Podcasts about good cop

Credit card rewards can often be a scam! Anna and Raven share the perks that have come with their credit cards! Anna's Disney Reward Visa has one perk that makes it worth it! Chat GPT can make hot men! Anna created one based on what features the team thinks a hot man would have! Go to Instagram @AnnaAndRaven to see what it created! Are you up to date on this week's biggest news story? Anna and Raven will get you caught up on the trending news stories including the origin of April Fools Day and the new stick shift that Ford is offering, but it doesn't actually shift gears! There are lots of different parenting styles! Anna, Raven, Producer Julie, and Producer Justin share who were the Good Cop and Bad Cop parents in their family! Anna and Raven talk about the side hustles they had when they were children! Raven's side hustle was when he was in high school was awesome! Raven's wife, Alicia, cleans up the hotel room before they check out! Producer Julie asks the office squad if this is normal! Greg and Shannon recently found out that their 13-year-old daughter is selling candy at school. She buys it in bulk and then sells it for a profit to kids whose parents don't allow them to have it at home. Mom recently found a wad of cash in her room. $600! Mom thinks she has to stop, she's going to get in trouble. Dad thinks it's fine, she's being an entrepreneur and there's nothing wrong with that. She isn't doing anything illegal, or as far as he's concerned, anything that violates the school's rules. Who's side are you on Bryan has a chance to win $500! All he has to do is answer more pop culture questions than Raven in Can't Beat Raven!

Musk schreibt jetzt Gesetze! Musk wird die Aufklärung der Causa Signalgruppe betreiben. Na klar, was auch auch sonst. Ansonsten versucht sich Donald Trump als Dealmaker und Instagram als “Good Cop” gegenüber jungen Menschen. Wir glauben: Eigentlich davon. ➡️ Financial Times über die 1,4 Mrd. “Lücke” bei Tesla: https://www.ft.com/content/d2711678-af23-4b71-852b-1ef2e932e14b ➡️ CAP Action X-Grafik (Bluesky-Link): https://bsky.app/profile/tinamur.bsky.social/post/3ll37ypdm6s2p ➡️ Mit der "Haken Dran"-Community ins Gespräch kommen könnt ihr am besten im Discord: [http://hakendran.org](http://www.hakendran.org⁠)

Officer Tolson was there and they were waiting on someone from the Florida Fish and Wildlife Conservation Commission when the pizza lady showed up and didn't know the gator was under the car. STORY: https://www.wdjx.com/cop-delivers-a-pizza-due-to-an-alligator-under-the-homeowners-car/

On Episode 4 "Good Cop, Bad Cop" Host Henry K takes a close look at the harrowing events surrounding the assassination of Ludlow Campbell, a key witness against corrupt police officers in Jamaica. The episode reveals the chilling connections between Campbell's murder and the earlier assassination of reggae icon Peter Tosh, suggesting a systemic pattern of violence perpetrated by those sworn to protect the public. Through firsthand accounts and meticulous investigation, the narrative uncovers the involvement of police officers in orchestrating these heinous acts, thereby highlighting the pervasive corruption within the Jamaican law enforcement system. As the story unfolds, we are compelled to confront the unsettling implications of a justice system that allows such brutality to flourish unchecked and the Uphill Battle faced by the "Good Cops" fighting wars on two fronts. Produced by Henry K in association with Voice Boxx Studios Kingston, JamaicaIntro features Third World Band ROOTSLAND NATION Reggae Music, Podcast & Merchandisesubscribe to the Herb and Legends feed belowEasily listen to Herb and Legends in your podcast app of choiceLegends of Reggae | Facebook

It's Friday, and the fun is in full swing on The Leisel Jones, Liam & Spida Podcast! Then, Spida brings a gym spa dilemma - how many people is too many for a shared soak? And is it weird to turn on the bubbles? You be the judge! Finally, the always-energetic local legend Lincoln Lewis joins us in studio to chat about his new role in Good Cop, Bad Cop, filming on the Gold Coast, and his career from Underbelly to red carpet reunions with Leisel. See omnystudio.com/listener for privacy information.

Let's talk about Trump vs Good Cop, Bad Cop....

Jon addresses issues dealing with teenage drinking, moving or renovating, and a married couple's first Valentine's Day

A 20-year-old pizza guy in Indiana went viral on Tiktok after he walked half-a-mile in a snowstorm to bring someone their pizza, and they only tipped him two bucks. But it ended up earning him his biggest tip ever. STORY: https://www.wdjx.com/pizza-delivery-guy-gets-2-tip-in-a-snowstorm-and-cop-starts-gofundme/

As Harley Quinn masterminds strategies to get the attention of the Legion of Doom, Commissioner Jim Gordon of the Gotham City Police Department shows signs of mental exhaustion.  To help the people and animals displaced by the wildfires in California, please donate to the American Red Cross and Pasadena Humane by joining our Patreon or by purchasing merchandise from our Tee Public store. All proceeds between the publishing of this podcast and the end of February 2025 will go directly to those organizations.

Paul, Scott, and Lauren discuss Star Wars, NEs, and bologna before playing Good Cop, Bad Cop. They also kick off the episode with some incorrect math. Send Threetures and emails to threedomusa@gmail.com.Leave us a voicemail asking us a question at hagclaims8.comFollow us on Instagram @ThreedomUSA.Listen ad-free and unlock bi-weekly THREEMIUMS on cbbworld.comGrab some new Threedom merch at cbbworld.com/merchSee omnystudio.com/listener for privacy information.

Neil Woods spent fourteen years as an undercover police officer, helping dismantle some of Britain's most notorious drug gangs.Yet after his biggest victory he came to the conclusion: was it worth it?He started to feel that the problem was helped by repeated failures of governments to tackle the cause of Britain and America's drugs epidemic. In fact by handing control of drugs supply to criminals governments were the cause.‘A doctor controlling it (drugs supply) with a prescription pad has no incentive to find new customers and so the market doesn't develop. So what happened is it becomes a pyramid scheme. If you're organised crime, you want to find new customers, you find someone who's addicted and you say, ‘Look, if you find five more customers and you sell to them, they'll pay for your habit' and the pyramid scheme explodes.'Neil's views are controversial views. But they are compelling. In this interview Neil describes:* How the world used to experience two competing drug policies: The American System and The British System - with the American System winning.* How following criminalisation in the 1960s, addicts fell into the hands of organised crime.* How some schemes decriminalising drugs have worked in recent years.To find out more about Neil and to get copies of his books ‘Good Cop, Bad War' and ‘Drug Wars' click here: https://www.neilwoods.net/ This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit robertmurphy.substack.com/subscribe

This is an incredible story of struggle, near death, survival and then excellence. Katrina Brownlee had a very difficult life and when her cop boyfriend Alex Irvin attacked her and almost killed her, she wanted to give up. Instead, she took inspiration along the way and what she did with her second chance at life with leave you with all the feels. Support this podcast at — https://redcircle.com/dark-hearts-with-stacy-lee-podcast/donations

After a screening & Q&A in NYC, Creator & Producer of the "Tupac: Assassination" Series AND the recent "Tupac:Cover-Up" docuseries, RJ Bond is back to break down Episode 4 of the "Tupac: Cover-Up" Series "Good Cop, Bad Cop". AND the Series is BACK ON TUBI!!! https://tubitv.com/series/300013139/tupac-cover-up

This is a re-issue of Australian True Crime episode #9, Ron Iddles: Australia's Greatest Detective. To access all of our back catalogue, you can subscribe to ATC Plus on Apple Podcasts.Ron Iddles is widely known as Australia's greatest detective. After 42 years of eliciting confessions and nabbing murderers, he had a 99% conviction rate. Known as 'The Good Cop', Ron reflects on the cases that stuck with him. On being the only hope for the families of victims. Having to tell Jill Meagher's husband his wife was dead, then accuse him of orchestrating it. And why he will never change his phone number. In conversation with Meshel Laurie, the retired Australian police detective shares how he gets inside the psyche of criminals, and the cases that stay with him deep into the night.Got a True Crime question you want answered on the podcast? Send us a question by recording a voice message here.Click here to subscribe to ATC Plus on Apple Podcasts and access all ATC episodes early and ad-free, as well as exclusive bonus episodes. For Support: Lifeline  on 13 11 1413 YARN on 13 92 76 (24/7 crisis support phone line for Aboriginal and Torres Strait Islander peoples)1800RESPECT: 1800 737 732GET IN TOUCH:https://www.australiantruecrimethepodcast.com/Follow the show on Instagram @australiantruecrimepodcast and Facebook Send us a question to have played on the show by recording a voice message here.Email the show at AusTrueCrimePodcast@gmail.com  Become a subscriber to Australian True Crime Plus here: https://plus.acast.com/s/australiantruecrime. Hosted on Acast. See acast.com/privacy for more information.

