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53 episodes with Bobby Moore
20 episodes with Bobby Moore
4 episodes with Bobby Moore
3 episodes with Bobby Moore
5 episodes with Bobby Moore
3 episodes with Bobby Moore
5 episodes with Bobby Moore
4 episodes with Bobby Moore
2 episodes with Bobby Moore
Dotun, Tim and Jonny discuss footballers who have improved with age & enjoyed extended careers, as well as those players who've made an instant impact at a young age. Plus memories of Bobby Moore in goal, Sir Alf Ramsey's response to a transfer request, and tributes to Kevin de Bruyne as he approaches the end of his Man City career.
Mark Webster joins Dotun Adebayo and Tim Vickery to discuss an iconic game which saw Bobby Moore play against West Ham and a Trophy come to the East End. They discuss the football, music and fashion of 1975.THIS EPISODE WAS LIVE STREAMED, SUSBSCRIBE TO THE YOUTUBE CHANNEL: https://www.youtube.com/@FootballSmashYT?sub_confirmation=1FOLLOW THE BRAZILIAN SHIRT NAME ON INSTAGRAM:https://www.instagram.com/brazilshirtpod/FOLLOW THE BRAZILIAN SHIRT NAME ON FACEBOOK:https://www.facebook.com/BrazilShirtPodFOLLOW THE BRAZILIAN SHIRT NAME ON TWITTER:https://twitter.com/BrazilShirtPodPURCHASE DOTUN'S LATEST BOOK, EFFRIES HERE: https://amzn.to/4cM260fWATCH CLOBBERED NOW: https://www.youtube.com/channel/UCrK6J-Mux8PbOnCz5nZer6Q
Toute l'actu des sélections nationales et des championnats anglais, espagnol, italien et allemand avec nos légendaires "Drôles de Dames" : Julien Laurens, Fred Hermel, Polo Breitner et Johann Crochet.
In the third part of this insightful interview from 2005, George Best reveals what life was like at Manchester United under Sir Matt Busby, never being able to play at a World Cup with Northern Ireland, sharing a dressing room with Bobby Moore and being tackled by Rodney Marsh, his Fulham teammate!! Hosted on Acast. See acast.com/privacy for more information.
Good Bad Sport 028 “1966 World Cup Game 1 vs Uruguay Recorded on January 14th 2024. 1) Introduction. 2) Build up to the World Cup 3) Group 1 results 4) Biography of Gordon Banks 5) Group 2-4 results 6) Obituary: Pedro Virgilio Rocha Franchetti 7) Outro Follow the podcast @goodbadsport Follow the network @visglobalmedia Follow Graham @mgbgraham Youtube Video Links https://www.youtube.com/watch?v=vzoGpbI0bG4 Strikers play off game. Bobby Moore and Gordon Banks “This Is Your Life” can also be found on Youtube Music is "Hyperfun" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/
Send us a text"Silo's Cinematic Secrets: Baz Irvin Reveals All" dives into the world of Silo season 2 with Baz Irvine, the show's talented cinematographer. Hosted by Jawad on the Kingdom of Dreams podcast, this insightful episode explores Baz's journey into the second season, the meticulous work involved, and his reflections on the evolution of filmmaking from traditional film to AI. With parallels drawn to iconic series like Lost, Baz elaborates on the show's dystopian themes and how they resonate with contemporary events, such as the COVID pandemic Baz grew up in Belfast, Northern Ireland, and as a Director of Photography, Baz has shot many award-winning short films, including 2002's "Relativity" which won the Berlin Film Festival and Martin McDonagh's directorial debut "Six Shooter" which won the Oscar in 2006. Other shorts include "King Bastard" for acclaimed director Rufus Norris, and "Slapper" - for Oscar nominated and Bafta-winning actor Chiwetel Ejiofor. Baz's first feature documentary "Bobby", about the legendary England footballer Bobby Moore and the World Cup winning exploits of 1966, was released in cinemas earlier this year to wide acclaim. Other credits include an episode of ITV's period drama "Endeavour" for director Olly Blackburn as well as the second series of ITV's psychological thriller "Safe House" in 2016 - four one-hour episodes directed by the Bafta-winning Marc Evans.#appletv #independentfilmmaker #visualstorytelling #directingactors #silotrailer #siło http://twitter.com/dreamingkingdomhttp://instagram.com/kingdomofdreamspodcasthttp://facebook.com/kingdomofdreamspodcast Watch the feature films that I have directedCitizen of Moria - https://rb.gy/azpsuIn Search of My Sister - https://rb.gy/1ke21Official Website - www.jawadmir.com
Billy Moore stands as one of the most successful offshore powerboat racers competing today. Following in the footsteps of his father, Bobby Moore—widely considered the first throttle man in offshore racing—Billy “works the sticks” in both Class 1 and Super Cat. I spoke with Moore recently, just as his Defalco Racing Class 1 team celebrated back-to-back wins at Mercury Racing's Midwest Challenge in Sheboygan, Wisconsin. In addition to racing for Defalco, Moore throttles the C.J. Grant Racing/Graydel Skater in the Super Cat class. Not only did Moore gain invaluable racing insight from his legendary father, but he also learned the finer points of boat rigging and race boat setup, beginning his tenure at his father's shop at 15. In this episode,Moore shares how the Defalco team made the strategic choice to switch from an Outer Limits hull to a Victory in the offseason and the challenges and rewards that followed. Based near Moore's home in Washington, North Carolina, the Defalco team benefits from his close involvement. Moore is also a key figure at Checkmate Powerboats, which is owned by Pete Caldwell of Caldwell Marine Designs. He shares updates on Checkmate's current direction and exciting future plans, including a possible trip out west to compete in the Parker Enduro. Follow Billy Moore on Instagram @billymoore_313 and Facebook @William Moore (Billy Moore) Learn more about Class 1 Offshore Powerboat Racing @ www.class1world.com Visit Checkmate Powerboats online @ www.checkmatepowerboats.net This episode is brought to you by Freedom and Fuel clothing brand made for people who love big horsepower, fuel burning engines. It doesn't matter if you're into hot rods, off-road, side-by-sides, or, of course, fast boats, Freedom and Fuel has the gear to match your passion for power and performance. You can find freedom and fuel clothing at all ADBA and NJBA drag boat races at the SoCal Jet Boats trailer, on Instagram @freedomandfuel on Facebook @Freedom and Fuel, or online at freedomandfuel.com. Visit our website at www.powerboattalk.com View the video for this episode: www.youtube.com/@powerboat_talk Follow us on Instagram @powerboattalk and Facebook @Powerboat Talk Contact me: powerboattalk@gmail.com
Owen Blackhurst, Seb White and Tommy Stewart chat pundits crossing the divide, football pie, Carlos Roa, World Cup 98, David Brent, Zinedine Zidane, Redondo at Old Trafford, Dwight Schrute, Creed Bratton, Steve Carell, the US Office, crossing swords, Henrik Larsson, Manchester United, Sir Alex Ferguson, a touch of the Pruniers, Alan Smith, Wayne Rooney, Cristiano Ronaldo, Louis Saha, Martin O'Neill, Celtic, Helsingborgs IF, the Goosewagon, Eric Cantona face paint, George Weah, Carl Anka, World Cup 94, The Big Match, Eastenders, Queen Vic FC, Barbara Windsor, the Mitchell Brothers, The Sopranos, The Wire, Sad Ricky, Wellard, Bouncer, Lassy, dipsticks, Harrow Borough FC, pub football teams, Harry Redknapp on Albert Square, Sonia Fowler, Danny Dyer, Bobby Moore, West Ham, Harold ten-Pinter, photobombing Billy Mitchell, Gary Johnson, respecting the turf, Steven the squirrel, OtterPilot, Expected Pints, basketball, the Chicago Bulls, Five Guys, milkshakes, Seb shakes, Dumb and Dumber, Nutribullet coffee, Snatch, GRUB in Sheffield, Gilles Peterson, broken ribs, work summer Olympics, therapy twice a week, the wet bandits, CBD gel, arnica, foam hands, pebbly beaches, sand, homemade showers, Hugh Gleave, Gareth Jones, and somehow so much more. Get the latest issue of MUNDIAL Mag hereFollow MUNDIAL on Twitter - @mundialmagFollow MUNDIAL on Instagram - @mundialmag Hosted on Acast. See acast.com/privacy for more information.
It's super-week! 1 episode every day for an entire week and to get us in the mood for the Euro's it's England-Legends week. Who better to kick the super-week off than with the only men's captain to ever win a major trophy with England? Bobby Moore is probably the greatest player to wear a West Ham top, he captained England at 22 years old and since 1966 no other Captain has been able to do what he did. Please help me keep the podcast going: https://www.patreon.com/FootballforkidsSupport the Show.Football for kids is written, recorded and produced by Darren Rees.
The Bros catch up with longtime offshore racer and multi-time champion Billy Moore. Growing up as racing legend Bobby Moore's son, Billy has been in the game for over two decades of building, rigging, racing and living high-performance boats. Currently preparing for the upcoming season, Billy will be competing directly against Myrick in the hypercompetitive Super Cat Class, throttling for Team Greydel alongside owner/driver Chris Grant, as well as throttling the Class 1 competitor, Team Defalco, with owner/driver Mike Falco. in their new Victory hull, powered by Mercury Racing 1100 competition engines. Listen as Moore recounts his early days of racing, growing up as "Bobby Moore's son," his illustrious career and his undying passion for powerboats. This is Billy Moore. Myrick Coil is the driver for the National / World Champion M CON / Monster Energy Class 1 and Super Cat teams, and National / World Champion Performance Boat Center / FASS Diesel Fuel Systems Super Stock team, Speedboat Magazine Test Team Driver, and lead shop foreman at Performance Boat Center. Ray Lee is the publisher of the national/international publication Speedboat Magazine, where nine high quality issues are printed each year with global distribution, and popular social media platforms on Facebook, Instagram and TikTok. With all of the "bros" experience, knowledge, and friends and colleagues in the industry and sport, this podcast is sure to entertain, enthuse and educate the powerboating community.
Der fjolles utroligt meget i denne uge. Med Mourinho, med FCM, med influensers, med landsholdsspillere med M, og så er der vælgerhold, hvor vi kun må vælge mellem centrale forsvarsspillere. Det skal du altså lytte til!
In a special episode of the Royal Blue podcast, the ECHO's Everton reporter Chris Beesley travels to the home and studio of world-renowned sports artist Paul Trevillion. Dubbed ‘The Master of Movement', the title of an exhibition of his work showcased at The Strand Gallery in London back in 2014, Trevillion has immortalised the likenesses of some of the biggest names in sport over his stunning career that spans over 70 years. With his unrivalled ability to capture elite athletes in action, he's produced illustrations of the likes of Pele, Bobby Moore, Lionel Messi, Cristiano Ronaldo, Johan Cruyff, Franz Beckenbauer, Sir Ian Botham, Sachin Tendulkar, Andy Murray, Jack Nicklaus, Tiger Woods, Michael Jordan, Sugar Ray Robinson and Oscar De La Hoya to name just an illustrious few. It's his first and most-enduring football idol Dixie Dean who we're concerned with today though. Paul, who celebrates his 90th birthday on March 11, was transfixed by Dixie ever since he was taken to his first ever game on February 22, 1937, shortly before he turned three, to watch a then Second Division Tottenham Hotspur defeat Everton 4-3 in an FA Cup fifth round replay. Over two decades later, he'd be reunited with the Blues' most-prolific marksman as he met up with his boyhood hero to produce the legendary centre-forward's life story for the Liverpool Echo. This incredible series ran in our newspaper for a marathon 21 weeks during the 1960/61 season. Still razor sharp and a larger-than-life character and raconteur, Trevillion talks us through his incredible memories of an Everton legend. #EFC #EvertonFC #EvertonFootballClub Everton FC podcasts from the Liverpool ECHO's Royal Blue YouTube channel. Get exclusive Everton FC content - including podcasts, live shows and videos - everyday. Subscribe to the Royal Blue Everton FC YouTube Channel and watch daily live shows HERE: https://bit.ly/3aNfYav Listen and subscribe to the Royal Blue Podcast for all your latest Everton FC content via Apple and Spotify: APPLE: https://bit.ly/3HbiY1E SPOTIFY: https://bit.ly/47xwdnY Visit the Liverpool ECHO website: https://www.liverpoolecho.co.uk/all-about/everton-fc Follow us on Twitter: https://twitter.com/LivEchoEFC Follow us on TikTok: https://www.tiktok.com/@royal.blue.everto Follow us on Facebook: https://www.facebook.com/LiverpoolEchoEFC Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome back to another episode of Bad Dads Film Review! Today, we're tackling an iconic blend of sports drama and wartime heroics with the 1981 classic, Escape to Victory.Escape to Victory, directed by John Huston, is a film that intriguingly merges the worlds of World War II POW camps with the beautiful game of football (soccer, for our American friends). The movie is set against the backdrop of Nazi-occupied Europe, where a group of Allied prisoners of war (POWs) are roped into playing an exhibition match against the German National Team. However, the stakes are much higher than just the scoreline.The Plot: A Game for FreedomThe Allied team, led by Colby (Michael Caine), a former professional footballer, and Captain Hatch (Sylvester Stallone), an American officer, quickly realize the match could be a golden opportunity for a daring escape. With the help of the Resistance and some ingenuous planning, the game becomes a thrilling front for one of the most audacious escape plans of the war.What sets Escape to Victory apart is its unique casting, combining Hollywood heavyweights with footballing legends. Sylvester Stallone and Michael Caine share the screen with Pelé, Bobby Moore, and Osvaldo Ardiles, among others, bringing an unparalleled authenticity to the football sequences. The film is a rare treat that captures the spirit of the game and the intensity of the wartime setting.At its core, Escape to Victory is a testament to the power of teamwork, resilience, and the indomitable human spirit. It's a film that celebrates the unifying power of sports and the strategic ingenuity required for survival under the most dire circumstances.So, whether you're a history buff, a football fan, or just in love with classic cinema, Escape to Victory is a compelling watch.Join us on Bad Dads Film Review as we dive deep into this wartime epic, explore its real-life inspirations, and maybe even share a few of our own moments of sporting glory (or lack thereof). It's time to lace up, strategize, and play for the ultimate prize: freedom.
Graham and Taylor don their tin foil caps to discuss soccer's greatest conspiracy theories, and attempt to determine which ones are completely fictional (most of them) and which ones have some truth to them (some of them). Topics covered include... 1) Nike forced Ronaldo to play the 1998 World Cup final 2) A swimming pool scandal ended Johan Cruyff's Netherlands career 3) Colombia's secret service stung Bobby Moore at the 1970 World Cup 4) The 1958 World Cup was faked by the CIA 5) An Arsenal-supporting chef was behind Tottenham's Lasagna-gate 6) Steven Gerrard missed a penalty to get Roy Hodgson sacked 7) Argentina gave Brazil tranquilizers during a knockout round game at the 1990 World Cup 8) South Korea got favorable treatment to ensure the host nation advanced far into the 2002 World Cup 9) FIFA was bribed to award the 2018 and 2022 World Cups to Russia and Qatar, respectively (this one started as a conspiracy theory and is now... a little more than that)
Graham and Taylor don their tin foil caps to discuss soccer's greatest conspiracy theories, and attempt to determine which ones are completely fictional (most of them) and which ones have some truth to them (some of them). Topics covered include...1) Nike forced Ronaldo to play the 1998 World Cup final2) A swimming pool scandal ended Johan Cruyff's Netherlands career3) Colombia's secret service stung Bobby Moore at the 1970 World Cup4) The 1958 World Cup was faked by the CIA5) An Arsenal-supporting chef was behind Tottenham's Lasagna-gate6) Steven Gerrard missed a penalty to get Roy Hodgson sacked7) Argentina gave Brazil tranquilizers during a knockout round game at the 1990 World Cup8) South Korea got favorable treatment to ensure the host nation advanced far into the 2002 World Cup9) FIFA was bribed to award the 2018 and 2022 World Cups to Russia and Qatar, respectively (this one started as a conspiracy theory and is now... a little more than that) Hosted on Acast. See acast.com/privacy for more information.
Graham and Taylor don their tin foil caps to discuss soccer's greatest conspiracy theories, and attempt to determine which ones are completely fictional (most of them) and which ones have some truth to them (some of them). Topics covered include... 1) Nike forced Ronaldo to play the 1998 World Cup final 2) A swimming pool scandal ended Johan Cruyff's Netherlands career 3) Colombia's secret service stung Bobby Moore at the 1970 World Cup 4) The 1958 World Cup was faked by the CIA 5) An Arsenal-supporting chef was behind Tottenham's Lasagna-gate 6) Steven Gerrard missed a penalty to get Roy Hodgson sacked 7) Argentina gave Brazil tranquilizers during a knockout round game at the 1990 World Cup 8) South Korea got favorable treatment to ensure the host nation advanced far into the 2002 World Cup 9) FIFA was bribed to award the 2018 and 2022 World Cups to Russia and Qatar, respectively (this one started as a conspiracy theory and is now... a little more than that)
Colin Shindler, Jon Holmes and Patrick Barclay wonder whether the concept of sportsmanship has vanished from the game. We all remember that famous photograph of Bobby Moore and Pele exchanging sweat soaked shirts after their titanic struggle in Guadalajara in the 1970 World Cup group match. It was iconic because it symbolised and personified the concept. But is that sort of behaviour still around in today's world of football? Or are the three septuagenarians simply on an epic journey of nostalgia for the land of lost content where sportsmen behaved with a certain nobility? Learn more about your ad choices. Visit podcastchoices.com/adchoices
The SPOTY award is the main prize of an annual ceremony organised by the BBC. It was created in 1954 by Paul Fox, who was the editor of a sports magazine show called Sportsview. The idea was to honour the sportsperson who had achieved the most that year, as voted by the public. The first winner was Christopher Chataway, a runner who beat Roger Bannister, the first man to run a mile in under four minutes. Since then, the award has become one of the most prestigious and popular awards in British sport. It has been won by legends such as Bobby Moore, Daley Thompson, Steve Redgrave, Kelly Holmes and Andy Murray. The award is open to any sportsperson who is British or who plays a significant amount of their sport in the UK. The winner is chosen from a shortlist of 10 nominees, selected by an expert panel, and announced live on TV in December. Who won for 2023? Why was this person chosen? In under 3 minutes, we answer your questions! To listen to the last episodes, you can click here: What are the pros and cons of homeownership in the UK? How can I make and keep my new year's resolutions? Why does the year begin on January 1st? A podcast written and realised by Amber Minogue. In partnership with upday UK. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hey Guys! I know it's been a while since I have released an episode of this podcast, it's been becoming a little more difficult to find the time record these free podcast episodes, as I often think about what song I should talk about next, & that can take me a while to do that, and I also have been getting wrapped up with recording episodes for the premium subscription version of this podcast, so that has sucked up a lot of my free time, as well as taking care of my responsibilities with my current living situation, so it's been a little challenging for me to release these free episodes, but I'm doing my best to do that, while at the same time, thinking about new music to produce as well. I wanted to share with you guys the link to the last song I talked about on my podcast just in case you forgot the song. here it is right here: https://www.youtube.com/watch?v=rKJsW6DRgeY don't forget to also follow me & reach out to me on Instagram & Tik Tok right here: https://www.tiktok.com/@iheartoldies https://www.instagram.com/iheartoldies/ would also absolutely LOVE it if you guys could sign up for the premium subscription version of my podcast. this will REALLY help me out financially, and you will get access to SO MANY REALLY Cool stories on my podcast about some GREAT songs that you won't find ANYWHERE Else on my podcast. here's the link to where you can access it right here: https://themillennialthrowbackmachine.supercast.com/ Also please do listen to the Spotify & Youtube playlists for this podcast. here you'll be able to find all of the songs I have talked about on my show so far including some of the ones I have mentioned in old interview episodes I did a while back. here's where you can check it out right here: https://open.spotify.com/playlist/21f3uBS6kU4hUF6QAC5JMj?si=51df46f49905468d https://www.youtube.com/watch?v=CS1sYR7xky8&list=PL66sgq_GAmRcXy8yKZJfVmAD14HUYj7 Nf don't forget to also check out my last EP. I still love all of these songs, while I am also equally as excited for my new batch of songs as well. here's the link to where you can listen to it right here: https://distrokid.com/hyperfollow/samlwilliams/an-old-soul-with-new--remiagined-things also would absolutely LOVE it if you guys could check out my latest music video. this song is so unique for me, it is kind of a one trick poney, but it's still very cool. here's the link to where you can watch the video right here: https://www.youtube.com/watch?v=9CPh8xWmVpY if you found out some GREAT information about the last song I talked about on my podcast that you didn't know about & your around my age (your a Millennial/Gen Z) please email me at samltwilli@icloud.com, you can also follow me & reach out to me on Instagram & Tik Tokr @iheartoldies. looking back on this year, it was a very busy year for me for interview episodes, I got lots of great information from guests on my podcast talking about the history behind all of these great songs from back then, also it was a busy year of music releases, but hopefully by next year I'll be in the studio recording some new songs & of course I'll be releasing new interview episodes for the premium subscription version of my podcast. I hope you guys enjoyed this year, I"ll try my best to keep up with putting out new episodes for the free version of this podcast, but it's been tough for me to do that as I do have a big life outside of this podcast. but I hope you guys are doing great & I will see you & talk to you all next year.
