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5 episodes with Willie Bobo
5 episodes with Willie Bobo
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2 episodes with Willie Bobo
3 episodes with Willie Bobo
2 episodes with Willie Bobo
3 episodes with Willie Bobo
3 episodes with Willie Bobo
2 episodes with Willie Bobo
HERBIE HANCOCK “INVENTIONS AND DIMENSIONS” Englewood Cliffs, NJ, August 30, 1963Succotash (4), A jump aheadHerbie Hancock (p) Paul Chambers (b) Willie Bobo (d,timb1) Osvaldo “Chihuahua” Martinez (cga2,bgo3,finger cymb3,guiro4) OLD AND NEW DREAMS “A TRIBUTE TO BLACKWELL” Atlanta, GA, November 7, 1987Law years, Dewey's tuneDon Cherry (tp) Dewey Redman (ts) Charlie Haden (b) Ed Blackwell (d) PETER EVANS “EXTRA” Lisbon, Portugal, August 57, 2023Freaks, In see, Boom, Nova, Fully bornPeter Evans (pictp,flhrn,p,comp) Petter Eldh (b,synt) Jim Black (d,electronics) Continue reading Puro Jazz 03 de junio, 2025 at PuroJazz.
HERBIE HANCOCK “INVENTIONS AND DIMENSIONS” Englewood Cliffs, NJ, August 30, 1963Succotash (4), A jump aheadHerbie Hancock (p) Paul Chambers (b) Willie Bobo (d,timb1) Osvaldo “Chihuahua” Martinez (cga2,bgo3,finger cymb3,guiro4) OLD AND NEW DREAMS “A TRIBUTE TO BLACKWELL” Atlanta, GA, November 7, 1987Law years, Dewey's tuneDon Cherry (tp) Dewey Redman (ts) Charlie Haden (b) Ed Blackwell (d) PETER EVANS “EXTRA” Lisbon, Portugal, August 57, 2023Freaks, In see, Boom, Nova, Fully bornPeter Evans (pictp,flhrn,p,comp) Petter Eldh (b,synt) Jim Black (d,electronics) Continue reading Puro Jazz 03 de junio, 2025 at PuroJazz.
Send us a textBakotunes welcomes Bakersfield and SoCal percussionist, vocalist, bandleader and painter, Louie Cruz Beltran! Meet Louie and get to know his artistry, his adventures in the music industry, and the art of making music in the studio with some of Latin jazz music's most revered artists. Features music by Louie Cruz Beltran: "Senorita Mia", "Chili Caliente", "It's My Time", "Cha Cha Tango de Paris", "Ran Kan Kan", "Soul Sauce (Guachi Guaro)", "La Migra"; and "Grazing In The Grass", Willie Bobo. *Interview originally recorded May 15, 2012. Louie Cruz Beltran Official Website: https://louiecruzbeltran-music.com/Sponsored by Chain Cohn Clark - Kern County's leading accident, injury, and workers' compensation law firm. Subscribe to Bakotunes at all podcast outlets and follow our socials!Instagram / More LinksContact: mattomunoz@gmail.com
Con Rafael Conde "El Titi", Los Juniors de Amposta, André Toussaint, Hugo Blanco, los Destellos, Ismael Rivera, Willie Bobo, Lola Beltrán, Sebastian de Irardier, Amelita Baltar, Astor Piazzolla & Horacio Ferrer, Roberto Polaco Goyeneche, Fabiana Cantilo, Cacho Castaña, Adriana Varela y Kelvis Ochoa ft. Descemer Bueno.
**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary/Neo Jazz/Samba Jazz Crackers From Hermanos Ayala, Giovanni Hidalgo, Haldley Calimen, John Thomas, Chihiro Yamanaka, Willie Bobo, Aflex Combo, Namaz, Georges Edourd Novel, Soulstance, Seawind & More #Jazz #JazzClassics #ContemporaryJazz #JazzGroove #JazzSoul Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**
TERRY REID ‘SUPERLUNGS' THE LEGENDARY SINGER WHO TURNED DOWN LED ZEPPELIN AND DEEP PURPLE: A SPECIAL EVENT ON INTERVIEWING THE LEGENDS Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho. Terry Reid, ‘Superlungs' as he's affectionately known, is without doubt one of the greatest rock/soul voices ever produced or is indeed likely to. A Terry Reid concert should be a cherished memory for any self-respecting fan of the greats of British music. Terry turned down the front man's job with Led Zeppelin, recommending his mate Robert Plant instead, a similar offer and rebuff to Deep Purple. Aretha Franklin's stated that The Beatles, Rolling Stones and Terry Reid were the best England had to offer in 1968. He underwent two World Tours with The Rolling Stones, US tours with Cream, UK tours with Jethro Tull and Fleetwood Mac, The Isle of White Festival in 1969 and Glastonbury in 1970, played at Mick Jagger's wedding, before soured record deals resulted in Terry leaving Britain for America nearly 40 years ago. All true, but the full story includes numerous collaborations with Graham Nash, covers of Reid songs by Marianne Faithfull, The Hollies, The Raconteurs (the hugely popular ‘Rich Kid Blues'), film soundtracks, including a song in George Clooney's film ‘Up In The Air', and a catalogue of 6 studio albums, including the seminal album ‘The River', re-released to critical acclaim in 2002 and the 1976 Nash produced ‘Seed of Memory'. A Reid song ‘Horses Through a Rainstorm' also features on CSN's box set. Terry's most recent release is entitled ‘The Other Side of the River' and released an incredible live album entitled ‘Terry Reid Live in London.' PLEASE WELCOME LEGENDARY SINGER SONGWRITER AND MUSICIAN OFTEN REFERRED TO AS SUPERLUNGS…TERRY REID TO INTERVIEWING THE LEGENDS … PURCHASE THE LATEST RELEASE BY TERRY REID The Other Side of the River A double LP housed in a Stoughton gatefold "tip-on" jacket. Remastered from the original analog tapes. Track notes by Terry Reid. 6 never heard Reid compositions, plus 5 very different alternate takes - all previously unreleased. British musician Terry Reid is a relatively unsung legend. With his incredible voice (that earned him the nickname "Superlungs"), spot-on songwriting, and underrated guitar skills, Reid invented new sounds and others followed suit. His 1973 LP, River, is an under-the-radar but deeply loved album. Our special new release, The Other Side Of The River, features all previously unreleased material from the River sessions, including six never-before-heard Reid compositions and five very different alternate takes of tracks from River. Over the decades, as River went in and out of print, there were rumors of a mythological double album's worth of unreleased material. The rumors turned out to be true, as the entire album was recorded twice: once with British producer Eddy Offord and again with the legendary Tom Dowd. The sessions captured Reid's free-associative mix of folk, blues, rock, jazz, bossa-nova, soul, and samba, recalling at times Tim Buckley and Van Morrison, while featuring some remarkable guests including Gilberto Gil on percussion, Ike & Tina Turner's Ikettes on vocals, and David Lindley, of psych band Kaleidoscope, on violin. The Other Side Of The River includes songs that even Terry had forgotten - rockers in the style of the River track "Dean," Latin grooves with percussionist Willie Bobo, and beautifully sparse vocal material not unlike David Crosby's If Only I Could Remember My Name and John Martyn's Solid Air. available at amazon.com ALSO TERRY REID LIVE IN LONDON Terry Reid returns annually to London to play a residency at the legendary Ronnie Scott's club. Putting together a cracking band, Terry has performed two hours plus sets that have delighted his audiences, and Terry, who says of Ronnie's: The room has a special quality that allows me to talk to you as if you were in my own front room, where one conversation leads into another. That, I suppose, is how I end up playing for over two hours. I must be honest when I say I treasure those moments I spent with you and the kindness you show me. Live In London is the fourteen-track result from one of these performances. Terry and his band perform these songs, spread over two CDs. They capture Terry (nicknamed Super Lungs) as he takes a journey through an emotional landscape that starts with The Frame and passes along the way Rain In The Red Lights, his best known song River, a version of Brian Wilson's Don't Worry Baby and culminates in a two song finish, Seed of Memory and Don't Know Why. Live In London captures a unique performer and his band as they deliver a set of songs that allow them to stretch out and improvise or keep to tight arrangements all the while performing at the tops of their game. Though a contemporary recording, this album harks back to an earlier time when performers had a freer rein on their talents and Terry an amazing singer and raconteur takes full advantage of the space that his rapt audience and the intimate atmosphere generated at Ronnie's grants him. available at amazon.com FOR MORE INFORMATION ABOUT TERRY REID VISIT https://www.terryreid.com/ Official website https://www.facebook.com/p/Terry-Reid-100047699059130/ Facebook https://twitter.com/terryreid?lang=en Twitter https://www.instagram.com/superlungsterry/?hl=en Instagram https://www.youtube.com/channel/UCNKLYpDqBnk8mVJT8GRq1UA YouTube https://open.spotify.com/artist/12fRdeKejG8BBzybGf0ygk Spotify UPCOMING SHOWS Fri 3 May 2024: Tuckerton, NJ - Lizzie Rose Music Room Sun 5 May 2024: Media, PA - Media Theater Thu 9 May 2024: NEW YORK, NEW YORK - PRIVATE PARTY Fri 10 May 2024: New York - The Cutting Room Sat 11 May 2024: N Y, N Y - THE TURNING POINT TERRY REID Discography Studio albums Bang, Bang You're Terry Reid (1968) Terry Reid (1969) (US title: Move Over for Terry Reid) River (1973) Seed of Memory (1976) Rogue Waves (1979) The Driver (1991) The Other Side of the River (2016) Compilations Super Lungs: The Complete Studio EMI Recordings 1966–1969 (2004) The Most of Terry Reid (1969) MFP5220 Live albums The Hand Don't Fit the Glove (1985) Alive (2004) Silver White Light – Live at the Isle of Wight 1970 (2004) Live in London (2013) Support us on PayPal!
