Podcasts about live theatre

The McGraw Show 6-11-25: Live Theatre, ICE in Omaha, Men's Health & the Zipper Merge by

Members of our creative community share their live performance schedule for the season.

Africa Melane, we’re joined by actor Michael MacKenzie, who stars as Jerry in The Zoo Story, Edward Albee’s piercing one-act play now on stage at Theatre Arts. Directed by Chris Weare and produced by Mpact Productions, this stripped-down yet emotionally explosive work dives deep into themes of isolation, communication, and the fractured state of the human condition.See omnystudio.com/listener for privacy information.

"For everything that we do, if you cared this much - just a couple of centimetres of care - it would make all the difference in the world". Marc Haine   Marc Haine and I discuss how small, intentional acts of care can transform the ordinary into the extraordinary. From building trust to creating a culture of excellence, this episode is packed with insights on why daring to care just a little bit more matters so much. From his journey in hospitality to leading teams in high-pressure environments, Marc illustrates how intentionality and connection can bridge the gap between mediocrity and excellence. He challenges us all to approach every experience — whether a banquet or a brief conversation — with the same care and dedication. Marc shares a story of Orlando Airport staff handing out free ice cream during a heatwave — an example of how thoughtful gestures, even as small as a scoop of ice cream, can leave a lasting impression. If you've ever wondered how small changes can lead to big impacts, this episode will inspire you to approach interactions with more intentionality and care, no matter the context.   Marc Haine is a customer experience expert, keynote speaker, consultant, and author of Lights! Camera! Action! With 35 years of experience in hospitality, retail, and other customer-facing industries, Marc has created unique frameworks to help organizations build lasting connections to become THE brand of choice. Marc's energetic, humorous, and authentic delivery makes him relatable and fun. He empowers business operators with unique tools to create jaw-dropping, show-stopping experiences their customers and employees deserve. Marc's podcasts, Marc Haine Live and Experience Leadership: The Small Business Podcast, have over 150,000 views world-wide. Marc is the 2023 Community Spirit Award recipient in his local community. He is the co-founder and president of several non-profit organizations, such as: Walk the Talks, East of 60 Productions Society, and sits on the national board of the Canadian Association of Professional Speakers (CAPS). During his free time (if he has any), you can find Marc tossing a mean pizza, or showing off his mad sourdough skills. If you are lucky, you might even see him on a comedy stage near you. Marc lives in the quaint town of Devon, Alberta with his beautiful wife and his menagerie of pets.   Connect with Marc: https://meetwith.marchaine.com Marc@MarcHaine.com Http://MarcHaine.com FB: / masterofexperiences IN: https:// www.instagram.com/MarcJLHaine TW: / marchaine2   Resources Mentioned: Lights! Camera! Action! Business Operational Excellence Through the Lens of Live Theatre by Marc Haine Leading Beyond the Numbers by Susan Ni Chriodain

CKTZ/Cortes Currents - Two live theatre productions are coming to Mansons Hall this weekend Cortes Radio sent over five audio tracks. A lot of Cortes residents are going to recognize the voices of the two people who conducted the interviews that follow but as they chose to not introduce themselves, they are labelled CKTZ in the written version of this story. This is their show and it starts with the PSA for Moonrise the Rock Opera, which opens on Friday November 8, 2024: Moonrise, the mythic rock opera, retelling an old Celtic myth about returning power to the earth and the goddess. Starring in the Starseed Theatre production is Denman based artists Thomas Aerie, Jenna Bird, Bee Balm, Lea Tess, and Cortes' own Rue McDonald and Christopher Fleck. Theatre Undertow presents The Elephant Song, a play by Nicholas Bion. Two performances. Saturday and Sunday, November 9th and 10th, 7 p. m. at Manson's Hall. Tickets available at the Co op, Cortez Market, and Manson's Hall office. PG 13 mature content. See Tideline for childcare options. The Elephant Song. Two performances, Saturday and Sunday, November 9th and 10th, 7pm at Manson's Hall.

David and Hannah Mirvish discuss their company and the state of the performing arts in the city. And Toronto resident Samantha Fraser introduces us to Chappell Bone, a 12-foot skeleton decked out as the pop star on her front lawn.

Forty years ago Bronski Beat released Age of Consent, a record so loud and proud that it become an era-defining moment of gay liberation. We look back at the record's music, legacy and politics with novelist Matt Cain and Laurie Belgrave, who has produced the new 'The Age of Consent 40' concert at the Southbank Centre. Samira talks to Percival Everett about his Booker-shortlisted James, a potent retelling of Mark Twain's Adventures of Huckleberry Finn which offers a new voice to the enslaved character Jim. And, we look at how the horror genre has developed on the stage with Jessica Andrews who has adapted Saint Maud for Live Theatre in Newcastle and Matthew Dunster who directed 2:22 A Ghost Story and the recent West End production of The Pillowman.Presenter: Samira Ahmed Producer: Ruth Watts

Tomorrow, Tuesday, October 8th, Kerry College’s Monavalley TV Studio will be transformed into a live theatre for the performance of ‘The Cable’, written by author/actor Mike Kelly.

On this week's episode, Artistic Director of the Gene Frankel Theatre, Thomas R. Gordon, tells us about attending a Shakespeare celebration at the famed Players Club that ends with a members-only jaunt in Gramercy Park!Check out Thomas on InstagramHave fun like ThomasDonate to The Gene Frankel Theatre at 24 Bond ArtsThis week's Rachel's Recs: Deux Chats & The Wallace HotelWhat did you think of this week's episode?They Had Fun on Instagram, YouTube, and our website

"It's not enough to have a great Fringe show...You have to sell your show!"The world of Fringe Festivals is truly fascinating. Artists from around the world work hard all year round writing, performing and promoting their shows at festivals across the world. It's a labour of love and a world that many local artists learn about at the Saskatoon Fringe Festival. Our city's Fringe Festival is produced by Saskatoon's 25th Street Theatre and its Executive and Artistic Director, Anita Smith, can't wait for it to begin. She takes listeners behind the scenes of this year's festival to highlight some of the amazing artists who will be performing in theatres and as buskers, as well as other events taking place during the 10 days including the Thelma Pepper Art Walk and the Baby Busker Program. Anita is one of my favourite people in the world and I know her passion for the arts and our community will connect with you! I hope this bonus episode gets you excited for the Fringe and maybe see you at a play...or most likely the Food Trucks:)Listen and follow YXE Underground wherever you find your favourite podcasts including Apple Podcasts, Spotify, Goodpods or the YXE Underground website. Don't forget to leave a 5-star review if you like what you hear!Season Seven of YXE Underground launches in September and I am so grateful for your continued support of this local, independent podcast. Cheers...Eric  Host, Producer, Editor: Eric AndersonTheme Music: Andrew DicksonWebsite: https://www.yxeunderground.comRecorded: On Treaty 6 Territory and the traditional homeland of the Metis

Steve and Stuart speak to Kelly Wood, National Organiser for Live, Theatre & Music Writers at the Musicians' Union, about help available for artists, live performance rates, and much more. Send in your questions for Stuart and Steve on thepriceofmusicpodcast@gmail.com Follow Steve on X - @steve_lamacq Follow Stuart on X - @stuartdredge Follow The Price of Music on X - @PriceofMusicpod Support The Price of Music on Patreon: https://www.patreon.com/ThePriceofMusic For sponsorship email - info@adelicious.fm The Price of Music is a Dap Dip production: https://dapdip.co.uk/ contact@dapdip.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

Angus and Sal head over to the Rat King Theatre to catch some of the night time programming. There they meet with Catherine Abernathy-Quill (Patrice-Ann Forbes) to see if anything can be done to save the theatre now that it's in Mayor Hick's sights. The post EP113 – Live Theatre appeared first on PodCavern.

Welcome back to another episode of Ikigai with Jennifer Shinkai. This week I am joined by Michael Walker, Founder and Artistic Director of SheepDog Theatre based in Tokyo, Japan. As a lifelong fan of live theatre I know very well the ikigai of being an audience member, but in this episode Michael shares with us what it's like to be involved in the production side of things. From acting to directing and running his own theatre company, Michael gives us a fascinating glimpse into the magic of theatre production in Japan.If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. In this episode you'll hear:What theatre means to Michael in terms of ikigaiHow Michael got bitten by the theatre bug while visiting EdinburghHow Michael applies lessons learned from sport to live theatreAbout SheepDog Theatre's beginnings and its current transitionMichael's advice for people wanting to pursue a seemingly impossible dreamThings mentioned in the episode:THE LITTLE FELLOW By Kate HamillDirected by Michael WalkerStudio Actre, TokyoJuly 3-7, 2024Sheepdog Theatre returns to Studio Actre for its production of Kate Hamill's wickedly funny play, The Little Fellow. The story is based on the real life memoirs of 19th century courtesan Harriet Wilson, who entertained the most powerful men in England of the time. When the famous Duke of Wellington breaks a promise that would set her up for life, she seeks out retribution, not just on him, but all the men who've crossed her. The play is simultaneously violent and poignant as it explores themes of identity, societal expectations, and personal transformation.About Michael:Michael graduated from Sydney's Theatre Nepean drama program before working as a professional actor for nearly a decade. After moving to Japan, he formed Maidenagoya Productions, Chubu's first independent theatre company.In 2019 he moved to Tokyo and formed Sheepdog Theatre. After a slow start (thanks to the pandemic), Sheepdog Theatre found its momentum in 2023 and is now a fully professional company.When not being creative, Michael enjoys riding his motorcycle through the many beautiful parts of Japan.Connect with Michael:Website: http://sheepdogtheatre.com/Instagram: https://www.instagram.com/sheepdogtheatre/Facebook: https://www.facebook.com/sheepdogtheatre/Connect with JenniferLinked In: https://www.linkedin.com/in/jennifershinkai/ Facebook: https://www.facebook.com/jennifershinkaicoach Website: https://jennifershinkai.com/ Instagram Coaching and Podcast: https://www.instagram.com/ikigaiwithjennifershinkai/Instagram Artist: https://www.instagram.com/jennifershinkai/YouTube:

Nicki is the host of ‘In Conversation' style sessions on the BBC Gardeners' World Live Theatre, where she'll lead candid conversations with experts including Monty Don, Adam Frost and Carol Klein, to name but a few. She first hosted the Theatre in 2022, and has done so ever since. Visitors can book seats at the same time as booking tickets Nicki Chapman is an accomplished TV presenter and broadcaster known for her work including the nation's favourite Escape To The Country and for BBC1. She previously worked in the music industry.Nicki has become a mainstay of the BBC presenting team, being a central figure during the RHS Chelsea Flower Show.She's a regular presenter for Radio 2, often sitting in for Zoe Ball on the Breakfast Show and Vanessa Feltz on Early Breakfast. She has also hosted three documentaries: The Fuller Picture (an in-depth interview with music entrepreneur Simon Fuller), Here We Come – The Monkees at 50, and Let's Abba Party.Having started her career as a Promotions Assistant at MCA Records, Nicki quickly become one of the youngest and most successful publicists in the industry. Three years later she moved to RCA Records as Head of TV Promotions, before joining Brilliant! PR Company where she was joint partner for five years. Her vast knowledge of the music industry led Nicki to be a judge on ITV's Popstars and then subsequently on Pop Idol. Having met with Simon Fuller in the nineties Nicki joined his management company 19 Entertainment in January 2001 as Creative Director, working with artists and personalities such as Annie Lennox, David and Victoria Beckham, Will Young, The Spice Girls, Carrie Underwood and S Club 7.Lockdown presented an opportunity for Nicki to further spread her wings, this time working on a podcast from her home studio called Talking Success where she interviewed some of the biggest names in the media and the arts.Nicki is a proud Ambassador for British Dressage and a keen and active supporter of Teenage Cancer Trust, Childline and Nordoff Robbins Music Therapy. After successful brain surgery in 2019, Nicki is now a passionate Ambassador for The Brain Tumour Charity.