One of Kammy's favourite ever matches is England's World Cup win over West Germany in 1966 and Bobby Moore was one of his biggest heroes. In this episode, Kammy reminisces about the day he faced the great man on the pitch. He explains why Moore meant so much to him, what it was like to face him and what made him so good.
Hey Guys! Sorry it's been so long since I have released an episode, there's a lot of reasons as to why I'm not as frequent as I was before with releasing new episodes of this show, I'm balancing a bunch of other things right now, with recording & releasing new interview episodes of the premium version of my podcast, to writing & recording more music, and also dealing with my current responsibilities of where I'm staying at currently. also, I put a lot of thought into which song to talk about next on my podcast, and that can take me some time to make that decision. but as always, I do appreciate those who still listen to my podcast despite the fact that it is often very difficult for me to show up to this free version of my podcast so frequently, but I definitely do my best to do so. As I was looking through the past episodes of my podcast, I had noticed it had been quite a long time since I have done a song from Muscle Shoals, Alabama, and I thought why don't I do another one. there were so many great R&B/Soul Pop songs recorded in that small little town in the south, it was definitely hard for me to pick a song to talk about, but I definitely picked a good one. here's the link to it just in case you wanted to listen to it: https://www.youtube.com/watch?v=rKJsW6DRgeY don't forget to also follow me & reach out to me on Instagram & Tik Tok right here: https://www.instagram.com/iheartoldies/ https://www.tiktok.com/404?fromUrl=/iheartoldies PLEASE do sign up for the premium version of my podcast. would REALLY appreciate it if you could do that. I have SO MANY cool people lined up for the premium version of my podcast who worked on some GREAT music. people like session pianist Artie Butler, record producer Artie Ripp & songwriter & DJ Lee Garrett. if you don't want to miss out on any of that, here's the link to where you can check it out right here: https://themillennialthrowbackmachine.supercast.com/ also would absolutely LOVE IT If you guys could listen to my last EP. man these songs definitely feel like a time machine for me, they capture specific moments in time for me from about a few years ago, and yes, I'm working on a few some more new songs for the next EP. one of them is actually the sequel song for one of the songs I released off my last EP. More on that later, but anyways, please stream it right here: https://distrokid.com/hyperfollow/samlwilliams/an-old-soul-with-new--remiagined-things also, please do check out the official Spotify & Youtube playlists for this podcast, here you'll be able to find all of these great songs that I talk about on my podcast, while I may not do it each week, but whenever I talk about a new song, I add it to this playlist, so please do give them a listen right here: https://open.spotify.com/playlist/21f3uBS6kU4hUF6QAC5JMj?si=78e949529d2e497c https://www.youtube.com/watch?v=CS1sYR7xky8&list=PL66sgq_GAmRcXy8yKZJfVmAD14HUYj7Nf don't forget to also check out the official Redbubble Merch store for this podcast. here you'll be able to find all of these super cool merch items with a logo that is specific to this podcast. I hope you enjoy it. if you did, please email me at samltwilli@icloud.com, you can also follow me & reach out to me on instagram & Tik Tok @iheartoldies: https://www.redbubble.com/shop/ap/36806158 if you liked my analysis on this week's song & group & you have never heard this song before & your around my age, please email me at samltwilli@icloud.com, you can also follow me on Instagram & Tik Tok @iheartoldies. I appreciate those of you who still listen to this podcast even if the amount of episodes I put out isn't as frequent as they used to be, but trust me, I"m still doing this podcast as I am constantly releasing & scheduling interviews for the premium version of my podcast, it's just that the solo episodes are not as much as they were before.
If you are an American soccer fan of roughly my age – mid 40's - you may remember a movie called: Victory, with Sylvester Stallone, Michael Caine - directed by the great John Huston. The film is set in WW2 where a group of war prisoners – captured from around the world – are forced to play a football match against the Nazi German squad – for propaganda purposes. The filmmakers secured real footballers for the prisoners – the great Pele, Bobby Moore and a young kid from Cordoba, Argentina who looks to be the best of them all. At one point, he dribbles the entire Germans – even includes a rainbow over a defender - scores and even the Germans in the crowd applaud his skill. And he does look – for what its worth for a staged film production – like he is the most skilled out there. And this turned out to be a normal occurrence for Oswaldo Ardiles. In 1978 Oswaldo won the World Cup on home soil for his beloved Argentina. Then he did something that was rare for the time. He took his game to north London and signed with the Tottenham HotSpurs with his good friend – Ricardo Villa. As is his tendency, he won over the fan base immediately – but it was during this time unfortunately, that his country of birth and his country of employment went to war in the Falkland Islands. It was a strange time for Ossie – the English began to look suspiciously on him as an Argentine and his Argentine countrymen did the same – as if this Londoner was not to be trusted. But Ossie weathered this as he did all things. His career spans nearly 30 years as a player and another 30 as a manager. We met in his hometown of London in a small flat and he could not have been cooler to us. I hope you enjoy our conversation – the great Ossie Ardiles. Thanks for listening! We appreciate your support. If you love SoccerPod, please consider supporting us through our Patreon: https://www.patreon.com/soccerpodBy subscribing to our Patreon, you get behind-the-scenes content, discounts on merchandise and the opportunity to submit questions for future guests. Connect with us on social:Instagram: https://www.instagram.com/soccer.pod/Facebook: https://www.facebook.com/soccerpodTwitter: https://twitter.com/SoccerPod1YouTube: https://www.youtube.com/@soccerPod-go5vx
It's the final episode of the series and Kammy and Ben have got the one and only Harry Redknapp as the last guest for the run. He says what it was like working for Daniel Levy at Spurs, whether he was in for the Leeds job last year and how he felt about not becoming the England manager. He also tells them what Frank Lampard said to him about Mykhailo Mudryk, how he thinks Tottenham will get on this season and why Paolo di Canio was the toughest player to manage during his career. Plus there's much more including memories of Bobby Moore, pranking Milan Mandaric and why West Ham told him they had to sell Rio Ferdinand. Meanwhile, Kammy reveals why he was told off at Tottenham and how he feared for his life on a recent road trip with a famous pal.
The Rocky Fellers – Killer Joe Gary “U.S.” Bonds – I Wanna Holler Eskew Reeder – Laid Off The Jay Cees – Just Say The Word Zilla Mayes -Love You Still Hoagy Lands - Baby Let Me Hold Your Hand Shirley Ellis - Did You Ever See A Diver Kiss His Wife? Bobby Moore & The Rhythm Aces – The Hamburger Song The Village Choir -The Cat Walk The Fabullous Denos – Bad Girl Eddie Floyd – I'll Be Home
It's summer 1977. Watford are languishing in English football's Fourth Division but they have a wealthy, flamboyant and famous owner who has dreams of taking them to the top. The rock star, Elton John, has only recently taken full control but he's a novice when it comes to running a football club.Elton's vision is to appoint England's World Cup-winning captain Bobby Moore as manager, but Watford's directors have other ideas and set about persuading the chairman to go for someone who knows what the lower divisions are all about. It takes an intervention from the legendary Don Revie to change the course of the club's history.The club the new manager inherits is a shambles. Greyhound racing takes priority over football at Vicarage Road. But the goal is clear, to reach the First Division in ten years...Enjoy the game by Lionel Birnie. Read by Colin Mace. Produced by Jon Moonie. Hosted on Acast. See acast.com/privacy for more information.
On this weeks episode of Iron Cast, Chris and Ginge sit down with West Ham United legend, Tony Gale. The boys talk carpooling with Bobby Moore, The Boys of '86 and Blackburn Rovers singing Bubbles in 1995. COYI! Learn more about your ad choices. Visit megaphone.fm/adchoices
Here's another chance to hear my interview with Harry Redknapp from season one.In part two we hear about Gareth Bale, Kanu, Joe Cole, Frank Lampard (senior and junior), how Bobby Moore nearly didn't make it, and just how good George Best really was.Subscribe to The Big Interview YouTube channel Hosted on Acast. See acast.com/privacy for more information.
The Daily Quiz - Sports and Leisure Today's Questions: Question 1: In Australian Rules Football How Many Players May A Team Have On The Field At One Time Question 2: In basketball, the team from New York is known as the "." Question 3: What Sport Is Played By The Minnesota Twins? Question 4: Which two London clubs did Bobby Moore play for? Question 5: Name the famous Italian football team who play in Black and White stripped shirts? Question 6: On A Yacht, What Are Sheets Question 7: Which Horse Won The Grand National In 1992, Winning With An Appropriate Name, As It Was Election Year? Question 8: Who Won His Only World Snooker World Championship In 1979? Question 9: Which Sport Event Combines Riding, Revolver, Shooting, Fencing, Swimming & Running? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices
Ever find yourself reminiscing about the good old days when tunes from The Tragically Hip filled the airwaves? My pals, Tim and Pete, and I sure did, as we took a deep dive into their 6th studio album, Phantom Power. We discovered that our own past experiences and relationships managed to shape our views on this collection of radio hits, which seemed like a pivotal moment for the band. We weren't just content with superficially jamming out to the music. We dissected the unique sound and lyrical themes, compared them to previous Hip releases, and found ourselves swapping stories from past concerts. One standout memory was Tim being recognized by lead vocalist Gord Downie backstage. We also discussed the historical context of the album, like how its recording coincided with a major ice storm and a surprise tour that benefited a children's cancer camp. Stick around as we analyze some standout tunes like 'Poets' and its references to Gwen Jacobs' fight for women's equality. We also shared our thoughts on 'Fireworks' and how it reminded us of Canada's victory in the hockey series against Russia in 1972. So, whether you're a die-hard Hip fan or just love a good music chat, this episode is for you!TranscriptSpeaker 1 It's June of 1998 and I'm done with York University. To celebrate, my friends and I embarked on a camping trip to the Pinary Provincial Park just down the road from Grand Bend. It was just outside the liquor store in town that I heard a finished version of Pullets for the first time. Gord had long been one of my favorite Pullets, so to me this song resonated in a way that I can't quite describe. It was a feeling of euphoria and relief. This new record was going to be just fine, i thought to myself. Little did I know that several tracks on this record would stand the test of time and join the pantheon of great hip songs I still enjoy to this day, from the meandering escape is at hand to the traveling man, to the exquisite Bob Cajun and the downright delicious Emperor Penguin. Phantom power was right in the pocket, coming off of the exceptional trouble at the henhouse. As I got inside the truck to head back to the campsite I turned the volume up and just let Pullets sink into my brain. This was living. Today. We're going to hear from our friends Pete and Tim to check out what they think of Phantom power. Will it stack up? Find out today. On Getting Hip to the Hip. 0:01:41 - Speaker 2 Long sliced brewery presents Getting Hip to the Hip Hey it's JD here. 0:01:58 - Speaker 1 Welcome back to Getting Hip to the Hip. This week we are talking about Phantom Power, the sixth studio record by Seminole Canadian rock band, the Tragically Hip. I'm joined this week, as always, by my pals Tim and Pete Fellas. how are you doing? 0:02:19 - Speaker 3 Hey guys, hey guys, hey guys, glad to be here. Good to see you, i'm ecstatic to be here. 0:02:26 - Speaker 4 I'm ecstatic to be here right now. 0:02:27 - Speaker 1 Oh, I love it. 0:02:28 - Speaker 4 I love the energy This is happier than a pig and shit. 0:02:31 - Speaker 1 Oh boy, oh boy, that's pretty happy. I've seen some, some porcine creatures rolling in fecal matter and they sure love it. Okay, so if you are wanting to experience The Tragically Hip's music for the first time, tim and Pete are your avatars this week because they got to experience the record Phantom Power, which again is the sixth record produced by Steve Berlin, first record on Universal. But I guess I should tell you guys both. I guess I should say this to you both as honorary Canadians. Now, happy Canada Day. It's almost the 4th of July. It's July 3rd today, but it's July 4th tomorrow for you, but July 1st for us is Canada Day. So happy Canada Day, folks. 0:03:20 - Speaker 4 Wow, Yeah, Very close to the other 4th of July, which is America's Independence Day. In the UK they call that Thanksgiving. No, No, I had a. I took a flight one time on some shitty airline and the pilot was British and it was on the 4th of July and he was like so I just want to say you know, that's my shitty British accent Happy 4th of July was we call it. We're on from Thanksgiving. Enjoy Whatever. 0:03:57 - Speaker 1 That's great. Oh, anytime you can burn an American a little bit, it's. you know there's some fun. There's some fun there because you guys are so goddamn good at this shit, you know Anyway let's get into the record as a whole. Before we go into the song by song segment, let's just talk about this record, produced, like I said, by Steve Berlin. Five singles come from this record. All music rates at a three out of five Three. So there's that. What did you guys think? I want to know where you listen to it, how you listen to it and what your initial thoughts were, and you know, maybe, what they percolated up to. What do you say there, tim? 0:04:45 - Speaker 3 Well, there's a pause. I thought it was a three star album, kind of like all music I felt wasn't really sure. it felt a little bit deluded in a way. to me It felt a little bit, a little bit more generic from what I've heard in the past. But it also felt kind of expected for the whole catalog of albums this band has produced and the timeline going into the late 90s. You know this album felt like full of radio hits but at the same time I was missing a little bit of that raw kind of hip feeling. You know, i was wondering like, should I be okay with this album just being kind of fine? This was the turning point for me. I was really not sure. When I read kind of some reviews about it, i think there was some sentiment, some shared sentiment, and also some people were like it's my favorite album and some hip fans said it's their least favorite album. So this one's kind of a gray area for me. 0:06:00 - Speaker 1 It's funny. Well, I'll get into my, you know, sort of backgrounder on this for you guys after we hear from Pete. Pete, what did you think? 0:06:09 - Speaker 4 I hear you on the gray area, because I could totally see that. I could totally see how some hip fans are like this is the best album they did. Or this is not my favorite album. For me I listen to it everywhere. I listen to it in my office, so for my computer, with some some decent cans, i took it out running a lot. Probably. I think maybe the first time I listened to it was that took it in the car. It sounded great. The thing I found like I would say 3.5 for me, tim, instead of a 3. But you know I feel you on that My initial thoughts were that a lot of rawness of the hip was gone from this. In the first couple of listens it sounded very watered down. It was like somebody pulled Gord Downey aside and said Hey man, can we just like, kind of like the dude, can you, can, you fucking can you take it easy, man, you know, just like. Told him to just like chill out a little bit, and I don't know. The more I listen to it though, the more I dug into it and see how much work maybe not production, but just from the band themselves went into this record maybe changed my tune a lot Like I dig it. And Phantom Power, that was the coolest thing in the 90s, man Like because sometimes you didn't know what it was. If you never heard of Phantom Power before, it has a fucking cool name. If you had a guy that had like a condenser mic or something with Phantom Power, you're like dude, yeah, he's got a mic, that's got a Phantom Power. It was just like fucking. You were 17 and you heard that it was fucking cool. 0:08:00 - Speaker 3 Yeah, you know, i went and looked at a number of albums sold by a bunch of different bands, including the hip, and I was trying to kind of have this try to find this correlation of how many albums sold from the band start to like 10 years later, or 10 albums later, something like that. And I compared the hip with a bunch of bands And it's, it's. It's really all apples, oranges, of course, but when you look at how many albums they've sold and how they, you know, started off selling a ton and then just kind of went down to this million album mark. And then when I heard this album and I like UP, i listened to it all over the place. I listened to it on the plane I traveled, listened to it in the car, listened to it at home with the cans on. I mean I listened to it in more places than past listens because I was really trying to give it a go. I mean, it was the first time, upon first listened, that there were a couple songs where I was like okay, get it, i'm going to go to the next one, like I had not fast forwarded songs, you had her skipped ahead. So this, yeah, but but one of those songs that I skipped ahead on, sorry hip fans. You know I came back to and it's might be one of my most favorite on the album, so this this one like yeah, this one, this one to me like didn't grab me right away. Maybe it will more over time, maybe it's one of those types of albums, but well, i'll tell you what this record has. 0:09:36 - Speaker 1 An interesting, an interesting story, i think, and it it's my own headcanon This is. This is not like actual fact by any stretch, but in my opinion, trouble at the Henhouse, which is one of my absolute favorite records by the Tragically Hip or or or any other band, is, was maligned Like it, it, it, it, it both it and day for night didn't perform as well as fully, completely, and fully completely was very, if you recall, it was very polished, it was very produced. You know they went to London to record it. It was like a big deal. And then, following that, the next two records, they were sort of self-produced, with Mark Vreakin and Mark Howard on day for night and just Vreakin on fully, on Trouble at the Henhouse, and those records are sparse and they are. The core energy is, is there, it's, it's. It's like boiling hot magma, you know, and they're and they're forming these songs that are just age old now and and just wonderful, and then phantom power comes out and phantom power goes back to the like. To me it's sort of back to the back, to the basics. It's like back to really structured songs, really produced, and, like I always said, that this record was the baby of day for night and fully and completely, fully, completely, rather not fully and completely fully. It's sort of the baby of those two records. It's got the, it's got the production values, but it's still got songs. So I'll challenge you guys on that, because I think this record has songs and I think it has songs for days. You know what? 0:11:40 - Speaker 4 you are JD, let me tell you who you are. So when I was like 19 or 18, working with the movie theater, i dated this girl that that worked at the calendar place across the way And I just kind of went out with her because I was like really stoked. She gave me your number But I really wasn't that into her and all my friends were like, dude, she's really hot man, she's really amazing, and I just didn't see it. And so then like I stopped going out with her. We only went out a couple of times and that was that. And then I saw her again. I was like, damn, i really screwed that one up And that's kind of felt with this record, but I didn't want to like make that same mistake again. So like I, i'm sticking with it. I'm sticking with this being a solid album. Yeah, you know, yeah Masked it for, you know, a third and fourth date. 0:12:26 - Speaker 1 Yeah, i think, and I think three out of five stars is fair Like it's not it's not one of my. it's not my favorite record, but it's a lot of hit pants favorite record It's a lot Yeah, yeah. 0:12:39 - Speaker 3 That's that's what I found in my research. The covers are awesome. The covers are great. 0:12:43 - Speaker 1 They have that They actually have that panel in in their studio and bath, which is really cool. Yeah, so that's, you know this is. I want to say this is the second record they recorded at their studio. So they didn't go anywhere, you know, adventurous or anything like that, but they were at home. And what happened in 1998, i don't know if it made news anywhere else but Quebec and Ontario there was a major ice storm, yeah, major ice storm, and in Ontario it, like it absolutely shut down the city of Toronto. It shut down, you know, major thoroughfares. It was like devastating this ice storm. And we'll get into that a little bit more as we talk about the songs. But you know, they bring Berlin in and they're sort of trapped in the studio. You know like during during this, so really fascinating I think. 