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14 episodes with miami art week
3 episodes with miami art week
4 episodes with miami art week
3 episodes with miami art week
2 episodes with miami art week
3 episodes with miami art week
3 episodes with miami art week
2 episodes with miami art week
3 episodes with miami art week
In this episode of Bad at Sports, recorded at the tail end of a sun-soaked, sweat-drenched, and somehow still magical Miami Art Week, Duncan MacKenzie and Ryan Peter Miller sit down with curator and cultural programmer Esther Park—the force behind this year's public programming at New Art Dealers Alliance (NADA). Park traces her origin story from working the front desk at the Museum of Contemporary Art North Miami to throwing illegal block parties in Wynwood, to shaping NADA's ambitious "Ecologies" program. The conversation spirals (as it should) into art world mythologies, Miami as mirage, the collapse and reinvention of criticism, and why the real work happens far below the visible surface. This is a conversation about infrastructure, community, exhaustion, joy, and why—despite everything—the ecosystem still matters. Esther Park — cultural programmer and curator (NADA Public Programming) Duncan MacKenzie — https://kurasmackenzie.com/ Ryan Peter Miller — http://ryanpetermiller.com/ New Art Dealers Alliance — https://www.newartdealers.org/ Art Basel — https://www.artbasel.com/ Sam Keller — https://www.patrickparrish.com/artist/sam-keller Knight Foundation — https://knightfoundation.org/ Pérez Art Museum Miami — https://www.pamm.org/ Heather Hubbs — https://www.newartdealers.org/ Mel Chin — https://melchin.org/ Jerry Saltz — https://nymag.com/author/jerry-saltz/ Roberta Smith — https://www.nytimes.com/by/roberta-smith Peter Schjeldahl — https://www.newyorker.com/contributors/peter-schjeldahl Christopher Knight — https://www.latimes.com/people/christopher-knight Hyperallergic — https://hyperallergic.com/ Ben Davis — https://www.benadavis.com/ Artnet — https://www.artnet.com/ Brad Troemel — https://bradtroemel.com/ Jerry Gogosian — https://www.instagram.com/jerrygogosian/ Lori Waxman — https://60wrdmin.org/home.html KAWS — https://en.wikipedia.org/wiki/Kaws Alec Monopoly — https://www.alecmonopoly.com/ Beeple — https://www.beeple-crap.com/
From the humid chaos of Miami Art Week, Bad at Sports drops into the garden at NADA for a conversation with two artists from Western Exhibitions: Nanako Kono and Olivia Zubkov. A loose, funny, and surprisingly thoughtful discussion about painting that isn't painting, sculpture that remembers your body, and bathrooms as sites of intimacy, memory, and quiet surveillance. Nanako walks through her hyper-flat, acrylic-based "paintings" that live somewhere between screen, object, and comic logic. Olivia counters with slip-cast porcelain sculptures drawn from domestic life. Towels, tiles, soap dishes, and mirrors become witnesses to the private rituals of living. The conversation drifts between material process, Chicago's influence, comic culture, color as personality, and the strange emotional charge of everyday objects. Along the way, there are riffs on boob lights, mold-making ethics, and whether your bathroom fixtures are silently judging you. Ryan Peter Miller — https://badatsports.comDuncan MacKenzie — https://kurasmackenzie.com/Western Exhibitions — https://westernexhibitions.com Nanako Kono — https://www.nanakokono-rolly.com/ Olivia Zubkov — https://www.oliviazubko.com/ Scott Speh — https://westernexhibitions.com NADA Art Fair — https://newartdealers.orgLumpen Radio — https://lumpenradio.comSchool of the Art Institute of Chicago — https://www.saic.eduUniversity of Nevada, Las Vegas — https://www.unlv.eduRichard Rezac — https://www.richardrezac.com/ Julia Fish — https://juliafish.com/
Dr. Will Cole and Dr. Tara Swart Bieber join me at The Wellness Oasis during Miami Art Week to reveal why low-level chronic stress destroys longevity faster than anything else, how that COMT gene mutation in half this audience keeps your mind racing when your body needs rest, and why I schedule my entire life around sleep and exercise instead of fitting wellness into leftover time slots. Connect with Dr. Will Cole Website: https://bit.ly/3LEmCqB YouTube:https://bit.ly/3LhijSd Instagram: https://bit.ly/4qnE2XN Facebook: https://bit.ly/49Xe6wg X.com: https://bit.ly/4qxNpnN LinkedIn: https://bit.ly/49TEEyq Connect with Dr. Tara Swart Bieber Website: https://bit.ly/4pJiO5s Instagram: https://bit.ly/3YGWDBR TikTok: https://bit.ly/4pBD8FN Facebook: https://bit.ly/3YCiri9 X.com: https://bit.ly/4qnYJTz LinkedIn: https://bit.ly/4pGzrib Thank you to our partners H2TABS: “ULTIMATE10” FOR 10% OFF: https://bit.ly/4hMNdgg BODYHEALTH: “ULTIMATE20” FOR 20% OFF: http://bit.ly/4e5IjsV BAJA GOLD: "ULTIMATE10" FOR 10% OFF: https://bit.ly/3WSBqUa SNOOZE: LET'S GET TO SLEEP!: https://bit.ly/4pt1T6V COLD LIFE: THE ULTIMATE HUMAN PLUNGE: https://bit.ly/4eULUKp WHOOP: JOIN AND GET 1 FREE MONTH!: https://bit.ly/3VQ0nzW AION: “ULTIMATE10” FOR 10% OFF: https://bit.ly/4h6KHAD A-GAME: “ULTIMATE15” FOR 15% OFF: http://bit.ly/4kek1ij PEPTUAL: “TUH10” FOR 10% OFF: https://bit.ly/4mKxgcn CARAWAY: “ULTIMATE” FOR 10% OFF: https://bit.ly/3Q1VmkC HEALF: 10% OFF YOUR ORDER: https://bit.ly/41HJg6S RHO NUTRITION: “ULTIMATE15” FOR 15% OFF: https://bit.ly/44fFza0 GOPUFF: GET YOUR FAVORITE SNACK!: https://bit.ly/4obIFDC GENETIC METHYLATION TEST (UK ONLY): https://bit.ly/48QJJrk GENETIC TEST (USA ONLY): https://bit.ly/3Yg1Uk9 Watch the “Ultimate Human Podcast” every Tuesday & Thursday at 9AM EST: YouTube: https://bit.ly/3RPQYX8 Podcasts: https://bit.ly/3RQftU0 Connect with Gary Brecka Instagram: https://bit.ly/3RPpnFs TikTok: https://bit.ly/4coJ8fo X: https://bit.ly/3Opc8tf Facebook: https://bit.ly/464VA1H LinkedIn: https://bit.ly/4hH7Ri2 Website: https://bit.ly/4eLDbdU Merch: https://bit.ly/4aBpOM1 Newsletter: https://bit.ly/47ejrws Ask Gary: https://bit.ly/3PEAJuG Timestamps 00:00 Intro of Show 03:11 Sleep as Our Human Superpower 06:12 Metrics for Sustainable Wellness 09:15 Thoughts and Trauma Impacting Health 11:56 Misconceptions on Biohacking 17:51 Link between Emotional Stress and Inflammation 24:02 Neuroplasticity as a Foundation of our Well-Being 28:47 Whole Health: Thriving vs. Maintaining 37:03 Women and Autoimmune Disease 42:14 Wearable Technology for Health Metrics 43:31 Good Sleep Hygiene Disclaimer: This podcast is for informational purposes only and does not provide medical advice. It is not intended for diagnosing or treating any health condition. Always consult a licensed healthcare professional before making health or wellness decisions. Gary Brecka is the owner of Ultimate Human, LLC which operates The Ultimate Human podcast and promotes certain third-party products used by Gary Brecka in his personal health and wellness protocols and daily life and for which Ultimate Human LLC and / or Gary Brecka directly or indirectly holds an economic interest or receives compensation. Accordingly, statements made by Gary Brecka and others (including on The Ultimate Human podcast) may be considered promotional in nature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textA Wrapped Episode This week, the Fresh Bunch sits down for our own year-end “Wrapped,” unboxing a full lineup of stories and highlights. We dive into all things Miami Art Week, reminisce about our own Artful Fresh Fest, and even rate the tradeshows that shaped our year.We also celebrate a huge milestone—our best Toys for Tots drive ever, filling 8 boxes (and counting!). Cabin Mike checks in from the lake house, and we share some unfortunate news about hail damage on the farm.As we head into the holidays, we're gearing up for something special: our 200th episode video celebration. Send in your thoughts, suggestions and shot out to: mimi@jetfreshflowers.com
For this first 100C Morning, we launched a new monthly show with Pauline, Fanny and Eleonora from 100 Collectors, the private club connecting contemporary and digital art collectors worldwide. They explained how the club began in Lisbon, how it grew internationally, and what members get: weekly editorial content, an active Telegram community, guided tours at major fairs, event access, and advisory sessions. The club recently passed the milestone of 100 members, and it's open to everyone interested in collecting.The idea of our new monthly episode with them is to cover the news.key digital art events of November: Art on Tezos in Berlin, Abu Dhabi Art, Paris Photo….The second half focused on Miami Art Week, especially the launch of Art Basel's new digital sector, Zero 10. This digital art section is integrated inside the fair, with exhibitors such as Beeple, Larva Labs, Art Blocks, XCopy, Tyler Hobbs and more. Some works can only be collected on-site, adding a playful dimension (including Beeple's robot dogs dropping prints).Fany also shared practical tips for Miami, navigating traffic between the beach and the mainland, checking satellite fairs like Scope, Untitled, Art Miami, plus events such as Beat Basel and the LACMA symposium, all covered in the 100 Collectors agendas….Useful links: 100 collectors:WebsiteX AccountPast month Agenda:Art on Tezos Berlin from 6-9 NovParis Photos from Nov 12-16Art Abu Dhabi from Nov 19-23:Re-imagined organized the digital sector “Outliers” of Art Abu DhabiComing up this week:Announcement of Art Basel Zero 10Details of Art Basel Zero 10 (13 exhibitors)Other fairs to check out:NADA UNTITLEDART MIAMIBIT BASELMUD FOUNDATION PUBLIC ARTSee more in our public agenda coming up this week at https://www.100collectors.art/info/eventsOr join to get access to VIP tickets, private events and dinners. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com
As our Magic City prepares to welcome the world for Miami Art Week, I welcome my friend Cathy Leff, Executive Director of the Bakehouse Art Complex, to this November episode. We explore how this historic bakery-turned-arts hub is becoming a national model for affordable artist housing, public greenspaces, and community-rooted creativity. Cathy shares the vision behind Bakehouse's evolution, the $2 million restoration project she helped bring to life, and how public-private partnerships are keeping Miami's creative spirit alive and accessible. This conversation is a joyful, thought-provoking reminder that the most meaningful cultural movements often begin right in our own neighborhoods.
As the art world gears up for Art Basel Miami Beach, host Adam Green speaks with Bridget Finn, the fair's director, about what to expect from this year's edition. Bridget shares her perspective on the energy heading into Miami Art Week and how the city's rapid growth and expanding cultural landscape are shaping the fair. She also addresses some of the biggest conversations happening in the art world today, including the pressures galleries face around the rising costs of art fairs, how her team thinks about pricing and accessibility, and what it means when long-time exhibitors decide to sit out a year. Bridget offers an inside look at how she and her team continue to evolve one of the most important fairs in the United States, from innovation and visitor experience to the artworks and presentations she is most excited for people to see.
