Podcasts about seventh victim

El demonio está entre nosotros... o, como poco, sus acólitos. Al menos así es en el mundo que pintan las tres películas de las que hablamos en este podcast. La afable pareja de vejetes que vive en el piso de al lado o una reunión social de gente educada y elegante pueden ser el disfraz bajo el que se ocultan miembros de una secta satánica. «La séptima víctima» (The Seventh Victim, Mark Robson, 1943), «La novia del diablo» (The Devil Rides Out, Terence Fisher, 1968) y «La semilla del diablo» (Rosemary's Baby, Roman Polanski, 1968) coinciden en mostrar una trama de conspiraciones para extender por el mundo la sombra del Maligno que se destapa bajo una apariencia de normalidad social. De paso, cada una de ellas constituye una lección cinematográfica, ya sea en el sugerir sin mostrar absolutamente nada («La séptima víctima»), en el fascinar aun mostrándolo todo («La novia del diablo») o en el hacernos reconstruir una turbia historia que corre paralela e invisible a la de la protagonista («La semilla del diablo»). Participan en este humilde aquelarre Miguel Muñoz Garnica, Érica Couto y José Luis Forte.

Only a race as incredibly elastic as the Grom could have a single rule of war: Keep Your Shape by Robert Sheckley. That's next on The Lost Sci-Fi Podcast.We've featured Robert Sheckley's work quite often on the podcast. Potential, The Perfect Woman, The Deep Hole to China, The Monsters and the apocalyptic tale Proof of the Pudding are some of the stories you've heard on the podcast. Seventh Victim is a story by Sheckley you should listen to if you haven't already.Let's peruse the pages of Galaxy Science Fiction in November 1953 and discover aliens on their way to earth, and their intentions are not good, just inside the front cover on page 5, Keep Your Shape by Robert Sheckley…Next on The Lost Sci-Fi Podcast, Two bitter rival scientists are locked in a feud that consumes their lives, but nature has a strange way of taking sides. When an eerie moth appears, the battle takes an unexpected and unsettling turn. A Moth by H. G. Wells.☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsV===========================

In our search for more knowledge about the horror genre, the films we love, and the people behind them, many horror fans began their journey with reference books. Long before the internet, these books served as stepping stones, introducing fans to films they had never heard of and offering deeper insight into the people behind the movies they already knew and loved. It was like opening doors for the first time—or pushing open ones that had only been slightly ajar—allowing us to explore and learn so much more. In this episode, we welcome author Bryan Senn to the show to discuss these essential reference books. With over three decades of experience writing about sci-fi and horror in a variety of magazines—not to mention his own books on multiple subjects—Bryan brings a wealth of knowledge to the conversation. So sit back and enjoy—but keep a notepad handy, because you might want to jot down a few titles to track down! Films mentioned in this episode: The Abyss (1989), Angel Heart (1987), Attack of the Beast Creatures (1985), The Believers (1987), Blood from the Mummy's Tomb (1971), The Body Snatcher (1945), Captive Wild Women (1943), Chloe, Love is Calling You (1934), Class of Nuke 'em High (1986), The Corpse Grinders (1971), Cry of the Banshee (1970), Death Curse of Tartu (1966), The Descent (2005), Dog Soldiers (2002), Evil Dead (1981), The Fly (1986), The Fly II (1989), Frankenstein's Daughter (1958), Friday the 13th (1980), A Game of Death (1945), The Ghost Ship (1943), The Giant Gila Monster (1959), Halloween (1978), The Haunting (1963), The Howling (1981), The Howling V: The Rebirth (1989), Howling: New Moon Rising (1995), Lady Terminator (1989), Late Phases (2014), Leprechaun (1993), Leviathan (1989), The Long Hair of Death (1964), Lords of the Deep (1989), Most Dangerous Game (1932), The Mummy (1932), The Mummy (1959), The Mummy and the Curse of the Jackals (1969), The Mummy's Hand (1940), The Mummy's Tomb (1942), Mystics in Bali (1981), Nazi Mummy (2019), Night of the 1000 Cats (1972), A Nightmare on Elm Street (1984), Onibaba (1964), Robot Jox (1989), Scream Blacula Scream (1973), The Secret of the Mummy (1982), Serpent and the Rainbow (1988), The Seventh Victim (1943), Signs (2002), Sound of Music (1965), Sting of Death (1966), The Strangeness (1985), Sugar Hill (1974), The Thing (1982), Toxic Avenger (1984), The Uncanny (1977), Uninvited (1988), Van Helsing (2004), Voodoo Black Exorcist (1974), Voodoo Heartbeat (1973)

The Six Shooter "Cheyenne Express" 3/7/1954 Fibber McGee and Molly "Beware of Pickpockets on the Bus" 3/1/1937 Damon Runyon Theater "Breach of Promise" 3/6/1949 Casey Crime Photographer "The Mysterious Lodger" 3/6/1947 Pat Novak for Hire "Fleet Lady" 3/6/1949 X Minus One "The Seventh Victim" 3/6/1956

The boys return, only kind of forgetting how podcasts work as JR's babysitter clangs away for 20 minutes, but after that it's all chiller, no filler. And the reviews, oh the reviews! We got Beau is Afraid, The Leopard Man, Nosferatu, The Wolf Man, Wolf Man, The Seventh Victim, Companion, Horror's Greatest, and a little Dan Simmons duo of Song of Kali and Summer of Night. Seems like they also forgot to make a short episode as well…

The Leopard Man (1943), The Seventh Victim (1943), Isle of the Dead (1945) Back in episode 23, we covered producer Val Lewton and three of his films. While Lewton only produced about a dozen films—and only a handful of them horror—his work made a huge impact on the genre. That's why we've decided to discuss three more of his films, hoping to inspire other fans to seek out not only the ones we've covered but his other titles as well. With the help of a talented group of craftsmen—including directors Jacques Tourneur and Mark Robson, screenwriter Ardel Wray, and a skilled cast of actors he worked with repeatedly—Lewton created films that stood apart. They weren't just different from what he was hired to produce; they defied the expectations of most horror fans at the time. His films had style, compelling stories, and uniquely well-developed characters. They're a testament to how effective something as simple as a walk down the street can be when crafted by the right people. Films mentioned in this episode: The Body Snatcher (1945), Cat People (1942), The Curse the Cat People (1944), Curse of the Demon (1957), The Day After (1983), Isle of the Dead (1945), I Walked with a Zombie (1943), The Leopard Man (1943), Old Dark House (1932), The Seventh Victim (1943)

It was the kind of headline that slices through the noise—a whisper that turns into a roar: Rex Heuermann has been charged with a seventh murder. Seven victims. Seven lives erased, but now, after 24 years, one of them—Valerie Mack—was speaking, at least through the cold, calculated evidence, and the weight of history was pressing in on a community that had waited far too long. On a gray December morning in Riverhead, inside the sterile confines of a Long Island courthouse, Rex Heuermann stood before Judge Timothy Mazzei. The room itself seemed to hold its breath as he shuffled forward, his towering frame casting shadows over the courtroom floor. His face was an unmoving mask of indifference, though the tension in his rigid stance betrayed the cracks. The prosecutor's words sliced through the air like razors: Valerie Mack, 24 years old, a Philadelphia woman who disappeared in 2000, her body dismembered and dumped in two separate locations—first in Manorville's desolate woods, then, 11 years later, near the cursed stretch of Gilgo Beach. Two crime scenes, two decades apart, yet connected by the macabre calling card of a man prosecutors now call a “meticulous predator.” Her case had gone cold, one of hundreds boxed away in a police department overwhelmed by unsolved tragedies. Until now. The Breakthrough Suffolk County District Attorney Raymond Tierney spoke with grim finality. This wasn't speculation—this was DNA, hard science brought to life by advancements that didn't exist in the year Mack vanished. “Justice delayed is not justice denied,” Tierney intoned, his voice reverberating through the chamber. The evidence that had once been incomplete—a cruel teaser of closure—had been rendered irrefutable. Yet when Judge Mazzei turned to Heuermann and asked for his plea, the response came swift, a hoarse defiance that echoed into the silence: “Your honor, I am not guilty of any of these charges.” Bailiffs glanced nervously at the crowd, but no one made a move. How could they? For the families, the friends, and the community that had lived under the pall of these killings, the wounds weren't just reopened—they were torn asunder. People who had endured years of unrelenting questions—“Why?” “Who?”—were now met with a man, flesh and blood, denying it all. And that denial stung as sharply as the crimes themselves. Valerie Mack: A Forgotten Name Resurfaces Valerie Mack, prosecutors stated, was more than just a headline. She had been someone's daughter, someone's friend. A young woman with dreams of stability and escape, dreams that ended somewhere between the harsh grit of Atlantic City's streets and Long Island's darkened woods. By 2000, Atlantic City had already become a graveyard for the desperate, where survival was not guaranteed, and trusting the wrong person could be fatal. Mack was swallowed by that darkness. Her torso appeared in Manorville, a remote and wooded area in Long Island where few passersby venture. Eleven years later, as investigators combed Gilgo Beach for more answers, the rest of Mack's remains surfaced. The discovery confirmed what everyone already feared—this was not an isolated act. This was a pattern. The Hard Drive and a Chilling Playbook In the basement of Heuermann's Massapequa home, investigators reportedly found documents that prosecutors describe as plans for the murders. A step-by-step blueprint that prosecutors now claim details the planning, the process, and the aftermath of his crimes. Documents included instructions detailing dismemberment and concealment of identifying features, which prosecutors argue demonstrate premeditation. Other notes outlined quiet execution—checking weather conditions and finding isolated “staging areas.” The planning didn't stop at the kill. It outlined a careful escape—“Change tires. Burn gloves. Dispose of pictures. Set an alibi.” Cold reminders to refine and perfect. Prosecutors described the documents as evidence of a methodical process that evolved over time, reflecting deliberate and calculated actions. Prosecutors stated that the documents included references to works by John Douglas, a former FBI profiler, as part of their evidence linking Heuermann's interest to serial killer psychology. This wasn't idle reading, they said. This was practice. The courtroom's chill deepened with every revelation. You could feel the collective dread—a realization that this wasn't the spontaneous savagery of a man who had lost control. This was someone whose control defined the act itself. Valerie Mack's murder, according to prosecutors, fit perfectly into the grim framework. Jessica Taylor and the Expanding Pattern Jessica Taylor, another victim in this tragic case, was a 20-year-old sex worker who disappeared in 2003. Her torso was discovered in Manorville later that year, and subsequent searches uncovered additional remains near Gilgo Beach in 2011, connecting her case to the same haunting pattern. Prosecutors noted that her tattoo had been deliberately mutilated, likely to hinder identification. Her arms, her head—gone. And yet, years later, the expanded search of Gilgo Beach led to her skull and hands, further tying her story to Mack's, and now, to Heuermann. A Community Holds Its Breath Outside the courthouse, the scene was tense. Reporters gathered with cameras rolling, while families of the victims arrived in hopes of hearing answers and progress in the case. There was no answer. Not yet. For now, January 15 looms. Prosecutors will return with more evidence, more connections, more dots strung together. But for the families, answers won't erase the hollow space left behind by those 10 victims. As Suffolk County braces for what comes next, Long Island watches—listening, waiting, and wondering if the shadow of Gilgo Beach might ever truly lift. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