0:13:43 - Speaker 3 But yeah, it's a go ahead. Did you see this tour? Did you see them play on this tour? You want to hear a story Now? 0:13:52 - Speaker 1 people who listen to the movie and completely heard this. But the hip announced five secret shows that they were going to do, and all proceeds from these shows were going to go to a charity I forget which charity now at the oh, it was Camp Trillium. Camp Trillium, which is a camp for children with cancer, children that have cancer, and there's a location of that is near where I grew up And I'll show you when we, when you're in town for the finale. My friend's parents were on the committee for the cancer camp in our community, and so my friend Heather had intel and she she knew that they were going to go on sale at this time in this place in Hamilton, which is about an hour outside of Toronto, when traffic's good, and so we ended up getting third row center seats Wow, in this small theater in Hamilton, like 2000 people, and they blew the roof off the place. And a band called oh my goodness. They sang, come for a ride. Open for them, and they were tremendous as well. I forget the bands right now who open for them, but if you know it, send me an email. Jd at getting hip to the hipcom. So we're third row center. We watched the show, But the kicker here is is that Heather has got gifts to give the band And it's been arranged with the stage manager that we're going to go backstage afterwards to give. She's going to go backstage afterwards to give these gifts And she ended up inviting me along And so we got to go backstage and I introduced her to the tragic lab. So this was like this was like full circle for the two of us And it was just a wonderful experience. We went backstage after the show and they were all there and Gord had a. Gord Downey had a soccer ball And he was doing that thing where you flip it out, catch it and roll it back in your arms. Flip it out, catch it, roll it back in your arms And he just kept doing that And I remember at one point I must have looked silly or something, because somebody said and maybe it was Gord Downey said is everything all right? And I said, oh, everything is fucking perfect. I could go outside and get hit by a bus right now And it just wouldn't matter. And Gord Downey looked at me and he goes Oh, don't do that, jane. He called me Jane, only my mom calls me Jane. Like it was so cool It was cool. 0:16:37 - Speaker 4 How did I not know the story? How did I not know that you had interactions with Jesus? 0:16:44 - Speaker 1 Yeah, yeah, how was this? 0:16:45 - Speaker 4 coming up in episode. What fucking episode are we on. 0:16:48 - Speaker 1 Well, it was Tim asked me the question, yeah. 0:16:50 - Speaker 3 I don't know. We're like 15 minutes in. I think we could just call it. That was good enough. 0:16:55 - Speaker 1 Well, here's the kicker. Here's the kicker. I don't think I told this part on fully and completely, but the kicker is I had been dating a girl all through university and I broke up with her the summer of 98 and sewed my wild oats And this was all toward the end of the summer of 98. And she was in Hamilton to meet me after the show. So I'm backstage with the hip and they go Okay, well, we're going to go to the after party now in the next room over, because this was in the green room or whatever And we're going to go in the after party room and drink some beers. Do you guys want to join us? And I had to say no. I had to say no because my girlfriend was waiting outside for me. Now, in hindsight, what a boner move I made, because I wanted to get back together with her. Totally. It only lasted another two years after that, like I then absolutely blew up, but it was those. Those final two years were awful anyway, like they just weren't, you know, like both of us would agree to that now I'm sure the university years were wonderful, they were, they were great, but those those two years after our break up we're not so good And I blew a chance to go party with the hip. 0:18:15 - Speaker 3 You had a Davis Manning moment. 0:18:18 - Speaker 1 Yes, Yeah, yeah, absolutely. 0:18:22 - Speaker 3 He chose the girl over your fandom. 0:18:25 - Speaker 1 The hip lived between us. 0:18:27 - Speaker 3 They totally lived between you. They might still sorry, sorry, jess. 0:18:38 - Speaker 1 Well, folks, should we go song by song? 0:18:41 - Speaker 3 Yeah, let's do it, let's do it. 0:18:44 - Speaker 4 So I really liked this song. I really liked poets. This is probably the song I would say I have the least to say about. I really like the verse phrasing. I think it's probably the best part of this song, the way he phrases the verses. There's a part where the lines of a verse he kind of like carries into the next measure. It's really weird, like, like, like the mind, you think, okay, you sing the verse, then it's the next measure, but like he sings that verse over there Because it's when you look at it it's a complete line. I can't remember the line specifically, but it was. It was cool man. It's a hard thing to pull off man, but like that guy just does. It was so much, so much finesse. I liked the layered guitars in it, yeah. But I think, going back to what we're saying sort of at the beginning of the top of the show, it was, this song didn't punch me in the face Like right when I, right when I started listening, i dug it. I it was a soft open, it was a soft open. 0:19:59 - Speaker 1 All right, how'd you feel, tim? 0:20:01 - Speaker 3 I felt it was a harder open. I thought it was it. You know this. Like we've talked about before the cadence of songs and track orders. You know the first one I expect to really get me, bring me in, and this one did it. I thought it was pretty good. There's a fun kind of change over into the chorus It again I spoke about this a little bit before, but the kind of remind me of REM in REM's, like first half of the 90's albums, like they come on with like a punch of a song and then, like the cadence of the album kind of goes soft and then gets whoa, got a little dirty there, gets a little bit harder as time evolves. But yeah, this I thought this was a good start off. The themes you know I looked into a little bit of the song's meaning regarding lyrics and you know just talk about agriculture and super farms and like I don't know, ultimately fresh vegetables versus buying frozen and what that means. And this, this is the song that references Gwen Jacobs. Right, you know the story about her JD, and she was this woman who walked into town I think in Ontario topless and it created this whole. I don't have to look into this more, but I'm pretty sure this was the song about the Gwen Jacobs case. So Gwen was a woman who walked through town topless and was arrested and started this whole kind of woman's lib. You know movement with. You know making it okay to cut your lawn without a shirt on, just like the men do. That's kind of where the line in here from Gord comes from. It's a let's see. 0:22:02 - Speaker 1 Oh, that's great Lawn caught by breasted women. 0:22:04 - Speaker 3 Yeah, it's kind of this comment on pushing for women's equality and gender rights. So I thought that was fucking cool And that, to me also, is like really appropriate for the 90s or late 90s, you know it was. we were kind of circling back to, of course, some things we've had in North America before and prior decades. So I thought this song was cool. Again, it really reminded me of REM. I kind of went back and started looking at some of REM's albums and I wish, again, i wish I could know what the band listened to when they were traveling Me too. You know what they were sharing, what albums they were digging. you know if any of them were like Oh my God, did you hear REM's new one? We're going to put it in the the the buses stereo or whatever. Like I wish I could know what was influencing them, because I'm hearing, i'm hearing some some themes for sure. 0:22:57 - Speaker 1 Okay, earlier I was telling you about the ice storm. The next track, something on, was recorded and they literally were trapped in the studio. They were, you know, they couldn't leave the bath house, they couldn't leave the studio in bath. So they did what they do best They wrote a song and there's some lyrical content in there about the ice storm even And I think it's really wonderful lyricism. What did you guys think of something on? 0:23:33 - Speaker 3 I felt like, okay, i read about it, i read about this and I read about the ice storm and you know sounded awful. And for I hate to say this, but to go get stuck in a studio, for me that'd be like the time to really fuck things up, like really experiment. You know, you know, just hopefully somebody shows up with a huge bag of weed and somebody shows up with a bunch of acid and somebody shows up with a shit ton of beer and like this is when you like really go to town to experiment and what do we got out of it? We got like kind of a radio hit. So it was a little surprise to kind of hear the whole story and it just made me realize that maybe for this era, the guys were really I mean, they were at a point to where they could bust out a really good album, you know, and what, for me, that really good album is? like you go to a restaurant and it's like yo, that was a good meal. You know, everything was like satisfactory. 0:24:37 - Speaker 1 Well, yeah, it's a blooming onion man. 0:24:38 - Speaker 3 It's a blooming onion, Yeah, but to get stuck in a studio and ice storm, it's like I personally would want to just start going places. I haven't been before with my band, but you know this one's interesting take. Yeah, this one felt. This one felt a little radio felt a little you too, dave Matthews like splash of John Cougar melon camp or something like I don't know. Man, it felt, i know. I know, i know, i know. 0:25:10 - Speaker 1 And I was a big melon camp guy at one point. 0:25:13 - Speaker 4 But Dave, Matthews are regular. 0:25:16 - Speaker 1 Cougar and regular. 0:25:18 - Speaker 3 Yeah, like I couldn't get overly excited about this one. Well, again. 0:25:26 - Speaker 1 I think you were waiting for the follow up from the follow up to trouble at the house, and this isn't the follow up that you're expecting on a trajectory perspective. You know no no, i agree. 0:25:44 - Speaker 4 It's funny. You talk about getting trapped in the studio, like I mean, i don't know if I'd go like full steely Dan when they recorded the Albuquerque show, where, like you know, there maybe was not that much cocaine around, but I still agree with him, i would. I'd get really spacey, and I think they do it on a couple songs that we'll get into, but first time I heard this song got some heavy Jim Blossom's feels. Yeah yeah, Yes that's the first thing that hit me and I couldn't think of any of the band that it was like a buddy of mine used to play the band that they open for them a ton, and I was like the first band that came to mind like this Oh, and it was really poppy. And okay, my notes. Once you get past the repeated cheesiness of the chord progression and the vocal melody, it's not a bad song. 0:26:40 - Speaker 1 Oh dammit, with faint praise here. No, no, no, it's not a bad song. 0:26:44 - Speaker 4 I think it's a good song, but you know it's a good song. If, like you, take this song and go, is this a good song? Anybody will say it's a good song, but like you, said to me compared to the follow up of what you really wanted after trouble. Then else, and this was a song where I feel like Gord sounded a bit like he was put in the cage Like whoever was a universal when this record was getting recorded, put baby in the corner. And this is a song where really I feel like you know he's, he wants to be himself, but somebody's like, hey, man, just could you like you don't have to do it all the songs, but like at least on this one could you just, fucking, you know, tone it down a little bit. And I was just like, ah, where's my fucking, where's my lead singer. 0:27:33 - Speaker 3 Yeah, I totally agree, Because you know it's still a good song, because it's still all the guys and it still has themes, because it's Gord, you know you're still going to get one liners that are amazing. I feel like probably no matter what in any hip song there's going to be some standout lyric to me, some standout part like to the core fan. That's. That's really what I'm imagining. The line that stood out in this one for me was your imaginations having puppies, I mean yeah, yeah. I've had so many letters of puppies, you guys. It's like I'm just, i've got puppies all over the place. It's like. 0:28:11 - Speaker 4 I was a cool. I really like that one. Yeah, like that, like that video for new recruits or something. 0:28:17 - Speaker 3 Yeah, so I like identified in it. You know, at that personal level, which I think they're able to do just about on any song which is fucking amazing for a band to do, because I could probably name 10 bands right now. What that does not happen to me, yeah, so you know. So, in that regard, like hip fans, you know I'm, i'm I'm not really trying not to be the bad guy here, but we this, this, this just made this song, just made me keep going So into save the planet. I mean, i got to this one, arrived at this one, and I was like, is this the band's fucking Earth Day song? or stretch their reach to get on the farm aid bill, like what is going on here? I felt like I don't know, there's a flute in there. Who's playing the flute? 0:29:09 - Speaker 1 Who plays the flute? You know, i don't. I don't have the liner notes handy And on the wiki page it is remarkably barren in terms of additional players. Yeah, it doesn't, it doesn't have them, so I need people to write in. 0:29:25 - Speaker 3 If people know, let us know, because there's some flute in there And it made me wonder like what else? 0:29:31 - Speaker 1 there's keys all over this record. 0:29:33 - Speaker 3 Yeah, what else have I been missing in the background that maybe other people are participating in? But I felt, like you know this song, in the placement we were, we were filling, we were filling in the gaps on the menu And you're like, no, I had a burger yesterday. No, I'm not in the mood for that. Oh, I could really use some lasagna. Here we go. That's that's how Save the Planet felt, felt very time appropriate. This is, like you know, the millennial song. 0:30:02 - Speaker 1 Okay. 0:30:03 - Speaker 4 All right. So if anybody's got a line on the flute player, email Tim getting hip to the hip, talk there you go. Right, i copy Pete at getting hip Yeah. Save the Planet. I thought it was a banger. I really dug it. I at first I saw that too, but then I kind of look past the name of it And just look at the song itself. There's a. There's two references in this album to Crossing the Street, to pedestrian crossings. Yes, i'll point out the other one. This is the first one Fucking solo bangs in this. I thought the flute at the end was cool because it was so random. 0:30:47 - Speaker 3 I was like well, what the fuck is that? Yeah? 0:30:50 - Speaker 4 Same. 0:30:52 - Speaker 1 There's. You just can't imagine listening to road apples and having a flute right Like. It's just not part of this band. You know like and and and it works It works well, no, right? 0:31:05 - Speaker 4 Yeah, you know, if they went into that I'd be like, well, what the fuck's going on? 0:31:10 - Speaker 3 But I'll just quickly, quickly add that I'm okay with the flute. Like sometimes, the flute really is awesome. Oh, i think it's great. So you know, like some people like hear the flute and they're like oh why You know, but it works. 0:31:24 - Speaker 4 No, i dug it And this is again. This is not the first song, or not the only song in this record where I got some heavy Alanis vibes. The phrasing on if the bathwater is clear and my ears underwater, it's a tolerant hum from the core. Carry the water Like that the way he phrases that shit, it's just. I don't know if I see because it's a Canadian band, if I see everything through the lens of like Canadian pop artists. But like it's just the vibe I got from this and it's a great tune to get out and move your feet to get running. It's a fucking cool song to run. 0:32:09 - Speaker 3 All right, i'll put it on my point first I hear your Alanis vibes marry and up with my Michael Stipe vibes. I think those are in sync for sure, for sure. 0:32:20 - Speaker 1 I think there's a nice correlation between the hip and REM, like I think you're right, like they both have that enigmatic front man, you know, who is really literate and really interesting in the way they sort of phrase things and put things together. 0:32:39 - Speaker 4 They both went bold too, halfway through the careers, that's right, that's a fair point. 0:32:45 - Speaker 1 Fair point, fair point, all right, we're getting in the car right now and we are cruising northeast of here and we're going to Bob Cajun. I left your house this morning. 0:33:40 - Speaker 7 It was quarter after nine. I left your house this morning. I left your house this morning. I drove back to town this morning This morning with working on my mind, i thought I'd maybe try to leave an ear behind. I went back to bed this morning and it's time pulling down the blind. Yeah, the sky was dull, it was high but never come. And morning went down at a time that night in Toronto And I was jacking boardboards, riding on horseback and keeping order restored. Tell the men they couldn't hide. Step to the mic and sign and their voices rang with the area of time. To your house this morning. It was quarter after nine. In the middle of that riot I couldn't get you off of my mind. To your house this morning. It was just a little hour tonight Cause it was in my page on the rossard and constellation, but they themselves won't starve at time. To your house this morning It's a little after nine Cause it was in my page on the rossard and constellation, but they themselves won't starve at time. 0:37:32 - Speaker 5 Tell the men they couldn't hide, they didn't choose your bones and bones. They're all south of the wind and down the lawn to the lake For as long as it takes. 0:38:05 - Speaker 7 I don't want to be a hill of the birds last hour. I don't want the last words out of my mouth to be stained Out of my way. 0:38:16 - Speaker 4 Okay, I fucking love this tune. I got some heavy and Tim, yes or yes. If I hear no, I'm just I'm off this podcast Got some really strong G love special sauce vibes from this. Yes, Just the way they owe up. Am I my GD? 0:38:42 - Speaker 1 I don't know, i think I think I'm very familiar. 0:38:46 - Speaker 3 I did not go there, but I will Okay. 0:38:51 - Speaker 4 Right, i mean the. there's a oh dude that it could have been Willie, could have been the wine. I heard that song. The first time I heard that song I was. I took it out for a run and I came home and I like I listened to it again because I just thought it was such a good fucking song, because it's a weed. reference to may not necessarily be about them listening to Willie Nelson. It's like they were smoking weed or they were drinking wine, absolutely Yeah. The opening, like spacey guitar licks The dobro which I think he's playing. there's a dobro in there that he's playing which kind of gets sort of like a banjo slash guitar vibe. Oh God, just. 0:39:40 - Speaker 1 I feel like that lyric that you just quoted, though, could have been the Willie Nelson, could have been the wine. That's like one, like when he wrote that he should have just put the book down, put on a fedora, long overcoat, grabbed his briefcase, just went home for the day, that's. That's the days. That's the day at the office, that's a fucking. Exactly. 0:40:00 - Speaker 4 That's just a great lyric Exactly dude, no, 100%, it's so good. I was like you know. You know, a line is a good line when you hear it and it's so good you think you've heard it before. Meaning like I'm like right, i mean because it just sounds like it belongs on this in the history of life, Like like someone has, like if someone hadn't said it, they sure as shit should have said it. Does that make sense? Yeah, you know, it sounds like it's just. It's a great fucking line. I thought I maybe quit that line. It's just. It's really the part of this song where Gord starts coming out of the cage. On this record, i feel like that was the moment Somebody gave, somebody unlocked the door of the cage and he's starting to come out, and then the song ends on a random minor chord, which is so weird, it's such a happy, spacey song that ends on this minor chord. 0:41:09 - Speaker 3 I loved that. I loved that about it. So for me this one it felt a little Out of the gates. I need to listen to the beginning of it to see your G-Love reference. But out of the gates. It felt to me a little bit country and a little bit like are we reaching again for some crossover fans Along? the southern belt of the US. Like where are we? What's happening here? You know there's some slide guitar, but is it a song about lost love? You know looking up at the stars waiting for a reveal. You know there's synth work in here again, so there's some sort of keyboard happening, which is fucking cool. And to me, the first lesson I had all those kind of questions going through my head And then I thought at one moment like this is actually a fucking beautiful song. Like it's a little bit of an odd man out on the album, but it's actually a beautiful song. There's this long ending with no singing. It's just mysterious. Like you said, pete, the last five seconds or so, or this just bizarre tune out. It's like I found one quote when Gord was asked about this song. He said this was an interview in 2004,. He said this one asks the question evil in the open or evil just below the surface? That was his comment about this song. So it's like this song to me was super mysterious Yeah, super mysterious song which I fucking love, like I don't need literal storytelling every single song you know. Social themes, i don't know all these different things, i don't need that. Every single song I love you know kind of the knuckleball that comes in. You're like whoa okay, this is reeling me back in to the album in a good way, a way that I'm looking for, you know, i'm hoping for, but still, again, this one felt a little bit odd, man, just the way it fits into the album. They've done this before. They've gotten. 0:43:15 - Speaker 4 They lose green man. 0:43:16 - Speaker 3 Yeah, they've gone on this path of like okay, this one, now we're going to turn off the highway and head down this two-lane road and we're going to stop at this farm and we're going to have an afternoon barbecue with this family, and you know, i don't know, like it's just this one's off the highway. 0:43:35 - Speaker 1 Cool. What do you guys think of the bridge? It makes my arm hair stand up That night in Toronto with the checkerboard floors. There's a bar in Toronto that's famous legendary in fact called the Horseshoe and that references the Horseshoe, the checkerboard floors. Oh shit, that's one of the first big gigs they played in Toronto. 0:43:55 - Speaker 4 Can I get taken to that bar when I come visit Toronto? 0:43:57 - Speaker 1 Absolutely. Let's do it. Sure shit hopes so man. 0:44:00 - Speaker 4 That would be cool. This song is actually the most listened to hip song on Spotify. 0:44:07 - Speaker 1 Oh, wow Yeah. 0:44:09 - Speaker 3 Surpasses. I read something about that as well. 0:44:13 - Speaker 4 What was the one that it surpassed? 