Este podcast también se podría titular “A contracorriente”. ¿Por qué? Porque mientras muchas marcas, especialmente Premium, rectifican sus planes y ralentizan la electrificación de su gama, como Aston Martin, Audi, Mercedes, Porsche o Toyota entre otras… Jaguar se tira a la piscina del eléctrico… sin mirar si hay agua. Este es, probablemente, su último cartucho… Este es un podcast difícil, porque confieso que Jaguar es una marca que me despierta mucho cariño porque lo que ha sido, hasta hace muy poco, pero que no entiendo lo que hace. Como esas parejas de las que sigues enamorado de cómo eran, pero no de cómo son. Os pongo en antecedentes: En enero de este mismo año se ha presentado en la Miami Art Week el Jaguar Type 00, la nueva filosofía de marca con nuevo logo incluido. Un coche que hace días se “dejo ver” por las calles de París… cuando lo recargaban con un generador diésel. Se ha hablado de diseño y sobre todo de “filosofía”, poco de tecnología. Porque la información sobre la tecnología de este modelo y de otros que supone que llegarán a finales de este mismo año es aún escasa y poco creíble: Cerca de 1.000 CV, una autonomía de hasta 816 km según mediciones WLTP y periodos de carga mínimos. En tan corto plazo de tiempo, me parece la carta a los reyes. Jaguar quiere reinventarse debido a su mala por no decir nefasta situación, pero, ¿cómo ha llegado la situación a este punto? “A perro enfermo… todo son pulgas”. Este refrán se podría aplicar a Jaguar para explicar su situación actual. Pero vamos a entrar en detalle sobre los motivos por los que, en mi opinión, ha llegado a esta situación. Los clientes. ¿Cuál es el cliente de Jaguar? Recuerdo cuando hace unos 15 años el recién nombrado director de la marca en España me hizo un comentario en broma, pero que era muy serio: “Uno de los problemas de Jaguar es que sus clientes están entre los 65 y la muerte”. La gama. La oferta de la marca es más bien escasa, 2 berlinas muy parecidas, 3 SUV muy parecidos y un coupé y desde luego ninguno de ellos ha sido renovado recientemente. Esto en el momento de escribir estas líneas, porque Jaguar ya adelantado que estos modelos desaparecerán de su catálogo antes de fin de año. La fiabilidad. O más bien la falta de ella. Sinceramente, no voy a entrar en detalle, porque no me gusta “hacer sangre”, pero la calidad de la marca no está a la altura de su historia, de su fama, de su precio y, lo que es peor… de sus competidores. Las consecuencias. Os doy un dato: Las ventas de Jaguar en el Mundo han caído desde 2019 a 2024 aproximadamente un 66 por ciento. En 2024 se vendieron poco más de 60.000 unidades, frente a casi 200.000 de hace ahora casi 5 años: Un verdadero desastre. Y eso no es lo peor. La bajada de ventas y el aumento de los costes de las garantías, entre otras cosas, han sido la causa de pérdidas de dinero importantes que han tenido como consecuencia que la marca haya evolucionado poco sus “viejos” modelos y no haya lanzado nuevos modelos. Y en una especie de “huida hacia adelante” como consecuencia de ello, la marca quiere reinventarse, ser innovadora, rupturista y reposicionarse. Quiere se la marca de “hiperlujo” he leído por ahí y “mirar por el retrovisor” a Lexus y Mercedes… un poco subiditos de tono para una marca en pérdidas, ¿no os parece? Pero es que además quieren conseguir esto con una gama 100x100 eléctrica. Y eso es ir… a contracorriente. Todos sabemos cómo ha acabado la apuesta de VW por el coche 100x100 eléctrico, cuando decidieron que la marca alemana no pasaría por una tecnología “de transición” como era la híbrida y que su gama de modelos con motores convencionales sería en tiempo récord 100x100 eléctrica… Otras marcas fueron más listas. Toyota nunca se dejó seducir por los “cantos de sirena” y fue muy prudente con este tema… lo que le ha reportado muy buenos resultados, tanto a Toyota como a Lexus, que han dejado, muy inteligentemente, que los experimentos, los hagan otros. Caso aparte es la británica Aston Martin. ¿Cuál ha sido su estrategia? Se trata de una marca a la que le va razonablemente bien, muy parecida a Jaguar por su imagen muy británica y dinámica. Pues, sencillamente, no tiene ni un solo modelo en su gama que sea eléctrico y el que tenía anunciado para este año… lo retrasa a 2027. La pregunta es: ¿No os parece que Jaguar va a contracorriente? La apuesta de la “nueva Jaguar” es arriesgada, pero la marca lo tiene claro y ya lo ha anunciado: Tendrá tres nuevos modelos que serán de “Hiperlujo”, muy modernos y eléctricos 100x100.
Electric surfboards are redefining water sports, merging high-performance engineering with artistry in product design. The industry, once niche, is now accelerating thanks to advancements in e-mobility and battery technology. With increasing consumer interest in high-end, sustainable recreational vehicles, companies like Lind are pushing the boundaries of what's possible. In fact, Lind's electric surfboards boast 27 horsepower and speeds of roughly 35 mph—one of the most power-dense electric vehicles in the world.So, what does it take to create a product that is equal parts cutting-edge technology and beautiful design? And how is the market responding to this level of innovation?On this episode of DisruptED, host Ron J. Stefanski sits down with Anders Dellson, the CEO of Lind, to explore the evolving landscape of manufacturing, technology, and design. From the early challenges of building electric surfboards to the role of artistry in product development, this conversation highlights the intersection of form and function in the world of premium water sports.The main topics of conversation…Design Meets Technology: Lind's electric surfboards are designed to look and feel like traditional surfboards while integrating advanced propulsion systems underneath the board for a seamless experience.The Challenge of Power Density: Engineering an electric surfboard requires significant power in a compact form. Lind's boards use 192 battery cells to generate an impressive 27 horsepower.The Artistry of Surfboards: Beyond function, Lind is committed to aesthetics, collaborating with artists and even showcasing their boards at Miami Art Week to emphasize the beauty of their products.Anders Dellson, who serves as the CEO of Lind, specializes in product innovation and high-performance technology. With a background in engineering and an early career at McKinsey & Co., he has spent over 25 years leading companies across tech, software, and mobility industries. His expertise in business strategy and scaling innovation has positioned Lind as a leader in the emerging electric water sports market.
After creating a media storm a few weeks back by announcing a bold newdirection Jaguar this week defined its bold new design language during Miami Artweek.. Understandably, the traditionalists went into overload at the reveal of whatit called its Type 00 design language. The five-metre-long coupe in vivid pink saidto be a pure expression of Jaguar's new creative philosophy, explained in justtwo words: exuberant modernism. According to Jaguars chief creative officerGerry McGovern “ the Type 00 is the result of brave, unconstrained creativethinking and unwavering determination – the foundation stone for a new family ofJaguars that will look unlike anything you've seen before.” It's certainly that, anexceptionally brave move ending 89 years of tradition and one can understandwhy the company expects to only retain around 10-15 percent of its existigncustomer base. I'm David BerthonSee omnystudio.com/listener for privacy information.
Mazda has made its name creating cars that enthusiast drivers love, and we have two examples of that this week in our road test segment — the Mazda MX-5 Miata and the Mazda3. Of course, the Miata needs no introduction. For decades, it has been a go-to renowned for its sharp handling and perky, fun-to-drive demeanor. But is it the right choice for Maine on the edge of winter? Co-host Chris Teague will have his thoughts on that. Across the country in more pleasant climes, Host Jack Nerad got a weeklong stint in the Mazda3 2.5T Premium Plus AWD, the highest-end version of Mazda's highly praised compact sedan. He discovered that the Mazda3 continues to combine performance, luxury, and advanced technology in a surprisingly affordable package. Featuring a 2.5-liter SKYACTIV-G turbocharged engine, it delivers 250 horsepower and puts that power to good use via its all-wheel drive and G-Vectoring Control Plus. Its sleek exterior boasts 18-inch black alloy wheels and LED lighting, while inside, black leather-trimmed seats, heated front and rear seats, and a dual-zone climate control system provide a premium-brand experience. Then there's the infotainment system. The Mazda3 has a 10.25-inch display, Apple CarPlay, Android Auto, navigation, and a 12-speaker Bose audio system, but does its idiosyncratic control scheme spoil what is otherwise a stellar potential purchase? Jack and Chris will give their thoughts. In the news this week, those seeking a battery-electric pickup will find Tesla's Cybertruck is making waves with its new lease pricing. We'll have details on if the deal is as good as it first seems. Jaguar continues on its controversial way, unveiling the jaw-dropping Type 00 concept. It blends futuristic design with electric luxury to deliver something both new and remarkably retro. Chris and Jack have their reactions to a vehicle that some describe as shocking. Also in the news, Hyundai has just introduced its first three-row electric SUV, the Ioniq 9, showcasing versatility, tech innovation, and sustainability. With Nerad in attendance, Volkswagen pulled the wraps off the newest iteration of its Tiguan compact SUV, Genesis unmasked its 2025 GV70 crossover, and Ford has announced its Ford Mustang GTD supercar will be the subject of a short film available this coming week. Our special guest this week is Steve Center, Kia America chief operating officer. Host Jack Nerad sits down with him for a wide-ranging discussion on the future of EVs in America, the upcoming regulatory climate, and,of course, Kia's newest vehicles, two of which were unveiled at the Los Angeles Autio Show. In this week's Listener Question, Tony from Fresno asks if buying a used hybrid is a smart move amid rising gas prices. Jack and Chris dive into the pros and cons. FREE STUFF: America on the Road is giving listeners a free copy of Jack R. Nerad's book The GR Factor: Unleashing the Undeniable Power of the Golden Rule. Just send an email to editor@drivingtoday.com, and E.M. Landsea Publishers will do the rest. The offer is limited, so get your request in today. So we have a lot of show for you this week. Thanks for joining us, and don't forget to look for new content on our YouTube and Rumble channels. Please subscribe. If you do we'll like you forever. America on the Road is brought to you by Driving Today.com, Mercury Insurance, and EMLandsea.com , the publisher of Nerad's latest book, Dance in the Dark, which is available HERE on Amazon.com Show Notes for America on the Road Episode Highlights: • Road Tests: ◦ 2024 Mazda3 Turbo Premium Plus AWD: A compact car with luxury aspirations and sporty performance. ◦ 2025 Mazda Miata: A sneak peek at the roadster icon's future. • Driving News: ◦ Tesla Cybertruck's updated lease terms—affordable or not? ◦ Jaguar Type 00 concept stuns at Miami Art Week. ◦ Ford's Mustang GTD chases Nürburgring glory in Road to the Ring. ◦ Volkswagen, Genesis,
Whether you're heading to Miami Art Week or just curious about what it's all about, this re-aired episode is for you!
The Automotive Troublemaker w/ Paul J Daly and Kyle Mountsier
Shoot us a Text.Welcome Michael Wood to the show to talk about the Jaguar vision reveal and it seems GM is backing off its battery building game. We are on the ground in St Augustine filming More Than Cars season 2 so follow us along on social media to see what we get into today. Show Notes with links:Jaguar's latest concept car, the Type 00, was unveiled at Miami Art Week, showcasing a radical design departure for the iconic brand. The design cues will inform Jaguar's electric grand tourer slated for 2026.Features sharp, angular styling with a "strikethrough" design motif.The cabin is influenced by architecture, featuring brass bars and a stone seat plinth."Totems" offer personalized experiences with lighting, scents, and soundscapes.Two striking color schemes: Satin Rhodon Rose and Inception Silver Blue.Marks the rebirth of Jaguar with a focus on sustainable luxury and bold aesthetics.GM will sell its stake in the $2.6 billion Ultium Cells battery plant in Lansing, Mich., to LG Energy Solution. The facility, nearly complete, will become wholly owned by LG and supply batteries to another automaker. GM expects to recover its full $1 billion investment in the plant.The site currently has around 100 employees and plans to scale to 1,700 when fully operational.GM CFO Paul Jacobson stated the move aligns with improving EV profitability and efficiency, emphasizing, “We believe we have the right cell and manufacturing capabilities in place to grow with the EV market in a capital efficient manner.”This sale does not affect GM's stakes in other Ultium battery plants in Ohio, Tennessee, or its planned partnership with Samsung SDI in Indiana.GM and LG will continue to co-develop prismatic battery cells to reduce costs and improve energy density, alongside introducing more affordable lithium iron phosphate cells for North American EVs.LG Executive Wonjoon Suh noted the deepening collaboration, saying, “Together with GM, we've already made tremendous progress.”Hosts: Paul J Daly and Kyle MountsierGet the Daily Push Back email at https://www.asotu.com/ JOIN the conversation on LinkedIn at: https://www.linkedin.com/company/asotu/ Read our most recent email at: https://www.asotu.com/media/push-back-email
How do you transform a declining neighbourhood into a destination for global art and retail? Craig Robins, the developer of the Miami Design District, talks about Miami Art Week 2024 and the role of art in enhancing wellbeing and uniting communities. See omnystudio.com/listener for privacy information.