Miss Spent Youth is a Los Angeles based burlesque performer, producer, teacher and pin up princess originally from North Carolina where the girls were afraid to swim on their periods! In this episode we talk about burlesque, empowerment, creativity, body positivity, power dynamics, body confidence, sexuality, burlesque, sex education, circumcision, shame, open-mindedness, acceptance and SO much more! You can find Miss Spent Youth on Instagram at @ms.spentyouth and her website, https://www.losangelesburlesque.com/ ~~~~ Los Angeles! If you're a femme looking to build confidence, heal your relationship to your body and tap into your sensuality, join me THIS Sunday April 28th for an Immersive Sensual Empowerment & Pole Dance workshop in Downtown LA. Details & registration: https://www.eventbrite.com/e/immersive-sensual-empowerment-pole-dance-workshop-beginner-friendly-registration-875746440177?aff=ebdsoporgprofile ~~~~ Like to watch? Check out the video version of this podcast on YouTube! Stay connected through Birds and Bees Don't Fck on Instagram at @birdsandbeesdontfck & follow your host @ArielleZadok K, love you, byeeeeee

Justin lists three more plays you should know, including Max Posner's Sisters on the Ground. Plus, a crash course on Broadway's most iconic musical duo. We'll wrap up the show with an extensive list of auditions that are perfect for a range of theatre people, featuring Play to Z's Erika Kuhn. Hosted by Justin Borak Produced, edited, and mixed by KJ Lampar Co-Produced by Leah Barker Additional music and sound effects licensed through Envato Elements   LINKS Be sure to follow The Scene Podcast on Instagram and YouTube Subscribe to The Scene Newsletter

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Jay Rayner and his panel of food experts are in Newcastle for this week's episode of The Kitchen Cabinet. Joining Jay are chef Rob Owen-Brown, food writers Paula McIntyre and Rachel McCormack, and food historian Dr Annie Gray.In Newcastle's Live Theatre, the panel discusses everything from basic tips for cracking an egg, to the more complex of questions - is there anything that can't be improved by nduja? Meanwhile, Dr Annie Gray takes us through the changing sounds of the kitchen over the years, as the panel discuss the worst noises to hear while cooking.Alongside the panel debate, local culinary hero Adam Riley of Riley's Fish Shack talks the panel through the history, preparation and recipes for kippers.Producer: Bethany Hocken Assistant Producer: Dulcie WhadcockA Somethin' Else production for BBC Radio 4

Join us this Saturday! Tickets on sale now at http://boxlandmedia.com/events

If you count yourself amongst the lucky few who have attended a live theater performance, you fully understand that tingly feeling you get inside as the lights dim and the curtain goes up. That beautiful moment of silent anticipation before the actors appear onstage and the performance begins. Live theatre is spellbinding. Live theatre is pure magic. But most of all, live theatre is the perfect place to do hand and boob stuff on a first date. Start shopping at https://Rakuten.com or get the Rakuten app to start saving at thousands of stores today! Your Cash Back really adds up! There's no more shame in your gut game. That's why Ritual is offering Bald & Beautiful listeners 30% off during your first month! Visit https://Ritual.com/BALD to start Ritual or add Synbiotic+ to your subscription today! Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: http://bit.ly/TrixieKatyaYT Don't forget to follow the podcast for free wherever you're listening or by using this link: http://bit.ly/baldandthebeautifulpodcast If you want to support the show, and get all the episodes ad-free go to: https://thebaldandthebeautiful.supercast.com If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/baldandthebeautifulpodcast To check out future Live Podcast Shows, go to: https://trixieandkatya.com To order your copy of our book, "Working Girls", go to: workinggirlsbook.com To check out the Trixie Motel in Palm Springs, CA: https://www.trixiemotel.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This month, the Broadway Theatre is celebrating 30 years as a community owned and operated theatre in Saskatoon which is an achievement worth celebrating. The Broadway is many things to many people. For music lovers, it's a place where they can see their favourite artists and bands in an intimate setting and discover new and emerging talent from across the world. If you love live theatre, then you have no doubt seen the Saskatoon Soaps perform on stage or watched a theatre group perform during the Fringe festival. Movie fans flock to the Broadway for classic films, the best in global cinema and independent Canadian movies. I even dragged my wife with me to see a screening of Star Trek II: The Wrath of Khan at the Broadway…an experience I know she is grateful for!For the past 30 years, the Broadway has been a hub of cultural and community events in Saskatoon and the future looks bright for the next 30 thanks to strong leadership, community support and an army of passionate volunteers. I was fortunate to speak with three amazing people who love the Broadway Theatre. Holly Gilroy is the Broadway's Operations Manager, Aryn Otterbein is its Artistic Director and April Sora is a previous board member and passionate volunteer. Together, they cover everything from the joys of working with the community to ensuring the next 30 years are just as successful for the Theatre.Thank you so much for listening to this special bonus episode of the podcast. The Broadway is one of my favourite places in Saskatoon and we are really lucky to have such a hub for community events in our city. Cheers...Eric 

