I think that denial fueled my fire to never miss a concert that I wanted to see again!Somehow, I don’t really remember how, I met a scalper who had connections to the boxoffice at The Forum where The Lakers and Kings played their games. The Forum was also the arena where all of the biggest bands on tour would play. Once or twice a month we would meet up at 6am as a group at a local breakfast spot called Norms in Inglewood. This was on the days the tickets would go on sale and there would be a line around the building of people who had gotten there early to buy tickets. Do you remember lining up for tickets early in the morning for a concert? Or trying to call Ticketmaster and getting a busy signal and hanging up and dialing over and over again?Anyway, Ticket Scalper Tony would give us a raffle ticket with a number on it, almost always in the first 10 to 20 numbers which was our place in line. He would also give us a wad of cash to buy a certain number of tickets. We would then show up at a certain time before the ticket office opened and go right to the front of the line. It was really pretty amazing. I would work with him as often as possible to get tickets to shows. We had the choice to get paid cash or we could get tickets to a concert. I saw countless shows in High School and College through my connection to Tony and on my own. My seats were almost always in the first 10 rows!I saw Queen, Rush, Yes, Bad Company, Kansas, Boston, Journey, Styx, Supertramp, The Who, Springsteen and Foreigner just to name a few. In college I also saw tons of shows in smaller venues around the area with my fraternity brothers and friends. We saw The Clash and The English Beat at The Hollywood Palladium, (still the greatest show I’ve ever seen live!). Bad Manners,Madness , I saw local bands like X and The Red Hot Chilli Peppers multiple times. I even saw Frank Sinatra, Sammy Davis Jr and Liza Minnelli when I was in college. The list goes on and on!When I hear songs from my iTunes library or I play them on Amazon Prime Music I often flash back to where I was when I saw the band and who I was with. Have you ever noticed that movie soundtracks have familiar songs from our youth? Even Marvel movies like Guardians of The Galaxy or even Deadpool have great soundtracks that take you back in time! I have so many life experiences and memories tied to the live concerts I’ve seen and the music I have. It’s like that scene from the movie “High Fidelity” between the record store owner Rob played by John Cusak and Dick played by Jack Black:Dick: I guess it looks as if you’re organizing your records. What is this though? Chronological?Rob: No…Dick: Not alphabetical…Rob: Nope…Dick: What?Rob: Autobiographical.Dick: No way! If you listened to my “Excuse Me?” episode about my hearing loss I’m sure it can be traced directly back to my love for live music. Throughout the years I’ve seen countless concerts, big and small, with friends and family. Shannon and I have seen many great shows over the years together like Sting, Arrowsmith and LL Cool J but the highlight had to be Prince which was one of the all time greatest individual performances I have ever seen! I am so grateful I was able to see Prince before he passed away. I remember taking my daughters Molly and Riley to see Britney Spears and taking Riley to see The Foo Fighters! It was an awesome event to experience together! My girls both love live music and I’m sure Piper will too!So you may be asking yourself what’s the point in all of this and what does it have to do with aging? Mainly it’s because I believe music, especially live music, has given me so many gifts and I believe it can help you too! I also believe that as we age Music can help our brains and our attitudes.I’ve linked an article in the show notes about Three Scientifically Proven Ways Music Improves The Lives of Older Adults:https://www.cmsschicago.org/news-blog/three-scientifically-proven-ways-music-improves-the-lives-of-older-adults/Playing and listening to music can have tremendously positive effects on people, especially seniors, both physically and emotionally. According to studies detailed by Music Education Research International, “Active music participation holds numerous benefits for senior citizens,” from mental and physical health, to overall happiness.Below are some of the many benefits music can have on older adults.1. Memory EnhancementThroughout life, music often finds itself tied to unique memories. A time in your past may be defined by one particular song or style of music. This is no different for seniors; music can have a huge impact on mental health.A study published in the Oxford University Journal, Cerebral Cortex, found that memory can be improved by listening to music. Music can force a kind of automatic recall, bringing what may have been considered a previously lost memory