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Crime Capsule is happy to introduce you to a new Evergreen Podcasts show, Something About the Beatles, from David Whelan. He was a successful documentary writer and producer in the UK when, as COVID hit, he began looking into the murder of John Lennon, prompted by a podcast interview he heard. What he discovered quickly led him into a four-year investigation, as he talked with witnesses who had never before spoken publicly. About Something About The Beatles All episodes of SATB feature conversations. Sometimes they are with Beatles authorities: writers or academics who've done the research and come up with a thesis. Others are with folks in the business: musicians who were inspired by The Beatles and who've walked the walk – written songs, recorded records, gone on tour. They know the ins and outs of Beatles music. Then there are the Beatle witnesses: folks who knew the individual Beatles well, either by direct family relations (Mike McCartney, Jenny Boyd), working directly for The Beatles (Kevin Harrington, Chris O'Dell, Ken Mansfield, Chris Thomas, Alan Parsons, John Leckie, Tony King, and so forth) or else spending considerable time in their world (journalist Ray Connolly, photographer Ethan Russell, journalist Ivor Davis, photographer Tom Murray, filmmaker Paul Saltzman, Nancy Lee Andrews, May Pang, and so forth). These people come to SATB to share their insights and observations, bringing us that much closer to the world The Beatles created. Learn more about your ad choices. Visit megaphone.fm/adchoices
The MeanGene Show Sunday November 3, 2024 Hour # 2 MeanGene (Host of the Sports Kings) and Jacob Meadows ( Coaches' Quarters Podcast) break down all the games from Sunday Week 9 of the NFL, including the SNF game Colts vs Vikings. We also have Tony King (former Navy Veteran LT Commander) in studio as our Veterans Day guest. Tony shares his thoughts and opinions on the day's action along with his insights on his favorite team (the Pittsburgh Steelers). Jacob provides great commentary on the Houston Texans and the rest of the AFC South. We take a look at the NFL standings as the Chiefs and Lions remain the best 2 teams in the NFL.....
Tony King is a comedian and most recently served as the moderator for a debate held at Shiloh. We speak about his career, and other topics. Hosted on Acast. See acast.com/privacy for more information.
Things were looking up at the Hit Factory in early 1993. Mike Stock and Pete Waterman found themselves in the UK top 5 with back-to-back singles — something that hadn't happened in three years. And the latest of those big hits came from a remake of "The Love I Lost" released by West End featuring Sybil. The story behind the single is an intriguing one, with various mixes and multiple people having input on the track along the way. Significant among those people was Eddie Gordon, who'd spent the previous few years working on major hits for record companies like MCA, Motown and Atlantic. With his background in soul, funk and R&B, he was employed by PWL both to find songs and artists for new imprint Sanctuary Records and to develop his idea to cover "The Love I Lost" as West End (a name he'd used as a pseudonym for various projects). Eddie joins us to talk about the selection of Sybil as vocalist for the single and how he, Tony King and Asha Elfenbein (as AKA) remixed the original production, with their mixes becoming hot property in clubs before the track was reworked yet again for commercial release. He also provides insight into the business of PWL in the early '90s with new sub-labels and imprints. Plus, Sybil returns to the podcast to share her memories of "The Love I Lost" coming together, the elements of the track she insisted be changed and its success.Support the showSubscribe for bonus material at chartbeats.com.au/sawTwitter: @ChartBeatsAU, @MrMattDenbyInstagram: @chartbeatsauFacebook: Chart Beats: A Journey Through PopEmail: chartbeats.au@gmail.com
This week, Domenick sits down with Amateur Field Trial Clubs of America President Tony King, for a wide ranging discussion on AFTCA, how you can get involved in the sport of field trials, and a whole lot more. Be sure to check this one out if you've ever wanted to get involved with pointing dogs!
Tony King, CEO of King & Partners, has been a force in luxury and lifestyle branding for over 25 years. His journey began in the late '90s when he moved from London to New York, eventually landing at Gucci where he pioneered their first e-commerce efforts as Design Director. This innovative approach to digital luxury set the stage for his future success. In 2010, Tony and his wife, Inii, founded King & Partners, which they've since built into a globally recognized agency. Today, they partner with some of the world's most prestigious brands in fashion, hospitality, and lifestyle. In this episode, we dive into the evolution of luxury branding in the digital age. Tony shares insights on maintaining brand integrity while embracing innovation, drawing from his wealth of experience working with high-end brands. As we explore the delicate balance between tradition and digital transformation, Tony's perspective offers a fresh take on what it means to be a luxury brand in 2024. Key topics include: - Embracing "Quiet Confidence" and Authenticity in Luxury Branding - Pioneering Digital Transformation in the Luxury Sector - Maintaining Brand Integrity Across Multiple Channels - Prioritizing Long-Term Brand Equity Over Short-Term Gains
Re-Boot of Show #31 for the Holiday: The "Laughs" TV show starring Frank Prinzi & Tim Bedore originally aired in 1988. This audio version includes these two Headliners and a Comedy set by Phil Bauman, doing a little comedy Rap. Also, there is a drop in piece with "Tony King", done by Carlos Alazraqui and Bob Stobener. Great 1/2 hour of entertainment...Enjoy!Support the Show.Standup Comedy Podcast Network.co www.StandupComedyPodcastNetwork.comFree APP on all Apple & Android phones....check it out, podcast, jokes, blogs, and More!For short-form standup comedy sets, listen to: "Comedy Appeteasers" , available on all platforms.New YouTube site: https://www.youtube.com/@standupcomedyyourhostandmc/videosVideos of comics live on stage from back in the day.Please Write a Review: in-depth walk-through for leaving a review.Interested in Standup Comedy? Check out my books on Amazon..."20 Questions Answered about Being a Standup Comic""Be a Standup Comic...or just look like one"
#614: Agent Attraction with Tony King - Expert Mentors Live In this engaging episode, John Kitchens hosts Tony King, who shares his inspiring journey from a military career to becoming a successful real estate agent. The discussion focuses on Tony's achievements with investment properties, the importance of agent attraction for business growth, and effective strategies for agent onboarding and follow-up. This episode is full of practical advice and inspiring stories, making it perfect for real estate agents looking to grow their business. The episode begins with an introduction to Tony King by John Kitchens. They discuss the impressive office of Cindy Featherstone Shields before diving into Tony's background. Tony shares his journey from serving in the military to entering the real estate world. His transition was inspired by reading the book "Rich Dad, Poor Dad," which motivated him to explore investment properties and eventually become a top agent. Tony's real estate journey is both fascinating and educational. After leaving the military, he found quick success with investment properties, which set the stage for his real estate career. Tony talks about his experiences with well-known real estate companies like RE/MAX and Redfin, and how these roles led him to his current position at EXP Realty. The discussion then shifts to the importance of agent attraction for business growth. Tony and John explain the concept of the transaction treadmill, highlighting the need for real estate agents to have multiple income streams. They introduce the ESBI model (Employee, Self-Employed, Business Owner, and Investor), explaining its relevance to real estate agents who want to grow their business beyond just transactions. Tony shares several effective strategies for attracting new agents. They discuss the differences between direct and indirect methods of agent attraction, emphasizing the importance of building relationships and showing genuine interest in others. Tony provides useful scripts and prompts that agents can use to start conversations about joining EXP Realty. Onboarding and follow-up are crucial steps in integrating new agents into the team. Tony outlines the steps for successful onboarding, recommending daily contact with new agents for the first two weeks to ensure a smooth transition. He also highlights the importance of making a list of known agents and prioritizing high performers for recruitment. Several action items are suggested to help agents implement these strategies. John Kitchens will share Tony King's story and background with the Honey Badger Nation to inspire and educate other agents. Additionally, John will connect agents with Tony King to discuss growth and attraction strategies in more detail. In summary, this episode provides a wealth of practical tips and strategies for real estate agents looking to attract and onboard new agents effectively. Tony King's journey from the military to real estate is both inspiring and instructional, offering valuable insights into achieving success in the industry. By focusing on building relationships, using effective scripts, and maintaining consistent follow-up, agents can significantly grow their business. Tune in to hear Tony King's remarkable story and learn how to attract and integrate new agents into your team. Don't miss out on these valuable insights and actionable advice that can help you succeed in the competitive world of real estate! WHAT CAN HELP YOU? We have created a brand new training, "7Figure Blueprint" that shows how to grow to 7 figures without the chaos and overwork. In this training, you'll uncover the three biggest myths limiting your growth, learn sustainable strategies for long-term success, and be introduced to a proven system that fast-tracks your transition from agent to CEO. Feel free to dive in: https://7FigureBP.com/ Let's make it happen!