Brendan Bradley is an actor and storyteller who got into real-time animation systems and social VR during the pandemic, and then starting putting on live theatre shows in Virtual Reality both onsite, hybrid, and in-venue, and fully virtual. He co-founded OnBoardXR, which has been embracing accessible technology like WebXR and social VR via Mozilla Hubs, which has enabled his immersive shows to be available on mobile phones, tablets, PCs, and virtual reality headsets. Since the beginning, OnBoardXR has featured projects that have integrated AI systems for generating scripts, and most recently Bradley put on a show called Degenerate VR featuring generative AI images that audience members within a social VR context were able to prompt. Bradley takes more of a skeptical take on AI deconstructing the current state of generative AI in relation to human labor and creativity as well as some of the potentials and perils of the technology. OnBoardXR has been on the forefront of integrating open web and immersive technologies for live performance, and is pushing forward on what's possible in immersive and interactive theatre. There is an experimental and avant-garde vibe to most of the shows I've attended, and AI has been thematically integrating into many of the recent segments. I had a chance to break it all down with Bradley at AWE, and we brainstorm a bit more on how generative AI could help facilitate group conversations and explorations on specific topics as long as there is a deliberate invitation or incisive question provided to the audience. There's a lot of potential for how some of these AI technologies could facilitate novel social social dynamics and interactions (see Frankenstein AI at Sundance 2019 and their subsequent AI-facilitated group discussions at DocLab 2019). This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Ted, Ted, and Ted's accidental initiation into The Psychonauts began as a result of the friends, originally three Fraternity Brothers and Recent Graduates of UCLA attending festivals consistently together, each using various Mind-Altering substances to attract (“preferably female”) partygoers. Over the course of the series in short (often light and comedic) scenes, where the trio often stumble into reality-shattering situations by sheer coincidence or seemingly random occurrences. But as we later learn about the multilayered world of interdimensional existence, Everything happens for a reason; Nothing is Impossible, Never Say Never, Be Careful what You Wish For-- and, of course-- there are no coincidences. These three seemingly simple-minded creatures begin as “wooks”, Shirtless Party Boys eager to rave. Often [irresponsibly] experimenting with copious amounts of psychedelics, the boys often find themselves unknowingly transported through various wormholes, teleportals, time warps, and Voids created through the music at each festival they attend, sometimes confusedly landing them in alternate parallels and altered dimensions of reality, sometimes even spiraling into three separate dimensions at once, thus creating new points along The Grid, from which the parallels and dimensions are woven together and interconnected through, time, space, circumstance, and choice in any conscious--ultimately (though, most often by dumb luck or happy accidents) expanding the universe, prompting the Ascended Masters to scout Ted, Ted, and Ted as a unified team to be inducted into The Psyconauts, eventually becoming an integral and important Dillon (Theodore) Francis, while working towards an Alliance between the Bampheramphs and Psychonauts uses his bewittingly bestowed middle name to act as an Alternate ‘Ted', or sometimes work jointly as The QuadraSquad, a “pop-up” rave squad which acts as a recruitment team, and on emergency search-and-rescue missions, collecting key components along the collapse and collision of worlds and within the fabric of space, time, and reality. Chak Chel and Dillon Francis put the Teds through a rigorous (and extremely senseless) crash-course in DJing, forming a popular Trio, whose name varies depending on the dimensions in which they will preform, secretly setting tactical bassdrops, emitting coded frequencies to communicate covertly with other entities, opening intentional time warps, portals, and wormholes through their DJ sets. Time holes where the Trio are in two (or sometimes, more, and alternately infinite) places at once are placed as easter eggs throughout the series; In some cases, The Three Teds are even festival attendees at the festivals which in a neighboring reality they are also headlining, even at points transporting their own selves through timespace--whether intentionally, or coincidentally. As the Teds reach the high ranks of The Psychonauts, even eventually (and unwillingly) becoming separated by the obligation of duty, being assigned to separate sanctions of Leadership by skillset as a “draft” is enacted to strengthen their forces, as they prepare for The FInal Battle (actually multiple (infinite) battles occurring concurrently throughout the expanse of reality, even stretching into the outer realms of ‘inexistence' as the collective consciousness grows, reaching Ascension, and allowing certain realities to reach the New Paradigm. Though evolved over time as the series progresses, The Teds maintain their quirky wookness, questionable (sometimes inappropriate) sense of fashion, and hilariously signature fratboy attitudes and antics, reunifying as a powerful Trio once more towards the conclusion of the series, appearing elementally in various ways at most crucial plot points, revealing the creation through all of their endeavors and shenanigans, a brand new universe within The Infinite Multivetrse. (“TED”, where everything/everyone is “Ted”, This universe collides with “Everyone's A DJ”, and, as an infinitely expanding and integral part of the universe, appears optically as “TBD” (To Be Determined, Where Cliffhangers, Plot Holes, Continuity Errors and other traditional elements of Theatrical Film are represented throughout the SUPA Saga and overall festival project.) During the Wookness: Ted: Yo, how much for this? (Points To Kandi Cuff) ...How much-what? Ted: How much is it? Like what, $50 bucks? 50 bucks?! Ted: Oh shit, my bad--festival prices, huh? Sorry yo, I got a $50, the rest is big bills. Doyou have an online shop? Are you trying to buy my kandi? You can't *buy* kandi! Ted: Pssshhh! Ted: All I buy is Kandi! YOu can't sell kandi, youre supposed to trade it.. That's why you make it. Ted: Yeah bro, I've done trades. (Flashback) Raver Girl: Wanna Trade Kandi? Ted: Show Us your Titties! The girl looks to her friend, as if to say “should I?” her friend, wearing dark Ray Bans, and sternly nods her head in approval, her friend shrugs drunkenly as if to say“fuck it, why not?” While the friend swiftly pulls out her iPhone, the other lifts her shirt, flashing the happy Teds, dancing in Fratboy Delight; Ted, standing adjacent to the straight-faced girl in Sunglasses, sneakily scrunches down to get a good picture; their [Tri-Lens] iPhone cameras now directly aligned. face to face, (or rather, eye-to-eye) ((Or, eye-to-eye, rather,)) (((Rather, eye-to-eye,))). snapping his picture, as the flash from her camera blinds him Ted:UH, Yeah you can..They sell it online. Online? Whats--what? SELL? Ted: Fuck yeah dude. Ted: YEEE, KANDI KID 4 LIFE YOU ARE NOT A KANDI--Ki--YOU CAn'T SELL KANDI. Woah, chill. No “chill” no selling Kandi! NO! NO! What Chak Chel's Bedtime Stories Chak Chel, the GOOGLE kids' favorite babysitter, tells stories of infinitely expanding adventures of the multidimensions of timespace -Honey, I Killed Myself. -Honey, I Shrunk The Skrillex -Who Killed Sunni Blu? -Who Killed SupaCree? -The Curious Case of SupaCree -DILLONCEPTION Trapped in an intensely infinite and ever-expanding and/or consistently densening Vividly Lucid Multidimensionally (And Musically) Interconnected Omni-Galactic Eternal Space-Time “Loop”, [DJ] Dillon Francis must frustratingly attempt to multitask through an “apparently unlimited”[ (I TOLD YOU, IN-FIN-ITE. INFINITY.)] battle his Masked nemesis, Key: Brackets [] Director's Notes, Production Details, typically indicating a tie-in with other entries, or crossovers from other consecutively (or, sometimes, alternately) running series in the saga, more frequently as the “Multiverse” expands, or as the (Technical Omniverse, Eventually) in which the series' specific “(U)niverse” ‘collapsing', being progressively stated repeatedly throughout the series to be both compressing, and expanding respectively; However, as the Bill and Ted's Excellent Adventure... Dill and Ted's Excellent Adventure (They cross paths with Bill and Ted, in their search for Two of the missing Teds; Alternately Ted and Ted discover how ‘Three's a Crowd” makes sense, as they happily gallavant frat-tastically through the galaxy, in search of a Sexy Space-Alien Rave Bae (The Amazonian Women from futurama, live action, Saved by the Heroes from futurama) (on) Having ascended into the dimension after her most recent death, SupaCree (not yet known as SupaCree), lands “God”, an Ascended Dimension where she can actually communicate clearly with the Ascended Masters, being closer to ‘God' (her)self, but not directly being able to interact with her; conversely, she can scan the plains of reality from “above”, though later we learn there is no “up” or “down” in “Total Omnipotence”, the post-conscience Infinite Existence Experienced in the Limitless (INFINITE) Energy of Being Everything, Everyone, and Everywhere at once; Simultaneously Nonexistant, Being “Nothing”, “Nobody” and “Nowhere” at once, all represented variously through the concept of infinite multidimentionality, in our “3” dimensional “Uni-Multi-Omni-Versal” (apparently, I've just been told) SupaCree exists in a Tri-Verse, unbeknownst to even God (her)self to its true Origins, the “final(e)” (but not, ever) (e) In a random and nearly collapsed alternate fabric of timespace, where the spelling of the name “Cree” is pronounced the same, but spelled simply “Cre”, (though, specifically equally--”by the exact number of times, actually”--mispronounced”, One of the only similarities between the two, sharing the same planetary alignments and cosmic significance and the same parents--however having been conceived with completely different genetic markers: As a result, this alternate version of herself is physically not “opposite”, but differs in physical appearance drastically--at least, for the most part--as more ideally attractive which to The Original's mind-blowing dissatisfaction, (and, also stagnantly egotistical “Very Satisfied” Satisfaction), But the feeling soon fades when she learns that this reality is on the verge of imminent collapse after the discovery that one subtle, singular synchronicity shared in her actual reality(s)(realities) (which one?) ((Multiple “actual-realities, actually”)) (((Multiple Synchronized Individual Existence Theory, one of the multiple Theories (I) Use to Conceive the (Law) of Evolutionary Infinite Omnipotence, (Everything is Everything/Nothing is Nothing/ God is, as I am/ I am U/All Are One) the aforementioned suggesting the absolute possibility of any circumstance which allows a singular subject with (apparently) “limited” existence, total and complete synchronization at “exact” moment of “Creation”, or “Origin”, and any circumstantially coinciding consecutive synchronizations beyond the limitations eo each respective individual's actual existence or reality.)(Satisfaction, Benny Benassi) (And Apparently, The Biz--because, literally, writing in real-time (What is time) with google. (What's The Biz???) Travelling to 2003, where the event which ties this frail and “practically non-existent” fabric of reality to her own, she eagerly races against the clock (in real time?) ((maybe, unreal time)) (((I am time.))) “I don't believe in time”, later corrected, after being stuck in a Godless world to “The human concept of “time”,/God's not real, or opting to state the phrase more subjectively, “I don't [really}/I kinda don't believe in time,” though as she evolves more rapidly through her progressive Ascension and Elemental Mastery, quickly Surpassing Ascended Mastery as a skilled sorcerer,Visionary Seer, helping her rapidly strengthen the art of Cosmic Alchemy, mastery of (eventually, instant, and respectively infinite manifestation, and matter/antimatter movement and/or manipulation;i.e. The art of Creation. I.E., Do you even know what “i.e' stands for? I'll look it up later, I know what its used for. Look it up. [Googles i.e, clicks on top most commonly searched] I.e. and e.g. are both Latin abbreviations. E.g. stands for exempli gratia and means “for example.” I.e. is the abbreviation for id est and means “in other words.” Remember that E is for example (e.g.) and that I and E are the first letters of in essence, an alternative English translation of i.e. The Original Cree sits perched behind a red (Ugh, red…) ...A red laptop computer; the love light lost from her dark eyes, through the clear lenses of her cheap, brandless (Medicaid.) ...brandless black glasses, narrow framed and unbecoming over the shape of her face, the Album ‘Who Killed Matt Maeson” softly plays a somber song, to which she'd normally--at least, if left alone or rarely, in “comfortable company” (That's, someone you don't necessarily “like”, but still feel comfortable enough to sing around.) The Scientist, in a higher realm, peaking down through her microscope, watches contently, curiously, and concisely, dialing its lens by a couple turns, as she ponders aloud, Hm. Wonder what makes that happen, exactly? That's...huh...Hm. [Her project, a mystery hidden from the audience. She pushes herself back from the desk, reaching for her notebook and jotting quickly her findings, stopping only turn on some [] Music, which blends seamlessly as we fade back into the scene of the drab and unflattering, somewhat “sickeningly” lit, reminiscent of the stagnancy most often observed in a petri dish.] As the song ‘Cringe' begins to play in the background, the clear picture of the laptop screen fades into a blurred obscurity, as her focus shifts sharply to the warm glowing array of colors of her speaker light her otherwise nearly lifeless eyes, as she is Slightly and softly hypnotized into a series of several simultaneous vivid memories; separate and specifically assorted scenes form, as she remembers “everything” quite at once, A vision weaved into her conscious memories, just as seamlessly; A Web Wrapped with the Fragile Fabric of “Time”, the invisible energy of musical frequencies awaken ones senses and sensibilities--invisible, for some...at least. The light on the speaker, a golden tone, as we cascade into the eye mind; A flash to a blurry memory, 2017; A slender and handsome longhaired surfer, resurfaces from submersion under the waves, flipping his long hair back with the graceful and slowmotionly seductive snap of the neck, as the sunlight gleaming a golden glow, in the eye of his admirer. A Flash Of: The Golden Light of the Shining Sun over Santa Monica A Flash, As she Gently Weeps, as the tears leaving her eyes leave (in a flash of scenes) drops onto her jeans, the sidewalk--all the while, A tiny ant carries a giant leaf, as the spider weaves beneath the tree whose leaves leak streams of pretty streaking and speckled, and leaves glassy droplets stuck in the strings of the spider, still weaving; the rain floods the streams into rivers, which bleed, eventually in the ocean, fanning out into the Seven Seas. (pacifically, eventually) Are we reading this, or is this stage direction--production notes? What is this? Who is “we”? WE AVE A whole flashback unfolds: A steamy shower, thick with the smell sweet candles, leaving steam-less spots of mirror in the flickering heat; A seamless and synchronized transition, as the More Cheery and Upbeat Strings, Beat and melody in the previously playing version, fades seemingly into the steam, as ‘Cringe, Stripped” leads us into the memory, where she sings with the heartbreakingly haunting and soulful sadness, the harmony, her voice blending perfectly over the recording as if it were meant to be; The Duality of Grief. Not quite flashing back, but seen as a translucent overlay, another flash; The Seats of a theatre, the scene in black and white, as the stage lights washout, the flickering dremlike scene, the steam so thick we barely see the details of the singing, with the passion that seems to bleed out the ache of her broken, barely beating heart. The song rings out, evolving into what just may be, the beginnings of a remix, as more quick flashes slam back-to-back A flash of: The Scene In The Mercedes A flash of an ambulance, sirens blaring! A flash as the scene of A spider sleeping peacefully beneath a leaf, shielded from the rain, which leaves droplets on the strings, on the opposite side of the same tree; Blissfully unaware of the bird, perched just above lurking or something to eat. Neither the spider, nor the other, or the bird or ant are aware of any one-another, or any other world other besides the tree, the flash of a longshot which we see, is unassumingly and unimpressively, “just a tree” a grey and stormy day; A plane takes off up into the heavy rain, droplets changing shape through the window, looking out as the plane lifts off the ground. The next layer of memories unfold as voiceovers from various quotes, accompanying the song still playing, now beginning to blend with first the stripped version, then the album/studio version, which for a moment, is singularly heard, as the flash of a scene from a more recent memory flashes: The Digital Clock in the Car Reads, 88.1 in red, The volume is low, almost so low that it can't be heard: she stares out the window on a grey and overcast day, eyes lost and pondering--though they light when her finely tuned ears catch the pitch of the song ‘Cringe', as she excitedly turns the volume up eagerly, listening for a moment--a range of joyful surprise in her expressions, happily pushing up the Translucent Pink Frames, sighing with a smile, as she exclaims, “WHAT? THIS SONG IS ON THE RADIO NOW?!” The driver, taken aback but having caught her contagious beam of “happy” I almost forgot about this song. That was a long time ago... “Oh...do you know this song?” I haven't heard it in forever...I forgot it existed. [pause] I can't believe it took that long… “yeah , it's pretty popular. It's like always on.” ...I can't believe this song...daaaaamn...her excitement settles, as she looks back out of the window, at the grey and rainy day. So, that's how long it takes… The blending and fading of the song creates an array of rapidly changing scenes faded, flashing, cut and becoming somehow closer, yet further away at the same time. Colors and shapes, as the sounds that the songs all being played which remain the same, but change, as they create new sound waves; The Three Songs are arranged and rearranged, as are the scenes, pictures, videos, of entertainment stages through the ages, The Festival Culture highlighted in the Inception since The Dawn of Rave, to present day. [Each quote, a voiceover played by an ensemble cast, each made to read any/every line specifically, if unaccompanied by a name.] The Clips and Sound Combine with Colorful Psychedelic and neon in some scenes even in 3D, (ideally, actually, up to 9D) as music, theatre, television, and flashes of memories and scenes of everything, as the shifting screen changes slightly and steadily with the music, now something of an electronic-meets-acoustic symphony (:UNPLUGGED), still cleanly and seamless in the colorful chaos that is everything, though visually intensely overwhelming, a sensory-stimulating synthesis of “Sound That You Can See”[ *go back for quote from song] The Sountrack now taking us on a Journey through sound, (ideally surround sound, even having speakers and subs somehow mounted from the ceiling, pointing down, pointing up from the ground. With Live Theatre Production Experiences combine more elements representative of the 9 Dimensions, by arranging speakers set outside of the theatre itself--perhaps, if in a Live Theatre setting, where the movie is projected onto a screen or skrim on stage, additional screens canbe projected onto the walls of the theatre, creating potential to use the audience interactively, perhaps arranging for actors seated amongst the audience members, interjecting at the intersections of crossing dimensions with both improvised and rehearsed actions, and or carrying out specific tasks as it related to the plot, the audience, even becoming the stage, as the stage is re-arranged; even becoming a mirror image of the theatre, filling with patrons and gazing into the audience, where cast members reflect a multidimensional portrayal, an interpretive alternate reality of what is happening on stage, unseen off stage, while the film still plays somewhere (or even sometimes, nowhere) as light and sound design give the viewer an experience of senselessness and sensory stimulus, Explaining through experience, representations of conditions; Much like a masterful DJ mixes musical elements in a live setting by reading the crowd, The Ideal Live Production of this Film has the ability to Unify the audience through various interactive activities; an energy-based planned, or even sporadic--based on the audience itself, monitored by The Ringmaster, an unseen (cast) Omnipitence, or ‘The Universe” itself, , as we apply the Values of Peace, Love, Unity, and Respect as the Ultra-Fine Line between “Everything” and “Nothing”, in simpler terms: Light and Dark, and finding the balance which allows us, in the “present” to explore and experience The Voids, shattering reality as the Linear plot unravels into a non-linar Uncontrolled Experiement, Allowing for Manuverability within the variables and simulating a Synesthesia-Inspired Simulation of Multidimensional Time and Space Travel, using music as the constant connection; as the finale transforms the theater in entirety into both a theatrical interpretation of a full-scale music festival--and a real-life miniature dance scene, inviting real-life ravers to fill the space to capacity, as the final scenes of the film unfold as the our present reality Expanding, Ascending, Compressing, and Collapsing All at Once, Explosions and Implosions as Conscious and Unconscious Collide in the Cosmos; Darkness having never known Light, and Life is the balance we find as they collide, tied in tightly by Time through the rhymes and iambic pentameters, patterns, passion, perception; we find the Power of the Divine is the awareness of one's existence as Everything and/or Nothing at once, As the Reflection of both the inward and outward selves must balance, and harmonize in time, to realize The Difference between Paradise and The Prison of Purgatory, is the illusion of Division between the two Divine Eyes; The strength behind them lights the … Ted, Ted, and Ted's accidental initiation into The Psychonauts began as a result of the friends, originally three Fraternity Brothers and Recent Graduates of UCLA attending festivals consistently together, each using various Mind-Altering substances to attract (“preferably female”) partygoers. Over the course of the series in short (often light and comedic) scenes, where the trio often stumble into reality-shattering situations by sheer coincidence or seemingly random occurrences. But as we later learn about the multilayered world of interdimensional existence, Everything happens for a reason; Nothing is Impossible, Never Say Never, Be Careful what You Wish For-- and, of course-- there are no coincidences. These three seemingly simple-minded creatures begin as “wooks”, Shirtless Party Boys eager to rave. Often [irresponsibly] experimenting with copious amounts of psychedelics, the boys often find themselves unknowingly transported through various wormholes, teleportals, time warps, and Voids created through the music at each festival they attend, sometimes confusedly landing them in alternate parallels and altered dimensions of reality, sometimes even spiraling into three separate dimensions at once, thus creating new points along The Grid, from which the parallels and dimensions are woven together and interconnected through, time, space, circumstance, and choice in any conscious--ultimately (though, most often by dumb luck or happy accidents) expanding the universe, prompting the Ascended Masters to scout Ted, Ted, and Ted as a unified team to be inducted into The Psyconauts, eventually becoming an integral and important Dillon (Theodore) Francis, while working towards an Alliance between the Bampheramphs and Psychonauts uses his bewittingly bestowed middle name to act as an Alternate ‘Ted', or sometimes work jointly as The QuadraSquad, a “pop-up” rave squad which acts as a recruitment team, and on emergency search-and-rescue missions, collecting key components along the collapse and collision of worlds and within the fabric of space, time, and reality. Chak Chel and Dillon Francis put the Teds through a rigorous (and extremely senseless) crash-course in DJing, forming a popular Trio, whose name varies depending on the dimensions in which they will preform, secretly setting tactical bassdrops, emitting coded frequencies to communicate covertly with other entities, opening intentional time warps, portals, and wormholes through their DJ sets. Time holes where the Trio are in two (or sometimes, more, and alternately infinite) places at once are placed as easter eggs throughout the series; In some cases, The Three Teds are even festival attendees at the festivals which in a neighboring reality they are also headlining, even at points transporting their own selves through timespace--whether intentionally, or coincidentally. As the Teds reach the high ranks of The Psychonauts, even eventually (and unwillingly) becoming separated by the obligation of duty, being assigned to separate sanctions of Leadership by skillset as a “draft” is enacted to strengthen their forces, as they prepare for The FInal Battle (actually multiple (infinite) battles occurring concurrently throughout the expanse of reality, even stretching into the outer realms of ‘inexistence' as the collective consciousness grows, reaching Ascension, and allowing certain realities to reach the New Paradigm. Though evolved over time as the series progresses, The Teds maintain their quirky wookness, questionable (sometimes inappropriate) sense of fashion, and hilariously signature fratboy attitudes and antics, reunifying as a powerful Trio once more towards the conclusion of the series, appearing elementally in various ways at most crucial plot points, revealing the creation through all of their endeavors and shenanigans, a brand new universe within The Infinite Multiverse. (“TED”, where everything/everyone is “Ted”, This universe collides with “Everyone's A DJ”, and, as an infinitely expanding and integral part of the universe, appears optically as “TBD” (To Be Determined, Where Cliffhangers, Plot Holes, Continuity Errors and other traditional elements of Theatrical Film are represented throughout the SUPA Saga and overall festival project.) During the Wookness: Ted: Yo, how much for this? (Points To Kandi Cuff) ...How much-what? Ted: How much is it? Like what, $50 bucks? 