Podcasts about nambi

In this episode, guest host Chris Stetkiewicz talks with Microsoft Principal Researcher Akshay Nambi about his focus on developing AI-driven technology that addresses real-world challenges at scale. Drawing on firsthand experiences, Nambi combines his expertise in electronics and computer science to create systems that enhance road safety, agriculture, and energy infrastructure. He's currently working on AI-powered tools to improve education, including a digital assistant that can help teachers work more efficiently and create effective lesson plans and solutions to help improve the accuracy of models underpinning AI tutors.

Join us as we talk to Ottawa-born singer-songwriter Nambi! She has become one of her city's most darling and well-respected voices. She talks to Niha and Gabriel about her music journey, having a family, her inspirations and the meaning and importance of building a community. With the help of FACTOR Canada, Nambi is currently putting the finishing touches on her third studio album, “Latebloomer Vol 1”, released in 2025. Listen to Nambi on Apple Music and Spotify Find her on Instagram @nambimusic This episode is hosted by Niha Shahzad and Gabriel Cormier and produced by Marcela Popowich.

Curious about what a Minister thinks of Kendrick's new album, Jamie Foxx, and Kevin Hart? Find the answers in this episode of the IDEAA-nomics podcast! Niha Shahzad, Host and Sr. Director of the Canadian Center for Women's Empowerment, speaks with the ⁠Hon. Minister Marci Ien,⁠ Minister of Women, Gender Equality and Youth about Gender-Based Violence, Economic Abuse, importantly the health of men and boys, and how comedy and art have the power to heal. In this episode, they talk about the good work of Canadian organizations WhiteRibbon , NextGenMen to help men and boys. They also highlight the new way that the Canadian Center for Women's Empowerment (CCFWE) is engaging the public on Economic Abuse including the CCFWE's new original song, Ascending (out now on Apple Music and Spotify), the accompanying Music Video and Social Media and Dance Challenges (complete with Gift prizes) ending on Dec 20, to raise awareness about Economic Abuse.   Canadian artists and comedians that came into the mix:  ⁠Jesse Singh, a.k.a. The Punjabi Timbit⁠: The hilarious stand-up comedian and social worker, who is helping young men and boys find healthy emotional outlets through art therapy.  SABRE: the lead artist on CCFWE's song Ascending, raising awareness on Economic Abuse Ottawa Dance Schools Vibes Dance Academy and Upasana Spirit of Dance who brought the powerful story about women facing economic abuse to life in CCFWE's Help Us Rise Music Video. Nambi, the incomparable Award-winning musician, who produced the theme song for the IDEAA-nomics podcast. Cranium Arts Project that is hosting a Hip Hop Food Drive today, Dec 13, to support over 10 Food banks in Ottawa.  Koga, an Ottawa-based music collective, which includes R&B artist Yoharis, whose music touches on toxicity in relationships.

Welcome to another episode of The Sisterhood of Sweat! I'm so excited to have the talented actor Nambi Nylumbi join us today. Nambi is best known for his roles on shows like Night Court, The Good Fight, and Mike & Molly. But his journey to success is truly inspiring. Nambi shared an amazing story about how a simple act of kindness - a stranger giving him $20 on the street - ended up changing the trajectory of his career. That $20 got him to an important audition, which led to booking his breakout role on Mike & Molly. And the rest, as they say, is history. Nambi has such a positive and grateful outlook on life. He's proof that with hard work, talent, and a little bit of luck, you can achieve your dreams. I know our listeners are going to be uplifted and motivated by his story. So without further ado, let's dive into my conversation with the one and only Nyambi Nyambi! Questions Asked: Are you still living in New York City? Did you see yourself growing up as an actor like when you were younger, what did you want to be? Can you tell us how $20 changed your life? Tell us why you want people to watch Night Court. What is going to be their blessing from that? How you can stay in touch with Linda: Website Facebook Twitter Instagram Pinterest YouTube SoundCloud   "Proud Sponsors of the Sisterhood of S.W.E.A.T"  Essential Formulas

'n Rustige geselsie met Henrieke oor haar bustoer deur Nambië. Kopiereg vir Vinger van God behoort aan Pieter Best * Lisensie details en oorspronklike foto: https://en.wikipedia.org/wiki/Mukurob#/media/File:Namibia_Mukurob_01.jpg

L.I.N.G, Prefix One, Nambi, NEMESIS, Harlem Dance Club, Galactic Soul Synergy, Oscar P, The TwinsRoy Davis JrJust a few names of artist tracks on this weeks showThank you.

This month's SBS Sinhalese cinema segment analysed the “Rocketry: The Nambi Effect" Movie. - SBS සිංහල ගුවන් විදුලියේ මාසික සිනමා විශේෂාංගය වන "නොදුටු සිනමාවෙන්" මෙවර "Rocketry: The Nambi Effect" චිත්‍රපටය පිළිබඳ කතා බහක්.