0:44:16 - Speaker 1 I can't remember Anyway yeah Well, so it's a hit all around Pop Cage. 0:44:21 - Speaker 3 Yeah, it was a fucking interesting song, right? This is. 0:44:25 - Speaker 1 So we shift gears now in a well, not in a huge way, because this is sort of low tempo or slower tempo. We go to Thompson Girl and you're both hesitating to start Thompson Girl. 0:44:41 - Speaker 4 Go ahead Tim. 0:44:42 - Speaker 3 Yeah, well, you know what's the story about here. I don't know. It's the story potentially about where is it here, This town in Manitoba, thompson, yeah, or it's. You know it's potentially about a nickel mining company up there. You know it's got this kind of sweet, forlorn grunt work somewhere between dream and duty, poking through with all them shoots of beauty. I mean, what is that about? You know, this is kind of a cute, in a way stripped down acoustic song. There's some banjo in there. You know, i've kind of been waiting for, I had been waiting for this type of stripped down, simpler song that you know it's kind of this forlorn, sad song to me at the same time. 0:45:42 - Speaker 1 Probably Pete. 0:45:44 - Speaker 4 I loved it. I thought it was cool. I think I don't know if it's consistent with you and I, tim, but like I really try not to look too deep into the lyrics because oftentimes I'm disappointed, that's why I don't do it. I know you do it a lot more than I do I totally do. 0:46:03 - Speaker 3 I mean it's because of Gord, like Gord Gord. for me, gord merits it. 0:46:09 - Speaker 4 I get intrigued though, but like dude so does. I mentioned Celie Daner earlier. Like Donald Fagan's lyrics are notoriously cool as fuck. But have you ever asked that guy like what he you know what's, what's the meaning of? you know Dr Woo or whatever, like he'll be, like I don't know man, we're on so much cocaine. Back in the day I was just getting shipped to prime or whatever you know like, and I know that's not really the case here. But that line, the way he goes up so high with grunt work, i can't. I'm not even gonna fucking try lest I fucking destroy your listener base JD by singing that line. But when he goes grunt work time between dream and duty the melody is so fucking good It's then there's a part. Um, i don't know if it's like, i don't know, i wouldn't call it the bridge, but it is a bit of a some sort of key change to the regular chord progression. When he goes really high and then the mandolin starts to come in fucking dug that. And then the piano kind of comes in at the end as well, it's fucking cool. I really dig it. Yeah, i liked it First. I didn't like it. I didn't like the chord progression. It just seemed to like, like you said, tim, acoustic. It's sending, like it was like this should be an acoustic song. 0:47:30 - Speaker 3 Keep it that way. Yeah, yeah. But then it grew on me real quick, which is maybe something I would potentially envision. From a stuck in the studio couple days, you know, you'd get to a point to where everybody's kind of burned out and you pick up the acoustic and somebody says to the piano and you talk about is it INCO, inco and the fucking nickel mining, and I, you know, i looked at it a little bit into that in Manitoba and was like, oh geez, here's, here's a historical. You know, just rabbit hole that I can't go down right now. But it just this, to me, is just one of those, one of those songs that fits in well with this whole album And it's something we haven't really had in the past. So it's kind of happy to hear it. Next one membership Who's who's singing backups Somebody found, is it Gord Is? 0:48:28 - Speaker 1 it Gord over. Usually it's Paul Angla, usually Well. 0:48:32 - Speaker 3 I don't think it's Paul. It might be doubled. If you, if you go in and listen again, check out membership and listen to the backups, because it sounds like a woman to me and it sounds really familiar, like I've heard this voice before And I've looked and looked and looked but I can't find anything. It might be one of the guys, just you know, editing it in post or something, i don't know. But there's, there's some beautiful backup happening. This one, though you know it's wasn't my favorite on the album, i'm not going to put it on the playlist There's kind of a big change after the three minute mark with, like this new chorus. Of course it has my fade out at the end. You know there's there's kind of this bigger start to the song, but it's kind of slow in a way. I don't know. It's maybe about addiction, it's kind of a ballad. you know this, this one, it just felt like it didn't really fit in, didn't really wasn't really sure how it was working and it it made me consider you know I've done this a few times that it made me consider the band and what they were feeling you know they're coming in on 2000 here What they were feeling after 10 years, which is long for any band to retain some amount of success 10 years of playing and predominantly being popular in their home country and not even gaining a huge you know the level they deserved in the neighboring USA. So this this kind of made me think about all those things. I just didn't know if it was like about power abuse of power addiction or longing loss, i don't know. This song was kind of all over the map for me, but ultimately the chorus bugged me and it stuck in my head for a little while. I was like, oh, i need, i need some other, i need some other hip song stuck in my head and that's kind of where, honestly, that's where, like blow a high dough, just comes and takes over my brain. So that's what happened. 0:50:50 - Speaker 4 on membership, I you know I have a ton to say about this song. It's kind of like I put in the same categories Poets. It wasn't my favorite song in the record. I liked it, felt it like it was a very drone rock with a chord progression. It's the way it sounded. I love the harmonies. Tim mentioned the harmonies being drawn along by it. Like that line with the harmonies come in The middle, guitar solo where they kind of tease you with the guitar solo helps build the song kind of cool. But then, yeah, the fade out at the end is just like to me. It felt like they maybe didn't have, they didn't nail everything down with this one. That's all I'll say, you know, but yeah we can move on if you want, let's slide over to fireworks. 0:51:46 - Speaker 7 You like fireworks? Yeah, me neither. The frustrating part Never back in old 72 Without school, just a gun, without a gun or trigger. I don't remember a reason. Set me sight of you. You said I couldn't get a fuck about the party. Never heard something true back before You held my hand. We were on the long way Loosing in my grip on Bobby Moore. Never heard anything wrong before I blushed. When these ever sensations get in your way, no doubt this shit me spurred right now By your shoulder, and that an amazing what you can't accomplish now I'm not together every single moment. That's what we thought. We'd be married. We both do deep with the grip of art, of fish chaos, believing in the country, me and you. Christ has a faith in Christ, the sinner cramming Yeah, we've heard all this before It's winter time. The house is solid to the bones, loosing in our grip on this fake cold war. Is it an amazing and a better accomplish When we don't let no nation get in our way? No doubt this shit me spurred right now By your shoulder, and that an amazing what you can't accomplish now, next to your comrades in the nation of fitness, the program regarding some eternal past time, clopping to the mind in a fit of laughter, showing no patience, no tolerance, no respect By your words, next to the distance, contemplating towering, towering star By your words. And in late, never, till there are no stars anymore By your words. And in, straight in heaven, contemplating towering, towering star, till there are no stars shining up in heaven, till there are no stars anymore. Isn't it an amazing and a better accomplish When we don't let no nation get in our way? No doubt this shit me spurred right now By your brand of error, shining up in heaven, contemplating towering, towering star. I think this one thing never goes away And this ones thing's always supposed to stop. Oh, this funny thing doesn't have to go away, and I'm gonna lie. 0:55:41 - Speaker 4 Oh fuck, How much time you got, then Fucking song, this song, i just have the word. It's this fucking rush, rush, rush, rush, rush. Just so much rush in this song. Really, there's a couple of rush references on this record and this is number one. I would say that is it. Gord Sinclair, yeah, so like and I think he would agree with me, because I don't know that I don't know any bass player in Canada, let alone the entire world, would put them up against Geddy Lee. So I can't like, true, Like. I don't think the bass in this song was supremely rushed, but the chord progression, the structure of the song, the lyrics, isn't it amazing? anything's accomplished Is fucking. It's so fucking dude, it's fucking rush, completely Fucking. It's like they should have just made a record with one song on it and sent it to Rush and been like this is for you guys, we love you guys. And dude, i'm not saying anything remotely like they jocked anything. It's an homage in the sweetest sense. It's fucking beautiful. I fucking listened to the song so many times. There's I don't know if he's playing a Les Paul or a Hamer Rob Baker, but it's got some hollow tone electric guitar. There's a line in there Christ in the Kremlin. I'm fucking. The words in this song are fucking spectacular. I bet it just destroyed. Destroyed. The crowd live Like. I mean if they played this fucking live you'd have to close with this or I don't know what you'd play with this. I mean it's just fuck. What's the other line Next year? comrades in the National Fitness Program caught in some external flex arm hang dropping the mat. Dude the lot. This that the way he speeds up that verse and fits all those fucking words into that, and then he goes back to the normal cadence, like when I say cadence I mean like the tempo, not a modal cadence, but like tempo. He goes back to that. I just bet when they, when they all listened to this track after it was mixed, or they all recorded everything, they all just fucking high-fived and hugged each other and had a big old fucking circle 100% Yeah. Dude, it's a fucking. It's one of my favorite fucking hip songs period. 0:58:23 - Speaker 3 Oh, you know what they. You know what they said after they recorded this. They were like this is going to be an every jukebox across Canada. I mean, it's a jukebox song. I mean, really, this is like play something by the tragically hip. Okay, i'm at the jukebox. Stick in a quarter. Oh, here's fireworks. Everybody loves this song. You know, that's that's. I couldn't agree more, pete. I just felt like this could be put on a seven inch only and out in the world. You know it was one of the first songs in a while where, like, i immediately just started snapping my fingers. It was like, okay, this, this song's, this song's moving. I completely agree with the rush references I love. I so identified with this girl. There was actually a girl who said she didn't give a fuck about hockey. I never heard a girl swear and I've never heard someone say that before. It was like there was some whole other world out there which is hard to fathom at times. I don't follow hockey. I totally identify with this. When I go on Facebook and it's like near the weekend it's mostly fucking NFL comments from people I know in Southern California. It's like, god damn, i wish I had a sports filter on my life because I don't really follow any sports. So the hockey the hockey comment, i was like yes, i, i want to hang out with you, let's go drink beers. You know, i probably follow that. It's whatever I just I just identify with that part, it's. You know this, though, you're right, pete, isn't it amazing you could do anything when the notion isn't in your way, believing in the country of me, and you, ah, you know, it's just, it's, it's, this is, it's more. It's more than an anthem. 1:00:17 - Speaker 4 You know, the crazy is so it's so, Getty Lee, though man. 1:00:21 - Speaker 1 Yeah, yeah, for sure, for sure. What's? 1:00:24 - Speaker 4 this, it's, it's spirit of the radio. Okay. That's the song thing you have in so many ways. Yeah, i mean, and I don't think any musician in the band would say like they can you know drum? like Neil Pert? I think the guitar is pretty. It's got some solid Alex life and vibes. like you could fucking compare that guitar wise. but like bass and drums, you can't fucking come close to those, like it's just. but sorry, tim, i didn't mean to interrupt you, but it's just a fucking. 1:00:55 - Speaker 3 That's good. Good, it's such a JD. What JD, what? what were your thoughts on the song? Do you have, do you have memories of hearing the song, or anything, or like? 1:01:03 - Speaker 1 I think it's, I think it's a romantic song, Like. I think it's like the firework of like meeting somebody that is just, you know, absolutely the sparkle of your eye, you know, sort of thing. The context, to give you some context, the goal that he's talking about, the goal that everyone remembers, is when Canada beat the Soviets in 1972. And that was, that was during the Cold War. So it was a big deal, that series, Canada playing hockey against Russia. you know a few games here in Canada and a few games in Moscow. It was a big deal, Like for these Canadian hockey players to go to Russia. Like at that time Russia was so mysterious And there was a very famous goal that won the series by Paul Henderson that everyone remembers. It's one of those moments in Canada, the, if you're of the right age or generation I'm not, I'm born in 74. So it's over my head, But if you were there then it's one of those like you know where you were moments. you know what I mean. 1:02:10 - Speaker 3 It's huge huge moment in sports history. 1:02:13 - Speaker 1 So for him to be just blown away. Like you know, loosening my grip on Bobby Orr, like I just picture, the 16 year old who's in love with Bobby Orr has the hockey cards on the wall, you know, he's just tremendous and all of a sudden he just oh, there's girls out there. Oh, and there's this particular girl who doesn't give a fuck about what, like whoa fireworks, you know. 1:02:40 - Speaker 3 Yeah, great song, Great song. This. yeah, I could have had this song, you know, and had a satisfied meal and went to bed. 1:02:49 - Speaker 1 You and your food All right. Go next to vapor trails. 1:02:58 - Speaker 3 So vapor trails, like I started this one and paused and had to come back to it, i didn't keep going like this, this, this, this was one of the breaks. And now for me, where I was like, okay, i'm not, either not in it enough or not focused enough, let's come back to it and didn't hold your attention. He would not not at the get go, but eventually it did. Oh, eventually it did bring me in. It totally was one of those songs that I wasn't so sure about, but over time was like humming it while walking around the house. You know, there's just to me it has some mysticism to it. There's this mysterious not to say it again but backup singer, whoever is in there. I mean there's some really good backup singing happening, but I just love some of the lyrics. There's nothing uglier than a man hitting a stride. 1:04:00 - Speaker 1 What a great lyric, right Dude And just the way he says it as well. There's nothing uglier than a man hitting a stride, yeah. 1:04:09 - Speaker 3 I can't wait to use that some point in life. You know, watching something happen, yeah, chords, use that line, throw away the rudder, float away, like they portrayals. You know, i get this. It's like, it's this feeling of like giving up. You know, at some point we all, everyone, i think everyone has contemplated, you know, life being different or serious change, or giving up, or you know, we've all had these heavy times in our lives and maybe the song kind of hits on that. There's amazing guitar riffing just towards four minute mark. It felt, you know, just to kind of wrap it up. For me it felt like a produced ending. You know, the fade out was like it wasn't just let's wrap the song up, let's just fade it out, it was like let's produce the fade out. So it was a little, i don't know a little more, a little more orchestrated. But yeah, it's, this song is. This song was a banger. I think it was really good for the spot in the album. I think it was like really fitting. 1:05:27 - Speaker 1 Yeah, because we're well into the second side now. Yeah yeah. Second track, second side, if you're playing by those roles, It has a good place, good place in the album. What do you think of APR Trail's Pete? 1:05:39 - Speaker 4 Well, this is the other thing that I thought was it's not. It's not a Rush reference, but I actually think there's a possibility that Rush's 2001 record Vapor 12, vapor Trails was perhaps, maybe, an homage to Tragically Hip. Wow, i don't know, that's my, that's my in my dream world. I don't know if that's really true, but and I saw them on that tour and they were fucking just amazing. Saw them at the Irvine Meadows man. 1:06:18 - Speaker 1 Such a great show. 1:06:19 - Speaker 4 Never saw. 1:06:20 - Speaker 1 Rush. I was supposed to see Rush on a tour in 93 and guess who was opening for them? Who, tragically Hip Jesus Christ. Wow, on Road Apples. Yeah, dude. 1:06:30 - Speaker 4 I don't know what's a bigger fail That or not partying with them. 1:06:34 - Speaker 1 Oh God, it's the, that's the, that's the fail. 1:06:36 - Speaker 3 They're close. Not partying, I think. 1:06:39 - Speaker 4 Well, we, let's put it this way, we, we, we showed to that concert, i think, and they were they, we were at that time. It's strange, real quick, because I know. but during that time, because 2001 was coming out of the Napster years and years, right And into, like I think it was right where the iPods came out, um, so people started buying music online again, sort of. So bands didn't have money to pay for opening bands during that time, so a lot of bands would tour and be like who's opening? And like there's nobody opening. So we assumed that somebody was opening, for Rush happened to me with pavement one time, but that's another story Um, and we walked, we're, we're racing through the parking lot Because we hear a spirit of the radio, but right into Red Bar Chat after that and just fucking made my, made my life. But to the song. Paper Trails. Um, the fucking vocal melody in the opening verse same. I got the same cadence, Tim. I don't know if you mentioned this as Thompson girl. Um, but the song I loved it. I imagine when they sung this song live, that when Gord sings the line you can throw away the rudder. He probably blows out either part of the low end or part of the mid end frequencies in the fucking speakers at this this, this house, his voice is just at that frequency where, if he really punches it like he could, he could break. He could break some fucking windows, because it's, it's just fucking just the way he delivers that shit. Throw away the rudder, um, uh, what else? Yeah, just that line to me was worth buying the fucking record. Pulled the car over. There's nothing uglier. Yeah. Then a man hitting his stride. Yeah, there's a transition from the bridge back to the chord progression. That's super abrupt And it's so cool because there's no transition. It's just like boom, boom, they go right back into the chord progression and it's fucking cool. I'm not, can't think of any band that I've heard do that. And then the last thing is the line, and it's it's. It's maybe Rob Baker, i don't know who's singing the backup, but Mexicans dressed in beige shirts Crazy line, yeah. 1:09:16 - Speaker 1 Yeah, I've never heard that Mexicans dressed in beige shirts. 1:09:19 - Speaker 4 It's. It's like almost whispered. 1:09:25 - Speaker 3 Wow references you know references, folks who spend their life picking the strawberries and raspberries. 1:09:31 - Speaker 1 We, i believe, Yeah, I would guess so. 1:09:37 - Speaker 3 I believe it does So yeah. 1:09:39 - Speaker 4 Are we going to? 1:09:40 - Speaker 1 rules. You got it, dude. 1:09:48 - Speaker 4 I love the song. It was so fucking cool and so chill. This starts out with those huge cymbal crashes in the beginning. This is the second song in the record that references a pedestrian crossing, talks about a crossing guard not doing their job. 1:10:04 - Speaker 1 So yeah, it's really reference of and the second reference of super farmer. Uh-huh Right. 1:10:11 - Speaker 3 In that same in that same Stan's line. Got some agricultural themes happening. Probably the third agricultural theme. 1:10:21 - Speaker 4 Yeah, I don't know I just the phrasing was beautiful. I'm wondering what a bard is. B-a-r-d. 1:10:28 - Speaker 3 There's a couple of references with that. One is it has to do with a Shakespeare reference. 1:10:35 - Speaker 1 That's what I thought, yeah. 1:10:36 - Speaker 3 Yeah, and then the other one is I'm not going to butcher it, the other one has to do with fighting. I have to look it up. 1:10:46 - Speaker 1 Let's just go with Shakespeare. 1:10:48 - Speaker 3 Yeah, it's some Shakespeare reference. 1:10:52 - Speaker 4 And then to the line about the vacuum's got a guarantee. I just that line hooked me in so much because it was so random that I was like really in just pay super close attention to what he said. And the next line that he delivers, which is it could suck a virus, an ancient virus from the sea, is like what the like again put on the hat, put on your jacket, close the briefcase. Fucking. Done your job today. 1:11:23 - Speaker 1 Leave the office, gordon, that's right Punch out or whatever. 1:11:27 - Speaker 4 The whole, that whole stand is fucking amazing. There's a table slide And then oh, by the way, this song, and fuck, there was one other song. God damn this song. and one other song at the record. on the record It's earlier. I want to say it may be something on or say the planet. at the very end of it You hear the word somebody in the studio is cool. Yeah, so it doesn't feel so and there was one other two, one other song on the record that they did, so I was like they did that twice. 1:12:05 - Speaker 1 That's cool. I'm going to need access to your premium sound system. 1:12:10 - Speaker 4 Well, I mean GD, that's. We know this is not stuff we just hand on. It's kind of like you know top secret Clarence, There's a lot involved, A lot of screaming All right, all right, all right. 1:12:22 - Speaker 3 He passed. He's done it. Yes, true, yes, we're adjourning my current, for he's had it. Yeah, i heard the song and I thought Pete loves this song so much And when we come talk about it on the pod it's going to be all Pete. 1:12:43 - Speaker 1 You know how much to say. 1:12:44 - Speaker 3 I thought it was kind of a yonder. I got you know some, some from it, But you know I was like this. The song isn't for me. I thought it was kind of a yonder. I was going to leave it to Pete. 1:12:58 - Speaker 1 We're going to come back in a year because it's going to be a grower for you. I guarantee this song will be a grower for you. 1:13:04 - Speaker 3 If it's not, you guys both have to buy me beers. I can live with that, Yeah, yeah. 1:13:11 - Speaker 1 Okay. Well then let's slide into Sugar and Falls Ohio. 1:13:15 - Speaker 4 Take it Timbo. 