Podcasts about sound space

The Lumineers joined KROQ hosts Klein and Ally, along with a room full of lucky listeners, at Audacy's Helpful Honda Sound Space in Los Angeles to celebrate the release of the group's 2025 album, Automatic, and give us a taste of what's ahead on their upcoming world tour. The Lumineers recently revealed details surrounding the highly-anticipated North American leg of their Automatic 2025 World Tour -- with dates beginning July 3. As the band gets set to drop by stadiums, arenas, and amphitheaters across the US and Canada through mid-October in celebration of their 2025 album Automatic, Jeremiah Fraites and Wesley Schultz gave fans a taste of what's to come with a special set recorded live in Los Angeles. Sitting down to chat with one half of the duo, Wesley Schultz, during the event, Klein began by questioning him about a crime that is mentioned in their track “Same Old Song,” which he believes took place when the band last visited KROQ. “Wesley, are we responsible for you losing your mom's guitar forever?” Klein wondered. “It was 2011 actually, so you guys wouldn't have played us back then, sadly,” Wes explains. “We were filming a takeaway show, where you would show up and it was one take, so you couldn't edit, and you couldn't fix anything. We went into La Brea Park by the tar pits and we -- I think the only instrument we have is a mandolin -- so we're playing that song ‘Classy Girls,' and our friend was filming us. We came back to the minivan and it was like 3:30 in the afternoon, and the trunk had been just popped open… Anyway, we were just confused. Like, we opened up the trunk and we're like, ‘Oh, where are they?' That's funny, where are the instruments?' Because it's just daytime you don't think, and it's a really busy street. Yeah, they took everything, but they left the keys behind, meaning they left the keyboard because that was too heavy for them, or too big. Too worthless. I don't know.” “I wrote a lot of those songs on my mom's guitar that they took, so it was kind of sad,” he adds. “We filled out a police report and on the top right, it has your number of the day of crime and we were like 1,472 of that, and the cop was like, ‘You're not gonna see that.'” “The other cool thing,” Wes continues, “We had three more weeks to tour and everyone along that tour lent us instruments. I remember one of the cities, the guy from the 4 Non Blondes who played acoustic guitar gave us a guitar for that gig. Everywhere we went with a cello, with guitars, with bass guitars… You know, a side of people that were so kind for the rest, and we were again nobodies. They [KROQ] weren't playing us,” he jokes. “I don't know if I said that before.” Touching on the new record, Automatic, which arrived Valentine's Day 2025, Wes tells us the band didn't initially intend on releasing the album on the lover's holiday, “But in our first music video for this album, on ‘Same Old Song,” Jerry [Fraites] was drumming with roses that were attached to his sticks.” Followers quickly surmised that the band was alluding to a release date. “They were actually correct,” he says, “because it was coming out on Valentine's Day, but no we're not that well planned out.” But don't be fooled, Wesley definitely has a romantic side, explaining how his wife, Brandy, technically co-wrote the album track “Dead Sea.” “She said, ‘You're like my dead sea,'” he says. “We were just dating at the time and I was like, ‘Did you come up with that?' Then on Valentine's Day, I actually gave her a demo of that and I snuck it into a box of chocolates. I cut out a CD shape, put the CD and hid it in the box. I did it to kind of roast her, because she said she hates people that give boxes of chocolates as a gift. We were apart, I was recording, and I sent it to her, and she didn't even open it. She's so mad, like ‘He doesn't listen to me,' and I was like, ‘Well did you open it?' She turned around, opened it up, and ...

Mumbai sisters and musicians Kamakshi and Vishala Khurana launched their educational platform Sound Space more than a decade ago to take Indian classical music to diverse audiences. The sisters, who are trained in psychology, have now launched another inspiring initiative – The Sound Space on Wheels, a bus that navigates through different slum dwellings in Mumbai to teach Indian classical music to the children who live there. In this fully equipped music classroom on wheels, the children are led by professionally trained music educators and follow a customised curriculum. Aekta Kapoor, editor of eShe, speaks to Kamakshi and Vishala about this unique initiative. For more conversations with inspiring women, follow us on YouTube for visit eshe.in

Mumbai sisters and musicians Kamakshi and Vishala Khurana launched their educational platform Sound Space more than a decade ago to take Indian classical music to diverse audiences. The sisters, who are trained in psychology, have now launched another inspiring initiative – The Sound Space on Wheels, a bus that navigates through different slum dwellings in Mumbai to teach Indian classical music to the children who live there. In this fully equipped music classroom on wheels, the children are led by professionally trained music educators and follow a customised curriculum. Aekta Kapoor, editor of eShe, speaks to Kamakshi and Vishala about this unique initiative. For more conversations with inspiring women, follow us on YouTube for visit eshe.in

Joining host Kevan Kenney at KROQ in Los Angeles -- what could be considered their second home at this point -- Ryan Clapham, Michelle Joy, and Paul Davis of Cannons took over the Helpful Honda Sound Space for an intimate performance and interview just as their 2019 single “Fire For Fou” reached Platinum status. “It's really exciting,” Michelle says of the news. “It was kind of a funny story, right?” adds Ryan, “because we didn't really know at first.” Michelle explains, “We didn't know for a little while, but it was really exciting. I mean, ‘Fire For You' changed our lives and just makes us really happy to know that the fire keeps on burning.” Keeping true to the sonic and aesthetic universe the band has created, they recently dropped their moody music video for their new single, “Sweeter.”  “We like to make mood boards for everything,” Michelle says, “and I feel like, for every music video we'll discuss what kind of visuals we're into at the moment, what movies we're watching, what kind of colors, what kind of things we feel represent Cannons and tie those into the music, the visuals and just try and create a world that does feel cohesive and that makes us feel like it's a nice escape that's beautiful and fun to enter.” Cannons are currently on tour with U.S. dates scheduled for this summer and fall. Don't miss Kevan Kenney's full interview with Cannons above, and stay tuned for even more action from the Sound Space right here on Audacy. Words by Joe Cingrana Interview by Kevan Kenney