Oh Perumalae unnai nambi thanae Kalangama iruken pa

On this episode, we're continuing our interest in wrongfully disgraced scientists with Rocketry: The Nambi Effect. This film depicts one of the central figures involved in the IRO espionage scandal in the early nineties, Nambi Narayanan. Topics include solid vs liquid propulsion, James Bond, and renaissance fairs - it's a weird one for sure but join us anyway!Follow us on Instagram @GoodChemPod for episode updates, email us at goodchempod@gmail.com and don't forget to like, rate, and subscribe!

In this episode I host Denis Abwakat @abwakat, Dennis is familiar with all aspects of the production process, from pitching to budgeting to wrap. ​ He is familiar with Drones, SFX, Green screens, Low loaders & U-cranes, Boats, Motion control, Food shoots, High-speed, Tracking vehicles, Underwater units, Stunt work, Choreography, Large-scale crowds (300+) and, of course, children and animals! ​ Besides working with international brands such as Adidas, Nike, Apple, Netflix, Amazon and IHG, he also has extensive experience working with Tier 1 talent including English Premier League footballers, numerous international football stars, Actors and Musicians. On the podcast Denis talks about his Journey into film production in a new country United Kingdom, and how connections helped him to land on all these big job opportunities. He talks about getting an opportunity to work as a producer on the Nambi short film a story that originates from the original story of Kintu who was believed to be the first Muganda. He also gives us a little behind the scenes of shooting this film. Tune in to listen to our full conversation on YouTube and wherever you get your podcasts. Join us on our social media platforms https://linktr.ee/theugandanboytalkshow --- Send in a voice message: https://podcasters.spotify.com/pod/show/bonny-kibuuka/message

Join us on a mesmerizing journey with award-winning Afrosoul artist Kenneth Mugabi as he shares his personal narrative and musical odyssey within the vibrant cultural landscape of East Africa, specifically Uganda. In this episode of Ugandan Art Speaks Out, Kenneth Mugabi delves into the rich tapestry of his life's experiences and how they have woven the threads of his music. Discover the soul-stirring stories that have shaped his artistry, culminating in his 2019 Hipipo Best Soul Song Award-winning track, "Nkwegomba," from his celebrated album "Ugandan," which continues to resonate with audiences worldwide. Explore the essence of his second studio album, "Kibunomu," and the heartwarming melodies of tracks like "Naki," "Nambi," and "Kibunomu."For those who want to connect with Kenneth Mugabi or learn more about his music, you can reach out to him on his official social media profiles (Facebook: Kenneth Mugabi X: @kennethmugabi , Instagram: kenneth_mugabi, YouTube: Kenneth Mugabi Music ) and website: https://kennethmugabi.com/.  Kenneth Mugabi's music is a testament to the power of storytelling and its enduring impact on our past, present, and future. Don't miss this captivating episode where Ugandan art speaks through the soulful melodies of Kenneth Mugabi.Support the Show.Listen to Ugandan Art Speaks Out on all podcast platforms. For more information and to explore further, visit our website at https://www.ugandanartspeaksout.com/Contact us at adnan@omuti.org or director@omuti.org

India's space agency launched a rocket on Friday that will attempt to land a spacecraft at the lunar south pole, an unprecedented feat that would advance India's position as a major space power.Legendary Indian Scientist Nambi Narayan. Hosted on Acast. See acast.com/privacy for more information.

Kundhavai & Minister plan to send Nambi & VT along with AK to Kadambur 3.28 ஒற்றனுக்கு ஒற்றன்

Thirunaaraiyoor Nambi has more fans than Madhurandhagadevar 3.17 திருநாரையூர் நம்பி Ponniyin Selvan

https://www.facebook.com/Kadhai-Alai-110533884622633/ https://www.instagram.com/kadhaialai/ http://twitter.com/kadhai_alai https://youtube.com/c/KadhaiAlaiTamilAudioBooks