The Candlekeep crew heads to Waterdeep to meet William Faerl, an elf with a helluva hat, and to play “Good Cop, Good Cop, Neutral Cop, Bad Cop, Bad Cop.” Or is it “Good Cop, Bad Cop, Horse Cop, Little Cop, Lizard Cop”? No, no, of course it’s “Good Cop, Bad Cop, Big Cop, Little Cop, Fake Ghost Cop”! Tony Sindelar with Erika Ensign, James Thomson, Jason Snell, Kathy Campbell and Tiff Arment.

The Candlekeep crew heads to Waterdeep to meet William Faerl, an elf with a helluva hat, and to play “Good Cop, Good Cop, Neutral Cop, Bad Cop, Bad Cop.” Or is it “Good Cop, Bad Cop, Horse Cop, Little Cop, Lizard Cop”? No, no, of course it’s “Good Cop, Bad Cop, Big Cop, Little Cop, Fake Ghost Cop”! Tony Sindelar with Erika Ensign, James Thomson, Jason Snell, Kathy Campbell and Tiff Arment.

When Donald Trump was elected in 2016, attendees of that year's COP in Marrakech said an “orange cloud” had descended on the talks.   Eight years later, Trump has once again punctured the mood of this year's climate conference in Baku, Azerbaijan.     On this episode of Sky News Daily we explore what the next Trump administration could mean for climate progress with Alden Meyer, senior associate at E3G working on US and international climate policy and politics, who has been to every COP bar one, since 1995.     Plus, Sky's Tom Clarke, science and technology editor, joins Niall from Azerbaijan to discuss the significance of COP29.  Producer: Soila Apparicio Editor: Philly Beaumont 

In this episode, I discuss the critical role of parenting in relationships, emphasizing the effective 'good cop, bad cop' strategy. I share personal experiences from a 20-year marriage and parenting two teenagers, illustrating how switching roles between parents can enhance trust and communication with children. Teamwork is very important in parenting, establishing boundaries, and teaching children about cause and consequence. _____________________________ What Is Marriage Isn't Dead? Marriage Isn't Dead is an organization focusing on practical self-improvement advice for marriage, dating, career, work/life balance, entrepreneurship, parenting, and a healthy lifestyle. For more info visit: ⁠https://www.marriageisntdead.com⁠ “Marriage Isn't Dead” on all podcast platforms! Instagram: ⁠https://www.instagram.com/marriageisntdead/⁠ Facebook: ⁠https://www.facebook.com/profile.php?id=61555370507017⁠ Join the Private Facebook group: “Marriage Isn't Dead Private Group” TikTok: ⁠https://www.tiktok.com/@marriageisntdead⁠ YouTube: https://www.youtube.com/@MarriageIsntDead?sub_confirmation=1 Email: ⁠scott@marriageisntdead.com⁠ Chapters 00:00 The Importance of Parenting in Relationships 00:30 The Good Cop, Bad Cop Strategy 02:58 Switching Roles for Effective Parenting 03:53 Real Example 06:53 Teamwork in Parenting

Caught in the storm after their scrap with Chops, The Furries decide to make camp for the night and try to get out of the rain as Brother Chops runs off in retreat. When Sister Chops wakes up, she's met with a classic “Good Cop, Bad Cop” scenario as The Furries take another shot at getting her to answer some questions. Music and Sound Effects: “Intro” by Abigail McDonald “Chase” by Abigail McDonald, Phillip DuPont “RBH Thunder Storm” by RHumphries at Freesound.org “Peaceful Fantasy Music” by TheoJT at Freesound.org Also, Check out Ethan's Game Dev YouTube Channel !!

The team is joined by Australia's finest detective Ron Iddles who offers his own unique insight on the handling of Amy's case. He discusses what actions police should be taking now, the difficulties associated with getting authorities to change their minds once they're already fixed on a position, and his own battles with the ‘brotherhood'. Don't forget to please sign and share our petition https://www.change.org/p/justice-for-amy-help-refer-my-niece-s-case-to-office-of-director-of-public-prosecutionsSee omnystudio.com/listener for privacy information.

After calls about a driver moving at a slow but erratic manner in Michigan came in, deputies had to take some drastic action to help. VIDEO: https://www.wdjx.com/cop-rescues-man-in-medical-emergency-like-a-scene-from-an-action-movie/

In this week's episode Patrick and Greg talk about different ways of assessing inter-rater agreement and reliability among two or more raters and the importance of doing so. Along the way they also discuss the summer Olympics, underdogs, monologue face-offs, Quincy Wilson, Boomers, the Soviet judge, biopsy subjectivity, the secret to college admissions reliability, skipping conference dinners, ripping a dive, Patrick's silver medal, the trifactor model, the Good Cop parent, temper tantrums, and intellectual Sugar Daddies. Stay in contact with Quantitude! Web page: quantitudepod.org TwitterX: @quantitudepod YouTube: @quantitudepod Merch: redbubble.com

If we find ourselves off track in life, how can we ground ourselves and find our flow again? When Josh Groban first stepped on stage as a shy 7th grader assigned a solo by his music teacher, his own mother didn't know he could sing. Fast-forward three decades, and Josh has sold 35 million records worldwide. Josh's rise to fame as a singer, songwriter and actor happened relatively quickly, he says, and along the way, he sometimes lost sight of what he cared about, pursued the wrong things, and experienced loneliness and depression. Through those difficult times, Josh sought therapy and built deeper connections with loved ones and learned to turn to them for support. In this episode, Dr. Murthy and Josh Groban explore the challenges of navigating life when it becomes overwhelming, the power of the arts to heal, the importance the arts for young people, and how music has the power to transport us. (07:09) Did Josh ever imagine his music could bring healing for people? (09:30) Why are teachers so important for young artists? (08:18) How Josh dealt with self-doubt (23:01) What helped ground Josh as his fame grew? (27:03) How does Josh know when he's chasing the right things? (33:34) How does Josh find the balance between hustle and flow? (40:32) The isolation of fame (49:43) The courage to work with a therapist (55:30) The power behind Josh's song “River” (01:04) What do the arts do for our mental health & well-being? (01:07:36) How is Josh Groban supporting the arts for young people? (01:10:12) Why does Dr. Murthy feel so connected to Josh Groban? (01:13:36) Why should we pursue experiencing the arts in our lives? (01:17:02) Where has Dr. Murthy turned for inspiration or solace in music? (01:18:47) Can we create more access to the arts for young people and turn STEM to STEAM? Send us a note at housecalls@hhs.gov with your feedback & ideas. www.surgeongeneral.gov/housecalls  Josh Groban, Singer and Actor Instagram: @joshgroban Facebook: @joshgroban About Josh Groban Josh Groban possesses one of the most outstanding and instantly recognizable voices in music. A powerhouse vocalist and dynamic renaissance man, he has sold over 35 million albums worldwide. ATony, EMMY, and five-time GRAMMY Award-nominated singer, songwriter, actor, and philanthropist, his catalog spans a series of chart-topping blockbuster albums, including “Josh Groban” (5x-platinum), “Closer” (6x-platinum), “Noël” (6x-platinum), “Awake” (2x-platinum), “Illuminations”, “All That Echoes” (gold), “Stages” (gold), his first UK #1 album, “Bridges”, and his most recent release, “Harmony”. Along the way, he has packed arenas throughout North America, Europe, Australia, South Africa, New Zealand, and Asia. Groban made his Broadway debut in 2016 with a starring role in “Natasha, Pierre & The Great Comet of 1812,” for which he garnered a Tony Award nomination for Best Lead Actor In A Musical. In the spring of 2023, Josh took to Broadway once again, performing in the highly anticipated revival of “Sweeney Todd”, playing the title role which earned him Tony and GRAMMY Nominations along with widespread acclaim. Groban is also a known presence on television, with appearances on “Glee”, “The Simpsons”, “The Office”, “CSI: NY, It's Always Sunny in Philadelphia”, and “The Crazy Ones” as well as in the feature films “Coffee Town”, “Muppets Most Wanted”, and “Crazy, Stupid, Love”. In addition, he starred in the NETFLIX series “The Good Cop” in 2018. In 2022, he returned to the hallowed stage of Radio City Music Hall for his Great Big Radio City Show residency and launched a nation-wide live tour. Also that year, Groban also starred in ABC's special “Beauty and the Beast: A 30th Celebration” as none other than the Beast. Groban remains an active arts education philanthropist and advocate, and his Find Your Light Foundation helps enrich the lives of young people through arts, education, and cultural awareness.

Joe says something nice to the table, the group talks with RJ, and one of them proves they're a good cop.

Over a year after the arrest of Azerbaijani anti-corruption academic Dr Gubad Ibadoghlu, human rights organisations are concerned about Azerbaijan's human rights record ahead of it's hosting of the annual COP Climate Change summit. Since it was announced as this year's host in November last year, Azerbaijan has intensified crackdowns on independent media and academics, arresting dozens on falsified charges this year alone. And concerns are intensifying around Azerbaijan's commitments to expanding its fossil fuel industry.

