Podcasts about rebooting

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How do you write when your heart is broken? How do you go back into the publishing business after years away, knowing it's a very different industry to the one you left? With Jami Albright. In the intro, InAudio is now distributing audiobooks to BookShop.org; The Feedback Loop that Makes Better Writers [Author Nation Podcast]; Bones of the Deep on Goodreads. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jami Albright is the bestselling author of the Brides on the Run romances and the co-host of the Wish I'd Known Then Podcast. Today we're talking about her new novel, The Summer That Changed Us. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How Jami started writing fiction at 47 and waited a year before publishing her first book Why she fictionalised her sister's terminal cancer story rather than writing a memoir The difference between writing as therapy and writing for the reader Reactivating an email newsletter after almost two years of silence Going wide with a standalone women's fiction novel after years in KU and rom-com Letting go of the frantic hustle of indie publishing and redefining what success looks like You can find Jami at JamiAlbright.com. Transcript of the interview with Jami Albright Jo: Jami Albright is the bestselling author of the Brides on the Run romances and the co-host of the Wish I'd Known Then Podcast. Today we're talking about her new novel, The Summer That Changed Us. So, welcome to the show, Jami. Jami: Thank you, Joanna. I've made it. This is my first time on The Creative Penn, so I can retire tomorrow. Jo: And we were saying before the show, I really thought you had been on the show before, because over the years we've connected a lot. We met over a decade ago, didn't we? At the Smarter Artist Summit. I was like, “I'm sure you've been on the show,” and you haven't. So, yes, welcome. Jami: Thank you. You've been on our show, though. We did an interview with you a few years ago. Jo: Yes. Well, anyway, for anyone who doesn't follow your show— Tell us a bit more about you and how you got into writing and publishing. Jami: Okay. So I am the co-host of the Wish I'd Known Then Podcast for Writers. Sara Rosett and I have been doing that podcast since January 2020. Little did we know what was coming, and it really saved me, just mentally, being able to talk to people every week. I never wrote a word of fiction until I was 47. I'd never really written anything. I have really bad grammar. I tell a lot of stories, and I would make up stories, but I'd never write them down because of the grammar thing. But my reading buddy had her birthday coming up in about three months, and I thought, “You know what? I'm going to write Jennifer a book for her birthday. She doesn't care if I have bad grammar.” I just thought it would be on brand. It was so hard. I wrote myself into a corner very fast. When I told her, she said, “Well, now you have to.” So I got Writing a Romance Novel for Dummies, I read that, and I started writing what is now Running from a Rock Star. But then my computer crashed and I lost it, and I was like, “Well, I'm not a writer.” So that was fine. Then I turned 50, and I told my family, “I think the only thing I regret is not finishing that book.” Of course they were like, “Well, you need to just do it again.” I was like, “No, I had 30,000 words.” A few weeks later my daughter came in and said, “Mom, I found this flash drive in my car. I think it has your book on it.” And it was 20,000 of the 30,000 words. So I was like, “Well, it's now or never.” So I joined Romance Writers of America and got involved in a critique group, and they absolutely kicked my butt for a good six months. I think every week they were surprised I came back, because it was so brutal. I knew I didn't know anything, and they taught me to write. Six months after I joined that first critique group, I won my first contest with the first 10 pages of that book. Then I just continued on. Three years later, I published Rock Star. I was going to publish it two years later, but I went to the Smarter Artist Summit, where I met you. I was advised by Julia Cant and Sean Platt and some other people to wait—preferably to have more books written. I had the second book written when the first one came out, but it still needed to be edited. So I waited a year, learned this business, and sold plasma to pay for my edits because I was poor. It was the best decision I ever made. Going to that conference, first of all, was the best $500 I've ever spent, and waiting that year really helped me learn this business. When I published the book, I had an email list of 1,200 people before the book ever came out. None of those things would have been set up had I published right after the Smarter Artist Summit, which is what I'd thought I would do, in the summer. So waiting gave me time to get everything set up so that when I published that book, it really took off from day one. I had 1,200 people on that newsletter list who wanted that book, because I had done a preview promo. Instead of putting out the whole book, I think I put out four chapters, and then people signed up. I don't know that that works anymore. Jo: I was going to say that. We should say to people, what was that, around 2016? Jami: 2017. Things have changed. Jo: Yes, things have changed, and I think this is so important. I had a question about this, and what they were implying was things that, like you said, we learned a decade ago. Things have changed. We'll come back to how you're doing it now, but just in terms of finishing off how you got started—those books did really well, didn't they? You had a couple of years there. How many books did you do? How did that go? Because you did have real success. Jami: Yes. From 2017 until really the beginning of 2021, if you look at my sales graph and my income, it just increased, increased, increased. 2019 was my very best year, but 2020 was only slightly lower as far as book sales and income. I only put out a book a year after the second book. The second book came out about six months after the first one, and after that it was about every nine months to a year that I put a book out. Everyone said you can't make money doing that, but I did. I think those books are very tropey. They're very hooky. That helped. I also think the timing of those books was really good. Rom-com was really coming up, and my rom-com is pretty wacky, but it's also really emotional too. If I get any critiques about them it's usually that “this book was way more emotional than I expected, and I was looking for something a little lighter.” They're just really wacky. They're rom-coms. Wacky circumstances. Small town, so there's all these small-town people. I just think it was a good time to release those. Those were good years. I miss those years. Jo: It's a good lesson, because it's not always up and to the right, is it? We're going to come back and revisit that. So then the pandemic hit, and on a more personal level, over the last few years, you've had a deeply difficult time that has led to The Summer That Changed Us, your latest book. So talk a bit about what's happened, why this book, and also why fictionalise it rather than write a memoir? I had that question. Jami: Okay. So 2021, my income was dropping, but it was still okay. I was still making more than enough that—thank God I don't have to make all the money in our household—but there was a level that I wanted to. At the end of 2021, my sister, who was the fourth of five sisters, had lived with cancer—non-smoker's lung cancer—for 10 years. She had the kind that, if you had a certain mutation, there were medications that worked amazingly well. Until they didn't, and then they put you on another class of that medication. So for 10 years, that's what she did. She missed work maybe three times in 10 years. People who met her never knew she had cancer unless they knew us. She just never acted like she had cancer. We would have to say, “Remember, you have cancer.” At the end of 2021, they ran out of that class of drugs. There were some being tested, but none had been approved. When she was diagnosed, she was diagnosed with stage four lung cancer. You don't survive very long having stage four lung cancer with no medication. So I saw the writing on the wall pretty much at the end of 2021, but of course I was very hopeful that they could do something. By May of 2022, it was clear things were not going well. In July of 2022, she got a six-to-twelve-week diagnosis. She just went in one day thinking she was about to get radiation, not knowing anything, and they were like, “No, we can't do radiation, and you should get your affairs in order because you have six to twelve weeks to live.” Jo: Oh. Jami: People who've been through it know this feeling. It's like being hit by a wrecking ball. It just knocks everything off your axis. Your whole world implodes into this one moment, this person that you love. I live four hours away from my family. They all still live in the same small town. I was in Dallas at my daughter's at the time, and they live about 30 miles outside of Dallas. So I went to my mom's, and I stayed there. I was there for almost six months, if you count the time I was back and forth, because she was not doing great but she was still okay. She had always rallied and come back. But once she got the diagnosis, I stayed. She would go home, but she would come back to my mom's during the day, because her husband worked. She was a teacher, so she was off during the summer. I was just there, and we all just took care of her. When she decided to go on hospice, she wanted to be at my mom's. She didn't want to be at home—they lived out in the country. She wanted to be at my mom's, so we set her up in the living room. We're redneck country people. We bring our crazy people in, our sick people, just out for everybody to see. She was just in the middle of the living room in her hospital bed, and the world just revolved around that hospital bed. Once that happened, once I knew at the end of 2021 that things were not going to go well—I really did not believe she would die. But she died a month after she went on hospice in October of 2022. That whole year, I was useless. I could not write. I couldn't think of anything to write. I write funny. How do you write funny when your heart's broken? I couldn't do it. After she died, I knew it would take a while. I knew it would maybe even be a year. But as the weeks turned into months and the months turned into years, I haven't written—except for her obituary—I've not written a word since she died until I started writing this book a year ago. I started it on April 19th. Jo: I mean, the stories of grief—there seems to be no way of escaping whatever it ends up being. You didn't choose your response. Your deep grief was just there, and you couldn't write. I feel like sometimes people just try and force it. It sounds like that's what you needed, and you have done that. So what then gave you the impetus to finally write—and to choose fiction? Jami: I didn't write memoir. I did think about doing a memoir, but I don't read memoir, and I don't know how to write it. I was already behind the eight ball, trying to write a book at all because it had been forever. I don't need to learn how to write something completely