back to the surface, while also exercising a person’s day-to-day short term memory.2. Improvements in Overall HealthWhile music is proven to help with memory, active participation in music has shown to have many other health benefits for seniors, including:Pain and stress relief, which can lead to a reduced need for medicine and an overall healthier life.Stroke recovery, where listening to music helps increase verbal memory while also reducing the risk of recovery slowing depression.Blood pressure and heart health improvement as a result of listening to classical music.Boosting immune system health, affording seniors the ability to better ward off diseases.3. Greater HappinessAccording to Music Education Research International, “Through music participation, senior citizens are able to (a) increase self-understanding, (b) achieve success as learners, (c) participate in experiences that are rewarding and interesting, and (d) express themselves creatively. These elements have been shown to enhance the quality of life of older adults.”Here are many ways that I believe Music improves my life today and will in the future. When I know I’m going to a concert I look forward in anticipation to the night of the show!That excitement helps me feel alive!Not everyone listening may love the crowds or the energy of a live show and that’s okay.I have thousands of songs in my iTunes library and I subscribe to Amazon Music as well.I can pick any song or type of music depending on my mood or what I’m doing.I use music in a variety of ways. I’ve always involved in my lifeI know that It’s helped me with my memory and with my moodIf I need more energy for a workout I know what kind of music or playlist to playIf I’m driving I pick different genres or eras for music depending on my moodIf I need to focus I love to listen to ambient or deep house musicIf I’m meditating I listen to beats or natural sounds which has a similar effect to musicMaybe some of these will work for you? Am I leaving anything out? What would you add to the list? I’d be really interested in your thoughts. Feel free to send me an email at mark@agingisoptionalradio.com and let me know. Thanks again for joining me on Aging Is Optional Radio. I hope you found some value in this episode. That’s really my goal. You can find the podcast on iTunes and I’d really appreciate it if you would subscribe and give it a rating and I love receiving comments! You can also find it in the Google Play Store, on TuneIn Radio, on Stitcher, PocketCasts, CastBox and Pippa. And I’ll be adding more channels in the future including YouTube. If you like what you hear please be sure to share the podcast with your friends and on social media. You can also reach me directly at mark@agingisoptionalradio.com if you have any questions or want to suggest any topics. Until next time, Thanks, everybody! See acast.com/privacy for privacy and opt-out information.
On Fresh is the Word, we like to deliver wisdom through great stories from the minds of bright creatives of pop culture. Through those stories, we like to dissect the journey of our guests and present actionable lessons and advice for our listeners no matter what career or avenue of artistry they pursue. This episode’s guest is a drummer, music businessman, producer, technologist, and musician David Frangioni. In the past, he has written for Rolling Stone, Mix, and Robb Report and the founder of the Frangioni Foundation, a nonprofit dedicated to inspiring children through drums and music. Frangioni is also the author of the book Crash: The World’s Greatest Drum Kits, which is a visual journey through the world of rock & jazz drumming along with photography from iconic rock photographer Mark Weiss. Within Crash, you’ll see drum kits from musicians such as Carl Palmer, Neil Peart, Ringo Starr, Carmine Appice, Buddy Rich, Eric Singer, Keith Moon, Peter Criss, Alex Van Halen, Lars Ulrich, Louie Bellson and many more! During our chat, we talked about Crash and what lessons we can learn behind the stories of these classic drum kits along with all the high profile bands he’s worked with in his long career in the music industry. PURCHASE Crash: The World’s Greatest Drum Kits From Appice to Peart to Van Halen: http://www.simonandschuster.com/books/CRASH/David-Frangioni/9781683833048 Follow David Frangioni: Web: audio-one.com Web: frangionimedia.com Twitter: twitter.com/davidfrangioni Instagram: instagram.com/davidfrangioni Instagram: instagram.com/frangionimedia THEME MUSIC Courtesy of Knox Money, Bang Belushi, and Foul Mouth. SPONSOR Founded in 2015, 20×20 Apparel brings original tributes to Pro Wrestling’s classic arenas, moments and events. They look to spotlight the Bloopers, Bleeps and Bodyslams along with the Biggest, Smallest, Strangest & Strongest. In the world of wrestling there are 100’s of shirts, promotions, flyers, social media accounts and ads. Don’t get lost in the sea of parody shirts and display fonts. We can provide professional graphic design services at a reasonable price. 20X20 also hand screen prints all tees in house. If you would like to discuss a possible run of tees, posters, koozies, foam fingers…Zubas, then drop them a line at 20x20apparel.com Web: www.20x20apparel.com Facebook: facebook.com/20x20Apparel Twitter: twitter.com/20x20Apparel --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/freshistheword/message