This week's show sees Pete bring his listeners an incredible batch of new and recent releases, including tracks from Wonder 45, Skeewiff, Bacao Rhythm & Steel Band, The Tibbs and Casa Bonita. Classic tracks come from Curtis Mayfield, Melba Moore and Leroy Hutson, with birthday celebrations for Barbara McNair and Willie Bobo. Tune into new broadcasts of the Superfly Funk & Soul Show, LIVE, Friday from 10 AM - 12 PM EST / 3 - 5 PM GMT.For more info visit: https://thefaceradio.com/superfly-funk-and-soul-show///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
Blowing the dust off soulful rare grooves, collectibles and some stone cold classics that you've either forgotten or didn't even know about ! No re-mixes, no re-edits, just 7", 12" and LP track originals from back in the day ! We'll be hearing from the Whatnauts, Willie Bobo, True Example, Kazu Matsui Project, and the Tower of Power to name but a few. PLAYLIST Artist Title 1 X-Ray Ted Party Time 2 Whatnauts Soul Walking 3 Sly Johnson Ms. Fine Brown Frame 4 Willie Bobo Coming over me 5 United Soul Expansions 6 Ultimate Kaos Casanova 7 Tutu Jones I've been loving you 8 The Live Band The chance for hope 9 The Cuban Brothers I hate hate 10 William Bell Easy coming out, hard going in 11 True Example Love is finally coming my way 12 The Philadelphia Society 100 South of Broadway 13 The Jammers And you know that 14 The Soul Patrol After you love me 15 Whirlwind Don't let him get the best of you 16 Tyra Levone Keep Steppin 17 T.N.J.'s Don't forget about me 18 Carla Thomas You've got a cushion to fall on 19 Todd Rundgren I saw the light 20 The Kazu Matsui Project The music inside you 21 Tomorrows Promise You're sweet, you're fine, you're everything 22 The Soul Searchers Ashley's Roachclip 23 Toby O'Connor The Heist / 1920 24 Tower of Power So very hard to go
Bobby Caldwell – Jamaica (5:02) Nat King Cole – Route 66 (3:01) Dave Koz – Faces Of The Heart (3:42) The Yellowjackets – Seven Stars (7:42) Rosenberg Trio – On green dolphin street (3:39) Mathilde Santing – Don’t let the sun catch you crying (4:10) Willie Bobo – Spanish Grease (7:25) Niels Tausk, Shorter, W. […]
This week on Echoes of Indiana Avenue, we'll celebrate Hispanic Heritage Month by exploring the Latin sound of Wes Montgomery. Throughout his career, Wes incorporated Latin music into his sound — performing music by Latin American composers and recording with legendary Latin percussionists, including Willie Bobo, Ray Barretto, and Candido.
Mildlife and Jerome C provide the newies this week, Houston Stackhouse and The Animals sing the blues, Willie Bobo, James Mason and others take it uptempo and Jaf previews some tunes that will be spun at the Face Radio Out On The Floor night at the Mildmay Club in London on 2nd SeptemberTune into new broadcasts of Blues & Grooves, Sunday from 4 - 5 PM EST / 9 - 10 PM GMT.For more info visit: https://thefaceradio.com/blues-and-grooves///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
This week sees Pete concentrate mostly on classic tracks from his collection, featuring great artists such as Gil Scott Heron, Curtis Mayfield, Timmy Thomas and Willie Bobo.There are birthday celebrations for Harold Melvin, Verne Allison (The Dells), Rosetta Hightower and for the amazing Garland Green. Tune into new broadcasts of the Superfly Funk & Soul Show, LIVE, Friday from 10 AM - 12 PM EST / 3 - 5 PM GMT.For more info visit: https://thefaceradio.com/superfly-funk-and-soul-show///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
G Mateus brings you another all vinyl set of global bangers! Kicking off with Latin heavyweights - WIllie Bobo, Candido, Ismael Miranda before segueing into some Brasilian heat from Djavanand Colombian Afro-Funk from Wganda Kenya. Slowing things down with some sultry Soul from Deniece Williams, The Black Pumas and Michael White. Rounding out the set with some Rare Groove Classics, 80s Dance Remixes and some Deep Disco….Tune into new broadcasts of In The Pocket, LIVE, Friday from 12 - 2 PM EST / 5 - 7 PM GMT.For more info visit: https://thefaceradio.com/in-the-pocket///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
DJ Cutler takes it back to the essence with raw drums and breaks from Willie Bobo, Enoch Light, TSU Toronadoes, Pseudo Intellectuals and more. Plus glimmering soul from Amber Mark, off the dome madness from Meth and Ghost, and Kendra Morris's red hot take on a sample classic. View the full playlist for this show at https://www.wefunkradio.com/show/1162 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/
**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary Jazz Crackers From Semuta, Quasimode, Basilio Marquez, Eguie Castrillo & His Orchestra, The Jazz Convention, Randy Brecker & Eliane Elias, Harri Stojka Express, Willie Bobo, Nikitch, Nancy Kelly, Jim Brock & More #Jazz #JazzClassics #ContemporaryJazz #JazzGroove #JazzSoul Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**
Tonight's Jazz Feature is the third album in young Herbie Hancock's Blue Note Records era. All of his Blue Note albums are "classics" but this one is lesser known but an important document. It was supposed to be a straight forward piano trio album with Herbie playing well known standards, plus a couple of originals and a couple of 12 bar blues. Herbie had something very different in mind and created some tunes that left open a lot of room for improvisation. They all had interesting properties and enhanced by a solid rhythm section made up of Paul Chambers on bass, Willie Bobo (aka William Correa) on drums and Oswaldo "Chihuahua" Martinez on added percussion. The five Hancock compositions explore a variety of moods and leave a lot of space for exploration. It is a unique document and a credit to Hancock's adventuresome musical spirit. "Inventions and Dimensions" was the album title and in honor of Herbie Hancock's 83rd Birthday on April 12, 2023 we feature his amazing music.
You will listen to some of the most remarkable Latin musicians from the midsixties to the early seventies such as Eddie Palmieri's La Perfecta, the great Tito Puente, possibly the most popular Latin musician, maestro percussionist Ray Barretto, Johnny Colon, Monguito Santamaria (the son of Cuban conguero Mongo Santamaria), Joe Bataan, the charismatic Filipino New Yorker and innovator of Latin Soul music, Willie Colon, the Nuyorican trombonist and Salsa pioneer (the hard Latin sound of New York), the boogaloo sensations of Pete Terrace, Joe Cuba Sextet or the Lebon Brothers and many more. Music for shaking the hips and enjoying life. Get ready and start clapping your hands to the beat of the congas and trombones. I like it like that!!! Background music includes some excerpts from the following songs Info For Website - info – pics – Content - Music Videos – NDFM's Music Player Please go to - https://linktr.ee/NDFM Please enjoy the music I love. Botando Candela - Louie Ramirez Have love will Travel- The Sonics But I'aint no more (G.S.T.S.K.D.T.S) Vera Hamilton Rainbow Country-Gecko Turner America - West Side Story - Leonard Bernstein Cold Sweat Part 1 - James Brown She loves you – The Beatles Descarga Cubana- Cachao (Cuban Jam sessions in miniature) El Cayuco- Tito Puente Puerto Rico (Instrumental) - Frankie Cutlass Bang Bang - Pete Terrace Playlist 1- Do you feel it - THE JOE CUBA SEXTET (1972) 2- Boogaloo blues - JOHNNY COLON (1967) 3- It's a good feeling (riot) - JOE BATAAN (1968) 4- Groove-Time - MONGUITO SANTAMARIA (1969) 5- Taking over - RALPH ROBLES (1968) 6- Soul Drummers - RAY BARRETTO (1969) 7- Fried necklines and some home fries - WILLIE BOBO (1966) 8- At the Party - HECTOR RIVERA (1966) 9- Girl from the Mountain - GUETTO BROTHERS (1971) 10- Uptown- JOE BATAAN (1969) 11- Pow Wow - MANNY CORCHADO (1969) 12- Música del alma - TNT Band (1969) 1 3- Tighten Up - AL ESCOBAR AND HIS ORCHESTRA (1967) 14- Guajira sicodelica - FLASH AND THE DYNAMICS (1971) 15- Tema de Alma Latina - BOBBY MATOS (1967) 16- Azucar pa tí - EDDIE PALMIERI'S LA PERFECTA (1965) 17- Hit the Bongo - TITO PUENTE (1970) 18- My Man Speedy - JOE CUBA SEXTET (1968) 19- Do the boogaloo - PETE TERRACE (1968) 20- Subway Joe - JOE BATAAN (1966) 21- Wishing and hoping - THE HARVEY AVENUE DOZEN (1968) 22- Use it before you lose it - BOBBY VALENTIN (1968) 23- Chin Chon Chơ - LOUIE RAMIREZ (1966) 24- The Hustler - WILLIE COLON (1968) 25- Really bad scene - GEORGE GUZMAN (1969) 26- Get on Up - RAY TERRACE (1968) 27- Boogaloo Lebron- LEBRON BROTHERS (1970) 28- Welcome to the party - HAR-YOU PERCUSSION GROUP (1968)
Sounds From The Verve Hi-Fi Compiled By Thievery Corporation:Stan Getz And Luiz Bonfá “Menina Flor”Sérgio Mendes & Brasil '66 “Chove Chuva”Jimmy Smith And Wes Montgomery “OGD (Road Song)”Kenyon Hopkins “Hard Latin”Cal Tjader With Lalo Schifrin “The Fakir”Richie Havens “Something Else Again”Astrud Gilberto “Light My Fire”Elis Regina “Bala Com Bala”Walter Wanderley “Batucada”Jackie And Roy “Samba Triste”Cal Tjader “Cuchy Frito Man”Willie Bobo “Lisa”Chico Hamilton “For Mods Only”The Wynton Kelly Trio “Escapade”The Jazz Renegades “Do It The Hard Way” Escuchar audio
Coming up tonight: Louis Armstrong & Sy Oliver, Johnny Hodges, Peggy Lee & Harold Mooney, Gerry Mulligan & Johnny Hodges, Cal Tjader, Willie Bobo, Stanley Turrentine, Dave Brubeck, Eubie Blake, Mongo Santamaría, Butch Thompson, Perico Sambeat, and Kenny Burrell.