It was the kind of headline that slices through the noise—a whisper that turns into a roar: Rex Heuermann has been charged with a seventh murder. Seven victims. Seven lives erased, but now, after 24 years, one of them—Valerie Mack—was speaking, at least through the cold, calculated evidence, and the weight of history was pressing in on a community that had waited far too long. On a gray December morning in Riverhead, inside the sterile confines of a Long Island courthouse, Rex Heuermann stood before Judge Timothy Mazzei. The room itself seemed to hold its breath as he shuffled forward, his towering frame casting shadows over the courtroom floor. His face was an unmoving mask of indifference, though the tension in his rigid stance betrayed the cracks. The prosecutor's words sliced through the air like razors: Valerie Mack, 24 years old, a Philadelphia woman who disappeared in 2000, her body dismembered and dumped in two separate locations—first in Manorville's desolate woods, then, 11 years later, near the cursed stretch of Gilgo Beach. Two crime scenes, two decades apart, yet connected by the macabre calling card of a man prosecutors now call a “meticulous predator.” Her case had gone cold, one of hundreds boxed away in a police department overwhelmed by unsolved tragedies. Until now. The Breakthrough Suffolk County District Attorney Raymond Tierney spoke with grim finality. This wasn't speculation—this was DNA, hard science brought to life by advancements that didn't exist in the year Mack vanished. “Justice delayed is not justice denied,” Tierney intoned, his voice reverberating through the chamber. The evidence that had once been incomplete—a cruel teaser of closure—had been rendered irrefutable. Yet when Judge Mazzei turned to Heuermann and asked for his plea, the response came swift, a hoarse defiance that echoed into the silence: “Your honor, I am not guilty of any of these charges.” Bailiffs glanced nervously at the crowd, but no one made a move. How could they? For the families, the friends, and the community that had lived under the pall of these killings, the wounds weren't just reopened—they were torn asunder. People who had endured years of unrelenting questions—“Why?” “Who?”—were now met with a man, flesh and blood, denying it all. And that denial stung as sharply as the crimes themselves. Valerie Mack: A Forgotten Name Resurfaces Valerie Mack, prosecutors stated, was more than just a headline. She had been someone's daughter, someone's friend. A young woman with dreams of stability and escape, dreams that ended somewhere between the harsh grit of Atlantic City's streets and Long Island's darkened woods. By 2000, Atlantic City had already become a graveyard for the desperate, where survival was not guaranteed, and trusting the wrong person could be fatal. Mack was swallowed by that darkness. Her torso appeared in Manorville, a remote and wooded area in Long Island where few passersby venture. Eleven years later, as investigators combed Gilgo Beach for more answers, the rest of Mack's remains surfaced. The discovery confirmed what everyone already feared—this was not an isolated act. This was a pattern. The Hard Drive and a Chilling Playbook In the basement of Heuermann's Massapequa home, investigators reportedly found documents that prosecutors describe as plans for the murders. A step-by-step blueprint that prosecutors now claim details the planning, the process, and the aftermath of his crimes. Documents included instructions detailing dismemberment and concealment of identifying features, which prosecutors argue demonstrate premeditation. Other notes outlined quiet execution—checking weather conditions and finding isolated “staging areas.” The planning didn't stop at the kill. It outlined a careful escape—“Change tires. Burn gloves. Dispose of pictures. Set an alibi.” Cold reminders to refine and perfect. Prosecutors described the documents as evidence of a methodical process that evolved over time, reflecting deliberate and calculated actions. Prosecutors stated that the documents included references to works by John Douglas, a former FBI profiler, as part of their evidence linking Heuermann's interest to serial killer psychology. This wasn't idle reading, they said. This was practice. The courtroom's chill deepened with every revelation. You could feel the collective dread—a realization that this wasn't the spontaneous savagery of a man who had lost control. This was someone whose control defined the act itself. Valerie Mack's murder, according to prosecutors, fit perfectly into the grim framework. Jessica Taylor and the Expanding Pattern Jessica Taylor, another victim in this tragic case, was a 20-year-old sex worker who disappeared in 2003. Her torso was discovered in Manorville later that year, and subsequent searches uncovered additional remains near Gilgo Beach in 2011, connecting her case to the same haunting pattern. Prosecutors noted that her tattoo had been deliberately mutilated, likely to hinder identification. Her arms, her head—gone. And yet, years later, the expanded search of Gilgo Beach led to her skull and hands, further tying her story to Mack's, and now, to Heuermann. A Community Holds Its Breath Outside the courthouse, the scene was tense. Reporters gathered with cameras rolling, while families of the victims arrived in hopes of hearing answers and progress in the case. There was no answer. Not yet. For now, January 15 looms. Prosecutors will return with more evidence, more connections, more dots strung together. But for the families, answers won't erase the hollow space left behind by those 10 victims. As Suffolk County braces for what comes next, Long Island watches—listening, waiting, and wondering if the shadow of Gilgo Beach might ever truly lift. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