Dick Tracy! He's a Good Cop! He is also the focus of this 1967 pilot. Noah and Laura go back to the world of pulp comics to watch this Batman cash in. Will this show be as good as Dick is a cop? Or will it fall on it's own hook and STAY DOOMED!? Wanna watch before you listen: https://www.youtube.com/watch?v=b-H68nMnoIs Check out the new discord!  https://discord.gg/Jr34y5BJGJ Have an idea for what Stay Doomed should cover next? Already seen the show and have a question or comment for us to read on the podcast?  Email us at TheStayDoomedShow@Gmail.com

More than a year after the arrest of Azeri anti-corruption academic Dr Gubad Ibadoghlu, human rights organisations are concerned about Azerbaijan's human rights record ahead of it's hosting of the annual COP Climate Change summit.

Intro Good Cop Moments Bad Cop Moments Fan Cop Moments Devils Advocate Round Each Host/Guest can play the STF card during the main moments to shut the person talking up for 90 seconds, to challenge what is being said. The Speed Check may no longer be interrupted, but after everyone has done their relative speed checks, everyone has a. 90 second ‘Rebuttal' to challenge what was said. Follow the podcast @goodbadwrestle Follow Graham @MGBgraham Follow Matt @TheMattAttackUK Follow Ryan @NishGuy Follow Our DA DA: @DyingFormat Follow the Network @VisGlobalMedia Good Cop Bad Cop Wrestling Podcast accepts no responsibility for the comments made on this show by any one person on the show, always #BlameGraham . Musical Credits: Happy Happy Game Show Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

With the junkyard clear and our insect buddy with the weird name saved, it's time to see what this place has to offer. Also, maybe our favorite crew can play some "Good Cop, Bad Cop"... or some variation more suited to their style to get some information from their new host. Time to get dangerous! --- Support this podcast: https://podcasters.spotify.com/pod/show/sqlr/support

Listen as Ed Welch reads his blog titled “Good Cop, Bad Cop in the Home.” Ed discusses what it looks like to be united as husband and wife in parenting, for the glory of God and the good of each other and our children. You can read the blog here. Music: "Created by Design" by Cody Martin

Ed and Amanda chat with Australian political historian and author, Frank Bongiorno, ahead of the 'Bad Cop, Good Cop' panel at the Words on the Waves Writers Festival. Frank's book, 'Dreamers and Schemers' charts Australia's political history from pre-settlement Indigenous systems to the present day. We ask his well-informed opinion on exactly what goes into Australia's unique democracy sausage. Buy Frank's books. Learn more about the Words on the Waves Writers Festival. Connect with us at https://notquitewritepodcast.com Register for the next Not Quite Write Prize at https://notquitewriteprize.com

SUBSCRIBE TO THE NEW BNC CHANNEL: https://bit.ly/45Pspyl   Ad Free & Bonus Episodes: https://bit.ly/3OZxwpr NEW MERCH: https://shoptmgstudios.com  This week, Brooke and Connor have a very special guest in the studio: Kat Wellington! Connor and Kat talk about almost getting arrested together while Brooke shows off her California driver's ed knowledge. Plus, they review your drama Thursday submissions!  Join our Facebook page: https://www.facebook.com/groups/5356639204457124/  Get every cut for your butt from MeUndies.  Get 20% off your first order, plus free shipping, at https://MeUndies.com/bandc.  State Farm is there with the coverage you need for your car, your home, and other things that matter to you because like a good neighbor State Farm is there. Shop the SKIMS T-Shirt at https://SKIMS.com. Now available in sizes XXS - 4X. After you place your order, select “podcast” in the survey and choose our show in the dropdown menu! Turn your ordinary water into extraordinary hydration with Liquid I.V. Get 20% off your first order when you go to https://liquidiv.com and use code BANDC at checkout. B+C IG: https://www.instagram.com/bncmap/ B+C Twitter: https://twitter.com/bncmap TMG Studios YouTube: https://www.youtube.com/tinymeatgang TMG Studios IG: https://www.instagram.com/realtmgstudios/ TMG Studios Twitter: https://twitter.com/realtmgstudios BROOKE https://www.instagram.com/brookeaverick https://twitter.com/ladyefron https://www.tiktok.com/@ladyefron  CONNOR https://www.instagram.com/fibula/ https://twitter.com/fibulaa https://www.tiktok.com/@fibulaa Hosted by Brooke Averick & Connor Wood, Created by TMG Studios, Brooke Averick & Connor Wood, and Produced by TMG Studios, Brooke Averick & Connor Wood. Chapters: 0:00 We Have New Merch!!! 03:38 Intro 03:57 Hidden Mickeys 05:08 Welcome Kat!! 08:17 Hinging on iPads 10:14 Pre-Sleep Thoughts 11:47 MeUndies 13:18 Rubbing Your Own Back 14:10 Weed Drinks 15:26 Secret Bodega Menus 17:00 Almost Arrests 20:39 Fake Plates 22:40 Good Cop vs Bad Cops 25:03 State Farm 26:14 Safety at the Air BnB 28:09 DMV Tips 30:42 Driving Tests 32:40 Scratching your Cornea  34:31 Nausea 36:27 Riding at Dawn 38:00 Skims 39:02 Surviving Jail  41:50 Drama Thursdays 43:43 Reese Witherspoon  47:00 Other People's Families 48:33 Boy Moms 51:00 Doing Bits for the Fam 54:50 Liquid IV 56:40 Sprints on a First Date 57:45 Gym Class Games 59:15 and MORE Drama Thursdays 1:01:02 Living Alone 1:02:50 Cheating Scandals 1:06:04 Ignorance is Bliss 1:10:47 Grandma Names 1:12:58 Assaulting Connor 1:14:56 See You In Bonus!!!

NEW MERCH ALERT: Go to http://badfriendsmerch.com to get the Bad Friends World Shirts and Mugs Today! Get MORE Bad Friends at our Patreon!! https://www.patreon.com/badfriends Thank you to our Sponsors: Shopify, BLUECHEW, Morgan & Morgan, & Liquid Death • Shopify: Sign up for a one-dollar-per-month trial period at https://www.shopify.com/badfriends • Morgan & Morgan: If you're ever injured, you can check out Morgan & Morgan. Their fee is free unless they win. For more information go to https://ForThePeople.com/badfriends or dial Pound LAW (Pound 529) from your cell phone. This is a paid advertisement. • Liquid Death: Go to https://liquiddeath.com/badfriends and check their healthy infinitely recyclable beverages and find your closer retailer + free shippping. YouTube Subscribe: http://bit.ly/BadFriendsYouTube Merch: http://badfriendsmerch.com 0:00 Bobby Hosts The Excellent Asian Awards 5:40 Genghis Khan's Shaman 12:00 Scratch 'n' Sniff Sampling 23:55 John Krasinski, the NEW Spielberg? 37:55 South Korean American Pie 31:00 McKone's Grandma Hates Bobby 44:55 Good Cop, Bad Cop 50:40 JoJo Siwa 55:22 Ice Boxing More Bobby Lee TigerBelly: https://www.youtube.com/tigerbelly Instagram: https://www.instagram.com/bobbyleelive Twitter: https://twitter.com/bobbyleelive Tickets: https://bobbyleelive.com More Andrew Santino Whiskey Ginger: https://www.youtube.com/andrewsantinowhiskeyginger Instagram: https://www.instagram.com/cheetosantino Twitter: https://Twitter.com/cheetosantino Tickets: http://www.andrewsantino.com More Juicy Instagram: https://www.instagram.com/jetskijohnson/?hl=en More Fancy SOS VHS: https://www.youtube.com/@SOSVHS Instagram: https://www.instagram.com/fancyb.1 More Bad Friends iTunes: https://podcasts.apple.com/us/podcast/bad-friends/id1496265971 Instagram: https://www.instagram.com/badfriendspod/ Twitter: https://twitter.com/badfriends_pod Official Website: http://badfriendspod.com/ Opening Credits and Branding: https://www.instagram.com/joseph_faria & https://www.instagram.com/jenna_sunday Credit Sequence Music: http://bit.ly/RocomMusic // https://www.instagram.com/rocom Character Design: https://www.instagram.com/jeffreymyles Bad Friends Mosaic Sign: https://www.instagram.com/tedmunzmosaicart Produced by: 7EQUIS https://www.7equis.net/ Podcast Producer: Andrés Rosende This episode contains paid promotion. #bobbylee #andrewsantino #badfriends #sponsored #ads Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode: At a time when so many Floridians are struggling to find and keep home insurance, the state's new insurance commissioner has started cracking down on predatory practices, pushing for pro-consumer changes, and forcing more transparency on a notoriously inscrutable industry. Contact: Garcia.JasonR@gmail.comFollow: Twitter Follow the show: Apple | Spotify Get full access to Seeking Rents at jasongarcia.substack.com/subscribe

Adventure's Edge: Heroes of the Vale is an actual-play Pathfinder 1st edition podcast set in the World of Tellus. In this episode, the party acts on newfound information, and proceeds to seek more answers in the town before infiltrating the logging camp. Visit us at www.AdventuresEdgeRPG.com for more information about the cast, setting, and rules used in our campaign.