Coming up tonight: Louis Armstrong & Sy Oliver, Johnny Hodges, Peggy Lee & Harold Mooney, Gerry Mulligan & Johnny Hodges, Cal Tjader, Willie Bobo, Stanley Turrentine, Dave Brubeck, Eubie Blake, Mongo Santamaría, Butch Thompson, Perico Sambeat, and Kenny Burrell.
Celebrem la m
Aquesta setmana saludem el senyor Willie Bobo, un monstre de la percussi
Host Jim Irvin invites two more guests to discuss albums that never make those lists of the all-time greats. Here he's joined by Roxy Music's textural guitar wizard, Phil Manzanera and comic actor and much-admired lone-wolf musician, Matt Berry. The albums under discussion are: John Martyn - One World (1978); Bram Stoker - Heavy Rock Spectacular (1972) and Willie Bobo - Uno Dos Tres 123 (1968). Also discussed: the Roxy Music 50th anniversary reunion and how they started, are bands unnatural?, Phil's new album with Kiwi singer-songwriter Tim Finn, Matt's latest season of What We Do In the Shadows, how to make an album of TV themes, how Tubular Bells shaped Matt's future and what is the clavé and why can't you count it? An accompanying playlist including all three albums is available at: https://open.spotify.com/playlist/01VKuxynbobE75zOIn4IVU?si=d5858d10c2d64992 For any comments, queries or communications with the show, go to jimirvin.com where there is a Contact page. Correspondence is shared at the end of the show. If you're enjoying the series, please give us a shout-out wherever you get your podcasts, as that helps potential, like-minded listeners find us. A thousand thanks.
Ok, I said it. This is a 'typical' episode of The Coast Highway Shuffle. Meaning, it has no theme, or focus OTHER than GREAT MUSIC, like ALWAYS! Enjoy songs by UB40,Trombone Shorty, Marvin Gaye, The Meters, Nikka Costa, The Replacements, Willie Bobo, Crippled Pilgrims and SO MANY more! ENJOY!!!
Terry Reid in conversation with David Eastaugh Reid came to the attention of producer Mickie Most, who became his manager and who was in partnership with Peter Grant at the time. His first single with Most, "Better By Far", became a radio favourite, but the album Reid was signed by Ahmet Ertegun to Atlantic Records with his band of David Lindley, Lee Miles and Alan White; they began recording in the UK and later switched to the US. White left to join Yes and Lindley left to tour with Jackson Browne. However, Lee Miles remained and was Reid's trusty sidekick for many years to come. Other musicians on the album, titled River, included Conrad Isodore on drums and Willie Bobo on percussion. Produced by Reid, engineered by Tom Dowd, and mixed by Eddie Offord this third album was released in 1973 and received favourable reviews
Bobby Caldwell – Jamaica (5:02) Nat King Cole – Route 66 (3:01) Dave Koz – Faces Of The Heart (3:42) The Yellowjackets – Seven Stars (7:42) Rosenberg Trio – On green dolphin street (3:39) Mathilde Santing – Don’t let the sun catch you crying (4:10) Willie Bobo – Spanish Grease (7:25) Niels Tausk, Shorter, W. […]
Eric Bobo of Cypress Hill (and Ft. Minor & The Beastie Boys) joins the show to discuss 'Back In Black' the new Cypress Hill album. We talk about his favorite contribution to the project, the upcoming vinyl release, the project's features from Demrick & Dizzy Wright, the difference between a percussionist & a drummer, who's better between Ginger Baker & John Bonham, the classic Ft. Minor & Dipset song, his legendary father; percussionist Willie Bobo, his upcoming releases, and much more. Watch the episode HERE Stream Cypress Hill's 'Back n Black' on your DSP of choice HERE Follow Eric Bobo on IG HERE
MP and Erin sit down to discuss last week's LDLU. OK, so Haley is the ONLY PERSON on this show to ever catch a clue and cut somebody off? Wow. You know who will never catch a clue, nay a brain cell, is Indie! We love Harry and Indie's mothers and think Yolanda needs a spin off. Tai pulls a Matrix move on Boston at a place called "Fattey Beer” and MP and Erin talk about “Willie Bobo” like the 2 old white ladies they are. We won't discuss Max and his DC/VA/MD fakery, we are just Mother Debbie DONE with him. We are led to believe Chris is getting out of prison next week even though his mom was hoping the Feds “forgot” about him. Gabby and Essence are going to need to roll another one to wait it out. Next week is the finale, which means it will be s78, episode 134 or something like that.We are begging you - PLEASE FOLLOW US ON INSTAGRAM and Twitter & @pinkshadepod and TikTok @pinkshadepodcastCLICK HERE to join Pink Shade Bunkies on Patreon for our bonus shows every week: PINK SHADE BUNKIESJoin the closed Facebook group: Pink ShadeVisit the Pink Shade MERCH STORE – Hey Bunkie & Pink Shade logo items (Plus tons of 90 Day & LALU merch, Real Housewives items & more!) See acast.com/privacy for privacy and opt-out information.
MP and Erin sit down to discuss last week's LDLU. OK, so Haley is the ONLY PERSON on this show to ever catch a clue and cut somebody off? Wow. You know who will never catch a clue, nay a brain cell, is Indie! We love Harry and Indie's mothers and think Yolanda needs a spin off. Tai pulls a Matrix move on Boston at a place called "Fattey Beer” and MP and Erin talk about “Willie Bobo” like the 2 old white ladies they are. We won't discuss Max and his DC/VA/MD fakery, we are just Mother Debbie DONE with him. We are led to believe Chris is getting out of prison next week even though his mom was hoping the Feds “forgot” about him. Gabby and Essence are going to need to roll another one to wait it out. Next week is the finale, which means it will be s78, episode 134 or something like that.We are begging you - PLEASE FOLLOW US ON INSTAGRAM and Twitter & @pinkshadepod and TikTok @pinkshadepodcastCLICK HERE to join Pink Shade Bunkies on Patreon for our bonus shows every week: PINK SHADE BUNKIESJoin the closed Facebook group: Pink ShadeVisit the Pink Shade MERCH STORE – Hey Bunkie & Pink Shade logo items (Plus tons of 90 Day & LALU merch, Real Housewives items & more!) See acast.com/privacy for privacy and opt-out information.
Jake, you got me going into a deep recall. I first met Henry Franklin when he was with Willie Bobo and I was with Mongo Santamaria. Art moves in a strange kind of way. We're in another kind of reality today as far as the art is concerned. There's something else that's kind of in front of everything and is kind of futuristic - electronics, lasers and bright lights and all that kind of stuff. There's art in there as well, but I'm not necessarily seeing the imagination and the creativity that was in the arts or that's in the arts. The music we're speaking of I call “spontaneous improvisation.” The word “jazz” is associated with a time period, but it doesn't necessarily speak to the mind set of the individuals, and the people, and the theme of what the music that is associated with jazz. The music I am interested in is spontaneous improvisational music, with a theme. Free with order as opposed to just flying all over the place. One of the phenomenon's out there in this existence, in all of this chaos is that there absolutely appears to be some order. Since man has been asking (we're still asking), we're still trying to figure out, what is that? What is this order? “Alphie what is it all about?” I think if the mind continues to embrace it, it (this music) will survive. The creativity is probably the essence and that will continue in spite of. It may get a smaller audience, but I don't think that will have any impact on the creativity of it all because art kind of works in a strange kind of way
Hi Everyone, here's the latest edition of 'The After School Club' recorded exclusively for Zero Radio on the 15th June 2021. Tonight's show opens with a Jazz-Funk Classic from Willie Bobo. This week recognised the 50th Birthday of Earth Wind & Fire with a track from them and two other EWF tracks covered by The Salsoul Orchestra and Lance Ferguson. Loads more new Smooth Jazz from Richard Randolph, Phylicia Rae, Marcus Adams, Marcus Mitchell, John Carey and Carlos Camilo. We had classic soul tracks delivered by Maze, Angela Bofil, Kenny Lattimore, Jonathan Butler and Patrice Rushen. Gospel from Eric Roberson and a classic jazz track from Leroy Hutson. Sit back relax and enjoy.
This week the squad kicks the Willie Bobo on a holiday weekend. We talk hip hop B-Sides, Ludacris, Memorial Day, Fam's childhood traumas, our first jobs, DMX, Ransom, Royce, Mach-Hommy, W. Kamau Bell, the Swizz Timbaland Verzuz rematch, NBA Playoffs, some boxing and our usual shenanigans.
Just chatting --- Send in a voice message: https://anchor.fm/thecoffeeblackshow/message Support this podcast: https://anchor.fm/thecoffeeblackshow/support
We explore Latin Jazz, past and present (including jazzy hip-hop). Featured artists include Cubanismo, Tito Puente, Dizzy Gillespie and Willie Bobo, plus jazz loving MC's like Ana Tijoux and Santi Mostaffa.
