Podcasts about new inc

#gtalksradio x NEW INC present: Shayn Jackson, a 3D artist and industrial designer based in Brooklyn, NY. Born in St. Louis, MO, Shayn experienced first hand the results of systemic racism and the necessity of context and compassion as acts of resistance against it. With a focus on craft and the African diaspora, Shayn interrogates the landscape of modern design and digital art by reaching back to the methods, rituals and materials of antiquity. His work aims to re-contextualize art and design for Black peoples, with hopes that future generations will enjoy a rich and equitable art community healed of the wounds left by erasure and imperialism. Tracklist: Basa basa — Homowo Yaeji — Passionfruit Gunna — Spending Addiction Isaiah Rashad feat. Doecheii & Kal Banx — Wat U Sed Brent Faiyaz — Best Time Special series @gtalksradio at NEW INC brings together the diasporic approach of gtalks! radio and the experimental ethos of NEW INC, the first museum-led incubator for art, design, and technology founded by the New Museum in 2014. Each episode is a peek into the practice of storytellers through different mediums. Curating advice and visibility for communities navigating the emerging landscape of art, technology, and entrepreneurship. Between conversations, featured guests share a playlist of their most played recent tunes, as a sonic backdrop to their creative process. The show is recorded in the NEW INC office, reimagined as a vessel for dissecting the intersectionality of art, design, and technology through individual conversations. The series' jingle is the work of composer and sound artist Etienne Mason, known professionally as MAYSUN. MAYSUN, recognized for his unique fusion of drumming and immersive soundscapes, has crafted a piece that features a sampled string riff from the Uyghur Sataer, ساتار. This riff was recorded by Gulnihal during her recent visit to Kashgar, China. Artist IG: https://www.instagram.com/shaynja/ Artist Website: https://www.shaynja.com Radio IG: www.instagram.com/gtalksradio/ Dublab: www.dublab.com/shows/gtalks-radio Sound Artist: www.instagram.com/maysun.music/

#gtalksradio x NEW INC present: Secret Riso Club, an artist-run space that serves as a resource for independent publishing, art book production, art project development, as well as for exhibitions and distribution. The use of print & design as a tool for social change, creativity, and community empowerment drive the work and programming. Rooted in the values of collaboration, equity, and artistic expression, SRC strives to cultivate an environment where individuals from diverse backgrounds can come together to learn, create, and connect. SRC is run in collaboration between Gonzalo Guerrero and Tara Ridgedell. The space features a bookstore with publications from independent artists and publishers across the world, a workshop space for classes in bookmaking, printmaking and community building, and a print production studio with access for printers and artists. Tracklist: DjRUM — Frekm, Pt1 Discovery Zone — Supernatural Kassie Krut — Reckless Nabihah Iqbal — This world Couldn't See Us Marie Davidson, Soulwax — Work It (Soulwax mix) Blonde Redhead — (I Am Taking Out My Eurotrash) I Still Get Rocks Off datadata — I JUST GOT MY PERIOD Photo Credit - https://www.instagram.com/dfmcneil/ Special series @gtalksradio at NEW INC brings together the diasporic approach of gtalks! radio and the experimental ethos of NEW INC, the first museum-led incubator for art, design, and technology founded by the New Museum in 2014. Each episode is a peek into the practice of storytellers through different mediums. Curating advice and visibility for communities navigating the emerging landscape of art, technology, and entrepreneurship. Between conversations, featured guests share a playlist of their most played recent tunes, as a sonic backdrop to their creative process. The show is recorded in the NEW INC office, reimagined as a vessel for dissecting the intersectionality of art, design, and technology through individual conversations. The series' jingle is the work of composer and sound artist Etienne Mason, known professionally as MAYSUN. MAYSUN, recognized for his unique fusion of drumming and immersive soundscapes, has crafted a piece that features a sampled string riff from the Uyghur Sataer, ساتار. This riff was recorded by Gulnihal during her recent visit to Kashgar, China. SRC IG: https://www.instagram.com/secret_riso_club/ SRC Website: https://secretrisoclub.com Radio IG: www.instagram.com/gtalksradio/ Dublab: www.dublab.com/shows/gtalks-radio Sound Artist: www.instagram.com/maysun.music/

#gtalksradio x NEW INC present: elekhlekha อีเหละเขละขละ, a collaborative research-based group consisting of Thai diaspora, Bangkok-born, Brooklyn-based artists, Nitcha Fame Tothong & Kengchakaj. @elekhlekha delves into subversive storytelling by exploring non-hegemonic sounds and visual archives, historical research–decoding, and unlearning biases. Their works span performing documents, multimedia, and technology centers to interrogate, experiment, explore, and define decolonized possibilities. elekhlekha อีเหละเขละขละ is a Thai word that means chaos, dispersedness, entropy, and non-direction to break free our practices from being labeled through a Western lens. Tracklist: Kengchakaj — Uneven Geographies Of Sound Gerald Cleaver — Jackie's Smiles Matana Roberts — we said B35 บรม๓๕ — Nora35 มโนราห์๓๕ Photo Credit — https://www.instagram.com/gbrme/ Each episode is a peek into the practice of storytellers through different mediums. Curating advice and visibility for communities navigating the emerging landscape of art, technology, and entrepreneurship. Between conversations, featured guests share a playlist of their most played recent tunes, as a sonic backdrop to their creative process. The show is recorded in the NEW INC office, reimagined as a vessel for dissecting the intersectionality of art, design, and technology through individual conversations. The series' jingle is the work of composer and sound artist Etienne Mason, known professionally as MAYSUN. MAYSUN, recognized for his unique fusion of drumming and immersive soundscapes, has crafted a piece that features a sampled string riff from the Uyghur Sataer, ساتار. This riff was recorded by Gulnihal during her recent visit to Kashgar, China. elekhlekha อีเหละเขละขละ Website: https://www.elekhlekha.xyz/ elekhlekha อีเหละเขละขละ IG: https://www.instagram.com/elekhlekha/ Artist (Keng) Website: https://kengchakaj.info/ Artist (Keng) IG: https://www.instagram.com/kengchakaj/ Artist (Fame) Website: https://www.nitcha.info/ Artist (Fame) IG: https://www.instagram.com/nitchafame/ Radio IG: www.instagram.com/gtalksradio/ Dublab: www.dublab.com/shows/gtalks-radio Sound Artist: www.instagram.com/maysun.music/

#gtalksradio present: Mattaniah Aytenfsu, a new media artist and engineer from the Bay Area, now based in New York. Using software as her primary medium, Mattaniah creates artifacts and experiences that explore the humanistic and expressive potential of computation. Her practice spans across design, science and culture. Tracklist: Janet Jackson – Someone to Call My Lover Quinteto Ternura – Baby Maryyx2 – RING!!! Nala Sinephro – Continuum 6 Caroline Polachek – Spring Is Coming With A Strawberry In The Mouth 4am Kru – High Time Special series @gtalksradio at NEW INC brings together the diasporic approach of gtalks! radio and the experimental ethos of NEW INC, the first museum-led incubator for art, design, and technology founded by the New Museum in 2014. Each episode is a peek into the practice of storytellers through different mediums. Curating advice and visibility for communities navigating the emerging landscape of art, technology, and entrepreneurship. Between conversations, featured guests share a playlist of their most played recent tunes, as a sonic backdrop to their creative process. The show is recorded in the NEW INC office, reimagined as a vessel for dissecting the intersectionality of art, design, and technology through individual conversations. The series' jingle is the work of composer and sound artist Etienne Mason, known professionally as MAYSUN. MAYSUN, recognized for his unique fusion of drumming and immersive soundscapes, has crafted a piece that features a sampled string riff from the Uyghur Sataer, ساتار. This riff was recorded by Gulnihal during her recent visit to Kashgar, China. Artist IG: https://www.instagram.com/muhtanya/ Artist Website: https://mattaniah.online Radio IG: www.instagram.com/gtalksradio/ Dublab: www.dublab.com/shows/gtalks-radio Sound Artist: https://www.instagram.com/maysun.music/

Live at WSA in New York City on September 24, 2024. Academy Award‒winning filmmaker, drummer, DJ, producer, director, culinary entrepreneur and New York Times bestselling author Ahmir “Questlove” Thompson talks with Williams College pioneering developmental psychologist, Dr. Susan Engel about his debut children's picture book The Idea in You. The book was written to inspire kids to find and follow their own creative voice. We talk about Questlove's childhood, his creative roadblocks, his current relationship to supporting his inner child, Susan's pioneering work researching curiosity in children and what we know about how children come up with ideas. This podcast was produced in collaboration with Water Street Projects, NEW INC and the New Museum.

New INC ransomware targets U.S. healthcare sector Providence public schools deal with irregular internet activity Apple pulls iPadOS 18 update that was bricking M4 iPad Pro devices Thanks to today's episode sponsor, Conveyor It's Friday and Conveyor hopes you don't have a meaty security questionnaire waiting for you on the other side of this podcast. If you do, you should check them out.   As the market-leader in instant, generative AI answers to entire security questionnaires, Conveyor helps you complete questionnaires fast, no matter the format they're in, so you don't feel like you're getting crushed by the wave of unfinished work.   Learn why we're the software your infosec friends love at www.conveyor.com.   Get the story behind the headlines at CISOSeries.com.

Ron and Nick invite you to invite people to call in for our new counseling show: I Need a Counselor (INC).