It was the kind of headline that slices through the noise—a whisper that turns into a roar: Rex Heuermann has been charged with a seventh murder. Seven victims. Seven lives erased, but now, after 24 years, one of them—Valerie Mack—was speaking, at least through the cold, calculated evidence, and the weight of history was pressing in on a community that had waited far too long. On a gray December morning in Riverhead, inside the sterile confines of a Long Island courthouse, Rex Heuermann stood before Judge Timothy Mazzei. The room itself seemed to hold its breath as he shuffled forward, his towering frame casting shadows over the courtroom floor. His face was an unmoving mask of indifference, though the tension in his rigid stance betrayed the cracks. The prosecutor's words sliced through the air like razors: Valerie Mack, 24 years old, a Philadelphia woman who disappeared in 2000, her body dismembered and dumped in two separate locations—first in Manorville's desolate woods, then, 11 years later, near the cursed stretch of Gilgo Beach. Two crime scenes, two decades apart, yet connected by the macabre calling card of a man prosecutors now call a “meticulous predator.” Her case had gone cold, one of hundreds boxed away in a police department overwhelmed by unsolved tragedies. Until now. The Breakthrough Suffolk County District Attorney Raymond Tierney spoke with grim finality. This wasn't speculation—this was DNA, hard science brought to life by advancements that didn't exist in the year Mack vanished. “Justice delayed is not justice denied,” Tierney intoned, his voice reverberating through the chamber. The evidence that had once been incomplete—a cruel teaser of closure—had been rendered irrefutable. Yet when Judge Mazzei turned to Heuermann and asked for his plea, the response came swift, a hoarse defiance that echoed into the silence: “Your honor, I am not guilty of any of these charges.” Bailiffs glanced nervously at the crowd, but no one made a move. How could they? For the families, the friends, and the community that had lived under the pall of these killings, the wounds weren't just reopened—they were torn asunder. People who had endured years of unrelenting questions—“Why?” “Who?”—were now met with a man, flesh and blood, denying it all. And that denial stung as sharply as the crimes themselves. Valerie Mack: A Forgotten Name Resurfaces Valerie Mack, prosecutors stated, was more than just a headline. She had been someone's daughter, someone's friend. A young woman with dreams of stability and escape, dreams that ended somewhere between the harsh grit of Atlantic City's streets and Long Island's darkened woods. By 2000, Atlantic City had already become a graveyard for the desperate, where survival was not guaranteed, and trusting the wrong person could be fatal. Mack was swallowed by that darkness. Her torso appeared in Manorville, a remote and wooded area in Long Island where few passersby venture. Eleven years later, as investigators combed Gilgo Beach for more answers, the rest of Mack's remains surfaced. The discovery confirmed what everyone already feared—this was not an isolated act. This was a pattern. The Hard Drive and a Chilling Playbook In the basement of Heuermann's Massapequa home, investigators reportedly found documents that prosecutors describe as plans for the murders. A step-by-step blueprint that prosecutors now claim details the planning, the process, and the aftermath of his crimes. Documents included instructions detailing dismemberment and concealment of identifying features, which prosecutors argue demonstrate premeditation. Other notes outlined quiet execution—checking weather conditions and finding isolated “staging areas.” The planning didn't stop at the kill. It outlined a careful escape—“Change tires. Burn gloves. Dispose of pictures. Set an alibi.” Cold reminders to refine and perfect. Prosecutors described the documents as evidence of a methodical process that evolved over time, reflecting deliberate and calculated actions. Prosecutors stated that the documents included references to works by John Douglas, a former FBI profiler, as part of their evidence linking Heuermann's interest to serial killer psychology. This wasn't idle reading, they said. This was practice. The courtroom's chill deepened with every revelation. You could feel the collective dread—a realization that this wasn't the spontaneous savagery of a man who had lost control. This was someone whose control defined the act itself. Valerie Mack's murder, according to prosecutors, fit perfectly into the grim framework. Jessica Taylor and the Expanding Pattern Jessica Taylor, another victim in this tragic case, was a 20-year-old sex worker who disappeared in 2003. Her torso was discovered in Manorville later that year, and subsequent searches uncovered additional remains near Gilgo Beach in 2011, connecting her case to the same haunting pattern. Prosecutors noted that her tattoo had been deliberately mutilated, likely to hinder identification. Her arms, her head—gone. And yet, years later, the expanded search of Gilgo Beach led to her skull and hands, further tying her story to Mack's, and now, to Heuermann. A Community Holds Its Breath Outside the courthouse, the scene was tense. Reporters gathered with cameras rolling, while families of the victims arrived in hopes of hearing answers and progress in the case. There was no answer. Not yet. For now, January 15 looms. Prosecutors will return with more evidence, more connections, more dots strung together. But for the families, answers won't erase the hollow space left behind by those 10 victims. As Suffolk County braces for what comes next, Long Island watches—listening, waiting, and wondering if the shadow of Gilgo Beach might ever truly lift. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com 

Kerry and Collin are joined by Cinema Femme's founder Rebecca Martin Fagerholm to talk about Jodie Foster's ensemble comedy "Home For The Holidays," starring Holly Hunter, Robert Downey, Jr., Anne Bancroft, Charles Durning, Cynthia Stevenson, Dylan McDermott, Geraldine Chaplin and Steve Guttenberg (wow!). Of all the holiday movies in the Family-Gathers-Together-For-The-Holidays sub-genre, this one gets it so, so right above many others. Why does Collin hold it in such high regard? How did Downey's behavior and antics effect the overall outcome of the film? How much food was cooked for the Thanksgiving scene and what happened to all of it. All this, plus Collin talks about the latest and greatest in physical media for the Blu-ray Gift Exchange.  Blu-ray movies covered: Sony: "American Movie" 4K (1999) Warner Bros: "The Hitcher" 4K (1986) Criterion: "Pandora's Box" (1929) "Demon Pond" (1979) Val Lewton Double Feature: "I Walked With A Zombie" and "The Seventh Victim" (1943) Warner Archive: "The Prairie Home Companion" (2006) "Bathing Beauty" (1944) "Journey Into Fear" (1943) Universal: "Touch" (2024)

Tis the season. Spooky season of course. Wow, is this movie rather shocking. I don't think we were prepared for what this 1943 flick had in store. Flawed? Heck yeah. But worth for few minutes to watch? Tune in and find out.

In this episode, Brian talks about the new 4k UHD release of the Val Lewton Produced films I WALKED WITH A ZOMBIE and THE SEVENTH VICTIM. This release makes all 9 of Lewtons RKO produced Horror films now available on Blu-ray and so Brian also runs through the previous Lewton discs that have come out as well. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! twitter.com/justthediscspod We're also on Instagram! instagram.com/justthediscspod/

Welcome back to Horror. Cult. Trash. Other. Podcast! This is the fourth episode of this year's Halloween Classics episodes that we are releasing throughout October. Next up, we have Val Lewton's creepy classic, The Seventh Victim, a fantastic blend of film-noir and horror that features phenomenal cinematography, queer undertones and Kim Hunter serving so many looks within just 71 minutes. Alongside our main film discussion, we also discuss what we've been watching recently including Transformers One and Smile 2. Email us at horror.cult.trash.other@gmail.com and check us out on Social Media at the following links www.facebook.com/horrorculttrashother Twitter - @horrorculttrash Instagram - @horror.cult.trash.other Theme song is Stick Around by Gary's old band, One Week Stand. Check them out on Spotify, iTunes and many other digital distributors!

Hey there all you Devil worshipers! My good pal Scott West is here and he picked out a fantastic but obscure film to talk about tonight. It's one that producer Val Lewton made and is really underrated in our humble opinions. So rather than continuing to extrapolate I'll just say hot download and enjoy! As usual, if you'd like to leave any feedback for the show, you can do so through email at Magazinesandmonsters@gmail.com or to me on Twitter @Billyd_licious or on the show's FB page. You can find Scott on Twitter @ScottMWest69 and definitely check out his books (Ghosts on the Highway, Strange Stories for Weird People) on Amazon! Thanks for listening.

Come travel back in time with us as we go back to 1943 to talk about our first black and white horror film.   We are covering this simply because a poster told us too.  A year ago we bought a scratch off poster and are slowly going through it to bring you movie reviews.   Come listen to what we thought about one of the first psychological horror films.  Starring Mike Albertin, Tiffany Albertin, and Kenneth Sanity.  Ken's Blog - https://kennethsanity.wordpress.com/2024/07/26/dirty-harry-the-hero-san-francisco-deserves-but-not-the-one-it-needs/ Gamer Looks at 40 - https://agamerlooksat40.com/ Helena - https://linktr.ee/helhathfury Patreon - https://www.patreon.com/GamesMyMomFound Follow us on Facebook. Twitter - @Mom_Found Instagram - gamesmymomfound_ YouTube  - https://youtube.com/c/GamesMyMomFoundPodcast Discord - https://discord.gg/YQRZB2sXJC

It's time for one of those massive episodes. What do I think was the greatest horror movie that came out in during the 1940s? Well, here we have the top 10. The worst 10. A stack of also rans. A bunch of mates. Some special guests. Several pints of beer & just over a 5 hour running time. This is the 1940s, a decade in horror. It's a long journey this one, and I am going to give you the time codes below so if you don't want spoilers then please, avert your eyes.Theme Music by Max Newton & Lucy Foster.Email the podcast at ayearinhorror@gmail.comFeel free to...Follow me on Twitter.Follow me on Instagram.Follow me on Letterboxd.Sign up to Patreon & make both our lives better.Below are the timecodes for all the different segments and my guest links. Feel free to let me know where you think I got it wrong or right and of course stay safe out there & I'll see you next month.0.31 - The Seventh Victim (1943) w/ Miranda Corcoran44.56 - Also Rans (Part 2)55.00 - The Phantom of the Opera (1943)1.33.36 - Frankenstein Meets The Wolf Man (1943)

Find Rodney:https://rodneyanonymous.comFind Dirk:https://vhuspodcast.threadless.comhttps://www.patreon.com/vhusvh-us.com 

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The Sexual Morality Act was fierce to buck, but the Algolian sex surrogate was ... er ... even fiercer!… Accept No Substitutes by Robert Sheckley, that's next on The Lost Sci-Fi Podcast.Robert Sheckley has been on our podcast twice previously with Watchbird and Seventh Victim. He's an under appreciated author and one of my favorites.Today's story first appeared in Infinity Science Fiction Magazine in March 1958. On the cover of the magazine it says, “She was made for love, a rowdy story by Robert Sheckley.” Let's turn to page 46 for, Accept No Substitutes by Robert Sheckley…Next on The Lost Sci-Fi Podcast, The aliens looked cute as Koalas. But there was a little matter of a graveyard of dead space-ships. The Small Bears by Gene L. Henderson.Buy me a coffee https://www.buymeacoffee.com/scottsVMerchandise - https://lostscifi.creator-spring.comYouTube - https://www.youtube.com/channel/UCgyNZ7w5w7O714NHkRv5psAFacebook - https://www.facebook.com/TheLostSciFiPodcastTwitter - https://twitter.com/lost_sci_fiSign up for our newsletter https://dashboard.mailerlite.com/forms/266431/102592606683269000/share Hosted on Acast. See acast.com/privacy for more information.