This week on the podcast I am honored to have percussionist Eric Bobo on the podcast. Before he became known as a member of Cypress Hill, and before he performed with the Beastie Boys, we chat about how he took over as director of his late father’s Latin jazz band. Legendary percussionist Willie Bobo, who played alongside iconic artists like Tito Puente (with whom he received mentorship from) and Carlos Santana, might be best known for his contributions to the Latin Jazz genre, but he was also one of the most influential musicians to the early years of hip-hop. It's an all encompassing discussion that leads up to the new body of work 'Empires' with Stu Bangas, which is out now! Visit the website: https://www.bedroombeethovens.com/ Support the show on Patreon: https://www.patreon.com/bedroombeethovens
This week the squad kicks the Willie Bobo and the conversation ends up with them Stimmy checks, Sasha Banks and the Black Rasslin' podcast, Kirk Franklin & his son, a year of lock down, Nas' Grammy win, our Top 5 things to do with the stimmy, and of course the segments: Shooting the 5, Who Won the Record (Outta Line NORE feat Conway & Method man), The Release and Sports in the Buff.
To celebrate the legacy of the late Chick Corea, today we'll focus on what he leaves behind, in addition to countless recordings as a leader or sideman, a body of compositions that have already expanded the jazz canon and will continue to do so in the coming years. In this first part of the programme we'll focus in particular on his "Spanish heart" and his "Children's Songs" cycle. The playlist features Iiro Rantala, Michael Wollny, Leszek Mozdzer; Don Grolnick; Willie Bobo; Michel Camilo; Santana; Biréli Lagrène, Sylvain Luc; Roy Haynes; Diego Figueiredo; Friedrich Gulda; Susanne Abbuehl; Tommy Smith; Kris Bowers; Nicola Andrioli; Mural; Chick Corea. Detailed playlist at https://spinitron.com/RFB/pl/12628787/Mondo-Jazz (up to Chick Corea). Photo credit: Roberto Cifarelli.
Sintonía: "Spanish Grease" - El Chicano Otra impecable recopilación que escuchamos en su totalidad; "Freak Off: Latin Breakbeats, Basslines & Boogaloo", editada por el sello británico Harmless en el 2001: "Oh That´s Nice" - Pete Rodriguez; "Freak Off" - Orchestra Harlow; "Control" - Ismael Quiñones; "Que se sepa" - Roberto Roena y su Apollo Sound; "Condiciones que existen" - Eddie Palmieri; "Fun City Shingaling" - Joe Quijano & His Conjunto Cachana; "Es tu cosa" - Joe Bataan; "Psychedelic Blues" - Willie Bobo; "Descarga" - Johnny Colon; "Combolu" - El Gran Combo; "Cubano Chant" - Cal Tjader; "Black & Blues" - Chollo Rivera & The Latin Soul Drives; "Para los rumberos" - Tito Puente Escuchar audio
Post-synchro # 78 - Dans les oreilles de David Fincher A l’occasion de la sortie de Mank sur les petits écrans, ce nouveau numéro de Post-synchro plonge dans la filmographie du grand David Fincher. De Seven à Gone Girl, en passant par The Game, Fight Club, Panic Room, Zodiac, Social Network et Millenium, une odyssée jouissive dans le cinéma vénéneux de Fincher en compagnie, entre autres, d’Howard Shore, de Trent Reznor, de David Bowie, des Dust Brothers, des Pixies, de Marvin Gaye ou encore de Willie Bobo. Welcome to the sound club ! Durée : 63 ’ Production et présentation : Dick Tomasovic
Post-synchro # 78 - Dans les oreilles de David Fincher A l'occasion de la sortie de Mank sur les petits écrans, ce nouveau numéro de Post-synchro plonge dans la filmographie du grand David Fincher. De Seven à Gone Girl, en passant par The Game, Fight Club, Panic Room, Zodiac, Social Network et Millenium, une odyssée jouissive dans le cinéma vénéneux de Fincher en compagnie, entre autres, d'Howard Shore, de Trent Reznor, de David Bowie, des Dust Brothers, des Pixies, de Marvin Gaye ou encore de Willie Bobo. Welcome to the sound club ! Durée : 63 ' Production et présentation : Dick Tomasovic
Bobby Caldwell – Jamaica (5:02) Nat King Cole – Route 66 (3:01) Dave Koz – Faces Of The Heart (3:42) The Yellowjackets – Seven Stars (7:42) Rosenberg Trio – On green dolphin street (3:39) Mathilde Santing – Don’t let the sun catch you crying (4:10) Willie Bobo – Spanish Grease (7:25) Niels Tausk, Shorter, W. […]
Entertainers need to be aware of what's happening all around them. The great entertainers are aware of all the best that's around them. The best education, the best food and of coarse the best music. The kind of music that comes from your soul- or maybe even deeper. Jimmy Smith laying on his B-3 or Willie Bobo playing congas in in Spanish Harlem. Monk Montgomery extending a hand while Big Black played the African room. My guest today is a great entertainer. He is a comic, a purveyor of Social Issues and a doctor. Hid education @ Amherst helped galvanize the classic childrens program the Electric Company and also prompted the little Bill series that my daughter is holding as she sits next to me. From the streets of Philadelphia to the house that Jello built my guest never wavered in his love of music and the musicians. He danced to it. He sang to it. He played keyboards, he played the drums like Max Roach.... my guest was Badfoot Brown. Today we see a weakening of the nuclear family and a culture that seems to use people and love things. it's far different from the community that had a major influence on this entertainers life. Bill Cosby its an honor to have you on the Jake Feinberg Show Intimacy, Humanity, Accessibility and Music. At this point my greatest journalistic accomplishment. Keep Your Lovelight On, JF --- Support this podcast: https://anchor.fm/jake-feinberg/support
Where have I known you before. The shadow of doubt that creeps into everyone's psyche as they journey through life. Some check out early, some stay late some exercise the power of the drum to create melodic invention and a style of communication that is a talk with the spirits sight unseen or heard. The essence of real music is shared creative communication. Striving to make everyone sound better doing your part to enhance to group sound. In this day in age the current brotherhood focuses more on the individual as opposed to the group. Look at me and my technique. The monsters chops not realizing that the more intellectual you get the more the music suffers. My guest today has kept his sanity and clairvoyance by swinging the band. The same way Gene Krupa and Joe Morello and Philly Joe Jones and Willie Bobo did. He is a master of holding it down, even when Mel Martin or Joe Henderson begin to take off he prevents them from fully connecting with eternity. For he understands that music is a communal event and its essence should marinate within all. He's a master of all trades, from country grass to Dixie Swing, modal black classical music to Afro Cuban salsa. From Red Clay to Return to Forever to AZTECA to black stone Legacy my guest is a fearless performer who like Louis Hayes knows if he doesn't bring it - then there's no urgency -and if there's No urgency then there's no pulse. No worries says my guest. He still has a lot to say under a Havana moon or a blizzard in Brooklyn. Never old and in the way Lenny White welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support
BLACK LIVES MATTER GOOGLE LINKhttps://docs.google.com/spreadsheets/d/1N6EIPMpaORqzrngnu1r95-At62K2pZMgrDYhtKgANds/edit?usp=sharing ---- I DIG RECORDS -- Vol 5 ---- Keiyaa - Forever Ya Girl - (2020) Willie Bobo - Dig My Feeling - (2016) Instagram: @keiyaa @bobbygrooves @dancablepresents @insidevoicesrecords @highpulpmusic @nacionalrecords Email: dancablepresents@gmail.com
In 1996 I was fiercely committed to East Coast Hip Hop and discovering the breaks used to create it. I had a friend who worked at a local music shop at a strip mall perpendicular to my job, and during my scheduled break I would visit, kick the Willie BoBo and in turn be laced with whatever I could carry out. I remember one evening, while staging the purchasing of a large amount of Hip Hop and Breaks, seeing a white cardboard display at the checkout for an artist I’d never heard of with unique, attractive packaging and a really cheap price point, like .99 or so. I picked up the CD single, mulled over adding it to the pile, decided I would never have the opportunity to listen to it with the large amount of music I was amassing and set it down. Months later when Urban Hang Suite was released, I realized the error of my decision. UHS signaled not only the introduction of Maxwell, it was also a harbinger of the Neo Soul Movement. In addition, the Ascension maxi-single I passed up, ironically included a remix by Hip Hop’s most respected producer, Dilla. Over the next 2 years, Maxwell continued to drop maxi singles from UHS with alternate versions and remixes of its beloved tunes much like the Hip Hop 12”s of that time. As time went on and I became immersed in music overall I discovered there were others touched by Maxwell’s music who decided to share their spin on his music. It’s a combination of these remixes, covers, and edits I have mixed and share with you today. Enjoy! --- Support this podcast: https://anchor.fm/bamalovesoul-radio/support
Steve Perry - Summertime (1972?) Somewhere in California Alien Project - If You Need Me Call Me (1977) Alien Project - My, My, My (1977) Journey - Midnight Dreamer (1976) Journey - Spaceman (1977) Journey - To Play Some Music (1975) Santana - Look Up (1972) Santana - Open Invitation (1978) Santana - Stand Up (1979) Willie Bobo - Evil Ways (1967) Tito Puente - Oye Como Va (1963) Russ Ballard - Winning (1976) Azteca - Someday We'll Get By (1973) Ex-Santana Escovedo Brothers. And Neal Schon. Alphonso Johnson - Love The Way I Feel 'Bout Cha (1976) Pete & Sheila Escovedo - Ain't That The Truth (1976-8) This is actually Shiela E. before her "makeover", doing records with her father. Pete & Sheila Escovedo - Bittersweet (1976-8) George Duke - Dukey Stick (1978) George Duke - Uncle Remus (1975) George Duke - Psychsomatic Dung (1973) George Duke - Psychsomatic Dung (demo) (1973) Willie Bobo - Fried Neck Bones and Some Home Fries (1966) The Village Callers - Evil Ways (1968) The Village Callers - Hector (1968)
Nick Carling's Fruitful Radio Show with music coming from Moplen, Steppenwolf, Los Charly's Orchestra, ROBOT 84, Yam Who?, Lars Bartkuhn, Faze Action, The Doors, CAMEO, Willie Bobo, Crown Heights Affair, Ashford & Simpson & lots more.Catch Nick Carling's Fruitful Radio, LIVE every other Friday from 5 - 8 AM EST, in association with 1BTN Brighton.For a complete track listing, visit: https://thefaceradio.com Instagram: https://www.instagram.com/nick_carling_Twitter: https://twitter.com/djnickcarlingFacebook: https://www.facebook.com/fruitfulsoundsystemMixcloud: https://www.mixcloud.com/Fruitful_RadioWeb: www.fruitfulsoundsystem.comEmail: fruitfulradio@thefaceradio.com Support The Face Radio with Patreon See acast.com/privacy for privacy and opt-out information.