different. Plus, it just felt too close to write the memoir. I had been in Mexico City with my daughter, who has an event planning company, and we were there scouting locations for one of her events. Janet Margot lives in Mexico City, so I reached out, and we had dinner. We were talking, and she had had two big losses about the same time that my sister passed away. So we were talking about how difficult it is afterwards, just getting your head back into a space of being creative at all. She said, “You really should write this book. You should tell this story. It hits everything: middle-aged women dealing with middle-age things. You've got your parents that you were dealing with, and then your sister. You should write this story.” I said, “No, thank you. I lived it. I don't want to write it.” But it just wouldn't go away. I couldn't figure out how I would tell it. Whose point of view? I couldn't do it from the dying sister's point of view because I didn't think I could be authentic. I was afraid to tell it from multiple POVs because the book has a lot of characters in it. My family is gigantic—my immediate family, my sisters, husbands, nieces and nephews, my kids, my mom and dad—there are 35 of us. Almost all of those are in and out of my mom's house all the time. So I knew I couldn't do multiple point of view. One day, I was driving home to my mom's house, and it just hit me. The whole story laid out in front of me, and that's what I did. The first draft was pretty much just a retelling of what happened to us. I added some fictional elements, but I just wanted to get the story out. It was hard. I started Adderall on April 19th of 2025—I know that, because that's the day I started this book. I do call this the book that Adderall wrote, because I could sit and focus for three or four hours, which I'd never really been able to do. I would come to Starbucks and I would sit and write this book, and I would cry sitting in Starbucks, like a crazy person. People would walk by and slide a napkin onto the table and just keep walking, because I'm sitting there crying like crazy. I was so superstitious, and things were working so well, that I was afraid not to come and write at Starbucks. Staying at home, I think, would have been really hard. I would maybe have sunk into a depression had I done this at home. So I just wrote the whole book at Starbucks. After I wrote the first draft, I went back in and made it more fictional. But a lot of the book—especially her stuff—is a lot of what happened. She was just crazy. I tell a story in the book that, this is the absolute truth, this happened. She was in college, and she had convinced my younger sister to go to a honky-tonk club because they were having a Miss Honky-Tonk contest. Before she could get up on stage to compete as Miss Honky-Tonk, she got in a fight with some girl, and the girl hit her in the head with a bottle and split her head open. She was bleeding. My youngest sister was like, “We've got to go to the ER.” And she just refused, because there was a $300 cash prize for winning, and she needed it to make rent. So she borrowed a towel from the bartender, wrapped it around her head, competed with that bloody towel on her head, and won that stupid contest. That story in and of itself was my sister. Everything about her is in that story. So a lot of the stories in there happened to her in one way or another. What happens to June in the book happened to my sister. Jo: This is interesting, because the same thing memoir writers face is something perhaps you face: how much of the writing is therapy and how much is for the reader? You said you sat there crying. Absolutely, writing for therapy is very important—but when you come to edit, there might be things that your therapy side of you is like, “That's so important to me.” How do you kill your darlings when you're editing your sister's life? Jami: That was hard. I had to take out a lot of what was in the first draft, mostly the stories. Once she came home on hospice, it was just a steady stream of people coming in, and everybody had a story about her. What I found in editing was that Hope, the main character, was mostly a spectator in those scenes instead of being actively part of them. So I had to take those out, because they didn't serve the purpose of the book. I committed early on to: while I wanted to tell the story, I did not want it to be self-indulgent. I did not want it to be a therapy session that I sold to people as a story. Because of that, I think that really helped. I really did think about that as I was revising. I sent it to a developmental editor, and I don't know how great she was, but she gave me some really good advice about a couple of things. One was, “There's just not enough conflict in this book. You say that Hope and the father have this really contentious relationship, yet we don't see it. There's a little bit of it here and there, but you're not really digging into that.” It's hard, because while the rest of the world doesn't know, my family knows that this is a lot of our story. I just had to let that go and not worry about what my family thought. They had all given me permission. I'd sort of said, “I want to do this. Are you guys okay with that?” I talked to her husband, and everybody was okay with me doing it. But I couldn't worry about what they were going to think. I would repeat to myself: if they want to tell this story, they can write their own book. I'm writing what I saw and telling a fictionalised story that will hopefully honour her, but also help other people feel like they're being seen, and also be entertaining. If you're going to write a book, it needs to be somewhat entertaining. Jo: I don't think you can help yourself. You're funny. Jami: Yes. The book is really funny. I tell people that and they're like, “Hmm, really?” And I'm like, “It is really funny.” But it's also really sad. Jo: Well, I think that's the truth—to defend myself. There is a lot of humour in grief. There is death and dying, and it's a human condition. Jami: It is a human condition, yep. Jo: There's comedy in all of the human condition. That's just the way it is, right? I heard you mention on an interview, I can't remember where it was, that you feel very connected to this book, and you're worried that people judging it or giving it a bad review might feel like an insult to your sister. How are you dealing with these kinds of fears about how to separate ourselves from our books? Jami: I've been in therapy—like, literal therapy—for that, because I felt like that would be hard. So far, I've only gotten a few reviews back. They've all been good reviews. I haven't had anyone say they hate it. I just have had to separate myself. It's not personal. Reviews are never personal. People not liking your book is never personal. That's just a mindset. I've had to change my mind about that. Knowing that's a pitfall I could fall into, I really keep it top of mind. My family knows that's an issue, so they know they have to pull me out of that hole if I drop in. So that's really how I've handled it so far. We'll see. Jo: Maybe it's time as well. You're almost back to the “book is your baby” situation. As the years pass, the book almost becomes separate, doesn't it? How you feel about your first bride book is probably like, “It's not even me anymore.” Jami: Right. I learned early that your book isn't really your baby. Once you publish it, it's your product. So that has never been very hard for me. I still hate bad reviews, and I take them personally like everybody else does, if I let myself. But ultimately, this is a book that I'm putting out for entertainment. Yes, it's very personal. Yes, it means a lot to me. But if people don't like it, it isn't because they don't like my dead sister. They just don't like my writing. Jo: It's tough, but it's good to talk about, because this is something many people feel. My memoir Pilgrimage—it's not the same at all—but I was just so scared of judgment. The fear of judgment. What people would think of me. That's kind of different, but— It's this question of how it'll land. The reality is, not many people read these books anyway. Jami: Well, I have worried about how it would land, but mostly I worry about how it would land with the people I love. My mom read it last week. I was there while she was reading it. That was no fun. She laughed, but it was devastating to her. She's like, “It's great, and I hate it.” Because it is so raw and real to her still—well, to all of us. That's where I worry, how it's going to land with them. But again, I've had to let that go. I had to let it go during the writing, because if I worried about that, then I would not have told an honest story. That was another thing—I didn't want it to be self-indulgent, and I wanted it to be honest. As honest as I could make it, even to the point of making people uncomfortable. There's a line. Once you cross it, there's no getting you back after that. So I walked that line really carefully, because I did want it to be honest about how I felt, how other people I know who've been through something like this feel. Also, just relationships. Because when you're in a big family like my sisters and I—we adore each other, but we can also go toe-to-toe real fast. It can get ugly, because we know each other really well. We're also a little bit redneck, so we don't pull any punches. Your sisters are always the most honest people in your life. I wanted that to be true in this book too—both sides of that story. Jo: Let's circle back to the business stuff and some of the things we talked about, because obviously this has been a really difficult time. There was no way to deal with it in any other way, but your business has changed. You had these great few years, good sales, and then you had other priorities. So how are you rebooting the business? Lots of people end up taking a few years out for whatever reason. How are you rebooting the business to try and sell some books? Jami: To be honest, I have the remnants of a business. I have tried over the last four years to run some ads to get the Bride's books going, but here's something that's very interesting, and if somebody can tell me why this happened, I would love to hear it. These books that have sold so many books—I mean, so many books—I could not give them away. It didn't matter what I did. I changed covers, I changed blurbs, I put them on sale, I took them off sale, I ran ads. Ads wouldn't really move the needle. I know that at a certain point, when you haven't published and your books get pushed down in the algorithm, that is an uphill battle. But it was almost like, one day they just fell off, and once they started falling, I could not get them back. I just couldn't. So that I didn't make myself crazy—because also during this time, I was just trying to keep my head above water—when I would deal with my books or go into my dashboard, I would feel horrible. I was already feeling horrible, so I didn't need to feel more horrible. So I just sort of let them go after a certain point. I've now started running some Facebook ads. I have one Facebook ad that's working really well, knock on wood, right now for my first Bride's book. The problem is, this book and my Bride's books are different. The voice and the tone are the same, but they're really different in a lot of ways. They're the same in a lot of