Épisode 1224 : En novembre 2024, Jaguar a surpris le monde entier avec un changement radical de son image de marque. Exit le célèbre félin bondissant, emblème de la marque depuis des décennies. Place à un logo minimaliste et une campagne publicitaire au ton disruptif. Dès les premiers instants, la communication orchestrée par Jaguar a pris un chemin inattendu. Que s'est-il passé, et pourquoi ce choix ?1. Une communication audacieuse et délibérément provocanteTout commence le 19 novembre 2024, lorsque Jaguar publie une vidéo intrigante sur ses réseaux sociaux. Le clip, d'une trentaine de secondes, met en scène des mannequins vêtus de tenues colorées et futuristes, évoluant dans un décor abstrait. Pas une seule voiture à l'écran, seulement une musique vibrante et, à la fin, l'apparition d'un nouveau logo doré : deux « J » en cercle. Le message d'accompagnement, « Copy Nothing », annonce clairement l'ambition de Jaguar : briser les codes et s'éloigner de l'image classique du constructeur britannique .La stratégie se poursuit sur X (anciennement Twitter), Instagram et LinkedIn, avec des publications minimalistes mettant en avant le slogan et des visuels artistiques. Rapidement, la campagne attire les regards, déclenchant une avalanche de réactions contrastées. Les critiques affluent, mais l'objectif semble atteint : tout le monde parle de Jaguar. Une semaine plus tard, Jaguar tease une deuxième étape de sa communication : la présentation d'un concept-car lors de la Miami Art Week, confirmant que la campagne n'est qu'une pièce d'un puzzle plus large .Retrouvez toutes les notes de l'épisode sur www.lesuperdaily.com ! . . . Le Super Daily est le podcast quotidien sur les réseaux sociaux. Il est fabriqué avec une pluie d'amour par les équipes de Supernatifs. Nous sommes une agence social media basée à Lyon : https://supernatifs.com. Ensemble, nous aidons les entreprises à créer des relations durables et rentables avec leurs audiences. Ensemble, nous inventons, produisons et diffusons des contenus qui engagent vos collaborateurs, vos prospects et vos consommateurs. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
On Tuesday Jaguar in a major move from tradition announced a new beginningas it moves to release an all-electric range. And its obvious that the new breed ofJaguars will be nothing like we've seen before. A bold new design language andthe creation of a new type face for the Jaguar logo on a new line of models thathave no connection with the past. Their new war cry – Fearless, Exuberant,Compelling – this is Jaguar, reimagined. A bold move 89 years after its founding.All will be revealed during Miami Art Week on December 2 when the first newmodel will be unveiled. The company's re-invention based on selling fewer cars athigher prices and have them deliver healthier profits and an expectation thecompany will only retain 10-15 percent of its existing customer base. It's a boldmove by any measure that will upset Jaguar traditionalists. I'm David BerthonSee omnystudio.com/listener for privacy information.
Write Your Narrative, a South Florida weekly street art podcast.
Ryan Ferrell, aka The Wheelbarrow, is an artist and urban art historian from Arizona, now living in Miami. Since 2002, he has exhibited his diverse visual art styles in Wynwood. Inspired by the area's fading fashion district, he created a unique screen-printing performance called Live Fashion Vandalism. His unique style, called Amorphism©, reflects the Taoist idea of Wu Wei, allowing viewers to find their own meanings in his abstract pieces. His work includes graphite drawings, watercolor paintings, spray-painted murals, screen-printed fashion, and porcelain sculptures. In 2014, he started the BYOBIKE Tour, inspired by Wynwood, and has organized community rides in St. Pete, Florida, and Montréal. Named “Best Wynwood Tour” by Miami New Times, he has led tours for many prominent figures and celebrities. He also educates people about urban art while creating artist treasure maps to document temporary artworks, updated each year during Miami Art Week. Instagram Ryanwheelbarrow.com Mural zine Urban Art Education
In this episode Gary Mansfield speaks to Nana SRT (@nana.S.R.T) Nana Sakura Rosalia Tinley Klimek, aka Nana SRT, is a visual artist working primarily in photography. She lives and works between London and Vienna. Introduced by her father to the NikonFM as an early teen, Nana picked up photography and darkroom as a voluntary side subject in high school. She shot her first personal series depicting caged zoo animals' eyes at around the age of 18. Around that time she moved to England and quickly became involved in the London dance scene. Her photography remained a private pastime. In 2009, NSRT shot her first dance series entitled Move!, which is included in her public portfolio today. Finding herself amidst heaps of photographs, in 2019 NSRT decided to share some of these publicly, and took the leap to participate in art fairs, making her debut at The Other Art Fair w Saatchi Art in Brooklyn, New York.Various art fairs have followed since, including Red Dot at Miami Art Week (2022 and 2023), Art Wynwood (Miami 2023), and Art Santa Fe (2023). NSRT has exhibited at some group shows including: at Bergdorff Goodman (NYC), Orchard Galerie (NYC), and some independently run local art events in East London. She launched her first book DAIDO LOVE at Offspring London and Peckham24, published by Photobook Café Editions, in May 2024. Daido Love is stocked in London at The Photographers Gallery, and Photobook Café, and in Vienna at Westlicht. NSRT continues to immerse herself in the world of dance and draws inspiration from it. To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.orgEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.
How the City of Sacramento proposed to close a $66 million deficit. Also, an update on the city sanctioned homeless encampment Camp Resolution. Plus, the author of “The Hungry Season.” Finally, artist Raphael Delgado. City of Sacramento's Proposed Budget & Camp Resolution Update Sacramento released its proposed budget for the 2024-25 fiscal year, as the city aims to close a projected $66 million shortfall. That same day, Mayor Darrell Steinberg and District 2 Councilmember Shoun Thao unveiled a new proposal for Camp Resolution - a city sanctioned, self-governing homeless encampment. The city is proposing to close it this month, and Mayor Steinberg and Councilmember Thao want to transfer ownership of Camp Resolution to build affordable housing. CapRadio Sacramento Government Reporter Kristin Lam provides an update on the latest developments from city hall. Book ‘The Hungry Season' Following the end of the Vietnam War, thousands of Hmong refugees resettled in the United States - many making their way to California's Central Valley. Fresno and Sacramento are home to the largest Hmong populations in the United States, only behind Minneapolis. For many refugees, farming provided a bountiful resource of nourishment, community, and reconnecting with family ancestry. A journalist spent seven years in rice fields, intimately learning the story of one radiant Hmong woman - and how growing her ancestor's rice in the San Joaquin Valley led to newfound power. That intimate relationship, along with years of research, transformed into a literary portrait. Lisa M. Hamilton is a journalist and author of The Hungry Season: A Journey of War, Love, and Survival. Artist Raphael Delgado Sacramento's Raphael Delgado has added a new accolade to his bio - “Best New Exhibitor” at Miami Art Week. The artist behind the giant mural of “California Bear” that lords over 21st Street joins Insight to talk about the business of art festivals and what he has planned next.
MadameFraankie's work is centred around recontextualizing the day to day documentation of black life. She is drawn to highlighting the various ways Black people hold space and occupy their time. Within her work she attempts to capture micro-communal moments, gestures of love, and curiosity. MadameFraankie's work draws comparison of these documented themes against the social and ethical norms within American Culture as a means to reshape black narration and photographic storytelling.She attributes the reshaping of her understanding of community and artistry to the arts and music scene in Memphis, specifically working with Tone Memphis . Having recently exhibited with the space during Miami Art Week 2023, MadameFraankie is excited for her work to take on a larger scale in both size and subject matter during her residency with Crosstown Arts. She explains how aspects of her identity like being both Black and Southern impacts how she thinks about and creates art. We learn about her upbringing in the military and how moving around the world produced a longing for aspects of identity and a sense of home that she now conjures in her photographs. Living in Memphis, MadameFraankie turns her camera towards the mundane aspects of Black life, championing the joy and tenderness in her community. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast
"Art and music are the same, they're just different dialects." The Chicago house music legend talks about co-curating the photo exhibit Walk The Night and nightlife's '90s heyday. Ron Trent grew up in Chicago, where he dreamed of being a musician from a young age. He would end up becoming one of the architects of the Chicago house sound and working alongside contemporaries like Chez Damier, and across the pond, Basic Channel. His label, Prescription Records, became a renowned purveyor of the deep house sound. He spread his vision from the American Midwest to New York, Europe and beyond. In this talk recorded live at Miami Art Week, Trent talks to Resident Advisor music critic Kiana Mickles about the songs and dance floors that shaped him in this early part of his musical trajectory. In addition to playing some of his favourite jazz, funk and disco songs, he reflects on clubs like Studio 54, Paradise Garage and The Warehouse, which he claims matured him as an artist and irrevocably shaped the trajectory of club culture. Trent was instrumental in co-curating an exhibit called Walk The Night (which premiered at this multidisciplinary event), a photographic homage to these spaces and other historic clubs around the world. To hear more about the legacy of Trent's favourite clubs and the music that shaped him, listen to the episode in full.