There was no denying the popularity of rave and techno in the UK in 1991, and Stock and Waterman went all clubby as the year drew to a close — with help from some key collaborators. DJs Paul Taylor and Danny Bennett (aka Danny Hibrid) from Angels nightclub visited PWL to work with Tony King on remixing Kylie Minogue album track "I Guess I Like It Like That". The result: a completely new single, "Keep On Pumpin' It", which came out in its own right. Paul and Tony tell the story of this club classic, which was issued to clubs as a white label ahead of its commercial release. Meanwhile, the unlikely pairing of Malcolm McLaren and Alison Limerick were brought together to work with SW on "Magic's Back", the theme song to Malcolm's documentary, The Ghosts Of Oxford Street. Alison talks about the project and her own run of '90s club classics, like "Where Love Lives", "Make It On My Own" and "Time Of Our Lives". And, as we commence our journey into 1992, the third single from Let's Get To It was Kylie's remake of "Give Me Just A Little More Time", which was backed by rave-inspired B-side "Do You Dare". Support the Show.Subscribe for bonus material at chartbeats.com.au/sawTwitter: @ChartBeatsAU, @MrMattDenbyInstagram: @chartbeatsauFacebook: Chart Beats: A Journey Through PopEmail: chartbeats.au@gmail.com
Welcome to Monday Night Talk podcast for May 13, 2024! Guests and topics for this podcast includes the Community Corner with Brockton Mayor Bob Sullivan, who provides details on the city's ARPA projects and the upcoming unveiling of a Marvelous Marvin Hagler statue. Patricia Smith, with the School Nurse Regional Consultant for the Metro West Region, and Carilyn Rains, the Director of School Health Services for Plymouth Public Schools talk about the ‘Change A Life, Be A School Nurse' recruitment campaign. State Representative candidate Tony King shares insight on his campaign for the 7th Norfolk District seat. Whitman Fire Chief Tim Clancy & Brockton Fire Chief Brian Nardelli talk about the latest news regarding Brockton Hospital and share details on their recent trip to Washington DC. Do you have a topic for a future show or info on an upcoming community event? Email us at mondaynighttalk@gmail.com. If you're a fan of the show and enjoy our segments, you can either download your favorite segment from this site or subscribe to our podcasts through iTunes & Spotify today! Monday Night Talk with Kevin Tocci, Copyright © 2024.
They were the pop stars that changed everything for the Hit Factory — and in this episode we discuss pivotal singles for Jason Donovan and Kylie Minogue. In Jason's case, his remake of "Happy Together" was his final single with PWL, as he made the leap to musical theatre and a new record label. The cover version was also the first Stock and Waterman production, with Matt Aitken now out of the picture. Jason joins us for one last time to discuss the parting of ways with PWL, his third studio album, All Around The World, and how his career has developed until the present day. As for Kylie, she kicked off her fourth studio album with new jack swing single "Word Is Out" and its controversial music video. Terry Blamey, Mike Stock, Julian Gingell and Pete Day all share their memories of the Let's Get To It era of Kylie's career, while remixer Tony King talks about his Summer Breeze remix, which was released as the official single version in Australia.Support the Show.Subscribe for bonus material at chartbeats.com.au/sawTwitter: @ChartBeatsAU, @MrMattDenbyInstagram: @chartbeatsauFacebook: Chart Beats: A Journey Through PopEmail: chartbeats.au@gmail.com
To mark the third anniversary of A Journey Through Stock Aitken Waterman, former PWL remixer Tony King joins us to share his story of going from Phil Harding's assistant to being responsible for a Billboard Hot 100 smash hit thanks to his remix of "Don't Make Me Over" by Sybil. Tony recounts the "weird" way he landed a job at PWL and how his first task was to remix "Packjammed (With The Party Posse)" by Stock Aitken Waterman — in a matter of hours. He also talks about some of his early remixes on tracks by Kylie Minogue and The Reynolds Girls. We follow Tony's journey into the '90s and how crucial his partnership with Asha Elfenbein was to the development of his remix ability. He also weighs in on the changes at PWL in the '90s, including the departure of Matt Aitken and the proliferation of dance sub-labels and European licensing deals.Support the Show.Subscribe for bonus material at chartbeats.com.au/sawTwitter: @ChartBeatsAU, @MrMattDenbyInstagram: @chartbeatsauFacebook: Chart Beats: A Journey Through PopEmail: chartbeats.au@gmail.com
Listen to Part 1 of this conversation via the link below. After over 30 years of a career in Rock n Roll Photography including touring with the Rolling Stones three times amongst others, British born photographer TONY MOTT is one of a kind. He's photographed Nicole Kidman, Bob Dylan and Fleetwood Mac… and even took some snaps of our host Bradley McCaw. Listen to Part 1 of this conversation hereWatch video of this episodeFollow the RC Music PlaylistCheck out Tony's photosFollow Brad everywhere @bradleymccawofficialBrought to by True Arts Podcast NetworkThis interview was originally recorded in late 2021. Created, produced, hosted & engineered by Bradley McCaw.Original sound design by Matt Erskine at Crosspoint SolutionsOriginal Video designed by Adam Shaw at Axis Productions Theme composed by James RyanAbout Tony Mott:After over 30 years of a career in Rock n Roll Photography including touring with the Rolling Stones three times amongst others, Tony decided to branch out into Film and TV Stills Photography commencing in 2005 with the feature, Suburban Mayhem.Tony has worked on numerous features and television series since and has become a sought after photographer in the field.A 30 year retrospective of Tony's work “What A Life” is currently touring Australia after opening at the State Library of NSW in Sydney .Tony lives in Sydney with his wife Libby and two children Harvey and Lucinda Mott and his cat “kitten caboodle”.Except from Tony Mott's website: Trainspotting… travel around the world… life as a Chef on the high seas, a passion for music and few photos along the way. Welcome to Tony's Mott's story – so far.I was born in April, 1956, (that makes me sort of old) and raised in Sheffield, England, quite normally by mum and dad, Mary and Brian Moulds. I was trained as a chef at Sheffield Polytechnic and in 1976 I left England, arriving in Australia for the first time. Using my training I worked in Sydney at the Opera House and the Gazebo before helping a friend open a restaurant in Armidale, New South Wales, called The Blackboard Menu, but I had to leave after six months because I only had a limited working visa. It was at this point that I realised I wanted to live in Australia permanently. I returned to England with the intention of securing a permanent visa, which didn't eventuate. Refusing to allow a little thing like a visa to stand in the way of escaping the UK, I managed to get a job on the SS Oriana as a chef, a wonderful job that lasted two years and took me to over 60 countries as diverse and interesting as Puerto Rico, Egypt, Panama, India, the Caribbean Islands, all around the Mediterranean, Nordkapp (where the sun never goes down and all its inhabitants are bonkers) and elsewhere. It was during this time I developed a strong sense of wanderlust, an affliction which has taken me to India seven times and helped me traverse the Himalayas on a number of occasions. In fact, to celebrate my 40th birthday I had to make a choice between getting pissed in Redfern or walking the Annapurna Circuit with my best friend, I chose the latter.Eventually my job on the ship came to an end and brought me back to Australia and in 1981 I finally managed to settle here permanently. I got my old job back at the Gazebo Hotel in King Cross, which, as it turns out was a perfect location to embark on the next stage of my life.I've often thought about my penchant for travel and trainspotting (that's a whole other story right there!) and always go back to my childhood in Sheffield. When I was about eight or nine years old my mum and dad used to visit the local pubs, including one called the Castle Inn. My sister and I used to sit on the wall outside with our crisps and fizzy pop watching the trains go by. From this point we could see the trains disappear into a tunnel and I always wanted to know what was on the other side of that tunnel. Eventually I got to the other side of the tunnel and just kept on going!! Finally I got to and settled in Sydney.In the early 1980s Sydney had a brilliant live music scene. Every night of the week you could see any number of excellent bands at any number of excellent venues, right across the city. Working as a chef meant I usually finished work around midnight, not a bad situation for somebody like me who loved music. I'd leave work and hop into any given venue. On Monday nights I used to go to the Piccadilly Hotel in the Cross to see the Divinyls play. They had a residency at the venue and at this stage they were unsigned and largely unknown. Singer Chrissy Amphlett didn't do a lot in those days. The stage persona she later became famous for was non-existent but, suddenly it seemed, she became a loony on stage wearing the schoolgirl uniform and gyrating about.During my days sailing the seven seas I'd developed a strong desire to document photographically the amazing places I saw. So every Monday night after work at the Gazebo I used to hone my fledgling skills by snapping away at the Divinyls. A lot of crap shots were taken but after four months the band's manager, Vince Lovegrove, who'd obviously seen me shooting away, asked to see the shots, one of which he chose and used as a tour poster. I was well chuffed! To top it off he paid me 20 bucks – my first foray into professional photography.I was very green in those days, typified when Vince told me that my name was on the door for the band's next gig. I had no idea what this expression meant and for the next two months I continued to pay my way into their shows. One night he saw me and said, “You know your name's on the door, don't you?” Not wishing to appear unsophisticated, I replied, “Yeah, I know. Isn't that great,” thinking that somewhere – perhaps the band's rehearsal studio – there was a door on which they'd written my name as a mark of respect. Just shows you how much I had to learn about the music industry.By 1983 the Divinyls tour poster had had a snowball effect on my career and before long other bands were asking me to shoot their gigs. One day I walked into the offices of the free paper On The Street, then in its infancy and long before the term street press had ever been coined. I started getting work through the paper.About a week before I went to “On The Street”, Margaret Cott, now publisher of “The Drum Media”, had just started as a layout girl and so began a professional relationship with her which lasts to this day. Within a year Margaret had become editor and I was photographing anything that moved, anywhere, anytime. All this and I was still working full-time at the Gazebo.It was 1985 and for a short period of time during that year I got married. My wife was Swedish (and to my knowledge still is) but I won't go into the topic any further other than to say she now lives in Sweden and I still live in Sydney. Anyway, she had suggested I head back to England and so I did, and with my few contacts in the industry I spent the summer of 1986 drinking a lot and generally having a good time going to music festivals. I went to Reading, Milton Keynes and so on, seeing tons of bands. I haven't managed to work out how to this day, but I managed to photograph Queen at Knebworth, which was a hell of an experience. I also went to Paris and New York that summer, purely as a drunken wanderlust thing as opposed to seriously pursuing anything professionally.When