ways. This book doesn't have any sex; the other books don't have anybody dying. But some of the things are really similar. So I may have some crossover. For whatever reason, this ad is working. My book one is ranked better than it's been ranked in forever—really good. I'm not spending a ton of money to do it. So I don't know what changed. I don't know if I'll ever know. I've revised my newsletter, and that's worked well. I still have around a 35 to 40% open rate on a newsletter that I didn't send out for almost two years. I was sending it out, but then I kind of stopped, and then I started again. Jo: I was going to ask you about that, because I often get people emailing me. They're like, “I have a really old newsletter from several years ago. I haven't emailed them for years.” So what did you say in that first email? Like, “Hey, I'm back”? Jami: I mean, I'm just like, “Remember me?” It really was kind of like that. Just, “I'm back. You guys know life has happened. I'm sure you understand. If you're still here, thank you so much. I have been writing. I have this book that I think some of you will really love.” That's really how it was. From the first email, even that first email had a higher open rate. I think it was close to 45%. I had not sent out a newsletter in two years literally. Jo: People were like, “What happened?” Jami: They're like, “Oh, she didn't die. That was her sister, not her.” But I've just been really fortunate. They've been really encouraging. Every time I send one out, I get really encouraging emails back. So I've sent out about the book. The majority of my readers are KU readers because my books are in KU. But this book is going wide. One of the things I'm doing because I have been a little concerned about… Janet Margot does a lot of Amazon ads stuff and she knows a lot about Amazon. We've talked a lot about whether I should use my real name, my pen name, or come up with another name. Should I worry about my readers buying the book and messing up my Also Boughts? All of those things, because my readers are romance readers. Some of them read women's fiction, but for the most part, they're romance readers. I've decided to stick with Jami Albright and not worry about it. There are just things you can't control, so I've had to hold everything with a really open hand with this book. I am offering the book on my website. I'm selling it at $7.99—I chose a high price point, because I just feel like, to sit with the other books that I want it to sit with, I need that price point. So I'm offering it on my website, starting at the end of this week, for $5. If they're KU readers and they don't buy books, but they want the book, they can get it for $5 on my website, which I think is reasonable. Jo: Mm. Absolutely. Jami: If that's too much for them, I understand and I get it. Time, things are hard right now, and if they can't do that, it's going to be in libraries, so they can request it at their library. But right now that's the plan. Hopefully that helps with the Also Boughts a little bit too. Even though, again, I just can't worry about those things. As a gift to my readers, I want to do this for them as well—give them a discount. Jo: And obviously this is a standalone, right? This is not— Jami: Yes, it is. Jo: Again, a bit like memoir, all the book marketing we talk about in fiction is “write a series.” It's much easier. So it is difficult to market a standalone in general. And this is something that happened, so it is a standalone situation. So do you feel like you're back in terms of writing? Have you got plans for more books, or is this a business for you going forward? Do you feel like you want to re-enter this whole world? Jami: I do. I have an idea for a book similar to this one—not in the same kind of genre, I mean, of women's fiction, kind of midlife fiction stuff. I have an idea. I had nothing for months and months and months, and a couple of months ago, this idea kind of came to me. I was like, “Oh, that's not bad.” So I'm mulling it over—I do a lot of mulling—and that's the next book I think I will write. I don't know that I'll write rom-coms again. Not because I don't love them. I do, and I love my rom-coms. But I'm just different. You do not go through something like this and come out on the other side the same. I don't know that I could carry an entire rom-com through without it being even more emotional than mine are now. So for right now, I'm going to write another one of these kinds of books where it's got a lot of emotion, family dynamic, tension and dynamics. Jo: That's great. I do feel like once you've written the book that was waiting—your sister's book—then more things arrive, and it's great to hear that that is arriving for you. And of course, we change. One of the nice things about writing for the long term and building more of a name brand is that you change, and your readers either follow you or they don't, but it's your life. So I think that's a good reason to have one pen name. I obviously have two, but my fiction pen name I've written all kinds of genres under. Why else would we keep doing this? I don't want to write the same book over and over again. Jami: Right. Believe me, I've had to eat a lot of crow over the last four years, and it's tasty with ketchup. I have decided that a lot of the stuff I said is true: about you write in one genre, you give the people exactly what they want, and you give it to them over and over again. I believe all of that. I still believe those things. It's just that I don't know that I'm capable of doing that right now. Also, I'm older. I am about doing the things that bring me joy and are not a drudgery. I want to say this, because I miss the success. I miss who I thought I was during that time. I miss the recognition. I'll freely admit it. I miss being the person doing the thing that everybody said couldn't be done. “You can't make money with one book a year.” Well, watch me. And I did. I miss that. What I don't miss, and I've had to be really, really honest with myself, which has been difficult—I don't miss the anxiety that came with that. There was a lot of franticness. I think that if you are in a lot of groups, you see that franticness. I've had to step back, like I've had to step back, and then go back into these groups, you hear authors and see authors, and there's just this frantic sense that we're losing everything, and we have to hold on so tight to everything. I was like that. I checked my ads constantly. I checked my dashboard constantly. My mom used to say, “This should be fun.” I'm like, “Mom, it's a business. It's not fun.” But I recognise that I loved that so much that I held onto it so tight. I don't want to go back to that. I don't have the energy for that. Since this all happened, I've gained four more grandchildren than I had. I have six grandchildren now. I want to spend time with them. I want to spend time with my adult children. I want to spend time with my mom and dad. So I can't be frantic about my sales—are they going up, are they dropping?—and give emotionally to the people I love in my life. If the last four years have taught me anything, it is that the one thing you can never get back is time. You can never get it back, and that is so important to me right now. With this book—and one of the reasons I wanted to talk to you when we were talking about when I would do it—I wanted to do it before it came out, because I've already won. Writing this book, writing a book that honours the bravest person I've ever known and doing the second-hardest thing that I've ever had to do, is the win. That's the win. Whatever happens with this book afterwards is just what happens with this book afterwards. It doesn't change who I am, and you told me that when we were in Vegas two years ago. That conversation really changed a lot for me, because you said, “You are a successful author.” I was still trying to come up with a plan to be a successful author again, and you were like, “You are a successful author. You've had success. That makes you a successful author. You don't have to chase that.” That changed so much of my thinking. If I could leave listeners with anything, it is that we need to recognise the things we can't control and just deal with the things we can control. That's kind of how my sister lived. She could not control her cancer, but she could control how she responded to it and how she went forward. I think a lot of times, when bad things happen, we want to make sense of them. We want a reason for them. And a lot of times there's just no reason. There's no reason my sister died. There's no reason she left two kids and a husband devastated and a family that just has a giant hole in it. There's no reason for that. What defines us is not figuring out why that happened. It's what we do with that going forward. I think that's important for me to remember when I start getting caught up in all the franticness of this business. Jo: Yes. Or not, as the case may be. You can just let the book be what it is. And I do feel like these deeper books, they're more slow burn. You wrote books that ran, ran like the bride. Now we're not running like the bride. Jami: I'm tired. I don't run unless a wild animal's chasing me. Jo: Exactly. Look, we're out of time, but just tell people, if they haven't listened, a bit about your podcast, Wish I'd Known Then with Sara Rosett. Tell people what they can find over on that podcast and why you're still doing it. You've been doing it throughout the whole time. While not writing, you've still been podcasting. Jami: It absolutely saved my life. It's kept me in this business. While I haven't been publishing, I still know what's going on. I know about direct sales, I know about what's happening behind the scenes, with Facebook ads. I've kept in touch with those things because of our podcast. It's an interview podcast like yours, but we talk to people about what they wish they'd known about indie publishing. Most people have some certain thing that they've been working on or doing, and we talk to them a little bit about that too. We ask the same questions every week to every guest, and it's so interesting how different the answers are, and yet how similar they are. I think that helps when you're going through it and you're like, “God, I must be the only one feeling this way.” But you tune into a podcast, and you hear week after week, “Oh, no, there are other people feeling the same way I'm feeling, or struggling with the same things I'm struggling with.” Hopefully we give people things to shoot for and to aspire to. We have some amazing guests. They've all been really gracious and really honest. I don't know if it's the questions, or just because Sara and I are our style, but they're really honest with us when they answer the questions. Jo: It's a great show. I recommend it a lot. Jami: Thank you. Jo: Where can people find you and your books online? Jami: You can find me at JamiAlbright.com—that's J-A-M-I-Albright.com. I'm on all the socials as Jami Albright Author. My books are on Amazon right now, but this book is actually now on all the retailers. So that's where you can find me. Jo: Brilliant. Well, thanks so much for your time, Jami. That was great. Jami: It was an honour. Thank you so much.The post Writing Through Grief And Rebooting an Indie Author Business With Jami Albright first appeared on The Creative Penn.