The Black Keys joined host Nicole Alvarez live from the Helpful Honda Sound Space at KROQ in Los Angeles for a special interview and performance, talking about their brand new album, Ohio Players, and giving a taste of what's to come on their International Players Tour kicking off in September. The Black Keys just dropped their 12th studio album, Ohio Players -- featuring the previously revealed single "Beautiful People (Stay High)" and more -- on April 5 via Nonesuch Records. Just before the release, Patrick Carney and Dan Auerbach gave some lucky fans at KROQ an exclusive preview of the record and spoke candidly about their early days together, making the new album with a who's-who list of collaborators, and more. Since Dan and Patrick have known each other for most of their lives, Nicole started off the conversation by showing off a few photos of the duo when they were younger. “The first time I met Dan, it was like, right when I moved to the neighborhood,” Patrick remembers. “It was dusk and all the kids were riding bikes. I had grown up in a neighborhood where it was just like, really old people who just yell at us all the time. So, it felt like I had moved into the Goonies' neighborhood. They kind of had all the characters; I'm not sure which one I was, but there's definitely a Chunk and all that.” “I mostly remember his older brother Will, because he was a train enthusiast,” says Dan about his first impressions of Pat. “He was the local eccentric kid,” Patrick says of his brother. “You would focus on Will,” Dan adds. “You wouldn't see Pat or his brother, Michael.” Diving into their new album, Ohio Players, which features collaborations with Beck, Oasis' Noel Gallagher, Juicy J from Three-Six Mafia, and more, “on the last album we started to dip our toes into collaborating with people, which we really hadn't done much of… like when we worked with Danger Mouse on a record, it was just him and the two of us. So, it was only in the last couple of years that we actually felt comfortable, I guess being in the studio with other people creating stuff from scratch. Once we broke through that barrier, and we needed to start this new record, we thought we'd dig into the Rolodex a little deeper.” “The first person we thought of was Beck because he was someone who helped us out very early on, took us on tour very early,” he continues. “He always talked about making some music with us and it, we'd never gotten around to doing it. So we reached out to him and that kind of got the ball rolling -- and it was that spirit of collaboration that we carried on making the record.” “I think the only thing that you need to know is that we've been doing this for a long time,” Patrick says, “and I think we just really figured out how to really enjoy it seriously. This is a product of us working harder than we ever have, but having more fun than we ever have.” “We got to this collection of songs, they all work together and it is different than anything we've made," he explains, "and it was really hard to pick the first couple of songs that got shared. So, I feel like people really don't have a concept of what the album sounds like yet. ‘Beautiful People' is, by far, the most kind of ‘mainstream' thing on the album… I'm excited for people to hear the whole thing.” Tickets for The Black Keys' International Players Tour are on sale now.  Don't miss The Black Keys' full interview and performance above -- and stay tuned for even more action from the Helpful Honda Sound Space at KROQ right here on Audacy. Words by Joe Cingrana Interview by Nicole Alvarez

Chicano Batman joined host Canyon Cody for a special interview and performance, giving fans details on their 2024 album Notebook Fantasy and upcoming tour, live from the Helpful Honda Sound Space at KROQ in Los Angeles. Kicking off Alternalido this past Sunday (3/31), Carlos Arévalo, Bardo Martinez, and Eduardo Arenas of Chicano Batman previewed a few songs from their new album Notebook Fantasy and sat down with host Canyon Cody to discuss the release and much more. After working, as he feels, harder than anyone else over the course of the pandemic and exhausting every socially distant angle they could, Eduardo tells us there's nothing that matches the feeling of “getting live in a room with people… you can't replace it.” “We record all our music live,” he adds. “'Notebook Fantasy,' this new record, we did all that live (and we do overdub), but it's what happens in the room. That is the magic that you can't replace.” Offering some advice for rising artists, Eduardo says, “If you have something compelling to say or play or art or anything or display, go do that and keep doing that, and don't rely on anybody else on the outside to give you that confidence to keep doing that. It's hard when you depend on other people to like you to upgrade your art. You gotta like yourself… put the blinds on, just do it ‘cause you like it. It really pays off.” “Nobody's gonna feel you unless you feel what you're doing,” adds Bardo. "For me, Chicano Batman was always about doing what I was feeling inside… the words on the paper, this is my experience that I'm writing. I would say, just really dig into yourself. Cheesy but hey, f*** it!” The band will hit the road this year in support of Notebook Fantasy, with U.S. tour dates kicking off on April 19 at Brooklyn Bowl in Las Vegas, making stops in major cities across the country through the end of June. Don't miss Chicano Batman's full interview above, and stay tuned for even more action from the Helpful Honda Sound Space at KROQ right here on Audacy. Words by Joe Cingrana Interview by Canyon Cody