50 bucks?! Ted: Oh shit, my bad--festival prices, huh? Sorry yo, I got a $50, the rest is big bills. Doyou have an online shop? Are you trying to buy my kandi? You can't *buy* kandi! Ted: Pssshhh! Ted: All I buy is Kandi! You can't sell kandi, you're supposed to trade it.. That's why you make it. Ted: Yeah bro, I've done trades. (Flashback) Raver Girl: Wanna Trade Kandi? Ted: Show Us your Titties! The girl looks to her friend, as if to say “should I?” her friend, wearing dark Ray Bans, and sternly nods her head in approval, her friend shrugs drunkenly as if to say“fuck it, why not?” While the friend swiftly pulls out her iPhone, the other lifts her shirt, flashing the happy Teds, dancing in Fratboy Delight; Ted, standing adjacent to the straight-faced girl in Sunglasses, sneakily scrunches down to get a good picture; their [Tri-Lens] iPhone cameras now directly aligned. face to face, (or rather, eye-to-eye) ((Or, eye-to-eye, rather,)) (((Rather, eye-to-eye,))). snapping his picture, as the flash from her camera blinds him Ted:UH, Yeah you can..They sell it online. Online? Whats--what? SELL? Ted: Fuck yeah dude. Ted: YEEE, KANDI KID 4 LIFE YOU ARE NOT A KANDI--Ki--YOU CAn'T SELL KANDI. Woah, chill. No “chill” no selling Kandi! NO! NO! What Chak Chel's Bedtime Stories Chak Chel, the GOOGLE kids' favorite babysitter, tells stories of infinitely expanding adventures of the multidimensions of timespace -Honey, I Killed Myself. -Honey, I Shrunk The Skrillex -Who Killed Sunni Blu? -Who Killed SupaCree? -The Curious Case of SupaCree -DILLONCEPTION Trapped in an intensely infinite and ever-expanding and/or consistently densening Vividly Lucid Multidimensionally (And Musically) Interconnected Omni-Galactic Eternal Space-Time “Loop”, [DJ] Dillon Francis must frustratingly attempt to multitask through an “apparently unlimited”[ (I TOLD YOU, IN-FIN-ITE. INFINITY.)] battle his Masked nemesis, Key: Brackets [] Director's Notes, Production Details, typically indicating a tie-in with other entries, or crossovers from other consecutively (or, sometimes, alternately) running series in the saga, more frequently as the “Multiverse” expands, or as the (Technical Omniverse, Eventually) in which the series' specific “(U)niverse” ‘collapsing', being progressively stated repeatedly throughout the series to be both compressing, and expanding respectively; However, as the Bill and Ted's Excellent Adventure... Dill and Ted's Excellent Adventure (They cross paths with Bill and Ted, in their search for Two of the missing Teds; Alternately Ted and Ted discover how ‘Three's a Crowd” makes sense, as they happily gallavant frat-tastically through the galaxy, in search of a Sexy Space-Alien Rave Bae (The Amazonian Women from futurama, live action, Saved by the Heroes from futurama) (on) Having ascended into the dimension after her most recent death, SupaCree (not yet known as SupaCree), lands “God”, an Ascended Dimension where she can actually communicate clearly with the Ascended Masters, being closer to ‘God' (her)self, but not directly being able to interact with her; conversely, she can scan the plains of reality from “above”, though later we learn there is no “up” or “down” in “Total Omnipotence”, the post-conscience Infinite Existence Experienced in the Limitless (INFINITE) Energy of Being Everything, Everyone, and Everywhere at once; Simultaneously Nonexistant, Being “Nothing”, “Nobody” and “Nowhere” at once, all represented variously through the concept of infinite multidimentionality, in our “3” dimensional “Uni-Multi-Omni-Versal” (apparently, I've just been told) SupaCree exists in a Tri-Verse, unbeknownst to even God (her)self to its true Origins, the “final(e)” (but not, ever) (e) In a random and nearly collapsed alternate fabric of timespace, where the spelling of the name “Cree” is pronounced the same, but spelled simply “Cre”, (though, specifically equally--”by the exact number of times, actually”--mispronounced”, One of the only similarities between the two, sharing the same planetary alignments and cosmic significance and the same parents--however having been conceived with completely different genetic markers: As a result, this alternate version of herself is physically not “opposite”, but differs in physical appearance drastically--at least, for the most part--as more ideally attractive which to The Original's mind-blowing dissatisfaction, (and, also stagnantly egotistical “Very Satisfied” Satisfaction), But the feeling soon fades when she learns that this reality is on the verge of imminent collapse after the discovery that one subtle, singular synchronicity shared in her actual reality(s)(realities) (which one?) ((Multiple “actual-realities, actually”)) (((Multiple Synchronized Individual Existence Theory, one of the multiple Theories (I) Use to Conceive the (Law) of Evolutionary Infinite Omnipotence, (Everything is Everything/Nothing is Nothing/ God is, as I am/ I am U/All Are One) the aforementioned suggesting the absolute possibility of any circumstance which allows a singular subject with (apparently) “limited” existence, total and complete synchronization at “exact” moment of “Creation”, or “Origin”, and any circumstantially coinciding consecutive synchronizations beyond the limitations eo each respective individual's actual existence or reality.)(Satisfaction, Benny Benassi) (And Apparently, The Biz--because, literally, writing in real-time (What is time) with google. (What's The Biz???) Travelling to 2003, where the event which ties this frail and “practically non-existent” fabric of reality to her own, she eagerly races against the clock (in real time?) ((maybe, unreal time)) (((I am time.))) “I don't believe in time”, later corrected, after being stuck in a Godless world to “The human concept of “time”,/God's not real, or opting to state the phrase more subjectively, “I don't [really}/I kinda don't believe in time,” though as she evolves more rapidly through her progressive Ascension and Elemental Mastery, quickly Surpassing Ascended Mastery as a skilled sorcerer,Visionary Seer, helping her rapidly strengthen the art of Cosmic Alchemy, mastery of (eventually, instant, and respectively infinite manifestation, and matter/antimatter movement and/or manipulation;i.e. The art of Creation. I.E., Do you even know what “i.e' stands for? I'll look it up later, I know what its used for. Look it up. [Googles i.e, clicks on top most commonly searched] I.e. and e.g. are both Latin abbreviations. E.g. stands for exempli gratia and means “for example.” I.e. is the abbreviation for id est and means “in other words.” Remember that E is for example (e.g.) and that I and E are the first letters of in essence, an alternative English translation of i.e. The Original Cree sits perched behind a red (Ugh, red…) ...A red laptop computer; the love light lost from her dark eyes, through the clear lenses of her cheap, brandless (Medicaid.) ...brandless black glasses, narrow framed and unbecoming over the shape of her face, the Album ‘Who Killed Matt Maeson” softly plays a somber song, to which she'd normally--at least, if left alone or rarely, in “comfortable company” (That's, someone you don't necessarily “like”, but still feel comfortable enough to sing around.) The Scientist, in a higher realm, peaking down through her microscope, watches contently, curiously, and concisely, dialing its lens by a couple turns, as she ponders aloud, Hm. Wonder what makes that happen, exactly? That's...huh...Hm. [Her project, a mystery hidden from the audience. She pushes herself back from the desk, reaching for her notebook and jotting quickly her findings, stopping only turn on some [] Music, which blends seamlessly as we fade back into the scene of the drab and unflattering, somewhat “sickeningly” lit, reminiscent of the stagnancy most often observed in a petri dish.] As the song ‘Cringe' begins to play in the background, the clear picture of the laptop screen fades into a blurred obscurity, as her focus shifts sharply to the warm glowing array of colors of her speaker light her otherwise nearly lifeless eyes, as she is Slightly and softly hypnotized into a series of several simultaneous vivid memories; separate and specifically assorted scenes form, as she remembers “everything” quite at once, A vision weaved into her conscious memories, just as seamlessly; A Web Wrapped with the Fragile Fabric of “Time”, the invisible energy of musical frequencies awaken ones senses and sensibilities--invisible, for some...at least. The light on the speaker, a golden tone, as we cascade into the eye mind; A flash to a blurry memory, 2017; A slender and handsome longhaired surfer, resurfaces from submersion under the waves, flipping his long hair back with the graceful and slowmotionly seductive snap of the neck, as the sunlight gleaming a golden glow, in the eye of his admirer. A Flash Of: The Golden Light of the Shining Sun over Santa Monica A Flash, As she Gently Weeps, as the tears leaving her eyes leave (in a flash of scenes) drops onto her jeans, the sidewalk--all the while, A tiny ant carries a giant leaf, as the spider weaves beneath the tree whose leaves leak streams of pretty streaking and speckled, and leaves glassy droplets stuck in the strings of the spider, still weaving; the rain floods the streams into rivers, which bleed, eventually in the ocean, fanning out into the Seven Seas. (pacifically, eventually) Are we reading this, or is this stage direction--production notes? What is this? Who is “we”? WE AVE A whole flashback unfolds: A steamy shower, thick with the smell sweet candles, leaving steam-less spots of mirror in the flickering heat; A seamless and synchronized transition, as the More Cheery and Upbeat Strings, Beat and melody in the previously playing version, fades seemingly into the steam, as ‘Cringe, Stripped” leads us into the memory, where she sings with the heartbreakingly haunting and soulful sadness, the harmony, her voice blending perfectly over the recording as if it were meant to be; The Duality of Grief. Not quite flashing back, but seen as a translucent overlay, another flash; The Seats of a theatre, the scene in black and white, as the stage lights washout, the flickering dremlike scene, the steam so thick we barely see the details of the singing, with the passion that seems to bleed out the ache of her broken, barely beating heart. The song rings out, evolving into what just may be, the beginnings of a remix, as more quick flashes slam back-to-back A flash of: The Scene In The Mercedes A flash of an ambulance, sirens blaring! A flash as the scene of A spider sleeping peacefully beneath a leaf, shielded from the rain, which leaves droplets on the strings, on the opposite side of the same tree; Blissfully unaware of the bird, perched just above lurking or something to eat. Neither the spider, nor the other, or the bird or ant are aware of any one-another, or any other world other besides the tree, the flash of a longshot which we see, is unassumingly and unimpressively, “just a tree” a grey and stormy day; A plane takes off up into the heavy rain, droplets changing shape through the window, looking out as the plane lifts off the ground. The next layer of memories unfold as voiceovers from various quotes, accompanying the song still playing, now beginning to blend with first the stripped version, then the album/studio version, which for a moment, is singularly heard, as the flash of a scene from a more recent memory flashes: The Digital Clock in the Car Reads, 88.1 in red, The volume is low, almost so low that it can't be heard: she stares out the window on a grey and overcast day, eyes lost and pondering--though they light when her finely tuned ears catch the pitch of the song ‘Cringe', as she excitedly turns the volume up eagerly, listening for a moment--a range of joyful surprise in her expressions, happily pushing up the Translucent Pink Frames, sighing with a smile, as she exclaims, “WHAT? THIS SONG IS ON THE RADIO NOW?!” The driver, taken aback but having caught her contagious beam of “happy” I almost forgot about this song. That was a long time ago... “Oh...do you know this song?” I haven't heard it in forever...I forgot it existed. [pause] I can't believe it took that long… “yeah , it's pretty popular. It's like always on.” ...I can't believe this song...daaaaamn...her excitement settles, as she looks back out of the window, at the grey and rainy day. So, that's how long it takes… The blending and fading of the song creates an array of rapidly changing scenes faded, flashing, cut and becoming somehow closer, yet further away at the same time. Colors and shapes, as the sounds that the songs all being played which remain the same, but change, as they create new sound waves; The Three Songs are arranged and rearranged, as are the scenes, pictures, videos, of entertainment stages through the ages, The Festival Culture highlighted in the Inception since The Dawn of Rave, to present day. [Each quote, a voiceover played by an ensemble cast, each made to read any/every line specifically, if unaccompanied by a name.] The Clips and Sound Combine with Colorful Psychedelic and neon in some scenes even in 3D, (ideally, actually, up to 9D) as music, theatre, television, and flashes of memories and scenes of everything, as the shifting screen changes slightly and steadily with the music, now something of an electronic-meets-acoustic symphony (:UNPLUGGED), still cleanly and seamless in the colorful chaos that is everything, though visually intensely overwhelming, a sensory-stimulating synthesis of “Sound That You Can See”[ *go back for quote from song] The Sountrack now taking us on a Journey through sound, (ideally surround sound, even having speakers and subs somehow mounted from the ceiling, pointing down, pointing up from the ground. With Live Theatre Production Experiences combine more elements representative of the 9 Dimensions, by arranging speakers set outside of the theatre itself--perhaps, if in a Live Theatre setting, where the movie is projected onto a screen or skrim on stage, additional screens canbe projected onto the walls of the theatre, creating potential to use the audience interactively, perhaps arranging for actors seated amongst the audience members, interjecting at the intersections of crossing dimensions with both improvised and rehearsed actions, and or carrying out specific tasks as it related to the plot, the audience, even becoming the stage, as the stage is re-arranged; even becoming a mirror image of the theatre, filling with patrons and gazing into the audience, where cast members reflect a multidimensional portrayal, an interpretive alternate reality of what is happening on stage, unseen off stage, while the film still plays somewhere (or even sometimes, nowhere) as light and sound design give the viewer an experience of senselessness and sensory stimulus, Explaining through experience, representations of conditions; Much like a masterful DJ mixes musical elements in a live setting by reading the crowd, The Ideal Live Production of this Film has the ability to Unify the audience through various interactive activities; an energy-based planned, or even sporadic--based on the audience itself, monitored by The Ringmaster, an unseen (cast) Omnipitence, or ‘The Universe” itself, , as we apply the Values of Peace, Love, Unity, and Respect as the Ultra-Fine Line between “Everything” and “Nothing”, in simpler terms: Light and Dark, and finding the balance which allows us, in the “present” to explore and experience The Voids, shattering reality as the Linear plot unravels into a non-linar Uncontrolled Experiement, Allowing for Manuverability within the variables and simulating a Synesthesia-Inspired Simulation of Multidimensional Time and Space Travel, using music as the constant connection; as the finale transforms the theatre in entirety into both a theatrical interpretation of a full-scale music festival--and a real-life miniature dance scene, inviting real-life ravers to fill the space to capacity, as the final scenes of the film unfold as the our present reality Expanding, Ascending, Compressing, and Collapsing All at Once, Explosions and Implosions as Concious and Unconcious Collide in the Cosmos; Darkness having never known Light, and Life is the balance we find as they collide, tied in tightly by Time through the rhymes and iambic pentameters, patterns, passion, perception; we find the Power of the Divine is the awareness of one's existence as Everything and/or Nothing at once, As the Reflection of both the inward and outward selves must balance, and harmonize in time, to realize The Difference between Paradice and The Prison of Purgatory, is the illusion of Division between the two Divine Eyes; The strength behind them lights the … I'm tired. Something about a third eye, right? I don't know. I think they closed mine. Who's “they” I am. “I prefer the gloominess to the sun. I don't know why.” (From, The Beatles, Love: Sun, Sun, Sun…) “‘I told the spider i'd write it!” (A quick clip of spiderman) ‘'Ohh, she spida” Okay, literally what the FUCK is my life. Are you alive? Not even. This doesn't make sense. How much sense is it supposed to make. It is making sense. It's making 6th sense. How did he DO that? Just him? THEY. Oh, shit. I know you're workin for it. Nah, I don't even think that's right? What's right? Something Doesn't Feel Right, I've had enough for one night. Yo, how is this happening? I don't know. They said it was a 9-Dimensional Song. WHAT even IS the 9th Dimension? What are any of the DImensions? I don't know. Google it. I did. And? And I have ADD. I dont know. So, go! GOH.. Aw, FUCK. This is getting weird. It's been weird. How is it, I can quit Skrillex, but Skrillex can't quit me. What? It was just a coincidence. There are no coincidences. How is that song even on the radio. Look what money can do! Money can do anything! I guess taht explains why you can't. it DOES. Do they want me to kill myself? Do you want you to kill yourself? Not really. I'd rather just die of natural causes, so I don'thave to be punished. Are you being punished. I commit suicide, and-- I already told this story. I'm not telling it again. How many times have you really told it. I've been telling it. I've been living it. I'm over it. Youre not over it. You're panicking. I'm writing. Youre fasting. I'm hungry. Why are you fasting? Because nothing makes sense. I have no money, I have no music-- You have music. I have nothing. I'm fucked. There are no coincidences. Don't you think I know? I quit listening to Skrillex, all of a sudden he's on the radio?! Yes. Is he even aware of my existence?! Is he? What the fuck is happening right now. Where's Scary Monsters? In my head. What's the plot? It's...somewhere. You've got to clean up these documents somehow. I don't have the focus. Try crystal meth. No. Try adderall. ...I don't have any money. Try a doctor. I did. I tried over and over and over. For depression. For Anxiety. For ADD. Everything they give me just makes me WORSE. That's hy you NEVER say you're runnin for President. I'm NOT. But you said it. Now you're really fucked. I am. So that's it. That has to be it. They want me dead so I can't run. That's the only way it's going to happen. What's going to happen. Either thing. I'm not running for President. You're not killing yourself. Psh. Watch me. We have been. Who is we. We-YOU. IT doesn't matter. nobody would believe any of it. the whole story sounds made up. How is this supposed to work out? They used Skrillex to get me to kill myself? That's...that's deep. Or…? Or...they used Skrillex to get me to... Get you to…? I don't know. I'm pretty worthless. All I do is...this. And what's this? And who is THIS? That was Chak Chel, I guess. What the fuck did getter DO? What did Getter do? What are they doing? I think the better question is: Why? WHY In-- Who's name? I'm not God. Until you are. And then I'm Avicii. Or Skrillex. Skrillex isn't dead yet. Yet. What the fuck. Don't . I didn't. But you did. Fuck this. Fuck That. Fuck that, too. Wait, does the Roomba say “fuck that” or “fuck you?” It says “Fuck you-fuck you-fuck you-fuck you-” Because it's a vacuum, so it's literally ‘eating shit'. See. Classic. Occult Classic. It is, all in my head. Until it isn't. I already fucked up. I sent a fucking suicide letter to-- A suicide letter. One of hundreds. Yeah. So they know i'm fucked up. Because they didn't know already? How would they know? How would they NOT KNOW? They've been with you all year. That's all in my head. Is it? I mean--Is it? Seems like it. Look at the evidence. I am the evidence. Look at last year--everywhere you went in the rave world, something happened. Lots of somethings happened. Eventually culminating in-- In? Tents. So what the FUCK am I supposed to do. Well, not kill yourself. Then what? Not starve yourself. I'm too fat. But you can lose weight. You can do anything, I can't do anything. You can. Then, I already have. Right. What am I supposed to do? What is this supposed to mean? Maybe it's time for a jump start. I was saving that. You were supposed to blast off at the STRAT and had McDonalds instead. I ordered a Muder-Suicide, with the intention of finishing in Suicide. But? But I went into a food coma. So maybe rather than the enemy, McDonalds is a friend. McDonalds is a friend to no one. Saved your life. Prolonged my life. As it always seems to. Think to the last few times you've ordered the Suicide Meal. It's only been twice. And? Both times I fell asleep before I could do it. So. So there's something in McDonalds that...I don't know. Takes away the ache. It is an ache, isn't it. It is. Now think--you're not the only suicidal person on the planet. No, I'm not. Think harder. I just did. And where did you go? To The Mountain. Where--? Where Tim said-- And how is it that you're on a first name basis with someone you've never met? I'm pretty sure i'm just crazy. Avicii came to you how? Through the music. And Sonny came to you how? ... How? Through the music. What did his mother say? Can I write this? Either someone's reading it, or they aren't. And if they are? Then, what does that make you? Crazy. But they're reading your words. They're just words. What did she say? I know what she said. I don't think I can write it. This is why The Untold Prophecy Remains Untold. This is all ridiculous. Isn't it. Whose birthday is it? Mine. Happy Birthday. Thanks. How old are you? I remember someone asked that... Who? What did Getter Do? Just Getter? What...does Pasqualle Do? Just Pasqualle? ...What do I... What are you? I don't know. Did you ever? Would You Ever? I can't help it. What can you help? I don't know. Why me? Y-U, Y-U, Y-U-- What was that, anyway? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