Your boy JBarber manage to sit with two people from the Studio Noize fam while down at Miami Art Week. First up is Ben Muñoz, Chicano printmaker we talked to at Print Austin. JB met up with Ben and attended a bunch of the satellite fairs like Untitled, NADA, Ink, Prizm, and Pinta. We recorded a conversation riding in traffic after leaving Pinta. You get our fresh relfections on the day including how shows create a vibe, impressions of the work at the show, the best things about Miami, and more After that it's the man himself Jeremiah Ojo, Founder and Managing Director of Ilèkùn Wa (an art business advisory firm). Jeremiah selected two artist to showcase at SCOPE and that lead to a conversation about what it means to show at the an art fair. What does an art career look like with being at Miami Art Week as the big goal? Listen, subscribe, and share!Episode 181 topics include:different fairs at Miami Art WeekPinta - the Latin American art faircreating a vibe an an art faircomparing the work you see at the fairparticipating in Scope Art Faircurating for art fairsincreasing visibility and audiencedefining what you want in your careerBenjamin Muñoz (b. 1993) is a Dallas-based multi-disciplinary artist whose practice spans painting, installation, and monumental printmaking. Muñoz grew up in the vibrant Chicano culture of Corpus Christi, Texas, which boasts the country's largest Day of the Dead celebration, lowriders shows, and unique food culture. The middle child of artist brothers, Muñoz found his voice by reflecting on his heritage, upbringing, and current surroundings. J. Olayinka is the Founder and Managing Director of Ilèkùn Wa (Our doors), an art business advisory firm, facilitating & cultivating opportunities for visual artists of African descent to create, sustain and thrive.Over the last decade, J. Olayinka has become a sought after arts and culture management consultant, working internationally in artist professional development, gallery management, and art fair operations. His collaborative work with minority emerging contemporary artists, art institutions, corporations, and collectors has carved a pathway of connectivity for creative professionals throughout the African Diaspora and on the continent. Having worked with a number of black-owned, fine art galleries throughout the African Diaspora, J. Olayinka has forged an alliance of artist collectives and galleries in North America, Europe, and Africa working uniformly to economically advance the artistic and cultural production of their communities. See more: Ben Muñoz website + Ilekun Wa WebsiteFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast
Live from outside of SCOPE we chat it up with Martha A Wade and Reisha from the Women's LIVE Artist Studio. They had a wonderful journey from Chicago to Miami Art Week. They talk with us about process of showing at the fair and some insights on the interactions with attendees and how it all working into their plans for the studio. Time is a premium so this short interview is only an introduction to the good work they're doing in Chicago. Your boy JBarber ends the episode with some reflection on the last year as we welcome in 2024. Listen, subscribe, and share!Episode 180 topics include:participating at SCOPEraising money to come to Miami Art WeekWomen's LIVE Artist Studiointeracting with the SCOPE crowdsupporting young women artistshaving tough conversations with colleagues From the Women's LIVE Artist Studio website:The Women's LIVE Artist Studio (WLAS) is a vibrant hub nestled within the heart of Navy Pier, Chicago's premier indoor tourist destination, boasting over 9 million visitors annually. Our Gallery is dedicated to showcasing the artistic talents of women artists from the local community.Through daily live art demonstrations, we invite our visitors to witness the creative process in action. We represent a supportive community of 30 female artists from diverse backgrounds and mediums, all sharing a common commitment to empowering women in the Chicago art scene and advocating for equal recognition and opportunities.See more: Women's LIVE Artist Studio website + Women's LIVE Artist Studio IG @womensliveartiststudioFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudio
Studio Noize done hit the big time! We're back with a special series of episodes recorded at Miami Art Week. We've heard so much about Art Basel, the awesome art fairs on South Beach, The grand event of Art Basel. We are taking you behind the scenes to see what is really going on. Miami Noize is a series of episodes records live during Miami Art Week. Kicking off with Valerie Francis, owner and operator of Knowhere Art Gallery. It was A LOT going on but we stole 15 minutes from Valerie to talk about her experience at SCOPE, the artist she displayed including the OG Charly Palmer, and what is the value of being shown at an art fair. Its just a taste of the bigger conversation. Listen, subscribe, and share!Episode 179 topics include:participating at SCOPEselling work at an art fairKnowhere Art Gallery in Martha's Vineyarddiversity at Miami Art Weekthe value of art fairsValerie Francis is the director and chief curator of Knowhere Art Gallery. After graduating from Hunter College with a BFA in Printmaking, Interior & Architectural Design, and an MBA in Marketing from Rutgers Business School, Francis amassed a wealth of experience in the global health and technology field with over a decade in the public health sector with Sanofi. Francis serves on the board for Artists for Humanity (Boston, MA), the Leo Project (Nanyuki, Kenya), and the Martha's Vineyard Center of Visual Arts.See more: Knowhere Art Gallery website + Knowhere Art Gallery IG @knowhereartFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast
We are officially back!! We coverJADA Art Fair 2023 from the Miami Beach Jewish Community Center. We are joined by the JADA crew for another round of art and fun. #miamiartweek #artbaselmiami --- Support this podcast: https://podcasters.spotify.com/pod/show/miami-lit-podcast/support
In this episode, we dive into recent news in tech, gaming and all things Miami Art Week.Today's episode is sponsored by Chainalysis.Avery and Sam discuss recent stories in tech regulation, gaming and brands at Miami Art Week. They explore topics like the EU's AI Act, the leaked trailer for Grand Theft Auto 6, brands participating in the metaverse and games and how brands can capture the high-value Art Basel audience.Links mentioned from the podcast: Decrypt Media Inc. and Rug Radio Merge to Create Global Web3 Publishing CompanyThe EU Just Passed Sweeping New Rules to Regulate AIGTA 6: Grand Theft Auto VI could smash revenue recordsFollow us on Twitter: Sam Ewen, Avery Akkineni, CoinDesk, Vayner3-From our sponsor:Chainalysis is the blockchain data platform. We provide data, software, services, and research to government agencies, web3 companies, financial institutions, and insurance and cybersecurity companies. Our data powers investigation, compliance, and business intelligence software that has been used to solve some of the world's most high-profile criminal cases. For more information, visit www.chainalysis.com.-"Gen C" features hosts Sam Ewen and Avery Akkineni, with editing by Jonas Huck. Executive produced by Jared Schwartz and produced by Uyen Truong. Our theme music is "1882” by omgkirby x Channel Tres with editing by Doc Blust. Artwork by Nicole Marie Rincon.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this episode, we dive into recent news in tech, gaming and all things Miami Art Week.Today's episode is sponsored by Chainalysis.Avery and Sam discuss recent stories in tech regulation, gaming and brands at Miami Art Week. They explore topics like the EU's AI Act, the leaked trailer for Grand Theft Auto 6, brands participating in the metaverse and games and how brands can capture the high-value Art Basel audience.Links mentioned from the podcast: Decrypt Media Inc. and Rug Radio Merge to Create Global Web3 Publishing CompanyThe EU Just Passed Sweeping New Rules to Regulate AIGTA 6: Grand Theft Auto VI could smash revenue recordsFollow us on Twitter: Sam Ewen, Avery Akkineni, CoinDesk, Vayner3-From our sponsor:Chainalysis is the blockchain data platform. We provide data, software, services, and research to government agencies, web3 companies, financial institutions, and insurance and cybersecurity companies. Our data powers investigation, compliance, and business intelligence software that has been used to solve some of the world's most high-profile criminal cases. For more information, visit www.chainalysis.com.-"Gen C" features hosts Sam Ewen and Avery Akkineni, with editing by Jonas Huck. Executive produced by Jared Schwartz and produced by Uyen Truong. Our theme music is "1882” by omgkirby x Channel Tres with editing by Doc Blust. Artwork by Nicole Marie Rincon.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Episode 236 aka Centurion Lounge of #WHATSAPODCAST finds the crew returning from their worldwide travels at SoleDXB & Miami Art Week a bit fatigued, but eager to share their experiences. Abdul recaps hanging out in Dubai with Billion Dollar Lex, the rest of #TheList Crew, Lupe Fiasco and others while Jerome gives us a 2023 update on Art Basel and all. the moves that were made in Miami. The fellas also discuss the Washington Wizards and Capitals potentially leaving D.C. proper for the suburbs and how wack that is going to be - its a great episode, tap in!Support the show
Michael Bouhanna joins us to discuss the art world's embrace of NFTs and the intersection between digital art and traditional auction houses.Today's episode is sponsored by Chainalysis.In this episode of "Gen C," we sit down with Michael Bouhanna, vice president, contemporary art specialista and head of digital art and NFTs at renowned auction house Sotheby's. Michael takes us through the evolution of digital art as a movement and collectors' growing embrace of crypto art. We discuss sales like Sotheby's record-breaking $6 million sale of the Goose, as well as predictions for digital art's presence during Miami Art Week and beyond.Links mentioned from the podcast: Shopify COO nods to their crypto workYour A.I. Companion Will Support You No Matter WhatMichael on TwitterSotheby's WebsiteFollow us on Twitter: Sam Ewen, Avery Akkineni, CoinDesk, Vayner3-From our sponsor:Chainalysis is the blockchain data platform. We provide data, software, services, and research to government agencies, web3 companies, financial institutions, and insurance and cybersecurity companies. Our data powers investigation, compliance, and business intelligence software that has been used to solve some of the world's most high-profile criminal cases. For more information, visit www.chainalysis.com.-"Gen C" features hosts Sam Ewen and Avery Akkineni, with editing by Jonas Huck. Executive produced by Jared Schwartz and produced by Uyen Truong. Our theme music is "1882” by omgkirby x Channel Tres with editing by Doc Blust. Artwork by Nicole Marie Rincon.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Michael Bouhanna joins us to discuss the art world's embrace of NFTs and the intersection between digital art and traditional auction houses.Today's episode is sponsored by Chainalysis.In this episode of "Gen C," we sit down with Michael Bouhanna, vice president, contemporary art specialista and head of digital art and NFTs at renowned auction house Sotheby's. Michael takes us through the evolution of digital art as a movement and collectors' growing embrace of crypto art. We discuss sales like Sotheby's record-breaking $6 million sale of the Goose, as well as predictions for digital art's presence during Miami Art Week and beyond.Links mentioned from the podcast: Shopify COO nods to their crypto workYour A.I. Companion Will Support You No Matter WhatMichael on TwitterSotheby's WebsiteFollow us on Twitter: Sam Ewen, Avery Akkineni, CoinDesk, Vayner3-From our sponsor:Chainalysis is the blockchain data platform. We provide data, software, services, and research to government agencies, web3 companies, financial institutions, and insurance and cybersecurity companies. Our data powers investigation, compliance, and business intelligence software that has been used to solve some of the world's most high-profile criminal cases. For more information, visit www.chainalysis.com.-"Gen C" features hosts Sam Ewen and Avery Akkineni, with editing by Jonas Huck. Executive produced by Jared Schwartz and produced by Uyen Truong. Our theme music is "1882” by omgkirby x Channel Tres with editing by Doc Blust. Artwork by Nicole Marie Rincon.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On the South Florida Roundup, we looked at how Miami Art Week and events like it are now a development engine for some of South Florida's once struggling communities like Opa-Locka (1:00); a retired U.S. diplomat and former ambassador to Bolivia who was charged with spying for Cuba (8:40); and how the state of Florida may soon loosen development restrictions in the Florida Keys (22:48).
About the guestLinda Mariano oversees the marketing and brand extension efforts for Redwood Art Group. With a career that spans over 35 years, Linda is a leader in marketing, brand management, e-commerce and promotion initiatives for the art industry, contemporary art fairs, specialty retail, art licensing partnerships, media and entertainment, as well as entrepreneurial business environments. Founded in 2009, Redwood Art Group is the nation's leader in exhibitions and event production, media, and marketing for the global fine art community. They produce Art Expo New York, Art Santa Fe, Art San Diego, Spectrum Miami and Red Dot Miami.Linda's Linkedin https://www.linkedin.com/in/linda-mariano-b69430b/Linda's Instagram https://www.instagram.com/redwoodartgroup/Spectrum Miami Art Fair https://redwoodartgroup.com/spectrum-miami/Artist Collective https://redwoodartgroup.com/redwood-art-group-collective/Art Business News https://artbusinessnews.com Artists mentioned by LindaKate Taylor https://www.katetaylorstudio.com/James Koskinas https://jameskoskinas.com/Julie Schumer https://julieschumer.com/Kris and Angela Gerhardt https://artbusinessnews.com/2017/08/meet-kris-and-angela-gebhardt-and-explore-the-future-of-the-art-world/ Subscribe to the Art Biz Talk NewsletterApply to be a guest Ask a question for the show Become part of the community for professional visual artistsIf you're a late emerging or mid-career visual artist earning $5K or more a month and are ready to scale your studio practice, Art Biz Pro is the place for you. (Re) Emerging ArtistsStarting to build your full time studio practice and need a DIY guide with templates for your artist statement, Press Kit and pricing your art? Sounds like you need our Artist Starter Kit. CREDITSOriginal Music composed by Hillary Albrecht at Rhapsody on MarsArt Biz Talk is hosted by Andrea La Valleur-Purvis, Artist and Art Business Coach at Vivid Creative
Tune in as host Marina Granger shares valuable tips for artists visiting Miami during Miami Art Week. During this week nearly 100,000 art lovers come down to Miami to enjoy all the artwork on view in a number of art fairs, exhibitions, and other events. For more information, visit www.TheArtistAdvisory.com
04th December: Crypto & Coffee at 8❌End of Binance BUSD
Do you want to improve your lifestyle? Everything from restaurants to hotels to sporting events to clothing brands. Today's guest, Carlo Cisco, Founder & CEO of Select Innocations, Inc. created a membership model that enhances your lifestyle. SELECT is a private membership community that provides access to exclusive events, pricing, and perks at over 1.6 million premier partner locations. Members receive regular invitations to in-person and digital events, allowing an opportunity for our diverse community to connect. Events include cocktail receptions, menu tastings, fashion shows, gallery openings, speaker series and events at exclusive happenings such as NYFW, The Emmys and Miami Art Week. To join and learn more about this amazing membership group visit https://www.meetselect.com/ Thank you for listening to another episode of the Perky Collar Radio Show. Warmest Regards, David M. Frankel Perky Collar Inventor, Perky, LLC Founder, Perky Collar Radio Show Host, Commercial Real Estate Broker & Business Broker www.PerkyLLC.com, www.BBOTC.net Feel free to join my Entrepreneur Group on Facebook www.Facebook.com/Groups/CharlotteEntrepreneurThinkTank Feel free to learn more about The Fenx and join fellow successful Entrepreneurs https://entrepreneurs-maclackey.thrivecart.com/the-fenx-monthly/?ref=cettsupport Feel free to connect with me on Linkedin www.Linkedin.com/in/DavidMFrankel Ready to write a book and share your story with the world? Let me help you get it done every step of the way. Go to https://perky.bookpublishingagency.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/perkycollaradioshow/support
Join Kat and Sarah Stieber on this uplifting and energizing episode where the artist talks about her new venture of transforming spaces with her art. Sarah shares her approach to building a sustainable and unique art business beyond the traditional gallery system, discusses how she creates events and gives us a preview of her brand-new project Stieber Spaces. www.sarahstieber.com Instagram: www.instagram.com/sarahstieber Applauded as “San Diego's Best Local Contemporary Artist” by Modern Luxury magazine, Sarah Stieber's vibrant figurative paintings have made a splash far beyond her SoCal roots. Stieber Spaces, the design arm of Sarah's business, has garnered explosive press and is featured in California Interiors Magazine, Modern Luxury Magazine, Apartment Therapy, and San Diego Magazine. Stieber has created artwork for global brands Samsung, Marriott, and AT&T. Her paintings have been exhibited worldwide, and were recently featured on billboards in Times Square new York, Picadilly circus in London, and on the Duomo in Milan. Stieber was named “One of 15 Female Artists you Need to Know from Miami Art Week” by CBS and “One of 50 badass painters you need to follow on Instagram” by Buzzfeed.