The Beaches recently joined host Megan Holiday for a special interview and performance, giving us a preview from the Helpful Honda Sound Space at KROQ in Los Angeles of what to expect while on the road on their current Blame My Ex Tour. Canadian Alt faves The Beaches made their U.S. Billboard debut in 2023 with “Blame Brett,” helped along by TikTok which pushed the single to go viral and grab the attention of the likes of Demi Lovato, Mark Hoppus of blink-182, and more. Keeping the momentum going, Leandra Earl, Jordan Miller, Eliza Enman McDaniel, and Kylie Miller are currently on the road with G Flip as well as a number of dates supporting girlinred, making stops in the U.S, Australia, and Canada through September -- with a few festival dates thrown in as well. Diving right in, the band discussed their most recent milestones; of course getting into their entire sold-out tour, including two shows at the iconic Troubadour in Los Angeles and a performance on Jimmy Kimmel Live. “They were so cool. Obviously, growing up, we've heard about that venue and we know how infamous and iconic it is,” says Kylie. “So, to be able to sell it out and play it twice was such a crazy feeling --and we had a bunch of friends and family in the house yesterday. It was such a fun experience.” “Yeah, we made my mom cry,” Jordan adds. “She was like gasping for breath, like so sad.” Adding to the emotional responses, Eliza admits, “Our manager cried when we did, ‘Kimmel,' there's been a lot of major milestones just in the last like 48 hours, and then to do this here with you guys today is a dream too.” It's all thanks to the tremendous success the group has seen since the release of their 2023 album Blame My Ex, which has without a doubt resonated on a deeply personal level with fans, highlighted by their single "Blame Brett," which was inspired by a real-life breakup. As host Megan notes, “When there is this good of a story behind a song, we have to tell it for people that may not know.” Breaking down the track, Jordan explains: “I was in a relationship with this guy who is also in a big Canadian band, Brett [Emmons] from The Glorious Sons, and we broke up, and it was pretty brutal. We broke up during a very tumultuous time for us as a band. We had just been dropped by our label, we had just fired, our two managers, COVID had happened. It was a very difficult period for any musician, and then on top of that, like the person who I thought was gonna be my soul mate, broke up with me.” After a chorus of boos from the crowd, Leandra clarified, “No guys, it's OK. She's in love again,” which elicited a round of cheers -- and the rest of her bandmates to out her new flame, Ryan. “We're not gonna blame Ryan,” Jordan says. “Not yet. Hopefully, this next sucker's happier.” Jordan continues, “We had started writing what was gonna be ‘Blame My Ex.' ‘Shower Beer' had been written, ‘Kismet' had been written... But, you know, once I had my heart broken, there was really nothing else I wanted to write about. I sort of used the record as sort of a way to interrogate my feelings, to figure out who I was without my partner.” Adding some clarity, she says “the album really isn't about my breakup with Brett, like the disillusionment of our relationship. It's more about what happens to a person when they have to start over. I think there weren't a lot of records from a female's perspective about that, and I was really interested in writing about that... the highs and lows of going through that kind of inexperience.” It's worth mentioning that Jordan did call Brett to find out if he would be OK with there being a song out there with his name on it. “He was very gracious about it," Jordan says. “I don't think he realized the hit it was gonna be! He had slightly different feelings once it started to go viral on TikTok, but he has since come around and he and his band have actually covered it.” “It's been really nice that people have connected to the message of the song and it's helped them get through their break up,” Kylie says. “A lot of people have also dated, I think, bad dudes named Brett... It's hard to be a Brett in 2024.” “Let me just reiterate,” Jordan interjects. “My Brett isn't that bad of a guy... he's OK.” However, Leandra was quick to correct her saying, “He's no longer your Brett.” Fans should keep a look out for more music from The Beaches, who just laid down some new tracks while in Toronto. Although, Kylie admits, “We don't know when exactly it's gonna come out, but we figured we don't have a lot of time because we are touring so much that it seems like we need to take in the moments we have at home to make sure that we have music available for you guys. I think maybe by the end of this year we'll have a new song out at least.” Don't miss The Beaches' full interview above, and stay tuned for even more action from the Helpful Honda Sound Space at KROQ right here on Audacy. Words by Joe Cingrana Interview by Megan Holiday

Royel Otis (Royel Maddell and Otis Pavlovic) join us for a special performance and interview with Kevan Kenney from KROQ's Helpful Honda Sound Space in Los Angeles as the Australian Alt-Pop duo gets set to drop their debut studio album, Pratts & Pain, scheduled for release on February 16. After forming in Sydney in 2019, Royel Otis have three official EP's under their collective belts (2021's Campus, 2022's Bar & Grill, and 2023's Sofa Kings) as they're steadily ramping up anticipation for the release of their full-length debut, Pratts & Pain, in just a few short weeks. Already on the minds of music fans following the release of their 2023 single “Sofa King,” it was their recent cover of “Murder on the Dance Floor” that has gone nuclear right at the moment. The fan reaction has been “crazy,” they both admit.  “We rehearsed it one day before we started doing it,” says Pavolic. “Yeah, we had about an hour to get it done and then well, that's what happens,” adds Maddell. They had a few ideas in mind for the session, including the classic, “Build Me Up Buttercup.” “We were just running through ideas, pretty stressed out,” Royel admits, “ and then someone was like, ‘just try ‘Murder on the Dance Floor,' and we were like, ‘give it a crack,' and then it worked out.” Flipping the script, if the guys could pick a contemporary artist to cover their single }Sofa King,” Maddell chooses fellow Aussies DMA'S... “I reckon they'll do it, however expanding the pool of artists to those who have already passed, Sinéad O'Connor was first to be mentioned. Discussing their hit single, they explained how it came about as a demo that Royel had, being good friends with the DMA'S guys who were starting to take off. “I was like, ‘I'm gonna take advantage of my friends, capitalize on it,' and I was like, ‘Try to write a song that I thought would suit them. And then I was like, ‘no, it's better for me.' Then Otis and I started doing music, and I was like, ‘it's actually better for Otis.' Royel Otis is currently on the road in New Zealand and Australia, with plans to hit North American cities beginning in April supported by Girl and Girl.  Listen to Kevan Kenney's full interview with Royel Otis above -- and stay tuned for more conversations with your favorite artists right here on Audacy.  Words by Joe Cingrana Interview by Kevan Kenney

Nik is a seasoned drummer that has been playing with Empire Strikes Brass for the past 8 years.  https://www.empirestrikesbrass.com/ You can see him play with members of ESB at the Asheville Music Hall One Stop for the early jam every Tuesday night at 7pm. A good place to get into a musical situation with very capable players in a welcoming setting. https://www.ashevillemusichall.com/His taste is eclectic and he gets to showcase different styles with ESB and other groups in the area. As at home on second-line brass ensembles as he is playing reggae, Middle Eastern percussion, Led Zeppelin covers, and soul. See my IG page @drummermindset for video of their No Quarter cover. He pays attention to the new talent that seems to come through Asheville regularly.  Not just that but he is clearly a fan and uses his time on the pod to recognize those that impress and inspire him. A committed family man, he also shares the importance of being there for his family and sharing the healing nature of music. He has recently been recognized as an official Lake Eden Arts Festival (LEAF) musician and will be starting drum corps with them very soon. You can support LEAF Global at their website.https://theleaf.org/ This episode was recorded at the Sound Space at Rabbits - An awesome rehearsal space in downtown Asheville. https://www.soundspaceavl.com/Thanks so much for listening and don't forget to follow, like, subscribe, and leave me a 5 star review!