In this episode of Cuadros Corner #23 I interview a triple threat who acts, dances and sings. His name is Aaron Matthew Barrera and his bio is as follows: . . . "Aaron Matthew Barrera is an RGV native. He has a passion for telling stories along with talented individuals on stage or on screen. Most of his credits come from Live Theatre. He loves long walks on the beach, live music, and the occasional open mic. One of his secret hobbies is tap dancing, he's not any good at it but he thinks he's alright. He is very grateful for such a supportive family, and honored to be a part of the creative community in the RGV." . . . Thank you so much for coming to the podcast Aaron and wish you the best of luck in all your future endeavors. . . . Follow Aaron on his Instagram: . . . https://www.instagram.com/aaron_m_barrera/?igshid=OGQ5ZDc2ODk2ZA%3D%3D . . . Listen to Aaron's music on youtube: . . . https://www.youtube.com/playlist?list=PLVjrMTTk24bmirrDIRMn6ciykTUs3XexV . . . Thank you to our sponsor Backdoor Modern Vintage - you can find them on instagram below: . . . https://www.instagram.com/backdoor_modernvintage/ . . . and on Facebook too: . . . https://www.facebook.com/backdooratbugambilias . . . Thank you for listening and watching Cuadros Corner, please click the link below if you would like to support: . . . https://linktr.ee/storystormaker . . . #actor #dance #singer --- Support this podcast: https://podcasters.spotify.com/pod/show/cuadroscorner/support