1:13:17 - Speaker 3 Yeah, so Sugar and Falls. So this song I thought was basically a huge fuck off to corporate man, to the man. I thought this is like. This song is driving some culture into the fan base. It's probably, you know, was played a lot on the radio. I thought this one you know I could be wrong, but this song to me felt like on the verge of angry a little bit more than usual. I'd maybe really wonder about it live, if this got more raucous, if it got a little bit more I don't know violent feeling. And I think it's because it thematically, which is where I'm going to go, not so much with music on this one, but thematically it Sugar and Falls, in my research. That's the headquarters of Clear Channel, which at the time Clear Channel Corporation was slowly taking over media, especially North America. Yeah, so that's a lot of the references to Grand Falls. You know where the unknown won't even go. Because at this point I mean that line to me says if you're an artist and you're trying to make it like, avoid your Grand Falls, avoid Clear Channel, you know, be careful with what radio you're sending your tapes to your CDs to like this. This is that song that is kind of the band's shout to the world of, you know, corporate media is taking over the airwaves, you know, be aware So that that to me the song has like a mission. It felt like the first time I listened to it. When I got to you know, three quarters, two thirds of the way through, i thought is this song like over five minutes? you know it felt long, but it didn't feel long in a bad way, like it felt like a good, just a really well written song. Like I was kind of digging through Grand Falls, it felt like a five minute song, but it's not a five minute song. I didn't look up live versions of it but I definitely want to find something. 1:15:47 - Speaker 1 Yeah, get the answers to your questions. I can't, unfortunately, answer because I saw them on that tour and I don't remember if they played it, but I can't. 1:15:57 - Speaker 3 It was somewhat rare. I feel like it was probably going to be a rare rarely. 1:16:01 - Speaker 1 Yeah, it would be one that would be, you know, gosh. Well, let me just quickly look up how many times they played it. 1:16:09 - Speaker 3 I mean for people that don't know, Clear Channel took over corporate. I mean took over FM radio. Over time, like so many stations became Clear Channel stations and became programmed. And I remember hearing the transition because, as a big radio listener, being bored in 71, you know, i listened to radio for like 20 years, 15 at least, 20 years and they just completely took over And I remember hearing DJs demeanor changing from independent radio station to now being put into this box And I feel like that's what the band is trying to talk about in this song And I think it's their fuck you to this corporate system of being in a band and trying to make it and just to inspire people to be independently minded. 1:17:08 - Speaker 4 Yeah, it's funny you mentioned Clear Channel only because I want to talk about the song, because I feel a little bit different about the song in some ways than you do, tim, and it's funny, like Tim, i didn't do fucking a pubic here. The research you did for this fucking song. I had to look up where Chagrin Falls was but, and I dug it. But yeah, that's when there used to be a great station in classic rock station in LA called Arrow 93. And they went over to that Jack. You know that Jack format Jack FM, which is just, it's just a guy who like record something and it's like a cheesy line and he
Ever find yourself reminiscing about the good old days when tunes from The Tragically Hip filled the airwaves? My pals, Tim and Pete, and I sure did, as we took a deep dive into their 6th studio album, Phantom Power. We discovered that our own past experiences and relationships managed to shape our views on this collection of radio hits, which seemed like a pivotal moment for the band. We weren't just content with superficially jamming out to the music. We dissected the unique sound and lyrical themes, compared them to previous Hip releases, and found ourselves swapping stories from past concerts. One standout memory was Tim being recognized by lead vocalist Gord Downie backstage. We also discussed the historical context of the album, like how its recording coincided with a major ice storm and a surprise tour that benefited a children's cancer camp. Stick around as we analyze some standout tunes like 'Poets' and its references to Gwen Jacobs' fight for women's equality. We also shared our thoughts on 'Fireworks' and how it reminded us of Canada's victory in the hockey series against Russia in 1972. So, whether you're a die-hard Hip fan or just love a good music chat, this episode is for you!TranscriptSpeaker 1 It's June of 1998 and I'm done with York University. To celebrate, my friends and I embarked on a camping trip to the Pinary Provincial Park just down the road from Grand Bend. It was just outside the liquor store in town that I heard a finished version of Pullets for the first time. Gord had long been one of my favorite Pullets, so to me this song resonated in a way that I can't quite describe. It was a feeling of euphoria and relief. This new record was going to be just fine, i thought to myself. Little did I know that several tracks on this record would stand the test of time and join the pantheon of great hip songs I still enjoy to this day, from the meandering escape is at hand to the traveling man, to the exquisite Bob Cajun and the downright delicious Emperor Penguin. Phantom power was right in the pocket, coming off of the exceptional trouble at the henhouse. As I got inside the truck to head back to the campsite I turned the volume up and just let Pullets sink into my brain. This was living. Today. We're going to hear from our friends Pete and Tim to check out what they think of Phantom power. Will it stack up? Find out today. On Getting Hip to the Hip. 0:01:41 - Speaker 2 Long sliced brewery presents Getting Hip to the Hip Hey it's JD here. 0:01:58 - Speaker 1 Welcome back to Getting Hip to the Hip. This week we are talking about Phantom Power, the sixth studio record by Seminole Canadian rock band, the Tragically Hip. I'm joined this week, as always, by my pals Tim and Pete Fellas. how are you doing? 0:02:19 - Speaker 3 Hey guys, hey guys, hey guys, glad to be here. Good to see you, i'm ecstatic to be here. 0:02:26 - Speaker 4 I'm ecstatic to be here right now. 0:02:27 - Speaker 1 Oh, I love it. 0:02:28 - Speaker 4 I love the energy This is happier than a pig and shit. 0:02:31 - Speaker 1 Oh boy, oh boy, that's pretty happy. I've seen some, some porcine creatures rolling in fecal matter and they sure love it. Okay, so if you are wanting to experience The Tragically Hip's music for the first time, tim and Pete are your avatars this week because they got to experience the record Phantom Power, which again is the sixth record produced by Steve Berlin, first record on Universal. But I guess I should tell you guys both. I guess I should say this to you both as honorary Canadians. Now, happy Canada Day. It's almost the 4th of July. It's July 3rd today, but it's July 4th tomorrow for you, but July 1st for us is Canada Day. So happy Canada Day, folks. 0:03:20 - Speaker 4 Wow, Yeah, Very close to the other 4th of July, which is America's Independence Day. In the UK they call that Thanksgiving. No, No, I had a. I took a flight one time on some shitty airline and the pilot was British and it was on the 4th of July and he was like so I just want to say you know, that's my shitty British accent Happy 4th of July was we call it. We're on from Thanksgiving. Enjoy Whatever. 0:03:57 - Speaker 1 That's great. Oh, anytime you can burn an American a little bit, it's. you know there's some fun. There's some fun there because you guys are so goddamn good at this shit, you know Anyway let's get into the record as a whole. Before we go into the song by song segment, let's just talk about this record, produced, like I said, by Steve Berlin. Five singles come from this record. All music rates at a three out of five Three. So there's that. What did you guys think? I want to know where you listen to it, how you listen to it and what your initial thoughts were, and you know, maybe, what they percolated up to. What do you say there, tim? 0:04:45 - Speaker 3 Well, there's a pause. I thought it was a three star album, kind of like all music I felt wasn't really sure. it felt a little bit deluded in a way. to me It felt a little bit, a little bit more generic from what I've heard in the past. But it also felt kind of expected for the whole catalog of albums this band has produced and the timeline going into the late 90s. You know this album felt like full of radio hits but at the same time I was missing a little bit of that raw kind of hip feeling. You know, i was wondering like, should I be okay with this album just being kind of fine? This was the turning point for me. I was really not sure. When I read kind of some reviews about it, i think there was some sentiment, some shared sentiment, and also some people were like it's my favorite album and some hip fans said it's their least favorite album. So this one's kind of a gray area for me. 0:06:00 - Speaker 1 It's funny. Well, I'll get into my, you know, sort of backgrounder on this for you guys after we hear from Pete. Pete, what did you think? 0:06:09 - Speaker 4 I hear you on the gray area, because I could totally see that. I could totally see how some hip fans are like this is the best album they did. Or this is not my favorite album. For me I listen to it everywhere. I listen to it in my office, so for my computer, with some some decent cans, i took it out running a lot. Probably. I think maybe the first time I listened to it was that took it in the car. It sounded great. The thing I found like I would say 3.5 for me, tim, instead of a 3. But you know I feel you on that My initial thoughts were that a lot of rawness of the hip was gone from this. In the first couple of listens it sounded very watered down. It was like somebody pulled Gord Downey aside and said Hey man, can we just like, kind of like the dude, can you, can, you fucking can you take it easy, man, you know, just like. Told him to just like chill out a little bit, and I don't know. The more I listen to it though, the more I dug into it and see how much work maybe not production, but just from the band themselves went into this record maybe changed my tune a lot Like I dig it. And Phantom Power, that was the coolest thing in the 90s, man Like because sometimes you didn't know what it was. If you never heard of Phantom Power before, it has a fucking cool name. If you had a guy that had like a condenser mic or something with Phantom Power, you're like dude, yeah, he's got a mic, that's got a Phantom Power. It was just like fucking. You were 17 and you heard that it was fucking cool. 0:08:00 - Speaker 3 Yeah, you know, i went and looked at a number of albums sold by a bunch of different bands, including the hip, and I was trying to kind of have this try to find this correlation of how many albums sold from the band start to like 10 years later, or 10 albums later, something like that. And I compared the hip with a bunch of bands And it's, it's. It's really all apples, oranges, of course, but when you look at how many albums they've sold and how they, you know, started off selling a ton and then just kind of went down to this million album mark. And then when I heard this album and I like UP, i listened to it all over the place. I listened to it on the plane I traveled, listened to it in the car, listened to it at home with the cans on. I mean I listened to it in more places than past listens because I was really trying to give it a go. I mean, it was the first time, upon first listened, that there were a couple songs where I was like okay, get it, i'm going to go to the next one, like I had not fast forwarded songs, you had her skipped ahead. So this, yeah, but but one of those songs that I skipped ahead on, sorry hip fans. You know I came back to and it's might be one of my most favorite on the album, so this this one like yeah, this one, this one to me like didn't grab me right away. Maybe it will more over time, maybe it's one of those types of albums, but well, i'll tell you what this record has. 0:09:36 - Speaker 1 An interesting, an interesting story, i think, and it it's my own headcanon This is. This is not like actual fact by any stretch, but in my opinion, trouble at the Henhouse, which is one of my absolute favorite records by the Tragically Hip or or or any other band, is, was maligned Like it, it, it, it, it both it and day for night didn't perform as well as fully, completely, and fully completely was very, if you recall, it was very polished, it was very produced. You know they went to London to record it. It was like a big deal. And then, following that, the next two records, they were sort of self-produced, with Mark Vreakin and Mark Howard on day for night and just Vreakin on fully, on Trouble at the Henhouse, and those records are sparse and they are. The core energy is, is there, it's, it's. It's like boiling hot magma, you know, and they're and they're forming these songs that are just age old now and and just wonderful, and then phantom power comes out and phantom power goes back to the like. To me it's sort of back to the back, to the basics. It's like back to really structured songs, really produced, and, like I always said, that this record was the baby of day for night and fully and completely, fully, completely, rather not fully and completely fully. It's sort of the baby of those two records. It's got the, it's got the production values, but it's still got songs. So I'll challenge you guys on that, because I think this record has songs and I think it has songs for days. You know what? 0:11:40 - Speaker 4 you are JD, let me tell you who you are. So when I was like 19 or 18, working with the movie theater, i dated this girl that that worked at the calendar place across the way And I just kind of went out with her because I was like really stoked. She gave me your number But I really wasn't that into her and all my friends were like, dude, she's really hot man, she's really amazing, and I just didn't see it. And so then like I stopped going out with her. We only went out a couple of times and that was that. And then I saw her again. I was like, damn, i really screwed that one up And that's kind of felt with this record, but I didn't want to like make that same mistake again. So like I, i'm sticking with it. I'm sticking with this being a solid album. Yeah, you know, yeah Masked it for, you know, a third and fourth date. 0:12:26 - Speaker 1 Yeah, i think, and I think three out of five stars is fair Like it's not it's not one of my. it's not my favorite record, but it's a lot of hit pants favorite record It's a lot Yeah, yeah. 0:12:39 - Speaker 3 That's that's what I found in my research. The covers are awesome. The covers are great. 0:12:43 - Speaker 1 They have that They actually have that panel in in their studio and bath, which is really cool. Yeah, so that's, you know this is. I want to say this is the second record they recorded at their studio. So they didn't go anywhere, you know, adventurous or anything like that, but they were at home. And what happened in 1998, i don't know if it made news anywhere else but Quebec and Ontario there was a major ice storm, yeah, major ice storm, and in Ontario it, like it absolutely shut down the city of Toronto. It shut down, you know, major thoroughfares. It was like devastating this ice storm. And we'll get into that a little bit more as we talk about the songs. But you know, they bring Berlin in and they're sort of trapped in the studio. You know like during during this, so really fascinating I think. 0:13:43 - Speaker 3 But yeah, it's a go ahead. Did you see this tour? Did you see them play on this tour? You want to hear a story Now? 0:13:52 - Speaker 1 people who listen to the movie and completely heard this. But the hip announced five secret shows that they were going to do, and all proceeds from these shows were going to go to a charity I forget which charity now at the oh, it was Camp Trillium. Camp Trillium, which is a camp for children with cancer, children that have cancer, and there's a location of that is near where I grew up And I'll show you when we, when you're in town for the finale. My friend's parents were on the committee for the cancer camp in our community, and so my friend Heather had intel and she she knew that they were going to go on sale at this time in this place in Hamilton, which is about an hour outside of Toronto, when traffic's good, and so we ended up getting third row center seats Wow, in this small theater in Hamilton, like 2000 people, and they blew the roof off the place. And a band called oh my goodness. They sang, come for a ride. Open for them, and they were tremendous as well. I forget the bands right now who open for them, but if you know it, send me an email. Jd at getting hip to the hipcom. So we're third row center. We watched the show, But the kicker here is is that Heather has got gifts to give the band And it's been arranged with the stage manager that we're going to go backstage afterwards to give. She's going to go backstage afterwards to give these gifts And she ended up inviting me along And so we got to go backstage and I introduced her to the tragic lab. So this was like this was like full circle for the two of us And it was just a wonderful experience. We went backstage after the show and they were all there and Gord had a. Gord Downey had a soccer ball And he was doing that thing where you flip it out, catch it and roll it back in your arms. Flip it out, catch it, roll it back in your arms And he just kept doing that And I remember at one point I must have looked silly or something, because somebody said and maybe it was Gord Downey said is everything all right? And I said, oh, everything is fucking perfect. I could go outside and get hit by a bus right now And it just wouldn't matter. And Gord Downey looked at me and he goes Oh, don't do that, jane. He called me Jane, only my mom calls me Jane. Like it was so cool It was cool. 0:16:37 - Speaker 4 How did I not know the story? How did I not know that you had interactions with Jesus? 0:16:44 - Speaker 1 Yeah, yeah, how was this? 0:16:45 - Speaker 4 coming up in episode. What fucking episode are we on. 0:16:48 - Speaker 1 Well, it was Tim asked me the question, yeah. 0:16:50 - Speaker 3 I don't know. We're like 15 minutes in. I think we could just call it. That was good enough. 0:16:55 - Speaker 1 Well, here's the kicker. Here's the kicker. I don't think I told this part on fully and completely, but the kicker is I had been dating a girl all through university and I broke up with her the summer of 98 and sewed my wild oats And this was all toward the end of the summer of 98. And she was in Hamilton to meet me after the show. So I'm backstage with the hip and they go Okay, well, we're going to go to the after party now in the next room over, because this was in the green room or whatever And we're going to go in the after party room and drink some beers. Do you guys want to join us? And I had to say no. I had to say no because my girlfriend was waiting outside for me. Now, in hindsight, what a boner move I made, because I wanted to get back together with her. Totally. It only lasted another two years after that, like I then absolutely blew up, but it was those. Those final two years were awful anyway, like they just weren't, you know, like both of us would agree to that now I'm sure the university years were wonderful, they were, they were great, but those those two years after our break up we're not so good And I blew a chance to go party with the hip. 0:18:15 - Speaker 3 You had a Davis Manning moment. 0:18:18 - Speaker 1 Yes, Yeah, yeah, absolutely. 0:18:22 - Speaker 3 He chose the girl over your fandom. 0:18:25 - Speaker 1 The hip lived between us. 0:18:27 - Speaker 3 They totally lived between you. They might still sorry, sorry, jess. 0:18:38 - Speaker 1 Well, folks, should we go song by song? 0:18:41 - Speaker 3 Yeah, let's do it, let's do it. 0:18:44 - Speaker 4 So I really liked this song. I really liked poets. This is probably the song I would say I have the least to say about. I really like the verse phrasing. I think it's probably the best part of this song, the way he phrases the verses. There's a part where the lines of a verse he kind of like carries into the next measure. It's really weird, like, like, like the mind, you think, okay, you sing the verse, then it's the next measure, but like he sings that verse over there Because it's when you look at it it's a complete line. I can't remember the line specifically, but it was. It was cool man. It's a hard thing to pull off man, but like that guy just does. It was so much, so much finesse. I liked the layered guitars in it, yeah. But I think, going back to what we're saying sort of at the beginning of the top of the show, it was, this song didn't punch me in the face Like right when I, right when I started listening, i dug it. I it was a soft open, it was a soft open. 0:19:59 - Speaker 1 All right, how'd you feel, tim? 0:20:01 - Speaker 3 I felt it was a harder open. I thought it was it. You know this. Like we've talked about before the cadence of songs and track orders. You know the first one I expect to really get me, bring me in, and this one did it. I thought it was pretty good. There's a fun kind of change over into the chorus It again I spoke about this a little bit before, but the kind of remind me of REM in REM's, like first half of the 90's albums, like they come on with like a punch of a song and then, like the cadence of the album kind of goes soft and then gets whoa, got a little dirty there, gets a little bit harder as time evolves. But yeah, this I thought this was a good start off. The themes you know I looked into a little bit of the song's meaning regarding lyrics and you know just talk about agriculture and super farms and like I don't know, ultimately fresh vegetables versus buying frozen and what that means. And this, this is the song that references Gwen Jacobs. Right, you know the story about her JD, and she was this woman who walked into town I think in Ontario topless and it created this whole. I don't have to look into this more, but I'm pretty sure this was the song about the Gwen Jacobs case. So Gwen was a woman who walked through town topless and was arrested and started this whole kind of woman's lib. You know movement with. You know making it okay to cut your lawn without a shirt on, just like the men do. That's kind of where the line in here from Gord comes from. It's a let's see. 0:22:02 - Speaker 1 Oh, that's great Lawn caught by breasted women. 