What happens when AI agents start acting less like chatbots and more like coworkers? In this episode, Dan and Chris sit down with Craig McLuckie, CEO of Stacklok to explore MCP, Kubernetes, ToolHive, enterprise AI, and the emerging infrastructure powering AI-native applications. From identity management to agent orchestration and system architecture, this conversation dives into how organizations may soon manage entire fleets of AI agents working behind the scenes.Featuring:Craig McLuckie – LinkedInChris Benson – Website, LinkedIn, Bluesky, GitHub, XDaniel Whitenack – Website, GitHub, XLinks:StacklokToolhiveSponsors:Prediction Guard: A self-hosted AI control plane for running agents in high impact environments. predictionguard.com/practicalaiUpcoming Events: Register for upcoming webinars here!Midwest AI Summit 2026

A dead local meetup group attracted just 5 people to its first gathering at a brewery. Two years later, that same group draws 70+ attendees to structured educational sessions, with newcomers driving across multiple states to participate. The transformation reveals something most personal finance education gets fundamentally wrong. Introduction and St. Louis Group Overview [00:00:00] Jonathan and Brad welcome Kristen Knapp and Allen Hansen to discuss how the St. Louis ChooseFI group became one of the most thriving communities in the country. Rebooting a Dormant Community [00:08:30] Kristen shares how she transformed a dormant St. Louis group after attending Camp FI, starting with brewery meetups and evolving to structured case studies that dramatically increased engagement. The Genesis of FI 101 [00:15:45] The hosts discuss how new members needed basic FI education, leading to the creation of a structured FI 101 program that attracted 70+ attendees and continues to grow. Kristen's Journey to Part-Time Work [00:22:10] Kristen shares her 30-year broadcast meteorology career and how the FI community gave her the confidence to negotiate a part-time arrangement, creating space for her FI Friends Travel venture. Allen's Perspective on Giving Back [00:31:20] Allen discusses his motivation to help others after reaching FI himself, emphasizing that anyone can make mistakes and still succeed on the path to financial independence. Structuring FI 101 Content [00:38:00] The group breaks down the essential components of FI 101: defining financial independence, the shockingly simple math of early retirement, and the financial order of operations. The Importance of Your Why [00:45:30] Jonathan proposes that understanding your personal why for FI should be the foundation of any FI 101 program, making it more compelling than traditional personal finance education. Investment Fees and Opportunity Cost [00:52:15] Brad delivers a detailed breakdown of how investment fees can cost millions over a lifetime, using concrete examples to illustrate the importance of low-cost index funds like VTI. Action Items and Next Steps [01:05:40] Allen outlines the two critical action items for FI 101 attendees: tracking net worth and monitoring spending, while the group discusses cadence for ongoing educational sessions. Preview of FI 201 and Future Plans [01:12:00] The hosts wrap up by discussing plans for a second episode covering FI 201 content and how local groups can iterate and improve their educational programming. Notable Quotes "I created what I wished existed. Nobody else is going to do it. Why not me?" — Kristen Knapp "After fifteen years of marriage, we finally hit broke. I think that resonates with people. We did it all wrong with credit card debt, you name it." — Allen Hansen "You can't save your way to FI. It's just almost impossible. You have to invest those dollars." — Allen Hansen "FI is not this passive endeavor and FI is not just about the nuts and bolts of money. This is about a constantly evolving mental framework." — Brad Barrett "Being around other people on the same path is one hundred percent the reason I've been able to create this life, because I would have never even had the idea or the courage to do any of this." — Kristen Knapp Key Takeaways Your savings rate matters more than your income. Someone earning $50,000 and saving 50% will reach FI faster than someone earning $150,000 but saving only 10%. Investment fees compound negatively. A 1% advisor fee plus 1% fund fees can reduce a potential $7.2 million portfolio to just $3.9 million over 40 years. Your FI number is calculated by multiplying annual expenses by 25, based on the 4% safe withdrawal rule. Understanding your personal "why" for pursuing FI is more compelling than traditional budgeting advice and provides the motivation needed for long-term success. Community makes the difference. Local FI groups provide accountability, education, and the courage to make life-changing decis…

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood's recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry's nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie's Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Markets in the midst of technological change tend to have two camps. One is the legacy incumbents that have strengths in their brands and the other in upstarts that are nimbler. In digital media, it turned out brand won. At Possible, The Rebooting held...

The arrival of the Ark of the Covenant in Jerusalem in the time of David is a foreshadowing of the prophesied return of our King to his earthly throne. This week, we flash back about 250 years to study four psalms we overlooked during the life of David. These Psalms of praise would have been written just after the arrival of the Ark of the Covenant in Jerusalem, as described in 1 Chronicles 13–16. We also discuss the covenants between God and Abraham, Moses, and David, and the difference between the unconditional covenants made with Abraham and David and the Sinaitic covenant with Moses. Though the Israelites, and later Jews, broke faith with God, there are promises. He made that were not dependent on the faithfulness of the people of Israel. Zechariah 12 and 14 tells us of a day when Messiah arrives in Jerusalem at the hour of Israel's greatest need. He will establish His eternal throne there: For the LORD has chosen Zion;he has desired it for his dwelling place:“This is my resting place forever;here I will dwell, for I have desired it. (Psalm 132:13–14, ESV) Here are links to the books we mentioned during the study: Rebooting the Bible Part One by Doug WoodwardRebooting the Bible Part Two by Doug WoodwardThe Battle for the Bible's Truth by Doug Van Dorn Sharon's niece, Sarah Sachleben, has been diagnosed with stage 4 bowel cancer, and the medical bills are piling up. If you are led to help, please go to GilbertHouse.org/hopeforsarah. Our new book The Gates of Hell is now available in paperback, Kindle, and as an audiobook at Audible! Derek's new book Destination: Earth, co-authored with Donna Howell and Allie Anderson, is now available in paperback, Kindle, and as an audiobook at Audible! If you are looking for a text of the Book of 1 Enoch to follow our monthly study, you can try these sources: Parallel translations by R. H. Charles (1917) and Richard Laurence (1821)Modern English translation by George W. E. Nickelsburg and James VanderKam (link to book at Amazon)Book of 1 Enoch - Standard English Version by Dr. Jay Winter (link opens free PDF)Book of 1 Enoch - R. H. Charles translation (link opens free PDF) The SkyWatchTV store has a special offer on Dr. Michael Heiser's two-volume set A Companion to the Book of Enoch. Get both books, the R. H. Charles translation of 1 Enoch, and a DVD interview with Mike and Steven Bancarz for a donation of $35 plus shipping and handling. Link: https://bit.ly/heiser-enoch Follow us! • X: @gilberthouse_tv | @sharonkgilbert | @derekgilbert• Substack: GilbertHouse.substacdk.com | SharonKGilbert.substack.com• Telegram: t.me/gilberthouse | t.me/sharonsroom | t.me/viewfromthebunker• YouTube: @GilbertHouse | @UnravelingRevelation | @thebiblesgreatestmysteries• Facebook.com/GilbertHouseFellowship Thank you for making our Build Barn Better project a reality! We truly appreciate your support. If you are so led, you can help out at GilbertHouse.org/donate. Get our free app! It connects you to these studies plus our weekly video programs Unraveling Revelation and A View from the Bunker, and the podcast that started this journey in 2005, P.I.D. Radio. Best of all, it bypasses the gatekeepers of Big Tech! The app is available for iOS, Android, Roku, and Apple TV. Links to the app stores are at www.gilberthouse.org/app/. Video on demand of our best teachings! Stream presentations and teachings based on our research at our new video on demand site! Gilbert House T-shirts and mugs! New to our store is a line of GHTV and Redwing Saga merch! Check it out at GilbertHouse.org/store! Think better, feel better! Our partners at Simply Clean Foods offer freeze-dried, 100% GMO-free food and delicious, vacuum-packed fair trade coffee from Honduras. Find out more at GilbertHouse.org/store. Our favorite Bible study tools! Check the links in the left-hand column at www.GilbertHouse.org.

The arrival of the Ark of the Covenant in Jerusalem in the time of David is a foreshadowing of the prophesied return of our King to his earthly throne. This week, we flash back about 250 years to study four psalms we overlooked during the life of David. These Psalms of praise would have been written just after the arrival of the Ark of the Covenant in Jerusalem, as described in 1 Chronicles 13–16.  We also discuss the covenants between God and Abraham, Moses, and David, and the difference between the unconditional covenants made with Abraham and David and the Sinaitic covenant with Moses. Though the Israelites, and later Jews, broke faith with God, there are promises. He made that were not dependent on the faithfulness of the people of Israel. Zechariah 12 and 14 tells us of a day when Messiah arrives in Jerusalem at the hour of Israel's greatest need. He will establish His eternal throne there: For the LORD has chosen Zion; he has desired it for his dwelling place: “This is my resting place forever; here I will dwell, for I have desired it. (Psalm 132:13–14, ESV) Here are links to the books we mentioned during the study:• Rebooting the Bible Part One by Doug Woodward• Rebooting the Bible Part Two by Doug Woodward• The Battle for the Bible's Truth by Doug Van Dorn