I got back to Australia, Mick Jagger was touring to promote his first solo album. While I was away, and unbeknownst to me, Jagger's manager, Tony King had been trying to track me down wanting to hire me as Jagger's tour photographer. To this day I have no idea who recommended me for the job but I'm extremely grateful. Eventually I made contact with Tony King and as it turned out they were not happy with whoever it was they had hired instead of me. By this stage the tour was in Melbourne so I went down and met Tony in his hotel room. I don't think I would be giving anything away when I say that Tony King is what you would describe as an effervescent gay man and when I met him he enthusiastically expounded the virtues of Sydney. “Oh I love Sydney,” he said, “so many sailors in the one city.” I thought, what have I got to do to get this gig? Tony King, it should be pointed out, is a lovely man and I have always gotten on extremely well with him on a professional basis. But that was the start of my relationship with Mick Jagger and eventually the Rolling Stones. It was an enormous break which has resulted in me touring with the Stones three times. As I've said, I have no idea how I got the gig because I was only reasonably well-known as a live photographer in Sydney at that point. And to think I nearly missed out because I was getting legless overseas!!To illustrate how absurd the music industry can be at times, at the end of tour party I could hear people behind me talking about the tour photographer and how “he's just come back from working in London, Paris and New York, don't you know”. I suddenly realised they were talking about me! Little did they know I was basically having a good time in these places and not doing the glamorous jobs they imagined.As a consequence of the Jagger gig I toured in the same year with Bob Dylan and Fleetwood Mac. I wasn't any better as a photographer but once I had gigs of that calibre in my CV I looked so much better. That period was the beginning of my first break.It was 1988 and with these three enormous gigs under my belt I was going out at least five nights a week just to see bands. I'd worked out by now what having my name on the door actually meant so I was saving myself a small fortune. The Sydney scene during this time was fertile. There were great bands in great venues happening every night of the week; a favourable environment in which to grow as a rock'n'roll photographer.More breaks came my way in the early 1990s. I did a book called Still Noise with four other photographers, the album cover photography for Tommy Emmanuel's Dare To Be Different and the Beasts of Bourbon's Black Milk. It was all moving along quite nicely in a relatively short period of time. I'm proud of both those album covers because they're so radically different. Tommy Emmanuel's album was so obviously mainstream and commercial while the Beasts of Bourbon was very inner city and independent, and that's one of the things I love about working in the music industry – one minute you can be working with somebody like Lucinda Williams and the next minute working with the likes of Slipknot. They're vastly different performers with vastly different personalities to be captured through the lens. But I digress.I guess the next major event that boosted my career was the start of the Big Day Out in 1992. In the late 80s and early 90s I'd been regularly heading over to Europe and the US every couple of years to check out the summer music festivals. I really couldn't understand why Australia didn't have its own version of the UK's Reading or Glastonbury festivals. Being staged in the UK, when those festivals take place, it's an added bonus when it doesn't rain, so why, with our weather and talented bands, why should we miss out??Enter Ken West. Obviously Ken had been to these festivals, too, and had some thoughts about doing an Australian festival, and so began the Big Day Out. He's now one of the most respected promoters in the country and the Big Day Out is highly regarded both here and overseas. It became very successful very quickly and in the space of four years was at the same level as the festivals in the UK. So the Big Day Out was a valuable break for me. Every year I go on the road with the Big Day Out as it tours around Australia. This means I get to build a rapport with the bands I shoot, which is a luxury not often afforded a photographer.It's always easier to work with people who you feel relaxed with and vice versa. I don't work like a fashion photographer – I've never treated a musician as a model. A lot of photographers do because they presume there's a lot of glamour involved. Musicians are not thespians and they're not models so you need to build a rapport with them. Musicians can often feel uncomfortable in front of the camera, so relaxing them is an imperative. Obviously I'm referring to session work here. Live is a completely different kettle of fish. The disadvantage of doing sessions is that the artist is doing something that doesn't come naturally to them. The advantage is that you as the photographer have complete control over the environment, things like lighting. The difficulty is getting the artist comfortable. The live situation is the opposite, the artist is in their natural environment but the photographer is not, you have no control over the lighting and so on. The quality of your shots is reliant on the lighting guy and the movement of the artist.Eye contact is vital in photography. If you take a photo of someone and their eyes are out of focus the whole shot lacks impact. That's how people look at photos, through the eyes of the subject. The eye is all important. In a live situation the subject is more than likely not looking at you, and there's also the bloody ever present microphone getting in the way. In total I've had over 30,000 photographs published, the result of some 2,500 sessions and countless live shows, which have become 400 posters, 450 cd or vinyl covers and over 800 magazine front covers, and I'm still counting. It seems an age has passed since Vince Lovegrove used my shot of Chrissy Amphlett as a tour poster. I guess it has been a long time. Certainly much has happened and I've managed to collect some stories that I think are vaguely intresting along the way – some are downright bizarre and I hope you enjoy them.Oh, and why did I change my name from Moulds to Mott? Well, when I first got a photo credit Moulds didn't look so groovy so I had to come up with an alternative. I looked to the most influential band in my life, Mott the Hoople. The next decision was Tony Mott or Tony Hoople. I went for the former.Everyone should have a Mott the Hoople. In my formative years in college they were the only band that I related to lyrically.They delved into social, political and more general matters, not to mention being a dynamic live act. They were punks before punk had happened, all that and glam rock as well.I've always felt music is an important medium, it can be a sanctuary when things are not so rosy, and a celebration of the joys of life, the two extremes of emotion. And that is why Mott the Hoople have been so important to me. A couple of examples of that are in 1976, when I first left England for Australia, I related to the Ian Hunter album All American Alien Boy, an album about an Englishman arriving in the US, feeling alien and yet loving it. I totally related to the sentiments. Thirty years later, when I lost my best friend who died at an early age and I was finding grief very difficult to deal with, I found solace in the Ian Hunter song “Michael Picasso”, a song about the death of his long-time best friend and David Bowie guitarist Mick Ronson. That's why I believe music is so powerful and important. Everyone should have a Mott the Hoople.
Anthony Alexander King, nombre que le otorgó la policía británica cuando salió de prisión, tras ser detenido por asaltar a mujeres a las que estrangulaba sin llegar a matar, fue conocido en su país como "El estrangulador de Holloway". Ya en España y con su nuevo nombre, retomó su carrera criminal violando y asesinando a varias mujeres jóvenes. Los casos más conocidos fueron los de Rocío Wanninkhof, un error jurídico grave que sucedió cuando, en un ambiente de histeria popular creado por los medios de comunicación y en un juicio plagado de irregularidades por parte de las autoridades judiciales y policiales, Dolores Vázquez Mosquera fue declarada culpable por un jurado popular de la muerte de la joven, asesinada en octubre de 1999 cerca de Mijas, provincia de Málaga. Unos años después, otro asesinato posterior, el de la joven Sonia Carabantes, en agosto de 2003, perimitió que se descubriera al autentico asesino, tras descubrirse que el ADN del asesino de Sonia Carabantes coincidía con el ADN encontrado en pruebas del caso Wanninkhof. Correo: eldiadeautos@gmail.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
After over 30 years of a career in Rock n Roll Photography including touring with the Rolling Stones three times amongst others, British born photographer TONY MOTT is one of a kind. He's photographed Nicole Kidman, Bob Dylan and Fleetwood Mac… and even took some snaps of our host Bradley McCaw. Watch video of this episodeFollow the RC Music PlaylistCheck out Tony's photosFollow Brad everywhere @bradleymccawofficialBrought to by True Arts Podcast NetworkThis interview was originally recorded in late 2021. Created, produced, hosted & engineered by Bradley McCaw.Original sound design by Matt Erskine at Crosspoint SolutionsOriginal Video designed by Adam Shaw at Axis Productions Theme composed by James RyanAbout Tony Mott:After over 30 years of a career in Rock n Roll Photography including touring with the Rolling Stones three times amongst others, Tony decided to branch out into Film and TV Stills Photography commencing in 2005 with the feature, Suburban Mayhem.Tony has worked on numerous features and television series since and has become a sought after photographer in the field.A 30 year retrospective of Tony's work “What A Life” is currently touring Australia after opening at the State Library of NSW in Sydney .Tony lives in Sydney with his wife Libby and two children Harvey and Lucinda Mott and his cat “kitten caboodle”.Except from Tony Mott's website: Trainspotting… travel around the world… life as a Chef on the high seas, a passion for music and few photos along the way. Welcome to Tony's Mott's story – so far.I was born in April, 1956, (that makes me sort of old) and raised in Sheffield, England, quite normally by mum and dad, Mary and Brian Moulds. I was trained as a chef at Sheffield Polytechnic and in 1976 I left England, arriving in Australia for the first time. Using my training I worked in Sydney at the Opera House and the Gazebo before helping a friend open a restaurant in Armidale, New South Wales, called The Blackboard Menu, but I had to leave after six months because I only had a limited working visa. It was at this point that I realised I wanted to live in Australia permanently. I returned to England with the intention of securing a permanent visa, which didn't eventuate. Refusing to allow a little thing like a visa to stand in the way of escaping the UK, I managed to get a job on the SS Oriana as a chef, a wonderful job that lasted two years and took me to over 60 countries as diverse and interesting as Puerto Rico, Egypt, Panama, India, the Caribbean Islands, all around the Mediterranean, Nordkapp (where the sun never goes down and all its inhabitants are bonkers) and elsewhere. It was during this time I developed a strong sense of wanderlust, an affliction which has taken me to India seven times and helped me traverse the Himalayas on a number of occasions. In fact, to celebrate my 40th birthday I had to make a choice between getting pissed in Redfern or walking the Annapurna Circuit with my best friend, I chose the latter.Eventually my job on the ship came to an end and brought me back to