El álbum se titula Bobo! Do That Thing / Guajira. Lo hizo Willie Bobo para la casa Tico en 1963. En realidad a finales de 1963. Se titula así tan raro porque se mantuvo el nombre del 45 o sencillo promocional que tenía por una cara Bobo! Do That Thing y por el otro el tema Guajira. Sin entrar en las razones para ello, lo cierto es que desde el título ya era algo diferente, y eso se notaba en una música que iba paseando por el swing, por el soul, por el Twist, por la bossa y por el mambo. Una mezcla tan novedosa que resultó avanzada para la época. Así se hizo Bobo! Do That Thing del gran Willie Bobo en La Hora Faniática.
Funky, soulful jazz grooves for movers and shakers. Featuring tracks by: Miles Davis, Ray Barretto, Willie Bobo, Jimmy McGriff and more!
durée : 01:54:35 - Retour de plage du jeudi 08 août 2019 - par : Thierry Jousse - Une programmation riche aujourd'hui dans notre émission Retour de plage, avec Herbie Mann, Willie Bobo, Domenico Modugno ou encore Ernest Ranglin pour ne citez qu'eux ! - réalisé par : Davy Travailleur
This week Brother Broccoli Balboa stopped thru to kick the Willie Bobo as usual...the spirits spoke loud and early...hilarity ensued...rate subscribe review and hit that share button
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Programa especial que dedicamos al compositor, productor y pianista Don Grusin. Repasamos temas compuestos por él e interpretador por artistas como Tom Browne, Willie Bobo, Harvey Mason, Flora Purim, Ernie Watts, Rick Rhodes, Bill Sharpe, Lee Ritenour y Patti Austin, además de su hermano, el gran Dave Grusin.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170
Nick and FeeFEE both listened to Willie Bobo records, but which one they actually listened to is up for debate. Also, the final YSIAGIB decision on whether or not modern country is racist + recommendations of New Order and Asie Payton. @YSIAGIBpodcast
This week we're joined by the Cake Walk Improv group to kick the Willie Bobo as we usually do...enjoy
Hanging out with percussionist Eric Bobo (of Cypress Hill, Beastie Boys and much more). Son of jazz legend Willie Bobo. Check out Cypress Hill's newest album, "Elephants on Acid" available now wherever you buy music. Shout out to BRealTV studios for letting us use their space this week! Please subscribe and listen every week! LINKS Eric Bobo: TWITTER: @EricBobo INSTAGRAM: @Eric_Bobo Felipe Esparza: FACEBOOK: www.Facebook.com/FelipeEsparzaFanPage TWITTER: @FunnyFelipe INSTAGRAM: @FelipeEsparzaComedian www.felipesworld.com Rodrigo Torres: TWITTER: @RodrigoTorresJr INSTAGRAM: @RodrigoTorresJr Lesa Esparza (Producer, editor, "What's Up Fool?" podcast) TWITTER: @WhatsUpFoolPod @LesaInLA INSTAGRAM: @LesaInLA Voodoo Glowskulls (they do our theme song) www.VoodooGlowskulls.com
We are away this week but check out this throwback to our first episode in 2016!!! -- There's no better way to start of the New Year than to listen to our new episode!! Featuring Kanye West, Willie Bobo, Chico Buarque, Mamas & Papas, Paul Revere, Joao Donato, James Maddock, Khruangbin, Dalida, Jacques Brel, and El Ten Eleven! SUBSCRIBE: iTunes TWITTER: @MusicFirstPcast FACEBOOK: Music First Podcast INSTAGRAM: MusicFirstPodcast EMAIL: MusicFirstPodcast@gmail.com
This week the squad is whole and on location live from Kevin's Barbershop so this episode we kick the Willie Bobo with the barbers with help from sister Shelly from Polish'd Nail salon to go over shop etiquette, tipping, good service and shop do's and don'ts...and of course Schmokenendrinken, The Release, our Battle of the week (Danny Myers VS Glueazy) and the Legit Check (DMX "It's Dark and Hell is Hot).
Today Jazzamatazz - Retro Dj mixes of many groovy styles of music on Bombshell Radio 2pm-3pm EST and 10pm- 11pm BST Repeats 11pm-12am EST and 4am-5am BST and Sunday 2pm-3pm EST and 10pm- 11pm BST Repeats 11pm-12am EST and 4am-5am BST bombshellradio.com We have a new Bombshell Radio Mobile App for Iphone , Android and Blueberry and all tablets! Free Download ITUNES https://itunes.apple.com/.../app/bombshell-radio/id1247661973... FREE DOWNLOAD ANDROID GOOGLEPLAY 24-7! Enjoy https://play.google.com/store/apps/details... Kaleidoscope 17: Chalk 'n' Cheese The Kaleidoscope mixes are a fun genre juggling journey into groovy sound. Eclectic,rocky,funky,jazzy fusions for a cool retro vibe. #Eclectic #Funky #Jazz #Groove #Rock'n'Roll #Surf #Freestyle Tracklisting - 1 Low Rider by War 2 Speed Run by Alan Hawkshaw 3 Raunchy by Ray Sound McVay 4 Champion House Theme by The El-Ec-Tricians 5 Theme from 'They Call Me Mr. Tibbs' by Chaquito 6 Desperado by Jim Gunner 7 Flutes Ad Libitum by Raymond Guiot & Guy Pederson 8 The Spartans by Sounds Incorporated 9 Goin' Home by Ole Jensen And His Music 10 The Bouncer by Sound Sixty-Six 11 Dune by The Wonderland Philharmonic 12 Yuggy Buggy by Excursion 13 Time Is Getting Short by Jack Arel/Jean-Claude Petit 14 Stop Press by Alan Moorhouse Orchestra 15 CrËme Tea by Nite People 16 Mysterious Land by Lamb, Chris & The Universals 17 Twistarella by Les Flash 18 Saxon Warcry by Saxons 19 Rock Me by Bongolian 20 Rastafunk by Hot 8 Brass Band 21 Lisa by Willie Bobo
Just in time for Cheeto Appreciation / Inauguration Day, we are coming at you with a brand new episode joined by none other than Nacional Records' own Cindy Ly! Perhaps the biggest label in Latin Indie, Nacional Records has seen truly remarkable talent pass through their roster including Ana Tijoux, Bomba Estereo, La Vida Boheme and AJ Davila. This episode is extra special as Cindy gives us an inside scoop into the workings of the music business, a behind the scenes look at the Latin Grammys and LAMC, as well as some insight on Los Angeles' very own Latin scene. Featured Artists: Ceci Bastida, Willie Bobo, The Echocentrics, El Guincho, Nehuen, Sin Color, Boraj, Gabriel Garzón Montano, Bairoa, and MULA. Please share, subscribe and find us on iTunes, Facebook, Twitter and Instagram or contact us at songmessmusic@gmail.com.
"There is nothing to compare with the instantaneous feedback a singer gets from the people sitting in front of him. That is where it all comes together - all the rehearsing and working to get everything just exactly right." - Andy Gibb Are you ready for a new episode of the MFP?? We sure are! We have a great selection of music for you this week so you'll surely find a new favorite song or two! Featured artists include Willie Bobo, Josh Ritter, Neil Diamond, Jimi Hendrix, Gloria Estefan, Andy Gibb, Chaka Demos & Pliers, Holly Overton, Feyer, Charlie Byrd, and Lady Smith Black Mambazo! SUBSCRIBE: iTunes TWITTER: @MusicFirstPcast FACEBOOK: Music First Podcast INSTAGRAM: MusicFirstPodcast EMAIL: MusicFirstPodcast@gmail.com
Zenet estrena su cuarto álbum Lo que sucede, conviene (El Volcán, 2016), nos desvela los detalles en una amplia conversación con Darío Manrique y además ha grabado para nosotros dos de sus nuevos temas en acústico.El título del disco es una frase muy cubana, contra la contrariedad. Mi trompetista Manuel Machado la dijo en algún momento y creo que es muy apropiada. Es un disco más diurno, sale fuera del humo y las sombras. La sensación de componer es lugares que olían a la noche anterior ha sido sustituida por la frescura de componer en casa.Hay cosas nuevas como la salsa, el tango y detalles de música brasileña. La bossa nova está muy próxima siempre a lo que hemos hecho mi banda y yo. Era fácil servirnos de ella. Hay un discurso en general muy evocador.Además hoy estrenamos algunos álbumes que merecen una especial atención: el trabajo de Miramar, el proyecto de boleros de Reinaldo Álvarez (Bio Ritmo), quien junto a la pianista Marlysse Simmons y la vocalista Laura Ann Singh busca eso mismo: rescatar la era dorada del bolero. Para llegar a buen puerto han planteado con gran acierto el disco como un homenaje a la compositora puertorriqueña Sylvia Rexach. Y el gran Mangy Love de Cass McCombs, una punzante mirada crítica a la sociedad contemporánea con alegatos contra el racismo, el elitismo de algunos gobiernos o la decadencia del sistema judicial, todo ello arropado por una excelente producción sonora. No falta algunos de nuestros favoritos recientes como los últimos lanzamientos de The Frghtnrs, Gaby Moreno, Agnes Obel, Mateo Kingman o un trabajo de inéditos y tomas alternativas de Willie Bobo publicado por Nacional Records.