What is the future of digital art? Josh Baer sat down with Beeple for the first episode of The Baer Faxt Podcast during the opening of his immersive new B.20 museum in Charleston, South Carolina earlier this month to ask him how his vision for the future of digital art and NFTs has changed since we first spoke in November 2021. Before catching up with Beeple at his B.20 opening, we revisit our prior conversation, when we sat down at The Bass museum during Miami Art Week to talk about his rise to prominence in the art world and the beginnings of the NFT community. At that time, he had just sold the hybrid digital sculpture Human One (2021) at Christie's for nearly $30 million. This week, the dynamic, first-of-its-kind artwork is on view in Hong Kong at the M+ museum, while its sister work S.2122 (2023) is making its debut at Art Basel Hong Kong. Subscribe to The Baer Faxt Podcast for much more to come on our first season as we unpack the inner workings of the global art industry through candid interviews with key players in the business as they offer their perspectives on art and the market in the U.S., Asia, Europe, and beyond.
2:33 - The 'Why' behind the project (Juliette)3:06 - Meaning of 'Vee Friends' characters/Mission (Andy)4:05 - Personal Favorite Vee Friend character (Andy)4:37 - Onboarding girls in Web3/ Hurdles and Obstacles (Juliette)5:32 - Making Vee Friends Ecosystem Inclusive (Andy)7:13 - All girls invent project (Juliettte)8:02 - Biggest smile Moment (Juliette)10:12 - Interactions with Parents and Kids (Andy)11:16 - How to make the kids/adults feel safe (Juliette)12:33 - Actionable feedback from Parents (Juliette)13:06 - How to educate and Onboard Newbies (Andy)14:36 - IP extension of each character (Andy)15:55 - Thought Process (Juliette)17:15 - Dark side of Web3/ Biggest threat (Andy)18:23 - Big obstacle on the way (Juliette)18:59 - Making it more Accessible and User Friendly (Juliette)19:57 - Needed check for Vee Friends (Andy)21:14 - What excites Juliette about this project?21:35 - What excites Andy?22:09 - Single Greatest piece of advice (Juliette)22:28 - Single Greatest piece of advice (Andy)
Block199.io Interview For our very first guest podcast, Rantum spoke with ElBarto_crypto a Dune wizard and crypto data scientist, working on research at Block119.io. Recently, he's researched and published on topics like NFT Hodler segmentation, airdrops, and NFT wash trading. How to check if a collection is made of hodlers or flippers Check wash trading volume for collections & platforms What tools el_barto uses to use to analyze collections What topics he plans to research next Rough Transcript [00:00:00] Rantum: All right. Uh, here we are. I, this is ran. Andrew, here I am with our very first guest. We've talked about this on the, if you've listened for a little while, we've talked about this on the intro for a long time, that we would have guests, we've, uh, yet to actually do that and. Well, that's up until today. Uh, we've had, uh, we have a data sign, another data scientist joining us today. [00:01:06] He actually reached out his Alberto Crypto as he goes by on Twitter. On Twitter. He reached out, uh, and asked to, to be a guest on the podcast. And, you know, I, I felt like we really needed to, to actually do it. So here we are. Welcome to the show, El Baro Crypto . [00:01:24] Elbarto Crypto: Gne. Well, thanks for having me. I've realized in life if you just asked people enough, they either get sick of you or they let you do something. [00:01:30] So in this case, I'm glad to be the latter. [00:01:33] Rantum: Yeah, yeah. Really excited to actually do this. You know, it's a good needy, you know, little instigator to, to make it happen. . Perfect. I love it. So tell me a little bit about yourself. How'd you get where you are? How'd you get into crypto? [00:01:48] Elbarto Crypto: Yeah, so I am actually a data scientist by trade. [00:01:51] I worked in marketing analytics for probably a little longer than a decade, doing everything from segmentation, machine learning just writing basic SQL queries. Got to spend a lot of time doing customer analytics for very large brands, uh, in the marketing space and. Sort of caught the Bitcoin bug in like end of 2014 ish and you couldn't do really anything at that point. [00:02:17] You could just send Bitcoin to each other and that was, that was fun. . And then yeah, Ethereum ICO came. Um, once again, people still just, you know, sending Ether around, maybe trading on XX Ether Delta, these crazy, um, underground exchanges. Uh, but once for, for a while, you know, really the only thing you could do is, is not get caught up in a scam or an ICO scam. [00:02:39] And then, uh, right around 2019, I believe it was, um, dune Analytics launched and that was like sort of. . That was sort of like the great equalizer for data scientists because now all of a sudden you have this platform that you could tap into to query the blockchain, you know, for free, honestly. And that was like the, the most beautiful thing. [00:02:58] You could just easily share careers with people, share dashboards with people. Then this Analytics community, sort of, joined around that. And then other products like SEN launched, um, flip side crypto, a lot of these, you know, data open blockchain on, on BigQuery. And so now all of a sudden you, you know, you didn't have to worry about data engineering running your own validator, running your own node. [00:03:18] You could just. Query data and you build, you know, beautiful data sets. And, uh, I think a lot of things like in the marketing analytics background, definitely applied to crypto just in terms of, you know, user retention who's actually using products, machine learning, things like that. So yeah, absolutely. [00:03:34] It's been a very natural transition to, uh, to analyzing data. And now, uh, now. It's gotten crazy. analyze a lot of data on Yeah. Yeah. , it's, it's a lot of fun though. Meet a lot of the people like yourself. So, yeah, [00:03:46] Rantum: similar background. I was, I did a lot in, in e-commerce, analytics, marketing, uh, for this and, you know, fem way into crypto. [00:03:53] And, and it's, it's, it's really exciting having access to all of the, the data as opposed to, you know, just what the, uh, the one company that you're working with, uh, provides. Right. [00:04:03] Elbarto Crypto: Yeah. I mean, that's such a good. Like I, I think people don't realize like how special this data set is if you go work for you know, like a big enterprise company, even as a data scientist, like, well one, like you probably don't get access to data right away. [00:04:17] You probably have to get approved. You have to, you know, build the trust of people to start analyzing data. Um, here from day one, you know, it's, it's open right here. You can even, I think Google BigQuery even gives you $300 free. Uh, so you can just tap in immediately and. Securing data. It's really, uh, it's really amazing. [00:04:35] Rantum: Yeah. Yeah. How did you. , what was, what did you get started with when you started on Dune? I mean, you saw that it was available, there's free data. What, what were the first projects that you got interested [00:04:46] Elbarto Crypto: in? Yeah, so the first thing was just really looking at like what, who's using, uh, who's using the platform? [00:04:52] And as many, many people know, my dog who's in the background, he's, uh, he's, he's running from farm to farm is what he's doing. Uh, many people, uh, I think at first it was just creating, you know, The raw blockchain data itself to really like, understand what's going on. I think, I think one of the biggest problems people face is there is this open data set, but immediately they, um, get inundated with these, uh, very specific contract calls and they have to, um, decode data and all of a sudden you're dealing with OS and hashes. [00:05:25] And I think at first people get really like overwhelmed. And I remember looking. , um, dune for the first time and just seeing all these contract abstractions, like, I think it, it must have started with Ave back then, but just thinking like, what is going on here? Like how this is, this seems impossible. So I think it definitely takes a lot of patience, but at first it was just, you know, how many people are using the Ethereum blockchain? [00:05:47] You know how many people a day are using it? How many people used it last month and now are using it this month again? So it was really, for me, it was really just basic before, um, really diving into like more more of the abstractions around like ave and then compound and really seeing that lending side and then really just trying to visualize like who's making big D trades, you know, just very basic, like, hey, just let's just sort dex trades by u SD volume and like, let's just see who's buying things. [00:06:14] So I think like, yeah, at first it was like super basic because honestly it, it's very overwhelming when you first look at it. Yeah, absolutely. [00:06:20] Rantum: I mean, having all of the data available is, is great. And it's also overwhelming, right? Having all the choices. Exactly. [00:06:29] Elbarto Crypto: Everything's thrown at you at once. It's uh, yeah, it's a lot of our. [00:06:34] Rantum: How did you, you know, or 2019 it was, you know, a lot of D trades, you know, then we got into, you know, the kind of defi after that and then, you know, saw, you know, NFTs come, you know, big in, you know, in 2021. I, you know, it's is when it was, you know, really took off. How did you, uh, What, what did, how did you start working with the N F T data? [00:06:56] Um, and how'd you find that different than working with some of the, uh, the early token data? Yeah, [00:07:01] Elbarto Crypto: I like, the reason I like N F T data a lot is because, um, the same token, i e d and the same, um, the transfers across trade. So I think one of the biggest problems you have with Dex trades and analyzing like defi data, , um, people can immediately go anonymous. [00:07:19] Like, if I make huge Dex trade I can then just go back into Binance or just send my phones back on a Coinbase or and then it just becomes like an, an empty hole. Like, well, what happens with that person? What happens with that token? But for n n T data, since it's all on chain and you can't really, and each token is, is essentially a, a unique token, it really lends to some interesting analytics around. [00:07:42] how long people hold NFTs. So I think that's what one of the things that drew me to it was, it's understanding the nuances are obviously like very complicated, like with lost shells, which we'll probably talk about later. But from the very beginning, it made sense to me that like ID one is always ID one and it always corresponds to the ID one. [00:08:03] So it, it really lends to some beautiful, like long-term a. , um, with NFT [00:08:08] Rantum: drill. Yeah. That, that non, that non fungible aspect really takes exactly [00:08:12] Elbarto Crypto: way, right, . Yeah, exactly. I think people take, I, I think, I think people don't realize like how unique that is. Uh, and definitely allows for, for interesting transac for interesting analysis. [00:08:22] Rantum: Yeah. I mean, I, I've definitely found that interesting. When you look at NFT collections, I mean, you can't look at trades as, you can't look at every trade as the same. I mean, there are. oftentimes reasons that things are trading at, at much, maybe something significantly higher than the floor. You know, sometimes there aren't, and you know, we know there's a lot of wash trading out there. [00:08:42] Um, have you found that, have you found that aspect difficult to decipher, you know, what is real versus, uh, sort of the wash trade or how much do you [00:08:52] Elbarto Crypto: Yeah. Uh, shout out to Hilda today for, for introducing a new, uh, uh, wash trading flag. So at first, like I remember this is like really dating myself. So like, well let's, you know, starting with like the looks rare, um, that was like when, when people first like, oh man, yeah, that, um, wash trade concept of like, hey, volume is exploding, but in reality like people are just nibis and terraforms. [00:09:19] Yeah, exactly. So I think it's like, yeah, I think it. It's so interesting because you, you, you can do very basic, you can do very good analytics, just the basic, you know, SQL group buy statements, and this is, this is Data Pod Science podcast. We'll just go right into and nerding it out. But you can do very like, easy analytics with, you know, group buy day, you know, what's the volume of n ft sales? [00:09:41] And I think a lot of a lot of mainstream publications like to just look at like, okay, um, volume is down 80. . But in reality, like it's obviously much more different than that. So, we now know that, uh, a lot of volume all looks rare was really just people farming will look for a token just mindlessly trading