Subscriber-only episodeIf you want to listen to some really awesome music, tune into this episode as the Blox Out Podcasters play Sound Space! Reminder that our YouTube Channel is LIVE!

Micah Pueschel from Iration chats with host Nicole Alvarez before the band's performance inside the Helpful Honda Sound Space at KROQ.

Fall Out Boy chats with host Megan Holiday before their performance in the all-new KROQ Helpful Honda Sound Space!

Beach Weather chats with host Megan Holiday in the KROQ Sound Space.

Matty Healy from The 1975 joins Klein & Ally for a conversation in the DTS Sound Space at KROQ.

The Smashing Pumpkins' Billy Corgan joins host Nicole Alvarez for a conversation in the DTS Sound Space at KROQ.

Marcus Mumford joins host Nicole Alvarez for a conversation in the DTS Sound Space at KROQ.

Death Cab For Cutie joins KROQ morning show hosts Klein & Ally for a conversation in the DTS Sound Space at KROQ.

Wet Leg's Rhian Teasdale and Hester Chambers join KROQ morning show hosts Klein & Ally for a conversation in the DTS Sound Space at KROQ.

The Interrupters join host Nicole Alvarez for a conversation in the DTS Sound Space at KROQ.

Jack White joins KROQ morning show hosts Klein & Ally for a conversation in the DTS Sound Space at KROQ.

Steve Wright is a singer, songwriter, rocker, composer, sound enthusiast, and teacher.  He created the Sound Space, an all-ages music-making and learning hub, on the Sunshine Coast in British Columbia, Canada. In this episode, Steve talks about creating music with seniors, learning from teens, and rocking out every day. MUSIC BUDDY SESSION: "Write To Me", by Steve WrightPerformed by Steve Wright, Jane Gowan, and Tim VeselyMixed by Steve Wright and Tim VeselyDownload or stream "Write to Me" on the platform of your choiceMore about Steve Wright:The Sound SpaceSteve Weave websiteSoundcloudSupport the showA Morning Run Productions ProjectMusic Buddy is nomated for a 2023 Canadian Podcast Award for "Outstanding Music Series", and "Outstanding Main Title Theme Music for a Series". Many thanks to the Canadian Podcast Awards, and congratulations to all the Nominees! You can see the full list of Nominees at canpodawards.ca Jane Gowan (host, producer, editor) Tim Vesely (co-producer/co-host) The show's theme song, "Human Stuff," is written by Jane Gowan and Tim Vesely, and performed by Jane and Tim, with additional vocals by Steve Wright and Connie KostiukEmail: jane@musicbuddy.caInstagram: @musicbuddypodcastFacebook: @musicbuddypodcastTwitter: @janegowanTikTok: @musicbuddypod

You can support my work and these recordings with a donation or by spreading the word. Venmo @kathy-cherry  -or-  PayPal.Me/KathyCherry1 Learn more at kathycherry.com Thank you!

All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact me immediately via email: unpluggedtube@outlook.it and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY! ---------------------------------------------------------------------------------------------------- Reshared by Team UNPLUGGED.

All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact me immediately via email: unpluggedtube@outlook.it and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY! ---------------------------------------------------------------------------------------------------- Full set from Kings Of Leon show at KROQ on March 24th 2014 Setlist: Crawl 0:35 Family Tree 4:37 Radioactive 8:40 Closer 11:55 On Call 15:05 Temple 19:35 Bucket 23:45 Don't Matter 27:00 Mollys Chambers 30:20 Use Somebody 33:30 Wait For Me 37:20 Tonight 41:15 Sex On Fire 45:45 Team UNPLUGGED.

In questa puntata di Sull'Amaca di Ale:What if...? la serie animata Marvel Studios arriva su Disney Plus per raccontarci attraverso gli occhi dell'Osservatore cosa sarebbe successo se Steve Rogers non fosse diventato Capitan America! Cosa ne penso del primo episodio?Tempo di recensioni con due film particolarmente chiacchierati e all'angolo destro dell'estivo ring dell'amaca troviamo Shiva Baby, commedia americana ambientata durante una veglia ebraica, mentre nell'angolo sinistro Black Bear, dramedy americana fatta di metacinema e arte che imita la vita che imita l'arte. Vi porto anche un po' di tensione e mistero con The Block Island Sound e nel freddo spazio di un mondo al collasso con Space Sweepers.