“It’s great to know that our old stuff still sounds good to our fans, just as it’s wonderful to think that we’ve turned a few people on to jazz over the years.” – Donald Fagen This week on the Music First Podcast, we are featuring Paul Weller, Justin Bieber, Narciso Yepes, Willie Bobo, Tupac, Steely Dan, John Stebbe, Tapesh and Dayne S, Wrong Plane, and Porches! Tune in now!!! SUBSCRIBE: iTunes TWITTER: @MusicFirstPcast FACEBOOK: Music First Podcast *NEW* INSTAGRAM: MusicFirstPodcast EMAIL (Send us a note!): MusicFirstPodcast@gmail.com
Zaccai Curtis and Brevan Hampden talk to Drummer, Willie Martinez, from 'La Familia Sextet' about everything from Mongo Santamaria, Willie Bobo, his history and Latin Jazz to what is happening on the latin jazz scene today! Check out his facebook page and website williemartinez.com and subscribe! His CDs, "Family" and "After Winter, Spring" are available so pick up these great independent Latin Jazz recordings! Reach us at podcast@truthrevolutionrecords.com with any suggestions, comments, questions and requests! TRRcollective.com
There's no better way to start of the New Year than to listen to our new episode!! Featuring Kanye West, Willie Bobo, Chico Buarque, Mamas & Papas, Paul Revere, Joao Donato, James Maddock, Khruangbin, Dalida, Jacques Brel, and El Ten Eleven!SUBSCRIBE: iTunes TWITTER: @MusicFirstPcastFACEBOOK: Music First PodcastEMAIL: MusicFirstPodcast@gmail.com
Happy St. Patrick's Day, everyone! Get your drink on while listening to our new episode featuring very talented artists: Miguel, Marvin Gaye, Ramsey Lewis, Rod Stewart, Laura Marling, The Chairmen of the Board, Lumidee feat. Shaggy, Willie Bobo, MFSB, and Hank Williams! CHEERS!!! SUBSCRIBE: iTunes TWITTER: @MusicFirstPcastFACEBOOK: Music First PodcastEMAIL: MusicFirstPodcast@gmail.com
It's almost time for the NEW YEAR!!! We can't believe how fast 2014 flew by! Before the ball drops, check out our newest episode this week featuring Keane, James Brown, Willie Bobo, Walter Murphy, Fremont, Tipsy in Chelsea, Del Paxton, Les Paul, Big Pun, The Cars, and John Lee Hooker!!!Please don't forget to:SUBSCRIBE: iTunes FOLLOW US ON TWITTER: @MusicFirstPcastLIKE US ON FACEBOOK: Music First PodcastSEND US AN EMAIL: MusicFirstPodcast@gmail.com
S. Duncan Reid has written a meticulously researched and detailed account of the performances and recording career of Bay Area-raised and small group Latin-jazz innovator and vibraphonist Cal Tjader. Tjader’s high-energy yet lyrical and melodic playing introduced new demographics of jazz listeners to the soulful sound of Latin jazz for four decades beginning in the 1940s and ending with Tjader’s untimely death at the age of 56 in 1982. In Cal Tjader: The Life and Recordings of the Man Who Revolutionized Latin Jazz (McFarland, 2013), Reid details Tjader’s uncanny ability to soak up ever-evolving stylistic and percussive nuances – and discusses his collaborations with and influences on other Latin jazz innovators such as Mongo Santamaria, Willie Bobo, Poncho Sanchez, Vince Guaraldi, Michael Wolff and many, many more. Reid recounts how Mario Bauza, Machito, Tito Puente, Dizzy Gillespie, and Stan Kenton, among others, had influenced the Latin jazz scene in the 1940s with their exciting big band/orchestral sound – and that the majority of influential jazz critics were “East of the Mississippi.” One of the delights in Reid’s book is to see how Tjader, with his San Francisco Bay Area roots and a European family background, nonetheless was attracted to and became an innovator in the small-group Latin jazz scene. Cal Tjader was literally born to rhythm. His father, of Swedish descent, was a talented vaudevillian. His Idaho-born mother played classical piano. Tjader’s parents opened a popular dance studio in San Mateo, California in the late 1920s. Tjader was already tap dancing in front of audiences by the age of 4 and as a child even danced with tap dance legend Bill “Bojangles” Robinson on a Hollywood set in the early 1930s. Forsaking tap dancing in high school, Tjader picked up drums and within three years won a Gene Krupa drum contest playing “Drum Boogie.” News of his success, however, was “overshadowed” by another news event –the Japanese attack on Pearl Harbor on December 7, 1941. After serving in the South Pacific in WWII, Tjader returned to the San Francisco Bay area, attended San Francisco State College and soon began collaborating with other West Coast jazz musicians – most notably Dave Brubeck (Tjader started out as a drummer for Brubeck in the late 1940s and subsequently the vibes), and sax player Paul Desmond. It wasn’t long, however, before Tjader became enamored of the infectious and complex percussive permutations in Afro-Cuban rhythms after meeting Cuban percussionist Armando Peraza in San Francisco early in 1950. Reid also writes that Tjader’s collaborations/recordings with classically trained jazz pianist George Shearing were central to Tjader’s own evolution in the small-group Latin sound. Shearing called Tjader a “percussive genius.” Tjader always had a lyrical quality to his playing – he left space and was always looking for new compositional challenges, and it wasn’t long before Tjader became a fixture in the small-group Latin jazz scene in San Francisco, playing gigs at the most famous San Francisco clubs of the day – notably The Blackhawk, The Great American Music Hall, and the El Matador. Tjader is probably most associated with his catchy cover of the Gillespie/Pozo hit Guarachi Guaro on his Grammy-nominated album Soul Sauce in 1964. Tjader later won a Grammy for his album La Onda Va Bien, recorded in 1979. Reid is upfront about Tjader’s problems with alcohol and challenging family dynamics but doesn’t psychologize – he lets his interviewees do the talking. Learn more about your ad choices. Visit megaphone.fm/adchoices
S. Duncan Reid has written a meticulously researched and detailed account of the performances and recording career of Bay Area-raised and small group Latin-jazz innovator and vibraphonist Cal Tjader. Tjader’s high-energy yet lyrical and melodic playing introduced new demographics of jazz listeners to the soulful sound of Latin jazz for four decades beginning in the 1940s and ending with Tjader’s untimely death at the age of 56 in 1982. In Cal Tjader: The Life and Recordings of the Man Who Revolutionized Latin Jazz (McFarland, 2013), Reid details Tjader’s uncanny ability to soak up ever-evolving stylistic and percussive nuances – and discusses his collaborations with and influences on other Latin jazz innovators such as Mongo Santamaria, Willie Bobo, Poncho Sanchez, Vince Guaraldi, Michael Wolff and many, many more. Reid recounts how Mario Bauza, Machito, Tito Puente, Dizzy Gillespie, and Stan Kenton, among others, had influenced the Latin jazz scene in the 1940s with their exciting big band/orchestral sound – and that the majority of influential jazz critics were “East of the Mississippi.” One of the delights in Reid’s book is to see how Tjader, with his San Francisco Bay Area roots and a European family background, nonetheless was attracted to and became an innovator in the small-group Latin jazz scene. Cal Tjader was literally born to rhythm. His father, of Swedish descent, was a talented vaudevillian. His Idaho-born mother played classical piano. Tjader’s parents opened a popular dance studio in San Mateo, California in the late 1920s. Tjader was already tap dancing in front of audiences by the age of 4 and as a child even danced with tap dance legend Bill “Bojangles” Robinson on a Hollywood set in the early 1930s. Forsaking tap dancing in high school, Tjader picked up drums and within three years won a Gene Krupa drum contest playing “Drum Boogie.” News of his success, however, was “overshadowed” by another news event –the Japanese attack on Pearl Harbor on December 7, 1941. After serving in the South Pacific in WWII, Tjader returned to the San Francisco Bay area, attended San Francisco State College and soon began collaborating with other West Coast jazz musicians – most notably Dave Brubeck (Tjader started out as a drummer for Brubeck in the late 1940s and subsequently the vibes), and sax player Paul Desmond. It wasn’t long, however, before Tjader became enamored of the infectious and complex percussive permutations in Afro-Cuban rhythms after meeting Cuban percussionist Armando Peraza in San Francisco early in 1950. Reid also writes that Tjader’s collaborations/recordings with classically trained jazz pianist George Shearing were central to Tjader’s own evolution in the small-group Latin sound. Shearing called Tjader a “percussive genius.” Tjader always had a lyrical quality to his playing – he left space and was always looking for new compositional challenges, and it wasn’t long before Tjader became a fixture in the small-group Latin jazz scene in San Francisco, playing gigs at the most famous San Francisco clubs of the day – notably The Blackhawk, The Great American Music Hall, and the El Matador. Tjader is probably most associated with his catchy cover of the Gillespie/Pozo hit Guarachi Guaro on his Grammy-nominated album Soul Sauce in 1964. Tjader later won a Grammy for his album La Onda Va Bien, recorded in 1979. Reid is upfront about Tjader’s problems with alcohol and challenging family dynamics but doesn’t psychologize – he lets his interviewees do the talking. Learn more about your ad choices. Visit megaphone.fm/adchoices