0:22:04 - Speaker 3 Yeah, it's kind of this comment on pushing for women's equality and gender rights. So I thought that was fucking cool And that, to me also, is like really appropriate for the 90s or late 90s, you know it was. we were kind of circling back to, of course, some things we've had in North America before and prior decades. So I thought this song was cool. Again, it really reminded me of REM. I kind of went back and started looking at some of REM's albums and I wish, again, i wish I could know what the band listened to when they were traveling Me too. You know what they were sharing, what albums they were digging. you know if any of them were like Oh my God, did you hear REM's new one? We're going to put it in the the the buses stereo or whatever. Like I wish I could know what was influencing them, because I'm hearing, i'm hearing some some themes for sure. 0:22:57 - Speaker 1 Okay, earlier I was telling you about the ice storm. The next track, something on, was recorded and they literally were trapped in the studio. They were, you know, they couldn't leave the bath house, they couldn't leave the studio in bath. So they did what they do best They wrote a song and there's some lyrical content in there about the ice storm even And I think it's really wonderful lyricism. What did you guys think of something on? 0:23:33 - Speaker 3 I felt like, okay, i read about it, i read about this and I read about the ice storm and you know sounded awful. And for I hate to say this, but to go get stuck in a studio, for me that'd be like the time to really fuck things up, like really experiment. You know, you know, just hopefully somebody shows up with a huge bag of weed and somebody shows up with a bunch of acid and somebody shows up with a shit ton of beer and like this is when you like really go to town to experiment and what do we got out of it? We got like kind of a radio hit. So it was a little surprise to kind of hear the whole story and it just made me realize that maybe for this era, the guys were really I mean, they were at a point to where they could bust out a really good album, you know, and what, for me, that really good album is? like you go to a restaurant and it's like yo, that was a good meal. You know, everything was like satisfactory. 0:24:37 - Speaker 1 Well, yeah, it's a blooming onion man. 0:24:38 - Speaker 3 It's a blooming onion, Yeah, but to get stuck in a studio and ice storm, it's like I personally would want to just start going places. I haven't been before with my band, but you know this one's interesting take. Yeah, this one felt. This one felt a little radio felt a little you too, dave Matthews like splash of John Cougar melon camp or something like I don't know. Man, it felt, i know. I know, i know, i know. 0:25:10 - Speaker 1 And I was a big melon camp guy at one point. 0:25:13 - Speaker 4 But Dave, Matthews are regular. 0:25:16 - Speaker 1 Cougar and regular. 0:25:18 - Speaker 3 Yeah, like I couldn't get overly excited about this one. Well, again. 0:25:26 - Speaker 1 I think you were waiting for the follow up from the follow up to trouble at the house, and this isn't the follow up that you're expecting on a trajectory perspective. You know no no, i agree. 0:25:44 - Speaker 4 It's funny. You talk about getting trapped in the studio, like I mean, i don't know if I'd go like full steely Dan when they recorded the Albuquerque show, where, like you know, there maybe was not that much cocaine around, but I still agree with him, i would. I'd get really spacey, and I think they do it on a couple songs that we'll get into, but first time I heard this song got some heavy Jim Blossom's feels. Yeah yeah, Yes that's the first thing that hit me and I couldn't think of any of the band that it was like a buddy of mine used to play the band that they open for them a ton, and I was like the first band that came to mind like this Oh, and it was really poppy. And okay, my notes. Once you get past the repeated cheesiness of the chord progression and the vocal melody, it's not a bad song. 0:26:40 - Speaker 1 Oh dammit, with faint praise here. No, no, no, it's not a bad song. 0:26:44 - Speaker 4 I think it's a good song, but you know it's a good song. If, like you, take this song and go, is this a good song? Anybody will say it's a good song, but like you, said to me compared to the follow up of what you really wanted after trouble. Then else, and this was a song where I feel like Gord sounded a bit like he was put in the cage Like whoever was a universal when this record was getting recorded, put baby in the corner. And this is a song where really I feel like you know he's, he wants to be himself, but somebody's like, hey, man, just could you like you don't have to do it all the songs, but like at least on this one could you just, fucking, you know, tone it down a little bit. And I was just like, ah, where's my fucking, where's my lead singer. 0:27:33 - Speaker 3 Yeah, I totally agree, Because you know it's still a good song, because it's still all the guys and it still has themes, because it's Gord, you know you're still going to get one liners that are amazing. I feel like probably no matter what in any hip song there's going to be some standout lyric to me, some standout part like to the core fan. That's. That's really what I'm imagining. The line that stood out in this one for me was your imaginations having puppies, I mean yeah, yeah. I've had so many letters of puppies, you guys. It's like I'm just, i've got puppies all over the place. It's like. 0:28:11 - Speaker 4 I was a cool. I really like that one. Yeah, like that, like that video for new recruits or something. 0:28:17 - Speaker 3 Yeah, so I like identified in it. You know, at that personal level, which I think they're able to do just about on any song which is fucking amazing for a band to do, because I could probably name 10 bands right now. What that does not happen to me, yeah, so you know. So, in that regard, like hip fans, you know I'm, i'm I'm not really trying not to be the bad guy here, but we this, this, this just made this song, just made me keep going So into save the planet. I mean, i got to this one, arrived at this one, and I was like, is this the band's fucking Earth Day song? or stretch their reach to get on the farm aid bill, like what is going on here? I felt like I don't know, there's a flute in there. Who's playing the flute? 0:29:09 - Speaker 1 Who plays the flute? You know, i don't. I don't have the liner notes handy And on the wiki page it is remarkably barren in terms of additional players. Yeah, it doesn't, it doesn't have them, so I need people to write in. 0:29:25 - Speaker 3 If people know, let us know, because there's some flute in there And it made me wonder like what else? 0:29:31 - Speaker 1 there's keys all over this record. 0:29:33 - Speaker 3 Yeah, what else have I been missing in the background that maybe other people are participating in? But I felt, like you know this song, in the placement we were, we were filling, we were filling in the gaps on the menu And you're like, no, I had a burger yesterday. No, I'm not in the mood for that. Oh, I could really use some lasagna. Here we go. That's that's how Save the Planet felt, felt very time appropriate. This is, like you know, the millennial song. 0:30:02 - Speaker 1 Okay. 0:30:03 - Speaker 4 All right. So if anybody's got a line on the flute player, email Tim getting hip to the hip, talk there you go. Right, i copy Pete at getting hip Yeah. Save the Planet. I thought it was a banger. I really dug it. I at first I saw that too, but then I kind of look past the name of it And just look at the song itself. There's a. There's two references in this album to Crossing the Street, to pedestrian crossings. Yes, i'll point out the other one. This is the first one Fucking solo bangs in this. I thought the flute at the end was cool because it was so random. 0:30:47 - Speaker 3 I was like well, what the fuck is that? Yeah? 0:30:50 - Speaker 4 Same. 0:30:52 - Speaker 1 There's. You just can't imagine listening to road apples and having a flute right Like. It's just not part of this band. You know like and and and it works It works well, no, right? 0:31:05 - Speaker 4 Yeah, you know, if they went into that I'd be like, well, what the fuck's going on? 0:31:10 - Speaker 3 But I'll just quickly, quickly add that I'm okay with the flute. Like sometimes, the flute really is awesome. Oh, i think it's great. So you know, like some people like hear the flute and they're like oh why You know, but it works. 0:31:24 - Speaker 4 No, i dug it And this is again. This is not the first song, or not the only song in this record where I got some heavy Alanis vibes. The phrasing on if the bathwater is clear and my ears underwater, it's a tolerant hum from the core. Carry the water Like that the way he phrases that shit, it's just. I don't know if I see because it's a Canadian band, if I see everything through the lens of like Canadian pop artists. But like it's just the vibe I got from this and it's a great tune to get out and move your feet to get running. It's a fucking cool song to run. 0:32:09 - Speaker 3 All right, i'll put it on my point first I hear your Alanis vibes marry and up with my Michael Stipe vibes. I think those are in sync for sure, for sure. 0:32:20 - Speaker 1 I think there's a nice correlation between the hip and REM, like I think you're right, like they both have that enigmatic front man, you know, who is really literate and really interesting in the way they sort of phrase things and put things together. 0:32:39 - Speaker 4 They both went bold too, halfway through the careers, that's right, that's a fair point. 0:32:45 - Speaker 1 Fair point, fair point, all right, we're getting in the car right now and we are cruising northeast of here and we're going to Bob Cajun. I left your house this morning. 0:33:40 - Speaker 7 It was quarter after nine. I left your house this morning. I left your house this morning. I drove back to town this morning This morning with working on my mind, i thought I'd maybe try to leave an ear behind. I went back to bed this morning and it's time pulling down the blind. Yeah, the sky was dull, it was high but never come. And morning went down at a time that night in Toronto And I was jacking boardboards, riding on horseback and keeping order restored. Tell the men they couldn't hide. Step to the mic and sign and their voices rang with the area of time. To your house this morning. It was quarter after nine. In the middle of that riot I couldn't get you off of my mind. To your house this morning. It was just a little hour tonight Cause it was in my page on the rossard and constellation, but they themselves won't starve at time. To your house this morning It's a little after nine Cause it was in my page on the rossard and constellation, but they themselves won't starve at time. 0:37:32 - Speaker 5 Tell the men they couldn't hide, they didn't choose your bones and bones. They're all south of the wind and down the lawn to the lake For as long as it takes. 0:38:05 - Speaker 7 I don't want to be a hill of the birds last hour. I don't want the last words out of my mouth to be stained Out of my way. 0:38:16 - Speaker 4 Okay, I fucking love this tune. I got some heavy and Tim, yes or yes. If I hear no, I'm just I'm off this podcast Got some really strong G love special sauce vibes from this. Yes, Just the way they owe up. Am I my GD? 0:38:42 - Speaker 1 I don't know, i think I think I'm very familiar. 0:38:46 - Speaker 3 I did not go there, but I will Okay. 0:38:51 - Speaker 4 Right, i mean the. there's a oh dude that it could have been Willie, could have been the wine. I heard that song. The first time I heard that song I was. I took it out for a run and I came home and I like I listened to it again because I just thought it was such a good fucking song, because it's a weed. reference to may not necessarily be about them listening to Willie Nelson. It's like they were smoking weed or they were drinking wine, absolutely Yeah. The opening, like spacey guitar licks The dobro which I think he's playing. there's a dobro in there that he's playing which kind of gets sort of like a banjo slash guitar vibe. Oh God, just. 0:39:40 - Speaker 1 I feel like that lyric that you just quoted, though, could have been the Willie Nelson, could have been the wine. That's like one, like when he wrote that he should have just put the book down, put on a fedora, long overcoat, grabbed his briefcase, just went home for the day, that's. That's the days. That's the day at the office, that's a fucking. Exactly. 0:40:00 - Speaker 4 That's just a great lyric Exactly dude, no, 100%, it's so good. I was like you know. You know, a line is a good line when you hear it and it's so good you think you've heard it before. Meaning like I'm like right, i mean because it just sounds like it belongs on this in the history of life, Like like someone has, like if someone hadn't said it, they sure as shit should have said it. Does that make sense? Yeah, you know, it sounds like it's just. It's a great fucking line. I thought I maybe quit that line. It's just. It's really the part of this song where Gord starts coming out of the cage. On this record, i feel like that was the moment Somebody gave, somebody unlocked the door of the cage and he's starting to come out, and then the song ends on a random minor chord, which is so weird, it's such a happy, spacey song that ends on this minor chord. 0:41:09 - Speaker 3 I loved that. I loved that about it. So for me this one it felt a little Out of the gates. I need to listen to the beginning of it to see your G-Love reference. But out of the gates. It felt to me a little bit country and a little bit like are we reaching again for some crossover fans Along? the southern belt of the US. Like where are we? What's happening here? You know there's some slide guitar, but is it a song about lost love? You know looking up at the stars waiting for a reveal. You know there's synth work in here again, so there's some sort of keyboard happening, which is fucking cool. And to me, the first lesson I had all those kind of questions going through my head And then I thought at one moment like this is actually a fucking beautiful song. Like it's a little bit of an odd man out on the album, but it's actually a beautiful song. There's this long ending with no singing. It's just mysterious. Like you said, pete, the last five seconds or so, or this just bizarre tune out. It's like I found one quote when Gord was asked about this song. He said this was an interview in 2004,. He said this one asks the question evil in the open or evil just below the surface? That was his comment about this song. So it's like this song to me was super mysterious Yeah, super mysterious song which I fucking love, like I don't need literal storytelling every single song you know. Social themes, i don't know all these different things, i don't need that. Every single song I love you know kind of the knuckleball that comes in. You're like whoa okay, this is reeling me back in to the album in a good way, a way that I'm looking for, you know, i'm hoping for, but still, again, this one felt a little bit odd, man, just the way it fits into the album. They've done this before. They've gotten. 0:43:15 - Speaker 4 They lose green man. 0:43:16 - Speaker 3 Yeah, they've gone on this path of like okay, this one, now we're going to turn off the highway and head down this two-lane road and we're going to stop at this farm and we're going to have an afternoon barbecue with this family, and you know, i don't know, like it's just this one's off the highway. 0:43:35 - Speaker 1 Cool. What do you guys think of the bridge? It makes my arm hair stand up That night in Toronto with the checkerboard floors. There's a bar in Toronto that's famous legendary in fact called the Horseshoe and that references the Horseshoe, the checkerboard floors. Oh shit, that's one of the first big gigs they played in Toronto. 0:43:55 - Speaker 4 Can I get taken to that bar when I come visit Toronto? 0:43:57 - Speaker 1 Absolutely. Let's do it. Sure shit hopes so man. 0:44:00 - Speaker 4 That would be cool. This song is actually the most listened to hip song on Spotify. 0:44:07 - Speaker 1 Oh, wow Yeah. 0:44:09 - Speaker 3 Surpasses. I read something about that as well. 0:44:13 - Speaker 4 What was the one that it surpassed? 0:44:16 - Speaker 1 I can't remember Anyway yeah Well, so it's a hit all around Pop Cage. 0:44:21 - Speaker 3 Yeah, it was a fucking interesting song, right? This is. 0:44:25 - Speaker 1 So we shift gears now in a well, not in a huge way, because this is sort of low tempo or slower tempo. We go to Thompson Girl and you're both hesitating to start Thompson Girl. 0:44:41 - Speaker 4 Go ahead Tim. 0:44:42 - Speaker 3 Yeah, well, you know what's the story about here. I don't know. It's the story potentially about where is it here, This town in Manitoba, thompson, yeah, or it's. You know it's potentially about a nickel mining company up there. You know it's got this kind of sweet, forlorn grunt work somewhere between dream and duty, poking through with all them shoots of beauty. I mean, what is that about? You know, this is kind of a cute, in a way stripped down acoustic song. There's some banjo in there. You know, i've kind of been waiting for, I had been waiting for this type of stripped down, simpler song that you know it's kind of this forlorn, sad song to me at the same time. 0:45:42 - Speaker 1 Probably Pete. 0:45:44 - Speaker 4 I loved it. I thought it was cool. I think I don't know if it's consistent with you and I, tim, but like I really try not to look too deep into the lyrics because oftentimes I'm disappointed, that's why I don't do it. I know you do it a lot more than I do I totally do. 0:46:03 - Speaker 3 I mean it's because of Gord, like Gord Gord. for me, gord merits it. 0:46:09 - Speaker 4 I get intrigued though, but like dude so does. I mentioned Celie Daner earlier. Like Donald Fagan's lyrics are notoriously cool as fuck. But have you ever asked that guy like what he you know what's, what's the meaning of? you know Dr Woo or whatever, like he'll be, like I don't know man, we're on so much cocaine. Back in the day I was just getting shipped to prime or whatever you know like, and I know that's not really the case here. But that line, the way he goes up so high with grunt work, i can't. I'm not even gonna fucking try lest I fucking destroy your listener base JD by singing that line. But when he goes grunt work time between dream and duty the melody is so fucking good It's then there's a part. Um, i don't know if it's like, i don't know, i wouldn't call it the bridge, but it is a bit of a some sort of key change to the regular chord progression. When he goes really high and then the mandolin starts to come in fucking dug that. And then the piano kind of comes in at the end as well, it's fucking cool. I really dig it. Yeah, i liked it First. I didn't like it. I didn't like the chord progression. It just seemed to like, like you said, tim, acoustic. It's sending, like it was like this should be an acoustic song. 0:47:30 - Speaker 3 Keep it that way. Yeah, yeah. But then it grew on me real quick, which is maybe something I would potentially envision. From a stuck in the studio couple days, you know, you'd get to a point to where everybody's kind of burned out and you pick up the acoustic and somebody says to the piano and you talk about is it INCO, inco and the fucking nickel mining, and I, you know, i looked at it a little bit into that in Manitoba and was like, oh geez, here's, here's a historical. You know, just rabbit hole that I can't go down right now. But it just this, to me, is just one of those, one of those songs that fits in well with this whole album And it's something we haven't really had in the past. So it's kind of happy to hear it. Next one membership Who's who's singing backups Somebody found, is it Gord Is? 0:48:28 - Speaker 1 it Gord over. Usually it's Paul Angla, usually Well. 0:48:32 - Speaker 3 I don't think it's Paul. It might be doubled. If you, if you go in and listen again, check out membership and listen to the backups, because it sounds like a woman to me and it sounds really familiar, like I've heard this voice before And I've looked and looked and looked but I can't find anything. It might be one of the guys, just you know, editing it in post or something, i don't know. But there's, there's some beautiful backup happening. This one, though you know it's wasn't my favorite on the album, i'm not going to put it on the playlist There's kind of a big change after the three minute mark with, like this new chorus. Of course it has my fade out at the end. You know there's there's kind of this bigger start to the song, but it's kind of slow in a way. I don't know. It's maybe about addiction, it's kind of a ballad. you know this, this one, it just felt like it didn't really fit in, didn't really wasn't really sure how it was working and it it made me consider you know I've done this a few times that it made me consider the band and what they were feeling you know they're coming in on 2000 here What they were feeling after 10 years, which is long for any band to retain some amount of success 10 years of playing and predominantly being popular in their home country and not even gaining a huge you know the level they deserved in the neighboring USA. So this this kind of made me think about all those things. I just didn't know if it was like about power abuse of power addiction or longing loss, i don't know. This song was kind of all over the map for me, but ultimately the chorus bugged me and it stuck in my head for a little while. I was like, oh, i need, i need some other, i need some other hip song stuck in my head and that's kind of where, honestly, that's where, like blow a high dough, just comes and takes over my brain. So that's what happened. 0:50:50 - Speaker 4 on membership, I you know I have a ton to say about this song. It's kind of like I put in the same categories Poets. It wasn't my favorite song in the record. I liked it, felt it like it was a very drone rock with a chord progression. It's the way it sounded. I love the harmonies. Tim mentioned the harmonies being drawn along by it. Like that line with the harmonies come in The middle, guitar solo where they kind of tease you with the guitar solo helps build the song kind of cool. But then, yeah, the fade out at the end is just like to me. It felt like they maybe didn't have, they didn't nail everything down with this one. That's all I'll say, you know, but yeah we can move on if you want, let's slide over to fireworks. 