Let's face it: horror fans are, as a group, a little bit obsessive. When we sink our teeth into something we do not do it barely or easily, we take a big, honkin' bite.  If we become infatuated with a director, we want to see every film they've made, read a book about them, hear people talk about them, watch documentaries about them, and so on.  And the same is true for national horror cinemas, regional American horror cinemas, important eras, actors, subgenres, and the like.  And in recent years, a handful of visionary producers of physical media have recognized an opportunity in our longing and have invented and are currently inundating us with boxed sets.  These comprehensive, exhaustive, wonderful monsters have become a gravitational center point for our genre. But just a handful of years ago they mostly didn't exist, or were announced only every few years. Nowadays, we get several per year from companies like Severin, Vinegar Syndrome, Indicator, Arrow, and Scream! Factory, just to name a few.  So we figured it was time for Discover the Horror to take a long look at the history and impact of these monolithic pieces of film history.  Movies mentioned: 100 Years of Horror, Abby (1974), Alien (1979), Beast of Blood (1970), Beyond Dream's Door (1989), Beyond the Valley of the Dolls (1970), The Black Cat (1934), Blade in the Dark (1983), Blood of Ghastly Horror (1967), The Body Snatcher (1945), Bride of Frankenstein (1935), Carnival Magic (1983), Carnival of Blood (1970), Cat People (1942), City of the Living Dead (1980), Children Shouldn't Play with Dead Things (1972), The Chooper (1971), Creature with the Atomic Brain (1955), Curse of the Cat People (1944), Dawn of the Mummy (1981), Day of the Animals (1977), Deathdream (1974), Demons (1985), Demons 2 (1986), Deranged (1974), The Devil-Doll (1936), Dracula (1931), Emanuelle in Bangkok (1976), The Eroticist (1972), Fiend with the Electronic Brain (1967), Final Exam (1990), Flesh for Frankenstein (1973), The Fly (1958), Four Skulls of Jonathan Drake (1959), Frankenstein (1931), Freaks (1932), Friday the 13th (1980), The Ghost Ship (1943), The Giant Claw (1957), The Godfather (1972), Godzilla (1954), Grizzly (1976), Gruesome Twosome (1967), Hellraiser (1987), Help Me . . . I'm Possessed (1974), House by the Cemetery (1981), I Bury the Living (1958), Ilsa: She Wolf of the SS (1975), Images in a Convent (1979), The Invisible Man (1933), Isle of the Dead (1945), I Spit on Your Grave (1978), I Walked with a Zombie (1943), Jaws (1975), Killer Shrews (1959), Legacy of Blood (1978), The Leopard Man (1943), Mad Love (1935), Mako: The Jaws of Death (1976), The Manster (1959), Mark of the Vampire (1935), Mask of Fu Manchu (1932), The Mole People (1956), The Mummy (1932), The Mummy and the Curse of the Jackals (1969), Murders in the Zoo (1933), The Mystic (1925), New York Ripper (1982), A Nightmare on Elm Street (1984), Night of the Living Dead (1968), Night of the Strangler (1972), Old Dark House (1932), The Omen (1976), One on Top of the Other aka Perversion Story (1969), The Outing (1987), Phantasm (1979), Pieces (1982), The Psychic (1977), Psycho A Go-Go (1965), Raiders of the Lost Ark (1981), Return of Dracula (1958), The Return of the Fly (1959), Santa Sangre (1989), The Seventh Victim (1943), She-Devils on Wheels (1968), Star Wars (1977), Sting of Death (1966), Tale of the Mummy (1998), Tetsuo: The Iron Man (1989), Texas Chain Saw Massacre (1974), The Thing (1982), Three on a Meathook (1972), The Unknown (1927), The Werewolf (1956), Whiskey Mountain (1977), Winterbeast (1992), Wizard of Gore (1970), The Wolf Man (1941), Zombies of Mora Tau (1957)

The most dangerous game, said one writer, is Man. But there is another still more deadly! Seventh Victim by Robert Sheckley, that's next on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.The Lost Sci-Fi Podcast is growing like crazy, thanks to you, so we're delivering two bonus episodes this week, to say thank you. In two days, we're featuring the work of Harry Harrison and two days after that, Philip K. Dick returns.Thousands of you listen to us on podcast players like Apple, Spotify and Overcast and thousands more enjoy us on YouTube. Recent YouTube comments include this from Bob, “Thank you so much for these fabulous stories! I have a solitary job as a night custodian. I thoroughly enjoy these stories and the wonderful voice, who narrates them, as I work the graveyard shift. Thank you so much! Bob in Oregon” Thank you Bob!0therun1t21 says, “Well read! I love these stories, had to subscribe. Thank You!” Thank you for your comment 0therun!Dimitrikorsakov2570 had this to say, “Your narration is so damn good. You're so easy and pleasant to listen to.” Thanks Dimitri! Leave us a comment on YouTube or send us an email, scott@lostscifi.com. In the last couple of months, we've heard from Robert Sheckley twice, Watchbird and Beside Still Waters. Our Sheckley story today comes from the pages of Galaxy Science Fiction Magazine in April 1953. Let's go to page 38 for Seventh Victim by Robert Sheckley…In two days on The Lost Sci-Fi Podcast, James diGriz lives a life of crime, and he's good at it. Perhaps not as good as he thinks he is! The Stainless Steel Rat by Harry Harrison. And two days later we've got a story for you from Philip K. Dick. That's this week on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.Support the show

One man's retreat is another's prison... and it takes a heap of flying to make a hulk a home! Spacemen Die At Home by Edward W. Ludwig, that's next on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.We appreciate your 5-star reviews on Apple Podcasts. Gtree10 says. “Always a joy when a new story drops. Such a wonderful podcast, being able to listen to these great lost sci-fi stories from a range of authors (some well-know, some unknown). The reader does an incredible job bringing the stories to life. I eagerly look forward to next show dropping."Thank you Gtree10!!Kaydon Tye says, “A must listen to for sci-fi fans! I found the lost sci-fi podcast shortly after having a conversation about Philip K Dick with the attendant at the Holter Museum of Art in Helena Montana and looked for more about him. Being a big fan of classic and vintage literature I was pleasantly surprised to find your podcast. I was thrilled to see Philip K Dick as the pilot episode. I've been enjoying the narrator bring to life the story like an old time radio drama. From “The Plagiarist of Rigel IV” to “The Mind Digger” I hang on to every word to the end. I give the sci-fi podcast five stars and say it is a must listen for sci-fi fans.”Thanks Kaydon Tye!!If you like what we're doing you can help us by leaving a 5 Star review, if you think we deserve it, on Apple Podcasts. Or you can give us 5 stars on Spotify and you can leave a comment on our YouTube channel.Born in Tracy, California in July 1920, Edward William Ludwig had 16 short science fiction stories published in the 1950s, 6 in the 60s, 1 in the 70s and 2 short sci-fi stories in the 80s. We know he died in 1990 at the age of 69 and that's about it. The story we're about to hear was his 5th published story in the 1950s. Turn to page 75 in the October 1951 issue of Galaxy Science Fiction Magazine for Spacemen Die At Home by Edward W. Ludwig…Next week on The Lost Sci-Fi Podcast, The most dangerous game, said one writer, is Man. But there is another still more deadly! Seventh Victim by Robert Sheckley. That's next week on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.If you like vintage science fiction stories from Philip K. Dick, Isaac Asimov, H.G. Wells, Harlan Ellison and others, you will love The Lost Sci-Fi Podcast!Support the show

Strange how often the Millenium has been at hand. The idea is peace on Earth, see, and the way to do it is by figuring out angles.  Watchbird by Robert Sheckley, that's next on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.We added 3 episodes to the podcast last week, and we're doing it again this week, to say thank you for the explosion of new listeners and to reward you, our listeners who have been with us for a long time.I had never read a science fiction story by Robert Sheckley until Jesse recommend him. Sheckley was born to a Jewish family in Brooklyn, New York on July 16th, 1928. After graduating high school, he hitchhiked across country to California.He worked several jobs, joined the Army and left military service just two years later. Sheckley graduated from New York University in 1951 and within months his career as a writer took off. In late 1951 he sold his first story, “Final Examination” to “Imagination Stories of Science and Fantasy” magazine. He wrote more than 120 short stories in the 1950s and he continued writing until he died in 2005.He not only wrote short stories and novels but TV series episodes too. His 1953 short story “Seventh Victim” was the basis for the Italian film The 10th Victim. It starred Ursula Andress. You will hear “Seventh Victim” in a few weeks here on the podcast.The movie “Robots” which came out a few weeks ago starring Shailene Woodley is based on the Robert Sheckley short story “The Robot Who Looked Like Me”The short story you're about to hear was adapted for the short-lived TV series Masters of Science Fiction. We'll find our story in the February 1953 publication, “Galaxy Science Fiction” magazine. Turn to page 74 for Watchbird by Robert Sheckley…In 2 days on The Lost Sci-Fi Podcast, you asked for it and we're doing it. A combination of two requests. You asked for more super short science fiction stories and you asked for longer episodes of The Lost Sci-Fi Podcast. So, why not both? We've got 9 kinda short sci-fi stories for you in an episode that's a little over two hours! That's in 2 days on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.Support the show