Described as the “next generation of leadership”, in this episode we welcome Salome Asega, the director of NEW INC in New York and an accomplished artist, whose work is at the cutting edge of creativity and technology. Salome's ability to look towards—and build—the future shines through in this conversation with host Charlotte Burns. Part of her work at NEW INC, she says, is about creating chance encounters for creative people that feel like “choosing your own adventure.” What if we focused on new inventions, narratives and opportunities? Tune in for more. 

Tune into Art Movez with Toni Williams and Eli Kuslansky with NEW INC's new leader Salome Asega. Who talks about how she landed at New Inc. and her vision for the future of this incubator for people working at the intersection of art, design, and technology. It's for those who have new ideas and are looking for ways to make them a reality. --- Send in a voice message: https://podcasters.spotify.com/pod/show/toni-williams72/message Support this podcast: https://podcasters.spotify.com/pod/show/toni-williams72/support

This is the second of a series on the AIA CRAN Symposium in Salt Lake City, Utah in October of 2023.Sponsorship Opportunities are now available for the Podcast. Please contact me via my website: MGHarchitect: Michele Grace Hottel, ArchitectThis podcast is sponsored by:California Building & Remodeling License # 826654        Bond # 30004754     Tel 858-483-0800        Namita Modi, AIA LEED AP is the founder of Modi Architecture & Design, a full-service architectural design practice focused on private home commissions, residentialdevelopment and urban design collaborations in the NYC region. In her career, she hasdesigned over one hundred projects, a body of work that includes private residences, rural conservation prototypes and sustainable compounds throughout the US.Her speculative design projects include ecologically driven installations for Open Air Lab, a collaborative at New Inc, a museum-led cultural incubator in NYC. She is a co-chair for the AIANY CRAN knowledge committee since 2019 where she has curated over several dozen programs that explore innovation in practice, design and construction techniques emerging from custom residential design. She has served on several design juries nationally and has lectured at architecture conferences. She is also a mentor/educator to emerging architects in her community and within a network ofarchitecture schools in the Northeast. This year, Namita was appointed to the Dean'sCouncil at Penn's Weitzman School of Design. She holds a BA from Barnard Collegeand a Master of Architecture from the University of Pennsylvania and is a registeredarchitect in New York, New Jersey and Pennsylvania.Namita M. Modi, AIA, LEED AP PrincipalModi Architecture & Design LLC Contact Information: (office)1133 Broadway, Suite 1524New York, New York 10010Tel: (212)983-1606Mobile: (917)207-8802Email: nmodi@modiarch.comLINK TO THE BLOG  with IMAGES and THE BOOK REVIEW :https://inmawomanarchitect.blogspot.com/2023/12/my-new-years-book-list-books-by-my.html

In this episode, we're joined by Susan Liao, a product leader and champion of liberatory leadership working at the intersection of digital innovation, social entrepreneurship and non-profit impact strategy. In this episode, we chat about: Her journey into tech and product Navigating her life through agencies and startups Pivoting from the corporate world to impact-driven work Conforming into inequitable systems and role, and shifting away to find her voice Why we adapt as marginalized communities and how to break away from upholding inequitable systems What's in Susan's “kitchen sink” The future of work, diversifying the spaces we are a part of, and creating different forms of distributing wealth Challenging existing systems of work, capitalism, and labor The concept of "Space, pace, and grace" - how are we acknowledging rest as part of our work? Honoring the north star of the communities around us Creating more intention behind our beliefs, words, and actions The importance of rest and filling our cup You can find Susan at: LinkedIn: linkedin.com/in/susanliao Startups for All: startupsforall.org Leaders Like Us: leaderslikeus.us Susan's first startup experience: Print All Over Me with NEW INC's Year 2 cohort  About Ecocycles and strategy knotworking Improving cross-disciplinary collaboration with strategy knotworking and ecocycle planning, by Nancy White   Emergent Strategy https://adriennemareebrown.net/book/emergent-strategy/ Petra Vega (She/Her/Ella), Liberatory Leadership Coach, Facilitator, Radical Social Worker and Emergent Strategist https://createmorepossibilities.com/about-me/   Ruha Benjamin https://www.ruhabenjamin.com/ Respect The Small https://www.instagram.com/p/Ct2gyOcP694/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA== You can follow me at: Instagram: @stevenwakabayashi YouTube: @stevenwakabayashi Subscribe to my weekly newsletter: mindfulmoments.substack.com Visit our website yellowglitterpodcast.com

Sydney Skybetter and producer Kamal Sinclair chat about the intersection of the cultural sector, emerging technologies, and the vintage hardware that shaped their childhoods. Are we all complicit in these complex cultural systems? Oh, and also, can we please bring back the Filofax? About Kamal: Kamal Sinclair supports artists, institutions, and communities working at the convergence of art, media, culture, and technology. Currently, she serves as the Senior Director of Digital Innovation at The Music Center in Los Angeles, which is home to TMC Arts, Center Theatre Group, Los Angeles Master Chorale, LA Opera, and LA Phil. Additionally, she serves as an advisor or board member to  Peabody Awards interactive Board, For Freedoms, NEW INC.'s  ONX Studio, Civic Signals, For Freedoms, MIT's Center for Advanced Virtuality, Starfish Accelerator, Juvenile Bipolar Research Foundation, and Eyebeam. Previously, she was the Director of Sundance Institute's New Frontier Labs Program, External Advisor to Ford Foundation's JustFilms and MacArthur Foundation's Journalism & Media Program, Adjunct Professor at USC's Media Arts + Practice program, and Executive Director of the Guild of Future Architects. She is the co-author of Making a New Reality. Sinclair got her start in emerging media as an artist and producer on Question Bridge: Black Males, where she and her collaborators launched a project with an interactive website and curriculum; published a book; exhibited in over sixty museums/festivals. Read the transcript, and find more resources in our archive: https://www.are.na/choreographicinterfaces/dwr-ep-4-fierce-on-the-palm-pilot-a-conversation-with-kamal-sinclair Like, subscribe, and review here: https://podcasts.apple.com/us/podcast/dances-with-robots/id1715669152  What We Discuss with Kamal (Timestamps): 0:00:00: Introduction to Kamal Sinclair 0:01:32: Discussion on the influence of Minority Report on technology and body interfaces. 0:04:56: Personal experiences with early mobile devices and anticipation of smartphones. 0:07:10: Exploring the cyclical nature of technology and imagining the future. 0:08:10: The role of a curator in identifying and bridging new forms of art and technology. 0:09:18: The importance of following the artist and supporting their vision. 0:10:38: Balancing the promise and ethics of technology in art. 0:12:29: Exciting emerging art in storytelling, aesthetics, and movement. 0:15:18: The power of imagination and action in shaping the future. 0:17:43: The relationship between bodies and technologies. 0:18:53: The influence of disability and otherly abled experiences on technology. 0:19:41: Dance historical perspectives on the bodies of the future. 0:21:26: The need to consider nature and relationships in future designs. 0:23:25: The negative impact of militarized surveillance technologies on marginalized groups 0:25:39: Discussion on the immersive VR experience of Birdly 0:27:02: Healing and altered states through immersive experiences 0:28:30: Managing complicity and the future of work for artists 0:30:41: Closing with the acknowledgement of not knowing 0:31:19: Show credits & thanks The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at www.choreographicinterfaces.org Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.  

Multidisciplinary artist Eartheater talks with NYU computational biologist and artist, Dr. Elizabeth Hénaff about cell division, snails, horseshit, gut biome health, artist residencies and more at this very special live event! This episode was recorded at DEMO2023, presented by NEW INC and the New Museum, June 2023

In this episode, we talk with artists Matthew Porter and Carlo Van de Roer about how they first met, the acquisition of NFT works by institutions and museums, the ever-changing attitudes of art collectors, the challenges and strengths of working with traditional artists in the NFT space, the idea of hybridity, and what Matthew and Carlo have queued up for the future. Episode recorded on February 21, 2023. Mathew Porter and Carlo Van de Roer have formed a dynamic partnership known as Zome, an artist-run collective focused on collaborating with artists in the NFT space. Within this innovative venture, they have successfully launched two captivating projects: "22 Pigeons" in collaboration with renowned photographer Roe Ethridge and "154Ever" alongside the talented visual artist Mariah Robertson. Matthew Porter has had solo and group shows in a number of international galleries and institutions, including M+B, Los Angeles, Invisible Exports, New York, Anonymous Gallery, Mexico City, Koenig & Clinton, New York, and the Foam Museum in Amsterdam. Porter's curatorial projects include "Seven Summits" at Mount Tremper Arts, "The Crystal Chain" at INVISIBLE-EXPORTS, and "Bedtime for Bonzo" at M+B. He is the co-editor of Blind Spot magazine Issue 45, and his writings and interviews have been featured in a number of publications including ARTFORUM. In 2012 Porter was included in the "After Photoshop" exhibition at the Metropolitan Museum Art, New York. Carlo Van de Roer (b. 1975) received his BFA from Victoria University, Wellington, New Zealand. His work has been exhibited at venues such as M+B Gallery, Los Angeles; Suite Gallery, Wellington, New Zealand; the MUSAC Museum of Contemporary Art, Léon, Spain; Transformer Station Museum of Art, Cleveland, OH; the Haggerty Museum of Art, Marquette University, Milwaukee; the New Museum, NY; Hyères Photography Festival and the Paris Photo Prize — a number of these institutions hold the artists work in their permanent collections. Damiani published Van de Roer's first monograph The Portrait Machine with text by Val Williams. Notable press includes The New York Times, The New Yorker and Wired magazine. As an inaugural participant in the New Museum's New Inc program, Van de Roer founded a research and development lab in New York called Satellite Lab, with a focus on new technology for photography and film-making — this has led to the invention and patenting of several new camera and lighting technologies which the artist employs in his work. Matthew Porter @_matthewporter_ @archipelagi Carlo Van de Roer @carlovanderoer @Carlo_VandeRoer zome.art