A version of this essay was published by firstpost.com at https://www.firstpost.com/opinion/shadow-warrior-three-exemplars-of-indian-cinema-in-2022-rrr-the-kashmir-files-and-kantara-11940742.html2022 was a watershed year for Indian cinema and cinephiles. At long last, the formulaic Hindi/Urdu cinema that has dominated both mindshare and box office took a beating, for it appears to no longer appeal to the consuming public. It has long been accused of lack of originality; its anti-Indian slant, and especially its overt anti-Hindu stance, have now begun to annoy large numbers of viewers. They voted with their wallets, as per BookMyShow.The yeoman efforts by @GemsofBollywood to demonstrate bad faith on the part of the industry have had an impact, as can be seen from the number of expensive flops: Lal Singh Chaddha, Shamshera, Raksha Bandhan, Cirkus, Dobaara, Liger. They should change course, though given the current crop of agenda-ridden poseurs and nepo-kids, it's not clear they can.As a direct consequence of the arrival a few years ago of high-bandwidth fiber-to-the-home, many cinema viewers have also become accustomed to a wide range of offerings on OTT like Netflix and Amazon Prime Video. This has made them aware of cinema from around the world that frankly shows that Bollywood has always been inferior in content and form, except for the film music (at least in earlier days). I was at one time a cineaste, enjoying the 20th century works of Kurosawa, Ray, Eisenstein, the Italian and French masters, Bergman, and the Indian New Wave. It was easy to dismiss the cinematic quality of the Mumbai film industry; but it has always been influential, and has set the narrative about India both internally and in the developing world, as well as Russia and Japan. For a variety of reasons (including simple prejudice), the Mumbai film industry has not been able to make a mark on Western audiences, and RRR is the first Indian film to make waves in the US market. In a positive write-up about why RRR deserves an Oscar, perhaps for Best Picture (yes, not for Best International Feature), Douglas Laman suggests that Indian films have been unfairly ignored (h/t Hari G).Thank you for reading Shadow Warrior. This post is public so feel free to share it.The fact is that all three of the films that became visible successes in 2022 (along with other big box-office successes KGF 2, Ponniyin Selvan, Pushpa) have origins outside the formulaic Mumbai industry, and it may well be the beginning of a trend. The three are distinctive and different, and it is arguable that they are archetypes of three types or even three genres of cinema. Cinema as spectacleRRR is cinema as spectacle (harking back to the big Hollywood productions whose intent it was to awe); The Kashmir Files is realistic, almost documentary in tone; and Kantara, the most difficult to precisely pigeonhole, is impressionistic, a cultural phenomenon immersing you in a world that you must be an insider to fully appreciate. RRR is the easiest for audiences to appreciate, because it compels suspension of disbelief, and draws you into its make-believe world with its fantastic stunts and subtle theme of rebellion against authority and cruel white colonialism (which appeals to the newly woke sentiment of film fans especially in the US). It is cinema as entertainment; the dances and the swashbuckling take center stage with the buddy story while the freedom struggle is sort of in the background.In a sense this kind of cinema is the lineal descendant of the story-tellers and bards of old. In India we had the katha-kalakshepam artists and traveling theater troupes telling/performing stories from the Puranas. Similarly, in many places there were shadow-puppet shows, again with heroic stories from the epics (like the wayang kulit of Java). Children would sit breathless often in dim lamplight, entranced by tales of brave warriors and fair maidens. SS Rajamouli, the director of RRR, is in that tradition: he tells tall tales, and he does it well. In fact, his two Baahubali films were masterpieces of the art, and they were among the very best Indian films in decades. Gorgeous sets, glorious set-piece battles, beautiful princesses, treachery, stalwart warriors, noble companions, fearsome villains – the works. And they were entirely believable because they were epics set in the (distant) mythical past, fables. Hollywood used to specialize in these too: remember Ben Hur and the like? Or even Kurosawa's Ran, Seven Samurai and Kagemusha. Therein lies my small gripe about RRR: since it is set in the recent past, I found it hard to engage with the superhuman stunts and the dance sequences, which were quite appropriate in the Baahubali films. Okay, that's just me.This also probably means that Rajamouli will be snatched away by Hollywood's rich ecosystem, as has happened to talented Hong Kong and Australian directors, who moved on to bigger and better things and global fame after relocating. That would be good for him, but bad for Indian film. Realist cinema, including cinema verite I am a fan of the understated and realistic school, having always preferred the low-key off-Bollywood film, such as Charulata, Pather Panchali, Bhuvan Shome, Chomana Dudi and in particular in Malayalam Uttarayanam, Thampu, Elippathayam. There is a subset of this realism, the class of historical film that does not veer into propaganda, for instance the Soviet masterpiece Battleship Potemkin or the Jewish-holocaust epic Schindler's List.Vivek Ranjan Agnihotri, who created The Kashmir Files, is known for his powerful and hard-hitting contemporary portrayals of Indian culture. His Buddha in a Traffic Jam was an indictment of the ‘Urban Naxal' phenomenon that seems to have infiltrated academia and media, and which, one could cogently argue, is a grave and existential threat to the nation. All of us who lived through the dark days of the 1990s and remember the newspaper headlines about Jammu and Kashmir then knew terrible things happened there to the minority population: a violent, religion-motivated ethnic cleansing. But much of this was swept under the carpet in the interest of some Nehruvian-Stalinist secularism. Unlike for other peoples who were targeted and exterminated, there has been no truth and reconciliation for Kashmiri Hindus.The Kashmir Files is almost entirely based on actual, well-documented atrocities against a defenseless civilian population, slightly fictionalized, and it is a damning indictment of the fecklessness of the Indian State, and in particular of the mindset that allowed the murders, rapes, and ethnic cleansing of Indian citizens by foreign-funded terrorists. [Note the Jammu attacks on Jan 2, 2023 as well: Hindus targeted and shot, and IEDs left in the house].That an Israeli leftist film-maker dared to deride TKF as ‘vulgar propaganda' as the head of the jury of the government-sponsored International Film Festival of India 2022 shows that the pusillanimity of the Indian State continues to this day. (I was also reminded of the powerful Malayalam Piravi, about one of the young men who ‘disappeared' during the Emergency.) But nothing takes away from the reality of the Kashmir holocaust; TKF is as chilling, and as accurate, a portrait as the Killing Fields was of Pol Pot's Cambodian holocaust of the 1970s. Thanks for reading Shadow Warrior! Subscribe for free to receive new posts and support my work.Cultural and spiritual phenomenonKantara is a difficult-to-define film, because it doesn't fit into a neat category. I wish I could say it was like Kurasawa's works, for example Rashomon, which immerse you into medieval Japan without apology or explanation. But Kurosawa was deeply influenced not only by traditional Japanese literature and theater, but also by Western film and theater traditions, and therefore his work is pretty much immediately understandable to a Western audience. Not so with Kantara. It is hard enough for many Indians to relate to the film; I imagine it would be well-nigh impossible for those from a non-Hindu frame of mind to do so. Even among Hindus, quite a few were baffled and could not relate to it. I was induced to see it by a wonderful review by the photographer Gowri Subramanya, and my expectations were sky-high.I could immediately understand and relate to the idea that there are spirits all around, a typically Hindu view. Thinking about it later, I remembered O V Vijayan's Little Ones, about benign family spirits that appeared as little dancing points of light, always there in times of trouble. But many Hindus might find it hard to relate to.I too had a bit of a hard time relating to the protagonist Siva's (played by director Rishab Shetty himself) wayward life: all the drinking and boar-hunting and the ‘bro' life irritated me because I wanted him to be the bhoota kola spirit dancer that he avoided becoming. (Spoiler alert) But in the end, he cannot evade his destiny, and in a glorious apotheosis he does become the fearsome Guliga. I later realized he had to go through his Hero's Journey (as Nambi did in Rocketry): that was what the story was all about. Maybe I was primed to appreciate Kantara, as Malabar's theyyams are almost identical to the bhoota kola in neighboring Tulunadu. I have watched, at dusk, the awe-inspiring appearance of the thee-poti, or the Devi with fire; and the Gulikan, the fierce guardian deity. They appeal to me, for I believe in this land and its ancient autochthonic deities. And here's an interesting dance interpretation of varaharoopam by two Kerala women. Varaha Roopam|Dance choreography |Pooja and Mariya |KantaraBut a lot of Hindus have been gaslighted and taught in school to disdain the gods of their ancestors; they have picked up half-baked Western, Abrahamic prejudices, which in the final analysis are based on blind faith that is doctrinally defined to be unquestionable. They are apologetic, and may try to ‘explain' the Hindu world-view to those who are programmed to not comprehend. If you will pardon my introducing a personal note, this is very much like what happened when the late Varsha Bhosle and I started writing unapologetic Hindu nationalist columns on rediff.com around 1995. They resonated with many; but others, nurtured on standard leftie fare, fulminated against us as though we violated their deeply held beliefs. Well, actually, yes. I have seen innumerable films that either demonize Hinduism (almost the entire oeuvre of Urduwood) or try to present a sanitized face for Western consumption. Kantara is the first film I have seen that presents Hindu beliefs as itihasa (iti-hasa, thus it is and was). This is the way things are. Deal with it. The fact that these three films of three different genres were successful – and the intensely patriotic Rocketry: The Nambi Effect was a hit too – is a tremendous boost for India. It's time to move away from self-flagellating mediocrity to proudly present Indian cinema as part of a cultural renaissance, as Japan, Hong Kong and Korea have done in the past. 1750 words, 1 Jan 2023 This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com