S. Duncan Reid has written a meticulously researched and detailed account of the performances and recording career of Bay Area-raised and small group Latin-jazz innovator and vibraphonist Cal Tjader. Tjader’s high-energy yet lyrical and melodic playing introduced new demographics of jazz listeners to the soulful sound of Latin jazz for four decades beginning in the 1940s and ending with Tjader’s untimely death at the age of 56 in 1982. In Cal Tjader: The Life and Recordings of the Man Who Revolutionized Latin Jazz (McFarland, 2013), Reid details Tjader’s uncanny ability to soak up ever-evolving stylistic and percussive nuances – and discusses his collaborations with and influences on other Latin jazz innovators such as Mongo Santamaria, Willie Bobo, Poncho Sanchez, Vince Guaraldi, Michael Wolff and many, many more. Reid recounts how Mario Bauza, Machito, Tito Puente, Dizzy Gillespie, and Stan Kenton, among others, had influenced the Latin jazz scene in the 1940s with their exciting big band/orchestral sound – and that the majority of influential jazz critics were “East of the Mississippi.” One of the delights in Reid’s book is to see how Tjader, with his San Francisco Bay Area roots and a European family background, nonetheless was attracted to and became an innovator in the small-group Latin jazz scene. Cal Tjader was literally born to rhythm. His father, of Swedish descent, was a talented vaudevillian. His Idaho-born mother played classical piano. Tjader’s parents opened a popular dance studio in San Mateo, California in the late 1920s. Tjader was already tap dancing in front of audiences by the age of 4 and as a child even danced with tap dance legend Bill “Bojangles” Robinson on a Hollywood set in the early 1930s. Forsaking tap dancing in high school, Tjader picked up drums and within three years won a Gene Krupa drum contest playing “Drum Boogie.” News of his success, however, was “overshadowed” by another news event –the Japanese attack on Pearl Harbor on December 7, 1941. After serving in the South Pacific in WWII, Tjader returned to the San Francisco Bay area, attended San Francisco State College and soon began collaborating with other West Coast jazz musicians – most notably Dave Brubeck (Tjader started out as a drummer for Brubeck in the late 1940s and subsequently the vibes), and sax player Paul Desmond. It wasn’t long, however, before Tjader became enamored of the infectious and complex percussive permutations in Afro-Cuban rhythms after meeting Cuban percussionist Armando Peraza in San Francisco early in 1950. Reid also writes that Tjader’s collaborations/recordings with classically trained jazz pianist George Shearing were central to Tjader’s own evolution in the small-group Latin sound. Shearing called Tjader a “percussive genius.” Tjader always had a lyrical quality to his playing – he left space and was always looking for new compositional challenges, and it wasn’t long before Tjader became a fixture in the small-group Latin jazz scene in San Francisco, playing gigs at the most famous San Francisco clubs of the day – notably The Blackhawk, The Great American Music Hall, and the El Matador. Tjader is probably most associated with his catchy cover of the Gillespie/Pozo hit Guarachi Guaro on his Grammy-nominated album Soul Sauce in 1964. Tjader later won a Grammy for his album La Onda Va Bien, recorded in 1979. Reid is upfront about Tjader’s problems with alcohol and challenging family dynamics but doesn’t psychologize – he lets his interviewees do the talking. Learn more about your ad choices. Visit megaphone.fm/adchoices
S. Duncan Reid has written a meticulously researched and detailed account of the performances and recording career of Bay Area-raised and small group Latin-jazz innovator and vibraphonist Cal Tjader. Tjader’s high-energy yet lyrical and melodic playing introduced new demographics of jazz listeners to the soulful sound of Latin jazz for four decades beginning in the 1940s and ending with Tjader’s untimely death at the age of 56 in 1982. In Cal Tjader: The Life and Recordings of the Man Who Revolutionized Latin Jazz (McFarland, 2013), Reid details Tjader’s uncanny ability to soak up ever-evolving stylistic and percussive nuances – and discusses his collaborations with and influences on other Latin jazz innovators such as Mongo Santamaria, Willie Bobo, Poncho Sanchez, Vince Guaraldi, Michael Wolff and many, many more. Reid recounts how Mario Bauza, Machito, Tito Puente, Dizzy Gillespie, and Stan Kenton, among others, had influenced the Latin jazz scene in the 1940s with their exciting big band/orchestral sound – and that the majority of influential jazz critics were “East of the Mississippi.” One of the delights in Reid’s book is to see how Tjader, with his San Francisco Bay Area roots and a European family background, nonetheless was attracted to and became an innovator in the small-group Latin jazz scene. Cal Tjader was literally born to rhythm. His father, of Swedish descent, was a talented vaudevillian. His Idaho-born mother played classical piano. Tjader’s parents opened a popular dance studio in San Mateo, California in the late 1920s. Tjader was already tap dancing in front of audiences by the age of 4 and as a child even danced with tap dance legend Bill “Bojangles” Robinson on a Hollywood set in the early 1930s. Forsaking tap dancing in high school, Tjader picked up drums and within three years won a Gene Krupa drum contest playing “Drum Boogie.” News of his success, however, was “overshadowed” by another news event –the Japanese attack on Pearl Harbor on December 7, 1941. After serving in the South Pacific in WWII, Tjader returned to the San Francisco Bay area, attended San Francisco State College and soon began collaborating with other West Coast jazz musicians – most notably Dave Brubeck (Tjader started out as a drummer for Brubeck in the late 1940s and subsequently the vibes), and sax player Paul Desmond. It wasn’t long, however, before Tjader became enamored of the infectious and complex percussive permutations in Afro-Cuban rhythms after meeting Cuban percussionist Armando Peraza in San Francisco early in 1950. Reid also writes that Tjader’s collaborations/recordings with classically trained jazz pianist George Shearing were central to Tjader’s own evolution in the small-group Latin sound. Shearing called Tjader a “percussive genius.” Tjader always had a lyrical quality to his playing – he left space and was always looking for new compositional challenges, and it wasn’t long before Tjader became a fixture in the small-group Latin jazz scene in San Francisco, playing gigs at the most famous San Francisco clubs of the day – notably The Blackhawk, The Great American Music Hall, and the El Matador. Tjader is probably most associated with his catchy cover of the Gillespie/Pozo hit Guarachi Guaro on his Grammy-nominated album Soul Sauce in 1964. Tjader later won a Grammy for his album La Onda Va Bien, recorded in 1979. Reid is upfront about Tjader’s problems with alcohol and challenging family dynamics but doesn’t psychologize – he lets his interviewees do the talking. Learn more about your ad choices. Visit megaphone.fm/adchoices
S. Duncan Reid has written a meticulously researched and detailed account of the performances and recording career of Bay Area-raised and small group Latin-jazz innovator and vibraphonist Cal Tjader. Tjader’s high-energy yet lyrical and melodic playing introduced new demographics of jazz listeners to the soulful sound of Latin jazz for four decades beginning in the 1940s and ending with Tjader’s untimely death at the age of 56 in 1982. In Cal Tjader: The Life and Recordings of the Man Who Revolutionized Latin Jazz (McFarland, 2013), Reid details Tjader’s uncanny ability to soak up ever-evolving stylistic and percussive nuances – and discusses his collaborations with and influences on other Latin jazz innovators such as Mongo Santamaria, Willie Bobo, Poncho Sanchez, Vince Guaraldi, Michael Wolff and many, many more. Reid recounts how Mario Bauza, Machito, Tito Puente, Dizzy Gillespie, and Stan Kenton, among others, had influenced the Latin jazz scene in the 1940s with their exciting big band/orchestral sound – and that the majority of influential jazz critics were “East of the Mississippi.” One of the delights in Reid’s book is to see how Tjader, with his San Francisco Bay Area roots and a European family background, nonetheless was attracted to and became an innovator in the small-group Latin jazz scene. Cal Tjader was literally born to rhythm. His father, of Swedish descent, was a talented vaudevillian. His Idaho-born mother played classical piano. Tjader’s parents opened a popular dance studio in San Mateo, California in the late 1920s. Tjader was already tap dancing in front of audiences by the age of 4 and as a child even danced with tap dance legend Bill “Bojangles” Robinson on a Hollywood set in the early 1930s. Forsaking tap dancing in high school, Tjader picked up drums and within three years won a Gene Krupa drum contest playing “Drum Boogie.” News of his success, however, was “overshadowed” by another news event –the Japanese attack on Pearl Harbor on December 7, 1941. After serving in the South Pacific in WWII, Tjader returned to the San Francisco Bay area, attended San Francisco State College and soon began collaborating with other West Coast jazz musicians – most notably Dave Brubeck (Tjader started out as a drummer for Brubeck in the late 1940s and subsequently the vibes), and sax player Paul Desmond. It wasn’t long, however, before Tjader became enamored of the infectious and complex percussive permutations in Afro-Cuban rhythms after meeting Cuban percussionist Armando Peraza in San Francisco early in 1950. Reid also writes that Tjader’s collaborations/recordings with classically trained jazz pianist George Shearing were central to Tjader’s own evolution in the small-group Latin sound. Shearing called Tjader a “percussive genius.” Tjader always had a lyrical quality to his playing – he left space and was always looking for new compositional challenges, and it wasn’t long before Tjader became a fixture in the small-group Latin jazz scene in San Francisco, playing gigs at the most famous San Francisco clubs of the day – notably The Blackhawk, The Great American Music Hall, and the El Matador. Tjader is probably most associated with his catchy cover of the Gillespie/Pozo hit Guarachi Guaro on his Grammy-nominated album Soul Sauce in 1964. Tjader later won a Grammy for his album La Onda Va Bien, recorded in 1979. Reid is upfront about Tjader’s problems with alcohol and challenging family dynamics but doesn’t psychologize – he lets his interviewees do the talking. Learn more about your ad choices. Visit megaphone.fm/adchoices