Send us a Text Message.Although we normally focus on interviews with police officers, today we're talking to a medical doctor who is married to a newly retired homicide detective.  Her name is Dr. Melody Rodarte and I wanted to ask her about police officer health.  Why do they get sick and what parts of the job cause it?  And more importantly what can be done about it.  Dr Rodarte has a lot of wisdom and insight, not only as a physician, but also as an LEO wife.DISCLAIMER: Dr. Rodarte is a great doctor, but she's not your doctor.  The information presented in this episode, including any statements or opinions expressed by Dr. Rodarte, is for informational purposes only and is not intended as a substitute for professional medical advice, diagnosis, or treatment by a doctor who has actually met you. Always seek the advice of your qualified healthcare provider with any questions you may have regarding a medical condition and never disregard professional medical advice or delay in seeking it because of something you heard on a podcast.  Go see your doctor.Resources:The previous interview with Compassion Alliance was Episode 078Compassion Alliance's website is compassion-alliance.orgMusic is by Chris HaugenHey Chaplain Podcast Episode 085Tags:Health, Cancer, Doctors, Heart Disease, Life Expectancy, Police, Shift Work, Sleep Apnea, Spouses, Trauma, Wellness, ArizonaSupport the Show.Thanks for Listening! And, as always, pray for peace in our city.Subscribe/Follow here: Apple Podcasts: https://podcasts.apple.com/us/podcast/hey-chaplain/id1570155168 Spotify: https://open.spotify.com/show/2CGK9A3BmbFEUEnx3fYZOY Email us at: heychaplain44@gmail.comYou can help keep the show ad-free by buying me a coffee!https://www.buymeacoffee.com/heychaplain

In a dramatic twist in this murder investigation, Danny stumbles upon a surprising connection to the case as Scott investigates why a crucial piece of evidence mysteriously vanishes. Was this merely an oversight, or does it hint at deeper corruption? Also, the forensic lab working hand in hand with Danny provides real-time updates on the unfolding evidence, intensifying the quest for truth in this growing mystery.See omnystudio.com/listener for privacy information.

"Importing the World's Problems” “Terror on American Shores” “Violence at the Cost of Americans” “Bleed Like a Good Cop” 

Bleed Like a Good Cophttps://www.audacy.com/989wordThe Tara Show Follow us on Social MediaJoin our Live StreamWeekdays - 6am to 10am Facebook: https://www.facebook.com/989wordRumble: https://rumble.com/c/c-2031096X: https://twitter.com/989wordInstagram: https://www.instagram.com/989word/ "Red Meat, Greenville." 04/12/24

Britain's police forces seem constantly embroiled in scandal. Where does this stem from and where is most of the corruption? Former police officer and undercover drugs operative Neil Woods, author of Good Cop, Bad War, talks to Alex Andreou about the extent of police corruption in Britain and the pressing need for drug reform to reduce the problem.   • “If the public understood the extent of corruption caused by drug policy, we would have a referendum... Drug laws in this country are not ethically sound.” – Neil Woods  • “Because criminals control the over £10 billion a year drug market, which is completely unregulated, the vastness of that wealth is what gives organised crime its power to corrupt.” – Neil Woods  www.patreon.com/bunkercast  Written and presented by Alex Andreou. Producer: Eliza Davis Beard. Audio editor: Simon Williams. Managing editor: Jacob Jarvis. Group Editor: Andrew Harrison. Music by Kenny Dickinson and artwork by James Parrett. THE BUNKER is a Podmasters Production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Plot Thickens is a podcast that takes you behind the scenes of crime writing, for anyone who loves good murder mystery.In this week's episode, Elly talks to Graham Bartlett, a former cop turned crime writer (author of the Jo Howe series) who advises Elly on police procedures about real-life policing, how Graham can menace and terrify even in a soft spoken manner and their shared love for the setting of both their writing, Brighton.Follow Graham Bartlett on Twitter @ gbpoliceadvisorFollow Elly Griffiths on Facebook and Twitter @ ellygriffiths.Buy The Last Word herePre-order The Man in Black and Other Stories hereIf you've loved listening to this podcast you might enjoy the Elly Griffiths newsletter, which is where you'll find all the latest updates on Elly's books, exclusive content, offers and competitions. Sign up here. Hosted on Acast. See acast.com/privacy for more information.

EPISODE #411-- We return to the 80's to celebrate a life and to commemorate Black History Month (sorry for the delay) with the pulpy actioner ACTION JACKSON (1988) from Craig R. Baxley. Importantly, though, RIP to the lengend himself, Carl Weathers (1948 - 2024). It's a good one, come listen. We also talk about RAN (1985) from Akira Kurosawa, as well as Kelly Reichardt's FIRST COW (2019), Vittorio di Sica's THE BICYCLE THIEVES (1948), and Paul Thomas Anderson's HARD EIGHT (1997). A good little group of films. Donate to the cause at Patreon.com/Quality. Follow the show on Twitter @AQualityInterruption, and James on Twitter @kislingtwits, on Bluesky at kislingconnection.bsky, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