0:51:46 - Speaker 7 You like fireworks? Yeah, me neither. The frustrating part Never back in old 72 Without school, just a gun, without a gun or trigger. I don't remember a reason. Set me sight of you. You said I couldn't get a fuck about the party. Never heard something true back before You held my hand. We were on the long way Loosing in my grip on Bobby Moore. Never heard anything wrong before I blushed. When these ever sensations get in your way, no doubt this shit me spurred right now By your shoulder, and that an amazing what you can't accomplish now I'm not together every single moment. That's what we thought. We'd be married. We both do deep with the grip of art, of fish chaos, believing in the country, me and you. Christ has a faith in Christ, the sinner cramming Yeah, we've heard all this before It's winter time. The house is solid to the bones, loosing in our grip on this fake cold war. Is it an amazing and a better accomplish When we don't let no nation get in our way? No doubt this shit me spurred right now By your shoulder, and that an amazing what you can't accomplish now, next to your comrades in the nation of fitness, the program regarding some eternal past time, clopping to the mind in a fit of laughter, showing no patience, no tolerance, no respect By your words, next to the distance, contemplating towering, towering star By your words. And in late, never, till there are no stars anymore By your words. And in, straight in heaven, contemplating towering, towering star, till there are no stars shining up in heaven, till there are no stars anymore. Isn't it an amazing and a better accomplish When we don't let no nation get in our way? No doubt this shit me spurred right now By your brand of error, shining up in heaven, contemplating towering, towering star. I think this one thing never goes away And this ones thing's always supposed to stop. Oh, this funny thing doesn't have to go away, and I'm gonna lie. 0:55:41 - Speaker 4 Oh fuck, How much time you got, then Fucking song, this song, i just have the word. It's this fucking rush, rush, rush, rush, rush. Just so much rush in this song. Really, there's a couple of rush references on this record and this is number one. I would say that is it. Gord Sinclair, yeah, so like and I think he would agree with me, because I don't know that I don't know any bass player in Canada, let alone the entire world, would put them up against Geddy Lee. So I can't like, true, Like. I don't think the bass in this song was supremely rushed, but the chord progression, the structure of the song, the lyrics, isn't it amazing? anything's accomplished Is fucking. It's so fucking dude, it's fucking rush, completely Fucking. It's like they should have just made a record with one song on it and sent it to Rush and been like this is for you guys, we love you guys. And dude, i'm not saying anything remotely like they jocked anything. It's an homage in the sweetest sense. It's fucking beautiful. I fucking listened to the song so many times. There's I don't know if he's playing a Les Paul or a Hamer Rob Baker, but it's got some hollow tone electric guitar. There's a line in there Christ in the Kremlin. I'm fucking. The words in this song are fucking spectacular. I bet it just destroyed. Destroyed. The crowd live Like. I mean if they played this fucking live you'd have to close with this or I don't know what you'd play with this. I mean it's just fuck. What's the other line Next year? comrades in the National Fitness Program caught in some external flex arm hang dropping the mat. Dude the lot. This that the way he speeds up that verse and fits all those fucking words into that, and then he goes back to the normal cadence, like when I say cadence I mean like the tempo, not a modal cadence, but like tempo. He goes back to that. I just bet when they, when they all listened to this track after it was mixed, or they all recorded everything, they all just fucking high-fived and hugged each other and had a big old fucking circle 100% Yeah. Dude, it's a fucking. It's one of my favorite fucking hip songs period. 0:58:23 - Speaker 3 Oh, you know what they. You know what they said after they recorded this. They were like this is going to be an every jukebox across Canada. I mean, it's a jukebox song. I mean, really, this is like play something by the tragically hip. Okay, i'm at the jukebox. Stick in a quarter. Oh, here's fireworks. Everybody loves this song. You know, that's that's. I couldn't agree more, pete. I just felt like this could be put on a seven inch only and out in the world. You know it was one of the first songs in a while where, like, i immediately just started snapping my fingers. It was like, okay, this, this song's, this song's moving. I completely agree with the rush references I love. I so identified with this girl. There was actually a girl who said she didn't give a fuck about hockey. I never heard a girl swear and I've never heard someone say that before. It was like there was some whole other world out there which is hard to fathom at times. I don't follow hockey. I totally identify with this. When I go on Facebook and it's like near the weekend it's mostly fucking NFL comments from people I know in Southern California. It's like, god damn, i wish I had a sports filter on my life because I don't really follow any sports. So the hockey the hockey comment, i was like yes, i, i want to hang out with you, let's go drink beers. You know, i probably follow that. It's whatever I just I just identify with that part, it's. You know this, though, you're right, pete, isn't it amazing you could do anything when the notion isn't in your way, believing in the country of me, and you, ah, you know, it's just, it's, it's, this is, it's more. It's more than an anthem. 1:00:17 - Speaker 4 You know, the crazy is so it's so, Getty Lee, though man. 1:00:21 - Speaker 1 Yeah, yeah, for sure, for sure. What's? 1:00:24 - Speaker 4 this, it's, it's spirit of the radio. Okay. That's the song thing you have in so many ways. Yeah, i mean, and I don't think any musician in the band would say like they can you know drum? like Neil Pert? I think the guitar is pretty. It's got some solid Alex life and vibes. like you could fucking compare that guitar wise. but like bass and drums, you can't fucking come close to those, like it's just. but sorry, tim, i didn't mean to interrupt you, but it's just a fucking. 1:00:55 - Speaker 3 That's good. Good, it's such a JD. What JD, what? what were your thoughts on the song? Do you have, do you have memories of hearing the song, or anything, or like? 1:01:03 - Speaker 1 I think it's, I think it's a romantic song, Like. I think it's like the firework of like meeting somebody that is just, you know, absolutely the sparkle of your eye, you know, sort of thing. The context, to give you some context, the goal that he's talking about, the goal that everyone remembers, is when Canada beat the Soviets in 1972. And that was, that was during the Cold War. So it was a big deal, that series, Canada playing hockey against Russia. you know a few games here in Canada and a few games in Moscow. It was a big deal, Like for these Canadian hockey players to go to Russia. Like at that time Russia was so mysterious And there was a very famous goal that won the series by Paul Henderson that everyone remembers. It's one of those moments in Canada, the, if you're of the right age or generation I'm not, I'm born in 74. So it's over my head, But if you were there then it's one of those like you know where you were moments. you know what I mean. 1:02:10 - Speaker 3 It's huge huge moment in sports history. 1:02:13 - Speaker 1 So for him to be just blown away. Like you know, loosening my grip on Bobby Orr, like I just picture, the 16 year old who's in love with Bobby Orr has the hockey cards on the wall, you know, he's just tremendous and all of a sudden he just oh, there's girls out there. Oh, and there's this particular girl who doesn't give a fuck about what, like whoa fireworks, you know. 1:02:40 - Speaker 3 Yeah, great song, Great song. This. yeah, I could have had this song, you know, and had a satisfied meal and went to bed. 1:02:49 - Speaker 1 You and your food All right. Go next to vapor trails. 1:02:58 - Speaker 3 So vapor trails, like I started this one and paused and had to come back to it, i didn't keep going like this, this, this, this was one of the breaks. And now for me, where I was like, okay, i'm not, either not in it enough or not focused enough, let's come back to it and didn't hold your attention. He would not not at the get go, but eventually it did. Oh, eventually it did bring me in. It totally was one of those songs that I wasn't so sure about, but over time was like humming it while walking around the house. You know, there's just to me it has some mysticism to it. There's this mysterious not to say it again but backup singer, whoever is in there. I mean there's some really good backup singing happening, but I just love some of the lyrics. There's nothing uglier than a man hitting a stride. 1:04:00 - Speaker 1 What a great lyric, right Dude And just the way he says it as well. There's nothing uglier than a man hitting a stride, yeah. 1:04:09 - Speaker 3 I can't wait to use that some point in life. You know, watching something happen, yeah, chords, use that line, throw away the rudder, float away, like they portrayals. You know, i get this. It's like, it's this feeling of like giving up. You know, at some point we all, everyone, i think everyone has contemplated, you know, life being different or serious change, or giving up, or you know, we've all had these heavy times in our lives and maybe the song kind of hits on that. There's amazing guitar riffing just towards four minute mark. It felt, you know, just to kind of wrap it up. For me it felt like a produced ending. You know, the fade out was like it wasn't just let's wrap the song up, let's just fade it out, it was like let's produce the fade out. So it was a little, i don't know a little more, a little more orchestrated. But yeah, it's, this song is. This song was a banger. I think it was really good for the spot in the album. I think it was like really fitting. 1:05:27 - Speaker 1 Yeah, because we're well into the second side now. Yeah yeah. Second track, second side, if you're playing by those roles, It has a good place, good place in the album. What do you think of APR Trail's Pete? 1:05:39 - Speaker 4 Well, this is the other thing that I thought was it's not. It's not a Rush reference, but I actually think there's a possibility that Rush's 2001 record Vapor 12, vapor Trails was perhaps, maybe, an homage to Tragically Hip. Wow, i don't know, that's my, that's my in my dream world. I don't know if that's really true, but and I saw them on that tour and they were fucking just amazing. Saw them at the Irvine Meadows man. 1:06:18 - Speaker 1 Such a great show. 1:06:19 - Speaker 4 Never saw. 1:06:20 - Speaker 1 Rush. I was supposed to see Rush on a tour in 93 and guess who was opening for them? Who, tragically Hip Jesus Christ. Wow, on Road Apples. Yeah, dude. 1:06:30 - Speaker 4 I don't know what's a bigger fail That or not partying with them. 1:06:34 - Speaker 1 Oh God, it's the, that's the, that's the fail. 1:06:36 - Speaker 3 They're close. Not partying, I think. 1:06:39 - Speaker 4 Well, we, let's put it this way, we, we, we showed to that concert, i think, and they were they, we were at that time. It's strange, real quick, because I know. but during that time, because 2001 was coming out of the Napster years and years, right And into, like I think it was right where the iPods came out, um, so people started buying music online again, sort of. So bands didn't have money to pay for opening bands during that time, so a lot of bands would tour and be like who's opening? And like there's nobody opening. So we assumed that somebody was opening, for Rush happened to me with pavement one time, but that's another story Um, and we walked, we're, we're racing through the parking lot Because we hear a spirit of the radio, but right into Red Bar Chat after that and just fucking made my, made my life. But to the song. Paper Trails. Um, the fucking vocal melody in the opening verse same. I got the same cadence, Tim. I don't know if you mentioned this as Thompson girl. Um, but the song I loved it. I imagine when they sung this song live, that when Gord sings the line you can throw away the rudder. He probably blows out either part of the low end or part of the mid end frequencies in the fucking speakers at this this, this house, his voice is just at that frequency where, if he really punches it like he could, he could break. He could break some fucking windows, because it's, it's just fucking just the way he delivers that shit. Throw away the rudder, um, uh, what else? Yeah, just that line to me was worth buying the fucking record. Pulled the car over. There's nothing uglier. Yeah. Then a man hitting his stride. Yeah, there's a transition from the bridge back to the chord progression. That's super abrupt And it's so cool because there's no transition. It's just like boom, boom, they go right back into the chord progression and it's fucking cool. I'm not, can't think of any band that I've heard do that. And then the last thing is the line, and it's it's. It's maybe Rob Baker, i don't know who's singing the backup, but Mexicans dressed in beige shirts Crazy line, yeah. 1:09:16 - Speaker 1 Yeah, I've never heard that Mexicans dressed in beige shirts. 1:09:19 - Speaker 4 It's. It's like almost whispered. 1:09:25 - Speaker 3 Wow references you know references, folks who spend their life picking the strawberries and raspberries. 1:09:31 - Speaker 1 We, i believe, Yeah, I would guess so. 1:09:37 - Speaker 3 I believe it does So yeah. 1:09:39 - Speaker 4 Are we going to? 1:09:40 - Speaker 1 rules. You got it, dude. 1:09:48 - Speaker 4 I love the song. It was so fucking cool and so chill. This starts out with those huge cymbal crashes in the beginning. This is the second song in the record that references a pedestrian crossing, talks about a crossing guard not doing their job. 1:10:04 - Speaker 1 So yeah, it's really reference of and the second reference of super farmer. Uh-huh Right. 1:10:11 - Speaker 3 In that same in that same Stan's line. Got some agricultural themes happening. Probably the third agricultural theme. 1:10:21 - Speaker 4 Yeah, I don't know I just the phrasing was beautiful. I'm wondering what a bard is. B-a-r-d. 1:10:28 - Speaker 3 There's a couple of references with that. One is it has to do with a Shakespeare reference. 1:10:35 - Speaker 1 That's what I thought, yeah. 1:10:36 - Speaker 3 Yeah, and then the other one is I'm not going to butcher it, the other one has to do with fighting. I have to look it up. 1:10:46 - Speaker 1 Let's just go with Shakespeare. 1:10:48 - Speaker 3 Yeah, it's some Shakespeare reference. 1:10:52 - Speaker 4 And then to the line about the vacuum's got a guarantee. I just that line hooked me in so much because it was so random that I was like really in just pay super close attention to what he said. And the next line that he delivers, which is it could suck a virus, an ancient virus from the sea, is like what the like again put on the hat, put on your jacket, close the briefcase. Fucking. Done your job today. 1:11:23 - Speaker 1 Leave the office, gordon, that's right Punch out or whatever. 1:11:27 - Speaker 4 The whole, that whole stand is fucking amazing. There's a table slide And then oh, by the way, this song, and fuck, there was one other song. God damn this song. and one other song at the record. on the record It's earlier. I want to say it may be something on or say the planet. at the very end of it You hear the word somebody in the studio is cool. Yeah, so it doesn't feel so and there was one other two, one other song on the record that they did, so I was like they did that twice. 1:12:05 - Speaker 1 That's cool. I'm going to need access to your premium sound system. 1:12:10 - Speaker 4 Well, I mean GD, that's. We know this is not stuff we just hand on. It's kind of like you know top secret Clarence, There's a lot involved, A lot of screaming All right, all right, all right. 1:12:22 - Speaker 3 He passed. He's done it. Yes, true, yes, we're adjourning my current, for he's had it. Yeah, i heard the song and I thought Pete loves this song so much And when we come talk about it on the pod it's going to be all Pete. 1:12:43 - Speaker 1 You know how much to say. 1:12:44 - Speaker 3 I thought it was kind of a yonder. I got you know some, some from it, But you know I was like this. The song isn't for me. I thought it was kind of a yonder. I was going to leave it to Pete. 1:12:58 - Speaker 1 We're going to come back in a year because it's going to be a grower for you. I guarantee this song will be a grower for you. 1:13:04 - Speaker 3 If it's not, you guys both have to buy me beers. I can live with that, Yeah, yeah. 1:13:11 - Speaker 1 Okay. Well then let's slide into Sugar and Falls Ohio. 1:13:15 - Speaker 4 Take it Timbo. 1:13:17 - Speaker 3 Yeah, so Sugar and Falls. So this song I thought was basically a huge fuck off to corporate man, to the man. I thought this is like. This song is driving some culture into the fan base. It's probably, you know, was played a lot on the radio. I thought this one you know I could be wrong, but this song to me felt like on the verge of angry a little bit more than usual. I'd maybe really wonder about it live, if this got more raucous, if it got a little bit more I don't know violent feeling. And I think it's because it thematically, which is where I'm going to go, not so much with music on this one, but thematically it Sugar and Falls, in my research. That's the headquarters of Clear Channel, which at the time Clear Channel Corporation was slowly taking over media, especially North America. Yeah, so that's a lot of the references to Grand Falls. You know where the unknown won't even go. Because at this point I mean that line to me says if you're an artist and you're trying to make it like, avoid your Grand Falls, avoid Clear Channel, you know, be careful with what radio you're sending your tapes to your CDs to like this. This is that song that is kind of the band's shout to the world of, you know, corporate media is taking over the airwaves, you know, be aware So that that to me the song has like a mission. It felt like the first time I listened to it. When I got to you know, three quarters, two thirds of the way through, i thought is this song like over five minutes? you know it felt long, but it didn't feel long in a bad way, like it felt like a good, just a really well written song. Like I was kind of digging through Grand Falls, it felt like a five minute song, but it's not a five minute song. I didn't look up live versions of it but I definitely want to find something. 1:15:47 - Speaker 1 Yeah, get the answers to your questions. I can't, unfortunately, answer because I saw them on that tour and I don't remember if they played it, but I can't. 1:15:57 - Speaker 3 It was somewhat rare. I feel like it was probably going to be a rare rarely. 1:16:01 - Speaker 1 Yeah, it would be one that would be, you know, gosh. Well, let me just quickly look up how many times they played it. 1:16:09 - Speaker 3 I mean for people that don't know, Clear Channel took over corporate. I mean took over FM radio. Over time, like so many stations became Clear Channel stations and became programmed. And I remember hearing the transition because, as a big radio listener, being bored in 71, you know, i listened to radio for like 20 years, 15 at least, 20 years and they just completely took over And I remember hearing DJs demeanor changing from independent radio station to now being put into this box And I feel like that's what the band is trying to talk about in this song And I think it's their fuck you to this corporate system of being in a band and trying to make it and just to inspire people to be independently minded. 1:17:08 - Speaker 4 Yeah, it's funny you mentioned Clear Channel only because I want to talk about the song, because I feel a little bit different about the song in some ways than you do, tim, and it's funny, like Tim, i didn't do fucking a pubic here. The research you did for this fucking song. I had to look up where Chagrin Falls was but, and I dug it. But yeah, that's when there used to be a great station in classic rock station in LA called Arrow 93. And they went over to that Jack. You know that Jack format Jack FM, which is just, it's just a guy who like record something and it's like a cheesy line and he
Originally Broadcast on May 7, 2023 Uwe is back in the studio, we've both got some new dusty vinyl finds to share. There are some great tunes we didn't know were hiding on flip sides of hits, a few European releases, some late 70s soul sounds we rarely play on That Driving Beat, plus the kind of Northern Soul, 60s R&B, Popcorn, and other Mod-friendly tunes we love to spin. Willie Mitchell / That Driving BeatErnie Tucker / Can She Give You FeverChris Kenner / Land of 1000 DancesTammi Terrell / This Old Heart of Mine (Is Weak for You)Larry Williams / Boss Lovin'Ben E. King / Gloria GloriaDee Dee Sharp / (Heart & Soul) Baby I Love YouThe 5th Dimension / Too Poor to DieRoscoe Robinson / That's ItJackie Wilson And Count Basie / UptightPeggy Scott / Killing My Heart AgainGene Chandler / I Fooled You This TimeJohnny Dunn / Darlin'The Marvelettes / I Want A GuyBaby Washington / Hey Lonely OneChairmen of the Board / (You've Got Me) Dangling On a StringSyl Johnson / One Way Ticket To NowhereVicki Anderson / No More Heartaches, No More PainPrince Philip Mitchell / One On OneOtis Clay / Turn Back the Hands of TimeThe Shirelles / Last Minute MiracleBarbara Lynn / Oh! Baby (We Got a Good Thing Goin')Bobby Moore and the Formost / Girl You Do Something To MeRufus Thomas / Greasy SpoonThe Ska Kings / Jamaica SkaOla & The Janglers / Let's DanceAdriano Celentano / Sono Un SimpaticoThe Traits / Some Day Some WayThe Human Beinz / This Little Girl Of MineThe Chosen Few / Stop In The Name Of LoveDave Dee, Dozy, Beaky, Mick & Tich / Last Night In SohoRoosevelt Nettles / Drifting HeartThe O'Jays / Stand TallJohnny Fuller / She's Too MuchDee Dee Sharp / Let's TwineThe Spencer Davis Group / Looking Back Hosted on Acast. See acast.com/privacy for more information.
Ben Monroe - broken home Directions - we need love Jackie Wilson - let's love again Strutt - said you didn't love him Dana Valery - following you Touch - Me and You The Chi-Lites - You got to be the one - Fred de la House Majestic Re-Touch J.r Walker & All Stars - what does it take The lost generation - tired of being alone Ten City - casual Patti Jo - ain't no love lost Gizelle Smith - June - TM juke remix Touch - Energizer The South side movement - mud wind Bobby Moore - anything Man
Pelé sagte einmal, Bobby Moore sei der anständigste und gleichzeitig beste Verteidiger gewesen, gegen den er je gespielt habe. Ganz sicher ist Bobby Moore bislang der einzige englische Mannschaftskapitän, der jemals den WM-Pokal überreicht bekam. Autor: Burkhard Hupe Von Burkhard Hupe.