Oliver Berger is an Emmy Award winning Puppeteer, Creative Producer, Improvisor and fellow brave soul who has spent the last 3 years keeping sets safe from the virus we shall not mention, originally from Beverly Hills California (yes, that one) where movies and TV were his best and worst Sex Ed teachers. You can find Oliver on Instagram and everywhere else at @oliverberger Hey, did you like this episode? Sweet! Like, Subscribe and tell your friends. Submit a Sex Ed Pop Quiz question with a 5 star review and I'll give you a shout out! Follow Arielle on Instagram at @birdsandbeesdontfck and  @ArielleZadok Like to watch? Check out the video version of this podcast on YouTube!

Hello and welcome to a special summer bonus episode of YXE Underground. My name is Eric Anderson and I hope you are having a wonderful summer so far. I spent the first two weeks of July on a trip to Scandinavia with my Dad and had a really great time there. We spent time in Norway, specifically Oslo and a city called Narvik within the Arctic Circle, which was pretty crazy to experience as the sun just doesn't really go down at all. We would go to bed around 1 am and it was like 7pm here in Saskatoon, so that was pretty neat to see. The reason for our trip was to learn more about my Grandpa Anderson's experiences as a member of the Norwegian Resistance in WWII and we really learned a lot. I posted a little bit about it on the YXE Underground social media channels but I did some audio recording during our trip and fingers crossed I'm going to be doing a radio documentary for CBC Radio about our time in Norway and my Grandpa's experiences.I am also excited to be back in Saskatoon and to be talking about the Saskatoon Fringe Festival! It's one of my favourite times of the year here in the city. There's great live theatre to take in, there's wonderful local vendors to check out, the buskers are great and if you have kids well there's so much to do!The Saskatoon Fringe Festival is put on by Saskatoon's 25th Street Theatre. It starts on August 3rd and goes to August 12th. There's so much going on in the festival, including a return to Broadway Avenue on August 5th and 6th, that I felt it warranted a summer bonus episode with one of my favourite people in the world, Anita Smith. Anita is the Artistic and Executive Director for 25th Street Theatre and is basically thinking about the Fringe Festival 365 days a year. When I met up with her last week and asked if she was getting any sleep as the festival was getting closer, she told me she was actually dreaming of the Fringe Festival. That's how much Anita Smith cares about putting on a fantastic Fringe Festival for us here in Saskatoon!Now, before we get to our conversation, I quickly want to mention that Season 6 of YXE Underground will drop on September 14th and I am so excited for this upcoming season! I am going to try some new things this season with more episodes and more online promotion that I am eager for you to hear and see and I have some great new merchandise not only for people but for our four-legged friends as well! I'll share more details as we get closer to September but thank you so much for all of your support and spreading the word on all things YXE Underground.Have a wonderful time at the Fringe Festival and best of luck to Anita as she attempts to see all 18 plays during the festival!  I started by asking Anita how she was feeling a few days before the festival kicks off. 

Join us for a riveting dive into the rich history of America's oldest operating theatre, the Pasadena Playhouse. We sit down with the Playhouse's artistic director, Danny Feldman, who shares his fascinating journey from an aspiring pianist to a successful theatre producer, including a thrilling stint with the Pussycat Dolls. We peel back the layers of the Playhouse's architectural beauty and its transformation into an emblem of inclusivity in theatre. Danny gives us a backstage pass into the revival of the much-loved Little Shop of Horrors. Hear about the Playhouse's landmark moment - the 2023 Regional Theatre Tony Award, and how it's shaping their future.We also explore the Playhouse's youth programs, featuring a groundbreaking production of Into the Woods that beautifully blurs the lines between high school and professional theatre. Danny shares his insights on the pandemic's impact on youth and theatre's therapeutic potential. So, tune in for an eye-opening journey into the world of theatre with Danny Feldman - it's a performance you don't want to miss!Support the showIf you liked this episode, don't forget to subscribe to this podcast and leave us a review. Share your thoughts with us on this episode below:On Instagram: @halfhourpodcastOn TikTok: @halfhourpodcastOn our website: www.twoworldsentertainmentllc.com

Elkhart County is a place where quality craftsmanship, innovation and collaboration result in a well crafted life. With an appreciation for all things handmade and homegrown, we leave our mark on everything we hold. Elkhart County is Well Crafted. We kick off this episode with Dave and Brock from the Elkhart Civic Theatre, located at the beautiful Bristol Opera House.  Dave and Brock share a bit about The Prom, which is the last show remaining in the 2022-2023 season. But don't fret because they share ALL the excitement about the upcoming 2023-2024 season which includes Sweeney Todd, Finding Nemo, Jr., Clue, a ECT original Well Crafted radio play and so much more! We also talk about The Michael Cripe Studio, the Elkhart Civic Theatre's annual two-week day camps for area youth. Designed for children from 8 to 18 years of age, the Storytellers' Theatre camp and the Musical Theatre Fast-track camp at the Bristol Opera House offer many students their first experiences on stage in a close, friendly learning environment. Then we wrap up with Jim and Amanda from the Boys and Girls Clubs of Elkhart County.  They share information on one of their FUNdraisers, BBQ & Brew Fest. This family-friendly event happens August 5 at the Elkhart County 4-H Fairgrounds in Goshen and features live music, a kids zone, ax throwing, movie on the big screen and of course mouth-watering burgers and brews! Subscribe to get notifications of new episodes of the People and Places  along the Heritage Trail in Elkhart County, Indiana podcast because this year is filled with fun and exciting things to see, do, experience and explore in Elkhart County!

Rebecca and Shannon are so excited to chat with two founders (and the first baby guest on the podcast) of the Great Falls Theatre Company! This newly formed group is gearing up for their first production: Oklahoma! Learn about live theatre and the deep bench of talent in Great Falls. Tickets to Oklahoma: https://tickets.shovation.com/eventperformances.asp?evt=891 University of Providence TheaterThursday, July 13th, 2023 at 7:30 pm Friday, July 14th, 2023 at 7:30pm Saturday, July 15th, 2023 at 7:30 pm Thursday, July 20th, 2023 at 7:30 pm Friday, July 21st, 2023 at 7:30 pm Saturday, July 22nd, 2023 at 7:30 pm Great Falls Theatre Company: https://www.greatfallstheatre.com/

Samantha Jane is a Writer, Comedian, Host of Comedy A Go-Go, A Play Party Manager and the Only Fans girl of your dreams originally from Hillsdale, NY and West Palm Beach Florida where, quite honestly, everything was fucked (think, Euphoria)! You can find Samantha on Instagram and Twitter at @samsweets and of course her Only Fans at @onleesams If you'd like to know more about the play party we mentioned, check out Lovely Fate.    Hey, didja like this episode? Sweet! Like, Subscribe and tell your friends. Submit a Sex Ed Pop Quiz question with a 5 star review and I'll give you a shout out! Follow Arielle on Instagram at @ArielleZadok Like to watch? Check out the video version of this podcast on YouTube!

If you're looking for a unique night out in Fort Myers, Florida, then be sure to check out one of the city's newest professional theaters - Players Circle Theater (PCT). The Players Circle Theater is a modern, intimate theater that offers engaging entertainment for all. The theater is run by husband and wife team Robert and Carrie Cacioppo, and is newly located in the Heart of the McGregor Corridor. Next to SPADA, First Watch, Golden Rind, Norman Love & Melting Pot. It was formerly located at The Shell Factory in North Fort Myers, and that's the location where our very own Travel Brat Natalie has performed in over 10 shows in the last 4 years. The theater has been called “the hidden gem of Southwest Florida” for its innovative programming and commitment to quality arts. Players Circle Theater hosts a variety of theatrical productions and events throughout the year. From musicals and concerts and comedies to dramas and farces, you can find a show for everyone. Shows are put on from October to May each year, with a few months off during the summertime.If you're looking for a great night out in Fort Myers, Players Circle Theater offers a wonderful experience for all ages. Its cozy atmosphere and affordable prices make Players Circle Theater a great place to enjoy a night of incredible performances and entertainment. So why not grab a seat at the Players Circle Theater and come and explore the hidden gem of Southwest Florida! 