On this week's episode, I have Writer/Executive Producer, Jonathan Collier (Bones, The Simpsons, King of the Hill, Monk, and many many more) and we dive into the origins of his career. We also talk about his side hustle and how that came about! Tune in as we have so much more.Show NotesJonathan Collier on X: https://twitter.com/collierjonathan Jonathan Collier IMDB: https://www.imdb.com/name/nm0171927/Jonathan Collier on Wikipedia: https://en.wikipedia.org/wiki/Jonathan_CollierA Paper Orchestra on Website: - https://michaeljamin.com/bookA Paper Orchestra on Audible: - https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: - https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: - https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptJonathan Collier:It was after season eight, and I thought they were trying to get me to go to King of the Hill, and I had whatever, I had the chance to stay at Simpson's. And I thought, well, there's no way it goes past season 10.Michael Jamin:Yeah. Or any show goes past season 10.Jonathan Collier:It just doesn't happen. And so I left. I thought, I kind of felt badly leaving, but I thought, what's much better? Do you want to show with some like in itMichael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase. And to support me in this podcast, please visit michael jamin.com/book and now on with the show.All right, everyone, welcome back to What the Hell is Michael Jamin talking about? My next guest is an old colleague of mine, old friend from my days on King of the Hill before I let him talk his name's John Coly or welcome to the show, but let me tell you what he's done. The Sky's credits are pretty incredible. So you sit back and relax. Lemme tell you what he's done. So he wrote on The Simpsons. Okay, we've heard of that show and I'm only giving some of the highlights, some of the highlights, some Scooby dos, which I did not know. King of the Hill Monk, the Good Family Bones, the Good Cop Law and Order. I mean, this guy has done well. He's done a lot. But thank you so much, man, for doing the show.Jonathan Collier:Oh, it's a pleasure, Michael. Thank you for having me.Michael Jamin:Let me tell you about who you are because I remember very clearly walking to my, on my way to my office on King of the Hill. Yours was, I would always walk past you and I would often stop and say hello. Or sometimes I would just sit and you always had a big smile. You're always so happy to greet me and have me there. And I never felt like I was getting in the way you Yeah, come on in. Come on. You're always very kind.Jonathan Collier:I am endlessly in search of distractions.Michael Jamin:Well, I do remember walking past you on days when you're on script and just looking miserable. IJonathan Collier:Am. Thank you. Nope, that's exactly it. Well observed. I am never more miserable than I am alone in writing.Michael Jamin:But why is that? Do you feel?Jonathan Collier:Oh, it's a horrible thing to do. TV writing is one of the most fun, engaging, productive things you can do if you're with other people. And I love that part of it. And the small portion of the job that relies on you being alone entails, I should say, you being alone and actually writing something without people around is misery for me.Michael Jamin:But is it the comedy part? You also do drama now? Which one is harder?Jonathan Collier:Comedy is harder.Michael Jamin:Okay. But yeah, I would agree with that as well. But is it miserable to write drama as well?Jonathan Collier:I find the process of keeping stuff alive and interesting and propulsive is really, really hard.Michael Jamin:And how do know? You know when it's alive?Jonathan Collier:What, sorry?Michael Jamin:How do you know?Jonathan Collier:How do I know when it's right?Michael Jamin:Yeah. How do you know?Jonathan Collier:Part of what makes it so miserable is you can always second guess yourself. And even more so when there's jokes involved.Michael Jamin:Yeah. Well, for jokes for sure. And what was that transition like for you? I'm amazed that anyone can do it.Jonathan Collier:Oh, I got very lucky. What happened was that King of the Hill was, we got canceled. You remember? It was time. The show got canceled. It was canceled two times.Michael Jamin:We left after the first time.Jonathan Collier:Yeah, left. So it got canceled. And I really realized it was for real when they started moving our furniture out of the officeMichael Jamin:Because you were going to squat there.Jonathan Collier:I had every intention of squatting.Michael Jamin:You thought it was all Big bluff until they moved at the furniture.Jonathan Collier:And so that was happening. And I had done comedy for about 17 years at that point. And I didn't love doing for camera comedy. I liked doing animation and there were no real single camera comics, comedies on the air at the time, and I didn't quite know what to do, but I knew I stopped watching comedies. I kind of could feel the sweat on them and the work on them because I worked in so many comedy rooms. And I got really lucky, which is that Andy Breckman, who was running Monk at the time, who created the show, he used to have three guest writers come in every season. And he did that because he felt like he kept him on track. If you came in as a guest to the room in New York, it made him concentrate and work harder and make sure that in five days you would break a story.Michael Jamin:Why? Because people flew in, you mean?Jonathan Collier:Yeah, because the network would fly, the studio would fly you into New York and put you up and they would only keep you there for five days.Michael Jamin:Okay, that's interesting.Jonathan Collier:I got one of those. So I got one of those guest shots. And the other thing I got way I got lucky wasMichael Jamin:Wait, but how did you get that guest shot?Jonathan Collier:I got that guest shot because this is embarrassing. My agent at the time who I didn't think was doing enough for me, got me a meeting with Andy Breckman, and I thought it was just one meeting with Andy Breckman, who's a great guy, and I love the show, but who knows if it's going to turn into anything. I fired my agent, moved on to another agent, and then Andy called me up and said, oh, we want you to do this episode a month.Michael Jamin:Right.Jonathan Collier:But there was no,Michael Jamin:But I've already fired my agent.Jonathan Collier:That was done. What happened was that, anyway, Andy used to only hire comedy writers to do guest episodes.Michael Jamin:Why?Jonathan Collier:Because his theory was that he could teach a comedy writer how to write a procedural. He could not teach a procedural writer how to be fun. So anyway, they flew into New York, I was in the room, we broke a story and I wrote it and it went well. The whole thing went well, and I got very lucky again because no one had ever really left the show or been added to it. This was the fourth season and one writer was leaving and Andy offered me the job. So I came in and went on staff the next season.Michael Jamin:How many seasons did you do there?Jonathan Collier:I did two more seasons and then the writer's strike of 2007 happened. And when that happened, I didn't know how long that would go on. Mike and the Good Family was starting up and they got what was called a strike waiver, and there were certain production companies and one was MRC, media Rights Capital, and they made a deal with the WGA, with the Writers Guild that they could do shows that were during the strike and it would not be strike breaking to work on those shows if they agreed to abide by the Wgas terms, the writer's terms. The WGA was using that as a tactic to try to force the studios to,Michael Jamin:And it's funny, they didn't really do that this last strike.Jonathan Collier:No, I don't think it really helped.Michael Jamin:You don't think it helped?Jonathan Collier:I don't know if it did or actually, no, I can't say if it did or not. I thought all I can say is I think this last strike was better run than the first one. I think a lot was learned from the first one. Anyway, I left Monk because I got a job right away rather than being strike.Michael Jamin:Right. Let me ask you that. When you're on Monk and you are with procedural writers who are not comedy writers, when they would pitch something that you and I would call a clam, or if you would pitch it in the room at the Simpson, the King of the Hill, someone would say, right? Was there a lot of that going on? Were you the guy who said, yeah, that's not really a joke?Jonathan Collier:Well, no. At Mon though, you had, first of all, it was comedy writers. It was a small staff and it was four people whose background was comedy, including Andy Breckman, and then one High Conrad, who was just a terrific mystery writer. And he had written something like 200 mystery books. Oh,Michael Jamin:Wow.Jonathan Collier:And the way he got on was that Andy met with him and took him out for lunch and said, look, I love your mystery books, and you have two choices. One is you come on staff or two was I'm just going to steal all your plots anyway.Michael Jamin:Oh wow.Jonathan Collier:Hi was on whatever came on staff, and he was on UNK for the whole run. And then he was on The Good Cop with Me Too. It was on, that was another Andy Breckman show.Michael Jamin:Right. It's so interesting. And to what did you think of that world? I mean, compared to comedy?Jonathan Collier:Well, it was a really kind of easy, delicate transition because it was a mystery show once again, written by comedy writers.Michael Jamin:Writers. It was light. It was fun.Jonathan Collier:Yeah. A procedural written by non-com writers would've been a tougher adjustment for me.Michael Jamin:But even the procedural explain to me and everyone else, how do you write a procedural?Jonathan Collier:I think there's many different ways to write a procedural. The way I write a procedural is what really happened comes first.Michael Jamin:What really happens comes first. What does that mean?Jonathan Collier:Okay. What you have to think of is what was our crime? What's the procedure about? What are we investigating?Michael Jamin:Okay, so give me an example.Jonathan Collier:It's not a medical procedural. This is a criminal procedural. I'm talkingMichael Jamin:About, okay, so someone's dead,Jonathan Collier:Someone is dead. And then you have all sorts of questions you can ask that can form the basis for an episode. You can say, oh, is it an accident? Is it a suicide? Is it a murder? If it is a murder, or who did it? Why did they do it? Who could have done it? There any number of, is it an open book where the audience knows what happened? Is it a closed book where the audience doesn't know and learns along with our investigators?Michael Jamin:Did you basically do both?Jonathan Collier:Monk did both opened and closed book. And Monk also did a combination of who done, its who was the killer, why done, its, we know who the killer is, but why on earth would they kill someone? And that's how we can prove they did it. And how done its, it's an incredibly, it's a locked room mystery, for instance, where someone was killed inside the locked room, how did the killer get in there and doMichael Jamin:It? Interesting. HadJonathan Collier:To figure out how the crime was done.Michael Jamin:And so these words are so funny. So as you were breaking the story, you'd break 'em in the room with all the writers, I assume, right? And then throw out ideas, and then someone would say, okay, but let's do this, make it a wide, let's make it a wide done at this week. Is that what it is?Jonathan Collier:Well, I think we'd look at the killing and say, what's a really, really ingenious killing? We could do?Michael Jamin:Okay.Jonathan Collier:Say, okay, let's look at the motive. And then we'd say, last, you'd spend probably say you were breaking a story over the course. If it was just us, we probably spent seven to eight days breaking a story. We weren't having a guest writer in. And the first three or four days probably spent just figuring out how the crime was done and why really gettingMichael Jamin:It seems very hard to me. This seems very hard to me.Jonathan Collier:For me, it was somewhat natural way to do it because it was really fun. And for some, I feel like I was using my comedy muscles, even my plotting muscles to figure out why you did it. And then you work backwards once, and this is just us. Other shows do it different ways. There's probably a million different ways to do it.Michael Jamin:Okay. But you start work backwards. So first you decide if it's going to be a who, what or why is that what it's,Jonathan Collier:First of all, first of all, you can't figure out who kills who and why, who killed who, who kills who. How do they do it, why do they do it, where do they do it? All those things. Then you figure out how do we solve it? And for a show like Monk, he'd also say, well, I have someone who has OCD. I have someone who was painfully shy as someone who was any number of traumas in his life. Also a comic character who happens to be the saddest person on television, and he has a tragedy to his life. And what's the world I can put him in to make him the most uncomfortable?Michael Jamin:Right? And that's how you begin. That's where you start. That'sJonathan Collier:Often where, that's often where the fun of it comes from. The comedy is from seeing him in the world where he's uncomfortable, because comedy is all about discomfort. The emotional story would often come from how he will relate to the world and what it would bring up in his own life. And then the procedural story is how you solve the crime.Michael Jamin:YouJonathan Collier:Go ahead. Sorry.Michael Jamin:No, no, go ahead.Jonathan Collier:The way one could look at it is for us on that show, the procedural story was almost with the armature. It's what you would call the plot, I guess. And the real story was the emotional story that was threaded through the plot.Michael Jamin:Right, of course.Jonathan Collier:And the two of them dovetail and one comment on the other, like a musical comedy, for instance, where songs are the twists, they provide the transition points in the story. You could say the emotional twists or the procedural twists would provide a transition point for each other.Michael Jamin:It still sounds very hard to me. Does it get easier?Jonathan Collier:Well, I think it probably sounds hard because I'm probably overcomplicating it.Michael Jamin:Well, not really, because you're solving, because see, and I are thinking of writing a procedural, and so we're watching some, and I'm like, I don't know. I don't think I know how to do this.Jonathan Collier:Oh, I'll help you with it.Michael Jamin:Oh, good. You're hired.Jonathan Collier:It is not that hard because it's actually easier I found than writing an episode of King of a Hill where someone buys a new hat and it changes their life and life. You have to make a whole story out of that.Michael Jamin:Right. But you still have to figure out, it's a mystery. You're solving a crime and you have to make it so it's smart. I mean, I've watched other ones where they throw in a clue just when you need it, oh good, I dug a new clue so I can figure out another scene.Jonathan Collier:And there's shows that do that. And there's shows that I like, if you don't get a show like Merab Town,Michael Jamin:Right? I haven'tJonathan Collier:Seen it. Okay. That's real lies procedural. And what you realize is it is not about solving the crime. I mean, it's all the crime, but it is really about the emotional drama that's happening. And the crime is, once again, is almost the backdropMichael Jamin:For it. But to me, that's what makes it so that's why I want to get rid of the crime. Can we just focus on the relationship between the mother and the daughter that I get?Jonathan Collier:And the one I thought does comment on the other, and they're both of us family, and I felt like that show worked pretty well. It's very much not a show that I would know how to do.Michael Jamin:Well, and that takes me to law and your latest, but Okay, bones, and let's talk about what you're doing now. That's very different. Law and order.Jonathan Collier:Well, I'm not doing Law and Order now. I stopped after last season.Michael Jamin:Oh, you did? Okay. But that must be very procedural. I mean, procedural.Jonathan Collier:Procedural, very procedural, very different beast. I mean, it was a challenge to figure it out, but I think I'm much more comfortable in this space where there's more character involved.Michael Jamin:Yeah, right. I would thinkJonathan Collier:The part I like best is where I've been most comfortable and enjoyed the most is character driven procedurals.Michael Jamin:Right. Which is kind of like what USA does, right?Jonathan Collier:Well, back when they existed,Michael Jamin:Back when they were doing it.Jonathan Collier:So no, in other shows, there's been a lot of character-based procedurals on TV over the years, and that's what Bones was. Keone was a character-based procedural.Michael Jamin:And you were the showrunner that you were the executive producer?Jonathan Collier:I was the showrunner for a while, yes.Michael Jamin:Yeah. And that was the first time. Was that the first time you ran a show or no?Jonathan Collier:No. I've run another show on the CW called As IfMichael Jamin:Before. Oh. But this is the, I still would imagine now that you're the boss of a procedural, I don't know. I need help. So it seems so hard to me. Wellm hung up on that.Jonathan Collier:I took over a show that was already working veryMichael Jamin:Well.Jonathan Collier:Har Hansen, who created, it was a hundred yards away on the Fox lot in his office. I could always go running to him for help if I neededMichael Jamin:It. Right. And you had the same staff,Jonathan Collier:Sorry.Michael Jamin:And you had the staff, the previous same staff.Jonathan Collier:We had much of the same staff. And I had a co-Ho Runner, Michael Peterson, who was terrific. And I had Steven Nathan, who I took over the show from and only left because I was still a very close friend, and I could call him up whenever I needed to.Michael Jamin:Yeah,Jonathan Collier:I think starting from scratch is always much harder, or walking into a situation not immediately comfortable is always much harder too.Michael Jamin:But now that you've, I see this as opening a lot of doors for you. Has it? Because now you have two genres under your belt.Jonathan Collier:Yes and no. It's always hard. I mean, you have to always be out there in whatever writing. And there's a limited number of jobs that a lot of people want to do, and the people who want to do those jobs tend to be, when you think of it, just in terms of being practical, it's a great profession when you're doing it. But it's one of the stupidest professions to try to do because your competition is really smart, really talented, really talented, really inspired, really wants