Kevion Devantè - Aka The Sound Shaman joins the show this week to discuss Peace in our Time and how we may find it within ourselves. We discuss reminding people what it is like to be a child, what it feels like to realize your power, flipping the script on effective activism and media production by starting with ourselves and coming from a place of love, and much, much more. Kevion is a musician, he conducts shamanistic healings through Sound Healing Ceremonies, energy work, guided meditation, yoga and more. Kevion is a certified Crystal Reiki Master and Founder of LiVin' InnerG.  LiVin' InnerG hosts healing experiences for groups and individuals looking to heal and enter Elevated States of Being. Instagram: https://www.instagram.com/kevion.devante/ (https://www.instagram.com/kevion.devante/)  Facebook: https://www.facebook.com/kevion.devante (https://www.facebook.com/kevion.devante)  https://www.facebook.com/livininnerg (https://www.facebook.com/livininnerg)  Show Notes: Jay Brown on Facebook -  https://www.facebook.com/jaybrownnetwork (https://www.facebook.com/jaybrownnetwork)  https://amzn.to/3d2DUs3 (Book: Dark Light Consciousness: Melanin, Serpent Power, and the Luminous Matrix of Reality by Edward Bruce Bynum Ph.D. )(affiliate link) Aubrey Marcus Podcast - 6 days of Darkness https://www.aubreymarcus.com/blogs/aubrey-marcus-podcast/sss (https://www.aubreymarcus.com/blogs/aubrey-marcus-podcast/sss)  @beginning - - Labels, Definitions, Holding Big Small Space, Healer Archetypes, and Life Plans vs Root Intentions  @13:48 - Medical Practitioner Labels vs United Healer Modalities @20:28 - Kevion's BOUNDARIES - How to be with ourselves. How do we Identify? What is our TRUE objective?  @27:16 The Power of Sound - Space, Place, and Peace @33:10 Why busy people have a great journey ahead once they dive into the Space Bath @37:01 A time where our children never forget what it's like? An exciting or terrifying time to be alive? @39:55 The message we should be sending right now, VS the darkness we have resorted to @47:16 We can build a better world: The Loud Minority, the People doing the Good Work, and those caught in the middle @49:50 Unpopular opinions, Unity Conferences, Systemic “ism's” vs the ism we create through expectation @55:54 Overthinking at its finest: Looking for people to tell us how our experience should feel. We cannot arrive at Peace without Peace as Method, you cannot fight oppression with oppression. @61:22 - We are still trying to remember why we signed up for this! Equality vs Equanimity - Fighting for equal respect of individuality @1:04:55 - How do we forget what is Real? Why do we have a propensity to validate negative messages? AND how the News is FAKE!!! @1:09:31 - It's all about that isolation factor. More media bashing, cannabis vs alcohol, and alternative history. @1:12:13 - The practice of Integration - Light and Dark - Bringing it back to Peace. @1:15:27 - darkness retreats, ‘chiropractic', and escalation of consciousness   @1:21:13 - Artful Convention Reflections - Peace in droves, and being okay @1:27:29 - Do we need an ‘awakening experience' to wake up? Is this attainable to everyone? Being your own Muse.

Ever thought about learning a musical instrument, singing or even getting back to playing that dusty guitar in the corner? There's a brand new opportunity coming your way; Sound Space. It's online, free and has talented tutors ready to help you to realise your musical dreams . Iain Bruce and Ageliki Gkini came into the pod to tell us all about ‘Sound Space'. We got to know a little bit about them and there were a couple of very interesting claims to fame. If you want more details or even chat about what ‘Sound Space' could do for you then email them directly or call them. Email thesoundspace@placesforpeople.co.uk  Phone 07917492507  

Art by Luke Frueh of Lima, Ohio Democratic Luncheonette   Anna Von Hausswolff-Persefone Cindy Lee-Just for Loving You I Pay a Price Den-Mate-It’ll All Come Back Ezra Feinberg-Recumbent Speech Bing & Ruth-Live Forever The Necks-Overhear numun-Voyage Au Soleil   Lucretia Dalt-Ser Boca Beverly Glenn-Copeland-Slow Dance Dome-Amynoise Tristan Welch-Financed Chewing David Toop-Night Frogs, La Sabana Venezuela, 1978 Brian Eno-The Great Pretender The Flaming Lips-Brother Eye Bill Callahan-Summer Dub Vladislav Delay-(522)

Kamakshi and Vishala Khurana have started The Sound Space India. It is an endeavor started by Kamakshi and Vishala Khurana. They create modules, workshops, and interactive sessions with music at the core. Through The Sound Space, the duo is paving the way for innovation in traditional Indian music the world over. Crafted with a holistic approach the programs are designed for both adults and children and focused not only on teaching Indian music in a deconstructed form but also on other aspects like distressing, achieving inner balances, and healing. The Sound Space works extensively with NGOs and care centres apart from schools, corporates and are pioneers in the field of music wellness. In this episode, we do a live chakra balancing session which is facilitated by Mr. Harendra Khurana who is an expert in this field. This session balances the energy levels in the chakras in our body leading to a more harmonious life. The Sound Space can be contacted via their Instagram page or their website.

Kamakshi and Vishala Khurana are sisters who are professionally trained in Indian classical music. They create modules, workshops and interactive sessions with music at the core. Through The Sound Space, the duo are paving the way for innovation in traditional Indian music the world over. Crafted with a holistic approach the programs are designed for both adults and children and focused not only on teaching Indian music in a deconstructed form but also on other aspects like distressing, achieving inner balances and healing. The Sound Space works extensively with NGOs and care centres apart from schools, corporates and are pioneers in the field of music wellness. In this episode, we talk about how music is a form of energy and is capable of transforming a person's life. We also discuss about the finder aspects of music therapy and how it has been recorded in our scriptures that specific rags can help in different health conditions. The Sound Space can be contacted via their Instagram Page or their website.

Get your live music fix right here on Open Lines Radio with Open Lines LIVE! Tonight, we're listening to Angels and Airwaves playing live in the KROQ HD Radio Sound Space. Playlist: It Hurts Paralyzed Moon As My Witness Young London Kiss With A Spell Drum Solo Rebel Girls

Norwegian artist Jana Winderen records sounds above and below the surface of our blue planet to compose site-specific sonic environments. For four days during Miami Art Week 2019, she invites you to step inside the Collins Park Rotunda on Miami Beach, for The Art of Listening: Under Water. Miami’s waterways, the Barents Sea and the Tropical Oceans come together within the spherical space, to immerse you in an acoustic collage. The Art of Listening: Under Water portrays the fragile and complex beauty that circulates through the currents of the interconnected marine world. Winderen’s ephemeral installation promises to leave us with a lasting impression. Those who take time to float into the sensory experience will take away a new understanding of sonic relationships that echo across our seas.  Exploring a global issue of growing concern, our episode with Jana Winderen is the perfect finale for 2019. Visit our website, to hear other conversations centered on environments at risk and explore opportunities to engage with our new and ongoing initiatives. Sound Editor: Anamnesis Audio | Special Audio: Jana Winderen  Related Episodes: Ellen Harvey on Public Art and Climate Action, Bill Fontana on Sound & Space, Where Art Meets Sand and Social Behavior, Sound Art and Contemporary Culture with IKT Miami, Art and the Rising Sea Related Links: Jana Winderen, Tony Myatt, Audemar Piguet Art Projects, Albert Vrana, Art Basel Miami Beach  