For our RKO 1943 episode, we look at two films that exemplify the nascent RKO noir style: Richard Wallace's The Fallen Sparrow, starring John Garfield as a traumatized Spanish Civil War veteran hunted by Nazis and the Val Lewton production The Seventh Victim, starring Kim Hunter as a sheltered young woman who wants to find out about the sorrows of the world and does not want to be told to drink her milk. Featuring cinematography by Nicholas Musuraca and scores by Roy Webb, these films embrace opacity and ooze paranoia while presenting portraits of sophisticated New York milieus harbouring evil in their midst. And, keeping to the noir theme, in Fear and Moviegoing in Toronto we discuss a 30th anniversary screening of Brian De Palma's Carlito's Way, starring Al Pacino as a gangster who carries his doom around inside him.  Time Codes: 0h 00m 45s:      THE FALLEN SPARROW [(dir. Richard Wallace] 0h 29m 14s:      THE SEVENTH VICTIM [dir. Mark Robson] 1h 09m 06s:      FEAR & MOVIEGOING IN TORONTO – Brian De Palma's Carlito's Way (1993) at The Revue Cinema   Studio Film Capsules provided by The RKO Story by Richard B. Jewell & Vernon Harbin Additional studio information from: The Hollywood Story by Joel W. Finler                                     +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

HorrorAddicts.net Season 18 Manor of Frights, Episode# 222 Horror Hostess: Emerian Rich Intro Music by: Valentine Wolfe ************************************ 222 | Sumiko Saulson | Cathedral in Flames | Satanic Societies  http://traffic.libsyn.com/horroraddicts/HorrorAddicts222.mp3 Find all articles and interviews at: http://www.horroraddicts.net   129 days till Halloween Theme: #SatanicSocieties  #ManorofFrights Music: “Not Another Vampire” #CathedralinFlames #vampire https://youtu.be/ETMnpC_RpWg Catchup: #June #birthday #mothersday #graduation #50old #boringhours #peptalk #SelfCompassion #treatyourself #takeanap Historian of Horror: #MarkOrr #SatanicSocieties #RKO #TheSeventhVictim #1943horror https://en.wikipedia.org/wiki/The_Seventh_Victim   Dead Mail: #HorrorFan JEFF: #HappyBirthdayEmz  Sign Emz's Birthday Card: https://horroraddicts.wordpress.com/2023/06/01/sign-emerian-richs-birthday-card/ LELA: #WhatWeDointheShadows #WWDS #Season5 https://youtu.be/wCvO1QmAMXY MARTIN: #spookyfortunes #fortunecookiefortunes Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc… Also, send show theme ideas! horroraddicts@gmail.com Nightmare Fuel: #DJPitsiladis #HellfireClub #SatanicPanic   NEWS:  #Metamorph #Spellbound #Empress https://youtu.be/aiEdEap9AjM #BookReview #ArielDaWintre #MemoryBond #ARClayton #LionelRayGreen #Bigfoot #Hoax #MarkOrr #ParamontHorror #Silent Era #JesseOrr #ShadowsLove2 #EmzBlog #AuthorTips #TopReligiousHorrorFilms #Interviews #KyleToucher #JessicaLandry #Daphne #CultHorrorFilms #MeganStarrak #TheCounjuring2 #RussellHolbrook #SliceofSociety #JSOConnor #SpookyLocations #GoldBookCoveredBridge #VermontHorror #HorrorCurated #Halloween #HalloweenStories http://horrorcurated.com/ #Events  #BayCon Jun-July 2023 #RobertPicardo #StarTrekVoyager http://www.baycon.org ~~End of News~~    Feat Author: #SumikoSaulson #TheDessicatedHeart Read by #EmerianRich and #RishOutfield ------------------------------------- Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc… Also, send show theme ideas! horroraddicts@gmail.com h o s t e s s Emerian Rich b l o g  e d i t o r Kate Nox r e v i e w  c o o r d i n a t o r  Daphne Strasert s t a f f Jesse Orr, Lionel Green, Kieran Judge, Crystal Connor, Nightshade, R.L. Merrill, Mark Orr, DJ Pitsiladis, Russell Holbrook, Renata Pavrey, CM “Spookas” Lucas, JS O'Connor, Megan Starrak.   Want to be a part of the HA staff? Email horroraddicts@gmail.com b l o g  / c o n t a c t / s h o w . n o t e s http://www.horroraddicts.net the  belfry  app  https://www.thebelfry.rip I♥radio https://www.iheart.com/podcast/256-horroraddictsnet-30940547/ stitcher https://www.stitcher.com/podcast/horroraddictsnet spotify  https://open.spotify.com/show/0DtgSwv2Eh6aTepQi7ZWdv audible https://www.amazon.com/HorrorAddicts-net/dp/B08JJRM4NM overcast https://overcast.fm/itunes286123050/horroraddicts-net podcast republic https://www.podcastrepublic.net/podcast/286123050 himalaya  https://www.himalaya.com/en/show/501228 rss http://horroraddicts.libsyn.com/rss YouTube https://www.youtube.com/channel/UC4E9vnOzVkdRNLnL2QWVk3w Instagram https://www.instagram.com/horroraddicts.netpress/ Facebook https://www.facebook.com/horroraddicts.net Facebook Group https://www.facebook.com/groups/208379245861499

HorrorAddicts.net Season 18 Manor of Frights, Episode# 222 Horror Hostess: Emerian Rich Intro Music by: Valentine Wolfe ************************************ 222 | Sumiko Saulson | Cathedral in Flames | Satanic Societies  http://traffic.libsyn.com/horroraddicts/HorrorAddicts222.mp3 Find all articles and interviews at: http://www.horroraddicts.net   129 days till Halloween Theme: #SatanicSocieties  #ManorofFrights Music: “Not Another Vampire” #CathedralinFlames #vampire https://youtu.be/ETMnpC_RpWg Catchup: #June #birthday #mothersday #graduation #50old #boringhours #peptalk #SelfCompassion #treatyourself #takeanap Historian of Horror: #MarkOrr #SatanicSocieties #RKO #TheSeventhVictim #1943horror https://en.wikipedia.org/wiki/The_Seventh_Victim   Dead Mail: #HorrorFan JEFF: #HappyBirthdayEmz  Sign Emz's Birthday Card: https://horroraddicts.wordpress.com/2023/06/01/sign-emerian-richs-birthday-card/ LELA: #WhatWeDointheShadows #WWDS #Season5 https://youtu.be/wCvO1QmAMXY MARTIN: #spookyfortunes #fortunecookiefortunes Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc… Also, send show theme ideas! horroraddicts@gmail.com Nightmare Fuel: #DJPitsiladis #HellfireClub #SatanicPanic   NEWS:  #Metamorph #Spellbound #Empress https://youtu.be/aiEdEap9AjM #BookReview #ArielDaWintre #MemoryBond #ARClayton #LionelRayGreen #Bigfoot #Hoax #MarkOrr #ParamontHorror #Silent Era #JesseOrr #ShadowsLove2 #EmzBlog #AuthorTips #TopReligiousHorrorFilms #Interviews #KyleToucher #JessicaLandry #Daphne #CultHorrorFilms #MeganStarrak #TheCounjuring2 #RussellHolbrook #SliceofSociety #JSOConnor #SpookyLocations #GoldBookCoveredBridge #VermontHorror #HorrorCurated #Halloween #HalloweenStories http://horrorcurated.com/ #Events  #BayCon Jun-July 2023 #RobertPicardo #StarTrekVoyager http://www.baycon.org ~~End of News~~    Feat Author: #SumikoSaulson #TheDessicatedHeart Read by #EmerianRich and #RishOutfield ------------------------------------- Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc… Also, send show theme ideas! horroraddicts@gmail.com h o s t e s s Emerian Rich b l o g  e d i t o r Kate Nox r e v i e w  c o o r d i n a t o r  Daphne Strasert s t a f f Jesse Orr, Lionel Green, Kieran Judge, Crystal Connor, Nightshade, R.L. Merrill, Mark Orr, DJ Pitsiladis, Russell Holbrook, Renata Pavrey, CM “Spookas” Lucas, JS O'Connor, Megan Starrak.   Want to be a part of the HA staff? Email horroraddicts@gmail.com b l o g  / c o n t a c t / s h o w . n o t e s http://www.horroraddicts.net the  belfry  app  https://www.thebelfry.rip I♥radio https://www.iheart.com/podcast/256-horroraddictsnet-30940547/ stitcher https://www.stitcher.com/podcast/horroraddictsnet spotify  https://open.spotify.com/show/0DtgSwv2Eh6aTepQi7ZWdv audible https://www.amazon.com/HorrorAddicts-net/dp/B08JJRM4NM overcast https://overcast.fm/itunes286123050/horroraddicts-net podcast republic https://www.podcastrepublic.net/podcast/286123050 himalaya  https://www.himalaya.com/en/show/501228 rss http://horroraddicts.libsyn.com/rss YouTube https://www.youtube.com/channel/UC4E9vnOzVkdRNLnL2QWVk3w Instagram https://www.instagram.com/horroraddicts.netpress/ Facebook https://www.facebook.com/horroraddicts.net Facebook Group https://www.facebook.com/groups/208379245861499  