Today, I have the honor of interviewing Dr. Doris Day, a board-certified dermatologist who specializes in cosmetic and longevity dermatology. She is also a clinical professor of dermatology at NYU, recognized for her dedication and excellence in teaching, and is widely regarded as a leader in the aesthetic dermatology field. In addition to her clinical work, Dr. Day is a medical journalist and a prominent media figure. In our discussion, we examine the basics of perimenopause and menopause from a pathophysiology perspective, including the 30% decline in collagen synthesis that occurs during the first five years of menopause. We explore the skin microbiome, inflammation, and inflammaging, and why hydration, electrolytes, reducing processed sugars, and eating a nutrient-dense diet can have such a visible impact on skin health. Dr. Day also explains her approach to facial balancing and how our bones, fascia, muscles, and fat pads age. We discuss topical agents, advanced interventions including lasers, microneedling, PRF, PRP, stem cells, and growth factors, and even touch on emerging research suggesting that certain laser treatments may help reduce the risk of skin cancer. Throughout the conversation, I also openly shared what I have done to support my skin. Stay tuned for today's fascinating conversation about menopause, skin health, collagen loss, and the evolving science behind modern aesthetic dermatology. IN THIS EPISODE, YOU WILL LEARN: The sudden skin changes many women experience during early perimenopause Dr. Day explains how she personalizes skincare routines for each patient How collagen synthesis rapidly declines during the menopause transition How hydration, sleep, and nutrition can visibly improve skin tone and puffiness How inflammation, blood sugar issues, and poor metabolic health contribute to inflammaging and visible skin aging Why facial balance is more important than trying to erase every wrinkle or line Dr. Day shares how she combines lasers, topicals, and recovery protocols to support skin healing and collagen production How fillers and other cosmetic procedures can create an unnatural appearance when used incorrectly Bio: Dr. Doris Day, MD, is a board-certified dermatologist specializing in cosmetic and longevity dermatology. She is a Clinical Professor of Dermatology at NYU Langone Health, where she has been recognized with the Award for Dedication and Excellence in the Teaching of Dermatology. Her leadership in aesthetic dermatology has earned her the AAD Presidential Citation and the American Skin Association Award for leadership in dermatology. Ranked #3 in the United States and #1 in New York by Newsweek as a Top Cosmetic Dermatologist, Dr. Day is a recognized authority in her field. Her work has been cited in leading publications, including The New York Times and Castle Connolly's NY Magazine Top Doctors listings, for over 20 consecutive years. Dr. Day is also a medical journalist and a prominent media figure, providing expert commentary on major television programs and podcasts. Her insights are regularly featured in top magazines, and she is a sought-after speaker, delivering numerous lectures every year on cutting-edge aesthetic techniques at both national and international conferences. Dr. Day has over 100 publications in the medical literature, and she has written four best-selling books: "Rebooting the Biome" (2023), "Beyond Beautiful" (2018), "Forget the Facelift," and "100 Questions and Answers about Acne." She also hosts a popular dermatology show on SiriusXM's Doctor Radio, a platform where she has been educating the public for over 15 years, earning the AAD's Golden Triangle Award for Media Excellence. Her professional affiliations include the American Society for Dermatologic Surgery, where she has served on the board of directors; the American Academy of Dermatology, where she was recently elected to the nominating committee; the New York State Dermatology Society; and the American Honors Society of Dental and Facial Aesthetics. Dr. Day earned her BA in English from Columbia University, an MA in Journalism and Science Writing/Medical Reporting from New York University, and her MD from SUNY Downstate College of Medicine. She completed her dermatology residency at Cornell University College of Medicine, where she served as Chief Resident. Connect with Cynthia Thurlow   Follow on X, Instagram & LinkedIn Check out Cynthia's website. Submit your questions to support@cynthiathurlow.com  Join other like-minded women in a supportive, nurturing community: The Midlife Pause/Cynthia Thurlow.  Cynthia's Menopause Gut Book is on presale now! Cynthia's Intermittent Fasting Transformation Book The Midlife Pause Supplement Line Connect with Dr. Doris Day On her website Instagram, Facebook, and TikTok

It's the end of the universe as Moffat knows it, and somehow we feel fine. The Pandorica Opens and The Big Bang two-parter throws every monster in the closet at Stonehenge, locks the Doctor in the most mythic box since the TARDIS, shoots Amy, explodes reality, gives Rory 2,000 years of plastic husband duty, and then fixes everything with a wedding phrase. Does it all make sense? Frequently! Does it cheat? Occasionally! Does it still make Team PTO cry happy tears? Like Karen Gillan reading the deepest-blue terms and conditions. Join us as we salute Matt Smith yelling at spaceships, interrogate Moffat's monster fan service, ponder whether Sutekh got rebooted with the TARDIS, and ask whether this fairy-tale finale is really as good as we remember.Give your own rating for The Pandorica Opens and The Big Bang on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Subscribe to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and become a True Companion of the podcast to get new episodes before everyone else!Subscribe to our newsletter at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pulltoopen.net⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for extended notes on The Pandorica Opens and The Big Bang.Support the podcast by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠becoming a patron⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ of Pull To Open on Patreon.Please review Pull To Open on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Timeline:Intro 00:00:00Previously… 00:02:12Whomoji Challenge 00:12:27POLL To Open 00:15:39Comment of the Week 00:17:56TL;DW 00:24:11Review: The Pandorica Opens/The Big Bang 00:27:39Four Questions to Doomsday 01:02:20What If the Evil Plot Had Succeeded? 01:06:17Where Is the Clara Splinter? 01:12:45Final Judgment 01:19:44Randomizer! 01:24:24Follow us on:TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@pulltoopen⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@pulltoopen63⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@pulltoopen63⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@pulltoopen63⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@pulltoopen63⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@pulltoopen⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Play ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pull To Open Bingo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Story EssentialsSeries 5, Episodes 12 & 13Story number: 215, per the The Pull To Open CodexWriter: Steven MoffatDirector: Toby HaynesScript Editor: Lindsey AlfordProducer: Peter BennettExecutive Producers: Steven Moffat, Piers Wenger and Beth WillisAired 19–26 June 2010Pull To Open: The Pandorica Opens | The Big BangSeason 7Episode 10Hosts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pete Pachal⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chris Taylor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Music: Martin West/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thinking Fish⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠©️AnyWho Media LLC 2026Doctor Who ©️BBC 1963

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Listen Now to 005_WTFuture Watch 005 WTFuture The “What the Future” podcast crew dives straight into the “spaghetti brain” chaos of setting up their new home studio equipment before launching into a whirlwind of mind-bending technological leaps. They explore how “neuro-symbolic AI” is finally teaching robots to break problems down logically like humans do, which slashes energy consumption a hundredfold while significantly boosting accuracy.  So, just maybe, the AI’s won’t need nearly so much energy to run.. The hosts also blast off to the Moon, highlighting how having actual human eyeballs on the Artemis mission debunked flat orbital data to reveal bizarre magnetic “suntan” anomalies like Reiner Gamma. Back on Earth, they marvel at Ligand Forge, a biotech AI that pumps out targeted drug candidates tens of thousands of times faster than older models, promising a future of personalized “Star Trek replicators” for medicine and groundbreaking CAR-T therapies that simply reboot the human immune system. However, the absolute showstopper of the episode is the terrifying yet thrilling arrival of Mythos AI, an Anthropic system so ridiculously powerful it can uncover vulnerabilities and hack every computer operating system on the planet in mere minutes.   Its existence has triggered a desperate six-month global cyber-sprint where tech giants like Microsoft are actually utilizing Mythos itself to patch thousands of zero-day vulnerabilities before adversaries can use similar super-intelligence to drain the global banking system of trillions.   Despite these apocalyptic stakes and the wild prediction that AI agents will soon replace 99% of white-collar jobs, the hosts remain incredibly optimistic. They argue that we are rapidly hurtling toward a society of “universal abundant income,” where personal AI CEOs will run millions of highly profitable one-person companies while we sleep, finally freeing humanity from a scarcity mindset so we can just enjoy life and ponder the greater universe. Or something like that..Enjoy!

Send us Fan MailWe catch up on games, Comic Con crowds, birthdays, and the little purchases that make adult life feel smoother, from a new couch to yerba mate gear. Then we get into bigger frustrations about modern cars, nonstop reboots, Disney nostalgia, and why everything from GPUs to groceries feels priced to push you back inside. • weekend catch-up with Fortnite, Diablo II, and Skyrim comfort gaming • SC Comic Con experience with bigger crowds and vendor hall damage • turning 35 and keeping it low-key • DIY Volvo brake work and why a diagnostic tool matters for newer cars • yerba mate routine with handcrafted gourds, curing, and finding the right pour • frustration with modern car manufacturing, reliability, and electronics overload • gas prices, summer travel costs, and why things may get worse • why some reboots feel natural and others feel unnecessary • Malcolm In The Middle and Scrubs as examples of reboots done right • why Living Single and Martin are hard to revive without losing the magic • whether new Disney movies create the same obsession as older classics • favorite Disney picks like The Aristocats and the movies that still hold up • anime movies and Demon Slayer franchise momentum • graphics card pricing and AMD vs Nvidia value talk • PC building hesitation in an expensive market • Stanley thermos accessory fail and sending it back • barbecue business dreams, meat prices, and selling smoked chicken in a parking lot Make sure you follow us on our socials, uh, TikTok, Facebook, everything like that. Make sure you like and uh please subscribe to the YouTube channel and anywhere else you can subscribe. https://www.carolinaotakus.com/

Episode 1018-Rebooting Comics, Dead Samurai, Invincible, Poor Marvel+ Sneak Peek at Next Week w/Kyle & DrewORDAINED #0 (OF 3) THE MACHINE  Bad Idea(W) Robert Venditti (A) Trevor Hairsine (CA) Jorge FornesHAB #1 (OF 5)  Bad Idea(W) Joshua Dysart (A) David Lapham, Bill Sienkiewicz, Jacob Phillips (CA) Charlie AdlardSongs by Drew - Reboot This & Marvel FatigueLike & Subscribe on Youtube www.youtube.com/@comicsforfunandprofit5331Patreon https://www.patreon.com/comicsfunprofit  Merch https://comicsfunprofit.threadless.comYour Support Keeps Our Show Going On Our Way to Two Thousand EpisodesDonate Here https://bit.ly/36s7YeLAll the C4FaP links you could ever need  https://beacons.ai/comicsfunprofit Listen To the Episode Here: https://comcsforfunandprofit.podomatic.com/

This year we’re trading in our smartphones for corded landlines and dial-up internet! Right? Well, maybe not. But people have definitely been trying to use their phones less. Digital cameras and refurbished iPods have gotten more popular in the past few years, especially in younger generations. And on TikTok there’s the trend of “analog bags” – people filling their bags with knitting sets, books and other screen-free activities to avoid the temptation of reaching for their phones. All of that sounds nice. But at the end of the day it’s really hard to get away from our phones because they do everything for us! And those algorithms are so good at drawing us in. Meta and YouTube were recently found liable in a landmark case after a woman accused the companies of fueling her social media addiction, beginning when she was a child. But what’s it like, and how hard is it, to give up on digital convenience? We’re going to ask a couple of experts for tips on how to use our phones a little less. Guests: Julianne Bell is a staff culture writer at The Stranger. Jordan McMahon is a technology writer for The Strategist. He also writes a newsletter called “Rebooting.” Related links: My So-Called Luddite Life | The Stranger Rebooting | Jordan McMahon | Substack What Is an Analog Bag? Inside the TikTok Trend Fighting Digital Burnout | Business Insider Why people are buying iPods again | Axios Thank you to the supporters of KUOW, you help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.