Christina M. Wallace, Harvard Professor, Entrepreneur & Author, shared the story behind her title with us on July 5, 2023.A self-described “human Venn diagram” CHRISTINA WALLACE has crafted a career at the intersection of business, technology, and the arts. She is currently a Senior Lecturer of Entrepreneurial Management at Harvard Business School, where she co-leads HBS Startup Bootcamp, and is an active angel investor and startup advisor. Her latest book, The Portfolio Life: How to Future-Proof Your Career, Avoid Burnout, and Build A Life Bigger Than Your Business Card will be published in April 2023 (Hachette). She co-authored New To Big: How Companies Can Create Like Entrepreneurs, Invest Like VCs, and Install a Permanent Operating System for Growth (Penguin Random House, 2019) with David Kidder, co-founder of growth advisory firm Bionic, where she worked as the Vice President for Growth before joining the HBS faculty. Early to the podcast scene, she co-created and co-hosted The Limit Does Not Exist, a podcast about portfolio careers produced by iHeartRadio with 125 episodes over 3 seasons and millions of downloads by passionate listeners.She regularly speaks, writes, and consults on a wide range of topics, ranging from failure and resilience to corporate innovation, from K12 computer science education to her viral TED talk detailing her unique approach to hacking online dating. Mashable called her one of “44 Female Founders to Know” and Refinery29 named her one of the "Most Powerful Women in NYC Tech." She has been profiled in Elle, Marie Claire, the Wall Street Journal, and Fast Company, among others.Originally from Lansing, Michigan, Christina is pleased to serve as a mentor for several accelerators, including Techstars Anywhere and the NEW INC accelerator for startups at the intersection of art and technology. A lifelong musician, she earned her high school diploma from Interlochen Arts Academy, where she studied piano, cello, and classical voice. In her free time, she sings with various chamber choirs, embarks on adventure travel, including summiting Mt Kilimanjaro and trekking to Everest Base Camp, and is an endurance athlete, with 22 half marathons, 3 triathlons, and 3 marathons under her belt. She lives in Cambridge with her husband Chas Carey and their two children.SUE SAYS"Christina grew up with a love of both music and math. While she thrived academically, she also had a love of the arts. When she combined the two she would learn that the perfect route for her was to become an entrepreneur. Many twists and turns that took place in her life led to her latest book, The Portfolio Life which details the importance of diversification in both finance and life."Support this podcast at — https://redcircle.com/women-to-watch-r/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On today's show we are visiting with Salome Asega, a true multihyphenate  who not only leads New Inc, the New Museum's incubator for people working at the intersection of art, design, and technology, but who has also maintained a vibrant artistic practice all throughout the years that her career as an arts administrator has been thriving. This might be due to the fact that when you look at Salome's work as a professional, it really is just an extension of her work as an artist — delightfully speculative, collaborative, participatory, critical of technology's role in society, and in many ways engaged with questions of expanding access and inclusion. In our chat we hear about Salome's hijinks as a teen growing up in Las Vegas, pretending to window shop in high end shops and casinos so that she could sneak glimpses at the Marilyn Minter and James Turrell installations. We delve deep into Salome's participatory and community oriented artistic practice, and we also hear about her role in co-founding POWRPLNT, a digital art collaboratory in Bushwick.Links from the conversation with Salome> Demo 2023: https://www.demo2023.org/> Iyapo Repository: http://www.salome.zone/iyapo-repository> POWRPLNT: https://www.powrplnt.org/> http://www.salome.zone/about> https://www.newinc.org/Get access to exlusive content - join us on Patreon!> https://patreon.com/artobsolescenceJoin the conversation:https://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

This week we're sharing with you a panel Lindsay moderated at the New Museum a few months ago with artists Miles Greenberg and Salome Asega. Miles is a performance artist and sculptor who's known for using the physical body as sculptural material. Salome is the Director of New Inc at the New Museum and her work explores and critiques the speed in which technology develops. In this episode, they talk about the role art plays in technology and what that means for the future of art. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Salome Asega is an artist and Director of NEW INC at the New Museum. Her work invites the playful and absurd to critique the speed in which technology develops and poses new consentful tech futures leveraging the power of collective imagination. Salome is a 2022 United States Fellow and an inaugural cohort member of the Dorchester Industries Experimental Design Lab developed by the Rebuild Foundation and Prada. She is also a co-founder of POWRPLNT, a Brooklyn digital arts lab for teens. Salome has participated in residencies and fellowships with Eyebeam, New Museum, The Laundromat Project, and Recess and has exhibited at the 11th Shanghai Biennale, MoMA, Carnegie Library, August Wilson Center, Knockdown Center, and more.  Salome's IGSalome's Websitehttps://www.pinupmagazine.org/articles/salome-asega-interview New Inc's WebsiteNew Inc's Open Call for Year 10 (Sept 2023-August 2024) POWRPLNT's Website ________________________________________Access Daily Opportunities via PUTF's IG:Support this podcast by:- Leaving a nice review on Apple Podcast

Creative, traveler, culturist, and friendly provocateur. Shannon Washington is a busy woman. Currently, Shannon serves as the US Chief Creative Officer, Connected Communications for R/GA US, the network's largest and flagship region with a sharp focus on reshaping the region's creative vision, fidelity and culture for a post-pandemic world. Since joining R/GA in 2020, her intersectional and craft-centric style of leadership has led to a renewed creative vigor in the office, netting an impressive set of wins to include 4 Webbys (including 2022 Agency of the Year), 3 ADC Cubes, 5 Clios, 2 AICP Awards and 2 Cannes Lions, with her sights set on another successful season for 2023. In addition, her approach has earned her two distinctive honors: The AdWeek 100 and one of Fast Company's Most Creative People in Business for 2022. Forever hands-on, Shannon actively leads creative work for Sephora, Samsung, and The Ad Council/Love Has No Labels in addition to supporting her cadre of leaders across Verizon, Mattress Firm, Reddit, Nike and many more. When she can, Shannon also lends her expertise to a number of independent and women-owned brands like The McBride Sisters Wine Company. Shannon joined R/GA after a stint in Los Angeles with Media Arts Lab, where she helped launch Apple TV+ and build a foundation for original content marketing in the Apple ecosystem, and at Deutsch Los Angeles where she led H&R Block. Previous to Los Angeles, Shannon was at Droga5 NY, where she led the culture-driven “I Am What I Make Up” relaunch of CoverGirl and the launch of You Invest with Chase. In her spare time, Shannon works to fuse her many passions into action and service. She is the founder of PARLOUR, travel experience company for black women. In 2019, she also created TONI, a social space for Black women in marketing and advertising. A huge mentorship advocate, she has also served as a mentor with New Inc, The One School, and currently serves as a board member of The Marcus Graham Project. When she can, Shannon can be found actively adding to the discourse around the culture of leadership and inclusivity in advertising through paneling and public conversations. When she's not in front of a monitor, Shannon is working on adding another stamp to her passport or attempting to run a 10 minute mile. Shannon is a proud and loud graduate of Howard University and lives in New Jersey.

In this extended episode, we wrap up our 2022 standing out in a saturated market panel. Workbook's Heidi Goverman ends on the subjects of social media and portfolio reviews with Senior Art Dir Jason Gan, CD Jana Jarosz, and EP Dir. of Production Michael Kaminski.  About the Panelists: Jason Gan is a 2021 Adweek Creative 100. He started his career as an intern while still in school at space150, Mistress, WFT Creative and The Fantastical. After graduating he quickly moved into an Art Director role at Arnold Worldwide working with companies Progressive, Carnival, Avocados From Mexico, Santander Bank, National Association of Realtors. Jason then moved to Goodby Silverstein & Partners working on Adobe, BMW, Doritos, Pepsi and HP before landing in his current role as Senior Art Director with Droga5. Jana Jarosz is a hybrid creative thinker, maker, designer. Whether working to shift the boundaries of inclusivity, diversity, and cultural standards to build a brand with a social impact point of view across all platforms or creating content by hand and by pixel, Jana's working process celebrates the agility of design thinking applied to ideas, a disciplined curiosity, and the joyful spirit of endless innovation—from the post-it with the big idea to the social posts. After content creation hours, Jarosz spends her time sharing her creative expertise with students at CUNY's City Tech, Manhattan's only full-time night high school, and with creative-preneurs at the New Museum's tech incubator, New Inc. Michael Kaminski is the EP, Director of Production at JUICE Pharma Worldwide, and leads the agency's internal B12 Studio. Well versed in creating content while making an impact, it's no surprise that you can find him mentoring students in the NYC SALT program or teaching photo & video workflow at SVA when he's not busy meeting client deadlines.