Episode 232 We've got four more movies and a short film this week: We'll start with the wild, indie film “Oops! You're a Vampire” and then go insane with “Jacob's Ladder” and “The House that Jack Built.” Then we'll watch a literal “cult classic” with “The Seventh Victim” from way back in 1943! For our bonus films, over at https://horrorbulletin.com, we have: •    “Coming Home in the Dark” (2021) a revenge thriller •    “Frankestein el Vampiro y Compañía” (1962) AKA “Frankenstein, The Vampire, and Company” Check out all our books! The Horror Guys Guide to: •    The Horror Films of Peter Cushing •    The Horror Films of Vincent Price •    Universal Studios' Shock! Theater •    Universal Studios' Son of Shock! •    Hammer Horror Films •    The Silent Age of Horror •    The Horror Films of Roger Corman •    The Horror Guys Guide To The Halloween Films (Free!) Creepy Fiction: •    A Sextet of Strange Stagings: Six Surprising Scripts •    Tales to Make You Shiver, Volumes 1 and 2 Here. We. Go! Links: •    Oops! You're a Vampire (2022) •    Jacob's Ladder (1990) •    Short Film: The Dead Collectors (2023) •    The House that Jack Built (2018) •    The Seventh Victim (1943) And that's our show. Thanks for joining us. Stop in during the week at our website, HorrorMovieGuys.com, for news and horror updates, to comment on this podcast, or to contact us. Get ready for next week, where we'll watch four more full-lengths and a fun short film! Stay tuned! Stay tuned for more regular and bonus reviews next week! •    Email: email@horrorguys.com  •    Book Store: https://brianschell.com/collection/horrorguys •    The web: http://www.horrorguys.com •    Subscribe by email: http://horrorbulletin.substack.com •    Facebook: https://www.facebook.com/horrormovieguys •    Twitter: http://twitter.com/HorrorMovieGuys •    Theme Music by Kevin MacLeod of Incompetech.com

It's Pride Month, and much like the United States, we're going back in time and getting scared of gay people. Come hang out while we talk about the little-known bleak cult horror of The Seventh Victim (1943), along with Hitchcock's classic tale of murder, intrigue, and out-of-control carousels, Strangers On a Train (1951). We mention it within the episode, but as an additional warning, The Seventh Victim deals heavily with suicide, so if you want to skip past that part of the double feature, you can pick back up with Strangers On a Train at the 32:45 mark. A proud part of the Morbidly Beautiful Podcast Network. Our drive for intersectionality aligns well with the Morbidly Beautiful ethos. We love that MB is a nonprofit that gives back to the horror community, and are thrilled to be a part of the network! Show now also streaming on morbidlybeautiful.com!  Movies Discussed: The Seventh Victim (1943), Strangers On a Train (1951) Links: IG- instagram.com/nyfgpod Twitter- twitter.com/nyfgpod FB- facebook.com/nyfgpodcast/ Pod merch- https://society6.com/nyfgpod I am Not Your Final Girl by Claire C. Holland- https://www.amazon.com/Am-Not-Your-Final-Girl/dp/0692966633 Bandcamp- arieldyer.bandcamp.com Show art by Brian Demarest: instagram.com/evilflynn

Hello and welcome listeners to Episode 188 of Journey with a Cinephile: A Horror Movie Podcast. In this episode, your tour guide, David Garrett Jr., is continuing his Traverse through the Threes with #11. The Featured Reviews are The Boogeyman (2023) and the Seventh Victim (1943). This double feature isn't the greatest. What I can say though is crimes are committed and figuring out who the killer is makes the story. Also on this episode are Mini-Reviews of The Mummy's Shroud (1967), The Outwaters (2022), King Kong Escapes (1967), The Found Footage Phenomenon (2021) and Manos: The Hands of Fate (1966). I hope you enjoy coming on this journey with me! Time Codes: Intro: 0:00 - 2:55 Mini-Reviews: 3:01 - 23:49 The Boogeyman (2023) Trailer: 23:49 - 26:12 The Boogeyman (2023) Review: 26:12 - 36:33 The Seventh Victim Trailer: 36:33 - 37:46 The Seventh Victim Review: 37:46 - 50:22 Outro: 50:28 - 52:50 Social Media: Email: journeywithacinephile@gmail.com Reviews of the Dead Link: https://horrorreview.webnode.com/ Facebook: https://www.facebook.com/dgarrettjr Twitter: https://www.twitter.com/buckeyefrommich Letterboxd: https://letterboxd.com/davidosu/ Instagram: davidosu87 Journey with a Cinephile Instagram: journeywithacinephile

Future Tense 74-05-06 (01) The Seventh Victim

Jason Henderson of Castle of Horror podcast and Castle Bridge Media publishing joins Jim Towns for an in-depth discussion on RKO's The Seventh Victim, from 1943.Produced by Val Lewton and directed by first timer Mark Robson, the film stars a young Kim Hunter (Zira in Planet of the Apes), Lewton regular Tom Conway, Jean Brooks (The Leopard Man/The Invisible Man Returns) and  Hugh Beaumont ("Leave it to Beaver") in a dark tale of devil worship and mental derangement, evocatively photographed in stark black and white-a Lewton trademark.Content Warning: this episode contains discussions on suicide and mental illness.

Choice Classic Radio presents to you X Minus One, which aired from 1955 to 1958. Today we bring to you the episode titled "The Seventh Victim.” We hope you enjoy the show! Please consider supporting our show by becoming a patron at http://choiceclassicradio.com

Get ready for Big Cat action because we're tackling another Val Lewton film: 1942's Cat People. Joining us with incredible insights courtesy of her (forthcoming) book Queer For Fear is Dr. Heather Petrocelli.We're talking about the power and legacy of subtextual queer horror, how Otherness intermingles with queerness, why you shouldn't hate Alice too much (but Oliver needs to die), and the infamous Lewton bus and pool scenes.Plus: film noir lighting, the return of The Seventh Victim's predatory Dr. Judd, and comparisons to the 80s remake (Tits! Incest! Malcolm McDowell!)Reference: Elizabeth Erwin. “Cat People (1942): Coding Lesbianism Via Otherness.” Horror HomeroomQuestions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Heather: @queerforfear (Instagram)Be sure to support the boys on Patreon! Theme Music: Alexander Nakarada Hosted on Acast. See acast.com/privacy for more information.

We get high-vallewton* with Tim Quirk, longtime cinephile and frontman of one of The Pink Smoke's favorite bands, Too Much Joy. At the height of the pandemic, Quirk initiated a binge of great movies that led him to Val Lewton's legendary run of low-budget horror films produced for RKO Pictures in the 1940's. Quirk was captivated by these deep philosophical explorations of darkness and isolation, which directly inspired songs on the latest Too Much Joy albums, Mistakes Were Made and All These Fucking Feelings. Focusing on The Seventh Victim and I Walked with a Zombie (both released in 1943), we tap into Tim's enthusiasm for the economical creepiness, profound purple dialogue and "the glitter of putrescence" that preoccupies those who inhabit the shadows of Lewton's screen. Are they the real monsters? Do we as a society have a collective death wish? Are these complex explorations of loneliness, fear and self-destruction even really horror movies? However you define them, there's no question that Lewton's films are unlike anything else. * Like, highfalutin.** ** We would at least task any other lyricists inspired by these movies to write a song that rhymes "highfalutin" with "Val Lewton." Support our Patreon: www.patreon.com/thepinksmoke Tim Quirk on Twitter: https://twitter.com/tbquirk Too Much Joy on Twitter: https://twitter.com/TooMuchJoyHQ The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro/Outro Music: Too Much Joy "I Met a Ghost."

The Martin and Lewis Show, originally broadcast June 9, 1953, with guest Phyllis Thaxter. Dean and Jerry try to get Phyllis to star in their new motion picture. Also X Minus One, originally broadcast June 9, 1953, The Seventh Victim. It's not easy to join the "Tens Club." After six kills, a hunter finds an unusual "victim" who presents an unusual defense!

In this episode Donny and Phil talk about She (1985), Sorority Babes In The SlimeBall Bowl-O-Rama (1988), The Curse of the Cat People (1944), The Seventh Victim (1943), Isle of the Dead (1945), Vampyr (1932), The Eyes of Tammy Faye (2021), Shiva Baby (2020), Won't You Be My Neighbor (2018), Hail, Caesar! (2016) then discuss their thoughts on Ambulance (2022)Join Donny and Phil next week where they share their thoughts on The Northman (2022).

Everything is honky dory! Drusilla and Josh watched SO MANY MOVIES this week. Alice Doesn't Live Here Anymore, A Raisin in the Sun, Shaft, Passport to Pimlico, Mike Leigh, Sunday in New York starring Jane Fonda Josh's birthday twin, Our Flag Means Death, Josh hates Taika Waititi, Bergman Report: Cries and Whispers, Kids, Alligator, I Blame Society, and Reform School Girls.Then they go into the feature, Val Lewton's The Seventh Victim. They discuss Lewton's deal with RKO, Cat People, the inscrutable quality and the glamor of this film, how much we love Jean Brooks as Jacqueline, Magica de Spell, suicide narratives, leather driving gloves, our favorite cults, Christopher Lee and The Wicker Man, and finally, Have They Seen It?