Welcome back to another episode of Smoke & Mirrors! We're bringing you our thoughts on the latest shows and movies we're watching!Listen in as we break down:The IdolThe Clearing Across The SpiderverseDemon SlayerMashleHells ParadiseGoodJoin us on LIVE Sunday for all the news!Check us out on our socials:Twitter - @SmokeNMirrorsOzFacebook - @smokeandmirrorspodcastInstagram - smoke_mirrorspodcastTikTok - @smokeandmirrorspodcastTwitch - SmokeAndMirrorsPodcastDon't forget to leave a review and refer a friend!Join us Live on YouTube weekly:https://youtube.com/channel/UC217G9nQKVZaNwsPRU82_ywDon't forget to like and subscribe!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4672347/advertisement

What a show we have tonight!! We have real admiration for Artistic Talent AND we also like Wine! Well tonight we have a PRO in both fields! Annie Edgerton has spent over twenty years in the wine business, performing wine appraisals for hundreds of clients, assisting with wine auctions, and combining her effervescent nature as a performer with her wine expertise as a host of various wine programs. Yes, she is an Actor as well! She has performed in Broadway productions of "Kinky Boots" and "Mama Mia", had recurring roles in "Pretty little liars", "City on a hill" and "Party Girl" just to name a few. All of this while starring in dozens of other off Broadway shows such as "Elf", "King Lear" and "Legally Blonde"…oh and did I mention that she has also performed the National Anthem for 28 MLB teams and she speaks 9 languages!…its hard to believe that this is really just one person. We were thrilled to have her on the show, we talked about her Sophies choice between Wine and Live Theatre, the fertile ground of "Bean soup", she shares her opinion on people who perform improv, the historical significance of the Hampton Playhouse, the undeniable power of Karaoke, the best Live Music concert(s) she has ever seen, she graciously provides her mount Rushmore of wine, which two MLB ball parks are playing hard to get (their loss!), the art of spotting Fake Wine, the opulence of Mad Dog 20/20, her current "go to" glass of wine, she generously provides a Cheat Sheet for finding a good bottle (great advice) and she reveals her Deserted island Broadway Show among many other very important topics! Check her out at annieedgerton.com and on instagram @wineminxannie thank you so much for coming on the show and we hope you enjoyed the conversation as much as we did! #wineminx, #hamptonplayhouse, #maddog2020, #Sting, #MLB, #portsmouth, #karaoke, #Hamilton, #wine, #Elf, #broadway

In the second episode of our Creative Nonfiction Film podcast season, Sophie Fiennes discusses The Four Quartets and how she approaches documenting live performance on screen. In The Four Quartets, she captures the stage play of the same name, directed by and starring her brother, actor Ralph Fiennes. For the production, Ralph Fiennes adapted the T.S. Eliot poem for the stage — which was never originally intended to be performed that way — and then toured this production around the UK in 2021. Sophie Fiennes's film of The Four Quartets is neither live capture nor a full adaptation of the play. Instead, Fiennes remarkably documents the theatre production on screen, maintaining all the original lighting and blocking. Her choices of framing and camera movement really puts us in the black box theatre with Ralph Fiennes. Unlike most recorded theatre, where there is a constant sense of information loss, Sophie Fiennes gives us a sense of the theatrical space so we get a better sense of what we're missing when we're missing it. It's built into Sophie Fiennes's direction. Sophie Fiennes discusses Ralph Fiennes's production, the challenges of documenting the play on screen, and how working with Declan Donnellan of Cheek by Jowl just before she shot The Four Quartets changed how she thinks about acting and theatre. Click here to read the episode show notes. The show notes also include excerpts from Sophie Fiennes's director's script. You will also find an AI-generated transcript in the show notes. Useful links Read T.S. Eliot's The Four Quartets Listen to Cheek by Jowl's Not True But Useful podcast episode on thresholds and space Read our interview with Sophie Fiennes on Grace Jones: Bloodlight and Bami More on creative nonfiction Download a FREE excerpt from Subjective Realities here. Get your copy of the ebook Subjective Realities: The art of creative nonfiction film here. Get your copy of the ebook In their own words: Documentary Masters vol. 1 Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. As a member, you will also be supporting what we do, and helping us cover the (expensive) costs of hosting, running a website, podcast equipment, and more. This helps to ensure we can continue producing the podcast. Related Episodes on creative nonfiction Ep. 99: Creative Nonfiction with Penny Lane and Carol Nguyen Sundance 2023 Ep. 7: Best of the fest + documentaries Fantastic Machine, Is There Anybody Out There, and more Ep. 123: Sundance 2022: Creative Nonfiction Members Only Episodes Ep. 67: Frederick Wiseman's Ex Libris and City Hall  (Members only) Ep. 95: No Ordinary Man and John Ware Reclaimed: Reclaiming history in documentary (Members only) Credits Host Alex Heeney is the Editor-in-Chief of Seventh Row. Find her on Twitter @bwestcineaste. Email us at contact seventh row com. This episode was edited, produced, and recorded by Alex Heeney.

International Theatre Production: A lot happens behind the scenes in live theatre. Without scenery, lighting, props, costumes and more – there's no magic on stage. With a BFA in international theatre production, you'll get behind the magic. We had a GREAT conversation with Ohio Northern Technical Director, Brian Phillips. He educated us on their BFA International Theatre Production, degree. If you have even the smallest interest in working backstage professionally, you'll need to listen to this episode. @onutheatrearts @ohioNorthern A unique program focuses on theatrical design, production and stage management – in the U.S. and internationally. You'll graduate with a solid knowledge of the cultural and practical differences in theatre production, which will prepare you for a wide range of careers in theatre, opera and touring productions. We may be small, but our opportunities are big. In fact, our theatre program rivals what you'd find at a conservatory. Our international theatre production students stage dozens of campus and community productions. They interact with renowned designers, directors, playwrights and choreographers from the U.S. and countries like Scotland, Estonia, Ireland, Mexico and England. They travel each year to the United States Institute of Theatre Technology conference so our students can make contacts with employers and companies from all over the United States. They land incredible internships with theatre companies, and they study abroad. Here, you'll be part of a family. You'll enjoy small class sizes and amazing friendships. Our distinguished professors will bring out the best in you from the moment you arrive on campus until you graduate. They will become personally invested in your success. On campus, you'll study and work in top-notch facilities with the latest equipment. The Freed Center for the Performing Arts includes a 550-seat proscenium theatre, a 132-seat studio theatre, rehearsal rooms, scenic and costume shops, smart classrooms, computer lab and design studio. #OhioNorthernMusicalTheater, #OhioNorthernUniversity #ONU #TheatreTech #InternationalTheatreTech #TheatreProductions #InternationalTheaterProductions #TheaterLife #TheatreBackstage, #StageManager #TechnicalDirector

VIDEO International Theatre Production with ONU: A lot happens behind the scenes in live theatre. Without scenery, lighting, props, costumes and more – there's no magic on stage. With a BFA in international theatre production, you'll get behind the magic. We had a GREAT conversation with Ohio Northern Technical Director, Brian Phillips. He educated us on their BFA International Theatre Production, degree. If you have even the smallest interest in working backstage professionally, you'll need to listen to this episode. @onutheatrearts @ohioNorthern A unique program focuses on theatrical design, production and stage management – in the U.S. and internationally. You'll graduate with a solid knowledge of the cultural and practical differences in theatre production, which will prepare you for a wide range of careers in theatre, opera and touring productions. We may be small, but our opportunities are big. In fact, our theatre program rivals what you'd find at a conservatory. Our international theatre production students stage dozens of campus and community productions. They interact with renowned designers, directors, playwrights and choreographers from the U.S. and countries like Scotland, Estonia, Ireland, Mexico and England. They travel each year to the United States Institute of Theatre Technology conference so our students can make contacts with employers and companies from all over the United States. They land incredible internships with theatre companies, and they study abroad. Here, you'll be part of a family. You'll enjoy small class sizes and amazing friendships. Our distinguished professors will bring out the best in you from the moment you arrive on campus until you graduate. They will become personally invested in your success. On campus, you'll study and work in top-notch facilities with the latest equipment. The Freed Center for the Performing Arts includes a 550-seat proscenium theatre, a 132-seat studio theatre, rehearsal rooms, scenic and costume shops, smart classrooms, computer lab and design studio. #OhioNorthernMusicalTheater, #OhioNorthernUniversity #ONU #TheatreTech #InternationalTheatreTech #TheatreProductions #InternationalTheaterProductions #TheaterLife #TheatreBackstage, #StageManager #TechnicalDirector

What's good about live theatre? We dive in with the cast of Happy Birthday McKenna to find out the backstage happenings, the onstage process, auditioning, rehearsing, how Covid changed everything and what happens when the power goes completely out on show night. McKenna was my first new show in 19 years and to quote the character of Julie, 'We had a time.' So come have a time with us as the curtain rises for this brand new episode.

One of my all-time favorite movies as a child was Anastasia. From the story to the soundtrack, the characters, and the costumes, it was a magical play on what happened to the youngest Romanov daughter, Anastasia. That's why, when I found out the Broadway musical was making its way down to Florida, I jumped at the chance to see it. The musical was playing at Ruth Eckerd Hall in Clearwater, Florida. Ruth Eckerd Hall is a performing arts hall including all sorts of events, from Broadway musicals like Anastasia to comedy shows and concerts for adults and children. With a bar in the front, VIP rooms, and the England Family Musical Garden, Ruth Eckerd Hall is the perfect venue for a date night, a girl's night, or fun for the entire family. When you walk into the hall, there is a full service bar that includes liquor, wine, and local, import and craft beers. If you are hungry, you can grab pizza, a hot dog, popcorn, soft pretzels, candy, chips, a soda, and water at the many concession stands around the hall.The hall even includes Pre-show Party Packages for $29 per person and a Breakfast Brunch Buffet for $25 a person.The staff was so friendly, and one kind lady even spent her evening taking pictures of guests by the spectacular white Christmas tree. Even parking was easy, and there was not too great of a hassle to get out after the show. Some upcoming must-see shows are The Blue Man Group (February 2 -3), Sarah McLachlan (February 26), Riverdance VIP Add-On (January 17 - January 19), Jason Isbell and The 400 Unit (January 20), John Mellencamp (February 13 - February 15), Dancing With The Stars: Live! (February 18), A Carpenters Tribute (March 19), Steve Miller Band (March 23), Johnny Mathis (March 25), TFO: Harry Potter vs. Star Wars (March 19), On Your Feet! (April 7 - April 8), TFO: Spring in Paris (April 12), Postmodern Jukebox (April 15), Styx 2023 Tour with Don Felder (April 17), Cats (April 23), Steve Martin & Martin Short (April 28).All in all, our "Once Upon a December" experience was magical, and we will most definitely be back.