Today, we introduce you to five artists whose primary medium is sound. The diverse techniques and concepts they explore demonstrate the versatility and power of sonic art. Working with music and song, noise and movement, in natural and urban settings, they are among thousands of artists drawn to this highly diverse art form. American sound artist Stephen Vitiello is based in New York City. In 2013, we talk about his work and the first group show dedicated entirely to Sound Art at the Museum of Modern Art, New York. We consider the history of sound art and what draws Vitiello to work with the sounds that surround him. The sound of glass holds a universe of meanings for Camille Norment. Representing Norway at the 56th Venice Art Biennale, the American-born artist based in Oslo creates a sonic environment inspired by how sound inhabits and moves through the body. She creates an atmosphere in the pavilion that alternates between dissonance and harmony. At the Hong Kong pavilion in Venice the same year, we walk through another immersive audio experience—the political commentary of Hong Kong based sound artist and composer Samson Young. We talk about the profiteering and political influence of songs produced to raise funds for disaster relief. American artist Bill Fontana has a long-time relationship with sound and space. He describes his practice as “composition by listening.” Based in San Francisco, Fontana is known for relocating sounds to create site-specific installations around the world. We talk about how nature and history inform his public art projects — from his 1981 Landscape Sculpture with Foghorns, in San Francisco, to his 2018 Sonic Dreamscapes, in Miami Beach. In 2017, we meet Colombian composer and sound artist Alba Triana in her Miami studio. She shows us a range of her experiments, from inaudible sound and light installations to interactive electronic music compositions and vibrational environments. Each one transforms our perception of space. Sound Editors | Special Audio: Five Sonic Stories—Anamnesis Audio and Joseph DeMarco, Bill Fontana—Anamnesis Audio | Bill Fontana, Camille Norment—Kris McConnachie |  VernissageTV, Alba Triana—Alyssa Moxley | Alba Triana, Stephen Vitiello—Eric Schwartz | Stephen Vitiello, Samson Young—Guney Ozsan | FreshArtINTL Related Episodes: Bill Fontana on Sound & Space, Camille Norment on the Character of a Sonic Environment, Alba Triana on Experimenting with Sound and Light, Stephen Vitiello on Cultural Soundscapes, Samson Young on Songs for Disaster Relief Related Links:  Bill Fontana, Camille Norment, Alba Triana, Stephen Vitiello, Samson Young

"My work is very much about physical places and landscapes but it's' maybe more about communities and social markers that you can see in landscapes. So I was like, what's something social or community related that you could put in one of those capsules?" Ann Lepore is a multimedia artist in the in the most expansive definition of that term. She has made everything from lithographs to holograms, 3D printed amulets to animated sound experiments, she has made objects from street-interview requests and most recently, performed stand-up storytelling at a comedy club. Then there is her side hustle of consulting people and organizations on how to use tools and technology to their advantage which she presented to the hosts of Shark Tank. Ann is a great storyteller and we cover many of her fascinating projects and experiences in this episode, including acquiring lantern slides from the Metropolitan which lead to an interesting find and an entire project. From Ann's Bio: Ann LePore was raised in the garage under her father’s car and continued tinkering with analog video and kinetics in Western New York and later with computer driven electronics and animation in New York City. A New Leonardo artist and Geraldine R Dodge Foundation grant recipient, Ann has exhibited at events such as Digital Salon, the Free Biennial, and La Superette, in New York City and Internationally. She has completed residencies at Engine 27 Sound Space, the Taliesin Artist Residency Program, and was awarded a year-long studio residency at Gallery Aferro in Newark. The images and installations she creates as a result of her tinkering are heavily influenced by her experiences not just as an artist, but as a member of several communities that are defined by the physical assertions and limitations of a very specific environment. Ann received her BFA from Alfred University and her MFA from the School of Visual Arts. She is currently Associate Professor of 3D Design and Animation at Ramapo College of New Jersey. http://www.annlepore.com/ https://www.instagram.com/leporeann/ Seton Hall Show September 2019: https://library.shu.edu/walshgallery/future-exhibitions Moscow Show October 2019: The International Association of Synaesthetes, Artists, and Scientists has invited me to screen two of my animations at the Moscow State Tchaikovsky Conservatory October 17th.  I will be delivering a talk on transcribing synesthesia to animation October 20th at Moscow State University of Psychology and Education.  With me will be neurologist Dr. Svetlana Rudenko,  Ben Neil and alumna Geri Hahn.

In this episode of Sound & Space we visit the iconic Dream House, an immersive sound and light environment created by the legendary minimalist composer La Monte Young and his creative partner and wife, Marian Zazeela. Pitchfork Radio's Elia Einhorn also chats with a Dream House devotee who also happens to be a member of Animal Collective: Avey Tare. Avey shares stories about Dream House’s formative impact on him as a young artist, its influence on Animal Collective, and how his visits to Dream House have been a perception-shifting experience unlike any other.

In many people’s minds, the thought of an art museum conjures a space that’s focused on the visual. In this episode of Sound & Space, we’ll hear how The Art Institute of Chicago demonstrates that sound can be an equally important part of the museum experience. Pitchfork Radio's Elia Einhorn catches up with staff members from The Art Institute of Chicago and receives a special preview of Iterations, the museum's new series of performance commissions, which is kicking off with an installation and performance by Istanbul-based artist Cevdet Erek. Listen now.