Australia and in 1981 I finally managed to settle here permanently. I got my old job back at the Gazebo Hotel in King Cross, which, as it turns out was a perfect location to embark on the next stage of my life.I've often thought about my penchant for travel and trainspotting (that's a whole other story right there!) and always go back to my childhood in Sheffield. When I was about eight or nine years old my mum and dad used to visit the local pubs, including one called the Castle Inn. My sister and I used to sit on the wall outside with our crisps and fizzy pop watching the trains go by. From this point we could see the trains disappear into a tunnel and I always wanted to know what was on the other side of that tunnel. Eventually I got to the other side of the tunnel and just kept on going!! Finally I got to and settled in Sydney.In the early 1980s Sydney had a brilliant live music scene. Every night of the week you could see any number of excellent bands at any number of excellent venues, right across the city. Working as a chef meant I usually finished work around midnight, not a bad situation for somebody like me who loved music. I'd leave work and hop into any given venue. On Monday nights I used to go to the Piccadilly Hotel in the Cross to see the Divinyls play. They had a residency at the venue and at this stage they were unsigned and largely unknown. Singer Chrissy Amphlett didn't do a lot in those days. The stage persona she later became famous for was non-existent but, suddenly it seemed, she became a loony on stage wearing the schoolgirl uniform and gyrating about.During my days sailing the seven seas I'd developed a strong desire to document photographically the amazing places I saw. So every Monday night after work at the Gazebo I used to hone my fledgling skills by snapping away at the Divinyls. A lot of crap shots were taken but after four months the band's manager, Vince Lovegrove, who'd obviously seen me shooting away, asked to see the shots, one of which he chose and used as a tour poster. I was well chuffed! To top it off he paid me 20 bucks – my first foray into professional photography.I was very green in those days, typified when Vince told me that my name was on the door for the band's next gig. I had no idea what this expression meant and for the next two months I continued to pay my way into their shows. One night he saw me and said, “You know your name's on the door, don't you?” Not wishing to appear unsophisticated, I replied, “Yeah, I know. Isn't that great,” thinking that somewhere – perhaps the band's rehearsal studio – there was a door on which they'd written my name as a mark of respect. Just shows you how much I had to learn about the music industry.By 1983 the Divinyls tour poster had had a snowball effect on my career and before long other bands were asking me to shoot their gigs. One day I walked into the offices of the free paper On The Street, then in its infancy and long before the term street press had ever been coined. I started getting work through the paper.About a week before I went to “On The Street”, Margaret Cott, now publisher of “The Drum Media”, had just started as a layout girl and so began a professional relationship with her which lasts to this day. Within a year Margaret had become editor and I was photographing anything that moved, anywhere, anytime. All this and I was still working full-time at the Gazebo.It was 1985 and for a short period of time during that year I got married. My wife was Swedish (and to my knowledge still is) but I won't go into the topic any further other than to say she now lives in Sweden and I still live in Sydney. Anyway, she had suggested I head back to England and so I did, and with my few contacts in the industry I spent the summer of 1986 drinking a lot and generally having a good time going to music festivals. I went to Reading, Milton Keynes and so on, seeing tons of bands. I haven't managed to work out how to this day, but I managed to photograph Queen at Knebworth, which was a hell of an experience. I also went to Paris and New York that summer, purely as a drunken wanderlust thing as opposed to seriously pursuing anything professionally.When I got back to Australia, Mick Jagger was touring to promote his first solo album. While I was away, and unbeknownst to me, Jagger's manager, Tony King had been trying to track me down wanting to hire me as Jagger's tour photographer. To this day I have no idea who recommended me for the job but I'm extremely grateful. Eventually I made contact with Tony King and as it turned out they were not happy with whoever it was they had hired instead of me. By this stage the tour was in Melbourne so I went down and met Tony in his hotel room. I don't think I would be giving anything away when I say that Tony King is what you would describe as an effervescent gay man and when I met him he enthusiastically expounded the virtues of Sydney. “Oh I love Sydney,” he said, “so many sailors in the one city.” I thought, what have I got to do to get this gig? Tony King, it should be pointed out, is a lovely man and I have always gotten on extremely well with him on a professional basis. But that was the start of my relationship with Mick Jagger and eventually the Rolling Stones. It was an enormous break which has resulted in me touring with the Stones three times. As I've said, I have no idea how I got the gig because I was only reasonably well-known as a live photographer in Sydney at that point. And to think I nearly missed out because I was getting legless overseas!!To illustrate how absurd the music industry can be at times, at the end of tour party I could hear people behind me talking about the tour photographer and how “he's just come back from working in London, Paris and New York, don't you know”. I suddenly realised they were talking about me! Little did they know I was basically having a good time in these places and not doing the glamorous jobs they imagined.As a consequence of the Jagger gig I toured in the same year with Bob Dylan and Fleetwood Mac. I wasn't any better as a photographer but once I had gigs of that calibre in my CV I looked so much better. That period was the beginning of my first break.It was 1988 and with these three enormous gigs under my belt I was going out at least five nights a week just to see bands. I'd worked out by now what having my name on the door actually meant so I was saving myself a small fortune. The Sydney scene during this time was fertile. There were great bands in great venues happening every night of the week; a favourable environment in which to grow as a rock'n'roll photographer.More breaks came my way in the early 1990s. I did a book called Still Noise with four other photographers, the album cover photography for Tommy Emmanuel's Dare To Be Different and the Beasts of Bourbon's Black Milk. It was all moving along quite nicely in a relatively short period of time. I'm proud of both those album covers because they're so radically different. Tommy Emmanuel's album was so obviously mainstream and commercial while the Beasts of Bourbon was very inner city and independent, and that's one of the things I love about working in the music industry – one minute you can be working with somebody like Lucinda Williams and the next minute working with the likes of Slipknot. They're vastly different performers with vastly different personalities to be captured through the lens. But I digress.I guess the next major event that boosted my career was the start of the Big Day Out in 1992. In the late 80s and early 90s I'd been regularly heading over to Europe and the US every couple of years to check out the summer music festivals. I really couldn't understand why Australia didn't have its own version of the UK's Reading or Glastonbury festivals. Being staged in the UK, when those festivals take place, it's an added bonus when it doesn't rain, so why, with our weather and talented bands, why should we miss out??Enter Ken West. Obviously Ken had been to these festivals, too, and had some thoughts about doing an Australian festival, and so began the Big Day Out. He's now one of the most respected promoters in the country and the Big Day Out is highly regarded both here and overseas. It became very successful very quickly and in the space of four years was at the same level as the festivals in the UK. So the Big Day Out was a valuable break for me. Every year I go on the road with the Big Day Out as it tours around Australia. This means I get to build a rapport with the bands I shoot, which is a luxury not often afforded a photographer.It's always easier to work with people who you feel relaxed with and vice versa. I don't work like a fashion photographer – I've never treated a musician as a model. A lot of photographers do because they presume there's a lot of glamour involved. Musicians are not thespians and they're not models so you need to build a rapport with them. Musicians can often feel uncomfortable in front of the camera, so relaxing them is an imperative. Obviously I'm referring to session work here. Live is a completely different kettle of fish. The disadvantage of doing sessions is that the artist is doing something that doesn't come naturally to them. The advantage is that you as the photographer have complete control over the environment, things like lighting. The difficulty is getting the artist comfortable. The live situation is the opposite, the artist is in their natural environment but the photographer is not, you have no control over the lighting and so on. The quality of your shots is reliant on the lighting guy and the movement of the artist.Eye contact is vital in photography. If you take a photo of someone and their eyes are out of focus the whole shot lacks impact. That's how people look at photos, through the eyes of the subject. The eye is all important. In a live situation the subject is more than likely not looking at you, and there's also the bloody ever present microphone getting in the way. In total I've had over 30,000 photographs published, the result of some 2,500 sessions and countless live shows, which have become 400 posters, 450 cd or vinyl covers and over 800 magazine front covers, and I'm still counting. It seems an age has passed since Vince Lovegrove used my shot of Chrissy Amphlett as a tour poster. I guess it has been a long time. Certainly much has happened and I've managed to collect some stories that I think are vaguely intresting along the way – some are downright bizarre and I hope you enjoy them.Oh, and why did I change my name from Moulds to Mott? Well, when I first got a photo credit Moulds didn't look so groovy so I had to come up with an alternative. I looked to the most influential band in my life, Mott the Hoople. The next decision was Tony Mott or Tony Hoople. I went for the former.Everyone should have a Mott the Hoople. In my formative years in college they were the only band that I related to lyrically.They delved into social, political and more general matters, not to mention being a dynamic live act. They were punks before punk had happened, all that and glam rock as well.I've always felt music is an important medium, it can be a sanctuary when things are not so rosy, and a celebration of the joys of life, the two extremes of emotion. And that is why Mott the Hoople have been so important to me. A couple of examples of that are in 1976, when I first left England for Australia, I related to the Ian Hunter album All American Alien Boy, an album about an Englishman arriving in the US, feeling alien and yet loving it. I totally related to the sentiments. Thirty years later, when I lost my best friend who died at an early age and I was finding grief very difficult to deal with, I found solace in the Ian Hunter song “Michael Picasso”, a song about the death of his long-time best friend and David Bowie guitarist Mick Ronson. That's why I believe music is so powerful and important. Everyone should have a Mott the Hoople.