to do it and works really hard. There's a lot of businesses that aren't like thatMichael Jamin:You are listening to. What the Hell is Michael Jamin talking about? Today's episode is brought to you by my new book, A Paper Orchestra, A collection of True Stories. John Mayer says, it's fantastic. It's multi timbral. It runs all levels of the pyramid at the same time. His knockout punches are stinging, sincerity, and Kirks Review says, those who appreciate the power of simple stories to tell us about human nature or who are bewitched by a storyteller who has mastered his craft, will find a delightful collection of vignettes, a lovely anthology that strikes a perfect balance between humor and poignancy. So my podcast is not advertiser supported. I'm not running ads here. So if you'd like to support me or the podcast, come check out my book. Go get an ebook or a paperback, or if you really want to treat yourself, check out the audio book. Go to michael jamin.com/book. And now back to our show.How do you know, were you in a lot of businesses?Jonathan Collier:I have a side business.Michael Jamin:What is your side business? Is it you rent folding shows for parties?Jonathan Collier:Well, no. I actually do multifamily housing.Michael Jamin:Wait. Oh, I knew about this. Right.Jonathan Collier:And believe me, my competition in multifamily housing will be damned if they want to spend 80 bucks to fix the toilet the right way.Michael Jamin:Now, do you build or you refurbish? What does that mean?Jonathan Collier:I do it with a partner who's also a writer, and we refurbish and build and rent.Michael Jamin:And Is it in LA or all over the country?Jonathan Collier:It's in Los Angeles.Michael Jamin:This is amazing. I remember, but I don't know. That's a whole different skillset. Who told you you were qualified to do that?Jonathan Collier:I think we always revert back to who we are,Michael Jamin:Which was, you were always a real estate mogul in the beginning.Jonathan Collier:Oh, I'm not a mogul by any means. We're mom and pop level of multifamily housing, but whatever. My family had small family businesses probably going back to the Middle Ages and they were butchers and bakers and ran a little in, did all those things. And that's where I immediately felt comfortable doing this.Michael Jamin:Really. Was it your idea to get into, how did that idea come up?Jonathan Collier:That came up during the 2007 strike also?Michael Jamin:Yeah, everything comes up during the strike when you're out of work.Jonathan Collier:So you're out of work, you're walking around with a picket sign. Yeah. I was thinking, wait a second. I'm walking around with a picket sign with a lot of angry, middle-aged guys. We're all mad at their fathers and taking it out in the studio.Michael Jamin:Okay,Jonathan Collier:We are at the mercy. We're putting yourself in a position where we're walking around with a sign waiting for a giant multinational corporation to pay us a lot of money to do something that we frankly love to do. And I'm not really in control of my faith here.Michael Jamin:No, we're not.Jonathan Collier:And so that's where my partner and I decided to do it. And then fortunately for us, I know what happened. I talked about it and I started talking about it with one of my daughter's, babysitters.Michael Jamin:How many babysitters does she have?Jonathan Collier:We had a hundred babysitters, a hundred best babysitters in all of LosMichael Jamin:Angeles. She required a lot of babysitters. Okay,Jonathan Collier:Whatever. When we go out, we'd have whatever, five people we call, whatever. And I've all come over at once. This woman was actually getting, I talked to her about it because while she was babysitting for us, she was getting her real estate license.Michael Jamin:Okay. Wow.Jonathan Collier:And so she called me up and said, I have a building for you, and it is a really good deal, and Washington Mutual Bank is trying to unload it really fast. This is now 2008 or so, and the whole real estate market's falling apart.Michael Jamin:And how many units is this building approximately?Jonathan Collier:This building has five units.Michael Jamin:Okay. So it's small. WeJonathan Collier:Did not know what we were doing, but we went and looked at it. We bought it.Michael Jamin:Okay. We had to make a company first. You had to do all the legal stuff.Jonathan Collier:Yeah. We formed what's called an LLC. We talked to a lawyer who was a cousin of someone, and they told us what to do.Michael Jamin:Real estate. As it turned out, a brilliant idea. It was probably the best idea you've ever had in la.Jonathan Collier:It was a very, very lucky time to do it. And so people, I found once again, like I was saying earlier, my competition in real estate was not as talented or hardworking or smart as my competition in television writing, but they were a lot luckier. And just by the strange confluence of events where interest rates went down and the economy started to pick up eventually, we all just by good fortune, by luck, it worked out well. It worked. Yeah.Michael Jamin:This is important because as you mentioned, nothing is guaranteed as a writer, nothing is guaranteed. And so to have something on the side is really helpful. Gives you some breathing. I highlyJonathan Collier:Recommend to people. I always tell whatever, when I talk to actors, I'm always thrilled when I hear that they're writing, even though they tend to be very good writers, and I don't like that. Or when they're doing something, when they're going to law school, when they're doing anything else, it's just nice to have a backup. It helps you sleep better at night.Michael Jamin:It does. Yeah, it really does. What's that?Jonathan Collier:You have your podcast.Michael Jamin:This is my empire, as you see. There youJonathan Collier:Go.Michael Jamin:Yeah. My media empire. Now, you wrote an episode of King of the Hill, because when I talk about King of the Hill, and this is 20 years ago, we were doing it. One episode people often bring up to me is Bobby is the Pygmalion episode, which you wrote.Jonathan Collier:Oh,Michael Jamin:People want to know about that. And we were just joining the show at that time. I'mJonathan Collier:Glad to hear that. I still think about that episode actually, when I said, I hate writing alone. I don't hate all of writing alone. I love the last two or three days of writing alone, punching up. I feel like face with a blank page. And once I've kind of taken a sledgehammer and beaten that script into shape, actually turning it from serviceable to good is actually fun. That part of it. And I remember the last three days or so on that script were really fun.Michael Jamin:But how did it, I mean, that was a departure. I mean, everyone there said, this is the departure. This is the episode, which ended in a really dark place.Jonathan Collier:It was a gothic thriller.Michael Jamin:How did you sell it to Greg? To the staff? I dunno if he was running the show then How did you sell? It was there. It was a departure.Jonathan Collier:Greg was there, so Greg was still there. I don't know if he was officially running the show, but he was there. Greg had to approve everything. He was basically, and Greg, God bless him. Not only did he embrace the gothic nature of it, but he pushed it even more. And some of the really strong gothic elements like killing.Michael Jamin:Yeah. The guy died at the endJonathan Collier:Who loved. I think that may have been Greg's idea.Michael Jamin:Was there a moment though, when you go, wait a minute. Are you sure that this doesn't seem like the tone of the show? I mean, it's mostly Hank watering his lawn.Jonathan Collier:Oh, no. Once we were going to do it, I was off full speed ahead. I wanted to embrace it also. Now, there were other people there at the time. It was a big staff and whatever. Everyone had valid opinions or people who did not embrace it the way that they were entitled to that. But I think we pretty much got the episode we wanted up on the screen forMichael Jamin:Sure, man. I mean, that got some big, I remember watching the Color in the animation. We watched the color in the Room. That's a big, it was like, whoa.Jonathan Collier:Yeah. There were very large twists and turns. Yeah. It is always really fun to push a genre.Michael Jamin:It isJonathan Collier:Carefully, closely observed family comedy and turned it into a large scale gothic drill.Michael Jamin:I had a conversation with Dave Krinsky. He ran the show at one point that, and the funny thing is, because people on social media, they're still watching King of the Hill. I haven't watched it since we were on it, because that's it. You leave it alone, you're onto the next show, and people really remember it. They remember it. They want to talk about it. And I'm like, I'm sorry. I don't really remember this episode. And Krinsky felt the same way, and he ran it. It's like, I don't really remember this. Do you remember everything? Oh, no. No. It's interesting that I think people have this expectation of the writers that we should still be living in it and we can't because we have to move on to whatever else we're writing.Jonathan Collier:Yeah. No, you only have so much room in yourMichael Jamin:Head. Yeah.Jonathan Collier:I mean, part of it is we're too busy hanging on every grudge and slight and moment of shame in our lives to use in our comedy.Michael Jamin:Yeah. Well, okay, so I know you don't have too much time, but what do you writing? What do you want to write next? Do you want to write procedural comedy? What do you want to do? IJonathan Collier:Really like the procedural space. I'm working on a procedural right now with a terrific writer who I was on bones withMichael Jamin:To sell as a pitch.Jonathan Collier:Yeah,Michael Jamin:Yeah. Yeah. Well, that makes sense. I mean, and given your track record, I would assume it'd probably be easier for you to sell a procedural. I don't know. There, no,Jonathan Collier:I have no idea. We are in an odd market, so we'll see.Michael Jamin:What do you know about the market? I hear just from talking to other writers, I don't think anybody really know. What do you know about the market?Jonathan Collier:Oh, nothing. I know what I read in the trades. I know what I read in Deadline Hollywood.Michael Jamin:And by that you mean what's getting picked up?Jonathan Collier:Yeah, I know what everyone else knows. I have no information. I do know anecdotally, my friends at least have had trouble selling things.Michael Jamin:They're having trouble selling right now. That's what I'm telling them, because they don't know how much money they have. Yeah.Jonathan Collier:It is an inflection point in the business, and there's been periodic inflection points, whatever, where it's pointed in one direction or another, but no one really knows what they mean while you're in them.Michael Jamin:Yeah, yeah. It's so, so smart about real estate. I'm still hung up on that, and I know this is not a podcast about that, but in a way it is. It's a podcast about having your fingers in many whatever it is, pots or something. Pies. What is it? I don't know what the expression is.Jonathan Collier:It is generally pies.Michael Jamin:Is it? What about a pot pie, like a chicken pot pie? It's generally pies, you said, man. So, okay. So that's kind of what you're taking out there is you're working on, and how often do you meet and do you work on it?Jonathan Collier:Oh, we meet every day really? More or less every day. I like to work for about three or four hoursMichael Jamin:In person. You meet?Jonathan Collier:No, we work on Zoom. And I don't like Zoom rooms, and I've been in some of those, but I like working with just one writer on Zoom, if you know them Well, it's fun. I mean, I found that in a regular room, and I'm sure people have told you this on your podcast and otherwise that, especially when you're No anything character based, any show, if it is not character based, the fun of it really is. And a lot of the creativity comes from what's not going on in the room. It comes from walking to lunch. It comes from Brow Cup coffee. It comes from killing time doing something else on the lot or your office. And that's when the ideas kind of come out of you. And you don't get that on Zoom.Michael Jamin:No, you don't. I wonder. Yeah. So was never Back. The rooms never got back. The last show I was on, it was still Zoom. Have you gone back in person?Jonathan Collier:No.Michael Jamin:No. Isn't that weird?Jonathan Collier:Really? I mean, I helped out, I did some punch up on a movie, and that was in person and on some punch up on an HBO series. Really? That didn't go, but that was whatever, a mini room. And those were both in person, but they were small and they were limited duration. So like a full functioning show in person. I have not done since theMichael Jamin:Pandemic. I wonder. Yeah, I wonder. They're just trying to save money. I don't think they're about saving lives. I think it's about saving money.Jonathan Collier:I think they're saving money. I think that sometimes one thing they found during Zoom is you get to writers in different cities. And so if you have writers in different cities to even the playing field, whatever, everyone's on Zoom rather than someone being in New York and someone being in Seattle and someone being in Los Angeles. But I certainly enjoy and benefit from the physical presence of other writers. It's hard enough to do it much easier and more fun when you're with other people.Michael Jamin:For me,Jonathan Collier:I have worked with writers who love being alone doing it. They have an entirely different experience and approach to it.Michael Jamin:Well, a lot of it's about the commute to work. You're probably central.Jonathan Collier:I'm fairly central, but I know people who actually, they don't want to be in a room. I've worked with wonderful writers who would much prefer to be alone and knock it out.Michael Jamin:Do you like going, working on set? Do you like being on set?Jonathan Collier:Yeah, I do. I mean, I think it depends. Every set has its own character politics, and it's not particularly fun being on set if you have a difficult lead or whatever, if there's something going on there or if there's tension between the stars or if there's, there's any number of ways you can have tension on the set. By and large, I've been very lucky. They've been good sets, and it's been fun. And also, it's the last step and whatever. One thing you realize on the set is when you spend significant time on the set, you realize how many people are really offering the show that you may have ridden,Michael Jamin:That you may have, I'm sorry, what?Jonathan Collier:Your name is on a script, but everyone on that set, hair and makeup, your whatever, your director, everyone has your camera operators. They're all helping create that show.Michael Jamin:Yeah.Jonathan Collier:Writers in their own way, and they're adding elements to it.Michael Jamin:Yeah. And I know I have to ask this because we have so many fans of The Simpsons, but what was that whole experience like for you? Because you were there in the early days?Jonathan Collier:Fairly early days. It was really, first of all, it was a huge break in my career that was good for me. I didn't have my first child until very late in my stay there. And that changed everything where suddenly, oh wait, sitting here with our comedy writers till 1130 at night might not be as energizing and fun when you have a baby to get homeMichael Jamin:ToJonathan Collier:That you want to see. So the hours were fairly brutal back then, but I still wouldn't trade it for anything.Michael Jamin:I can't imagine, though, that the hours were like that now, right?Jonathan Collier:No, they're fairly from what friends, were still there. And the hours are very sane now. And they're generally home for dinner.Michael Jamin:I mean, that's so interesting is that they've made a career that show's been on 30, what, 35 years or something?Jonathan Collier:Oh, yeah. And they can still turn out some terrific episodes,Michael Jamin:But it's a career. Your career, okay. You might as well be working at Exxon. That's your career. You get a gold watch and then that's you're done.Jonathan Collier:When I left, it was after season eight, and I thought they were trying to get me to go to King of the Hill, and I had whatever, I had the chance to stay at Simpson's. And I thought, well, there's no way it goes past season 10Michael Jamin:Or any show goes past season 10.Jonathan Collier:It just doesn't happen. And so I left. I thought I kind of felt badly leaving, but I thought, what much better do you want to show with some life in it?Michael Jamin:Yeah. But then again, it's also these people that's, they have job security, which is unheard of in Hollywood.Jonathan Collier:It is absolutely unheard of. And no, actually, that's one of the great gigs to have right now.Michael Jamin:Yeah, yeah. For sure. For sure. I know you got to go. We talked about this earlier, but I want to thank you in person as we want to hang up and then briefly thank you, and then I'll let you leave.Jonathan Collier:Oh, thank you for having me. This was really fun.Michael Jamin:This is, honestly, it was so interesting catching up and just hearing your perspective on all this. And yeah, you're going to be our, if the show ever goes, you're our first hire to make a procedural. I don't know how to make, I don't know how to do any of this. Oh, thank you. Yeah.Jonathan Collier:Are we on air now or are we recordingMichael Jamin:Still? Not yet. I'll sign off and I'll stop recording. Okay. Okay, everyone, thank you so much. That was John Collier. Great guy. Okay,Jonathan Collier:Everyone. He promised me a job on air. You heard it.Michael Jamin:I did say that. Yeah, but there's always got to go. That's a bigger, so it's an empty promise. So, all right, everyone, thank you so much. Go. Yeah. A paper orchestra dropped this week, my new collection of True stories@michaeljamin.com. Go check it out. Alright, everyone, thanks so much. Until next week. Keep writing.Wow. I did it again. Another fantastic episode of, what the Hell is Michael Jamin talking about? How do I do it week after week? Well, I don't do it with advertiser supported money. I tell you how I do it. I do it with my book. If you'd like to support this show, if you'd like to support me, go check out my new book, A Paper Orchestra. It asks the question, what if it's the smallest, almost forgotten moments that are the ones that shape us most? Laura Sanoma says, good storytelling also leads us to ourselves, our memories, our beliefs, personal and powerful. I loved The Journey, and Max Munic, who was on my show says, as the father of daughters, I found Michael's understanding of parenting and the human condition to be spot on. This book is a fantastic read. Go check it out for yourself. Go to michael jamin.com/book. Thank you all and stay tuned. More. Great stuff coming next week.