Does live, local theatre still have a place in the modern world? What does it have to offer that the streaming services don't? I'm joined by Tysha Calhoun, who has worn All The Hats at the Gaslight-Baker Theatre in Lockhart, Texas, to address this fundamental question. Follow the show: https://www.facebook.com/communityoftheatre Follow the host: https://twitter.com/DerekSmootz

Today's guests are the epitome of what this podcast is all about: CREATIVE REVOLUTIONARY SUPERSTARS… who are just as hard on themselves as the rest of us! CJ Baran & Benjamin Romans created the show CAGES – an indescribable “genre-busting game changer” (LA Times) that left audiences in awe at its premiere… MYSELF INCLUDED! Masterfully weaving state-of-the-art video and animation with live performance and original songs that pulse with an addictive pop energy, CAGES pulls out all the stops to conjure a rock opera musical for the modern age.  These two creative overachievers wrote the story, the music, directed, and choreographed the piece – CJ even played the lead!  And just like any creative expression, the show started as an itty-bitty baby idea that paid off big time when they decided they would never settle for less than the art they want to see. ← not easy when you are creating a dystopian, B&W gothic world in a live, stage performance! When I invited CJ to the show, he wrote: My entire life has been living in the void between creating art that I believe will move people while also trying to make a living at it. ← perhaps the most Brian Breaks Character thing anyone has ever said! I couldn't be more delighted to share this episode with you: I just know you'll love hearing from these two fiercely committed, honest, and authentic artists who make FUTURE THEATRE.   Thank you for tuning in to this episode of Brian Breaks Character!   If you loved this episode, please subscribe and leave an honest review. Your review helps boost the show and gives us the chance to help more creatives get out of suffering for their art and into action. Be sure to leave your IG handle when you do so I can send a VIP episode to say thank you.   CONNECT WITH BEN Instagram https://www.instagram.com/wondashow   CONNECT WITH CJ Instagram https://www.instagram.com/cjbaran   CAGES Instagram https://www.instagram.com/cagesdtla https://www.instagram.com/cageslondon   Website https://www.cagesdtla.com/ https://cageslondon.com/   Listen to CAGES on Spotify https://open.spotify.com/album/18SyXZVdvGnO7IUixjx2t7?si=mHXblgCYSJaF03C0GtAcBg   Subscribe To The Podcast https://podcasts.apple.com/podcast/id1570747490   Watch The Uncut Behind-the-scenes Video Of This Episode On YouTube: https://www.youtube.com/user/brianpatacca   Need New Representation? Get In On This Free Training: https://makeagentswantyou.com   Follow Me On Instagram For A First-look At Our Guests And Upcoming Episodes! https://www.instagram.com/briansaysthat   Episode Transcript https://brianbreakscharacter.s3.us-west-2.amazonaws.com/Ep.+99+-+CAGES+-+Transcript.pdf

On Today's Episode: Her, Shadow, and Abadon take in some live theatre. Val, Bandagh, and Lilith confront an old foe.From the mind of Alan Way comes Myths of Myria, a fantasy podcast featuring an incredible world brought to life using live-play sessions of Dungeons & Dragons. Dive into the myth and join an ensemble of characters led by Valross, Her, and Shadow as they attempt to uncover the mysteries that surround their lives.New episodes every Tuesday on Apple Podcasts, Spotify, and wherever else you find your podcasts.Myths of Myria is produced and distributed by the L.A.S. Media Network in Cedar Rapids, IA. For more, visit LASMediaNetwork.com.Subscribe to L.A.S.+ for just $10/month and get bonus episodes of this show, ad-free versions of every L.A.S. Show, exclusive benefits at live events, early access to special projects, and much more, all while support local Iowa creators and businesses. For more information and to get started, head to LASMediaNetwork.com/plus.

If you grew up in the 1970s, you cannot help but remember what a splash the movie Jaws made. And if you've ever wondered what happened behind the scenes in the making of that film, Ian Shaw has a new play, "The Shark is Broken," that depicts exactly that. And from the point of view of actor Robert Shaw, who played the crazy shark-hunting Quint. Ian Shaw joins us to talk about his experience co-writing the play, and playing his father in it.See omnystudio.com/listener for privacy information.

This week we return to the LIVE THEATRE™ and discuss the 2019 production of the highly influential Rodgers and Hammerstein show. Angie talks about how this is the one musical she DIDN'T grow up watching and Kaveh reveals Oklahoma's ties to the genesis of this podcast.Get a free 30 day Audible trial by visiting audible.com/SPLAIN or text SPLAIN to 500-500See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Anne Johnstonbrown interviews professional filmmaker and film editor Nathaniel Beaver.Host: Anne Johnstonbrown (Anne (ajbprods.com))Guest: Nathaniel Beaver (Parry-Riposte Films)FILMS:1. "The Mortuary Collection": Available on Blu-Ray/DVD and Apple iTunes: https://itunes.apple.com/bh/movie/the-mortuary-collection/id1539514283-BTS Highlight reel from "the making of" on the Blu-Ray/DVD: https://www.youtube.com/watch?v=Gc1PeHIMWzY2. "We Live": https://vimeo.com/368325852-A parody of the classic Sci-Fi film, "They Live" created for the Hollywood Fringe Festival, stressing the importance of Art and Live Theatre. 3. "Christmas: A Revenge Tale": https://vimeo.com/255838137-A trailer for the holiday bloody action revenge epic short film! 4. "Krampus":  https://vimeo.com/117141155-This short film was based on a one-act play and won Best Film at the 2017 Krampus AP Film Fest in Asbury Park, New Jersey.5. "Hollywood Fringe Forever": https://vimeo.com/352531708-Celebrating 10 years of the theatre festival, this short was an official selection of New Filmmakers LA: On Location 2019 Film Festival.6. "The Lord of the Things": https://vimeo.com/202861152-A parody of a classic scene from Peter Jackson's trilogyVIDEOS:1. LA Chamber Orchestra (LACO) - Summerfest 2020 playlist: https://www.youtube.com/playlist?list=PL9bqqTh6JNr6DyRt9D0eA5kWOHSpVA2j7 -Produced during the pandemic and created to continue sharing music to LACO audiences.2. "To Be A Horizon" https://www.youtube.com/watch?v=7LK6zcF8RCg-Edited during the pandemic and Produced & filmed by LACO musicians3. "Veteran Journeys":https://hss.semel.ucla.edu/veteranjourneys/-A virtual opera based on stories from veterans and their families.4. Hollywood Fringe Festival's "FringeTV": https://www.youtube.com/hollywoodfringe-Coverage through the years of the theatre festival5. KPCC Film Week: Jackie Brown: https://www.youtube.com/watch?v=qad1Khzrdz4-Q&A with Quentin Tarantino at the 20th Anniversary of Jackie Brown.LINKS:-No Film School:  https://nofilmschool.com/bts-advice*This article was written after completing The Mortuary Collection Behind-the-scenes and its release.-Voyage LA 2017 Meet Nathaniel Beaver: http://voyagela.com/interview/meet-nathaniel-beaver-parry-riposte-films-north-hollywoodtoluca-lake/?fbclid=IwAR1COSZif2e-_p-1FgMantwacXqcLJ6td4l6Q2qeUzVwZHIQfeN5RHNRpXw2020 Shoutout LA: Parry-Riposte Films: https://shoutoutla.com/meet-nathaniel-beaver-director-editor/?fbclid=IwAR0BUc3uAuvws-XSm6MRfwKr0SzVCAVvXZ2FYIpT0aHx-LvDO2hS36_W6fM 2021 Nathaniel Beaver's Story: http://voyagela.com/interview/check-nathaniel-beavers-story/PARRY-RIPOSTE FILMS Contact/Socials:Email: info@parry-ripostefilms.comWebsite: https://www.parry-ripostefilms.com/Youtube: https://www.youtube.com/user/parryripostefilmsVimeo: https://vimeo.com/parryripostefilmsFacebook: https://www.facebook.com/ParryRiposteFilms/Instagram: https://www.instagram.com/parryripostefilms/Twitter: https://twitter.com/parryripostefms

Bill Paterson is a founding member of the 7:84 company established by John McGrath, his wife Elizabeth and her brother to create radical, popular theatre. Fusing techniques popularised by Bertolt Brecht with Scottish performance traditions, their best-known play The Cheviot, the Stag, and the Black, Black Oil (1973) explored class struggle, the clearing of the Scottish highlands and the impact of drilling for oil. With energy in the news again, and the resurgence of political theatre on the British stage - Anne McElvoy looks at the writing of John McGrath with Bill Paterson, theatre critic Joyce McMillan and Joe Douglas, who directed a successful revival of the play for the National Theatre of Scotland, Dundee Theatre and Live Theatre which toured Scotland in 2019 and 2020. Producer: Tim Bano BBC Radio 3's Breakfast programme is travelling through Scotland this week. You can listen live or find Petroc's journeys on BBC Sounds. You can find a series of discussions about influential plays, films, books and art collected together as Landmarks on the Free Thinking programme website https://www.bbc.co.uk/programmes/p01jwn44 A blu-ray DVD of The Cheviot, the Stag, and the Black, Black Oil is available.

Kate Maltby is a columnist for The i Paper, theatre critic and senior research associate at Jesus College Cambridge. She spoke about her Jewish heritage, the power and (almost) sacredness of live theatre and of dealing with identity issues. Read the full transcript here: https://www.theosthinktank.co.uk/comment/2022/06/01/kate-maltby-on-her-jewish-heritage-identity-issues-and-the-power-of-live-theatre

Let's talk Ozark, Twitter, and The Last Kingdom

In episode 287, creator of 'The Bone Cage' https://www.linkedin.com/in/corinnadiniro/ (Dr Corinna Di Niro) explains how her immersive theatre piece gives audiences a glimpse into the thoughts, feelings, perceptions and turmoil women experience when living in an abusive relationship. Corinna talks about why she wove immersive technology with live theatre to enhance the impact of the story she shares. Domestic violence is a challenging topic and through her unique approach, Corinna aims to open the discussion, to give audiences an ability to lean in and consider the lived experiences of women locked in violent cycles. ---- Are you considering starting a podcast? At Narrative Marketing, we deliver a full range of podcast production options. Or if you'd like help getting started to produce your own content, I also deliver podcast training programs, https://narrativemarketing.com.au/podcast-production-adelaide/ (more details via this link). ---- The Be The Drop podcast is brought to you by Narrative Marketing, the Brand Storytelling Superheroes! We release new content each week! https://narrativemarketing.com.au/blog/ (READ the blog here) https://podcasts.apple.com/au/podcast/be-drop-communication-that/id1147883761?mt=2 (FOLLOW Be The Drop podcast on Apple Podcasts here) https://open.spotify.com/show/0ts4d1gKHyYmj2kO1zC2iY?si=sIbOb5MQT5y4yO7rYeab9A (FOLLOW Be The Drop on Spotify here) https://www.youtube.com/channel/UCLmn6vUnmpCJ01_WbcJzOYA (SUBSCRIBE on YouTube here) for behind the scenes, bloopers & more. CONNECT with us on https://www.facebook.com/narrativemarketing/?fref=ts (Facebook), follow @be_the_drop on https://www.instagram.com/be_the_drop/ (Instagram) or https://twitter.com/be_the_drop (Twitter). CONTACT US podcast@narrativemarketing.com.au

Jeff and Christian are joined by Level Up marketing director Isaiah, who for the last decade, has been working in the theatre industry. Isaiah shares how the pandemic shut down his theatre and the effects that had on him personally and his company. He has some awesome wisdom to impart through this episode on lacking leadership, connecting with people, and doing what had to be done. --- Support this podcast: https://anchor.fm/firstcupofjoeshow/support

On this fake ass episode Moni and Kat discuss the live local theatrical performance of award winning Broadway show “Dreamgirls”. Stick around as they list the best and worst aspects of the show, from animated audience members, to the actors singing and dancing their faces off!!! In true F.A.B. fashion the ladies veer off course and chat about gospel musicals, Moni's lone “thug tear” during “DreamGirls”, Rick and Morty, and somehow Kat manages a Star Trek reference. Don't be shy, tune in and join the conversation. You don't want to miss this fun. Cheers! KaidyDid Productions @Kaidydidproductions https://www.instagram.com/kaidydidproductions/?hl=en thefabpodcast@gmail.com