Anthony Alexander King, nombre que le otorgó la policía británica cuando salió de prisión, tras ser detenido por asaltar a mujeres a las que estrangulaba sin llegar a matar, fue conocido en su país como "El estrangulador de Holloway". Ya en España y con su nuevo nombre, retomó su carrera criminal violando y asesinando a varias mujeres jóvenes. Los casos más conocidos fueron los de Rocío Wanninkhof, un error jurídico grave que sucedió cuando, en un ambiente de histeria popular creado por los medios de comunicación y en un juicio plagado de irregularidades por parte de las autoridades judiciales y policiales, Dolores Vázquez Mosquera fue declarada culpable por un jurado popular de la muerte de la joven, asesinada en octubre de 1999 cerca de Mijas, provincia de Málaga. Unos años después, otro asesinato posterior, el de la joven Sonia Carabantes, en agosto de 2003, perimitió que se descubriera al autentico asesino, tras descubrirse que el ADN del asesino de Sonia Carabantes coincidía con el ADN encontrado en pruebas del caso Wanninkhof. Correo: eldiadeautos@gmail.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Join John Kitchens and his guests on this riveting episode where they delve into the art of unlocking potential and achieving unparalleled success in the real estate industry, with a special focus on the power of agent attraction. This episode serves as a treasure trove of insights for business owners seeking clarity amidst uncertainty, offering a lifeline through actionable advice and strategic guidance on agent attraction and beyond. The discussion kicks off with a celebration of recent successes within the group, including a record-breaking month for one member and the impactful reach of webinars. The conversation seamlessly transitions into the core theme of agent attraction and the critical role of consistency in expanding one's headcount. The hosts underscore the indispensable value of implementing a systematic approach to foster a thriving business environment. Highlighting the importance of preparedness and strategic planning, they share information on upcoming boot camps and training sessions spearheaded by industry veterans like Wally Bressler and Dave Zagenski, designed to equip agents with the skills needed to navigate the dynamic real estate market. In an insightful market update, the hosts address the challenges posed by low inventory levels, noting the regional variations and adapting strategies accordingly. Special shoutouts are given to Joe Brickman's 90-day challenge program and Dave Zagenski's remote agent program, both lauded for their transformative impact on participants. The episode also shines a light on Tony King's live interview on Honey Badger Nation, where he shares insights into the farm and ranch division, further illustrating the diverse opportunities within the real estate sector. Listeners are left with a wealth of actionable items, including booking a call for personalized business advice, leveraging resources like the seller's guide and pre-listing packages, and engaging with upcoming educational events. This episode not only motivates agents to refine their approach to real estate but also encourages them to embrace leadership roles and leverage opportunities for growth. This episode is more than just a podcast episode; it's a comprehensive guide for real estate professionals at any stage of their career. From strategic investments and building a dedicated team to leveraging technology and enhancing operations, this episode is packed with knowledge, practical advice, and inspiration. Whether you're a newcomer to the industry or a seasoned professional looking to streamline your strategy, this episode offers invaluable insights into refining your real estate approach, committing to detailed planning, setting boundaries, and architecting a future marked by success, fulfillment, and financial freedom. WHAT CAN HELP YOU? We have created a brand new training, "7Figure Blueprint" that shows how to grow to 7 figures without the chaos and overwork. In this training, you'll uncover the three biggest myths limiting your growth, learn sustainable strategies for long-term success, and be introduced to a proven system that fast-tracks your transition from agent to CEO. Feel free to dive in: https://7FigureBP.com/ Let's make it happen!
Sumario Informe Enigma Dirige y Presenta: Jorge Ríos Escúchanos cada viernes de 23:00h a 01:00h en directo en Radio Platja d'Aro. Síguenos a través de nuestras redes sociales o contacta con nosotros en el siguiente correo electrónico: enigma-rpa@hotmail.com https://danielortegaescritor.com/ Contacto Yolanda Martínez: 647552954 Contacto Beatriz Artola: +49 1525 9736982 / kera.coach@gmail.com No olvides apoyarnos en el apartado de mecenas. El día 7 de Enero de 1948, la torre de control ubicada en el aeropuerto militar de Godman recibía una llamada telefónica por parte de la policía de Kentucky, alertando sobre un aluvión de avisos que hacían referencia a un objeto brillante atravesando el cielo a gran velocidad. Los 3 militares que ocupaban en aquel momento la torre de control pudieron localizar dicho objeto al suroeste de su posición, el cual se mantuvo en su campo de visión desde las 14:20 hasta las 14:55 horas. En ese mismo momento, el escuadrón del que formaba parte Mantell se encontraba haciendo prácticas de vuelo sobre la zona, por lo que fueron contactados por los controladores aéreos con el fin de que se dirigiesen al lugar en el que se encontraba el objeto volador no identificado. A partir de ese momento, se sobrevino la tragedia. Hoy, con Debora Goldstern hablaremos de este incidente OVNI considerado como hostil. Y además: Hablaremos con Daniel Ortega sobre la segunda parte de la vida del General Patton, También tendrmos a Juan Rada con quién destriparemos el caso de Tony King, el asesino de Sonia Caravantes y Rocio Wanninkhof. Y para concluir, hablaremos de mensajes del más allá con Yolanda Martínez. ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/277207
Sumario Informe Enigma Dirige y Presenta: Jorge Ríos Escúchanos cada viernes de 23:00h a 01:00h en directo en Radio Platja d'Aro. Síguenos a través de nuestras redes sociales o contacta con nosotros en el siguiente correo electrónico: enigma-rpa@hotmail.com https://danielortegaescritor.com/ Contacto Yolanda Martínez: 647552954 Contacto Beatriz Artola: +49 1525 9736982 / kera.coach@gmail.com No olvides apoyarnos en el apartado de mecenas. El día 7 de Enero de 1948, la torre de control ubicada en el aeropuerto militar de Godman recibía una llamada telefónica por parte de la policía de Kentucky, alertando sobre un aluvión de avisos que hacían referencia a un objeto brillante atravesando el cielo a gran velocidad. Los 3 militares que ocupaban en aquel momento la torre de control pudieron localizar dicho objeto al suroeste de su posición, el cual se mantuvo en su campo de visión desde las 14:20 hasta las 14:55 horas. En ese mismo momento, el escuadrón del que formaba parte Mantell se encontraba haciendo prácticas de vuelo sobre la zona, por lo que fueron contactados por los controladores aéreos con el fin de que se dirigiesen al lugar en el que se encontraba el objeto volador no identificado. A partir de ese momento, se sobrevino la tragedia. Hoy, con Debora Goldstern hablaremos de este incidente OVNI considerado como hostil. Y además: Hablaremos con Daniel Ortega sobre la segunda parte de la vida del General Patton, También tendrmos a Juan Rada con quién destriparemos el caso de Tony King, el asesino de Sonia Caravantes y Rocio Wanninkhof. Y para concluir, hablaremos de mensajes del más allá con Yolanda Martínez.
AFTCA President and amateur all-age competitor Mr. Tony King joins "The Breakaway Podcast" to talk about his trek from hunter to consumate amateur competitor, a bridge through the NBHA, the AFTCA and the Purina Event Sponsorship Program, big picture items in the world of field trialing, and whole host of other topics. Also, NBHA Futurity Director Mr. Jim Ogle drops in to give us the details on the upcoming NBHA National Open Breeders Invitational Championship, the NBHA Futurity, and the Jerry Kilgore Puppy Classic this February in Grovesprings, MO! PLUS, a big announcement of a potential opportunity whether its for your first time or, further yourself into the ranks of high level field trial dog ownership! All this and more on this episode of "The Breakaway Podcast"! www.nbhadog.org Sponsors: Purina Pro Plan, Gun Dog Supply, onX Hunt, Gundog Central, Mule Brand Gear and Apparel, Garmin, & Park Cities Quail Coalition. #fieldtrials #pointingdogs #walkingfieldtrials #horsebackfieldtrials #birdhunting #birddog #birddogs #birddogfieldtrials #fieldtrials #proplansportingdogs #coverdogfieldtrials #uplanddog #uplandhunting #uplandbird #birddogtraining #americanfield
A New Year selection box including…Nicky's conversation with Tony King, promoter to some of the most famous bands ever - including Queen and the Beatles.A trip to Zara the dominatrix's dungeon to explore why people pay for pain.A daring tale of crime and adventure - David McMillan recounts his escape from a notorious Thai prison.Joy Milne and Perdita Barran tell Nicky how Joy's super-smelling superpower lead to a huge scientific breakthrough.*** This episode has themes of bereavement, if you've been impacted by any of the issues discussed you can find support at bbc.co.uk/actionlineProduced by Audio Always Producer: Ailsa Rochester Editor: Jo Meek Sound Design: Ailsa Rochester
This week, Day 6 serves up some of our favourite musical stories of the year. Tony King recounts his life serving and partying with the icons of 1960s and 70s rock; Kid Koala explains the theatrical alchemy of The Storyville Mosquito; music critic Melissa Vincent charts André 3000's progress from hip-hop icon with Outkast to ambient flautist on New Blue Sun; and wardrobe manager Rebecca Sevrin takes us backstage on Kiss' farewell tour.
Rave out Euro style in this wild edition of the Megamix! :) Tracklist for May 24, 2023 01 :: Interceptor 17 - Interceptor 17 (Original) 02 :: E-Zee Possee - Love On Love (Bombed Out In Peru) 03 :: Vision Masters & Tony King feat. Kylie Minogue - Keep On Pumpin' It (Angelic Remix) 04 :: Praga Khan feat. Jade 4 U - Injected With A Poison 05 :: Rhythm Quest - Closer To All Your Dreams (Piano Mix) 06 :: Anticapella - 2√231 (House Mix) 07 :: Den Harrow - Take Me (Hard Mix) [ZYX ...