"Under the Tree" is an initiative to re - live the child hood and our lives by relating to stories by great writers of yesteryears. The objective is to rekindle the interest of reading and showcase the Indian authors work which give rebirth to the tradition, culture. Spiritual series that is rich in Indian ethos along with Management aspects increase positivity which is much needed always..

Spiritual series that is rich in Indian ethos along with mythological, historical stories that helps to know more about authentic Indian history

Shoshana Nambi, first woman rabbi from the Abuyudaya Jewish community of Uganda, and author of the new children's book "The Very Best Sukkah: A Story from Uganda"

Checkout all our works here - https://linktr.ee/tamilpreneur Kumar Vembu, CEO of GoFrugal, a digital-first company offering cloud and mobile ERP solutions to Retail, Restaurant and Distribution businesses. He shares his thought on gap in our education system and tips for future entrepreneurs. Join Tamilpreneur Club - a family of 1000+ Tamil speaking entrepreneurs. You get Exclusive App based Digital Community. Interactions with Startup Founders. ​Startup Masterclasses in Tamil. Virtual Networking session. Discounts on Sangamam and Workshops. Startup Credits (AWS, Zoho) worth INR 10 Lacs Join Tamilpreneur Club here - https://tamilpreneur.in/club COUPON CODE - PODCAST