X Minus One is an American half-hour science fiction radio drama series that broadcast from April 24, 1955 to January 9, 1958 in various time slots on NBC. Known for high production values in adapting stories from the leading American authors of the era, X Minus One has been described as one of the finest offerings of American radio drama and one of the best science fiction series in any medium. Overview: Initially a revival of NBC's Dimension X (1950–51), the first 15 episodes of X Minus One were new versions of Dimension X episodes, but the remainder were adaptations by NBC staff writers, including Ernest Kinoy and George Lefferts, of newly published science fiction stories by leading writers in the field, including Isaac Asimov, Ray Bradbury, Philip K. Dick, Robert A. Heinlein, Frederik Pohl and Theodore Sturgeon, along with some original scripts by Kinoy and Lefferts. Included in the series were adaptations of Robert Sheckley's "Skulking Permit," Bradbury's "Mars Is Heaven", Heinlein's "Universe" and "The Green Hills of Earth'', " Pohl's "The Tunnel under the World", J. T. McIntosh's "Hallucination Orbit", Fritz Leiber's "A Pail of Air '', and George Lefferts' "The Parade". The program opened with announcer Fred Collins delivering the countdown, leading into the following introduction (although later shows beginning with Episode 37 were partnered with Galaxy Science Fiction rather than Astounding Science Fiction): Countdown for blastoff... X minus five, four, three, two, X minus one... Fire! [Rocket launch SFX] From the far horizons of the unknown come transcribed tales of new dimensions in time and space. These are stories of the future; adventures in which you'll live in a million could-be years on a thousand may-be worlds. The National Broadcasting Company, in cooperation with Street & Smith, publishers of Astounding Science Fiction presents... X Minus One. The series was canceled after the 126th broadcast on January 9, 1958. However, the early 1970s brought a wave of nostalgia for old-time radio; a new experimental episode, "The Iron Chancellor" by Robert Silverberg, was produced in 1973, but it failed to revive the series. NBC also tried broadcasting the old recordings, but their irregular once-monthly scheduling kept even devoted listeners from following the broadcasts. The series was re-released in podcast form beginning on June 22, 2007. In November 2008, Counter-Productions Theater Company became the first theater company to stage three episodes, "The Parade", "A Logic Named Joe", and "Hallucination Orbit".

Stay away from the wine because we, along with celebrated queer author David Demchuk, are covering our first Val Lewton film:The Seventh Victim (1943).The HEAVILY queer coded text is a nice alternative to our Universal Monster films, though we recommend having a comedy for when you finish because this movie is grim and nihilistic! Also, should we become Satanists? Because the Palladists don't seem that bad!Up for discussion: disdain for the male characters, Lewton's classic "cat jump" sequence, and Frances' emotional outburst as confirmation of a lesbian relationship.Plus: Joe gushes over Jean Brooks' performance, Trace cannot remember the poet's name, and David questions Redi's decision to put the logo of her secret society on a perfume bottle.Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> David: @spo0ky_dad / Website: daviddemchuk.comBe sure to support the boys on Patreon! See acast.com/privacy for privacy and opt-out information.

Welcome to Screaming Through the Ages where you can get your bi-weekly fix of a topic relating to the history and legacy of horror movies. Throughout Chapter 1 I'll be discussing the life and times of Val Lewton. In this episode We will take a look into Lewton's next set of films, The Seventh Victim, The Ghost Ship and The Curse of the Cat People. I also go into Lewton's first earnest attempt to break out of horror and the hardships that followed. You can follow the podcast on Twitter @ScreamingAges You can send an email to screamingthroughtheages@yahoo.com The show's official website is screamingthroughtheages.com Opening Track by https://pixabay.com/users/defekt_maschine-14798912/?tab=audio&utm_source=link-attribution&utm_medium=referral&utm_campaign=audio&utm_content=8411 (ipsyduckk) from https://pixabay.com/?utm_source=link-attribution&utm_medium=referral&utm_campaign=music&utm_content=8411 (Pixabay) Closing Track by https://pixabay.com/users/gioelefazzeri-16466931/?tab=audio&utm_source=link-attribution&utm_medium=referral&utm_campaign=audio&utm_content=1987 (GioeleFazzeri) from https://pixabay.com/music/?utm_source=link-attribution&utm_medium=referral&utm_campaign=music&utm_content=1987 (Pixabay)

Nightmare Alley (1947), The Amazing Mr. X (aka The Spiritualist) (1948), & The Seventh Victim (1943) ALL MOVIES SPOILED In this film block, Alex Vlahov, the curator of OnlyFilmNoir, takes Jeremy and Brian into a world of film noir beyond the grave! Follow OnlyFilmNoir here: Instagram https://www.instagram.com/onlyfilmnoir Where to watch: The 7th Victim (DVD) Nightmare Alley (Blu-Ray) The Amazing Mr. X (Blu-Ray | YouTube) Further reading: Painting with Light by John Alton Nightmare Alley by William Lindsay Gresham Other films referenced: Nightmare Alley (2021) Rosemary's Baby Leopard Man Apache Drums Mademoiselle Fifi The Big Lebowski The Curse of the Cat People Cat People (1942) Isle of the Dead Psycho (1960) Someone's Watching Me! Weekend at Bernie's House of Games Shadowlands (1993) Grease Impact (1949) Sweet Smell of Success Crimson Peak The Shape of Water Creature from the Black Lagoon Shock (1946) Valley of the Dolls Beyond the Valley of the Dolls T-Men Raw Deal (1948) The Big Combo An American in Paris The Changeling River's Edge Roman Holiday

We continue Horrortober with a trip back to the time before slasher films and even modern horror all together with a true Val Lewton classic: The 7th Victim. Starring Jean Brooks as Jacqueline, a woman with nothing to live for, it follows her sister as she attempts to find Jacqueline in gothic New York. It is a precursor to Psycho and many 70s horror films including Rosemary's Baby. Pulp Serenade's Cullen Gallagher and DC Titan's Richard Hatem join Chris to talk about the film, Val Lewton's filmography, and Halloween musings. You can follow Chris Stachiw at @Casualty_Chris and the Kulturecast @kulturecast. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content, along with our Patreon page.

Original Air Date: March 6th, 1957 Reincarnated Radio Cast: Stan - Ian Geers Immanuel Gale/Janet - Christie Farrell Morger/Ed/Taxi Driver - Dave Stishan Music Used: "The Cat's Shadow" and "City of Crime" originally composed and produced by "Vivek Abhishek"

This first episode is all about the shocking and sensual '40s classic, The Seventh Victim, produced by RKO maestro Val Lewton and directed by Mark Robson, who became famous for "Valley of the Dolls" a couple decades later.

This week on the Best Supporting Aftershow we learn that Colin has made his first foray into the wonderful world of estate sales! The hosts chat about Lizzo's upcoming sophomore album, the Sex and the City reboot, and much more! In our BSA of the Week segment, Nick upgrades his sound equipment and cannot get enough of Happy Endings on Hulu, (specifically Zachary Knight). Colin gives a high recommendation to an early Kim Hunter vehicle in 1943's The Seventh Victim and officially declares himself as a White Lotus Gay.

Your favorite online radio ghouls form a cult in their tastefully-appointed parlor to discuss portrayal of old-timey gay people, mental illness, and movies that are Just Moods in 1943's THE SEVENTH VICTIM! swimfanspod.com

For our 43rd episode, Austin goes solo to present a movie lesson about classic film noir. This installment covers nine noirs during America's involvement in WWII (1941-1945), including The Maltese Falcon (1941), This Gun For Hire (1942), The Glass Key (1942), The Seventh Victim (1943), Double Indemnity (1944), Ministry of Fear (1944), Laura (1944), The Woman in the Window (1944), and Murder, My Sweet (1944). All that and more on this episode of Medium Cool! Enjoy!0:00 - Introduction3:45 - Movie Lesson: WWII-Era Film Noir7:35 - The Maltese Falcon (1941)14:03 - This Gun For Hire (1942)19:57 - The Glass Key (1942)25:22 - The Seventh Victim (1943)33:06 - Double Indemnity (1944)47:24 - Ministry of Fear (1944)54:30 - Laura (1944)1:02:37 - The Woman in the Window (1944)1:11:25 - Murder, My Sweet (1944)1:21:50 - OutroPlease subscribe to Medium Cool: A Movie Podcast wherever you get your podcasts! Also, follow us on social media to get updates on all of the exciting things we have coming up!Facebook: www.Facebook.com/mediumcoolpodInstagram: MediumCoolPodTwitter: @MediumCoolPod / Host's Twitter: @AustinGliddenLetterboxd: www.letterboxd.com/AustinGliddenYouTube: https://www.youtube.com/channel/UCloDyC7c094vxCxUDlc0-XQEmail: MediumCoolPod@gmail.com

Katie and Kristi break down an email sent by Chad detailing some of his visions of the end of times. Also, whisperings of another victim have emerged. We'll tell you all about it!