We're back with another installment of Standing Out in a Saturated Market 2022.   On this episode, Workbook's Heidi Goverman talks digital and print promo pieces with Senior Art Director Jason Gan, Creative Director Jana Jarosz, and EP Dir of Production Michael Kaminsky. About the Panelists: Jason Gan is a 2021 Adweek Creative 100. He started his career as an intern while still in school at space150, Mistress, WFT Creative and The Fantastical. After graduating he quickly moved into an Art Director role at Arnold Worldwide working with companies Progressive, Carnival, Avocados From Mexico, Santander Bank, National Association of Realtors. Jason then moved to Goodby Silverstein & Partners working on Adobe, BMW, Doritos, Pepsi and HP before landing in his current role as Senior Art Director with Droga5. Jana Jarosz is a hybrid creative thinker, maker, designer. Whether working to shift the boundaries of inclusivity, diversity, and cultural standards to build a brand with a social impact point of view across all platforms or creating content by hand and by pixel, Jana's working process celebrates the agility of design thinking applied to ideas, a disciplined curiosity, and the joyful spirit of endless innovation—from the post-it with the big idea to the social posts. After content creation hours, Jarosz spends her time sharing her creative expertise with students at CUNY's City Tech, Manhattan's only full-time night high school, and with creative-preneurs at the New Museum's tech incubator, New Inc. Michael Kaminski is the EP, Director of Production at JUICE Pharma Worldwide, and leads the agency's internal B12 Studio. Well versed in creating content while making an impact, it's no surprise that you can find him mentoring students in the NYC SALT program or teaching photo & video workflow at SVA when he's not busy meeting client deadlines.

Back in October, Workbook SVP Heidi Goverman hosted a panel with APA New York to ask Creatives: How can commercial artists stand out to creative buyers to get work seen, recognized and ultimately get hired in 2022?  In first part, Heidi talks website dos and don'ts with panelists Jason Gan (SAD, Droga 5) Jana Jarosz (CD, FCB Health), and Michael Kaminski (EP, Dir. of Production, JUICE Pharma Worldwide).  About the Panelists: Jason Gan is a 2021 Adweek Creative 100. He started his career as an intern while still in school at space150, Mistress, WFT Creative and The Fantastical. After graduating he quickly moved into an Art Director role at Arnold Worldwide working with companies Progressive, Carnival, Avocados From Mexico, Santander Bank, National Association of Realtors. Jason then moved to Goodby Silverstein & Partners working on Adobe, BMW, Doritos, Pepsi and HP before landing in his current role as Senior Art Director with Droga5. Jana Jarosz is a hybrid creative thinker, maker, designer. Whether working to shift the boundaries of inclusivity, diversity, and cultural standards to build a brand with a social impact point of view across all platforms or creating content by hand and by pixel, Jana's working process celebrates the agility of design thinking applied to ideas, a disciplined curiosity, and the joyful spirit of endless innovation—from the post-it with the big idea to the social posts. After content creation hours, Jarosz spends her time sharing her creative expertise with students at CUNY's City Tech, Manhattan's only full-time night high school, and with creative-preneurs at the New Museum's tech incubator, New Inc. Michael Kaminski is the EP, Director of Production at JUICE Pharma Worldwide, and leads the agency's internal B12 Studio. Well versed in creating content while making an impact, it's no surprise that you can find him mentoring students in the NYC SALT program or teaching photo & video workflow at SVA when he's not busy meeting client deadlines.   About the Moderator: Heidi Goverman began her tenure with Workbook in 2014 as the West Coast Regional Representative and is now Senior VP of Development and Client Relations. At Workbook Heidi introduced the popular FaceTime (now ScreenTime) portfolio events, produces panel events as well as the Workbook webinars Where Are We Now series and Minding Your Own Business. Heidi is a talker but also a good listener who likes to solve problems and connect people. About APA NYC: APA is a non-profit trade organization built by photographers for photographers. Now in our fourth decade, APA exists to provide business tools and creative inspiration which help photographic artists of all levels run a smarter, more creative, and profitable business.

In this episode of the French Insider, we speak with Emma Buttin, General Coordinator of the Residencies at Villa Albertine. Created by the Ministry of Europe and Foreign Affairs and with the support of the Ministry of Culture, the Villa Albertine renews the concept of residence by shifting the center of gravity from the place of residence to the territory of residence and exploring this country-continent from the 10 major cities in the United States where it is present. Led by a team of 80 people spread out in Atlanta, Boston, Chicago, Houston, Los Angeles, Miami, New York, New Orleans, San Francisco, and Washington D.C., the Villa Albertine seeks to accompany French cultural actors with on the ground support in their projects and challenges, through an ambitious, agile system closely connected to the prescribing bodies of the American cultural landscape.   What We Discussed In This Episode   Can you describe the history and mission of the Villa Albertine? The Villa Albertine has just announced its next 70 residencies for 2023. What are the cities in which residents can come to the United States? What is the method for applying for the Villa Albertine residencies? Can you tell us about some of the Villa Albertine residencies? What are the challenges you encounter in bringing residents to the Villa Albertine? The Villa Albertine therefore sees itself as a large community: apart from the residents, who are your French partners? Are you looking for American partnerships too?   About Emma Buttin     Emma Buttin has been the general coordinator of the Villa Albertine residencies since September 2021, overseeing the organization of the residencies and the annual call for applications. Emma is a graduate of Sciences Po Grenoble and ESCP-Europe, specializing in the management of multidisciplinary projects. She led artistic commissions and studies on the integration of cultural dimension in sustainable and urban development at the ARTER cultural production agency and for cities such as Montreal, Lyon and Geneva. She worked for six years on the creation and development of the cultural project of the largest construction site in Europe, the Grand Paris Express. Emma's passion for cultural engineering and innovation led her to La Gaîté Lyrique. As the head of the residency program, she supported curators, studios and artists on their projects. She was also part of the team of the festival NewImages in Paris, dedicated to immersive experiences. In 2019, she joined the Cultural Services of the French Embassy in the United States as New Media Officer and initiated new programs and cycles of meetings around virtual reality, video games and podcasts. She is a mentor at New Inc, the New Museum's cultural incubator.   Contacts: Villa Albertine Emma Buttin Sheppard Mullin French Desk Blog   This podcast was recorded in French.   French Translation   La Villa Albertine :  Un programme d'accueil des acteurs culturels français aux États-Unis   Créée par le ministère de l'Europe et des Affaires étrangères et avec le soutien du ministère de la Culture, la Villa Albertine renouvelle le concept de résidence, en déplaçant le centre de gravité du lieu de résidence au territoire de résidence et invite à explorer ce pays-continent à partir des 10 grandes villes des Etats-Unis où elle est présente. Animée par une équipe de 80 personnes réparties à Atlanta, Boston, Chicago, Houston, Los Angeles, Miami, New York, La Nouvelle-Orléans, San Francisco, et Washington, D.C, la Villa Albertine veut accompagner au plus près du terrain américain les acteurs culturels français dans leurs projets et enjeux, à travers un dispositif ambitieux, agile et étroitement connecté aux instances de prescription du paysage culturel américain.   Emma Buttin est la coordonnatrice générale des résidences de la Villa Albertine depuis septembre 2021. Elle supervise l'organisation des résidences et l'appel à candidatures annuel.   La Discussion:   Pour donner un peu de contexte, pouvez-vous décrire l'histoire et la mission de la villa Albertine ? La Villa Albertine vient juste d'annoncer ses 70 prochaines résidences pour 2023. Quels sont les villes dans les résidents peuvent venir aux Etats-Unis ? Quelle est la méthode pour postuler aux résidences de la Villa Albertine ? Pouvez-vous nous parler de quelques résidences de la Villa Albertine ? Quels sont les défis que vous rencontrez pour faire venir les résidents de la Villa Albertine ? La Villa Albertine se pense donc comme une grande communauté : mis à part les résidents, quels sont vos partenaires français ?   Est-ce que vous cherchez des partenariats américains aussi ?   Contacts:   Villa Albertine Emma Buttin Sheppard Mullin French Desk Blog   This podcast is for informational and educational purposes only. It is not to be construed as legal advice specific to your circumstances. If you need help with any legal matter, be sure to consult with an attorney regarding your specific needs

I really enjoyed this chance to catch up with her and hear what she's seeing as being exciting developments in the fields of art, technology, and science. And we had a great time discussing what an intra-institutional approach to building a new tech-art infrastructure could be, as a counterpoint to the dominance to the dominance of a few tech. companies. We get into the weeds on potential funding structures that would allow non-profits to collaborate to build a more humane and human version of the metaverse. Shownotes and links: https://www.informerpodcast.com/episodes/15/index.html

Ashley Jane Lewis (she/her) is a new media artist with a focus on Afrofuturism, bio-art, social justice, and speculative design. Her artistic practice explores black cultures of the past, present, and future through computational and analog mediums, including coding and machine learning, data weaving, microorganisms, and live performance. Listed in the Top 100 Black Women to Watch in Canada, her award-winning work on empowered futures for marginalized groups has exhibited in both Canada and the U.S., most notably featured on the White House website during the Obama presidency. Her practice is tied to science and actively incorporates living organisms like slime mold and food cultures (kombucha and sourdough starters) to explore ways of decentralizing humans and imagining collective, multi-species survival. Ashley is currently an Artist in Residence at CultureHub NYC as well as part of the Culture Futures Track in the NEW INC year 7 cohort, an art, design, and technology incubator run within the New Museum. In this episode, Ashley and Brandi talk about the intersections of Slime Mold + Social Justice, including: Afro-futurism, bio-art, social justice, and speculative design. The tensions between art and science, especially as a Black woman. How Ashley got into sourdough, sci-fi, and slime mold. What slime mold has to do with Black popular culture. What it teaches us about gender, mutual aid, and immigration. De-centering humans in imagining the future. Using AI as a science fiction tool to predict a future imagined by BIPOC folks. Plus, a ton of other things related to food, fermentation, our ancestors, passing information generationally through time, writing as a prophetic tool, and geeky things that Ashley and I both love. Listeners can find Ashley online at ashleyjanelewis.com, as well as Instagram and Twitter. Get more This Plus That: Sign up for the newsletter. Check out this episode's show notes. Follow along on Twitter: @thisplusthatpod Follow along on Instagram: @thisplusthatpod Check out the Website: thisplusthat.com Music: The in-house musicians at Slip.stream Audio Engineering: Joshua LaBure