SHOW NOTES: https://jewishbooks.blogspot.com/2022/10/the-very-best-sukkah.html The Very Best Sukkah: A Story from Uganda is Shoshana Nambi's debut picture book. She is a member of the Abayudaya, the Jewish community of Uganda, and is in the U.S. studying at Hebrew Union College to become the country's first female rabbi. This delightful story, rich with authentic detail, was named to the Association of Jewish Libraries' Holiday Highlights Fall 2022 Holiday Highlights list. TRANSCRIPT: https://otter.ai/u/MEabsphMJkcAf5rK9S3c19vxAEs

A biography on life of the scientist of ISRO and his life after getting accused in ISRO espionage case --- Send in a voice message: https://anchor.fm/rajiv-varma/message

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It's a special day highlighting our relationship with our partner church in Nambi, Costa Rica.

How do we personally take action to shift the narrative?   With an energetic calm that is both inspiring and soothing, playwright/actor/producer Nambi E. Kelley (Native Son, Re-Memori, Jabari Dreams of Freedom) joins hosts Jason and Yvonne Lee for a discussion about how we take action to shift the narrative from one that is exclusive and often incorrect, to one that is authentic to ourselves and our stories.   Knowing that small change can make a tidal wave of change, these three discuss their personal journeys as examples of how they have individually taken action to change the narrative. From acting in roles and productions with representative stories, to providing access to those who are climbing the ladder now, to adapting stories with strong messages, this episode is full of inspiring solutions to using your voice and career to make change.   As they say, if we don't take action now, we're not just letting down those who came before us, but those who came after us.   Jason makes his first original-recipe cocktail and names it Bureau 68 after being inspired by the actions of the Freedmen's Bureau of 1865-1868. As he says, “[This cocktail] is built upon the specs of others through the lens of access, brought together in the combination of remembrance of all these accomplishments but also the combined bittersweetness of success.”    What advice can we give to those coming up behind us? How can we strive for individuality and the freedom that brings?   Nambi and The Lees suggest that by maintaining identity, self-love and actualizing kindness, we can achieve individuality. By being individual, which means being true-to-self, we can achieve a level of freedom; they further  encourage us to be scared but then also be courageous. They ask, how do you change the narrative – how do you impact people? You tell the truth.   For more spirited discussions, make sure to subscribe to the podcast. And if you've enjoyed thinking and mocktailing along with us, we'd love for you to leave us a review. Cheers … and Please Drink Responsibly!   Links:   Guests: Nambi E. Kelley http://www.nambikelley.com/   Jabari Dreams of Freedom www.jabari-dreams-of-freedom.com   First Woman, Inc. http://www.firstwomaninc.com/   The Freedmen's Bureau – The Bureau of Refugees, Freedmen and Abandoned Lands (Freedmen's Bureau 1865-68 primary years) https://www.freedmensbureau.com/ https://www.senate.gov/artandhistory/history/common/generic/FreedmensBureau.htm   GirlTrek https://www.girltrek.org/   Lifeline - film https://lagralane.com/#portfolio   Infants of the Spring by Wallace Thurman https://www.goodreads.com/book/show/868448.Infants_of_the_Spring   Lower Depth Theatre www.lower-depth.com     Additional Links + Special thanks to: Podcast Haven - https://thepodcasthaven.com/ Liam E. Allen (original music) - @Liamea97     Cocktail Recipe: Bureau 68 Bureau 68 was coined & created by Jason after being inspired by the actions of the Freedmen's Bureau of 1865-1868. 2.5 oz Hine Cognac 3/4 oz Rammazzotti Amaro 1/2 oz fresh lemon AND lime juice 1/4 oz simple syrup Dash of Angostura Bitters Dash(es) of Chard Cedar + Currant Bitters (Bitters Lab) 2 Blackberries   Shake & serve in Martini Glass. Add blackberry garnish.

The movie well displays the intricacies and sensitivities attached with the the life and times of Prof. Nambi Narayan of ISRO. A movie which details how India's success story was derailed by some people with malicious and negative intents against India. Its a well narrated film which shows who are the real heroes behind India's growth and success, those who efforts have been maligned and sidelined to satisfy the hunger of power hungry

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This week on The Late Take, Anupama Chopra and Anmol Jamwal (@Tried&Refused Productions.) are dissecting Rocketry: The Nambi Effect & Rashtra Kavach Om, released in theatres over the weekend. What did you think of the R. Madhavan starrer that tells the story of aerospace engineer Nambi Narayanan and the Aditya Roy Kapur action flick? Head to YouTube and share your thoughts with us. Keep listening till the end where they read viewer responses. 

Film critics Rahul Desai and Uday Bhatia discuss the two recent Hindi releases, Jugjugg Jeeyo and Rocketry: The Nambi Effect.