Ximo Tebar: Guitarrista, profesor, compositor y productor reconocido por la prensa especializada internacional como un músico experimental, progresivo e innovador que le ha permitido ser distinguido como el creador del Son Mediterráneo (fusión de jazz y flamenco con aroma mediterráneo). Su proyección internacional le llevó a fijar su residencia en Manhattan en 2004, donde se introdujo en la escena jazzistica neoyorkina firmando un contrato discográfico con Sunnyside Records, y comienzando a trabajar, de la mano de Arturo O'Farril con la Chico O'Farril Afro Cuban Jazz Orchestra actuando cada domingo en el Birland Jazz Club. Durante su estancia en Nueva York formó parte del grupo Riza Negra junto a Joe Lovano, Tom Harrel, Dave Samuels, John Benitez, Dafnis Prieto y Arturo O'Farril, y colaboró en giras y grabaciones con Lou Donaldson, Benny Golson, Joey DeFrancesco, Dr. Lonnie Smith, Louie Bellson, Anthony Jackson, Johnny Griffin, Tom Harrell, Idris Muhammad, o Dave Schnitter, actuando en auditorios tan emblemáticos como el Apollo Theater, Jazz At Lincoln Center, Smoke, Dizzy's Jazz, etc
Tonight you will hear multiple TRUE behind the scenes road stories, never heard before, for the first time told here by Alan Dale himself about: Buddy Rich, Louie Bellson, Pearl Bailey, Frank Sinatra, Tommy Dorsey, Mel Torme, Sam Butera, Louis Prima, Keely Smith and many , many more and even Sam "Momo" Giancana, boss of Chicago. You simply cannot miss this show!
August 13, 2016: In this episode we chat with percussion and publishing powerhouse Dave Black. Dave reminisces about first hearing the power of a drumline at a parade when he was 7 years old, purchasing and learning to play guitar before becoming a percussionist, his fortuitous meeting in high school and lasting friendship with legendary drummer Louie Bellson, the importance of having a strong foundation in music theory for all drummers, and 'paying it forward' in the music industry.Award-winning percussionist/composer Dave Black received his Bachelor of Music in percussion performance from California State University, Northridge. As one of the biggest selling percussion authors in the world, Mr. Black is the author or co‑author of several best-selling books published by Alfred Music, most notably Alfred's Drum Method, Books 1 & 2 (the world's current best seller). He currently serves as Vice President and Editor-in-Chief, School and Church Publications, for Alfred Music, and endorses Yamaha drums, Sabian cymbals, Vic Firth sticks, and Remo drumheads.
Walfredo Reyes, Sr. was born in Havana, Cuba and raised in New York City. He began studying music with his father and studied drumming with influential teachers such as Wm. V. Kessler, Morris Goldenberg, Daniel Perez, and Murray Spivak. Walfredo attended the Music and Arts High School in New York City, and then returned to Havana with his family at the age of eighteen. Walfredo was the first drummer to play Cuban percussion and drum set simultaneously. He also pioneered the first recordings of “descargas”(Cuban Jam Sessions) with Cuban bassist Israel Lopez (Cachao), recording his own album "Cuban Jazz" in 1954. He was also one of the organizers of the Club Cubano de Jazz (Cuban Jazz Club). Walfredo recorded with Tito Puente, Tito Rodriguez, José Fajardo and numerous others in New York City. During the same year, he moved to Puerto Rico where he was the drummer at the El San Juan Hotel backing some of the finest acts from the U.S. and Puerto Rico.Walfredo Reyes, Sr. recorded with a stellar cast of artists in both Cuba and the United States, including Tito Puente, Louie Bellson, Cachao, Alex Acuna, Tito Rodriquez, Chico O'Farrill, Linda Ronstadt, and Steve Winwood. Working in Las Vegas for many years, Walfredo Sr. also performed with Milton Berle, Wayne Newton, Tony Bennett, George Burns, Sammy Davis Jr., Robert Goulet, Rich Little, Bernadette Peters, Rita Moreno, Juliet Prowse, Ben Vereen, and Dionne Warwick. Walfredo Reyes Sr. is one of Cuba's most influential drummers and one of the pioneers in fusing percussion with drumset. His diverse background and experience make him one of the most in-demand clinicians and educators in the country today. Walfredo Reyes Sr. was recognized for his extensive percussion work with a Modern Drummer Award at the 2005 Modern Drummer Festival.