For this #womensmonth, discover the artist residency project X-pop by @leahroh ►► More info What comes into your mind when you think about Oriental women? Are they smiley discreet yellow faces, are they K-pop chic or cynical like in the Squid Game series? In this work called X-pop, Leah Roh confronts the covert and overt racist depictions of East-Asian archetypes from pop culture, in a gamified satirical web-based VR experience. The viewer will experience the X-pop, a virtual celebration of Hollywood's “Asian-American” community, in Mozilla Hubs. About the artist Leah Roh (b. 1991 – USA) is a Brooklyn-based 3D artist and educator. She builds computer-generated experiences that explore the ways in which interactive technologies can bridge the gap between new media and pop culture. Through 3D animation and game engine software, Leah designs engaging experiences based on her personal relationship with overt and covert systemic racism and sexism as a Korean-American woman, stemming from the inequities in representation in mainstream media. Her practice examines how virtual mediums can cultivate accessible spaces for cultural engagement and be applied for experiential education and storytelling. She is a NEW INC alum and currently teaches Experiential Art at Pratt Institute's New Media programme and 3D design at NYU's Integrated Design Media programme. About @AgoraDigitalArt Agora Digital Art is a certified social enterprise. We are one of the most dynamic creative hubs in London. We champion artists who have something to say. We bring diverse communities and artists together. With your generous support, we will build the best digital network. ►► Donate via Paypal #leahroh #3Dartist #xpop #kpop #kdrama #koreanamerican #madeinusa #womenindigitalart #AgoraDigitalArt #internationalwomensday #venusofmetaverse

Two meaty interviews on this episode.First, we talk with Vallejo Gantner currently with ONX Studio an XR accelerator in New York City powered by Onassis Foundation USA (for whom he previously served as Artistic and Executive Director) and New INC. We get into the state of performing arts in XR with Gantner, who was the Artistic Director of NYC's Performance Space 122 for 12 years. (Check out Tree currently at ONX Studio in NYC.)Then we settle in for a chat with Scott Cramton of American Immersion Theater, talking about his twenty-year career in making participatory events for clients around the country, and take an unexpected detour into what he's put together over the course of the pandemic: Camp D&D Online. [39:00]Plus Kathryn with this week's Headlines and the latest on The Next Stage Immersive Summit & Mini-Festival.Associate Producer: Parker SelaMusic: Chris Porter Headlines: Kathryn Yu, Executive Editor of No ProsceniumProducer and Host: Noah Nelson  Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Stephanie Pereira is the VP of Creator Success at Rally, the platform that allows creators to build their own independent digital economies. Stephanie is a community engagement expert with more than 15 years of expertise working at the intersection of arts, tech and business. Before joining Rally, Stephanie served as Director of New Museum's NEW INC, which is the first museum-led cultural incubator dedicated to supporting innovation, collaboration, and entrepreneurship across art, design, and technology.There, she co-founded the museum-led incubator's Extended Reality (XR) accelerator, ONX Studio. In our today's talk, we discussed social tokens and the future of content creation and online communities. Stephanie gave a very detailed overview of how social tokens work, how are they different from the NFTs and how creators should approach this new era of the internet. We also covered some practical steps that creators can take to build their own digital economy. ------ You can get in touch with Stephanie on her LinkedIn ------ You can learn more about Rally here ------ Cointelligence Academy e-Book: The Cointelligence Guide to Decentralised Finance Check our website for latest updates and free Blockchain courses Join our Telegram group and start meeting people in Blockchain and Crypto Follow us on Twitter ------ PUBLC Web 3.0 Search Engine Check out what is PUBLC here Learn about PUBLC's Web Economy here Explore PUBLC Search Engine here ------ If you would like to suggest a guest or interested in sponsoring the show, please email Lora on lora@cointelligence.com

Stephanie Dinkins speaks about always being on the edge of technology, while becoming disillusioned with careers in publishing and advertising as well as navigating a world which wants to overlay its own narratives on her as a person and a practitioner. Stephanie's story speaks to anyone who has worked or is working on finding their way as an artist in a world under capitalism. And, she lays out the inherent limitations in trying to improve tech. development by imbuing it with perceived “values.”I find Stephanie's work to be incisive and playful in the way that it gets to the impacts of AI, due to its universal ability to shift large components of how we live on this planet. And underlying all of her work is an optimism that is very welcome, particularly at this time when there is a tendency towards a dystopic imagination. Stephanie's response is to neither go full utopia or full dystopia, but, as she puts it, full pro-topia.Stephanie DinkinsSecret Garden

NEW INC invited me to give an artist talk about Deep Reckonings, moderated by the illustrious Kat Cizek. In it, I do something I've never done before: guide people in writing Deep Reckonings scripts! In other words, guide people in imagining our better angels. In this case, the better angel of Jeff Bezos. This episode is better watched on YouTube: http://bit.ly/newincsteph In related news: Deep Reckonings was nominated for a Webby Award! LET'S WIN :) Please take a minute to vote: bit.ly/deepwebby

Call-out culture is all about straw manning: representing the weakest version of someone's position (or the weakest version of something they tweeted a decade ago). So call-IN culture would be all about STEEL manning: representing the strongest version of someone's position. But what would that actually look like in practice? This video is a teaser for a NEW INC talk I'm giving *this* Friday 4/16 from 11am-12:15 PT / 2-3:15pm ET. Join me to build some steel versions of our straw men: http://bit.ly/steelsteph Check out Deep Reckonings: https://www.deepreckonings.com Be in touch on Twitter: https://twitter.com/stephlepp​​​ Join the party on Patreon: http://patreon.com/stephlepp

In this episode, our host Rachel Wilkins holds a discussion with Stephanie Perreira on professional development programs for artists and their interest in how artists are using technology and also offering them a safe space to interact. New Inc is an incubator program that began as part of the museum in 2013 but has added so much value to the artist community over the years.

Janet Biggs Photo Régis Figarol Janet Biggs is an interdisciplinary artist known for her immersive work in video, film and performance. Biggs’ work focuses on individuals in extreme landscapes or situations, navigating the territory between art, science and technology. Her work has taken her into areas of conflict and to Mars (as a member of crews at the Mars Desert Research Station and Mars Academy USA). Biggs has worked with institutions from NOAA to NASA and CERN. She has collaborated with high energy nuclear physicists, mathematicians, neuroscientists, Arctic explorers, aerospace engineers, astrophysicists and a robot named Shimon. Last year, Biggs sent a project up to the International Space Station as part of MIT Media Lab’s Space Exploration Initiative. Biggs has had solo exhibitions and film screenings at the Museos de Tenerife; Neuberger Museum of Art; SCAD Museum of Art; Blaffer Art Museum; Musee d'art contemporain de Montréal; Hirshhorn Museum and Sculpture Garden; among others. Her work and research have been supported by the John Simon Guggenheim Foundation, the New York State Council on the Arts, Anonymous Was a Woman Foundation, and the National Endowment for the Arts. Reviews of her work have appeared in the New York Times, New Yorker, ArtForum, ARTNews, Art in America, and many others. Biggs is a member of the New Museum’s cultural incubator, NEW INC with the support of Science Sandbox. She works with Cristin Tierney Gallery, CONNERSMITH, Galerie Analix Forever and Hyphen-Hub. Learn more on Instagram. Here is a link to RSVP for the April 8th performance discussed n the interview: https://www.cristintierney.com/events/26/ The books mentioned in the interview are Alan Lightman's Einstein's Dreams, Alice and Bob Meet the Wall of Fire, the biggest ideas in science from Quanta, Edited by Thomas Lin, The Sublimity of Document, Cinema as Diorama by Scott MacDonald, and Women Artists, The Linda Nochlin Reader, edited by Maura Reilly. "Singular Value Decomposition" announcement for upcoming July 8th performance. "A Step On the Sun," 2012. Four-channel HD video installation with sound. "Weighing Life Without a Scale," 2018. Three-channel HD video installation with sound.

In this episode, Lynn Tonini interviews Patricia Holland, Founder and President of All Things New, Inc. based in Raleigh, North Carolina. Patricia and Lynn talk about the All Things New coaching program for foster youth (both those still in care and those who have already aged out), local partnerships to help foster youth achieve their life goals, how the program was affected by the COVID-19 pandemic, and more.

Take a quick tour through some of the newest projects being created by artists from NEW INC, the New Museum's in New York City's incubator program, including a co-presentation of a shared project by Mark Ramos and Jonah Brucker-Cohen. In partnership with Nokia Bell Labs' storied Experiments in Art and Technology (E.A.T.) program, and Rhizome, the internet's home for born-digital artworks, artists in NEW INC's Art & Code track are using artificial intelligence, virtual reality, and browser based interactive experiences to define a new mode of art making. — The NWA Tech Summit Podcast is recorded on location at (and supported by) Movista!