जासूसी के झूठे आरोप में गिरफ्तार हुए साइंटिस्ट की कहानी पे बनी R Madhwan की फिल्म Rocketry: The Nambi Effects ने तोड़े रिकार्ड्स   शानदार मुकाबले के बाद सिनी शेट्ठी ने हासिल किया मिस इंडिया २०२२ का खिताब   साउथ फिल्म "कैथी" की रीमेक एक्शन थ्रिल  "भोला" को अजय देवगन करेंगे डायरेक्ट और दृश्यम के बाद एक बार फिर फिल्म में साथ होंगी तब्बू  जर्मनी में साथ हुए स्पॉटAthiya Shettey और K L Rahul - आखिर क्या माजरा है दोनों में क्या पाक रहा है Support the show: https://www.jagran.com/See omnystudio.com/listener for privacy information.

The story of Nambi Narayanan is a thriller soaked in tragedy. The ISRO scientist was a brilliant, arrogant, adamant rule-breaker, a man Tom Cruise's Maverick from Top Gun might have admired. This is the review of the Bollywood movie Rocketry: The Nambi Effect written and directed by R. Madhavan.

The story of Nambi Narayanan is a thriller soaked in tragedy. The ISRO scientist was a brilliant, arrogant, adamant rule-breaker, a man Tom Cruise's Maverick from Top Gun might have admired. This is the review of the Bollywood movie Rocketry: The Nambi Effect written and directed by R. Madhavan.

"Rocketry: The Nambi Effect" film is the directorial debut of Bollywood actor R Madhavan, who also plays the lead role in it. The new film is a biographical drama that traces the life and achievements of an Indian scientist Dr Nambi Narayanan, who was falsely accused of espionage. In this podcast, SBS Hindi speaks to the actor who shares how his passion for the film almost led him to reconstruct his jaw to achieve a perfect appearance. 

Rocketry: The Nambi Effect is an upcoming Indian biographical drama film based on the life of Nambi Narayanan, a former scientist and aerospace engineer of the Indian Space Research Organization. Roopan Jeganathan the Vidukadai host of American Tamil Media meets with Actor R. Madhavan on this episode. --- Support this podcast: https://anchor.fm/americantamilradio/support

Sizzling Samachar of the day - 5th May 2022Welcome to Sizzling Samachar on OTTplay, I'm your host Nikhil.Samachar first up,From Lenny Kravitz to Emilia Clarke, Madhavan to Kamal Hassan, and more storiesParamount+ to launch in India in 2023Paramount+ will enter India's fledgling OTT industry next year in partnership with Viacom18. The streaming service will also be launched in South Korea, Italy, Germany, France, Switzerland, and Austria in the coming months. With the launch, viewers can access Paramount+'s extensive catalog of original shows and popular films across all genres. Lenny Kravitz joins Vito Schnabel's The TrainerGrammy-winning singer-songwriter Lenny Kravitz, Gavin Rossdale, Gus Van Sant, Colleen Camp and Beverly D'Angelo have joined the cast of The Trainer, starring Vito Schnabel. Tony Kaye, who is best known for directing American History X, will helm the project. The black comedy is centered on Schnabel's character, Jack, a fitness expert living with his mother in Los Angeles. Schnabel, Kaye, and Jeremy Steckler are producing the film. Felicity Jones and Jonathan Bailey to star in MariaThe Theory of Everything actress Felicity Jones and Bridgerton star Jonathan Bailey will star in a romantic comedy titled, Maria. Jones will play Maria, while Bailey will essay the role of her boyfriend. The film also stars Jason Isaacs. Simon Amstell, whose previous works include Carnage and Benjamin, is directing the movie.Rosalie Craig and Vinette Robinson join The Pod GenerationRosalie Craig and Vinette Robinson have signed to star alongside Emilia Clarke and Chiwetel Ejiofor in the upcoming movie The Pod Generation. In the film, Clarke and Ejiofor play a couple who plan to have a baby. Clark will also serve as an executive producer for the film directed by Sophie Barthes.R Madhavan's Rocketry The Nambi Effect to premiere at CannesR Madhavan's directorial debut, Rocketry The Nambi Effect, will have its world premiere at the Cannes Film Festival on May 19. The film, which is based on the life of former ISRO scientist Nambi Narayanan, will be released in theatres on July 1. Madhavan plays Narayanan in the film.Neil Patrick Harris' Uncoupled to release on July 29How I Met Your Mother actor Neil Patrick Harris' comedy series Uncoupled will release on Netflix on July 29. Created by Darren Star and Jeffrey Richman, the eight-part series revolves around Patrick's character Michael, who thinks his life is perfect until his husband leaves him. Disney+ Hotstar bags OTT rights of VikramDisney+ Hostar has bagged the OTT rights of the highly-anticipated Tamil movie Vikram starring Kamal Haasan, Vijay Sethupathi and Fahadh Faasil. The film is set to hit the big screens on June 3. Directed by Lokesh Kanakaraj, the action thriller also features Antony Varghese, Naren, Arjun Das, Chemban Vinod Jose, Kalidas Jayaram, Gayathrie Shankar, Shivani Narayanan and Anish Padmanabhan. Well thats the Samachar for today from the world of movies and entertainment , until the next  episode its your host Nikhil signing out.Aaj kya dekhoge OTTplay se poochoWritten By Arya Harikumar