S. Duncan Reid has written a meticulously researched and detailed account of the performances and recording career of Bay Area-raised and small group Latin-jazz innovator and vibraphonist Cal Tjader. Tjader’s high-energy yet lyrical and melodic playing introduced new demographics of jazz listeners to the soulful sound of Latin jazz for four decades beginning in the 1940s and ending with Tjader’s untimely death at the age of 56 in 1982. In Cal Tjader: The Life and Recordings of the Man Who Revolutionized Latin Jazz (McFarland, 2013), Reid details Tjader’s uncanny ability to soak up ever-evolving stylistic and percussive nuances – and discusses his collaborations with and influences on other Latin jazz innovators such as Mongo Santamaria, Willie Bobo, Poncho Sanchez, Vince Guaraldi, Michael Wolff and many, many more. Reid recounts how Mario Bauza, Machito, Tito Puente, Dizzy Gillespie, and Stan Kenton, among others, had influenced the Latin jazz scene in the 1940s with their exciting big band/orchestral sound – and that the majority of influential jazz critics were “East of the Mississippi.” One of the delights in Reid’s book is to see how Tjader, with his San Francisco Bay Area roots and a European family background, nonetheless was attracted to and became an innovator in the small-group Latin jazz scene. Cal Tjader was literally born to rhythm. His father, of Swedish descent, was a talented vaudevillian. His Idaho-born mother played classical piano. Tjader’s parents opened a popular dance studio in San Mateo, California in the late 1920s. Tjader was already tap dancing in front of audiences by the age of 4 and as a child even danced with tap dance legend Bill “Bojangles” Robinson on a Hollywood set in the early 1930s. Forsaking tap dancing in high school, Tjader picked up drums and within three years won a Gene Krupa drum contest playing “Drum Boogie.” News of his success, however, was “overshadowed” by another news event –the Japanese attack on Pearl Harbor on December 7, 1941. After serving in the South Pacific in WWII, Tjader returned to the San Francisco Bay area, attended San Francisco State College and soon began collaborating with other West Coast jazz musicians – most notably Dave Brubeck (Tjader started out as a drummer for Brubeck in the late 1940s and subsequently the vibes), and sax player Paul Desmond. It wasn’t long, however, before Tjader became enamored of the infectious and complex percussive permutations in Afro-Cuban rhythms after meeting Cuban percussionist Armando Peraza in San Francisco early in 1950. Reid also writes that Tjader’s collaborations/recordings with classically trained jazz pianist George Shearing were central to Tjader’s own evolution in the small-group Latin sound. Shearing called Tjader a “percussive genius.” Tjader always had a lyrical quality to his playing – he left space and was always looking for new compositional challenges, and it wasn’t long before Tjader became a fixture in the small-group Latin jazz scene in San Francisco, playing gigs at the most famous San Francisco clubs of the day – notably The Blackhawk, The Great American Music Hall, and the El Matador. Tjader is probably most associated with his catchy cover of the Gillespie/Pozo hit Guarachi Guaro on his Grammy-nominated album Soul Sauce in 1964. Tjader later won a Grammy for his album La Onda Va Bien, recorded in 1979. Reid is upfront about Tjader’s problems with alcohol and challenging family dynamics but doesn’t psychologize – he lets his interviewees do the talking. Learn more about your ad choices. Visit megaphone.fm/adchoices
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! El programa está dedicado a temas compuestos por el teclista Don Grusin e interpretados por Tom Browne, Willie Bobo, Harvey Mason, Flora Purim, Ernie Watts, Rick Rhodes, Bill Sharpe, Lee Ritenour, Patti Austin y su hermano, el gran Dave Grusin. Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170
4e émission de la 26e session... Cette semaine on fait dans l'ethno-jazz avec un metissage musical de choix. Au menu, une nouveauté de chez Pi Recordings et de la vieille musique... En musique: Willie Bobo sur l'album Bobo's Beat (Roulette, 1964); Amir ElSaffar sur l'album Alchemy (Pi Recordings, 2013); Ethnic Heritage Ensemble sur l'album Mama's House Live (Katalyst, 2009); Ethnic Heritage Ensemble sur l'album Impressions (Red Record, 1982); Don Cherry sur l'album Live in Stockholm (Caprice, 2013, enr. 1968)...
4e émission de la 26e session... Cette semaine on fait dans l'ethno-jazz avec un metissage musical de choix. Au menu, une nouveauté de chez Pi Recordings et de la vieille musique... En musique: Willie Bobo sur l'album Bobo's Beat (Roulette, 1964); Amir ElSaffar sur l'album Alchemy (Pi Recordings, 2013); Ethnic Heritage Ensemble sur l'album Mama's House Live (Katalyst, 2009); Ethnic Heritage Ensemble sur l'album Impressions (Red Record, 1982); Don Cherry sur l'album Live in Stockholm (Caprice, 2013, enr. 1968)...
After a short break over the summer period spent basking in rays of sun we are back with our 18th instalment of the podcast series and a mix from a very special guest, Donga. The head honcho of Brighton based, Well Rounded Records has been collecting, listening and adoring vinyl for the majority of his life and fuelling this passion for vinyl is an unrelenting love of music. The result of such an infatuation is a very talented selector, memorable DJ sets and, here, some bluddy great blends. Throughout the summer Well Rounded have been hosting Friday nights at Brighton’s LIFE Club. The night begins at 10pm on the club’s terrace and it is those early, warming hours that Donga has chosen to showcase in this mix, providing a lovely progression to the mix. Memorable vocal tracks stand alongside slick house grooves throughout this hour journey – a very welcome return of the podcast! Largin’ up Well Rounded, always! Tracklist 1. Bocca Juniors – 'Raise (Philly House Skank)' [Junior Boys Own] 2. It's Immaterial – 'Driving Away From Home (12" Mix)' [Siren] 3. Solomun – 'Love Recycled 2' [2DIY4] 4. Dez Andres – 'As We Rock On' [Spills] 5. Soul Sonic Force – 'Renegade Chant' [Tommy Boy] 6. Fonda Rae – 'Tuch Me (Special Mix For Breakdancing)' [Streetwave] 7. Bad Autopsy – 'Teedraheedren' [Well Rounded] 8. Dimitry From Tokyo - '?' [Disorient] 9. Bonobo – 'Eyes Down (Appleblim & Komonasmuk Remix)' [Ninja Tune] 10. Nail – 'Monday Brew' [Robsoul] 11. Karen Young – 'Hot For You (Dub Version 1)' [Design] 12. Sandee – 'Notice Me (House Mix)' [Fever Records] 13. Black Light Smoke – 'Rough Cuts' [Scissor & Thread] 14. Candice – 'Disco Jam (Guitar Mix)' [Looking Forward] 15. Kenny Dope – 'The Big Hit' [Dope Wax] 16. T.P.O. - 'Hiroshi's Dub (Joe Claussell Mix)' [Disorient] 17. Rick Wade – 'Can't You See?' [Robsoul] 18. Florian Kupfer – 'Feelin'' [L.I.E.S.] 19. Abby Lynn – 'Love Will See Us Through (Dub)' [Martru] 20. iO. Sounds – 'Always Something' [Infinite Machine] 21. Recloose – 'Can't Take It' [Planet E] 22. Willie Bobo – 'Always There' [Caliente] 23. Fela Kuti – 'Shakara (Ossie's Bump Edit)' [Love Below] 24. Da Lata – 'Pra Manha (Blaze Remix)' [Palm Pictures] 25. MAW vs 4 Hero - ? – [White Label] www.spectrm.co.uk / www.facebook.com/spectrmpodcast www.facebook.com/WellRoundedRecs
Regresamos con un programa cargado de música alucinante, hoy coqueteamos con los sonidos afroamericanos, el latin jazz, y el rock n' roll con tintes latinos. Nos centramos en un recopilatorio importado de cinco volúmenes del sello Rare groove con temas seleccionados por Philippe Reanult Jr y reseleccionado para Carreteres Secundaries. Less McCann, Dave pike, Mongo Santamaria, The Champs, Milton Banana, the Hi-Lo's, Sonny Stitt, Bill Doget, Boots Broen & his Blockbusters, Lalo Schiffrin, Nina Simone, Xavier Cugat, Stan Kenton, Willie Bobo, Gene Krupa, The Ramsey Lewis Trio o Dizzy Gillespie, son solo algunos de los pedazo artistas que pasaron por el programa.
More classic tracks from DJ Mr Jay for SSRadio, this week's selection includes; David Bendeth, Willie Bobo, George Duke, Instant Funk, Tom Browne, Dexter Wansel, Webster Lewis, David Beniot, Paulinho Da Costa, Steve Parks, Wilbert Longmire and Cameo. So remember to tune into http://www.ssradiouk.com, download the podcasts from www.djmrjay.podomatic.com, or simply type “Dj Mr Jay’s Podcasts” in the search box on iTunes.
First Light "AM" (Oval) Level 42 "Sandstorm" (Polydor) Dexter Wansel "Life On Mars" EDIT Norman Connors and The Starship Orchestra "Captain Connors" (Arista) Eddie Russ "Zaius" (Sony) Wood, Brass & Steel "Funkanova" EDIT Willie Bobo "Always There" (Sony) Touchdown "Ease Your Mind" (Record Shack) Idris Muhammad "Could Heaven Ever Be Like This" EDIT Lesette Wilson "Caveman Boogie" (Headfirst) Bob James "Westchester Lady" (Tappan Zee)
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