Yuge studied drawing under Chinese contemporary painter Kaixi Cui 崔开玺 and eventually moved into Video Art after earning her Master of Fine Art from the School of the Art Institute of Chicago. Yuge’s work addresses connections, isolation and longing across urban and natural environments. She creates immersive experiences through digital collaging and sculptural reliefs. Yuge also directs and curates the 3300-square foot 150 Media Stream, a unique public digital art installation in Chicago. In addition to her MFA, she holds a masters degree in Computer Engineering from Syracuse University.Yuge has exhibited her work nationally and internationally including the Grand Rapids Art Museum; Elmhurst Art Museum; Spartanburg Art Museum; Ars Electronica Center at Linz, Austria; Chicago Cultural Center; SIGGRAPH Asia in Kobe, Japan; Microscope Gallery in NY among many others. Yuge’s work has been featured in various publications such as the New York Magazine, HYPEBEAST, and The Atlantic Monthly. Yuge received the Santo Foundation Individual Artist Award in 2017 and Honorary Mention in the 2020 Prix Ars Electronica. She is currently an artist at NEW INC, the world's first museum-led incubator for art, technology and design founded by New Museum. Follow her work @yugezhou

A resident at New Inc, the world's first museum led incubator for art, technology and design founded by New Museum in NYC, the internationally renown artist Yuge Zhou discusses her work and upcoming projects.

If you’re listening to today’s episode of Techsetters, you can thank Peter Boyce! Peter introduced Jenny and Sam when they were both in college and the rest is history.  He is a Partner at General Catalyst and the founder of Rough Draft Ventures, a Harvard based organization with a student team building and empowering the largest network of student founders. Peter’s interests extend beyond Venture Capital, he sits on the boards of The Shed and New Inc, both non-profit institutions that foster innovation at the intersection of art and technology. Did we mention he hosts wine tastings over zoom?  Even with his busy calendar, he continues to find time to advise and inspire the next generation of founders. On today’s episode, Peter gives incredible insight for first time founders, an understanding of what it means to be in venture capital, and by the end of this episode you’ll understand why Peter is such an inspiration! Techsetters is Executive Produced by Kode With Klossy and made possible by If / Then. This episode was recorded in May 2020.

In this episode, I have the great pleasure of digesting the HBR article ( What Will the Retail Experience of the Future Look Like?) with Kate Machtiger the author, which was an absolute pleasure.Sensory perceptions and feelings are a part of the retail experience and unfortunately we have to many flat one dimensional experiences (+ conversations) and it is only through diversity of thought, that we can create true customer journeys that challenge and bring delight to customers, for me design is as critical as the technology, and I truly feel privileged to have been able to have some time with somebody like Kate who is a thought leader in design.Kate Machtiger is the founder of Extra Terrestrial Studio, where she designs and builds “deep space” — surreal places that build connection through exploration and play.Kate brings strategic vision to complex projects and harnesses her multi-disciplinary design and business background to translate concepts into reality.​She was formerly Design Director at Assignment Studios, where she helped clients bring their brand visions to life in the form of retail spaces, pop ups, and events.In 2016, Kate was selected to the Forbes 30 Under 30 for her role in developing emerging technology programs with the federal government.Previously, Kate served as a creative consultant on numerous large-scale real estate and hospitality ventures, and as an innovation consultant for Fortune 500 companies, government agencies, and large nonprofits. She began her career as an investment banker at Goldman Sachs.She has spoken at SXSWedu and the XR for Change Summit.

At State of the Art we strongly believe Black Lives Matter and stand firmly against injustice and abuse of any kind. This week we revisit our conversation with social-activist, Glenn Cantave. Originally recorded in November 2019, Glenn shares with us his personal story into activism, how and why he began working "outside of the system", and how his nonprofit, Movers & Shakers, employs AR to highlight the narratives of oppressed communities.Where to Contribute Your Support:The Legal Rights Center: Provides criminal defense and legal services for low-income people of color in and around Minneapolis, including arrested protesters.legalrightscenter.org/donateNational Bail Out: a Twin-Cities based organization created to deal with police brutality on an ongoing basis. NBO works on day-to-day abuses, extreme cases, and provides support for survivors and families of victims of police brutality. Their overriding goal is to create a climate of resistance to abuse of authority by police organizations and to empower local people with a structure that can take on police brutality and actually bring it to an end.cuapb.orgBlack Table Arts: Gathering Black communities through the arts, towards better black futures.blacktablearts.comCentro de Trabajadores Unidos en Lucha: CTUL is a worker-led organization where workers organize, educate, and empower each other to fight for a voice in their workplaces and in their communities.ctul.netBail Out Funds:New York: The Brooklyn Community Bail Fund is bailing out protestors and pressuring Governor Cuomo to take action on defunding New York City police. Donate at brooklynbailfund.org/donateLos Angeles: Los Angeles Black Lives Matter chapter is supporting organizers and fighting to adopt a "People's Budget" that reallocates police funding to vulnerable communities. Donate at blmla.orgNational: The Bail Project works nationally, including several cities where protests are taking place, including Los Angeles, Louisville, and New York City. Donate at bailproject.org-About Glenn Cantave-Glenn Cantave is an activist, performance artist and social entrepreneur who uses immersive technology to highlight the narratives of the oppressed. Through his non-profit Movers & Shakers NYC, he organized a pop up slave auction performance piece/AR exhibit, ran the NYC Marathon in chains, and is creating AR educational content focused on highlighting the narratives of marginalized communities. He is also the Creator, Executive Producer of We the People, a 360 documentary focused on activism in the age of Trump. His team has documented the actions of several New York based activist groups and captured footage from events such as the Trump Inauguration, Charlottesville Riots, and a White Lives Matter Rally in Tennessee. He is a TED Resident, incoming artist in resident at Eyebeam NYU Something un Residence and a member at New Inc, an arts/tech incubator with the New Museum. He will be speaking about his work at TEDx in Ghent, Belgium this December.

On this installment of "Well Read.", we share a dialogue with artist, designer, and studio owner--Andrew Herzog. Andrew is a multidisciplinary conceptual artist and designer. He’s a partner at School, a design studio founded by two designer-engineer-artist-types. His artworks have occupied museums, galleries, and city streets. He was previously a co-founder and partner at HAWRAF - a design and technology studio, and is an alum of Google’s Creative Lab. - His artwork explores the relationship between the viewer and art, creative accessibility, and prioritized sight. His projects in public space manifest as installations and interventions. In the interest of establishing an accessible language for his work, he utilizes materials, methodologies, and tools that are commonplace and comprehensible. - In 2018, Herzog painted a meter wide, one-kilometer diameter circle around the National Museum of Art of Romania. In 2019, the Franklin Institute of Philadelphia funded his interactive public installation, Blue Sky Or Sky Blue?. Also in 2019, Herzog completed two of his “A Communal Line” collective public installations at the High Museum of Art in Atlanta, Georgia and the A4 Museum in Chengdu, China - His former design studio HAWRAF studio was started in NEW INC., the New Museum's incubator program. HAWRAF was known for creating honest and interesting interactive work for their clients and self-initiated projects. - Prior to HAWRAF, he led projects at the Google Creative Lab dealing with AI, creative tools, and accessibility. Before all of that, he worked stretches at Sagmeister & Walsh and R/GA. He is also a professor at the School of Visual Arts in New York. Subscribe to Our Newsletter Follow Us on Instagram

In each episode of this podcast we interview everyday people who have built extraordinary communities about just how they did it. How did they get the first people to show up? How did they grow to hundreds more members?Today we're interviewing Kelsa Trom, the Head of Programming at NEW INC.NEW INC is the first museum-led "cultural incubator." The New Museum here in New York City opened the program in 2013 as a home artists, activists, futurists and technologists. These multidisciplinary people come together for one year to create, pushing forward everything from new businesses, to ambitious art installations, to provocative experiments in science and urban design.In its sixth year, NEW INC has over 100 creative entrepreneurs as members, with 175 mentors supporting them and 350 alumni. And we love this stat: they are 50% female and 49% POC.In this episode, we ask Kelsa about the work she and her team prioritize to bind and support the members in the space.If you want to get involved with the NEW INC program, whether its by applying to be a member or a mentor, you can find all that information at newinc.org. They’re also on socials at @newincGrab your copy of GET TOGETHER—our handbook on community-building

Winslow Porter discusses his trajectory into the world of immersive installations and his use of tech to craft virtual realities rooted in narrative simulations intended to shift perspectives. Winslow was most recently involved in the production of Tree, a VR simulation that transforms participants into a rainforest tree, allowing them to experience the tree’s growth from a seedling to its fullest form and eventual destruction.Learn more about Tree here-About Winslow Porter-Winslow Porter is a Brooklyn based director, producer and creative technologist specializing in virtual reality and large-scale immersive installations. In 2014 he produced the Tribeca Film Festival Transmedia Award-winning documentary CLOUDS. Winslow formed studio the New Reality Company with Milica Zec in 2016, creating the critically acclaimed cinematic VR experiences Giant and Tree. Both were named designers in residence at A/D/O, a BMW sponsored design center in Greenpoint Brooklyn and selected as two of Adweek’s Top 100 creatives. In 2018, Tree won the Lumiere award for Best Location Based VR Short at Warner Brothers Studios in Los Angeles, the Most Innovative Award at Games For Change, two Telly Gold Awards for Use of VR and Social Responsibility in Branded Content, and the Webby People’s Voice Award for VR: Interactive, Game or Real-Time. Winslow Porter is New INC mentor and a World Economic Forum Cultural Leader.Learn more at http://newreality.co/Follow Winslow at @winslowturnerporteriii or @newrealityco