Vandhiyathevan's encounter with Aazhvaarkadiyaan Nambi. #Ponniyinselvan #ps1 #kalki #tamil #tamilnovel #storytelling 

Heated argument starts between Chinna Pazhuvettaraiyar and Velar while Nambi executes his plan.

Nambi makes a plan to save Vandhiyathevan.

Nambi investigates Poonghuzhali and Amudhan to find out the truth.

Listen to get great insights into what coaching is all about and borrow many life changing thoughts from Coach Janet Nambi. She joined us from Uganda and is causing transformations across the world through her coaching.Please see below for all her resourceshttps://www.linkedin.com/in/janetnambiIG @unconsciousbrilliancebyjnhttps://www.facebook.com/UnconsciousBrilliance/https://www.unconsciousbrilliance.com/

Nambi tricks Pinahubani and Kandanmaaram to follow Karuthiruman and Madhurandagar.

On this week's episode of the #IdeationCorner, Damali Ssali hosts Janet Nambi, the Founder of Unconscious Brilliance, as she talks about life coaching and how to harness your full potential in the shortest time.

Long live the King!. If you know someone who would enjoy this episode, share it with them! Email me at AUgandanBabe@gmail.com and follow me on Twitter at @essKentaro to continue the conversation. Thanks for listening, give us a like, rate us on apple podcasts and follow the channel if you enjoyed this episode. I hope you will be back for the next one. Tags: A Ugandan Babe, Kentaro, Uganda, Buganda, Bunyoro-Kitara, Bachwezi, Chwezi, Cwezi, Babiito, Kintu, Nambi, Kabaka, Nnabageraka.  Sources: - https://www.buganda.or.ug/nnabagereka - https://www.cambridge.org/core/journals/history-in-africa/article/abs/traditions-of-the-early-kings-of-buganda-myth-history-and-structural-analysis/448947600571FCA7B72C2F4C67EEF947 - The Orisha podcast: How Kintu and Nambi brought death to earth - Stories Mother Told podcast: The Nakku of Buganda Kingdom - https://en.wikipedia.org/wiki/Kintu --- Send in a voice message: https://anchor.fm/skentaro/message

For today's episode we have Ashtavaidyan Alathiyoor Dr. A N Narayanan Nambi, one of the leading figures in Ayurveda, a star orator, teacher, clinician and researcher with deep ties in developing Ayurvedic curriculums around the world. He represents the rich ancestry of Ashtavaidyas- the legendary traditional medical families of India, perhaps unique in the entire world, for they have carried forward their knowledge for centuries from none other than the source, Acharya Vagbhata, author of Ashtanga Hridaya. Acharya Vagbhata or his disciples are said to have travelled to Kerala with the precious documents, to protect it for humanity's sake. They covered a distance from the Sindh region of Punjab, present day Pakistan to the Southern most tip of India, more than 1500 miles, possibly escaping persecutions and slave raids. In Kerala they found fertile ground, 18 families came together to study Sanskritam and the medical practice. They became an inseparable part of Kerala's Ayurvedic history. Dr. Nambi is one of the few remaining from this unbroken tradition. Dr Nambi is a strict adherent of classical Ayurveda which may diverge from the currently practiced form of Ayurveda.I enjoyed this conversation very much, and I do hope you will sit with his Website --- Send in a voice message: https://anchor.fm/salila-sukumaran/message