Growing up with a sense of heroic duty, a man becomes a cop fighting the drug war, when the sobering realities of his job lead him to profound awakening.Today's episode featured Neil Woods. You can find out more about Neil by going to neilwoods.net, where you can also find links to his two books: Good Cop, Bad War and Drug Wars, with more about his own experience and about the War on Drugs in Britain. To find out more about his organization, LEAP, or Law Enforcement Action Partnership, go to lawenforcementactionpartnership.org. Producers: Whit Missildine, Andrew WaitsSocial Media:Instagram: @actuallyhappeningThis Is Actually Happening Discussion Group on Facebook: https://www.facebook.com/groups/201783687561039/ Website: www.thisisactuallyhappening.com Website for Andrew Waits: andrdewwaits.comContent/Trigger Warnings: near death, violence, suicide, mention of sexual assault, mention of gang rape, domestic violence, explicit language Wondery Plus: All episodes of the show prior to episode #130 are now part of the Wondery Plus premium service. To access the full catalog of episodes, and get all episodes ad free, sign up for Wondery Plus at https://wondery.com/plusSupport the Show: Support The Show on Patreon https://www.patreon.com/happening Shop at the Store: The This Is Actually Happening online store is now officially open. Follow this link: https://www.thisisactuallyhappening.com/shop to access branded t-shirts, posters, stickers and more from the shop. Intro Music: "Illabye" – TipperMusic Bed: Ambient Themes by Nigel Coutinho ServicesIf you or someone you know is struggling with the effects of trauma or mental illness, please refer to the following resources. National Suicide Prevention Lifeline: 1-800-273-8255 National Alliance on Mental Illness: 1-800-950-6264National Sexual Assault Hotline (RAINN): 1-800-656-HOPE (4673)Crisis Text Line: Within the US, text HOME to 741741See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The drug war in the UK and worldwide has been going on for a long time. It's not new to see news coverage on buy busts and undercover operations. It makes us more aware of the drug problem, but also lulls us into a false sense of security that things are improving. In reality, these drug busts pose more threats to our community safety. In this episode, Neil Woods gives a sneak peek into the life of an undercover cop. He shares talks about the futility of the drug war and how it empowers organised crime. So many vulnerable individuals get caught in the crossfire between criminal organisations and the police. Fortunately, Neil shares that there is some change happening. He also details the concrete steps we must take to win this fight against drugs.  Tune in to this episode to find out the truth about the drug war and what you can do to help end it!  Here are three reasons why you should listen to the full episode: Discover the ugly truth behind drug policy and why it needs to change. Learn about Neil's experiences and realisations from working as an undercover cop. Find out what you can do to aid the social movement against the drug war.  Resources ⁠Noise App⁠ Connect with Neil:⁠ ⁠⁠website⁠ | ⁠Twitter⁠ Grab a copy of Neil's⁠ Drug Wars⁠ and⁠ Good Cop, Bad War⁠ now! ⁠Why major drug busts don't work: an undercover cop explains⁠ Episode Highlights About the Young Neil Woods Neil grew up in the middle-class town of Buxton in the Peak District. He admits that he had a sheltered upbringing. He went to university by mistake, thinking he would be interested in Business Studies. He dropped out shortly after. While backpacking around Europe, he saw an advertisement for the police in the local newspaper and flipped a coin. The result eventually set him on his career path. Wanting to do something different and adventurous every day brought him to policing. His Early Years in the Police At the start, Neil found policing to be a shock. Being a 19-year-old, he was naive and had no experience with handling conflict.  He almost got kicked out during his probation and hated the first two years. But he wanted to prove to himself that he could get past two years, so he hung on by the skin of his teeth. How Neil Started Working Undercover If you struggle in the police, your colleagues will perceive you as useless and unreliable. Neil experienced this as well. To get a fresh start, he moved to another station in Glossop.  During that time, in the early to mid-90s, the government pushed police forces to prioritise the drug war.