Although she had been signed to PWL in the UK for a while and scored a couple of hits with remakes of "Don't Make Me Over" and "Walk On By", Sybil went into the studio with Stock Aitken Waterman in 1990 to record soulful ballad "Make It Easy On Me". The American singer/songwriter joins us to discuss starting out with US label Next Plateau in 1986, her string of club hits that caught the attention of PWL, those Bacharach & David covers with Tony King's pivotal remix work and what it was like working with SAW themselves. Earlier in the episode, Matt Aitken helps us unpack "Wow Wow Na Na" by Grand Plaz and "Ole Ole Ole" by LA Mood — two SAW-produced dance tracks that were released anonymously. And as we reach Jason Donovan's final single from Between The Lines, "I'm Doin' Fine", we hear from him and his tour backing singer Dannielle Gaha about life — and love! — on the road.Subscribe for bonus material at chartbeats.com.au/sawTwitter: @ChartBeatsAU, @MrMattDenbyInstagram: @chartbeatsauFacebook: Chart Beats: A Journey Through PopEmail: chartbeats.au@gmail.com
A gender non-binary high school student thinks politicians need to listen to students first or risk putting them in danger when it comes to policies mandating parental consent in order for the use of a student's chosen name and pronouns; we explore how teachers facing subject bans can take lessons from classic hip-hop culture; getting rid of the 'smoke taint' in wine is actually really complicated; the Slinky is 80 and we look at the woman behind its success; Tony King, the legendary music promoter, describes working closely with John Lennon, Freddie Mercury and other rock royalty; and more.
This week on Different Nicky meets Tony King, a record promoter who worked with John Lennon, the Rolling Stones, Freddie Mercury and remains a close friend of Elton John's. He tells Nicky about working with the most famous people on earth, Studio 54 in its heyday and shopping with Freddy. WARNING: This episode contains adult content and references to substance abuse. Produced by Audio Always Producer: Ailsa Rochester Editor: Jo Meek Sound: Ailsa Rochester
This week on Different Nicky explores the band which changed his life, with two people who were there while the music was being made - Pattie Boyd and Tony King. Pattie Boyd was married to George Harrison, then later Eric Clapton, and George wrote the song "Something" for her. She tells Nicky about meeting him, her career as a model, what it was like to be married to a Beatle and how George and Eric remained friends. Tony is a retired record promoter who worked closely with the Rolling Stones, Elton John and the Beatles, and we find out what John Lennon said really happened between him and Brian Epstein WARNING: This episode contains references to sex and substance abuse. Produced by Audio Always Producer: Ailsa Rochester Editor: Jo Meek Sound: Ailsa Rochester
Hoy nos adentramos en un caso que estremeció a toda una nación y mantuvo en vilo a la opinión pública durante años: el caso de Tony King y los asesinatos de Sonia Carabantes y Rocío Wanninkhof. Acompáñanos mientras desentrañamos los detalles de este enigma criminal y seguimos el camino de la investigación, desde las primeras sospechas hasta el impactante desenlace en los tribunales. Descubriremos cómo la verdad se abrió paso entre el caos, y cómo la perseverancia y el coraje de algunas personas lograron hacer justicia. Hoy en Los sábados mando yo.... El caso Wanninkhof - Carabantes. //Enlaces: https://es.wikipedia.org/wiki/Caso_Wanninkhof https://www.lavozdegalicia.es/noticia/espana/2000/10/19/cuerpo-rocio-wanninkhof-desfigurado-acido-avispas/0003_247335.htm https://www.europapress.es/otr-press/cronicas/noticia-cronica-juicio-forenses-dicen-heridas-rocio-wanninkhof-son-compatibles-arma-descrita-king-20061129192243.html https://www.elmundo.es/elmundo/2001/09/13/sociedad/1000385771.html https://www.malagahoy.es/malaga/Wanninkhof-director-Instituto-Medicina-Legal_0_209679615.html https://e00-elmundo.uecdn.es/documentos/2003/03/espana/sentencia_wanninkof.pdf https://www.diariosur.es/20061129/malaga/juicio-king-rocio-wanninkhof_200611291831.html https://www.lavanguardia.com/television/20211126/7891814/tony-jurado-novio-rocio-wanninkhof-salvame.html https://uvadoc.uva.es/bitstream/handle/10324/19322/TFG_F_2015_170.pdf?sequence=1&isAllowed=y Sonia Carabantes https://www.larazon.es/sociedad/20200815/rlbxm4lllndsbgqje5m5wbrvnq.html https://confilegal.com/20160729-asesinato-sonia-carabantes-se-pudo-se-debio-evitar/ https://sevilla.abc.es/andalucia/malaga/sevi-aranazo-descubrio-asesino-tony-king-mijas-202106241124_noticia.html https://www.laopiniondemalaga.es/malaga/2005/10/26/sonia-carabantes-sufrio-37-lesiones-29229175.html https://www.infobae.com/historias/2021/03/09/dos-jovenes-brutalmente-asesinadas-una-acusada-inocente-y-un-perverso-sexual-que-buscaba-el-dolor-de-sus-victimas/ https://www.telecinco.es/noticias/sociedad/tony-alexander-king-bromwich-asesino-rocio-wanninkhof-sonia-carabantes-estrangulador-holloway_18_3238998306.html https://www.lavanguardia.com/sucesos/20180727/451116505329/tony-alexander-king-asesino-rocio-wanninkhof-sonia-carabantes-psicopata-holloway-las-caras-del-mal.html?utm_source=facebook&utm_medium=social&utm_content=sucesos&utm_campaign=lv&fbclid=IwAR10u1x3dCDOyvHV416QSD7WUKoswOKuzmBpCsVb2BqXKfgboJqY1pNC5AI https://www.elmundo.es/elmundo/2003/09/22/sociedad/1064218068.html https://www.elmundo.es/elmundo/2005/11/15/sociedad/1132058128.html https://www.diariosur.es/prensa/20061124/malaga/mujer-king-declara-denuncio_20061124.html Wikipedia (https://es.wikipedia.org/wiki/Caso_Wanninkhof) Libros relacionados con el caso: "Matar a un ruiseñor" de Dolores Redondo: Este libro relata la historia del caso Rocío Wanninkhof y su impacto en la sociedad española. Aunque no se centra únicamente en el caso en sí, ofrece una mirada interesante sobre los aspectos sociales y mediáticos del crimen. "El caso Rocío Wanninkhof" de Pedro Luis Gallego: El autor, periodista y escritor, ofrece una detallada investigación sobre el caso y examina las diferentes facetas del mismo, incluyendo el papel de los medios de comunicación y los errores judiciales que se cometieron. "El error judicial: Crónica de un caso anunciado" de Luis Rendueles: Este libro explora el caso desde una perspectiva crítica, analizando los errores judiciales que llevaron a la detención y condena inicial de Dolores Vázquez, así como el impacto en la vida de la acusada y el funcionamiento del sistema de justicia. "La luna en el desierto" de Elia Barceló: Aunque no se centra exclusivamente en el caso de Rocío Wanninkhof, esta novela de ficción se inspira en el contexto del caso y examina temas como la injusticia, el prejuicio y el poder de los medios de comunicación. Hay varias series y documentales sobre el caso: "Desaparecidos" (TVE): Este programa de televisión abordó el caso en varios episodios, explorando las circunstancias de la desaparición y el posterior hallazgo del cuerpo de Rocío Wanninkhof. "El caso Wanninkhof-Carabantes" (Netflix): Esta serie documental examina en detalle los crímenes de Rocío Wanninkhof y Sonia Carabantes, incluyendo las investigaciones, los juicios y las repercusiones sociales. "Dolores" (Telecinco): Esta miniserie de ficción se basa en el caso de Dolores Vázquez, centrándose en su detención, juicio y posterior absolución. Explora los errores judiciales y el impacto personal que tuvo en la vida de Dolores. "Asesinato en la Costa del Sol" (Discovery+): Este documental profundiza en el caso de Rocío Wanninkhof, su desaparición y asesinato, así como las implicaciones legales y mediáticas del caso. //Nos Puedes Encontrar en estos lugares: Mi Lista de Amazon https://www.amazon.es/hz/wishlist/ls/11MB382F78KC6?ref_=wl_share Telegram Grupo : https://t.me/LosSabadosMandoYo Facebook: https://www.facebook.com/Lossabadosmandoyo Instagram: http://www.instagram.com/lossabadosmandoy Twitter: https://twitter.com/SabadosMandoYo Spotify : https://open.spotify.com/show/7JMeLxFHMtWHEVRGRCY4KO?si=o_HA9s7DR6KFXF_1RRK8KQ Apple Podcast : https://podcasts.apple.com/es/podcast/los-sabados-mando-yo/id1479960558 Ivoox : https://www.ivoox.com/podcast-sabados-mando-yo_sq_f1774095_1.html Feed : https://www.ivoox.com/sabados-mando-yo_fg_f1774095_filtro_1.xml
Tony King was general manager of Apple US in the early 70s, but thereafter worked directly with John and Ringo, promoting their work from 1973 through 1975. Beyond that, he was a true British rock Zelig figure, partying with The Beatles the night before they flew to America for their 1964 Ed Sullivan Show debut; … 260: Tastemaker Tony King Read More » The post 260: Tastemaker Tony King appeared first on .