Sarah Rothberg chats with Gabe about her creative process working as a VR and AR artist, her journey from the world of poetry to interactive media art, how she incorporates memory into her immersive environments, and debates the use of "users" vs. "participants."Check out her latest show opening at bitforms gallery, 131 Allen Street, New York, NY 10002. On view February 06 - March 15, 2020.-About Sarah Rothberg-Sarah Rothberg is an interactive media artist who captures the interplay between technology, systems, and the personal, creating meaning through unique and idiosyncratic experiences that encourage new ways of thinking, understanding, and communicating.Sarah's work has been exhibited internationally at venues including Sotheby's S2 gallery, MUTEK festival, Miami Art Week, and bitforms gallery. She teaches new media at NYU's Interactive Media Arts and Interactive Telecommunications Program at Tisch.Sarah is a current member at NEW INC’s Experiments in Arts and Technology track (in partnership with Rhizome.org, funded by Bell Labs) Sarah is a adjunct faculty and a "Human-in-Residence" at NYU working on artistic applications of AR, avatar research, and VR as a tool for performance.In the past, she has been an artist-in-residence at Mana Contemporary, Harvestworks, and LMCC with her collective More&More Unlimited, and was an Engadget Alternate Reality Prize awardee. Currently, she is a featured artist in Apple’s [AR]T initiative, for which she co-created an augmented reality art lab that runs at Apple stores around the world.Learn more about Sarah at https://sarahrothberg.com/Follow Sarah @rothbergrothberg

Sophie Lucas The Other Art Fair New Inc. University of the Arts London 

Who's in your community? If the idea of finding your people feels abstract, scary, or totally impossible, press play! Our guest is Stephanie Pereira, a community engagement expert and the Director of NEW INC, an incubator for creators working at the intersection of art, design and technology. Tune in for game-changing tips on how to build a real following and successfully launch your next great creative idea into the world. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

In this episode we speak with Chilean-born artist, Andrea Wolf about her multimedia installations which explore memory-making, the act of remembering, and shared memories. Together with host Gabe Barcia-Colombo, Andrea discusses her obsession with memories, where and how she sources her preferred art-making materials, what she means by the “cultural practices of remembering,” and how tech affects and transforms our methods of remembering and storytelling.Artworks Discussed in this Episode:Future Past NewsWeather has been NiceDeer (Little Memories Series) -About Andrea Wolf-Andrea's work consists of ongoing research into the relationship between personal memory and cultural practices of remembering. She creates multimedia installations that explore how technology, media and memory affect and transform each other, creating models of remembrance that are culturally shaped.Working with an archive of found footage, with anonymous stories - Andrea leaves an open space to be filled by the meaning that each of us brings to the work through our personal experience. Her installations are places in which memory becomes an action that is constantly actualized in the present, while recognizing a system in which the function of the past is not that of truth but of desire.Andrea holds MFAs in Documentary Filmmaking from Universidad Autónoma de Barcelona and in Digital Arts from Universitat Pompeu Fabra, and an MPA in Interactive Telecommunications from NYU. In 2013, she was a fellow at the Artist in the Marketplace Program at the Bronx Museum, culminating in the biennial exhibition “The Bronx Calling”. In 2015, Andrea was an artist in residence at the IFP New York Media Center and is currently a member at NEW INC, the New Museum’s incubator program. She has shown her work and given lectures and workshops widely in New York and internationally, in venues such as: Festival Sonar Santiago; New Media Biennial (2009 & 2011) at the Museum of Contemporary Art in Santiago, Chile; Museo de la Memoria y los Derechos Humanos, Santiago; Centro Cultural Palacio de La Moneda, Santiago; Galería AFA, Santiago, Sala de Arte CCU; SPRING/BREAK Art Show (2015 & 2017), New York; NEW INC’s “Public Beta” at the New Museum, New York; Bitforms Gallery, New York; Dumbo Arts Festival, New York; the Paley Center for Media, New York; Scholes 319, New York; Brooklyn Fire Proof, New York; Wave Hill, New York; MIT Media Lab, Boston; Utah Arts Center; Digital Culture Center, Mexico City; VIZZI Festival, Kiev, Ukraine; Tou Scene, Stavanger, Norway; and Medialab-Prado, Madrid.She also founded and directed REVERSE, a non profit art space in New York for the development of new ideas and interdisciplinary practices, promoting artistic collaboration and innovative projects at the intersection of art, science and technology. Between 2012 and 2016, REVERSE hosted more than 30 exhibitions, multiple performances and an active calendar of workshops taught by a diverse roster of artists.Learn More at http://www.andreawolf.me/Follow Andrea @andreawolf

Laura Splan is a Brooklyn-based artist whose work mines the materiality of science to reveal poetic subjectivities. Her mixed media projects destabilize notions of the presence and absence of bodies evoking the mutability of categories that delineate their status. Splan’s work compels an intimate engagement with detail calling into question how things are made and what they are made of. She reconsiders perceptions and representations of the corporeal with a range of traditional and new media techniques. She often combines the quotidian with the unfamiliar to interrogate cultural constructions of order and disorder, function and dysfunction. Her frequent combinations of textiles with technology challenge values of "the hand" in creative production and question notions of agency and chance in aesthetics. Her recent Embodied Objects series uses biosensors (electromyography, electroencephalography) to create data-driven forms and patterns for digitally fabricated sculptures, weavings and works on paper as well as for movement in performances with sensor-actuated apparatus. Her current solo exhibition, Conformations, combines biotech imagery, networked devices, and artifacts with sculptures made from the hand-spun fiber of laboratory animals. Splan's work has been exhibited at the Museum of Arts & Design and Beall Center for Art + Technology. International audiences for her work have included Iceland, South Korea, England, Germany, Sweden, Austria, and Canada. Her work is included in the collections of the Thoma Art Foundation, the NYU Langone Art Collection, and the Science Center. Her biomedical themed artworks have been commissioned by the Centers for Disease Control Foundation, the Gen Art New Media Art Exhibition and Davidson College. She has received research funding from The Jerome Foundation and her residencies have been supported by the Knight Foundation, the Institute for Electronic Arts, Harvestworks, and the Pollock-Krasner Foundation. She has been a visiting lecturer at Stanford University teaching interdisciplinary courses including “Embodied Interfaces”, “Data as Material” and “Art & Biology”. She is currently a Creative Experiments track member at NEW INC, the New Museum’s cultural incubator. Sound & Vision is sponsored by Golden Paints.

Navigating the world as a member of the LGBT community gives us an advantage when it comes to creativity, allowing us to see possibilities that others may not and affording us a different way of looking at the world. So, how can you tap into that inherent creativity to grow your business and brand? How can you leverage imagination as a superpower and become a creative entrepreneur? Peter Krask is the Founder and Creative Director of The Creativity Guide, a venture that helps entrepreneurs and artists tap into their creativity and provides support and direction in designing and running a business. He was recently selected to be a Dedicated Mentor at the New Museum in New York City for Year 6 of the New Inc. Program. Peter is also an accomplished photographer and writer, and he has been the President of PMK Floral Arts for 20-plus years. On this episode of Queer Money, Peter joins us to define creative entrepreneurship and discuss what creatives and entrepreneurs have in common. He shares the connection between being queer and being creative, weighing in on what creativity blocks LGBT entrepreneurs have in common and how we can capitalize on our ability to see possibilities outside the norm. Listen in for insight around Peter’s role as a Creativity Guide and learn how tap into your imagination and leverage creativity as a superpower.

What does the future of storytelling look like? How will technology shape the way we create film, television, music, videogames and other forms of entertainment? And how will that create changes in skills demand for the workforce of the future. In the first of a series of talks and events ahead of the launch of Manchester Metropolitan University’s new School of Digital Arts, SODA, which opens in 2021, we invited a panel of industry experts to discuss all of this and much more. Recorded live at HOME Manchester on Monday September 23rd 2019, the discussion features: Danny Boyle, Oscar-winning director and co-chair of the industry advisory group for SODA. Nicola Shindler, Executive Producer, RED Production Company and CEO of StudioCanal UK Rose Kay, CEO and Immersive Filmmaker at Immersive Storylab Saz Vora, Short Film Coordinator at UK Asian Film Festival Stefani Bardin, Artist and Entrepreneur at NEW INC, and Professor at New York University And panel chair Jason Wood, Creative Director of Film and Culture at HOME, and Professor of Film at Manchester Metropolitan University Feedback is always welcome, as are reviews and ratings on iTunes, so please head there to let us know what you think. If you’d like to contact us – or feel you’ve got a story we should cover – please get in touch via content@mmu.ac.uk.