Professor Trine Flockhart (European University Institute), Dr. Aaron C. McKeil (London School of Economics and Political Science), and Dr. Zachary Paikin (@zpaikin – Quincy Institute) speak with Kieran (⁠⁠⁠@kieranjomeara⁠⁠⁠) about disorder, contestation and the project of ‘Rebooting' Global International Society. In this episode, Prof. Flockhart and Dr. Paikin revisit their 2022 edited volume Rebooting Global International Society: Change, Contestation and Resilience and Dr. McKeil explores the themes of his recent work on disorder and his 2025 Cosmopolitan Imaginaries and International Disorder. Kieran's review of the latter can be found in International Affairs, 102(1). Thinking Global is affiliated with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-International Relations⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - the world's leading open access website for students and scholars of international politics. If you enjoy the output of E-International Relations, please consider a ⁠⁠donation⁠⁠.

13. Guest Peter Berkowitz discusses the book "Mobilize," which advocates for rebooting the American industrial base. He critiques central planning and argues the U.S. must leverage private-sector entrepreneurial innovation to counter the ChineseCommunist Party.,, (14)1943 PA SECTION

In this episode, Moose and Game God discuss their recent experiences at Disney, including rides and the lightsaber building experience. They also delve into the world of comic book collecting, technology with NAS systems, and the upcoming Apple event rumored to bring back the iPod. The conversation shifts to character developments in the Star Wars universe, particularly Darth Maul, and the future of the Spider-Man franchise, including potential reboots and the return of the Hulk. They conclude with a discussion on the 50th anniversary of the ‘What If?’ comics and the intriguing storylines they present. takeaways Listeners appreciate the new intro to the podcast.Game God shares his experiences on various Disney rides.The Guardians of the Galaxy ride is a standout attraction.Building a lightsaber is a worthwhile experience at Disney.Comic book collecting remains a passion for both hosts.Technology discussions include NAS systems and Raspberry Pi cases.Rumors about Apple’s upcoming event spark excitement.Darth Maul’s character development raises concerns among fans.The Spider-Man universe may be rebooted due to past failures.The 50th anniversary of ‘What If?’ comics brings exciting new storylines. Titles Disney Adventures and RidesLightsaber Building Experience sound bites “I love that new intro!”“The Hulk should be mean and unstoppable!”“I want to see Spider-Man vs. Kraven!” Chapters 00:00 Introduction and Listener Feedback01:26 Disney Vacation Adventures04:52 Rides and Experiences at Disney09:25 Lightsaber Show and Tell11:10 Comic Book Collecting and New Finds13:45 Tech Talk: NAS and Raspberry Pi15:31 Apple’s Upcoming Event and iPod Rumors20:38 Darth Maul’s Character Development24:16 Spider-Man’s New Movie and Hulk’s Return29:35 Rebooting the Spider-Man Universe32:47 What If? 50th Anniversary Comics The post Episode 504 – 50th What If, Spiderman Universe, Star Wars Shadow Lord, Apple Event and Ipods appeared first on Podcast4Scifi.

After more than 500 days away from the mic, the E-Commerce Maven Podcast is back. In this episode, I'm sharing a candid update on what's been happening behind the scenes over the past 18 months — inside my business, my life, and the eCommerce industry. From navigating burnout and restructuring my team, to cutting operating costs, becoming profitable again, and adapting to major changes in the global eCommerce landscape, this episode is a transparent look at what it really takes to keep a product business alive in uncertain times. If you're a founder feeling overwhelmed, navigating rising customer acquisition costs, or wondering how to build a more sustainable and profitable eCommerce business — this episode is for you. You'll also hear how I'm thinking about rebuilding the podcast moving forward and the lessons I wish I had applied sooner. In this episode we cover: • Why I stepped away from podcasting for over a year • The financial wake-up call that forced big changes in my business • The framework that helped diagnose where profit was leaking • How I rebuilt my team and simplified operations • What burnout recovery actually looked like • Why lean teams may be the future for small eCommerce brands • What founders need to know about today's eCommerce landscape If you enjoy the episode, share it with another founder who might need it. Learn more + get free resources:

Kevin and Joel drop on the Island to discuss the addition of Dino Thunder Black & White to Fortnite, peak at the Season 2 Re-ignition and Godzilla crossover figures revealed at Toy Fair, and dive deep into the latest Power Ranger comics coming soon from Boom! Studios! Are you ready to see how many times this baby can get Rebooted? Originally Recorded: 2/28/26May the Power Protect You, Always.Follow us on Bluesky!Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MayThePowerPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Bluesky)Joel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Thespispunk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Bluesky)⁠Kevin: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@BridgeMT3⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Bluesky)/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@BridgeMT ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(Twitch)

We discuss the hottest topics from the week! Zamboni Chicken Buckets Scream 7 Takes Box Office More Award Shows Paramount Buys WB? Sony's Spider-Man Universe Reboot? Chris Miller on Spider-Verse Delays Dune 3's IMAX Window Scrubs is Back Scary Movie 6 Trailer Mortal Kombat 2 Trailer Pokemon Day & MUCH MORE! Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTubeSee omnystudio.com/listener for privacy information.

Today on the podcast the guys talk through their initial thoughts and reactions to the news that Paramount is now set to acquire Warners Brothers Discovery after coming in with yet another offer which that was deemed superior to WBD's previous agreement with Netflix. What does this mean for DC and some of our other favorites from WBD? They talk through the ramifications for the landscape of media and the worse parts of companies continuing to consolidate. Job loss, less choices for consumers, bending to political pressure, and more.The guys then dive into Sony's CEO's recent comments about rebooting their Spider-Man-less universe with new stories and faces. Plus, the guys discuss the first episode of Season 2 of Monarch: Legacy of Monsters and that interesting first look photo of the God of War live action series... you know the one. Rate, review, like, and/or subscribe to Comicast on Apple Podcasts, Spotify, Castbox, Goodpods, Podcast Addicts, or wherever you get your podcasts!  Feedback, questions, or topic ideas for the show? Email us at comicastpod@gmail.com 

It might be Morbin' time again. Sony is reportedly thinking about rebooting the failed Spider-Man Villain-verse -- Morbius, Madame Web, Kraven and Venom. Why? Well, it's certainly not about the money. Aside from Venom, they were box office duds. It's probably about keeping the rights away from Disney.Watch the podcast episodes on YouTube and all major podcast hosts including Spotify.CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles.Get more news, views and reviews on Clownfish TV News - https://more.clownfishtv.com/On YouTube - https://www.youtube.com/c/ClownfishTVOn Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvgOn Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

We do a Live Reaction to Mortal Kombat II the Official Second Trailer!Anime Seasons are in full swing in 2026, lets talk about it!Come kick it, have some drinks and laughs and lets talk NERD! Here's some more topics on the docket this week! - Sony CEO confirms Spider-Man Spinoff Live Action Universe will be reboot...AGAIN- We talk about the Paramount bidding on Warner Bros again to Drive the price up on Netflix Merger.- Bucky was supposed to be Captain America in the MCU? - Insomniac Confirms Release Date of Wolverine September 2026, months before GTA VI- Anime Updates- Comics of the Week and more!Remember to Like, Comment and Subscribe!