Tony King was general manager of Apple US in the early 70s, but thereafter worked directly with John and Ringo, promoting their work from 1973 through 1975. Beyond that, he was a true British rock Zelig figure, partying with The Beatles the night before they flew to America for their 1964 Ed Sullivan Show debut; working with Andrew Oldham and the Stones during their "Satisfaction" heyday; thereafter for George Martin and AIR Studio, and then Apple. He also befriended Elton John (before he was) as well as tons of others. His story has just been published in "The Tastemaker: My Life with the Legends and Geniuses of Rock Music." (He's also in the May Pang doc, The Lost Weekend: A Love Story.) You can get his backstory here: https://www.gq-magazine.co.uk/music/article/tony-king-interview and see him as "the Queen" in this 1973 Mind Games TV ad: https://youtu.be/lx-DNpoKfVg We covered a ton of topics, including all the aforementioned plus the AIDS tragedy and his favorite music.
On this episode of The It's Only Rock And Roll Podcast, record promoter / press liaison / artistic director TONY KING discusses his seven decades as a behind the scenes figure in rock & roll, whose work proved vital in both the careers and lives of artists like Roy Orbison, John Lennon, Elton John, and most notably The Rolling Stones, as tour press director for over 20 years. From his days as a young man looking after artists for Decca Records, to attending the infamous live taping of The Beatles “All You Need is Love”, to playing an integral role in John Lennon's last live concert appearance joining Elton John on stage in 1974, Tony recounts his amazing rock & roll adventures, as well as his new autobiography “The Tastemaker: My Life with the Legends and Geniuses of Rock Music”. ----------------------------------- ֎ To order “The Tastemaker: My Life with the Legends and Geniuses of Rock Music” visit https://amzn.to/3LOAXhN/ Visit the 'It's Only Rock And Roll PODCAST' online at: ● Homepage – http://www.ItsOnlyRockAndRollPodcast.com ● Facebook – https://facebook.com/ItsOnlyRockAndRollPodcast/ ● YouTube - https://www.youtube.com/ItsOnlyRockAndRollPODCAST ● Instagram - @itsonlyrockandrollpodcast © 2023 Howlaround Productions. All rights reserved.
“This is the worst handwriting I've ever seen” is a pretty common refrain this week's guest has heard throughout his career in the music business. His standard reply was “Are you hiring me for my handwriting or are you hiring me for my music knowledge?” After you listen to this episode, you'll agree that Carl Michelakos was continually hired for his dizzyingly precise music expertise. His recall of songs, artists, dates and chart positions is downright academic.Carl started with Tower Records in 1968, but was shopping in the record department of Tower Drug Store in 1957. Though he always bought 45 rpm singles at other stores around town (“If I could afford it, I bought it"), on his first visit to Tower he bought Elvis Presley's debut album, his first purchase of an LP. He got the job at Tower after spending a year meeting weekly with KXOA DJ Tony King. King was recording Carl's extensive 45 collection to have a better playlist than the other radio stations in town. Tony King told him he had an interview with Rick Briare at 16th & Broadway in Sacramento because “You belong in the music business”.Seven years with Tower, Carl considered himself a “lifer”. Until an opportunity he had been promised was pulled at the last minute. Shortly thereafter MCA Records came calling. Carl spent 25 years with MCA first servicing all the Tower stores in Northern California where they let him write his own orders. Gigs and promotions in Denver and Atlanta followed.After MCA and Polygram merged, Carl got a call from Stan Goman and Mark Viducich, telling him “We want you to come back home”. Soon after Carl returned to Bayside, the Tower-owned distribution company. Carl headed up Bayside Special Products and later worked on cultivating outside accounts to grow Bayside's business until the end in 2006.Carl also talks to us about the genius of Russ Solomon, having Stan Goman work for him on assignment for a short while, using his position & influence as Singles Buyer to manipulate the charts, the “Dutch Boy” who kept asking him for a job and why Ral Donner (who?) was his favorite rock & roll act of all time. Throughout you will be amazed at Carl's recall of names, dates, chart positions, song titles and the many people he hired and fired.
What we learned as grocery CEOs testified about food prices and profits; how Everything Everywhere All At Once turned the metaverse into a metaphor for Asian American experiences; the Canadian lingerie maker building breast cancer screening tools for Black women into her products; investigating Stew Peters, the conspiracy theorist behind #DiedSuddenly; Tony King looks back on his life with British rock royalty from John Lennon to Freddie Mercury; and more.
Saint Etienne musician and music journalist Bob Stanley appears on this week's Songbook to discuss The House That George Built, Wilfrid Sheed's acclaimed history of the Golden Age of the American song.The conversation also covers everything from abandoned Saint Etienne albums to Bob's experience of writing music for film soundtracks, and the impact that being a music critic has had on his own career as a musician.Bob's 2022 book, Let's Do It: The Birth of Pop was described as "wide-ranging and learned, opinionated and funny, and justly critically acclaimed" by the Guardian - Let's Do It: The Birth of Pop a book by Bob Stanley. (bookshop.org)Books mentioned in the podcast:The House That George Built: With a Little Help from Irving, Cole, and a Crew of about Fifty by Wilfrid Sheed 9780812970180: The House That George Built: With a Little Help from Irving, Cole, and a Crew of about Fifty - Sheed, Wilfrid: 0812970187 - AbeBooksYeah Yeah Yeah by Bob Stanley Yeah Yeah Yeah: The Story of Modern Pop a book by Bob Stanley. (bookshop.org)A Wop Bopaloo Bop Alop Bam Boom by Nick Cohn A Wop Bopaloo Bop Alop Bam Boom. Pop- History. by Nik Cohn | medimops (abebooks.co.uk)England's Dreaming: The Sex Pistols and Punk Rock England's Dreaming a book by Jon Savage. (bookshop.org)Rhythm And The Blues: A Life in American Music by Jerry Wexler Rhythm And The Blues: A Life in American Music by Jerry Wexler: GOOD Hardcover (1993) | Discover Books (abebooks.co.uk)The Tastemaker: My Life with the Legends and Geniuses of Rock Music by Tony King The Tastemaker: My Life with the Legends and Geniuses of Rock Music a book by Tony King. (bookshop.org)What Was Lost by Catherine O'Flynn & E.A. What Was Lost a book by Catherine O'Flynn and E.A Markham. (bookshop.org)You can buy the paperback edition of Jude's The Sound of Being Human: How Music Shapes Our Lives here: The Sound of Being Human a book by Jude Rogers. (bookshop.org)Finally, White Rabbit's Spotify Playlist of 'booksongs' - songs inspired by books loved by our guests - is here: https://open.spotify.com/playlist/7chuHOeTs9jpyKpmgXV6uo Hosted on Acast. See acast.com/privacy for more information.
This week on Rockonteurs, we welcome legendary music PR Tony King to the show. Tony is “the guy in the room” with the biggest names in music and his new book ‘The Tastemaker' tells his remarkable story. Join Gary Kemp and Guy Pratt as they talk to Tony about his life with artists from John Lennon, Keith Richards, Elton John, and Freddie Mercury. The book is a must-read! Rockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.
This week on Rockonteurs, we welcome legendary music PR Tony King to the show. Tony is “the guy in the room” with the biggest names in music and his new book ‘The Tastemaker' tells his remarkable story. Join Gary Kemp and Guy Pratt as they talk to Tony about his life with artists from John Lennon, Keith Richards, Elton John, and Freddie Mercury. The book is a must-read! Rockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.
Dave talked to the fascinating Tony King... ...he's worked with everyone from The Beatles to the Ronettes and Elton John to the Rolling Stones. One of the most influential figures in the music business, he was nicknamed The Tastemaker
“I'm in the studio, dressed as the Queen, doing a commercial for John Lennon.” The music industry insider on Elton John, The Beatles, The Rolling Stones and Roy Orbison.
Music producer to the stars, Tony King, shares his memories of working with some of rock's greatest ever figures.
Tony King talks about his remarkable life. From The Beatles to Elton John and The Rolling Stones, Tony The post Tony King appeared first on The Strange Brew .
I'm joined for this episode by Tony King to discuss his brilliant memoir 'The Tastemaker'. Tony joined Decca Records at 16, and as London started to swing, was one of it's most vital promotion men. Tony got to know The Beatles during the mid 60's, and by the start of the 70s was employed by Apple, and worked on promoting both John and Ringo's solo albums. His friendship with Elton John led him to introduce him to John Lennon - and Tony was directly involved in John's famous Thanksgiving appearance with Elton at Madison Square Garden in 1974.
Mike Parry and Lesley-Ann Jones return for another packed edition of Life on Planet Porky. Topics today include: big coats, regulating your body temperature, the Everton situation, what might be next for Frank Lampard, having a purpose in life, Ken Bruce, Mr Murdoch's new love, choosing to live by yourself or with someone else, Breakfast TV, coffee in the morning, Frank Bough, the off-screen antics of Val Doonican, Nadhim Zahawi's tax case, Tony King, the legacy of Crosby, Stills, Nash and Young, Neil Diamond, Adam and the Ants, Marc Overmars' heart condition, a possible revival for the high street, ordering clothes online, a pay row between the Britain's Got Talent judges, and LAJ's family surprise! It's all here in the podcast that knows how to always get four yesses, it's Life on Planet Porky! Follow the show on Twitter: @PlanetPorky or Mike is: @MikeParry8 while you can find Lesley-Ann: @LAJwriter. Or you can email us questions or comments to: planetporkypod@gmail.com. We'd love to hear from you!