William Basinski is a minimalist ambient composer, best known for his work using analog tape loops. Over the decades, his work has drawn inspiration from everything from September 11th to the sound of black holes colliding. For this episode of Sound & Space, we get front row seats to a rehearsal for the orchestral arrangement of Basinski's seminal work "The Disintegration Loops" with the Chicago Philharmonic. William and Pitchfork Radio's Elia Einhorn also discuss how physical spaces inform musical presentation and just what “art scientists” actually do.

Roberto Lange, aka Helado Negro, is a composer of sound, video, and performance pieces who approaches each project with a sense of playfulness, spectacle, and connection. For this episode of Sound & Space, Roberto takes us on a private tour of his Brooklyn home and studios, the birthplace of many of the important aural and visual hallmarks of Helado Negro. After the tour, Pitchfork Radio's Elia Einhorn catches up with Roberto about clarity vs. obscurity in his songwriting and how he creates deep sonic textures that only reveal themselves through multiple listens.

For over a decade, Zola Jesus - aka Nika Danilova, has been releasing deeply engrossing music that draws on a wide range of musical traditions, from goth to industrial to electronic...and even classical.For this episode of Sound & Space, Zola Jesus takes us on a private tour of her rural Wisconsin studio and chats with Pitchfork Radio host Elia Einhorn about how nature influences her songwriting process and the never-ending process of creative reinvention.

Crom and David get slippery with the mics and we've got Rob Agate, AKA RobTek, at the table. Jockey of the Discs, part of the management of Calgary's DJ-owned and operated Habitat Living Sound, and righteous player of classic 8-bit gaming. NOTABLE LINKS The righteous sound of Robtek Drink of the greatest Jr. High film ever created - Revenge of the Ninja Does Wayne Brady have to choke a cougar? Always watch your back... for a Hammer Attack.

If you think back to the times you struggled, can you say that you still made good art during those times, whatever your art is? In this episode we hear a fantastic commencement speech by Neil Gaiman at the University of the Arts in 2002 about doing just that: making good art. We also hear an excerpt of a recent Juxtapose article on the artist Revok, titled “The Second Childhood”; about an artist potentially reborn in the face of new challenges. Tune in, art freaks!Remember to follow us everywhere @arthouse43 and write to us at www.arthouse43.com. And please support host Troy’s latest project, helping him raise funds for his new sound and light installation, Connections, which will premiere on March 1 at ArtHop in Kalamazoo: www.gofundme.com/ArtHopConnections. And you can pre-order his new album RUMBLE at www.troyramos.bandcamp.com. It will be released on Valentines Day, so show some love! This album has been described as “Industrial ambient..”. And his new work “Sound Space” is his second sound work to be released in 2019. This is also available for pre-order and will be released in March 2019. Support the arts!

What are you doing with your time? Are you using it to your advantage? In this episode we look at the advantages to ‘taking back your time’ and how there is a growing movement to do this. For example, it’s estimated that over a third of the workforce is already freelance and they expect by 2030 that freelancers will make up a majority of the workforce.We’ll also hear excerpts from two great articles in the most recent edition of the New Philospher magazine. The first article is “The Thieves of Time” by Oliver Burkeman, and the second is “Life in the Fast Lane” by André Dao.Remember to follow us everywhere @arthouse43 and write to us at www.arthouse43.com. And please support host Troy’s latest project, helping him raise funds for his new sound and light installation, Connections, which will premiere on March 1 at ArtHop in Kalamazoo: www.gofundme.com/ArtHopConnections. And you can pre-order his new album RUMBLE at www.troyramos.bandcamp.com. It will be released on Valentines Day, so show some love! This album has been described as “Industrial ambient..”. And his new work “Sound Space” is his second sound work to be released in 2019. This is also available for pre-order and will be released in March 2019. Support the arts!

In progressive alternative health and research circles, something called 'autophagy' has been receiving a LOT of attention lately. Autophagy is like your body's own internal recycling program, helping it eliminate toxins and reuse critical nutrients, such as protein, vitamins and minerals. Autophagy is a hot topic because it's one the most powerful ways to slow (and even reverse) the aging process. Benefits include improved mood, more youthful appearance, more energy, reduced inflammation, enhanced immunity and so much more. Next, we have my very special guest Jamie Bechtold who is an expert in the healing arts, creator of toneation and founder of the Soundbath Center and Reiki Center in Los Angeles. Jamie shares her personal journey and what led her towards  sound healing. Listen in as she shares this technique and how it can deepen the effects of the massage, helping clients enter into a state of relaxation much quicker than without it. [BULLETS] Tony and I delve into a different aspect of detoxing... Tony shares an overview of what autophagy is and if it really can assist with feeling more youthful, having more energy and decreasing inflammation... Why we don't need as much protein as we think we do... How to elevate autophagy and how it really works... Intermittent fasting in relation to autophagy... The relationship between autophagy and mitochondria... We share some tips on how to promote optimal autophagy levels... Jamie shares what sound bath and "toneation" is... What attracted Jamie to work with sound... The results or reactions you can expect during and after a sound bath... What abilities the gongs and crystal quartz bowls have and how do they interact with our bodies... Jamie talks about her call to change her whole life and career from biologist to the healing arts.... What color therapy is... [FEATURED GUESTS] About Jamie Bechtold Jamie Bechtold (formerly Jamie Ford)  has been passionate about sound and movement since she was very young. She grew up competing nationally in gymnastics. Her interest in the healing arts started when she in her early 20's - she began working with her dreams and read every book she could on dreams, psychic abilities, and energy healing. Jamie heard a gong for the first time in a yoga class in 2000. The teacher played a gong during savasana and she was in love! She went to classes just to hear the gong, and found it's sound helped her relax and connect more with what she wanted to do with her life. At that time Jamie was working as a Biologist, and was not feeling fulfilled in her work. That yoga class with the gong affected her deeply and eventually moved her on a new path..one of healing and sound. In 2005 Jamie entered the healing arts field through massage. She soon added sound healing in the form of tuning forks into her sessions. She found sound deepened the effects of the massage and helped clients enter into a state of relaxation much quicker than without it. In 2004 she met Kat Lyons, who was teaching a tuning fork workshop, and began to study sound more intensely. She studied Egyptian Mysteries with Kat, which was very sound healing focused. In 2005 Jamie bought her first gong and crystal bowl and has been playing for her clients and groups ever since.In 2012 Jamie began teaching sound healing and in 2015 opened The Soundbath Center (formerly known as The Sound Space). Her intention was to open a space dedicated to Soundbaths and sound healing, and to offer clients different types of soundbath experiences. About Anthony Flores, or "T" as Kimberly affectionately refers to him: He is a long-time friend of hers who, after graduating from Stanford University, began researching and writing professionally in the health space full-time. He has a passion for natural health, especially Beauty Detox, and loves to share exciting new studies and insights he learns with Kimberly and the community!...