tokens. [00:09:57] And so from there it, you know, it'll, it, it forced people to sort of think a little deeper in terms of, you know, a trade is not just a trade and you know, what is an actual wash sale trade or and now I think. . It's interesting because blur almost, it, it forces you to rethink about analytics once again, because we know like what a, a wash trade is now. [00:10:18] But now there's like these very interesting, um, analytics going on about people, you know. Taking this one step further and doing all sorts of crazy placing orders like slightly above the floor price when they not be a wash sale or maybe swapping out NFTs. So like let's say if you own a board ape and you just want to farm, you don't really care what ape you own and you just kind of wanna farm the the blur sale, you can sort of just. [00:10:42] Sell eight, buy another one, sell that one, buy another one. You're not really changing anything. Even taking slate laws [00:10:48] Rantum: to Exactly, yeah. Of the blurred to eventual, blurred [00:10:51] Elbarto Crypto: token . Exactly. In the hopes of getting a $50,000 airdrop. Uh, so it's interesting now, like, as these N F T models evolve for, for revenue for these exchanges, like then doing the due diligence of analytics to, to figuring out, you know, what's. [00:11:09] Rantum: Yeah, it, it's, you know, we see these incentives and, I mean, we've seen all these, uh, sort of vampire attacks on open sea and different ways to try to maybe disincentivize people from gaming, the systems, and it seems like. Collectors or, you know, maybe not, and maybe those, I shouldn't really call those people the collectors. [00:11:28] These are the, the people out there. There's somebody that's going to figure out how to, to make the most of the system. And, you know, it's, it's a tough one when you to, to, to look ahead and realize what people are going to [00:11:38] Elbarto Crypto: do, . Oh, absolutely. Yeah. And I think it's, it, it's, I don't wanna say it's fa as an analytics person, but like it definitely makes you think, and it definitely challenges you to say, , how can I use data to, to understand what, what's really going [00:11:53] Rantum: on? [00:11:55] Yeah. I mean, it, it is, I mean, all of these different crypto charts, there's always, you know, looks all steady until there's a serious inflection point and something drastic changes. And, and you see this all the time. I mean, you know, and in just the volume that you see among opens sea and blur and, and looks rare and, you know, you, you sort of need to know the story behind why these, these things are changing so drastically. [00:12:17] Elbarto Crypto: Yeah, exactly. And I think that makes you a better analytics person too. Like I, you know, if, if you're looking at break into this sector, and you know, like on job interviews and things like that. Like definitely bringing up points of like, well, why do you think um, hey, this data looks like the way it is. Is it sustainable? [00:12:33] Exactly to your point. Like, is it sustainable? Like, what's really going on here? I think, do you really have a ability to differentiate, like in this space, if you can bring these, you know, differentiated analytics. So can you tell me [00:12:46] Rantum: a little bit about block 1 99 and then the N F T Hudler segmentation that you've been working? [00:12:53] Elbarto Crypto: Yeah. So, um, we are essentially just a research firm. Uh, we do research for, you know, individuals for protocols, uh, all across the stack. And so a while back someone was essentially wanted to understand, you know, what, you know, how people, how different N F T projects are and what their users look like. [00:13:15] So for example, like if you have an N F T project where. , most of the holders are people that you know, are these larger whales? Maybe just like trading in and out of things, you know, what does the long-term engagement really look like versus an N F T project where a lot of people. we're in it from the beginning. [00:13:37] And, um, they're true loyalists like of a project. And so what they were trying to understand was, you know, should I, you know, invest in this N F T project because are are the people that are really long term holders. So the way to do that, and, and it's really a, a beauty of the blockchain is you, you can, uh, you can essentially just take all the holders of a certain n ft collection and then you. [00:14:02] uh, count how many NFTs they own. Some the amount of volume that's been spent look at, you know, are they how much wash sales have they done? How many floor sweeps have they done? So you essentially have this data frame of, you know, the 10, you know, the 5,000 holders and, you know, what's all their N F T activity. [00:14:19] From there, you can just like run a kme segmentation to find these different, um, groups of, of people and then figure out like, okay, well what is their activity in the entire N F T space? So if you see that, you know, 90% of the holders, you know, on average holding N F T collection for 20 days, or are the, you know, top 10% of traders on X two, Y two, you may think twice about buying that FT collection because, you know, people are just flipping it for the sake [00:14:47] Rantum: of Flipp. [00:14:48] Right. Right. And so when you're looking at these, the activity, you're looking at activity from all [00:14:55] Elbarto Crypto: NFTs, [00:14:56] Rantum: that, that may have ha uh, been passed through this wallet. You're not looking at necessarily that specific collection. Right, [00:15:01] Elbarto Crypto: exactly. Yeah. And I think like, you, you know, you can, you can almost sort of like then do this matrix if you will. [00:15:08] Like, you could segment, um, just like current activity and then sort of like create this matrix of like Yeah. All other n ft activity to get really, like, dive into. How the users play out. But ideally, like what you're looking for and in the case of this person that they were looking for was, they wanted to see that people who are like true contributors to the N F T community or they had like strong holdings and like what would held on, would hold on a lot. [00:15:32] think like some good examples of that are like, if you look at pudgy penguins, um, shout out to the, to the poo group. Um, a lot of them have, if you, you just look at simple like distributions of how long they've been the project for. Like a lot of them, um, have held since the beginning almost. And so you kind of look at that community and say like, okay, is that's something that I wanna do for the long term. [00:15:54] and the price. And, you know, the price has done pretty well. They had on a recent mini surge this, um, past couple of weeks. But it makes sense because, you know, just the supply of, of poos to hit the market is if no one's selling, it's always going down the, the number, the amount of supply that's hitting the market. [00:16:11] So, um, it makes sense that, you know, eventually, uh, Prices price go up. So Right. Versus, uh, versus like, you see [00:16:20] Rantum: the sustained interest, I guess is, is something that it's a little hard to measure from inactivity, but if they're not, if they're not dumping, there is something there. Right. . Yeah, exactly. [00:16:30] Elbarto Crypto: And I think that's the, that's like the holy grail of NFT engagement is how do you measure engagement of, of the nons sellers. [00:16:37] Because right now I, you know, Like volume does not equal engagement. If someone is selling their N F T, they're the least engaged with the brand. [00:16:45] Rantum: Right, right. Volume is is a very poor measure of, of the quality of a [00:16:50] Elbarto Crypto: project. Exactly. I, the problem is like unfortunately, like we don't have another way to, to do this. [00:16:55] And I think like the ways so far, it's interesting looking at the, the board ape ecosystem and, and, and maybe you can see. , you know, how many people are participating in governance or how many, you know, a polls also hold ape coin. But, you know, getting outside of the blockchain, you know, engagement becomes a much more interesting thing. [00:17:18] I think the evolution of NFTs should be some sort of like, loyalty, you know, coming back to the marketing world, you know, some sort of like marketing, uh, you know, CRM engagement platform where you can engage like outside of the blockchain. . Uh, so it's, it's, it's definitely in its ancy. And I think I'll, I think, I think NFT brands that are, are data first and are looking to expand their analytics capability are definitely gonna do better. [00:17:43] Rantum: Yeah. It feels like there's just a lot not being used. I mean, you can obviously find out so much about your, your holders and what their interests are just by looking at the wallet, and I don't think that's being, being used by many, uh, project creators or uh, leaders at this point. [00:17:59] Elbarto Crypto: Oh yeah, absolutely agree. [00:18:01] Rantum: Um, so you've developed something called an nf or you're working on something called an N F D D Gen Score. Can you just tell me a little bit about that? [00:18:08] Elbarto Crypto: Yeah, so I'm looking for someone to take this over actually. So DM me because I'm going out on crypto paternity leave soon. But essentially, uh, there's something called the defi, um, D Degen score, or it's just, I think it's just called DEGEN score. [00:18:23] um, your defi activity, right? And I, I want to build, I'm in the process of building, haven't built yet. Sort of like this N F T engagement or D gen score of, okay, how many you know, how many projects do you hold? How many mints have you done? How many, how many trades have you placed? Um, the idea here is more along the lines of it's almost like a segmentation, but. [00:18:46] if you're an N F T project, that's going to whitelist some you know, whitelist or project for certain holders or addresses. It would be nice if you had an idea of, of, you know, who would you want to whitelist this for? And like, do you wanna exclude certain groups? Do you wanna include only people with above a certain score or, you know, have had certain engagement? [00:19:06] So I think it's like really meant for, you know, hopefully for projects to better understand. , Hey, let's, you know, make this let's make this white list. Like for people that really care about NFTs or like people that aren't just gonna like immediately dump, um, these NFTs. So there's a lot of ways you can do this. [00:19:24] I, I would want to almost optimize this for like, engagement with NFTs instead of just like farming to dump. But I think that's where the hard part comes in. [00:19:36] Rantum: Yeah. Yeah. I mean, I think we're seeing, I mean, we're so sort of a misalignment, so many places of, you know, where are the, you know, what is activity and, you know, what, where is the, you know, where are the royalties coming from? [00:19:46] When you're thinking about all these, uh, these different issues, it seems like we come back to the same thing. The people that are are selling are the ones that are co, I mean, you know, obviously a, a cell requires a buy, but that's when the, the income comes into a project. When. Ideally you just want nobody to, to really wanna sell. [00:20:05] Right? And [00:20:05] Elbarto Crypto: yes. Yes, [00:20:07] Rantum: exactly. How do you, I don't know. I'm not, you know, I see that one, I know that one of the projects that you wanna work on is, uh, trying to calculate the royalty income and, you know, do you see that as being a sustainable model going forward? [00:20:21] Elbarto Crypto: I, you know, I'm very mixed on this because I used to think, like, I used to want projects. [00:20:26] I used to really like the royalty initiative because I think it is fair in some sense. . I think if we were to eliminate royalties like tomorrow, I think they would force N F T brands to start thinking of like alternative business models because yeah, like as we said over and over again, like the royalty optimizes towards people selling. [00:20:47] In reality, it should be the complete flip of that. Like the most engaged people, like across every brand, the most engaged people with the brand are the ones like creating the revenue for you. I, while I, I don't know exactly where I fall in the royalty space right now. I, I, you know, it's not, luckily it's not my job to do that. [00:21:07] Yeah, right. . But I think that like, it would force n f T brands to think of new revenue streams that I only think will help them. Because right now royalties are obviously limited to people that are buying and selling NFTs. And the goal is to. a brand. Just a brand in general, right? Like when you think about Ferrari, like everyone knows Ferrari. [00:21:30] Their, their brand recognition is beyond anything. They, I, I was surprised though. I was looking at their, their income statement and they, the majority