“Hell is a teenage girl” As a used to be teenage girl, can confirm. Would not recommend. Buckle up, this episode has demon possession, cannibalism, wannabe teenage rock gods, and a whooooooole lot of teenage angst. That's right, this episode we're covering Jennifer's Body. This 2009 kitschy horror wasn't exactly a box-office success when it was released, which is a shame, because it really is bloody brilliant. Thankfully, it's finally being appreciated as a cult classic 12 years later. Did you know that it was inspired by a true crime? Listen in we take a look at the horror behind the horror of Jennifer's body. But, TW, the crime is horrific. In our Learn from the Best segment: - Read: A Dead Body Lying Next to Mine — Satanic Murder, by Lisa Marie Fuqua - Read: In the Name of Satan, A True Story of Human Sacrifice, Devil Worship, and Murder, by Wensley Clarkson https://www.kobo.com/us/en/ebook/in-the-name-of-satan - Watch: Hail Satan for some background into modern day Satanists - Extra source material: https://www.sanluisobispo.com/news/local/crime/article39122823.html This week's Obscure Film Club picks are all dark ritualistic themed: - The Devil Rides Out (1968) - The Day Of The Beast (1995) - The Seventh Victim (1943) - The Blood On Satan's Claw (1971) - Rage (2020) Follow us on: Instagram: @thewitcherypodact Twitter: @PodcastWitchery Email us: hello@witcherypodcast.com

“I run to death, and death meets me as fast, and all my pleasures are like yesterday.”  Join this episode’s Grue-Crew – Whitney Collazo, Chad Hunt, Daphne Monary-Ernsdorff, Joseph Perry, and Jeff Mohr – as they journey once more to the dark world of Val Lewton with The Seventh Victim (1943). Decades of Horror: The […]

“I run to death, and death meets me as fast, and all my pleasures are like yesterday.”  Join this episode's Grue-Crew – Whitney Collazo, Chad Hunt, Daphne Monary-Ernsdorff, Joseph Perry, and Jeff Mohr – as they journey once more to the dark world of Val Lewton with The Seventh Victim (1943). Decades of Horror: The […]

The Bloody Awesome Movie Podcast in its new format. In the past, we did a monthly episode where we looked back at four big movies released in the prior month. From now on, we focus on a single film, usually a new release (hopefully theatrically at some point) giving a spoiler free review. Then Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk (@berkreviews) from Berkreviews.com will introduce a variety of movies or pop-culture related topics in a series of segments. Review of Godzilla vs. Kong (2021) Directed by Adam Wingard Written by Terry Rossio, Michael Dougherty, and Zach Shields Starring Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, and Demián Bichir IMDb.com Synopsis: The epic next chapter in the cinematic Monsterverse pits two of the greatest icons in motion picture history against one another - the fearsome Godzilla and the mighty Kong - with humanity caught in the balance. RT 76% critic, 60 Metascore, and 6.7 IMDb user score RELEASE location/ DATE: HBO Max and theaters Box Office: ‘Godzilla vs. Kong’ Sets Pandemic Record With $48.5 Million Debut Chuffed Headlines Movie/Pop culture news that caught our attention Matt’s Headline: Whedon Reportedly Threatened Gadot's Career During Justice League Reshoots Ghostbusters: Afterlife Brings The Franchise Back To Life Says Bill Murray (briefly) Jon’s Headline: Kevin Smith Shares Wonderful Tribute To Clerks 28 Years Later Media Consumption Movies, TV, Video Games, Music, Podcasts (not ours), etc that we use to pass the time Matt’s others: Amelie Invincible E4, The Boys Season One, Falcon and the Winter Soldier E3 Jonathan’s others: Blank Check Podcast - A New Leaf A Silent Voice, Godzilla vs Kong(lol), I Walk with a Zombie, The Leopard Man, The Heartbreak Kid, The Seventh Victim, Star Trek V: The Final Frontier, Search Party S2 and part of 3, Falcon and the Winter Soldier E3 BAMP on Twitter | BAMP on Instagram | TeePublic Merchandise Jon on Twitter | Jon on IG | Jon on Letterboxd.com Matt on Twitter | Matt on IG | Matt on Letterboxd.com Berkreviews.com | WhatIWatchedTonight.co.uk --- Send in a voice message: https://anchor.fm/bloody-awesome/message Support this podcast: https://anchor.fm/bloody-awesome/support

Original airdate: March 6, 1957--- Send in a voice message: https://anchor.fm/w-blaine-dowler2/message See acast.com/privacy for privacy and opt-out information.

The Seventh Victim, with Bokrijks Belgian Golden Ale, from Brouwerij Sterkens. A young woman goes in search of her missing sister and uncovers quite possibly the most unthreatening cult of devil worshippers in cinema history. And we drink a delicious Belgian beer from a brewery that's been around since 1651. It's an interesting film that tackles some taboo subjects for that time, and the beer is dynamite. Join us this Saturday.   Follow Us: Instagram: https://www.instagram.com/beer_and_b_movies/ Twitter: https://twitter.com/beerand_bmovies  

Katie and Kristi break down an email sent by Chad detailing some of his visions of the end of times. Also, whisperings of another victim have emerged. We'll tell you all about it! --- Support this podcast: https://anchor.fm/truecrimetps/support

In today's episode, David and Shaun turn their attention to Cat People (1942) and its loose sequel, The Seventh Victim (1943). Together, they discuss the impact these films had on the development of the horror genre, the terror of the beast within, the treatment of cults and psychiatry in each film, and much more! Prepare yourselves […]

This time, the boy discuss another title from Reel Future, Robert Sheckley’s “The Seventh Victim,” adapted to La Decima Vittima (The 10th Victim) in 1965.       Rankings!: Colin: Story James Story Movie Seth: Story Movie Notes: Archive.org copy of the story: http://archive.org/stream/galaxymagazine-1953-04/Galxy_1953_04#page/n39/mode/2up

In a podcast first, the podcast...repeats itself. But in a thematic way! To celebrate the end of Shocktober alongside Halloween, Peter returns to five different conversations exploring the horror genre in some way. First, Michael Koresky talks about the fear-inducing but plainly stylized The Seventh Victim, which turns classical continuity into a source of horror. Then, Kim Morgan explores trauma in the highly underrated rape drama Something Wild with Carroll Baker. Then it's back to Classical Hollywood with Farran Nehme-Smith's choice of Three Strangers, a supernatural film noir where a promise from a Chinese goddess only leads to doom for Geraldine Fitzgerald, Sydney Greetstreet, and poor Peter Lorre. Then the line between horror, comedy, documentary, and general "WTF" is truly bent with Matt Singer's choice of The Buried Secret of M. Night Shaymalan, which (inadvertently?) explores the limits and literalism of auteurism. Finally, we go to the purest horror film of all time with Angela Catalano's choice of The Texas Chain Saw Massacre, a film that knows no boundaries when it comes to showing unadulterated malice. It's time to revisit our most frightening conversations! 0:00-3:52 Opening 5:16-19:03 The Seventh Victim with Michael Koresky 20:45-34:50 Something Wild with Kim Morgan 36:48-55:08 Three Strangers with Farran Nehme-Smith 56:11-59:13 Sponsorship Section 1:00:59-1:20:45 The Buried Secret of M. Night Shaymalan with Matt Singer 1:21:52-1:38:48 The Texas Chain Saw Massacre with Angela Catalano 1:38:53-1:40:48 Close

THE FILM & WATER PODCAST Episode 66: THE SEVENTH VICTIM Rob welcomes film blogger and podcaster DAVID FIORE to discuss one of their favorite horror films, Val Lewton's THE SEVENTH VICTIM! Have a question or comment? Looking for more great content? DAVID FIORE - http://culturalconversation.libsyn.com/podcast E-MAIL: firewaterpodcast@comcast.net Follow THE FILM & WATER PODCAST on Twitter: @FilmAndWaterPod Subscribe via iTunes: https://itunes.apple.com/us/podcast/the-film-and-water-podcast/id1077572484 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Thanks for listening! That's A Wrap!  

It would probably take days to count the number of film publications that launched in the early years of the current millennium, but Reverse Shot, which Michael Koresky co-founded, has been a cornerstone of intelligent and dynamic film writing for over a decade now. Peter sits down with Michael to chart out the publication's origins, the voice the site created, Michael's own work with the Criterion Collection, and his upcoming book on British director Terrence Davies. Finally, the two examine the nothing-else-like-it horror film, The Seventh Victim, a Val Lewton produced existential drama that manages to bring chills down both their spines with one little phrase: "death is good."   0:00-1:36 Opening2:24-8:40 Establishing Shots - BAMCinemafest (Ellie Lumme and Something, Anything)9:25-54:02 Deep Focus - Michael Koresky56:48-1:11:49 Double Exposure - The Seventh Victim (Mark Robson)1:11:53-1:13:32 Close

This week, we covered our first Val Lewton film with a review of The Seventh Victim. Can a 70 year old movie still give you the creeps? Tune in to find out. We also discuss Maleficent, Philomena, Kit Kittredge: An American Girl and Dude, Where My Dog? Yup, that's quite a week. Join our Facebook group and get involved! 206-350-9002 marriedwithclickers@gmail.com http://www.stitcher.com/podcast/married-with-clickers