Walfredo De Los Reyes, Sr. is an internationally renowned percussionist and drummer. Besides recording his own albums, he has recorded with artists in both Cuba and the United States such as Tito Puente, Rolando La Serie, Louie Bellson, Cachao, Alex Acuna, Tito Rodriquez, Chico O’Farrill, Jose Fajardo, Linda Ronstadt, and Steve Winwood.Performing in Las Vegas for many years, Walfredo Sr. backed up performers Milton Berle, Wayne Newton, Tony Bennett, George Burns, Sammy Davis Jr., Robert Goulet, Rich Little, Bernadette Peters, Rita Moreno, Juliet Prowse, Ben Vereen, and Dionne Warwick, to name a few.Walfredo, Sr. is one of Cuba’s most influential drummers and one of the pioneers to play both percussion and drumset simultaneously. His diverse background and experience make him one of the most in-demand clinicians and educators in the country today. Walfredo has received recognition/awards including: The Modern Drummer Festival 2005, Sabian Artist Lifetime Achievement Award 2006 (presented by Robert Zildjian), SFjazz, and Drum Magazine Clinician of the Year 2014
Louie Bellson gilt als der letzte Big Band Drummer der Swing
Hoy hace 6 años que se nos fue uno de los más grandes virtuosos de la batería que tuvo el jazz desde los años 50 hasta entrado el siglo XXI, Louie Bellson (1924-2009). Recordaremos su figura escuchando grabaciones de cuando era el baterista de la orquesta de Duke Ellington y también emitiremos un espléndido concierto que dio dirigiendo su propia big band en 1962, desde el club Summit de Hollywood. Escuchar audio
THE LARRY BROWN GROUP (episode 1 of 2) www.sonicbids.com/larrybrowngroup Larry Brown learned from jazz legends such as Pat Martino, Houston Person, Jimmy Cobb, Victor Goines, John Scofield and Russell Malone and has performed at some of the country’s top jazz venues and festivals. He has performed with Hamiet Bluiett, Louie Bellson, Lew Soloff, Benny Golson and Curtis Fuller and received his Masters from NIU where he studied with jazz notables Fareed Haque, Willie Pickens and jazz educator Ron Carter.
THE LARRY BROWN GROUP (episode 2 of 2) www.sonicbids.com/larrybrowngroup Larry Brown learned from jazz legends such as Pat Martino, Houston Person, Jimmy Cobb, Victor Goines, John Scofield and Russell Malone and has performed at some of the country’s top jazz venues and festivals. He has performed with Hamiet Bluiett, Louie Bellson, Lew Soloff, Benny Golson and Curtis Fuller and received his Masters from NIU where he studied with jazz notables Fareed Haque, Willie Pickens and jazz educator Ron Carter.
In a special tribute to drummer Louie Bellson, who died in February 2009, Alyn Shipton presents an archive interview with the man himself, in which he selects key records from his career. Including discs with Duke Ellington, Benny Goodman and Louis Armstrong as well as albums by his own big band and by his wife of 37 years, Pearl Bailey.
Referred to by Duke Ellington as “not only the world’s greatest drummer...(but also) the world’s greatest musician!”, Louie Bellson has expressed himself on drums since age three. At 15, he pioneered the double bass drum set-up. At 17, he triumphed over 40,000 drummers to win the Gene Krupa drumming contest. He has performed on more than 200 albums with such greats as Duke Ellington, Count Basie, Benny Goodman, Tommy Dorsey, Harry James, Woody Herman, Sarah Vaughan, Ella Fitzgerald, Oscar Peterson, Dizzy Gillespie, Louie Armstrong, Lionel Hampton, James Brown, Sammy Davis Jr., Tony Bennett, Mel Torme, Joe Williams, Wayne Newton and Bellson’s late wife Pearl Bailey.
The Chat is back! Gordon talks about his latest composing gigs, gives his post-Grammy impressions, talks about the late Louie Bellson, and presents part 2 of his interview with acclaimed lead trumpet player Wayne Bergeron.
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