On this episode of THE GEEK BUDDIES, John Rocha and Michael Vogel talk Sony CEO Tom Rothman rebooting Spider-Man again, PROJECT HAIL MARY first reactions, the Variety article on Josh d'Amaro's plans for revitalizing Star Wars, Marvel and other franchises, and their Spoiler Review for A KNIGHT OF THE SEVEN KINGDOMS Season 1 finale. Remember to Like and Share this episode on your social media and to Subscribe to The John Rocha Channel below. #spiderman #marvel #marvel #starwars #disney #projecthailmary #gameofthrones #knightofthesevenkingdoms #johnrocha #michaelvogel #shannonmcclung #thegeekbuddies ____________________________________________________________________________________ Chapters: On this episode of THE GEEK BUDDIES, John Rocha and Michael Vogel talk Sony CEO Tom Rothman rebooting Spider-Man again, PROJECT HAIL MARY first reactions, the Variety article on Josh d'Amaro's plans for revitalizing Star Wars, Marvel and other franchises, and their Spoiler Review for A KNIGHT OF THE SEVEN KINGDOMS Season 1 finale. Remember to Like and Share this episode on your social media and to Subscribe to The John Rocha Channel below. #spiderman #marvel #marvel #starwars #disney #projecthailmary #gameofthrones #knightofthesevenkingdoms #johnrocha #michaelvogel #shannonmcclung #thegeekbuddies ____________________________________________________________________________________ Chapters: 0:00 Intro and Rundown 2:50 Sony Rebooting Spider-Man AGAIN, What Will It Be? 19:50 Project Hail Mary First Reactions 27:30 Variety Article on Josh D'Amaro's Plans for Star Wars and Marvel 41:46 A Knight of the Seven Kingdoms Ep 6 Review FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays​​​​​ Follow Michael Vogel: https://twitter.com/mktoon Follow Shannon McClung: https://twitter.com/Shannon_McClung Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Nerdpocalypse we talk everything from the Ryan Coogler X-Files reboot to Paramount sweetening their deal for WB to Sony's Spider-Man extended universe reboot, and more.TV & Streaming News:Ryan Coogler (Black Panther, Sinners) is bringing The X-Files back to life with Danielle Deadwyler (The Piano Lesson) as the lead in Hulu's highly anticipated reboot. We break down what this means for the iconic sci-fi franchise and why Coogler's involvement has us pretty interested. PLUS: Ed Skrein (Deadpool) joins Amazon's God of War series as Baldur, the unpredictable son of Odin. We discuss the casting and what to expect from this PlayStation adaptation.Hollywood Business Wars:The battle for Warner Bros. Discovery heats up as Paramount sweetens its $31-per-share offer, potentially derailing Netflix's merger plans. We analyze what this billion-dollar bidding war means for the future of streaming and theatrical releases. THEN: Sony Pictures chairman Tom Rothman confirms they're rebooting the abysmal Sony Spider-Man Extended Universe with "new people" after Madame Web, Morbius, and Kraven the Hunter flopped hard at the box office. We discuss what went wrong and what comes next for Sony's side of Spider-Man's cinematic future.Trailers: We react to the Spider-Noir trailer featuring Nicolas Cage's dark take on Spider-Man.What We're Watching: A Knight of the Seven Kingdoms, Steal, Cross Season 2, and The Naked Gun reboot.Subscribe for weekly breakdowns of the biggest news in movies, TV, streaming, and gaming!CHECKED OUTA Knight of the Seven KingdomsStealCross - S2The Naked GunTOPICS - Section 1‘The X-Files' Reboot Casts Danielle Deadwyler to Star, Ryan Coogler to DirectEd Skrein joins “God of War” as BaldurTOPICS - Section 2Paramount is back in the race to acquire WB with new sweeter dealSony to Reboot Spider-Man Universe With “New People” After Several Box Office FlopsWTF? by JayTeeDee from the “Edit That Out” PodcastMicah: https://tinyurl.com/ChyropratTerrence: https://tinyurl.com/bomovrmyassJay: https://tinyurl.com/selfvampTRAILERSSpider-NoirThe Nerdpocalypse is a weekly podcast covering the latest movie news, TV show news, trailer reactions, and pop culture commentary. We break down Marvel MCU updates, DC Universe news, Star Wars, superhero movies, sci-fi, horror, streaming wars, box office results, casting announcements, and everything happening in Hollywood and the entertainment industry. Hosted by Jay, Micah, and Terrence. A TNP Studios production since 2011. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. Premium content at TheNerdpocalypse.com/premium. For more TNP Studios content, check out Black on Black Cinema (Black film reviews), Dense Pixels (video game news), and Look Forward (progressive politics).

Screen Quickies Ep. 58, Feb. 25, 2026: On this episode we discuss Sony Rebooting Spider-Man?, The Batman 2, The 10's & Best Denzel Movies

A thank you for some kind notes -- the love is appreciated! WaPo wrote about "gate lice" and how they are infesting airports everywhere, and Sony is rebooting the Spider-Man universeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

-What We've Been Watching-Join Our Patreon And Over 50 Exclusive Episodes In 2026. All Episodes Ad-Free & Early Access https://www.patreon.com/GeekVerse-Find Our Discord, Podcast/Video Feeds & Social Media In The Link Below! https://solo.to/geekverseTOPICSSony Officially Rebooting The Sony-Marvel Verse, Planning Out Our Phase 1 Of The RebootTrailer Reviews :Backrooms, Toy Story 5, The Yeti, Over Your Dead Body, The Mummy, Bodycam, SlantedBecome a supporter of this podcast: https://www.spreaker.com/podcast/geekverse-podcast--4201268/support.

Knight of seven Kingdoms finale! fallout Season 2 Finale,Spider man Noir Trailer, Mandalorian and Grogu Trailer, Wonder Man Discussion, Wolverine game, and much more!Listen to our podcast on Bpodstudios.com or wherever you get your podcasts! Please give us a like, comment or share if you like the show! Follow us on Instagram @geekculturecongress Also tell your smart speaker to "play geek culture congress podcast" anytime! Don't miss our live show NOW EVERY TUESDAY 8:30pm EST on Youtube at @speedysmultiverseSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

6:00 - Jeremy and Joe discuss the Miami Dolphins and their current status of rebooting this offseason.

Hour 1 in full

In this episode, I talk with James Capo, CEO of audience data platform Omeda, about why the traffic-driven media model has finally run out of road and what replaces it. We dig into the idea of a “connection economy,” where audience relationships—not page views—are the core asset. We also get into why so many publishers struggle to operationalize audience-first strategies, how B2B and consumer media models are converging, and where AI fits if it's meant to add real utility rather than repeat past mistakes.Thanks to James and Omeda for supporting The Rebooting as partners.

This week, we're joined by Mychal Threets, the world's most popular librarian, who talks about Library Joy and rebooting Reading Rainbow. Plus, panelists Tom Bodett, Josh Gondelman, and Tig Notaro prepare for the big game by eating gooLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

/this is a demo, check out the full episode at: patreon.com/RememberShuffleAnother listener suggestion yields beautiful, ripe fruit for the pod as we follow up our last episode on Cyberwarfare with a movie whose plot is essentially the fictionalization of the warnings in the book “This is how they tell me the world ends”.Much to ponder on this Intellectual Property reboot whose buddy cop pairing is…a Boomer and a Millenial. Give Remember Shuffle a follow on Twitter⁠⁠⁠⁠⁠ And on Instagram⁠⁠⁠⁠ ⁠@RememberShufflePod⁠⁠⁠⁠⁠ to interact with the show between episodes. It also makes it easier to book guests. 

Dr. Neil Nathan is Board Certified in Family Medicine and Pain Management as well as a Founding Dip-low-mitt of the American Board of Integrative Holistic Medicine & International Society for Environmentally Acquired Illnesses.He spent over 50 years treating patients with chronic conditions related to environmental factors & now dedicates himself consulting & mentorship, writing several books for both health care professionals & patients.In this episode, you'll hear mold allergy vs illness, what symptoms mold toxicity can imitate, how to really test & what healing protocol can look like. If you liked this episode, you'll also like episode 234: FELON TO MILLION DOLLAR BUSINESS OWNER [REMASTERED] Guest: https://neilnathanmd.com/ Host:  https://www.meredithforreal.com/  https://www.instagram.com/meredithforreal/ meredith@meredithforreal.comhttps://www.youtube.com/meredithforreal  https://www.facebook.com/meredithforrealthecuriousintrovert  Sponsors: https://www.jordanharbinger.com/starterpacks/ https://www.historicpensacola.org/about-us/  01:35 — Conditions mold mimics04:00 — “It's not psychological”05:00 — Why medicine lags behind06:00 — The mold hoax narrative08:00 — How common mold really is11:00 — Mold and Alzheimer's risk12:00 — GI symptoms decoded13:00 — Fatigue that doesn't resolve18:00 — Mold toxicity vs allergy19:00 — Immune system tipping points20:00 — Stress, illness, and timing21:00 — Hive consciousness explained22:00 — Candida cravings aren't you23:00 — Zombie mold metaphor24:00 — EMFs enter the picture27:00 — Testing for mold toxicity38:00 — Low-carb for mold healing41:00 — Alcohol's real impact42:00 — Magnesium's critical role43:00 — Chronic deficiency mystery47:00 — Hormones after mold48:00 — Limbic system overload49:00 — Vagus nerve dysfunction50:00 — Mast cell activation51:00 — Rebooting nervous systems52:00 — Brain retraining programs58:00 — Detox hygiene at home59:00 — Why bleach backfires01:00:00 — Dust vs airflow01:01:00 — Water damage vigilance01:02:00 — Detox tools worth using01:04:00 — Balance over biohacking01:05:00 — What healing really requires01:06:00 — Living with intention01:07:00 — Final takeaways & resourcesRequest to join my private Facebook Group, MFR Curious Insiders https://www.facebook.com/share/g/1BAt3bpwJC/