Hey everybody! This week, The CHO is joined by our good buddies Dave Hannah and Ryan Darling, who combine to form a most hilarious comedy band in Good Cop/Rad Cop!   All sorts of things both musically and comically related are discussed, along with the fact that Good Cop/ Rad Cop will be opening for Corey TOMORROW NIGHT IN ASHEVILLE AT THE GREY EAGLE!   Go to TraeCrowder.com to see Trae on the road   DrewMorganComedy.com to see Drew   and BonusCorey.com to check out all of Corey's non-sense!   https://goodcopradcop.bandcamp.com/ is where you can find some silly stuff from the boys, but go out of your way to follow them on all socials and youtubes!   Grab your copy of Round Here and Over Yonder wherever books are sold!

How we doing gang? Keeping cosy as the night draws in even quicker? We hope so. After last weeks cracking conversation with Neil Forsyth, we leave deepest Soho and head out of London to sit down with acclaimed actor, award winning fighter (more of that in the episode) and all round good bloke, Warren Brown.  You'll be familiar with Warren's work on television over the years: Hollyoaks, Good Cop, The responder and of course as DS Justin Ripley in the BBC show Luther.  Craig and Warren talk about beginnings in the North of England, travels around the world with Muay-Thai boxing and how a job can take you to go and live down under.  We're so chuffed to welcome Warren into our final countdown as it's been a longtime coming.  Get that brew, pop those feet up and enjoy.  Craig Parkinson  If you've enjoyed listening to this episode then please click through to patreon.com/twoshotpod to make a donation to the running costs of the show. You'll get bonus podcast audio, pictures, videos and some shiny TSP merch in return. Nice one. Get in touch... Facebook - search 'Two Shot Podcast' Twitter - @twoshotpod Instagram - @twoshotpod Learn more about your ad choices. Visit podcastchoices.com/adchoices

Threevisiting on the Tues: Dem Threedom Boys discuss carnival rides, their own personal recipes and play Good Cop, Bad Cop. Follow us on social media @threedomusa. Send Threetures and emails to threedomusa@gmail.com. Leave us a voicemail at 424-252-4678 (HAG-CLAIMS-8).

Andrew is weirdly fascinated by Luke's recent pizza and soda decisions. Plus, the guy who created the world's hottest pepper just created an even hotter pepper, though we're not sure why. 

Neil Woods (@wudzee0) spent 14 years as an undercover drugs operative, gaining the trust of some of the most violent, unpredictable criminals in Britain. Now he's an active member of the international drug policy reform movement, and author of Good Cop, Bad War and Drug Wars. What We Discuss with Neil Woods: The complex logistics of undercover law enforcement operations. The skills of persuasion and manipulation an undercover operative relies on to get the job done and stay alive in the process. Neil's close calls and epic failures while working undercover that he somehow managed to survive. How the pressure placed on police departments to get results makes corruption almost inevitable — even among officers committed to doing the right thing. Why, after spending 14 years trying to win the war on drugs, Neil now advocates an evidence-based drug policy and related criminal justice reforms. And much more... Full show notes and resources can be found here: jordanharbinger.com/806 This Episode Is Brought To You By Our Fine Sponsors: jordanharbinger.com/deals Sign up for Six-Minute Networking — our free networking and relationship development mini course — at jordanharbinger.com/course! Like this show? Please leave us a review here — even one sentence helps! Consider including your Twitter handle so we can thank you personally!