of their money, they still make off of selling cars, selling parts, et cetera. I think only like 15% of their revenue comes from like merchandising and things like that. [00:21:46] For an N F T brand, that should be the opposite. It, in my opinion, like 15% should come from royalties and then 85% should come from some other I don't know what that is. Hopefully someone smarter than they can figure that out, but yeah. Yeah, it's [00:21:58] Rantum: tough to say what that is because they're, you know, as collectors. [00:22:02] I, I think people expect to get something from that. Mm-hmm. . And as we've seen recently with the, uh, artifact uh, Nike, uh, project, you know, people are not terribly happy when the, the, the next part was the ability to buy something and, you know, maybe a discount. So, you know, I think that still has to be worked out and I'm, I'm curious where that does go. [00:22:23] Yeah, I'm not , I'm not exactly sure where I fall overall, you know, I'm very pro royalty. Artist, but I think that's a very different thing than, than these 10,000 piece collections. You know, when I think of art, you know, I'm thinking of small collections or, or even one of one. I see that as being a sustainable model going forward. [00:22:41] Very different than, you know, 5,000 or 10,000 because you've always got other people that are, I mean, it becomes a bigger issue for the liquidity of a project when you've got a five or 10%, um, royalty, uh, fee built in. [00:22:54] Elbarto Crypto: Oh yeah, absolutely. Like the art box, when you have only have 200 of them, you would hope, yeah, you would hope that some sort of wallet royalty, right? [00:23:01] Yeah. But um, it's also, yeah, like when people expect something, it's like they, they don't understand like the, the basic like lifetime value, the customer acquisition cost ratio, which is, which is completely flipped now because if I buy a doodle right now, uh, doodle will get, you know, whatever the 3% of. [00:23:24] $6,000 sale. So let's call it $180. Like great. Uh, yeah. That, that's tough for them. . Yeah. Yeah. To give me more, uh, to give me, I, yeah. I think people definitely expect $180 more of stuff. And I know, I hear, I hear doodle putt was really fun, but. . [00:23:44] Rantum: Yeah. I didn't make it over there. I was, I was down in Miami and I did not get to go to that. [00:23:48] Elbarto Crypto: Unfortunately. , I'm sure, uh, I'm sure many of the doodle holders though are, are, uh, negative. Uh, yeah. So that's like one of the issues, right? Like if you become a doodle holder, you expect the world, but like the, the economics just don't work yet. Hopefully they do in the future, but Yeah. Or like, I mean, I think this, like, I think this introduces like new. [00:24:10] New forms of business. Like if, if doodles were to, you know, create these events, but like you could lend your N F t to somebody to go, or you know, that they would pay a fee and like lend a doodle or something like that. I think like there could be interesting innovation there. It's just. [00:24:28] Rantum: Yeah, it is, it does feel like it's still to be determined how, how to really structure these for, for a longer term. [00:24:35] You know, it, it reminds me a bit of. Just as you saw advertising in, you know, online advertising, it got more and more expensive and, you know, there's more promotions and, and things to get people to come and, and click. And, you know, you're talking about the, the lifetime acquisition. You know, it went from early on when you were advertising on, on Google, you know, you could make. [00:24:54] You know, you could even maybe make a profit on, on a sale or something. And then it turned into a longer and longer lifetime and you just saw that the cost go up as it sort of got inflated. And, you know, I think Barta that was maybe, you know, there was obviously more money being spent and you saw that there was a lot of, a lot of venture capital coming in. [00:25:12] Um, I'm wondering like how that's going to start affecting. , you know, these rewards and everything. You know, if it's going to be, you know, in, I mean, I assume that it's going to get redistributed, they're like less middle men. You know, you can, it's being given directly and, you know, it's hard to recognize what is, what's, what's real versus, you know, what's sort of artificially pumped in [00:25:32] Elbarto Crypto: Yeah, absolutely. I, yeah, and it'll probably take another year to play out to see what these, yeah. What this looks like. But, [00:25:38] Rantum: um, what else are you, uh, excited about? Right. . [00:25:40] Elbarto Crypto: I think definitely like the more of the in-person experiences, um, within the NFT space. I think like I, I, I am glad everyone is mad at like Live Nation and Ticketmaster right now because I, I hope that, uh, I hope that somehow the N F T space, uh, can solve for that somehow. [00:25:59] Uh, like I'm a big fan of India Top Shot. I, the product is beautiful. It's just a, it's a great experience, but you know, like as a, as a, as a top shot, like minnow, not quite a plankton, I'll, I'll call myself a minnow. Uh, you know, I'm definitely looking for that, like further engagement of like, with, you know, with the team that I like or with the player that I like. [00:26:22] Like how, how does that like work and, and, and sort of like what's the next step for them. Certainly looking for, you know, forward to that. And then I think like on like the zuki uh, collection, you know, I. , I kind of wanna see. They have great, like website. They have a great website right now. I think they're, you know, they're branding. [00:26:40] It's really on spot. I'm, I'm really a [00:26:42] Rantum: lot with, uh, with, with wearables as well, right? Yeah, [00:26:45] Elbarto Crypto: exactly. Like I saw, I, I, I was just like walking around, uh, where I lived the other day and someone was wearing, wearing a, um, a Bathing Ape shirt and I'm like, I'm like, oh man, I, I'm kind of like, I'm hoping like bored ape supplements that, or something like that. [00:26:58] So I'm definitely looking for these like real world experiences, like the bridge between the two and then, yeah, like in like the new innovations of, of business models for these, uh, and like when, you know, when everything will just airdrop, you know, that's what I'm looking for. . [00:27:13] Rantum: Yeah. Right. Air when Airdrop [00:27:14] Yeah. When [00:27:15] Elbarto Crypto: airdrop, I'm just gonna mask token. Yeah, yeah. Exactly. Just one day, just give it all to me, you know? Right. Yeah. [00:27:21] Rantum: That would be, those were nice back, back when those were just coming out every couple weeks. Right. it, it was nice. Yeah, it was [00:27:28] Elbarto Crypto: nice. Uh, have [00:27:30] Rantum: you been to, uh, many in-person events or have you gotten to get to. [00:27:33] Elbarto Crypto: I, you know, it's funny, before the pandemic I used to go to a lot and I tell this funny story of, um, I went to a, this is like really gonna show my age. I went to a Dere meetup which is, for those who don't know, is, uh, is a, a Bitcoin esque product. And, um, , they, the where I went, they ordered, um, they ordered 10 pizzas, but only eight people went to the event. [00:27:57] So, uh, that just kind of shows you like how, uh, popular crypto was in [00:28:03] Rantum: 2018. [00:28:05] Elbarto Crypto: I wanna say. This was, um, I bet they didn't pay for the pizza with Bitcoin anyway. No, they, no, they did not. Uh, they used good old Uncle Sam dollars. So it's. It's really interesting to see like how how far things have come. And, and I was, uh, I went to an event, like a coup, a pretty small event, um, about a couple months ago. [00:28:25] And, um, it's good to see the energy back with people. Um, I like to see that. I, I, uh, I think I'm gonna make a huge, you know, I'm, I think I'm gonna make a splash next year by trying to go to some of these places, but, um, it seems like, uh, it seems like, yeah, there's good energy there. . Uh, yeah, [00:28:42] Rantum: I've enjoyed getting out to some events. [00:28:44] Just was at Basl as I, as I mentioned, and, uh, hoping to get to N ft N YC again, uh, this coming year. They seem to just, uh, make, make it difficult and move the month every , every event, . Um, lovely. So you can't really, you can never predict it, but , did you say anything? [00:29:01] Elbarto Crypto: Was there any interesting activations at, at Basil? [00:29:05] Uh, [00:29:06] Rantum: so NFT now had a big. Two blocks are so. Just for their own event. But then they had different booths within there where art blocks was there and Meta mask was there. And, uh, nine dcc, uh, which I talked about, um, recently, they had a min a shirt there, a one of 1200 was a snow fro. Oh. Uh, inspired art on this shirt. [00:29:32] So they worked with him on that. So there were some, there were some definitely cool, uh, N F T events. Um, you know, it was a little quieter in the N F T areas than, than maybe I I expected, uh, compared to, compared to something like, I mean, N F T NYC is just, it's, it's pretty big, you know? I know there's. [00:29:49] There's some complaints about, uh, the event. And, and I would also say that you don't necessarily have to go to, to the official event to, uh, to find many things to do. I mean, that's, that's, that's definitely the case at Basel, you know, where it's very unofficial. It's part of ma maybe it's part of Miami Art Week. [00:30:05] I'm not sure if it's technically even, even that. Mm-hmm. Mm-hmm. Right, right. But yeah, the in-person events I think are great. You know, I think people are still kind of getting out and I think part of, you know, even the, the fashion things, it's part of kind of bringing. Off the screen, off the, you know, off the computer and making it a little bit more real [00:30:23] Right. Exactly. [00:30:25] Elbarto Crypto: Step away from farming. It'll be, you'll be okay. You don't have to get all of them. [00:30:29] Rantum: Yeah. Right. , So you have, you have some new dashboards coming soon, but you are, you're well right now. It sounds like you are, uh, paternity leave. Huh? [00:30:38] Elbarto Crypto: trying to figure out how to make, how to do a swaddle. Yeah. So, oh man. Yeah, [00:30:42] Rantum: I remember that one. . [00:30:44] Elbarto Crypto: Yeah. Any need tips? Let me know. Yeah, I mean, I'm always looking on, you know, always looking for new data. [00:30:48] Um, always trying to build, you know, Data dashboards really to help people understand, you know, how data's being surfaced. You know, I've got a lot of like, you know, research projects on the back burner. Really trying, really, like trying to go after this question of like N F T engagement and you know, what kind of, who will be around for the long haul. [00:31:07] And then really, I am very curious about this defi N F T overlap. I, I think there's very, you know, I think the two are very separate right now, and I think people just assume by building a, a lending NFT platform that everyone will just come, you know, no questions asked. But in reality, the reason people got into NFTs is not because. [00:31:33] they're also excited about uncollateralized lending. Like they don't know what any of those words mean. And frankly, I don't think , I [00:31:40] Rantum: don't think anyone. Right. Yeah, that's good. Good [00:31:42] Elbarto Crypto: point. Yeah. So I, I, but then at the other hand, like on the other hand, I, I think, you know, if you have a board ape, you know, if you did get lucky and held on for all this time and you're sitting on, you know, $70,000, , it would be nice, you know, to realize some of these profits or, you know, maybe you have a dog who's going off to college and, and you need to pay tuition. [00:32:07] Uh, you know, it would be nice to realize maybe the little, these profits, um, yeah, [00:32:11] Rantum: right. For fractional [00:32:12] Elbarto Crypto: ownership. So I think it's definitely an un, an untapped area. I, I don't know how it'll work though in terms of UI and, and execut. [00:32:21] Rantum: what, uh, what, what, what have you been active with in what, in your wallet Recently? [00:32:27] Elbarto Crypto: What has been my wallet? I, you know, I'm like a, a real, a real defi, uh, degen. Uh, recently I've been, uh, I've been, I was like really bad farms that I've been going into. It's, uh, it's pretty sad. I, I've been trying to figure out recently, you know, some of these like NFT projects that have really gotten sold off. [00:32:47] there's a lot of work going behind the scenes. So like Rumble Kongs, for example. Um, this was like a project that really, you know, had a lot of hype. Um, so I own a couple Rumble Kongs in, in full transparency. This is a project that got a lot of hype. I think Steph Curry was wearing a Rumble Kong hat at some point. [00:33:04] Okay. ? Yeah. And like they have people working on it behind the