Send us a textEverything old is new again — just sharper, louder, and somehow filtered. From memes and music to mid-2010s fashion, UI throwbacks, and recycled internet trends, the culture has hit rewind in full 4K. This week on Mike & Blaine, we dig into why nostalgia is suddenly everywhere, why 2016 feels like the internet's emotional support year, and whether this is a harmless vibe shift or a deeper signal about how people respond to uncertainty.We explore nostalgia not just as a cultural trend, but as a strategy. In business, nostalgia lowers risk, shortens decision cycles, and builds instant emotional trust — which is why brands keep relaunching “classic” products, rebooting old formats, and leaning hard into familiarity when the future feels noisy. From Vine-era humor to retro design language, we unpack why looking backward often feels safer than innovating forward, and how companies can intentionally use nostalgia without getting stuck in it.Along the way, we connect the dots between meme cycles, product strategy, and leadership decision-making. When markets are volatile and attention is scarce, repeating what once worked can feel smarter than experimenting — but is it actually? Mike & Blaine talk about when nostalgia becomes a competitive advantage, when it becomes a crutch, and how smart operators balance comfort with progress so they don't end up building yesterday's business for today's problems.If you've ever wondered why trends won't stay dead, why “throwback” keeps outperforming “new,” or what business leaders can learn from the internet's obsession with the past, this episode is for you. And yes, we absolutely ask whether Vine should come back — and whether cheap beer can, too.If you enjoyed the episode, head over to mikeandblaine.com and buy us a beer. It helps keep the nostalgia flowing.#NostalgiaMarketing #BrandStrategy #CultureTrends #InternetCulture #RebootEconomy #MarketingStrategy #BusinessPodcast #MikeAndBlaine #ThrowbackCulture #DigitalTrends #LeadershipLessons #InnovationVsComfort #Snapchat #Instagram #TikTok #YouTube #Spotify #Netflix #AppleMusic #2016core #FeelsLike2016 #2016Vs2026Watch on YouTube: https://youtu.be/0ZA5cemkX9EBuy us a beer and keep the show rolling at mikeandblaine.com!Featured Beer: @StarbaseBrewing @OuterRangeBrewing Mike: Two Pitchers Brewing “No Funny Business” RadlerBlaine: Pinnacle Brewing “Rescued” Hazy IPA in support of Foothills Animal Rescue in Scottsdale hfoothillsanimal.org @foothillsanimalThanks to our Beer Sponsors: • Karen Hairston from 3S Smart Consulting: 3ssmartconsulting.com• Neighbor Pat• DevinListen to all our episodes at mikeandblaine.comcashflowmike.comdryrun.comhttps://mikeandblaine.comMikeandblaine, smallbusiness, cashflow, finance, beer, entrepreneur, craftbeerSupport the showCatch more episodes, see our sponsors and get in touch at https://mikeandblaine.com/

Tim is joined by Zeddy from the Vigilante 1939 Podcast to delve into the theories surrounding the upcoming Marvel event film, Avengers: Doomsday. They explore the implications of Robert Downey Jr.'s return as Victor Von Doom, the potential involvement of the X-Men, and the narrative structure of the film. The discussion also touches on the motivations of Doom, the significance of children in the storyline, and the future of the MCU post-Doomsday. The conversation is all about speculation and excitement about the direction of the Marvel Cinematic Universe. Want to chat more MCU and Avengers: Doomsday? Hit me up on Instagram @thenerdrm Chapters: 00:00 - Introduction to Avengers Doomsday Theories 02:53 - The Role of Robert Downey Jr. in Doomsday 05:37 - Exploring the Variant Theory of Tony Stark 08:36 - The X-Men's Introduction and Potential Conflict 11:27 - The Structure and Narrative of Doomsday 17:10 - The Future of the MCU: X-Men and Avengers Dynamics 29:53 - Establishing Doom's Dominance 34:34 - Doom's Motivations and the Multiverse 39:54 - Rebooting the MCU: A New Era 45:37 - Spider-Man's Role in the Upcoming Films 53:13 - Theories on Doom and the Children of the Multiverse

From January 17-19, we're hosting the Teacher Winter Talks event on the Teacher Approved podcast feed. Grab your free ticket for the full experience: https://www.secondstorywindow.net/teacherwintertalks✨ Each session will be available for 24 hours. Upgrade to the Max Pass to get lifetime access to all the sessions, plus over $500 worth of mid-year bonus resources like templates, workshops, and bundles!About the Session: Got students who freeze up the moment they hear "time to write"? Courtney Bluem shares research-backed strategies to motivate even your most reluctant writers during the mid-year slump. Her secret weapon is a 10-minute daily routine that actually works: familiar text, partner talk, and one focused writing move. By responding to ideas before mechanics and offering simple supports like sentence stems and student choice, Courtney shows how writing can start to feel safe, doable, and even meaningful. If getting your kids to put pencil to paper feels like pulling teeth lately... this session might be exactly the reset you need.Links/Resources:Free Week of RACES Writing Lessons: https://createinspireteach.com/wtu-free-week/Create Inspire Teach: https://createinspireteach.com/Share your takeaways and join the summit fun in the Teacher Winter Talks Facebook group!Teacher Winter Talks is sponsored by the Teacher Approved Club and Fashion Fix.

In this episode of SLP Coffee Talk, Hallie tackles the chaos of returning to work in January. If you're feeling like you need a vacation from your vacation, this one's for you. She's dishing out practical strategies for easing back into therapy mode, getting your students re-engaged (even when they'd rather be literally anywhere else), and turning that New Year energy into actual buy-in. Hallie also shares how one simple activity can hit multiple goals across your entire caseload—because who has time to prep five different things? It's all about working smarter, not harder, and remembering that relationships matter just as much as data.Bullet Points to Discuss: Starting light: connection before data collection Quick check-ins and warmup games for the first week back Getting student buy-in through goal-setting conversations New Year's themed activities across all goal areas One activity, multiple goals: the SLP magic formula Why student voice and choice matter The secret sauce: creativity, adaptability, and compassionHere's what we learned: Stretching before the sprint—ease into the first week instead of going full throttle. Your students are coming back just as tired and unmotivated as you are (totally normal!).Asking "what would make speech more useful or fun for you?" is a game changer. One activity can work for your entire caseload when you know how to adapt it. Show students their voice matters, and they'll actually want to show up. You don't need to be perfect—just present, creative, and compassionate.Learn more about Hallie Sherman and SLP Elevate:  

In this episode I share the reasons for unpublishing my original podcast episodes, and how I will be approaching the reboot in a different way.

Ending the government shutdown revives an expired cybersecurity law. The DoD finalizes a new model for building U.S. military cyber forces. A North Korean APT exploits Google accounts for full device control. The EU dials back AI protections in response to pressure from Big Tech companies and the U.S. government. Researchers discover a critical vulnerability in the Monsta FTP web-based file management tool. The Landfall espionage campaign targets Samsung Galaxy devices in the Middle East. Five Eyes partners fret eroding cooperation on counterintelligence and counterterrorism. Israeli spyware maker NSO Group names the former U.S. ambassador to Israel as its new executive chairman. Monday Biz Roundup. Tim Starks from CyberScoop discusses uncertainty in the federal Cyber Corp program, The friendly face of digital villainy. Remember to leave us a 5-star rating and review in your favorite podcast app. Miss an episode? Sign-up for our daily intelligence roundup, Daily Briefing, and you'll never miss a beat. And be sure to follow CyberWire Daily on LinkedIn. CyberWire Guest Today we are joined by Tim Starks from CyberScoop discussing uncertainty in the federal Cyber Corp program. Selected Reading Cyber information sharing law would get extension under shutdown deal bill (CyberScoop) Don't call it Cyber Command 2.0: Master plan for digital forces will take years to implement (The Record) North Korean hackers hijack Google, KakaoTalk accounts to control South Korean phones: Report (The Straits Times) EU set to water down landmark AI act after Big Tech pressure (The Financial Times) Monsta FTP Vulnerability Exposed Thousands of Servers to Full Takeover (Hackread) Newly identified Android spyware appears to be from a commercial vendor (The Record) F.B.I. Director Is Said to Have Made a Pledge to Head of MI5, Then Broken It (The New York Times) Seeking to get off US blacklist, spyware firm NSO taps ex-envoy Friedman as chairman (The Times of Israel) Google's Wiz acquisition clears DOJ's antitrust review. (The Cyberwire) Tank interview: A hacking kingpin reveals all to the BBC (BBC News) Share your feedback. What do you think about CyberWire Daily? Please take a few minutes to share your thoughts with us by completing our brief listener survey. Thank you for helping us continue to improve our show. Want to hear your company in the show? N2K CyberWire helps you reach the industry's most influential leaders and operators, while building visibility, authority, and connectivity across the cybersecurity community. Learn more at sponsor.thecyberwire.com. The CyberWire is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fresh off its Best of Festival award at the Malibu Film Festival, ‘An Inconvenient Study' continues to make waves. Del shares highlights from the festival and reactions to this groundbreaking film. Then, Jefferey Jaxen reports on pediatricians panicking over an RFK Jr. future — is vaccine medicine really about health, or profit? Finally, Zen Honeycutt opens her heart about the tragic loss of her son and her belief that toxic chemicals are fueling a silent epidemic of depression.Guest: Zen HoneycuttBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-highwire-with-del-bigtree--3620606/support.