For our second episode of 2023, we look back, as we did with Neil Diamond's only starring role last week, at the one and only acting role the late, great football star Pelé would ever make: Escape to Victory, a football-themed World War II drama that would also feature Michael Caine, Sylvester Stallone and Max von Sydow. ----more---- TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. On December 29th, while this show was on hiatus, the football world lost Edson Arantes de Nascimento, the legend known around the world by his single word nickname, Pelé. Even if you weren't a particular fan of football in the 1960s and 1970s, you more than likely knew who Pelé was. The International Olympic Committee named him the Athlete of the Century in 1999. Time Magazine named him one of the 100 most important people of the Twentieth Century. In the Brazilian city of Santos, where a fifteen year old Pelé got his professional start in 1956, a museum dedicated to all things Pelé opened in 2014, with more than 2400 items devoted to his life and careers. After he retired from football in 1977, in an exhibition game between the New York Cosmos of the North American Soccer League, where Pelé had been playing for three years, and Santos, his former club of nineteen years, Pelé would become a global ambassador for the sport, and record an album of music alongside fellow Brazilian Sergio Mendes to accompany a documentary about his life. And because this is a podcast about 80s movies, he would, of course, attempt a career in motion pictures. And those who were going to be responsible for making Pelé a movie star were not going to take any chances. Because Pelé was the most famous footballer on the planet, the movie was going to somehow be about football. American film producer Freddie Fields and his partner on the film, future Carolco Films co-owner Mario Kassar, would find their story for Escape to Victory in a Hungarian movie from 1961 called Two Halves in Hell. The film was based on a tale of a 1942 football match between German soldiers and their Ukrainian prisoners of war during World War II, known as the Death Match. That film, directed by Zoltán Fábri, would win several awards at film festivals worldwide, and was ripe for the American remake treatment. However, there would need to be some changes to the story. The action would be moved from Soviet Russia to France, and the character being built for Pelé, Corporal Luis Fernandez, would be identified as being from Trinidad, as Brazil would not enter the European theatre of war until July of 1944. While the script was being written, Fields and Kassar would get busy putting the film together. In July 1979, it was announced that Brian Hutton, who had directed two other World War II-set movies, 1968's Where Eagles Dare and 1970's Kelly's Heroes, would helm this new movie, and that Lloyd Bridges was being considered for a role. A writer for Daily Variety reporting on Hutton's hire speculated that Clint Eastwood, who had starred in both Where Eagles Dare and Kelly's Heroes, would also star in the film, but that never happened. In mid-September 1979, it was announced that legendary French actor Alain Delon would star in the film, and that Hutton had already left the project. Two weeks later, it was announced that two-time Academy Award-winning filmmaker John Huston would direct the project, which would now star Michael Caine and Sylvester Stallone. Amongst the locations Huston scouted to shoot the film at included Austria, Canada, England, Germany, and Ireland, but in the end, they would shoot in and around Budapest, Hungary, because they could shoot the film in the then-communist country for around $12m, versus $30m to $35m it would have cost to shoot in a more democratic country. On a side note, Stallone ended up coming on to the film in a most unusual way. The actor was looking to buy a beach house in Malibu, and one of the houses he looked at was owned by Freddie Fields. After touring the house, Stallone found Fields sitting on the sundeck, and the actor informed the producer that the house was not quite big enough for himself, his wife and two sons. The two men got to talking, and Fields started to tell Stallone about this sports-based World War II movie he was about to make with John Huston as director. Although Stallone knew almost nothing about football, he was intrigued by the idea of getting to work with a director of Huston's stature. And wouldn't you know it, Fields just happened to have a copy of the script right here. Stallone took the script home, and agreed to be in the film three days later. Not only would Pelé star in the film alongside Caine and Stallone, he would also work with Huston and the crew to design the football action in the film. Nearly two dozen professional football players, including Bobby Moore, the captain of the World Cup-winning 1966 British football team, would either have major roles in the film or play secondary characters in the film. Another member of that team, goalkeeper Gordon Banks, would assist Pelé in getting Stallone to look more like a goalkeeper on camera. The movie would also hire Desmond Llewelyn, the beloved British character actor best known as Q in 17 James Bond movies made between 1963 and 1999, as a technical advisor, as Llewelyn had spent five years as a POW in German prison camps during World War II. In early 1980, Max von Sydow, still shooting his role as Ming the Merciless in Mike Hedges' big screen adaptation of Flash Gordon, would be cast as Von Steiner, the Nazi Major who operates the POW camp. Shooting would begin on May 26, 1980, after Stallone was done shooting Nighthawks in New York City. Stallone would spend his weekends off that film to work with Gordon Banks on how to better look like a goalie, and to lose no less than forty pounds to better look like a prisoner of war, a sort of method acting Stallone was not really known for. But apparently, Stallone didn't really listen to Banks at first, as on his first day of shooting, the actor would throw himself around his goal area with a kind of reckless abandon, dislocating his shoulder and breaking a rib. The production would need to rearrange the shooting schedule to give Stallone time to heal. After he returned to the set, he would better heed Banks' advice, although he would end up breaking another rib and, in one scene with Pelé, breaking a finger trying to stop one of the superstar footballer's shots. Other than Stallone's injuries, production on the film ran rather smoothly for nearly two months, until they were forced to shut production down completely on July 29th, eight days after the American Screen Actors Guild went on strike over residuals from emerging revenue streams like videocassettes and pay television. Since several actors like Stallone were SAG members, they had to stop working on the 21st, and the film completed all shots not using those actors a week later. Although the strike would last for slightly more than three months, Fields and Kassar were able to sign an interim agreement with the Guild to allow the film, which only had five days of shooting left when production was shut down, to resume shooting on August 31st. Huston would spend the rest of 1980 and the first four months of 1981 working with his production team to get the film edited and ready for release. At the suggestion of Sylvester Stallone, Huston would hire Bill Conti to compose the score, the fifth movie starring Stallone that Conti would write the score to in as many years. In May 1981, two months before the film's release, its American distributor, announced a slight change in the name of the movie. Instead of Escape to Victory, which would be retained by most every other distributor around the world, the film would simply be called Victory when it hit theatres on July 31st. Because the studio was worried that the full title would be a spoiler. And it actually would be. You'll notice I have not really said anything about the story, because if you haven't seen the movie yet, and you feel compelled to check it out because of this episode, I don't want to spoil it for you. And if you have seen the movie before, you already know what happens. Victory would face very stiff competition when it opened at 692 theatres on July 31st. In addition to the Chevy Chase comedy Under the Rainbow, the film would go up against a re-release of The Empire Strikes Back and also contend with the continued success of Raiders of the Lost Ark and and Superman II. The film would gross $2.4m in its first weekend, which would place it sixth on the box office charts, but that was slightly more than a third of what the Star Wars sequel would bring in that weekend, after having initially opened in theatres 14 months earlier. Victory would barely beat Arthur, which was in its third week of release but hadn't become the breakout success it would be in the weeks to come, but it lose out to the critically panned disaster known as John Derek's Tarzan the Ape Man in its second week. But hey, naked Bo Derek on the big screen, even more naked than in 10. Can't blame horny guys at the time for that. In its second week of release, Victory would drop from sixth place to twelfth, with only $1.6m in ticket sales, and lose half of its screens in its third week, falling to thirteenth place with barely $1m taken in at the box office. After that fourth week, the film was no longer being tracked by Paramount, having earned just $10.85m. Internationally, the film would gross another $16m, since football was a more popular sport outside America. In fact, it was the seventh most popular movie released in 1981, outside of America. The film would barely break even once it was gone from theatres, but it would never become much of a cult film once it was released on videotape and to cable channels. Although audiences didn't quite go for the movie, critics were rather kind to the film. Vincent Canby of the New York Times would note that while the form of the film was highly conventional, the manner in which it was executed was not. An unnamed critic for the Hollywood trade publication would call the film “old fashioned,” and meant it as a compliment. And Gavin Bainbridge of the UK movie magazine Empire would highlight how John Huston created enough on-field magic and nostalgia for the game, and would note the kind of sportsmanship shown in the film that had sadly become extinct in the succeeding forty years. In later years, Huston would admit he hated the idea of the movie and only did it for the paycheck, while Caine would tell one reporter while doing press for another movie that the only reason he made Victory was to meet and work with Pelé. Stallone would admit that shooting his scenes as a goalie were more physically and mentally demanding than on either of the Rocky movies that had been made up to that time. Of course, Michael Caine and Sylvester Stallone would see far greater successes in their careers as the 80s continued on, while Pelé pretty much kept future on-screen appearances more rooted in reality, appearing as himself on a few global television shows and movie documentaries. We're actually planning on a small series for the final decade of John Huston's directing career, with a diverse set of movies that include the musical Annie, the mob comedy Prizzi's Honor, and the lyrical adaptation of James Joyce's The Dead. Look for that to come later this year. Thank you for joining us. We'll talk again soon, when Episode 100 is released. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Pelé and the movie Victory. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.
Christina Billotte, Kathi Wilcox, and Steve Dore discuss their unique history and work together as the Casual Dots, living far apart but making it work, two-guitar interplay, recording their new album Sanguine Truth with Guy Picciotto and Don Zientara, songs that are personal and political, James Brown, Bobby Moore, and Shadowy Men on a Shadowy Planet, updates about their respective other bands like While, Bikini Kill, and Snoozers, other future plans, and more. Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
In case you've missed it, there's a World Cup going on in Qatar. And there's only one place that football and war movies collide: Escape to Victory (known to our cousins in America as just Victory!). With Michael Caine and Sylvester Stallone providing the acting chops, and Pele and Bobby Moore keeping the football end up, is Escape to Victory a successful fusion of these genres? Rob and Duncan sit down to talk through the movie's highs and lows, including whether Gordon Banks could teach Sly to keep goal, if they should've bailed out at half-time, and how much John Huston was paid to direct the film... Presented by Robert Hutton and Duncan Weldon. Executive produced by Nick Hilton for Podot. Production by Ewan Cameron. For sales and advertising please email nick@podotpods.com Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 1976, one of the greatest footballers of all time decided to move back from the USA to play football at Craven Cottage. Alongside Rodney Marsh and Bobby Moore, George was part of an all-star Fulham team that attracted crowds back to SW6 with flamboyant football the like of which many FFC fans had never seen before. In this documentary, we look back at Best's time at Fulham, featuring never-heard-before audio of George talking about his time in South-West London to former programme writer Michael Heatley. We also hear from TOOFIF editor David Lloyd and long-time Fulham fan Jon Sim, both of whom were lucky enough to witness the Northern Irish legend play his football on our hallowed turf. Produced and narrated by George Cooper. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In the world of Goalkeeping there are legends and then THERE ARE LEGENDS! Van Taylor has been involved in our country's soccer landscape for over 50 years. As a High School and College All-American, a 20 year Professional, College Head Coach and Athletics Development Director at Lander University. Van's pro career included playing in the NASL against international icorns like Bobby Moore, Geoff Hurst and of course Pele. At Ft. Lauderdale Strikers Van backed up Gordon Banks- one of the top 5 Goalkeepers of all time. Truly a goalkeeping pioneer, Van Taylor shares his stories and memories with EV and Greg on the latest episode of the 3 Old Goalies brought to you by thesqwad.com. Join us, won't you?
Hey guys! This episode was recorded live from the Jets Bengals game at Metlife Stadium! Its a LITTLE chaotic and a litttttttle bit of a mess but we did our best to clean it up and we had a blast recording it so we hope you enjoy listening to it! Thank you to everyone who made this episode possible, and everyone that's featured on it, except Leo Mack.. you're a menace to society and need to be stopped. We love you guys so much! ⭕️ SAMPC is available exclusively on the Inner Circle Podcast Network ⭕️ THIS EPISODE AND EVERY EPISODE OF SAMPC IS BROUGHT TO YOU BY THE POWER OF @JITZSOAP go to jiujitsusoapco.com and use the codeword SAMPC for 15% your next purchase! don't be a stinky bitch! SAMPC is also sponsored by OhFishl Clothing! Rooted in hip hop, ohfishl is a street wear brand creating high quality tshirts, hats and jewelry at an affordable price. Featuring recreations of classic hip hop and sports logos as well as original designs there's something at ohfishl for all tastes. Check out ohfishl.com that's O-H-F-I-S-H-L and use code SAMPC to save 25% off your order of beautiful hand crafted tshirts, hats and jewelry. Ohfishl clothing. Live by your own rules OHFISHL.COM RIGHT NOW AND USE THE CODEWORD “SAMPC” FOR 25% YOUR PURCHASE! DONATE TO MOVEMBER: https://movember.com/t/SAMPC
**LIGHTNING STRIKES AS THE NFL THEME PLAYS SOFTLY IN THE BACKGROUND** its back! we back! we hereeee! we TRY to bring back lightning round but PROMPTLY get distracted by TonLoc's movie career! go watch Mob Psycho 100. ⭕️ SAMPC is available exclusively on the Inner Circle Podcast Network ⭕️ THIS EPISODE AND EVERY EPISODE OF SAMPC IS BROUGHT TO YOU BY THE POWER OF @JITZSOAP go to jiujitsusoapco.com and use the codeword SAMPC for 15% your next purchase! don't be a stinky bitch! SAMPC is also sponsored by OhFishl Clothing! Rooted in hip hop, ohfishl is a street wear brand creating high quality tshirts, hats and jewelry at an affordable price. Featuring recreations of classic hip hop and sports logos as well as original designs there's something at ohfishl for all tastes. Check out ohfishl.com that's O-H-F-I-S-H-L and use code SAMPC to save 25% off your order of beautiful hand crafted tshirts, hats and jewelry. Ohfishl clothing. Live by your own rules OHFISHL.COM RIGHT NOW AND USE THE CODEWORD “SAMPC” FOR 25% YOUR PURCHASE! DONATE TO MOVEMBER: https://movember.com/t/SAMPC
WE BACK… again. Bobby and Adam catch up after a week of being adults, we get a voicemail and a new segment called “Riled up” and it brings up a good point about digital blackface and some white kid being a black rapper in the Metaverse. we watch a dancing grandma, and watch an unforgettable video of a girl singing in the car, quite possibly the worst BBL we've ever seen oh yeah and Bobby started watching One Piece! enjoy ittttt
hey guys! life is happening hard, and we figured now would be a great chance to drop an old episode on you guys, personally one of MY FAVORITE episodes, Ep 135 the Galgamites! enjoy it! (flashback sounds) Bobby and Adam are back at it again! deeeep into the Autumn and fresh off the start of the NBA season, and fisticuffs from the Rockets and Lakers. Adam and Bobby dig deep down about how racism controlled how American history was taught in schools, why you should never get a Michael Jordan tattoo and Bobby does the greatest recap of Game of Thrones ever.. ⭕️ SAMPC is available exclusively on the Inner Circle Podcast Network ⭕️ THIS EPISODE AND EVERY EPISODE OF SAMPC IS BROUGHT TO YOU BY THE POWER OF @JITZSOAP go to jiujitsusoapco.com and use the codeword SAMPC for 15% your next purchase! don't be a stinky bitch! SAMPC is also sponsored by OhFishl Clothing! Rooted in hip hop, ohfishl is a street wear brand creating high quality tshirts, hats and jewelry at an affordable price. Featuring recreations of classic hip hop and sports logos as well as original designs there's something at ohfishl for all tastes. Check out ohfishl.com that's O-H-F-I-S-H-L and use code SAMPC to save 25% off your order of beautiful hand crafted tshirts, hats and jewelry. Ohfishl clothing. Live by your own rules OHFISHL.COM RIGHT NOW AND USE THE CODEWORD “SAMPC” FOR 25% YOUR PURCHASE! DONATE TO MOVEMBER: https://movember.com/t/SAMPC
CALL US on the SAMPC HOTLINE: (732) 444-8991 WHATS UP EM EFFS?! we asked you guys to list your ten favorite things about life, to help raise the vibration of your day! we talk about things that smell good, but don't taste good. Bobby was interviewed on the Australian News, we discuss Alex Jones being sued and why Trump just finessed the Government he used to lead. all that and Stephen Hawkins favorite Karaoke song! this week on #SAMPC ⭕️ SAMPC is available exclusively on the Inner Circle Podcast Network ⭕️ THIS EPISODE AND EVERY EPISODE OF SAMPC IS BROUGHT TO YOU BY THE POWER OF @JITZSOAP go to jiujitsusoapco.com and use the codeword SAMPC for 15% your next purchase! don't be a stinky bitch! SAMPC is also sponsored by OhFishl Clothing! Rooted in hip hop, ohfishl is a street wear brand creating high quality tshirts, hats and jewelry at an affordable price. Featuring recreations of classic hip hop and sports logos as well as original designs there's something at ohfishl for all tastes. Check out ohfishl.com that's O-H-F-I-S-H-L and use code SAMPC to save 25% off your order of beautiful hand crafted tshirts, hats and jewelry. Ohfishl clothing. Live by your own rules OHFISHL.COM RIGHT NOW AND USE THE CODEWORD “SAMPC” FOR 25% YOUR PURCHASE! DONATE TO MOVEMBER: https://movember.com/t/SAMPC
CALL US ON THE SAMPC HOTLINE: (732) 444-8991 WE BACK BOYS AND GIRLS! sorry bout last week, we're dumb. but we're here! we discuss last week, what's your favorite drakes cake? Britney Griner gets 9 years, and we do IS IT RACIST for like 40 mins. we review some 80 year old british rappers, our new favorite humans! advice of the week: “better to come in the sink, than sink in the cum.”
An accidental episode including boats, bridges, and Bobby Moore's dying words. (Rec: 5/5/21) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine See acast.com/privacy for privacy and opt-out information.
hey fuckers Nude Curtis comes down to the compound and kicks it with Bobby and Adam what happens when you smoke pot at 7a? you'll find out this week on SAMPC. ⭕️ SAMPC is available exclusively on the Inner Circle Podcast Network ⭕️ THIS EPISODE AND EVERY EPISODE OF SAMPC IS BROUGHT TO YOU BY THE POWER OF @JITZSOAP go to jiujitsusoapco.com and use the codeword SAMPC for 15% your next purchase! don't be a stinky bitch! SAMPC is also sponsored by OhFishl Clothing! Rooted in hip hop, ohfishl is a street wear brand creating high quality tshirts, hats and jewelry at an affordable price. Featuring recreations of classic hip hop and sports logos as well as original designs there's something at ohfishl for all tastes. Check out ohfishl.com that's O-H-F-I-S-H-L and use code SAMPC to save 25% off your order of beautiful hand crafted tshirts, hats and jewelry. Ohfishl clothing. Live by your own rules OHFISHL.COM RIGHT NOW AND USE THE CODEWORD “SAMPC” FOR 25% YOUR PURCHASE! DONATE TO MOVEMBER: https://movember.com/t/SAMPC
OHHH SNAPS WE BACK! what did Birdman mean by these lyrics? did Zach Wilson bang his moms friend? the boys try to figure out how to do a three way, the japanese teach us how to be more hip hop, and Wiz smokes his friend out with a CANNON of weed smoke..and Bobby goes over NOME 12! ⭕️ SAMPC is available exclusively on the Inner Circle Podcast Network ⭕️ THIS EPISODE AND EVERY EPISODE OF SAMPC IS BROUGHT TO YOU BY THE POWER OF @JITZSOAP go to jiujitsusoapco.com and use the codeword SAMPC for 15% your next purchase! don't be a stinky bitch! SAMPC is also sponsored by OhFishl Clothing! Rooted in hip hop, ohfishl is a street wear brand creating high quality tshirts, hats and jewelry at an affordable price. Featuring recreations of classic hip hop and sports logos as well as original designs there's something at ohfishl for all tastes. Check out ohfishl.com that's O-H-F-I-S-H-L and use code SAMPC to save 25% off your order of beautiful hand crafted tshirts, hats and jewelry. Ohfishl clothing. Live by your own rules OHFISHL.COM RIGHT NOW AND USE THE CODEWORD “SAMPC” FOR 25% YOUR PURCHASE! DONATE TO MOVEMBER: https://movember.com/t/SAMPC
Bobby Moore from SAMPC joins us this week to discuss how Riley was a late bloomer with the ladies, how Hunter got betrayed, and how Bobby educated us on making smooth moves. We do a Plunge Picks of people you hate for no reason and show Bobby some of our best Toks Become a Patron of The Plunge for just $1 at patreon.com/theplunge. Being a patron will get you access to our exclusive shows, including a post show of every Plunge, 'Plungeons & Dragons', 'Will You Rather?', 'Inside P&D', 'Royal Mumble', and a Patreon exclusive 'The Plunge' every month. Additional tiers involve extra perks like shout outs, raffles, stickers and more! Buy the new Plunge Athletics shirt for just $10 here; https://www.plungepodcast.com/product-page/plunge-athletics-shirt We are now a part of Treignwreck Entertainment and are teaming up with their other podcasts "Let's Talk Records" and "The Keep Up Podcast". Go check them out at treignwreck.com Email us at plungepodcast@outlook.com today to become the next #PlungeAthlete Find all things plunge at linktr.ee/theplunge Check out ADAM AND EVE! Get 10 FREE ITEMS using code PLUNGE at checkout to get 50% off your item, 6 free movies, free shipping, and then an extra item for him, her and both of you only on adameve.com Go to Ohfishl.com and use code PLUNGE at checkout for 25% off! We are one of six Flagship shows on the Inner Circle Podcast Network, follow it on all social media @InnerCirclePN RIPPODCOIN RIPDAVIS RIPPODCOIN RIPMACMILLER RIPOLIVERTHEDOG RIPVERNTROYER RIPGRANDPA(x3) RIPGRANDMA RIPHARAMBE RIPWUTZKE RIPHERMAJESTY? RIPNOTREDAME RIPSEASON1 RIPTHE RIPKOBE RIPSEASONTWOOBA Subscribe to "The Inner Circle Presents" on all streaming platforms to here Inner Circle original shows like Inner Circle Sports Podcast, Winners Circle, and Creatures of the Night. Visit InnercirclePN.com for more information. Follow us on twitter and instagram @PlungePodcast. Available for Download on Apple Podcasts, Google Play, Spotify, Stitcher, iHeart, RadioPublic, Listen Notes, and PodBean. Leave a review if you liked the show!
In light of recent events in our personal lives, we've taken a week of to clear our heads, process our trauma and collectively get our lives together. Bear with us, please. BUT! In light of our tragedy, we're showcasing the most popular episode to date, the Episode of SAMPC that helped us break through to the masses and show all of you exactly who we are.. and also it's Chris Wutzke's favorite episode ever so this is for the lunchbox. Anyway, here it is boys: Without a guest this week Bobby Light and the boys are heavily caffeinated and apparently shot out of a cannon on a tuesday night! singing, dancing, poor impressions and a wholeee lot of shit talking goes down on this episode of SAMPC. Bobby and Adam talk briefly about Tsu Surf being shot, LeBron James opening a school in Ohio, the Disney/Fox movie merger and what that means for the MCU, the NFL starting next week (finally) and go ON a Wesley Snipes binge because apparently it's “Wesley Snipes Appreciation Day” according to Bobby? Bobby Light tells us a story about ruining a Gucci shirt in a fight, Adam's on Vacation and Black is feeling tremendously musical in this can't miss episode. also, Tampa Florida is full of backwater swamp people that love crystal meth and sister kissin, we didn't make up the rules.. that's just how it goes! featured podcast this week: #NoOffense Show ⭕️ SAMPC is available exclusively on the Inner Circle Podcast Network ⭕️ THIS EPISODE AND EVERY EPISODE OF SAMPC IS BROUGHT TO YOU BY THE POWER OF @JITZSOAP go to jiujitsusoapco.com and use the codeword SAMPC for 15% your next purchase! don't be a stinky bitch! SAMPC is also sponsored by OhFishl Clothing! Rooted in hip hop, ohfishl is a street wear brand creating high quality tshirts, hats and jewelry at an affordable price. Featuring recreations of classic hip hop and sports logos as well as original designs there's something at ohfishl for all tastes. Check out ohfishl.com that's O-H-F-I-S-H-L and use code SAMPC to save 25% off your order of beautiful hand crafted tshirts, hats and jewelry. Ohfishl clothing. Live by your own rules OHFISHL.COM RIGHT NOW AND USE THE CODEWORD “SAMPC” FOR 25% YOUR PURCHASE! DONATE TO MOVEMBER: https://movember.com/t/SAMPC
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