scenes. You know, there are, there are truly people working. They are alive. Um, they are, you know, programming. I'm, I'm gonna check, I'm gonna check the floor [00:33:15] Rantum: price right now. Here's mine. And the ones that are, they're still busy and haven't left. [00:33:20] I mean, we know that a lot of these are going, they're going to zero. And, um, it is. You know, finding the ones that are still busy and gonna keep building through, you know, through the bear. That's, that's, uh, it's key if you can find them . [00:33:34] Elbarto Crypto: Right, exactly. So, yeah, you know, I'm kind of looking at that area a little bit. [00:33:38] I've been trying to like, you know, look at more like these illiquid art blocks, collections. Yeah, . I just don't know right now like what the best way. I don't know what the best way to display them or engage with like other people or like really engage with the artists is yet. So I'm still trying to like, I also just don't want to get ripped off by like buying, you know, something for like four E and then being like, what have I done, like [00:34:02] Rantum: immediately? [00:34:02] Right. But I mean, there's some, there are some very pricey, very illiquid pieces in, uh, in our blocks. You know, there's definitely some, some grape buys. Uh, can be difficult to tell the difference. And, you know, that that's the beauty of NFTs, right? , yeah, exactly. [00:34:18] Elbarto Crypto: Um, you know, I, I respect what the pudgy team is doing. [00:34:20] Uh, I don't own any poos maybe, you know? Yeah. [00:34:24] Rantum: That is impressive. They're, they're the strength of the holders. The D Gen score is high, huh? Absolutely. [00:34:29] Elbarto Crypto: Yeah. And they're really, uh, they're really executing there. So, um, you know, shout out to the team there for. Putting something good together. So yeah, that's like, I've been really trying to think about like, you know, what projects are still actively being worked on and, and sort of like, can you scoop up any, any good values? [00:34:46] Uh, yeah. And like, you have to like what it is, right? I mean, like, I don't, like if I buy something I, you know, honestly, like I don't wanna sell it. I, I, uh, You know, I'll just hold on [00:34:55] forever. [00:34:56] Rantum: That's the best way, right? Just by what you, what you actually want to own . [00:34:59] Elbarto Crypto: Yeah, exactly. Yeah. That way if it goes zero, you feel a little less bad. [00:35:04] So [00:35:04] Rantum: yeah. Hey, we all have at least a few of those, right? Oh yeah. Oh yeah. Awesome. Uh, so where can people find you and, uh, [00:35:12] Elbarto Crypto: You. Yeah. You can find a very inactive crypto account starting today at El barto underscore crypto on Twitter. Uh, I'll be back in February. Don't worry. [00:35:22] Rantum: You do have a list of, uh, research for I, you know, people will wanna get some homework. [00:35:25] There's, there's some . [00:35:27] Elbarto Crypto: Yeah. If you feel like you have nothing to do over the, over the break and, uh, you wanna. do some NFT research. I have plenty of projects for people to hand out. So Is the baby here already? No. No. It, it's coming soon. Yeah. All right. Well, [00:35:42] Rantum: so very exciting. That's awesome. Um, anything else you wanna add before we sign off here? [00:35:47] Elbarto Crypto: You know, I would add if anyone has any advice on having a bo a dog stop barking in a shadow, like please reach out to me because, uh, it's been a, a constant thorn on my side. He's a great, he's a great pal and a great farmer, so welcome to you. [00:36:01] Rantum: That shadow's throwing him. Awesome. Well, thank you so much Alberto Crypto. [00:36:04] This is awesome. First interview. Uh, very excited, and we'll have to talk again soon. [00:36:10] Elbarto Crypto: Thank you, sir. Thank you, sir. All right.
** A special thanks to our sponsor for this episode, JADA Art Fair ** JADA Art Fair hosted Miami Art Week in collaboration with FeSeLa, Miami Beach JCC, Miami Beach, TNR, and Landz. The exhibition showcased a diverse array of art spaces both on-site and in the Metaverse, including paintings, films, installations, performances, and NFTs from artists from the U.S., Paris, Brazil, Spain, Israel, Dubai, and Iran. Find out more at https://www.jadaartfair.com We are very grateful we were invited to Miami Art Week and to have met such great guests. The following interviews were filmed at the Miami Beach JCC with a live audience. We bookmarked each talk for your convenience. 00:00 -- Diana “Didi” Contreras @didirok 14:49 -- Antonio Trincao @antoniotrincao 41:33 -- Erik Mendelson @erikanswerman 1:14:05 -- JADA Art Fair organizers: JÔNATAS, Dana Blickensderfer, and Samuel Loetscher 1:53:51 -- Nick and Hugo of Sanctuary Cannabis We hope you enjoy this episode and thank you for your support. Please help us grow our community by hitting the like and subscribe buttons. ❤️ Jenny Link to our socials: https://linktr.ee/miamilit #miamilitpodcast #miamiartweek #miamiartbasel --- Support this podcast: https://podcasters.spotify.com/pod/show/miami-lit-podcast/support
Rebecca Minkoff is a fashion icon and industry leader in accessible luxury handbags, accessories, and apparel. Rebecca also founded the female founder collective to empower female-led businesses. She's been at the intersection of fashion and technology and is one the first female fashion designers to launch a collection of NFTs.Recorded live during Art Basel, Art Week in Miami Beach, Lisa Carmen Wang, and Rebecca Minkoff discuss:The power of embracing rejection and. the word "No"Becoming a stronger leader by setting boundariesDealing with competitive women in the workplaceImportance of empowering your team, especially during tough timesRebecca's thoughts on the future of Web3 and NFTs in the fashion worldThis episode was recorded live from UNREVEALED during Miami Art Week 2022. If you want to learn more about their events, visit nrvld.co. Thanks to our partners at Nrvld.co and Kimpton Surfcomber Miami Beach! Join & Follow Us:BadBitchEmpire.comInstagram: @TheBadBitchEmpire, @LisaCarmenWangTwitter:@BadBitch_Empire, @LisaCarmenWang
For this episode, we talk about all things Miami art week and what we loved, and what we could have missed.
Anthony is recapping his trip to Miami where he attended Miami Art Week and DCentral Crypto Convention.
This week, we're on the road in Miami to discuss trends we're seeing at Miami Art Week and dropping some alpha on how brands can effectively reach the crypto and Web3 audience with IRL events and activations.At Miami Art Week, we saw people being brought together to celebrate art and culture with even more traditional brands leaning into Web3. Avery and Sam break down their on-the-ground observations, from Oscar Mayer to Prada, on creative activations and how it's more clear than ever that brands both in Web2 and Web3 are vying for the same audience, especially at large cultural events.Links mentioned from the podcast: TIME President Keith Grossman Joins Crypto Payments Startup MoonPayFollow us on Twitter:Sam EwenAvery AkkineniCoinDeskVayner3From our sponsor:Join the most important conversation in crypto and Web3 at Consensus 2023, happening April 26–28 in Austin, Texas. Come and immerse yourself in all that Web3, crypto, blockchain and the metaverse have to offer. Use code GENC to get 15% off your pass. Visit coindesk.com/consensus-"Gen C" features hosts Sam Ewen and Avery Akkineni, with editing by Jonas Huck. Executive produced by Jared Schwartz and produced by Adrian Blust, Uyen Truong and Eleanor Pahl. Our theme music is "1882” by omgkirby x Channel Tres with editing by Doc Blust. Artwork by Nicole Marie Rincon.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Miami Art Week, the largest art event in the United States, takes place every year during the first week of December. In honor of this event, Paddy Johnson breaks down how these fairs operate, why most of us find them soul-crushing, and how to make the most out of them, regardless of how they make us feel. LINKS: https://www.artbasel.com/miami-beach https://untitledartfairs.com/ https://www.newartdealers.org/programs/nada-miami-2022/viewing-rooms https://www.satellite-show.com/ Artist Run Club talk with Paddy Johnson, Dec 1st, 6:30 am, South Beach, beach entrance at 8th and Ocean Dr. https://www.newartdealers.org/programs/artist-run-club-featuring-paddy-johnson
Virtual reality engages our senses of sight and sound. But what about taste and smell? If you could eat art and music… what would it taste like? On this episode of Tech Bites, host Jennifer Leuzzi talks with artist Mattia Casalegno and Kathleen Forde, senior curator of Superblue, about Aerobanquets RMX, the world's first mixed reality, immersive gastronomy experience. Inspired by the Futurist Cookbook, the (in)famous Italian compendium of surreal recipes and fantastical dinners published in 1932, the experience takes participants on a multi-sensory journey that combines virtual reality, fantasy, and food with a menu created by award-winning chef Chintan Pandya. Aerobanquets RMX is presented by Superblue and Meta Open Arts as a special activation during Miami Art Week, from November 28 to December 4, 2022. It is produced by Flavor Five Studio.Photo Courtesy of Aerobanquets RMX.Heritage Radio Network is a listener supported nonprofit podcast network. Support Tech Bites by becoming a member!Tech Bites is Powered by Simplecast.
Back for another installment of the pod with Miami Art Week and Art Basel Miami Beach around the corner. The most exciting week of the year kicks off on December 1st, and fitting the vibe is our guest on the show, a true savant of the Miami art scene. Monica Kalpakian is the founder of Miami-based Artvising, an exclusive consultancy service for the most demanding private art collectors in the world. Monica has been an art patron and collector for the last 30 years. She is also a founding member of Art Basel Miami, on the international council & acquisitions committee for Tate Modern, a board member and adulation committee for Bass Museum of Art, and sits on the board of Miami's Museum of Contemporary Art. Throughout her career, Monica has worked closely with leading contemporary art galleries, artists, private dealers, auction houses, and institutions to establish relationships with an international network of artists, collectors, art insurers, shippers, appraisers, framers, conservators, experts, foundations, and scholars. In this episode, Monica brings her insider knowledge to explore all things art and Miami's thriving scene. It's a great conversation covering everything from the role of Art Basel and Miami Art Week shaping Miami into the global city that it is today, the proliferation of art galleries around the city, and navigating our museum landscape, which has grown significantly in the last five years. Monica gives us her professional advice on how to build a collection as well as her list of best galleries in Miami. Host: Omar De Windt Guest: Monica Kalpakian Producers: Omar De Windt; Veronica Aizpurua Art: Alberto Arevalo Follow: Spotify / Apple Podcasts / YouTube / Instagram
We're thankful for Rich Medina and Chef Kurt Evans promoting Philly's most celebrated traits: arts and activism. International and legendary DJ Rich Medina shares with us his history expressing his heart, soul and activism through music for the last 30 years. Medina also provides the details surrounding Art Basel in Miami, why it's important for the Black arts community and details about Love + Grit On The Road during Miami Art Week. Next up, Evans discusses bringing together food and activism to raise criminal justice reform awareness in America. Featured in major publications like Food & Wine, Bon Appetit, Good Morning America, and Eater, Evans also created the ground-breaking End Mass Incarceration (EMI) dining series which orchestrates dinners themed around the criminal justice system. And if you're looking for something to do in Philly other than drinking, the hosts provide their top things to do.
Today I chat with abstract expressionist painter Natalie Dadamio, who has a very special view on art, art making, and the business of art. We discuss a lot about how art and spirituality intermingle, can heal, and the power of vulnerability and authenticity. Natalie embraced the Artist Alliance's 100 Rejections Challenge, and discusses how it empowered her and opened her up to new possibilities and opportunities.Follow Natalie on Instagram: @Natalie.Dadamio.artAre you interested in joining Jen Tough's art fair collective? She's gathering artists together and representing them at ArtExpo Dallas in September, and Red Dot during Miami Art Week. Apply now! www.jentough.com/art-fairsJoin the Artist Alliance!New benefits: discounts on Art Santa Fe, 12 month marketing program and morewww.JenTough.com/membership
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