Tony King was there when it all started, working for Decca in the late ‘50s, plugging records on Housewives' Choice and Family Favourites and looking after visiting Americans like the Ronettes, Roy Orbison and Phil Spector. He went on to become a close friend of many of the acts he worked with and his memoir ‘The Tastemaker' is full of wonderful tales and revelations about all of them. As is this podcast which includes … … the day Reg Dwight changed his name (and getting him session work with the Barron Knights). … wearing “lime green trousers, blue moccasins and a kaftan” at the Beatles' One World broadcast. … the weekend with George and Pattie Harrison in Esher when the Daily Express turned up to tell them McCartney had admitted he'd taken acid. … taking Brenda Lee to the pictures. … holidays with Charlie Watts in France and memories of his wake. … why he used to ring Elton up and ask, “what's the weather like there, Jean?” … seeing the Stones at the Scene club with Chrissie Shrimpton. … the advice he gave John Lennon (and getting him on the Old Grey Whistle Test) … and the qualities all stars need to be successful. Buy ‘The Tastemaker: My Life With The Legends and Geniuses of Rock Music' here …https://www.amazon.co.uk/Tastemaker-Life-Legends-Geniuses-Music/dp/0571371930 Tony dressed as the Queen in an ad for John Lennon's Mind Games album …https://www.facebook.com/johnlennon/videos/mind-games-advert/1009681682383878/Subscribe to Word In Your Ear on Patreon for a whole world of extra and exclusive content, benefits and rewards: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Tony King was there when it all started, working for Decca in the late ‘50s, plugging records on Housewives' Choice and Family Favourites and looking after visiting Americans like the Ronettes, Roy Orbison and Phil Spector. He went on to become a close friend of many of the acts he worked with and his memoir ‘The Tastemaker' is full of wonderful tales and revelations about all of them. As is this podcast which includes … … the day Reg Dwight changed his name (and getting him session work with the Barron Knights). … wearing “lime green trousers, blue moccasins and a kaftan” at the Beatles' One World broadcast. … the weekend with George and Pattie Harrison in Esher when the Daily Express turned up to tell them McCartney had admitted he'd taken acid. … taking Brenda Lee to the pictures. … holidays with Charlie Watts in France and memories of his wake. … why he used to ring Elton up and ask, “what's the weather like there, Jean?” … seeing the Stones at the Scene club with Chrissie Shrimpton. … the advice he gave John Lennon (and getting him on the Old Grey Whistle Test) … and the qualities all stars need to be successful. Buy ‘The Tastemaker: My Life With The Legends and Geniuses of Rock Music' here …https://www.amazon.co.uk/Tastemaker-Life-Legends-Geniuses-Music/dp/0571371930 Tony dressed as the Queen in an ad for John Lennon's Mind Games album …https://www.facebook.com/johnlennon/videos/mind-games-advert/1009681682383878/Subscribe to Word In Your Ear on Patreon for a whole world of extra and exclusive content, benefits and rewards: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Tony King was there when it all started, working for Decca in the late ‘50s, plugging records on Housewives' Choice and Family Favourites and looking after visiting Americans like the Ronettes, Roy Orbison and Phil Spector. He went on to become a close friend of many of the acts he worked with and his memoir ‘The Tastemaker' is full of wonderful tales and revelations about all of them. As is this podcast which includes … … the day Reg Dwight changed his name (and getting him session work with the Barron Knights). … wearing “lime green trousers, blue moccasins and a kaftan” at the Beatles' One World broadcast. … the weekend with George and Pattie Harrison in Esher when the Daily Express turned up to tell them McCartney had admitted he'd taken acid. … taking Brenda Lee to the pictures. … holidays with Charlie Watts in France and memories of his wake. … why he used to ring Elton up and ask, “what's the weather like there, Jean?” … seeing the Stones at the Scene club with Chrissie Shrimpton. … the advice he gave John Lennon (and getting him on the Old Grey Whistle Test) … and the qualities all stars need to be successful. Buy ‘The Tastemaker: My Life With The Legends and Geniuses of Rock Music' here …https://www.amazon.co.uk/Tastemaker-Life-Legends-Geniuses-Music/dp/0571371930 Tony dressed as the Queen in an ad for John Lennon's Mind Games album …https://www.facebook.com/johnlennon/videos/mind-games-advert/1009681682383878/Subscribe to Word In Your Ear on Patreon for a whole world of extra and exclusive content, benefits and rewards: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
In powerful pursuit of amusement and distraction we aim the piercing supertrouper of scrutiny this week in the direction of … … why Ry Cooder MUST write a memoir. … records that sounded like nothing you'd ever heard before, eg the Message by Grandmaster Flash and Donna Summer's I Feel Love. ... nighttime footage of the State Funeral rehearsal. … why ‘Delhi Crime' on TV makes the Wire's Baltimore look like Stoke Poges. … dinner with the “fantastically indiscreet” Tony King. … why Hilary Mantel was such a phenomenal writer – and an extract that demonstrates it. … the return of the Stackwaddy game: James Brown/Frank Zappa track or advertising slogan? … Beefheart selling Aldous Huxley a vacuum cleaner. Plus … birthday patron Ed Newman beams in from his shift at the Glasgow Royal Infirmary with thoughts about Ravel's Bolero, Dylan and Beatles podcasts and an inspired music book idea with a medical twist that someone must – MUST! – publish!Grab your EXCLUSIVE NordVPN Deal by going to https://nordvpn.com/yourear to get up a Huge Discount off your NordVPN Plan + 4 months for free! It's completely risk free with Nord's 30 day money-back guarantee!Subscribe to Word In Your Ear on Patreon to receive every future Word Podcast ad-free and before the rest of the world!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
In powerful pursuit of amusement and distraction we aim the piercing supertrouper of scrutiny this week in the direction of … … why Ry Cooder MUST write a memoir. … records that sounded like nothing you'd ever heard before, eg the Message by Grandmaster Flash and Donna Summer's I Feel Love. ... nighttime footage of the State Funeral rehearsal. … why ‘Delhi Crime' on TV makes the Wire's Baltimore look like Stoke Poges. … dinner with the “fantastically indiscreet” Tony King. … why Hilary Mantel was such a phenomenal writer – and an extract that demonstrates it. … the return of the Stackwaddy game: James Brown/Frank Zappa track or advertising slogan? … Beefheart selling Aldous Huxley a vacuum cleaner. Plus … birthday patron Ed Newman beams in from his shift at the Glasgow Royal Infirmary with thoughts about Ravel's Bolero, Dylan and Beatles podcasts and an inspired music book idea with a medical twist that someone must – MUST! – publish!Grab your EXCLUSIVE NordVPN Deal by going to https://nordvpn.com/yourear to get up a Huge Discount off your NordVPN Plan + 4 months for free! It's completely risk free with Nord's 30 day money-back guarantee!Subscribe to Word In Your Ear on Patreon to receive every future Word Podcast ad-free and before the rest of the world!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
“If you have anxiety about personal finance, there's no time like the present, but you don't know until you sit down and take a real wholehearted look at it.” Tony King The ability to efficiently and effectively manage your finances and investments by making smart decisions is key to personal and entrepreneurial success. Tony King helps people manage their money by developing and following personal financial plan, and says that it all starts with adopting a system that enables people to be aware of their cash flows. Tony King founded Personal Financial Strategy to help people optimize their personal money management. Tony is passionate about managing money well, and he's done it for over 40 years. His professional experience includes senior executive leadership of multi-million dollar health care sales teams, managing insurance sales teams, and owning his own financial consulting businesses. On a personal level, he has managed 7-figure personal assets, eliminated 5-figure personal debt and leveraged his cash flow to make great investments. In today's episode, Tony talks about his personal finance, and also gives tips on how to manage personal finances. Media Links; https://www.linkedin.com/in/tony-king-6563585/ I've been a corporate guy for most of my life working as a project manager, but all the while at home, I have been a personal finance nerd. I started bringing little project management techniques into my personal money management, and before long I had a little system put together that sped that whole process up. I left the corporate world in 2020 and decided to try and take some of these techniques that I had developed, and turn them into a business to help people with their finances. I partnered with a guy who was developing a finance professional software called Lifestyle plan, which became the backbone of my business. The beauty of our system is that it sorts out your entire financial life and pulls it together in one place. The system records the data and then we develop a cash flow map for the last 90 days of expenses and analyze them. Commercial break We coach people to approach expenses with a cash flow mindset. If you have anxiety about personal finance, there's no time like the present, but you don't know until you sit down and take a real wholehearted look at it. ………………………………………………… Do you want to be a go to expert that news reporters, anchors and media producers turn to? Are you a media professional looking for credible, reliable and timely guests? Shock Your Media Potential is here for you. Shock Your Media Potential is a one of a kind platform that connects vetted experts with news professionals around the globe. As part of the launch of the platform, CEO Michael Sherlock, along with co-host Eddie Luisi, stage manager for Good Morning America, have interviewed 25 media personalities and professionals to ask them the questions you need to know the answers to in order to become more newsworthy, pitch your story better, and get invited back again and again, and much more. Some of their guests are household names, with exceptional on-camera careers. Others are award-winning directors, producers, camera operators, audio engineers, celebrity hair and makeup professionals, and so much more. To learn more about our platform and our conference today, go to https://www.shockyourmediapotential.com.
This is the audio only from show #3 of my "Laughs" TV Series made for CBS in April of 1987. It features comic-musician Robert Aquayo doing standup and a song, Ken Garr doing some magic, and the Star Mark Schiff closing. Mark is part of the "Funniest Men in the Universe" club with Seinfeld, Paul Riser, and Larry Miller. Also on this show one of the "Videos of the Week" hosted by Tony King introducing a video by comic Bruce Baum. This video stars Jeremy Kramer as Ethel Mermon singing in the shower...Hilarious!!Hosted by: R. Scott EdwardsSupport the show (https://www.buymeacoffee.com/yourhostandmc)
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