Mr. X - GO Under (Music Hall Sound Space) by Dinamica

Institute of Historical Research Hearing voices: Sound, space and experience at the Old Bailey Tim Hitchcock (University of Sussex) Combining 3D modelling of the Old Bailey courtroom c.1800 with textual analysis of the recorded speech of defe...

Institute of Historical Research Hearing voices: Sound, space and experience at the Old Bailey Tim Hitchcock (University of Sussex) Combining 3D modelling of the Old Bailey courtroom c.1800 with textual analysis of the recorded speech of defe...

Coast Beat Ep. 27: Sean, John and Christine mull over the new bear essentials after the second confirmed appearance of a grizzly on the Sunshine Coast this year. Sean has a feature interview with Steve Wright of the Sound Space (www.thesoundspace.net). And, Jacob spends a day with the Air Cadets

The first large retrospective of the sound and space-artist Bernhard Leitner in Austria discloses a world of audible spaces and physically perceptible architectures to the visitor. An artist-portrait by CastYourArt.

Ivan [Formula1/Music Hall Sound Space] - Space mix by Dinamica

TBA21 Sound Space. Spatial Music | Symposium 12/2/2012 at the ZKM_Lecture Hall The TB-A21 Spatial Music Symposium will focus on new spatial audio composition and technologies, based around the “TBA21 Sound Space” installation. The event will bring together researchers in surround sound technologies, composers and sound artists, to present and discuss the new potentials of contemporary spatial sound and music. The Spatial Music Symposium will culminate in a concert programme featuring a new work by Jana Winderen, winner of the 2011 ARS Electronica Golden Nica for Digital Musics, live performances and two world premieres of new spatial sound works commissioned for the unique TBA21 Sound Space by pioneer of electronic music Peter Zinovieff, and Istanbul based conceptual artist and musician Cevdet Erek. TBA21 Sound Space The TBA21 Sound Space is a project commissioned by Thyssen-Bornemisza Art Contemporary to bring to a larger audience the unique series of spatial compositions that were produced for The Morning Line. Saturated with over fifty speakers, The TBA21 SoundSpace uses a unique interactive multi-spatial sound system, conceived by Tony Myatt, Professor of Sound at the University of Surrey, UK. The novel spatialization software, which suggested a new form of music written especially for The Morning Line, has now been extended to be reproduced in the TBA21 Sound Space, the first of which has been developed in the context of Peter Weibel’s landmark exhibition Sound Art. Sound as a Medium of Art at ZKM Karlsruhe. To celebrate the evolution of the medium, TBA21 has put on loan its sound archive of nearly 30 experimental sound compositions, which were commissioned over the last 4 years from an international group of composers, whose work lies beyond the boundaries and the programming of traditional concert halls. The existing archive of music and soundscapes have been reconfigured through a specially written software by Tony Myatt and his team to recreate the Sound Space multispatial audio installation. This has multiple surround sound fields, some adjacent to each other and some nested inside each other in layers and provides an experiential three-dimensional sound reproduction system, within a larger scale spatial sound environment.

TBA21 Sound Space. Spatial Music | Symposium 12/2/2012 at the ZKM_Lecture Hall Panel of experts with presentations and concluding panel discussion. Participants: Prof. Tony Myatt (Chairman), Dr. Peter Zinovieff, Dr. Cevdet Erek, Dr. Paul Modler The TB-A21 Spatial Music Symposium will focus on new spatial audio composition and technologies, based around the “TBA21 Sound Space” installation. The event will bring together researchers in surround sound technologies, composers and sound artists, to present and discuss the new potentials of contemporary spatial sound and music. The Spatial Music Symposium will culminate in a concert programme featuring a new work by Jana Winderen, winner of the 2011 ARS Electronica Golden Nica for Digital Musics, live performances and two world premieres of new spatial sound works commissioned for the unique TBA21 Sound Space by pioneer of electronic music Peter Zinovieff, and Istanbul based conceptual artist and musician Cevdet Erek. TBA21 Sound Space The TBA21 Sound Space is a project commissioned by Thyssen-Bornemisza Art Contemporary to bring to a larger audience the unique series of spatial compositions that were produced for The Morning Line. Saturated with over fifty speakers, The TBA21 SoundSpace uses a unique interactive multi-spatial sound system, conceived by Tony Myatt, Professor of Sound at the University of Surrey, UK. The novel spatialization software, which suggested a new form of music written especially for The Morning Line, has now been extended to be reproduced in the TBA21 Sound Space, the first of which has been developed in the context of Peter Weibel’s landmark exhibition Sound Art. Sound as a Medium of Art at ZKM Karlsruhe. To celebrate the evolution of the medium, TBA21 has put on loan its sound archive of nearly 30 experimental sound compositions, which were commissioned over the last 4 years from an international group of composers, whose work lies beyond the boundaries and the programming of traditional concert halls. The existing archive of music and soundscapes have been reconfigured through a specially written software by Tony Myatt and his team to recreate the Sound Space multispatial audio installation. This has multiple surround sound fields, some adjacent to each other and some nested inside each other in layers and provides an experiential three-dimensional sound reproduction system, within a larger scale spatial sound environment.

Meditation with Matthew Brensilver - 9/19/2011