Full Notations -> http://www.shivkumar.org/music/#n Ragam: Hindolam (20th Melakartha Ragam) ARO: S G2 M1 D1 N2 S || AVA: S N2 D1 M1 G2 S || Talam: Adi Composer: Papanasam Sivan Version: Ram Kaushik Lyrics Courtesy: Lakshman Ragde Pallavi: nambik-keTTavar evar aiyA umai nAyakanait-tirumayilaiyin iraivanai Anupallavi: ambuli gangai aNinda jaTAdharan anbar manam vaLar shambhu kapAliyai Charanam: onrumE payan illai enru uNarnda pinbavar uNDenbAr ovvoru manidanum oru nAL in-nilai eiduadurudi idai marandAr anru sheyal azhindala marupozhudu shivan peyar nAvil vArAdE AdalinAl manamE inrE shiva nAmam shollip-pazhakku anbudan Meaning: (approximate…) P: Who ("evar") has suffered ("kettavar") after believing ("nambi") in you, O Lord Shiva ? O the husband ("naayakanai") of Uma! O the lord ("iraivanai") who resides ("il") in Tirumayil (?) A: O Shiva, the lord who wears ("aninda") a crescent moon ("ambuli") on his forehead and the river ganga ("gangai") on his matted hair ("jataadharan"). You fulfill the desires ("manam valar") of those you worship you with love ("anbar"). O Shambhu! O Kapali! C: Those who realize ("uNarnda") that there is nothing ("illai") created in the universe ("onrume payan") but you will subsequently ("pinbavar") reach you ("uNDenbAr"). Every ("ovvoru") person ("manidanum") will have to leave ("eiduadurudi") this state of life ("in-nilai") one day ("oru nAL"), but they forget ("marandAr") this universal truth ("idai"). On that day ("anru"), the time ("-pozhudu") when their body and speech ("sheyal azhindala") will cease to function ("maru-"), they will not be able ("vArAdE") to invoke your name ("Shivan Peyar") on their tongue ("nAvil"). Therefore in preparation for that eventuality ("AdalinAl "), O Mind ("manamE"), start now itself ("inrE") getting into the habit ("pazhakku") of constantly chanting ("shollip ") the name ("nAmam") of Shiva, with love ("anbudan").

பொன்னியின் செல்வன் பகுதி 02/ ஆழ்வார்க்கடியான் நம்பி

The Podcast Sessions with Rutendo Nyamuda — Producer of the Webby-Nominated, AfroQueer Podcast, Aida Holly-Nambi speaks to Rutendo Nyamuda about the journey of a podcast that give a voice to the LGBTQI+ community through their documentary-styled podcast. In this episode Aida explains the production process of their team of six people that has brought them much intonational recognition including being nominated for a Webby Award as well as being chosen for the PRX & Google Podcasts creator program .

The Podcast Sessions with Rutendo Nyamuda — Producer of the Webby-Nominated, AfroQueer Podcast, Aida Holly-Nambi speaks to Rutendo Nyamuda about the journey of a podcast that give a voice to the LGBTQI+ community through their documentary-styled podcast. In this episode Aida explains the production process of their team of six people that has brought them much intonational recognition including being nominated for a Webby Award as well as being chosen for the PRX & Google Podcasts creator program .

For this episode we'll be looking back on the legacy of Toni Morrison with Nambi E. Kelley. Kelley is an actor, playwright, and screenwriter. As an actor she's appeared in numerous onstage roles with leading regional theaters, as well as in TV shows like Search Party, Madame Secretary, Elementary, and The Beast opposite Patrick Swayze. Her writing career has included plays like Xtigone, For Her as a Piano, and, perhaps most prominently, an acclaimed adaptation of Richard Wright's novel Native Son, which has been widely produced and is currently running Off-Broadway in a production by The Acting Company. Her latest play, however, is an adaptation of Toni Morrison's novel Jazz, written at Morrison's request. Given Morrison's recent passing, this seemed like a perfect opportunity to reflect on her literary impact, as well as to catch up with Kelley on her busy artistic life—which now also includes writing for the third season of Showtime's series The Chi. If you're a fan of either of these writers' work, I think you're going to enjoy this conversation on what it was like for Kelley to spend the last few years delving into Morrison's writing, including the unexpected phrase she found that, to quote her, “blew her mind.” But in addition to discussing her adaptation of Jazz, she also shares an inside look at how she got her new job in television, and somehow this interview even ends with her father's advice on relationships. So if you wanted some TV and dating tips thrown in with your coverage of the late Toni Morrison's Nobel Prize-winning legacy, this show has you covered. Follow us:Nambi E. Kelley--Website: http://www.nambikelley.com/Twitter: @NambiKelleyThis show--The Plot: @ThePlotPodcastSean Douglass: @_SeanDouglass_

Photo credit Eric Crawford Dev's been playing drums since 1993, in symphonic band, marching band, jazz band, and various musicals. He stopped playing for a few years in his 20's, a silly decision he hopes you won't repeat.Since 2014 Dev has been a musician and organizer in https://vamola.org/, the Seattle drum and dance bloco. He also plays for dance classes around the city.For the last two years he's been visiting groups all over the US and Canada. He's hoping to visit and play with every samba group in North America. You'll probably recognize him as that guy who shows up for a rehearsal in your town and then disappears for a year.When he's not playing music, Dev is a data scientist at the Fred Hutchinson Cancer Research Center.Yep, he's a giant nerd. For example, this episode isn't really about music, it's about paperwork.Links: Dev's how to start a non-profit document: https://docs.google.com/document/d/1w34DRKd2SwsfdP83wR9R1nrk7WRWfjrz9qpKvR2sHRg/edit?usp=sharinghttps://www.facebook.com/dev.nambi https://devnambi.com https://vamola.orghttps://blocopacifico.com/ me@devnambi.com This podcast sponsored by Go Samba! All your samba drums and gear can be found here! Click to shop!