Today we speak with activist, Glenn Cantave about his use of A/R to create interactive interruptions addressing social issues and highlighting the histories of overlooked communities.-About Glenn Cantave-Glenn Cantave is an activist, performance artist and social entrepreneur who uses immersive technology to highlight the narratives of the oppressed. Through his non-profit Movers & Shakers NYC, he organized a pop up slave auction performance piece/AR exhibit, ran the NYC Marathon in chains, and is creating AR educational content focused on highlighting the narratives of marginalized communities. He is also the Creator, Executive Producer of We the People, a 360 documentary focused on activism in the age of Trump. His team has documented the actions of several New York based activist groups and captured footage from events such as the Trump Inauguration, Charlottesville Riots, and a White Lives Matter Rally in Tennessee. He is a TED Resident, incoming artist in resident at Eyebeam NYU Something un Residence and a member at New Inc, an arts/tech incubator with the New Museum. He will be speaking about his work at TEDx in Ghent, Belgium this December.

Ari Melenciano is an interdisciplinary artist using tech to underscore racial dynamics and alter our experiences in reality. She is the founder of Afrotectopia, a new media festival championing black artists, activists, and designers working with technology in creative and innovative ways. Today Ari speaks with us on her current projects, shares her thoughts about tech and the limitations faced when using tech-based tools, and dives into the trajectory of Afrotectopia now entering its 3rd year in 2020.-About Ari Melenciano-Ari Melenciano is a Brooklyn-based interdisciplinary artist. Her research lies at the intersections of human-computer interactive technologies, social impacts of technology, culture, sound/audio-visuality, experimental pedagogy and speculative design. Ari is the founder of the social institution, Afrotectopia, most commonly experienced via their annual New Media Arts, Culture and Technology Festival.She is currently an adjunct professor at NYU teaching in the Interactive Telecommunications Graduate Program (ITP) and Photography undergraduate department. She is also a consultant for NYC’s Department of Education, helping to build STEAM curriculum that is culturally relevant.She is currently incubating audiovisual experimental work at CultureHub in their arts and technology residency, and at New Inc (the first museum-led incubator) in the Experiments in Arts and Technology track in partnership with Rhizome and Bell Labs.Learn more at http://www.ariciano.com/Follow her @ariciano

Charles Marshall is the Design Director and a principal of Parc Office. Marshall utilizes his background in industrial design to create interactive environments and develop innovative ways of integrating digital information in physical spaces. Prior to Parc Office, Marshall ran the Lab at Rockwell Group, designing experiences and innovation labs for Coca Cola, Google, YouTube and Tata Industries. Marshall is a graduate of Falmouth College of Arts, an alumnus of The British European Design Group and a mentor at NEW INC, the New Museum’s art and tech incubator. https://parcoffice.com/ "Our practice is driven by a desire to seamlessly integrate digital technology within physical environments. At the heart of each project is a belief that design can, and should, foster significant, meaningful interactions and experiences." Charles and I met 2016 at Parsons in New York. He was teaching a class for interaction design in space. In this episode, we speak about his way to design, becoming a design business owner and challenges along the way. You can also find the Light Lounge Podcast on Anchor, Spotify, Apple Podcast. In order to promote professional lighting design, please help spread the word, leave a great rating on Apple Podcast or say hi on Instagram thomas_mnich More info: hhttp://www.thomasmnich.com/podcast

Half an hour discussion panel with five experts from each field in Product Thinking, Experience, Design and Management. The panel will be lead Ricardo Mesquita (CEO, the Lab Miami), and the panel will consist of Michael Margolis (CEO, Get Storied), Sandra Fisher-Martins (CEO, Claro), Teresa Torres (Author, Product Talk), Orit Zetouni (Partner, Red Interactive) and Bruce Nussbaum (Mentor, NEW INC). They will discuss the theme of productization, share some of their insights and experiences throughout their careers, and tell us how companies can build a successful product design culture. Join #productized18 and learn about the latest trends.

Kate went on a road trip with her boyfriend, Yoko is thinking about going on a staycation. Our guest this episode is Fei Liu, researcher in residence at NEW INC. We talk about how she saw whiteness as Asian Americans after moving to the US from Harbin, China at age 6; how she grew interested in the intersection of art and activism after living in China after graduating from college; filial piety; and our shared traumas from going to weekend language school. Plus, we got a couple listener emails! Thank you for writing us, Lyna and Grace ❤️ Write us at swayfpodcast@gmail.com!

On the eve of the first major exhibition of NEW INC's artists' collaboration with Bell Labs researchers, Marcus Weldon, President of Bell Labs and CTO of Nokia, gives us a sneak peek at what to expect, and how you can view and participate. "Only Human," featuring works and performances by Sougwen Chung, Lisa Park and HAMMERSTEP, opens April 29 at 1PM, kicking off the Spring Open Season at Mana Contemporary arts center in Jersey City, New Jersey. It's Bell Labs' first public-facing event of its kind since the historic "9 Evenings: Theatre and Engineering" in 1966. The exhibit also includes two galleries full of audio-visual documents from that seminal event. On Saturday May 12, Mana will host a very special symposium entitled "Experiments in Art & Technology—Then & Now." To reserve your free tickets and get more information, go to: http://manacontemporary.com/onlyhuman Future Human is a presentation of Nokia Bell Labs, produced by audiation.fm.

Julia Kaganskiy, Director of New Museum’s multidisciplinary development program, NEW INC, has had a fascinating journey into the world of art and tech with a number of amazing stops along the way. Her ambitions led her from a childhood dream of becoming an arts and culture editor, to a dream job that unifies all her interests in one melting pot bubbling with creative thinkers and innovators. In this episode, Julia shares how experiences as diverse as heading VICE's Creators Project to transforming the landscape of Coachella (before art was a given there), perfectly positioned her at the intersection of art and tech and informed her leadership at NEW INC. Julia also delves into the value of creative thinking in tech, what artists bring to the table as divergent thinkers, and how NEW INC is putting the training artists receive to use in innovative ways outside of the traditional artist studio.- About NEW INC -NEW INC gives creative practitioners the tools they need to build sustainable practices and launch projects that impact, promote, and amplify culture by exploring new ideas at the intersection of art, technology, and design.

How 3D Audio enhances and impacts content, human experiences, art, and science… Photo credit: Kevin Vallejos Julie Kaganskiy (Cultural Director), and Seth Kranzler and Daniel Perlin (members), of  New Inc. (the first museum-led incubator and a coworking space designed to encourage collaboration and spark new ideas from the synthesis of different disciplines) discuss how 3D Audio will enhance sensory experiences, influence human emotions and perception through a new lens of viewing and interpreting art. They also take questions from the audience and cover the importance of really listening. Presented by Sennheiser in collaboration with MouthMedia Network.Panelists Julie Kaganskiy Photo credit: Kevin Vallejos Julia Kaganskiy is a cultural producer across art and technology. She previously served as global editor of the Creators Project, a partnership between VICE Media Group and Intel. In 2010, she founded #ArtsTech Meetup, an initiative that brings together digital artists and professionals from New York’s museums, galleries, and art-related start-ups. In 2012, she was profiled in the AOL/PBS series “MAKERS,” which honored women leaders. In 2015, she was named in Crain’s New York Business’s 40 Under 40 list, and has been cited by Fast Company (2011) and Business Insider(2013) as one of the most influential women in technology. Seth Kranzler Photo credit: Kevin Vallejos Seth Kranzler is an artist, engineer, and developer working at the intersection of art and technology. He seeks to examine the impact of technological progress and expose new modes of interaction through the subversion of new technologies. His work manifests itself in installations, websites, and physical artifacts. He holds a Masters degree from New York University’s ITP program and a Bachelor of Science in Mechanical Engineering from Drexel University in Philadelphia. Seth cofounded Mixed Signals, an emerging concert series highlighting new works in electronic and digital video, music and dance. He also cofounded Channel Studio, a design and technology studio based in Brooklyn. Daniel Perlin Daniel Perlin is an artist and designer who believes in listening as a strategy for good design. Daniel got his start making work with things that make sound such as music, film, objects and sometimes spaces. After some years spent in Rio de Janeiro, where he worked in film and made work, he returned to New York where he attended NYU’s ITP program and the Whitney Independent Study program. During that time he started Perlin Studios, an experience and sound design studio in New York. Daniel has had the privilege of making things that cross many disciplines including sounds, interactive designs, objects, installations and performances. Recent work has included a solo performance at MoMA for the Lygia Clark Exhibition, an installation for the Costa Rica Pavilion in the Venice Biennial of Architecture, interactive work for Toyota’s Hydrogen Fuel Cell Vehicle and a kinetic speaker in São Paulo. He has worked with such people, places and things as Google, Vito Acconci, Maya Lin, Errol Morris, Todd Solondz, IBM, Toyota, Domus Magazine, Under Armour, The Whitney Museum of American Art, PS1 the Cooper Hewitt and The New Museum. The post 3D Audio – Sennheiser Master Class with New Inc. appeared first on Content Is Your Business.

NEW INC member Stephanie Dinkins and alum Nitzan Hermon speak about artificial intelligence, machines, and art on the first TRYTOBEGOOD show of 2017.

Julia Kaganskiy, Director of NEW INC and ACMI CEO Katrina Sedgwick discuss the role of 'cultural incubators' in our modern day institutional landscape. Julia is a recognised cultural producer across the art and technology fields. She has been cited by Fast Company (2011) and Business Insider (2013) as one of the most influential women in technology and profiled in the 2012 AOL/PBS series MAKERS honouring women leaders.

Talking queerness in the built environment & "potty politics" with fellow NEW INC members QSPACE.